Connect with us

Uncategorized

Meet the Jewish teens whose social media experience is better than you think

This article was produced as part of JTA’s Teen Journalism Fellowship, a program that works with Jewish teens around the world to report on issues that affect their lives.

(JTA) — At the SAR High School, an Orthodox Jewish day school  in Riverdale, New York, teens participate in anti-harassment training every fall. Students listen carefully as faculty list the dangers of TikTok, the potential social isolation resulting from excessive social media use, and the negative implicit messaging — both Jewish and otherwise — that often pervades these platforms. 

Yet for many Jewish teens and young adults, social media provides the opposite effect by furnishing them with a voice, community and alternate avenues for exploring identity. 

Olivia Fertig, a student at the Orthodox Ramaz High School in Manhattan, acknowledges that social media might tempt her to one-up someone with a better post or photo, but she also feels connected to the people whose posts she comments on or likes. “Social media allows me to interact with other Jews and come across Jewish content which teaches me more about how other Jews live,” she said.

Despite the risks involved, 35% of teens use YouTube, Tiktok, Instagram, Snapchat and Facebook “almost constantly.” Movies and podcasts from Jewish community leaders warn of the dangers of social media “overuse” and its ravaging effects on teen mental health and cognition. “Teen mental health is plummeting, and social media is a major contributing cause,” the social psychologist Jonathan Haidt told Congress in 2022, citing adolescent mood disorders, self-harm and suicide rates.

But for some observant Jewish teens, social media provides the connection for them to be their authentic selves and learn from others.

Ilana Gadish, a member of the Judaic faculty at SAR High School, highlights the benefits of social media. “When teens, especially Jewish teens, are struggling with personal issues — whether it’s Jewish identity, sexuality, gender identity, relationships or complicated relationships that might be possibly dangerous — social media has so many accounts out there that help teens and adults navigate spaces where people can feel connected to others that aren’t in their life going through the same thing as them,” she said, while acknowledging that social media shouldn’t be the only way young people connect.  

For teen content creators like Tali, who asked that only her first name be used to protect her safety and her family from antisemitism, TikTok helps her explore Jewish identity without the constraints of her real-world Orthodox community. As a self-described “practicing, religious” teen, she creates mainly Jewish content with an overarching aim of exploring sensitive Jewish issues that might otherwise remain unspoken. Specifically, she focuses on the place of women in Orthodox Judaism and seeks to raise awareness of sexual assault in Orthodox Jewish communities. 

In one video, she highlighted the case of a student who had been the victim of sexual abuse, whose identity was kept anonymous. The video provided explicit support for the victim and showed “her that she wasn’t alone.” The video, which has 30,000 views on TikTok, led to a partnership between Tali and Za’akah, an organization that fights child sex abuse in the Orthodox community.

“Learning about Judaism online gives you everyone’s perspective on it, not just your school’s or your community’s,” Tali said. TikTok introduced her to “topics that are considered  taboo and generally not taught in school, like the laws of sex in Judaism etc.”  

This openness may be perceived as dangerous by various community leaders but also as liberating by young social media users. “Social media gives me the freedom to express it [Judaism] however I want without restrictions from community or school etc.,” Tali said. “In certain circles you will be ostracized for voicing certain opinions.” On TikTok she is able to find a peer group that is accepting of her views. 

TikTok also gives her the opportunity to learn about a diverse range of Jews, including Rabbi Seth Goldstein, a Reform rabbi whose popular TikTok videos explain Judaism through pop culture. His beliefs differ from her Modern Orthodox upbringing and allow her to gain a better understanding of his liberal denomination.

Some haredi Orthodox communities, including a number of Hasidic movements, have called for its members to disconnect from social media entirely. In the summer of 2022, two rallies organized by Orthodox rabbis specifically urged Jewish women and teens to rid themselves of these platforms, saying they encourage impure thoughts and gossip. 

And some teens, even among the less insular Modern Orthodox, share this pessimistic view of social media. Jacob Prager, a sophomore at SAR High School, does not have a smartphone and does not use social media. “For the people who say that social media brings them happiness that can actually be dangerous because that’s the only way that you seek to find confirmation and love,” he said. He used to have an Instagram account for school but gave it up when he started getting addicted and didn’t have time to do things he enjoys, like crossword puzzles. “Now that I don’t use it as much I think my mental health is so much better and I’m able to do stuff that I really love,” he said. 

Yet other teens say the good of social media outweighs the negative effects.

A recent study found that a majority of teens, like Tali, credit social media for “deepening connections” rather than fracturing them. Rachel SJ, an LGBTQ actor and content creator who asked to be referred to by their professional name, uses social media to make purposeful bonds with other Jewish creators on these platforms. “There’s something really wonderful about having a wider trans Jewish community, we’re able to share resources, get each other’s more niche jokes, and learn from each other,” they said. 

Rather than suppressing Jewish and other identities, social media provides a unique set of tools for self-expression and authenticity for Rachel and other members of Jewish Tiktok.

As a nonbinary practicing Jew, Rachel also uses their account to make connections and interact with a much wider audience than would be possible on a local level. “I have made so many incredible connections through Jewish TikTok, it almost feels undervaluing to call them just ‘connections,’” Rachel said. “Many of them have become friends, confidants, and support.” 

Rachel met @amaditalks, another Jewish creator who uses ze as a pronoun, through TikTok. “I really appreciate the compassion and humor ze brings to our conversations beyond content, but also about what’s going on in the world and our lives,” they said.

Rachel says these connections would not have been possible in any single community or real-world location. “Sure shared experiences/culture/belief/values etc brought us together but we don’t live in the same place, we very likely wouldn’t have ever met,” they said. “These community members are able to look to each other to talk through it, get input, respond, and stand up together.”


The post Meet the Jewish teens whose social media experience is better than you think appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Judea Pearl: What Reason I Find for Hope After October 7

Supporters of Israel gather in solidarity with Israel and protest against antisemitism, amid the ongoing conflict between Israel and the Palestinian terror group Hamas, during a rally on the National Mall in Washington, DC, Nov. 14, 2023. Photo: REUTERS/Leah Millis

Judea Pearl’s new book, Coexistence and Other Fighting Words: Selected Writings of Judea Pearl, 2002–2025, compiles the author’s writings on topics such as Israel, Zionophobia, antisemitism, the October 7 massacre, and his son, Daniel.

Below is an excerpt from the book, which serves as its epilogue:

Epilogue: The Crater of October 7

Science tells us that the extinction of dinosaurs occurred approximately sixty-six million years ago, when an asteroid struck the Earth, forming a huge crater in the Yucatán Peninsula. An enormous dust cloud blocked the sun, cooled the planet, and disrupted food chains, ultimately leading to the extinction of about 75 percent of all plant and animal species, including the dinosaurs.

Science tells us much about disasters that occurred millions of years ago, but, sadly, it tells us almost nothing about how our lives will be shaped by the giant crater created by the blow of October 7. Looking into its depths, we find ourselves clueless and bewildered about what future might emerge from the dust cloud that still obscures our sun — and what species, movements, or ideas will perish or evolve from the darkness, winter, and confusion it has left behind.

Some say they were surprised by the brutality and hatred of October 7. Others were shocked by the scale of the operation and how close it came to its goal.

As a native Israeli, raised on the stories of the Hebron Massacre (1929) and haunted by the horrific images of the Ramallah lynching (2000), I was not surprised by the brutality and savagery of Israel’s enemies. Nor was I surprised by the depth of their hatred and inhumanity — a reality I painfully experienced in the murder of my son, Danny. Likewise, I already saw the early and deep infiltration of Hamas’ ideology into Western thought. Indeed, this book documents my premonitions about this process and the extent to which Hamas’ ideology mirrors the essential Palestinian mindset: “From the river to the sea.”

What, then, shocked me about the crater of October 7?

I was shocked by how swiftly Zionophobia — the absolute denial of Israel’s right to exist — became normalized, mainstream, and even respectable in Western discourse, precisely at Israel’s moment of greatest vulnerability.

I’ve witnessed many personal attacks on Israel before, but they always followed her victories and achievements. Those attacks I could understand; people instinctively side with the underdog. But the post-October 7 attacks were different. This time, they were driven by a wholehearted desire for Israel’s demise — with all its genocidal implications. The scent of blood, it seems, triggered a hunger for more. Hordes of predators emerged from their ideological tunnels, rushing to indict, sentence, and lynch Israel in the finest tradition of herd madness.

Can the Jewish people survive this madness? Can Western civilization endure the dangers rising from these tunnels?

Ideologies, once metastasized, are deadlier than the sword. We have heard Western intellectuals brand the Bibas family as “settlers,” thus, legitimate targets. Others went even further, labeling them “Nazi guards of a concentration camp.” A civilization capable of generating such images has lost all moral bearings and may not endure for long.

Yet I refuse to say that we are doomed.

Not because the threats aren’t real, but because alongside the spreading moral decay, I have also found islands of moral clarity, primarily among my fellow Jews, my students, and my academic colleagues. The crater of October 7 has created a deeper appreciation of Israel’s centrality in Jewish life, along with a sharper understanding of the outbreak of Zionophobia in its aftermath. This renewed awareness encompasses not only Israel’s historical, cultural, and spiritual significance to Jewish identity, but also its role as the embodiment of Jewish “normalcy.” In these islands of moral clarity, the existence of Israel is now understood to be essential to ensuring that Jews everywhere are treated as equals — not as a unique, tolerated, respected, or admired minority, but as equals. In short, no Jew can be truly equal in the family of man before Israel stands equal in the family of nations.

I cannot end without evoking the victims. I see them, the children of Western civilization, sons and daughters of Isaac and Prometheus: my son, Danny, Ilan Halimi, the Bibas family, the one thousand two hundred murdered on October 7. I imagine them standing up, waiting for me, for us, to say something meaningful. All I can say is Yitgadal Ve’Yitkadash Shmai Rabah — the Jewish prayer of mourning recited in memory of the dead. A prayer that does not mention death or mourning, but glorifies God and expresses hope for a good life and universal peace. It is a humble confession of our inability to comprehend God’s cruel ways of playing with human lives and world order.

I sang this prayer at Danny’s funeral. I said to Danny: “I’ll sing it to you in the special melody that your great-grandfather chanted on Yom Kippur.” It’s a melody that rattles the gates of Heaven and pleads for mending our broken world order.

Yitgadal Ve’Yitkadash Shmai Rabah

Judea Pearl is Chancellor’s professor at UCLA and president of the Daniel Pearl Foundation.

Continue Reading

Uncategorized

He documented a changing Jewish world, and the Jewish world changed him

“I have to tell you,” Bill Aron told me as he walked around The World In Front of Me, a retrospective of his photography at the American Jewish Historical Society. “My photography allowed me to walk into rooms I might never have otherwise walked into.”

We had just looked at some of his work documenting Jews on the Lower East Side of Manhattan in the 1970s and 80s: a sofer bent over a Torah scroll, a glowering rabbi with imposing eyebrows, a Hasidic wedding in the Bobover movement. Each photo begat the next; when he showed a reticent subject the results of his film, they would invite him back to take more.

The Bobover Rebbe at the wedding of his daughter to the son of the Cheshinover Rebbe, in Borough Park, Brooklyn in 1975. Aron was invited to the wedding after photographing the rebbe buying an etrog and sending him the print. Photo by Bill Aron

Aron has become known for his work documenting Jewish communities around the world — his first book, From the Corners of the Earth, shows Jewish life in New York, Los Angeles, Cuba and the then-Soviet Union. His next, Shalom Y’all, was the result of a decade spent in the lesser-known Jewish communities of the American South.

His images are joyous and warm, portraits of resilience and invention, not dour investigations of poverty and antisemitism, offering respect to each subject he was able to meet through his work.

“American Jewish Gothic” by Bill Aron, shot on the Lower East Side in 1975. Photo by Bill Aron

But his camera didn’t just change his access to the communities he documented. It changed Aron’s own experience of his Judaism.

A series of photographs shows scenes from the New York Havurah, a lay-led, egalitarian Jewish religious movement: A rabbi stands in reverent contemplation under his tallit in a misty forest, a child smiles from her father’s shoulders during a Shabbaton. Aron was a member in the 70’s, which is how he found himself in the middle of those scenes. But, he said, he didn’t grow up observant, and without his camera, while he might have been a member, he would have been “a much more passive one,” he said.

Judi Samuels Meirowitz dancing with the Torah on Simchat Torah in 1976, at the Havurah. Photo by Bill Aron

These photos are anything but passive. People smile or glower directly into the camera, and proudly present their life to the lens — a handful of shrimp from a Jewish man who built a business selling the shellfish to New Orleans restaurants, a woman showing off a bowl full of her famous chopped liver, a woman grinning as she carries a Torah on Simchat Torah. There is a clear symbiosis between Aron and his subjects, in which they each shaped and enlivened each other.

This, Aron said, was not the style of street photography at the time he came up. People were not supposed to document their own communities, nor were they supposed to engage with their subjects.

“It was frowned upon to study your own community — you were supposed to go out,” he said. “Street photography was supposed to be dispassionate.”

But of course people saw the camera and reacted to it, so he embraced that fact, spending hours talking to his subjects and learning their stories. Now that he has bequested his work to the AJHS, those stories are now preserved not only in images but also in a podcast accompanying the exhibit, in which Aron is able to preserve the memories behind each photograph.

New Orleans, LA, Michael Shackleton, Shrimper, 1989. Aron said Shackleton found New York too crowded when he immigrated, so he ended up in New Orleans, where he set up a business selling shrimp to restaurants from the docks. Photo by Bill Aron

The stories come through in the images alone, too; each shot is redolent of Aron’s affection for his subjects. An Israeli soldier in Jerusalem’s Old City makes flirtatious eye contact with a woman as his companions smirk. An elderly man on a bench dives in to kiss his wife on the cheek. Holocaust survivors beam out from full color photos, not reduced to the numbers on their arms but presented as “people who lived lives, lived beyond their nightmares, had families where they could, given back to their communities,” Aron said.

“Border Patrol Flirt Squadron,” taken in Jerusalem’s Old City in 1980. “I wish I knew whether they ever got together,” Aron said. Photo by Bill Aron

Not every image, on its surface, seems Jewish — there isn’t always a yarmulke or a lulav or a Torah scroll in frame. Nevertheless,  Aron manages to find the sense of Jewishness that knits these images into the tapestry of Jewish life.

In a photo of a couple embracing at the liquor store they ran in Arkansas as part of the Shalom, Y’all series, Aron told me that only the husband was planning to be photographed, because his wife wasn’t Jewish. The photographer invited her anyway, and the couple ended up explaining that an Orthodox rabbi had performed their marriage ceremony. This seemed wrong to Aron — Orthodox rabbis don’t perform intermarriages — so they produced their marriage certificate to show him. As they pulled it out of the envelope, he recounted, another slip of paper fell out in which the rabbi had written that the wife had consented to become a member of the people of Israel and was now a Jew, a fact she was unaware of but delighted, Aron recalled, to discover.

“I loved interacting with people while I was photographing,” he said, “and the people became part of the portrait.” Aron did too.

The World in Front of Me is showing now through June 4 at the American Jewish Historical society. More information is available here.

The post He documented a changing Jewish world, and the Jewish world changed him appeared first on The Forward.

Continue Reading

Uncategorized

Prosecutors charge Capital Jewish Museum shooter with terrorism

Federal prosecutors added two terrorism charges to the indictment against Elias Rodriguez, the Chicago man accused of killing two Israeli embassy employees outside a networking event held at the Capital Jewish Museum last May.

The new indictment, filed on Wednesday, claims that Rodriguez murdered Yaron Lischinsky, 30, and Sarah Milgrim, 26, with the intent to both influence government policy through “intimidation” and that he sought to “coerce a significant portion of the civilian population” of the United States.

“These additional terrorism-related charges carry a mandatory life sentence under D.C. Code, while also reflecting the reality that this act was in fact an act of terror,” U.S. Attorney Jeanine Pirro said in a statement.

Rodriguez, 31, who prosecutors say flew from Chicago to carry out the attack, allegedly shot Lischinsky and Milgrim repeatedly after they left a Jewish young professionals reception at the museum, hosted by the American Jewish Committee.

He then entered the museum and shouted, “I did it for Palestine, I did it for Gaza.”

While prosecutors previously charged Rodriguez with national origin-based hate crimes, they have focused on the political dimension of the attack and the indictment quotes at length from social media posts and a manifesto that law enforcement sources attribute to Rodriguez.

“I am glad that today at least there are many Americans for which the action will be highly legible and, in some funny way, the only sane thing to do,” the manifesto stated. “Free Palestine.”

Lischinsky, a German-born Israeli, worked as a research assistant at the Israeli embassy while Milgrim, who was American, worked in its department of public diplomacy.

It remains unclear whether Rodriguez, who has pleaded not guilty, intentionally targeted the young couple, who were planning to get engaged on an upcoming trip to Israel. Israeli Ambassador Yechiel Leiter initially said that Rodriguez had identified Milgrim and Lischinsky as embassy employees while mingling with attendees at the event and then waited outside for them to leave.

But other accounts say Rodriguez never made it inside the event prior to the shooting, and the Israeli Embassy later said that Leiter was merely floating “a theory that law enforcement officials are investigating.”

Prosecutors said at a September hearing that they had more than 1.5 million pages of evidence against Rodriguez, while one of his defense attorneys described receiving “trillions of gigabytes” of data from the government.

The post Prosecutors charge Capital Jewish Museum shooter with terrorism appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News