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The mysterious disappearance of Yemenite children in Israel is the focus of a new play
(New York Jewish Week) — Shortly after the State of Israel was founded, Shanit Keter-Schwartz was born on a dirt floor, in a hut made of aluminum siding outside the burgeoning town of Tel Aviv. She was the second of six children, the daughter of Yemenite Jews who had recently immigrated to the new country. They’d faced discrimination and violence in their country of origin, so when Jewish emissaries turned up in 1949 to bring 50,000 Yemenite Jews to Israel as a part of “Operation Flying Carpet,” they were all in.
Unfortunately, Keter-Schwartz’s upbringing in Israel was no magic carpet ride. “[Yemenite Jews] were seen as savages, primitive, inferior in the eyes of the Ashkenazi Jews,” Keter-Schwartz recalled in an interview with the New York Jewish Week. “They were not sophisticated or educated. It was a cultural domination, a collective trauma in Israel. They faced war, hunger, poverty, and living in very harsh conditions.”
The worst, though, wasn’t near-starvation due to rationing, or the harsh conditions of the shanty towns that these new immigrants were placed in, or the way European children wrinkled their nose at her and called her smelly. No, the worst was when the government stole her sister, Sarah, whom Keter-Schwartz never saw again.
In what has become known as the Yemenite Children Affair, more than 1,000 children of Yemenite, Mizrahi and Balkan descent were separated from their children during the first decade of Israel’s existence. The families and their advocates have long insisted, over denials by officials, that the children were taken from their families by the Ashkenazi government during the first decade of Israel’s existence. More often than not, parents were told their children had died when they had, in fact, been given to families of European descent for adoption, according to Amram Association, one of several organizations dedicated to documenting these abductions and advocating for victims’ families.
Now, Keter-Schwartz — a writer and performer who lives in Los Angeles, and a mother to two grown daughters — has brought to life her family’s story and her search for her missing sister in the form of a one-woman show. Premiering on Thursday at New York City Center, and running through May 15, “Daughter of the Wicked” chronicles her family’s journey from the Yemenite ma’abarot (refugee camps) to shikunim (government housing projects), where they lived in a tiny two-room apartment amid a melting pot of Jewish immigrants who were often at odds with one another.
“It is overcrowded, and the people who live here come from many different places. In their countries they were… respected by their communities,” she says in the show, which is named after one of the many Yemenite curses her mother would hurl at her when she’d done something wrong. “But here [in Israel] they are forced into stereotypes.”
“Israel had no choice but to bring the Jews from the Arab countries because the European Jews population had been greatly diminished after the Holocaust, but they didn’t want us,” Keter-Schwartz told the New York Jewish Week. “They took control of our lives, tried to assimilate us, wanted the whole country to be secular and uniform. They made all the decisions for us.”
One such “decision” made by the government, she said, was to remove her oldest brother, Yossi, from the family home to “re-educate” him at an Ashkenazi kibbutz. It worked: Yossi returned as a proud secular farmer, disdainful and ashamed of his spiritualist, religious family and their traditional ways.
The disappearance of her baby sister, Sarah, inspired Keter-Schwartz’s play, which is also informed by the kabbalistic teachings of her father. (Russ Rowland)
In the case of Keter-Schwartz’s sister, the abduction occurred directly after she was born. “When my father went to the hospital to pick up the twins, my siblings, he returned only with David. They told him that the girl, Sarah, was sick, and he should come back the following day. But when he came back, they told him that she had died,” Keter-Schwartz said. “Being naive, he didn’t question this. He didn’t ask to see a death certificate. He didn’t even know [a certificate] existed. He didn’t demand to see her body, didn’t think to bury her or give her funeral rites. He never suspected for a minute they could deceive him.”
This story, and others, is conveyed in “Daughter of the Wicked” through a series of monologues, each tied to an idea from Kabbalah,the Jewish mystical tradition. Keter-Schwartz defines each concept — like ahava (love), metsuka (hardship), busha (shame) — then tells a personal story that relates to the topic.
With this framework, Keter-Schwartz pays homage to her father, a spiritualist rabbi who spent his days poring over holy texts and divining the true meaning of the universe. She reads from his writings — which were collected and published towards the end of his life as a book, “Nachash HaNechoshet” — detailing her complex relationship to a man who was both an inspiration and, at times, inscrutable to all around him.
“The play is set in a hotel room, while I’m waiting for my sister to show up,” Keter-Schwartz explains. “As I wait, I tell my life. Behind me, on three screens, there’s archival footage from the 1950s that I got from Steven Spielberg’s archive. That footage tells the story, too, and so does the music.” The accompanying music, which transitions the audience from segment to segment, was written by Israeli composer Lilo Fedida, using traditional Yemenite melodies and instruments.
“We lived with this [tragedy] all my childhood, and I’ve been wondering all these years about my missing sister,” said Keter-Schwartz. “If I see her on the street, will I recognize her? Where does she live? Is she happy? I felt guilty that I never really tried to find her, I was so busy with my own life. But now I need to know.”
As a young woman, Keter-Schwartz said she went to great lengths to distance herself from her family’s tragedies. She lived in Amsterdam, London and New York, finally finding her footing in Los Angeles. She changed her name — from Shoshana to Shanit — and declared herself a new person in a new land. It was only when she lost all but one of her siblings, as well as both parents, that she felt an urge to revisit the past. When her last surviving sibling got so ill he almost died, she swore to search for Sarah. Initially, the idea was just to hire a private investigator to try to locate her. During her search, though, she began to feel an urge to share her story.
“I’d never written a play, so it took me two years [working] with coaches,” says Keter-Schwartz. “I’ve been an actress all my life, I’ve edited other people’s scripts, I produced movies, but to actually write — ha! I had amazing coaches. I’m especially grateful to Yigal Chatzor, the Israeli playwright. He brought the Israeli spice and the humor, which is wonderful now because now the play is balanced. It’s heart-wrenching and it’s hysterical. It’s everything, you know.”
The Yemenite Children Affair has never been formally confirmed by the state of Israel, which maintains the position that most of the babies died of malaria or malnutrition and were not, as some have proposed, sold to Ashkenazi families in exchange for donations to the young country. Several government-led commissions have claimed that there was no official wrongdoing, but testimonies continue to emerge that suggest otherwise. According to a 2016 article in Yediot Ahronot, a prominent Israeli news source, the government has sealed the official records of these disappearances until 2071, despite ongoing demonstrations and demands for actions.
In 2021, the Israeli government authorized tens of millions of dollars in reparations to families whose children disappeared while in government care. Nonetheless, no official admission of guilt or apology has been issued, a fact which caused many affected families to reject the plan, calling it “hush money.” Only a fraction of the affected families are eligible for these payments and, according to recent reporting, very few have claimed the money. Less than 1% of the allocated funds have been distributed thus far.
For Keter-Schwartz, no amount of money could compensate for the loss of her sister. She’s more interested in creating connections with others who lost family members and bringing awareness to this chapter in Israeli history. “Going back to my roots, revisiting the past, is an act of forgiveness,” Keter-Schwartz said in a statement. “By writing this play, I was able to forgive and accept the past. I hope that when audiences see my play they come to terms with their own history, and that they feel a sense of what it means to be free, and the challenges that confront us in maintaining that freedom.”
That is a major throughline of “Daughter of the Wicked”: Keter-Schwartz does not forsake the country that gave her her identity and childhood; rather, she insists on loving it while demanding recognition of past wrongs. Towards the end of her show, Keter Ashkenazi raises both arms to the sky and screams at those who wronged her: “My country! I blame you, shame on you for forsaking us, shame on you!”
But then, she lowers her arms and says, voice cracking with heartbreak: “I love you, I blame you, I love you. My country, I love you.”
—
The post The mysterious disappearance of Yemenite children in Israel is the focus of a new play appeared first on Jewish Telegraphic Agency.
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Yemen’s Separatists Appear to Split, Reflecting Saudi-UAE Rift
Supporters of the UAE-backed separatist Southern Transitional Council (STC) hold a poster of Aidarous al-Zubaidi, the STC’s leader, who, according to the Saudi-backed coalition, fled to an unknown destination, in Aden, Yemen, Dec. 21, 2025. Photo: REUTERS/Fawaz Salman
Yemen’s main separatist group appeared split on Friday as some members announced it was disbanding, reflecting a feud between Gulf powers Saudi Arabia and the United Arab Emirates that was blown into the open by a separatist advance last month.
Saudi-backed fighters have largely retaken areas in southern and eastern Yemen seized by the UAE-backed Southern Transitional Council (STC) in December, and an STC delegation has traveled to the Saudi capital Riyadh for talks.
However, STC leader Aidarous al-Zubaidi fled Yemen on Wednesday instead of joining the talks, with the Saudi-led coalition in Yemen saying the UAE had helped spirit him away on a flight that was tracked to a military airport in Abu Dhabi.
One of the members who traveled to Riyadh for the talks said in a statement broadcast on Saudi state media on Friday that the group had decided to disband.
But the STC says it has had no communication with the delegation that initiated the talks under Saudi sponsorship.
A spokesperson who did not travel to Riyadh and is close to Zubaidi said any decision on the group’s fate can only be taken by the entire council, including its leader.
Any such decision would only be taken once the delegation in Riyadh “is released,” he said.
Saudi Arabia’s Defense Minister Khalid bin Salman welcomed the decision as a “brave” one. A conference would be held in Saudi Arabia to discuss southern Yemeni issues with all groups invited, he said.
Saudi Arabia and the UAE had previously worked together in a coalition battling the Iran-backed Houthis in Yemen’s civil war, a conflict which caused one of the world’s worst humanitarian crises.
But the two most powerful countries in the Gulf have had sharp differences over issues ranging from geopolitics to oil output. Their rivalry was exposed when the STC advanced to within reach of Yemen’s border with Saudi Arabia, which Riyadh declared a threat to its national security.
The STC on Friday called for mass protests in the southern cities of Aden and Mukalla, urging supporters to rally on Saturday in a show of “loyalty and steadfastness” amid the political crisis.
Authorities in Aden aligned with Yemen’s Saudi-backed government later ordered a ban on demonstrations in the southern city, citing security concerns, according to an official directive seen by Reuters.
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Gal Gadot to Produce, Potentially Star in Paramount Film Adaption of ‘Recovery Agent’ Book Series
Gal Gadot at the 82nd Annual Golden Globe Awards at the Beverly Hilton Hotel in Beverly Hills, California on Sunday, Jan. 5, 2025. Photo: Dan MacMedan-USA TODAY via Reuters Connect
Paramount Pictures has acquired the rights to the bestselling Recovery Agent book series by Janet Evanovich, and Israeli actress Gal Gadot will produce and potentially star in the feature film, Deadline reported.
The former “Wonder Woman” star and her husband and business partner Jaron Varsano will produce under their television and film production company Pilot Wave, with a screenplay written by Ellen Shanman (“Voltron”). Paramount will also develop and produce the film with Carol Mendelsohn and Julie Weitz from Carol Mendelsohn Productions, according to Deadline.
The Recovery Agent was published in 2022 and its sequel “The King’s Random” was published in November 2025, each by Atria Books. Both books have been New York Times bestsellers. The protagonist in Evanovich’s book series is Gabriela Rose, an international recovery agent who specializes in retrieving stolen or lost high-value items, often in dangerous missions. Her partner is her ex-husband Rafer Burke, and together they travel the world looking for valuable treasures.
Gadot’s most recent credits include Julian Schnabel’s “In the Hand of Dante,” which premiered at the 2025 Venice Film Festival, Kevin Macdonald’s action thriller “The Runner” for Amazon International, and the live-action remake of the Disney classic “Snow White.” Her past credits include the “Wonder Woman” films, the “Fast & Furious” franchise, “Heart of Stone,” and “Red Notice,” which is Netflix’s second most-popular film of all time.
Evanovich has written 46 New York Times bestsellers over the last 28 years and has sold over 200 million books worldwide, according to Deadline. She is also the author of the Stephanie Plum 31-book series and its most recent installment, Now or Never, debuted on top of the New York Times bestseller list.
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Iran Shuts Off Internet as Anti-Regime Protests Intensify Across Country
Protesters gather as vehicles burn, amid evolving anti-government unrest, in Tehran, Iran, in this screen grab obtained from a social media video released on Jan. 9, 2026. Photo: Social Media/via REUTERS
Iran was largely cut off from the outside world on Friday after authorities blacked out the internet to curb growing unrest, as video showed buildings aflame in anti-government protests raging in cities across the country.
Rights groups have already documented dozens of deaths of protesters in nearly two weeks and, with Iranian state TV showing clashes and fires, the semi-official Tasnim news agency reported that several police officers had been killed overnight.
In a televised address, Supreme Leader Ayatollah Ali Khamenei vowed not to back down, accusing demonstrators of acting on behalf of émigré opposition groups and the United States, and a public prosecutor threatened death sentences.
DOZENS KILLED IN TWO WEEKS OF PROTEST
The protests pose the biggest internal challenge in at least three years to Iran‘s clerical rulers, who look more vulnerable than during past bouts of unrest amid a dire economic situation and after last year’s war with Israel and the United States.
While the initial protests were focused on the economy, with the rial currency losing half its value against the dollar last year and inflation topping 40% in December, they have morphed to include slogans aimed directly at the authorities.
Iranian rights group HRANA said on Friday it had documented the deaths of at least 62 people including 14 security personnel and 48 protesters since demonstrations began on Dec. 28.
The internet blackout has sharply reduced the amount of information flowing out of the country. Phone calls into Iran were not getting through. At least 17 flights between Dubai and Iran were canceled, Dubai Airport’s website showed.
Images published by state television overnight showed what it said were burning buses, cars, and motorbikes as well as fires at underground railway stations and banks.
Videos verified by Reuters as having been taken in the capital Tehran showed hundreds of people marching. In one of the videos, a woman could be heard shouting “Death to Khamenei!”
Other chants included slogans in support of the monarchy.
Iranian rights group Hengaw reported that a protest march after Friday prayers in Zahedan, where the Baluch minority predominates, was met with gunfire that wounded several people.
Authorities have tried a dual approach – describing protests over the economy as legitimate while condemning what they call violent rioters and cracking down with security forces.
Last week President Masoud Pezeshkian urged authorities to take a “kind and responsible approach,” and the government offered modest financial incentives to help counter worsening impoverishment as inflation has soared.
But with unrest spreading and clashes appearing more violent, the Supreme Leader, the ultimate authority in Iran, above the elected president and parliament, used much tougher language on Friday.
“The Islamic Republic came to power through the blood of hundreds of thousands of honorable people. It will not back down in the face of vandals,” he said, accusing those involved in unrest of seeking to please US President Donald Trump.
Tehran’s public prosecutor said those committing sabotage, burning public property, or engaging in clashes with security forces would face the death penalty.
FRAGMENTED OPPOSITION
Iran‘s fragmented external opposition factions called for more protests, and demonstrators have chanted slogans including “Death to the dictator!” and praising the monarchy that was overthrown in 1979.
Reza Pahlavi, exiled son of the late shah, told Iranians in a social media post: “The eyes of the world are upon you. Take to the streets.”
However, the extent of support inside Iran for the monarchy or for the MKO, the most vocal of émigré opposition groups, is disputed. A spokesperson for the MKO said units with the group had taken part in the protests.
“The sense of hopelessness in Iranian society is something today that we haven’t seen before. I mean, that sense of anger has just deepened over the years and we are at record new levels in terms of how Iranian society is upset,” said Alex Vatanka of the Middle East Institute in Washington.
Trump, who bombed Iran last summer and warned Tehran last week that the US could come to the protesters’ aid, said on Friday he would not meet Pahlavi and was “not sure that it would be appropriate” to support him.
Despite the increased pressure, Iranian Foreign Minister Abbas Araqchi said on Friday the chance of foreign military intervention in Iran was “very low.” He said the foreign minister of Oman, which has often interceded in negotiations between Iran and the West, would visit on Saturday.
UN rights chief Volker Turk said he was “deeply disturbed by reports of violence” and by communications shutdowns.
The Islamic Republic has weathered repeated bouts of major nationwide unrest across the decades, including student protests in 1999, mass demonstrations over a disputed election outcome in 2009, demonstrations over economic hardships in 2019, and the Woman, Life, Freedom protests in 2022.
The 2022 protests, sparked by the killing of a young woman in the custody of Iran‘s Islamic morality police, drew a large variety of people onto the streets, with men and women, old and young, rich and poor.
They were ultimately suppressed, with hundreds of people reported killed and thousands imprisoned, but authorities also subsequently ceded some ground with women now routinely disobeying public dress codes.