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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla
(JTA) — Jewish freelance journalist Emily Wilder, reporting for Jewish Currents, a progressive Jewish publication, was detained by the Israeli military on Monday while covering an aid flotilla bound for Gaza.
Wilder set sail from Italy last week aboard The Conscious, one of dozens of boats that aimed to reach Gaza and deliver humanitarian aid to the besieged enclave.
But that effort was cut short when Wilder, along with the other journalists and aid workers on her voyage, was intercepted by the Israeli military and detained. The military has intercepted, detained and deported activists sailing to Gaza multiple times in recent weeks.
Jewish Currents has been staunchly against the war in Gaza, calling Israel’s campaign there a genocide and advocating for the Palestinian cause. In an email to subscribers, publisher Daniel May said the publication sent Wilder on a flotilla because of the value of the reporting she could produce.
“Jewish Currents commissioned Emily’s reporting because we know that Israel’s unprecedented restrictions on journalists have facilitated the war crimes perpetrated in Gaza,” May wrote. “We also know that the flotillas are an important story in themselves.”
Wilder was a member of Jewish Voice for Peace and Students for Justice in Palestine, both anti-Zionist groups, as a student at Stanford University, from which she graduated in 2020. The next year, she was fired from the Associated Press in 2021 due to her social media posts about the Israeli-Palestinian conflict. Since then, according to her LinkedIn, she has worked as a freelancer and a human rights researcher.
Wilder was also documenting the voyage on her Instagram account, which has not posted an update since she and her crew were detained.
“Today, the @gazafreedomflotilla’s Conscience sets sail from the boot of Italy, with hopes of bringing ~70 media and medical workers across the Mediterranean to Gaza’s shores amid Israel’s blockade on international press and killing of doctors and journalists,” wrote Wilder last week in a post.
Israel’s foreign ministry blasted the flotilla participants in a post on X Tuesday.
“Another futile attempt to breach the legal naval blockade and enter a combat zone ended in nothing,” the post read. “The vessels and the passengers are transferred to an Israeli port. All the passengers are safe and in good health. The passengers are expected to be deported promptly.’
In the email, May directed readers to sign a Change.org petition calling for her release and to urge the California native’s representatives, including Democratic Sens. Adam Schiff and Alex Padilla, to advocate for her.
Last week, dozens of other boats that were part of the Global Sumud Flotilla were also intercepted, and hundreds of participants were detained and later deported, including Swedish activist Greta Thunberg who alleged that she had been “kidnapped and tortured” by the Israeli military. (Another flotilla effort including Thunberg was intercepted by the Israeli military in June.)
“My office has now confirmed that a second flotilla carrying vital humanitarian aid … has been intercepted, and nearly 145 passengers and crew detained,” wrote California Democratic Rep. Jimmy Comez in a statement. “Among the detained is my constituent Emily Wilder, a member of the press, who was reporting on the flotilla’s attempt to bring humanitarian aid to the people of Gaza.”
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Tel Aviv’s Hostages Square is transformed by cautious optimism — and gratitude for Trump
(JTA) — TEL AVIV — The mood at Tel Aviv’s upscale Gindi Fashion Mall was divided between anticipation and disbelief on Thursday afternoon, in the wake of news of a hostage deal that could end the Gaza war and bring the remaining hostages home.
At a kiosk across from a Chanel boutique, fruit vendor Amit Bonen said she had learned not to trust good news too quickly. “I have optimism, but it’s filled to the brim with pessimism,” she said. “I won’t believe anything until I see it with my own eyes.”
Her colleague, Rinat, nodded in agreement. “You can’t trust those terrorists,” she said. “Who knows what trick they have up their sleeve?”
But Or, en route to a cosplay event, dismissed the caution. “Why not celebrate?” he said. “The hostages will come home. They’ll leave people in Gaza alone. What’s not to love?”
A few blocks away, Hostages Square looked transformed. For nearly two years it had been a gathering place for families of hostages and their supporters and for vigils marked by grief. On Thursday it was filled with songs that had become the soundtrack of wartime resilience — “Am Yisrael Chai,” “Machshavot Tovot,” “Ve’od Yoter Tov.” Impromptu circles of dance formed. American flags fluttered beside effigies of Donald Trump and handmade posters thanking the American president, who helped broker the agreement. Children leaned over folding tables, coloring “welcome home” notes for returning hostages.
Ariel Vinter, from Jerusalem, led the crowd in singing. The past two years had strengthened her faith, she said, which she leaned on to cope with the loss of her cousins, Ofir Tzarfati check sp and Tchelet Fishbein, who were killed on Oct. 7 at the Nova festival and Be’eri, respectively.
“I haven’t digested what happened to them. I don’t think I ever will,” she said. “But I know the families will only be able to heal when Eviatar and Guy are back,” referring to Evyatar David and Guy Gilboa Dalal, who were with Tzarfati when he was killed and who were taken hostage to Gaza.
Michel Illouz, whose son Guy was abducted from the Nova festival and later confirmed killed in Gaza, harbored no doubts about the news.
“I 100% know we are ending this war,” he said. “Everyone must understand that the only option is by peace and not war. For the Israeli side and Palestinian side.”
He would only find peace, he said, once he saw his son’s body. “I want to touch him. I want to make this closure.”
He added: “From this trauma, from this holocaust, we will have a great future for all our nation,” he added.
“We would never be here right now without him,” referring to Trump.
Nearby, well-wishers lined up to embrace relatives of the hostages. A woman who asked to hug Meirav Gonen, mother of freed hostage Romi Gonen, told her, “All along you were the source of strength for all of us to fight for you.”
Afterward, she told JTA: “They’re so strong. Why shouldn’t we be? It’s a matter of hours now. Nothing else matters. We can finally return to life.”
Gonen said the families were united by a shared determination. “Of course we’re holding our breath,” she said. “But this time it’s different. Everyone is together on this. You can feel it. Everything is aligned for this to happen.”
Her daughter’s release during a January ceasefire had not ended her own sense of obligation for the hostages.
“It’s a hole that hasn’t been filled,” she said. Like others, she credited Trump: “We couldn’t have done this without him.”
Among those taking part in the celebrations was Anat, a founding member of Bo’u, a volunteer movement formed in late 2024 to push for a hostage-release deal.
“For the first time, I feel I can breathe,” she said. “But it was all down to us — the Israeli people. We made Trump understand that most Israelis wanted the war to end — that our values, unlike the government’s, are about responsibility to one another. We were all partners in bringing them home.”
Some people came to the square for the first time. Doron Katz, who was freed from captivity with her daughters in the first hostage deal in November 2023, said she had stayed away until now. “It was too hard before,” she said. “But now, seeing people smiling and dancing — it’s very moving.”
Nechamit, who traveled from Netanya with nine friends, called it “a historic day.” Her friend, Ariella, described the atmosphere simply as “celebratory.”
“We’re ready to give Trump the Nobel Peace Prize for this,” she said.
Nearby, Tova Gohar waved a giant American flag. She said she came to “thank Trump for forcing Israel and the Arab countries into signing the deal. He’s a businessman, he knows how to do deals.”
Activists planned to sustain activities in the square in the coming days, as Israeli lawmakers sign off on the deal and the public awaits the hostages’ return. Prayers will be held in the square on Shabbat, and the public is invited to bring their Friday night dinners to create a communal experience.
Fourteen-year-old Noam Salame, from Karnei Shomron, said he was thinking about what the hostages would experience when they returned.
“I’m just imagining Bar Kupershtein seeing his father speak for the first time,” he said. Bar’s father, Tal, was left unable to speak after a stroke five years ago and has since regained his voice — a recovery he said came from determination to bring his son home, after Bar was abducted from the Nova festival.
“And of Ziv and Gali Berman watching Maccabi Tel Aviv’s ascent in the [Euroleague],” he added, referring to the 27-year-old twins, both avid soccer fans, who were kidnapped by Hamas from Kibbutz Kfar Aza.
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Jewish groups welcome ceasefire plan as a step toward a ‘lasting regional peace’
(JTA) — Jewish organizations across the ideological spectrum offered cautious optimism following the announcement of the first phase of a Gaza peace agreement, expressing profound relief at the planned return of hostages living and dead and tentative hopes that the plan might lead toward lasting regional peace.
As for what such a last peace might look like, only groups that have consistently advocated for a two-state solution offered a specific vision, putting their hopes in a solution that is implicit in the Trump administration’s 20-point peace plan, but which Israeli Prime Minister Benjamin Netanyahu rejects adamantly.
Nearly all the organizations noted that the war began with Hamas’s deadly attacks on Israel on Oct. 7, 2023, and urged “vigilance” that Hamas would uphold its side of any agreement.
“This development represents a hopeful step toward resolving the conflict, securing the release of all hostages, and establishing the conditions for lasting peace and security in the region,” read a statement by Betsy Berns Korn and William C. Daroff, the chair and CEO, respectively, of the Conference of Presidents of Major American Jewish Organizations. “This moment demands unity, resolve, and the moral clarity to ensure that peace and security endure and every hostage returns home.”
Federations similarly welcomed the deal for its humanitarian implications, with the Jewish Federations of North America saying “our prayers are answered — not completely, for the pain of loss remains — but with the long-awaited promise of healing, renewal, and hope.”
Groups also thanked the Trump administration for brokering the deal. The American Israel Public Affairs Committee said in its statement that it “applauds President Trump and his negotiating team for this tremendous achievement and for working together with Israel to broker this peace plan.”
AIPAC also framed the last two years as an affirmation of the “enduring partnership between the United States and our ally Israel,” despite cracks that showed during the Biden administration and to a lesser extent under Trump.
A lobbying group that tends to reflect the policies of the sitting Israeli government, AIPAC also spoke in brief of what some are calling “the day after,” saying that the peace deal “creates a tremendous opportunity to forge a better future for Israelis, Palestinians, and people across the Middle East.”
J Street — the advocacy group often described as the progressive counterpart to AIPAC — did not mention the two-state solution in a statement by its president, Jeremy Ben-Ami. But Ben-Ami did urge the parties to take steps toward realizing the “full US-backed 20-point plan — one that ensures Israel’s security, ends Hamas’s reign of terror, delivers a massive surge of humanitarian aid and sets the region on a path toward a comprehensive and permanent peace.”
In the 19th point of its 20-point plan, the White House suggested without making any pledges that “the conditions may finally be in place for a credible pathway to Palestinian self-determination and statehood, which we recognise as the aspiration of the Palestinian people.” And while a number of key European allies recently recognized a Palestinian state, the idea has been effectively stalled and faces formidable obstacles on the ground, including strong opposition by both the current Israeli government and key segments of the Israeli and Palestinian publics.
Other groups were more explicit in reiterating the two-state solution. The Israel Policy Forum, founded to advance the idea of two states, said it hoped the agreement might pave the way for “rekindled Israel-Arab diplomacy, a reformed Palestinian Authority with new, empowered, and legitimate leadership, an eventual expansion of the Abraham Accords that advances Israel’s integration in the Middle East, and the pursuit of a viable political horizon to the Israeli-Palestinian conflict based on two states.”
The Reform movement, in a statement signed by the leaders of its rabbinical, congregational and seminary arms, also hoped the ceasefire would create the conditions for renewing a solution which the statement acknowledged “feels remote at this point.” Nevertheless, according to the statement, “a two-state solution in some configuration must remain the worthy, long-term goal for Israelis and Palestinians as they contemplate a future with safety, dignity, and hope for all.”
Further to the left, Jewish groups welcomed the return of the hostages but also reiterated their criticism of Israel’s prosecution of a war whose death toll, according to the Hamas-controlled Gaza health ministry, surpassed 67,000.
Partners for Progressive Israel called the agreement “a victory for the hostage families in Israel and their supporters” as well as “the many international bodies who have sought to hold Hamas and this Israeli government accountable for the war crimes perpetrated in the last two years.”
While few right-leaning groups commented on the deal in the hours after its announcement, which also coincided with the end of the first two days of Sukkot, Religious Zionists of America-Mizrachi welcomed the news, calling it “a potentially hopeful step toward restoring calm and securing the release of Israeli hostages.”
RZA-Mizrachi’s president, Steven M. Flatow, whose daughter Alisa Flatow was killed in a suicide bombing near a Jewish settlement in the Gaza Strip in 1995, also warned that “Hamas’s word is worth little.” He cautioned that any plan’s success “depends entirely on whether Hamas and its supporters can be trusted to abide by their commitments—a lesson history teaches us to approach with clear eyes.”
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