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What Jewish voters need to know about Ron DeSantis, the Florida Republican running for president
(JTA) – In late April, Florida Gov. Ron DeSantis visited Jerusalem, voicing support for Israeli West Bank settlements, touting a law he had just signed giving families thousands of dollars per year in private school tuition vouchers and signing a bill that increased penalties for antisemitic harassment.
Two weeks later, his education department rejected two new textbooks on the Holocaust as part of a clampdown on what he has called “woke indoctrination.”
Those two developments may anchor the Jewish arguments for and against DeSantis as he stands on the cusp of announcing a campaign for the Republican presidential nomination.
Supporters paint him as a steadfast ally of Israel who speaks to the pocketbook concerns of Jewish families. In the years since he became Florida’s governor in 2019, the state has seen an influx of Orthodox Jews, drawn both by lax pandemic policies and the promise of discounted day school tuition.
But DeSantis’ opponents portray him as a cultural reactionary whose anti-“woke” politics are inhibiting education on the Holocaust and antisemitism — along with teaching about race, gender and sexuality. He has repeatedly condemned George Soros, the progressive megadonor who is an avatar of right-wing antisemitic conspiracy theories. Surveys show that his near-total restriction of abortion rights is unpopular with Jews nationally.
And hanging over the campaign is the candidacy of former President Donald Trump, who is running for a second term, is leading in the polls — and shares much in common with DeSantis even as he has attacked him.
While DeSantis’ allies have played up some of their differences (such as DeSantis’ youth and military service), when it comes to their respective records on issues of interest to Jewish voters, Trump and DeSantis are less distinct.
Each has sought to cultivate Jewish support by focusing on Israel and erasing church-state separations that, Orthodox Jewish leaders argue, inhibit religious freedoms. And both have attracted white nationalist supporters while leaning into the culture wars.
DeSantis is set to officially announce his campaign in a chat with Elon Musk, who was just condemned by a wide range of Jewish figures (and defended by a handful of others) for tweeting that Soros “hates humanity.”
Here’s what you need to know about DeSantis’s Jewish record:
He has been an outspoken booster of Israel.
Florida Gov. Ron DeSantis speaks at a Jerusalem Post conference at the Museum of Tolerance in Jerusalem on April 27, 2023. (Yonatan Sindel/Flash90)
DeSantis, a Catholic, has a visceral affinity for Israel, and has framed his support for the country in religious terms.
“When I took office, I promised to make Florida the most pro-Israel state in the United States, and we have been able to deliver on that promise,” he said this week, addressing evangelical Christians at the National Religious Broadcasting Convention in Orlando, The Jerusalem Post reported.
He likes to tell audiences that on his first visit to Israel as a U.S. congressman, his wife Casey scooped up water from the Sea of Galilee into an empty bottle to save for baptisms. The couple had yet to have children.
The water came in handy for the baptisms of their first and second children, but after DeSantis was elected governor, staff at his residence cleared away the unremarkable bottle (which was still half full) after their second child was baptized in 2019. Not long afterward, DeSantis mentioned the minor fiasco in passing at a synagogue in Boca Raton, and before he knew it people were sending him bottles of water from Israel.
The gesture still moves him. “I was sent, all the way from Israel, this beautiful big glass jar filled with water from the Sea of Galilee that sat on my desk in the governor’s office in Tallahassee until our third child was born and baptized, and we used that water to do it,” DeSantis said last month when he visited Israel.
DeSantis made Israel a focus when he was congressman, taking a leading role in advocating for moving the U.S. embassy from Tel Aviv to Jerusalem. He was among a group of lawmakers who toured Jerusalem in March 2017 and was bold enough to pick out what he said would be the likeliest site.
In November of that year, as chairman of the House national security subcommittee, he convened a hearing on what he called the necessity of moving the embassy. The following month, Trump announced the move, and the site the Trump administration chose was the one DeSantis had identified.
In May 2019, just months after becoming governor, DeSantis convened his state cabinet in Jerusalem and gave a definition of antisemitism favored by the pro-Israel community the force of law. The same year, he banned government officials from using Airbnb after the vacation rental broker removed listings in West Bank settlements. DeSantis’ blacklisting of the company was seen was key to Airbnb reversing the decision.
He’s garnered allies — and enemies — among Florida’s Jews.
DeSantis has done much to cultivate support in Florida’s growing Orthodox community, which shares his enthusiasm for bringing faith into government.
In 2021, DeSantis came to a Chabad synagogue in Surfside to sign two bills, one affording state recognition to Hatzalah, the Jewish ambulance service, and the other tasking all Florida public schools with setting aside a daily moment of silence, long a key initiative of the Chabad movement.
In his first gubernatorial campaign in 2018, DeSantis campaigned on steering state money to religious day schools. This year he made good on the promise, signing a law that makes $7,800 in scholarship funds available annually to schoolchildren across the state, regardless of income, and to be used at their school of choice.
DeSantis also has plenty of Jewish enemies in a state where the majority of the Jewish community votes for Democrats.
In his first term, he had a contentious relationship with Nikki Fried, a Democrat who, as agriculture commissioner, was one of the four ministers in the Cabinet who had a vote. DeSantis maneuvered to freeze her out of the decision-making process.
Fried, who describes herself as a “good Jewish girl from Miami,” now chairs the state’s Democratic Party. She routinely calls DeSantis a fascist. In April, she was arrested at an abortion rights protest outside Tallahassee’s City Hall.
Under DeSantis, Florida has prohibited abortions after six weeks of pregnancy. That stance has set him up for clashes with other prominent Jews in the state as well. Last year, he suspended Andrew Warren, a Jewish state attorney, because Warren pledged not to prosecute individuals who seek or provide abortions after the U.S. Supreme Court overturned Roe v. Wade.
L’Dor Va-Dor, a synagogue in Boynton Beach, spearheaded the first lawsuit filed against Florida’s abortion ban in 2022, citing religious freedom arguments. Daniel Uhlfelder, a Jewish lawyer who drew attention when he dressed as the Grim Reaper to protest DeSantis’s reopening of the beaches during the pandemic, signed on as an attorney for the synagogue.
His “war on woke” has had implications on Holocaust education.
Recently, much of DeSantis’ tenure has been defined by what he calls the “war on woke,” a term originated by Black Americans to describe awareness of racial inequity but now more often functions as shorthand for conservative criticism of progressive values. DeSantis has enacted multiple pieces of legislation restricting what can be taught in schools and has also limited transgender rights, banning gender-affirming medical care for children.
While most of the books challenged under DeSantis’ education laws have focused on race and gender, the study of the Holocaust has been affected as well. In addition to the education department’s rejection of the Holocaust textbooks this month, Florida laws that make teachers liable for teaching inappropriate content to students have led multiple school districts to take Holocaust novels off the shelves, including a graphic novel adaptation of Anne Frank’s diary.
DeSantis calls claims that he’s chilling Holocaust education “fake narratives.” He and his defenders point to his requiring all Florida public schools to certify that they teach about the Holocaust.
Neo-Nazi and white supremacist activity has increased under his watch.
A recent report from the Anti-Defamation League described an upward trend of extremist and antisemitic activity in the Sunshine State, driven in part by emerging white supremacist groups — some of whom have gone to bat for DeSantis in the past.
DeSantis has been dogged by accusations that he caters to the far right. One of the most stinging exchanges in the 2018 election season came when Andrew Gillum, DeSantis’s Democratic opponent in the race, accused DeSantis of not being forceful enough in renouncing the white nationalists who expressed support for him in robocalls.
“First of all, he’s got neo-Nazis helping him out in this state,” Gillum said. “Now, I’m not calling Mr. DeSantis a racist, I’m simply saying the racists believe he’s a racist.” DeSantis flinched.
DeSantis eked out a victory a few weeks later, and was soundly reelected last year, but he remains sensitive on the issue. Last year, when neo-Nazis intimidated Orlando’s Jews with signs and shouts at an overpass, politicians in the state reflexively condemned them. A reporter asked DeSantis why he had not done so, and after calling the neo-Nazis “jackasses,” the governor said the question was a “smear” and added, “We’re not playing that game.” (Several months later, the leader of the antisemitic propaganda group Goyim Defense League moved from California to Florida, saying he thought the Sunshine State would be more hospitable to his efforts.)
DeSantis has also called liberal prosecutors “Soros-funded”. It’s not an unusual political gambit — the billionaire Jewish liberal donor does fund progressives running for prosecutor. But Soros has also been the focus of multiple conspiracy theories that antisemitism watchdogs say are antisemitic, casting the Holocaust survivor as a malign influence with excessive power.
Some Jewish donors are already supporting him.
DeSantis appeared last year at a conference in New York of Jewish conservatives, where he talked to a friendly audience about his war against the “woke” and was also conveniently in the room with some of the most generous Republican donors.
He is reportedly working some of those donors, who gave generously to his gubernatorial runs. He was a star last November at the Republican Jewish Coalition’s annual Las Vegas confab, and Axios reported that he met with Miriam Adelson, the widow of GOP kingmaker Sheldon Adelson, as well as other Jewish donors when he was in Jerusalem last month.
A number of them are hanging back, not wanting to alienate Trump while he remains influential in the party. (Adelson has said she does not want to weigh in on the primaries.)
Among the Jewish donors and fundraisers said to be in DeSantis’s camp: Jay Zeidman, a onetime Jewish White House liaison who is now a Houston based businessman; Gabriel Groisman, a lawyer who is the former mayor of Bal Harbor; and Fred Karlinsky, a leading insurance lawyer.
Last week, Jewish conservative political commentator Dave Rubin tweeted that DeSantis would bring “Freedom, sanity and competency” to the country. Groisman shared the tweet with the word “This.”
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The post What Jewish voters need to know about Ron DeSantis, the Florida Republican running for president appeared first on Jewish Telegraphic Agency.
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After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’
(JTA) — The lieutenant governor of Texas says his recent call for the state’s public schools to remove “over 2,000 titles” of “dirty, filthy and vulgar books” was not meant to include books about the Holocaust.
Dan Patrick’s statement, provided exclusively to the Jewish Telegraphic Agency on Friday, comes after a month of confusion following a press conference in which he and a conservative Christian activist threatened schools with potential loss of state funding if they did not comply with his directive to purge their libraries.
“I believe Texas students must learn about the Holocaust, and that includes reading books such as ‘Night’ by Elie Wiesel, ‘The Diary of Anne Frank,’ and other books about the Holocaust,” Patrick told JTA, singling out two books on the removal list he had promoted – one of which, “Night,” that he previously explicitly called for removal from middle schools.
Patrick added that his initiative was “focused on age-inappropriate, sexually explicit books in public school libraries across Texas.” At his earlier press conference, he had directed viewers to an online list compiled by an activist group that features several books about the Holocaust and Jewish identity.
Patrick’s threats have teeth. In Texas, lieutenant governors are more powerful than in many other states, playing central roles in shaping the budget and determining the legislative agenda.
Patrick also appeared to walk back some of the harsher proclamations from his Aug. 19 press conference, at which the Republican had stated, “We’re coming for the books.”
“As the law states, local communities have the right to make their own decisions about their public school libraries,” he told JTA Friday.
The lieutenant governor, who is up for reelection this fall, appeared at the conference with Bonnie Wallace, the head of the activist group Recover America, and told viewers to “go to RecoverAmerica.com.” That group has circulated a list of more than 2,100 “Harmful Books in Libraries.” Its list, which it describes as “books with harmful, sexually explicit, and vulgar content,” includes more than a dozen titles of particular import to Jewish readers.
Recover America’s flagged books include both volumes of Art Spiegelman’s “Maus,” a comic-book adaptation of Frank’s diary and Bernard Malamud’s novel of a blood libel “The Fixer” — all books that have been removed from school districts in Texas and other states in the past amid broader conservative-led library culture wars. In some cases those books were restored to the districts following public outcry, but spurred deeper dialogue about the state of Holocaust education and antisemitism awareness in public schools.
Patrick’s latest push would go much further than a handful of districts, affecting the more than 5.5 million students in public schools across the state.
One book of particular contention on Recover America’s list was “Night,” Elie Wiesel’s bestselling memoir of surviving Auschwitz and Buchenwald, which has been taught in schools for decades. After a Houston Chronicle story noted the book’s inclusion on the Recover America “harmful” list, Patrick initially doubled down on “Night,” saying that it was not appropriate for middle schools owing to its “violence.”
“If ‘Night,’ by Elie Wiesel, were made into a movie, it would likely be rated R,” Patrick wrote on the social network X on Aug. 26. “‘Night,’ which includes depictions of graphic violence and the machine-gunning of babies, should not be available to sixth graders in middle-school libraries. High school is more age-appropriate.”
His tweet appeared to contradict the state’s own K-12 required reading list, passed this summer, which mandates that “Night” be taught in the eighth grade beginning in 2030.
Now, in response to questions from JTA, the lieutenant governor said he would defer to the Texas State Board of Education on the appropriate grade to teach “Night.”
“The State Board of Education decides the appropriate grade level for books and will determine whether ‘Night,’ by Elie Wiesel, is at the appropriate grade level,” Patrick told JTA in his statement.
He continued to insist that books in schools should be held to “FCC standards,” referring to the Federal Communications Commission, an agency that governs broadcasting content and does not regulate publishing.
The head of the Texas Holocaust, Genocide and Antisemitism Advisory Commission, a governor-appointed panel which advised the state on the inclusion of “Night” and other Holocaust texts on its required reading list, did not return a JTA request for comment.
In a statement, the Texas Educational Authority, which drafted the required-reading list, told JTA, “When Texas students learn about the Holocaust, they will be exposed to the horrors of the Holocaust. That is why the SBOE placed the book in 8th Grade to ensure age appropriateness for students.”
At the Emmys this week, when “The Librarians,” a documentary about librarians facing book removal threats, won an award, retired Texas librarian Carolyn Foote joined the producers on the stage and held up a copy of “Night” in protest.
“I felt like it was very symbolic to bring ‘Night,’” Foote, a subject of the film and a co-founder of the librarian activist group FReadom Fighters, told JTA. “Having read it, I just know the importance of not forgetting our past. And that’s part of Elie Wiesel’s whole legacy, is remembrance, and so it just felt very important for me to carry that book, coming from Texas.” Another librarian onstage for the win held up “Anne Frank’s Diary: The Graphic Adaptation.”
Elisha Wiesel, Elie’s son and chair of the Elie Wiesel Foundation, told JTA that “Texas deserves credit for recognizing that Holocaust education belongs in the eighth-grade curriculum.” Yet, the younger Wiesel suggested, Patrick’s concerns about the book’s violence were misplaced.
“‘Night’ contains violence because the Holocaust was violent; its purpose is not to shock young people, but to help them understand where hatred and indifference can lead,” he wrote in an email. “With context and guidance, students should not be shielded from this history. They should be equipped to confront it.”
Despite having directed viewers to Recover America’s book list during his press conference, Patrick’s new statement to JTA said, “I do not have a book list.” He pointed instead to a law passed in the state legislature in 2025 regulating school books that he said districts were required to follow.
Yet some districts in the state have removed every book on Recover America’s list from their own libraries out of fear of losing funding, Foote told JTA. While the list nominally contains a ratings system, many of the books do not have a rating.
Besides “Night,” “Maus,” “Anne Frank’s Diary” and “The Fixer,” other books about Judaism and the Holocaust on Recover America’s list of “Harmful Books” include:
- “Annexed,” a young-adult novel about Peter van Pels, who hid in the Amsterdam annex with Anne Frank
- “The Berlin Boxing Club,” a young-adult historical novel based on German boxer Max Schmeling, who helped young Jews during Hitler’s rise to power
- “Black, White and Jewish,” a memoir by Rebecca Walker, the mixed-race Jewish daughter of author Alice Walker
- “Caste: The Origins of our Discontents,” a nonfiction book analyzing the “caste systems” of Nazi Germany. “Caste” had been included on an earlier, Wallace-spearheaded list of books for removal from a Texas public library in a case that the U.S. Supreme Court declined to hear in 2025, allowing the removals to proceed.
- “Kasher in the Rye,” a memoir by Jewish comedian Moshe Kasher
- “Pride: the story of Harvey Milk and the Rainbow Flag,” a children’s picture-book biography of the pioneering Jewish LGBTQ legislator
- “Sophie’s Choice,” the bestselling Holocaust novel for adults
- “The Violin Maker’s Daughter,” a historical novel about a Jewish family of musicians during the Holocaust
- “White Bird,” a young-reader graphic novel about a Jewish girl in Nazi-occupied France
In response to JTA sharing a list of the above books, Patrick’s statement mentioned only “Night” and Anne Frank by name. The Recover America list is largely made up of romance and fantasy novels, many with an LGBTQ element, while also including classics such as “The Glass Menagerie” and “Cat’s Cradle” and some picture books for children.
Recover America did not immediately return a JTA request for comment Friday on Patrick’s new statement. Wallace, the group’s leader who has also appeared on Patrick’s podcast, previously told the Houston Chronicle that she had “thought long and hard” about including “Night” on her list.
She ultimately did so, she said, because “an eighth-grade student is 13 years old. Do they need to read about soldiers massacring, throwing up babies, and killing them with machine guns?”
She added, “It’s not to say this doesn’t happen in life. And the Holocaust was maybe the worst tragedy in the history of the world.”
For Cameron Samuels, a Jewish alum of Texas public schools and founder of the activist group Students Engaged in Advancing Texas, such efforts do not help Jewish students.
“Non-Jewish people are deciding for us what’s best, and making this public policy,” Samuels said. “We can’t readily access these books and stories. And that makes students feel alone. It also means that our classroom peers are not learning authentic Jewish narratives.”
This article originally appeared on JTA.org.
The post After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’ appeared first on The Forward.
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‘Checkout’ and ‘Fauda’ test the appetite for Israeli spy stories after Oct. 7
(JTA) — Is there still an appetite for Israeli spy stories?
That is one question being tested by two different productions arriving in the United States this month: “Checkout,” a dark Israeli comedy about an aging Mossad operative, and the fifth season of “Fauda,” the Israeli action thriller about undercover counterterrorism agents.
One is an indie film that spent years getting to the screen; the other is a global Netflix hit whose new season plunges directly into the trauma of Oct. 7.
The two projects are seeking audiences in a challenging climate. A Pew Research Center survey conducted in March found that 60% of Americans had an unfavorable view of Israel, compared with 37% who viewed the country favorably. And Israeli cultural exports have faced increasing scrutiny abroad over the country’s conduct since Oct. 7.
Yet “Fauda” has returned to Netflix with considerable international attention, while “Checkout” opened in Manhattan to a sold-out audience.
“It’s hard for Israeli movies right now to find an audience because everything translates to, you know, the ‘P’ [Palestinian] problem,” Jonathan Dekel, the writer, director and executive producer of “Checkout,” said in an interview. “It’s problematic.”
“Checkout” opened Sept. 17 to a sold-out audience at the Quad Cinema in Greenwich Village, which Dekel described as a “stalwart of indie cinema.”
Dekel has said the film’s six-year production was almost as difficult as the journey of its protagonist. They shot in Ukraine in November 2020, at the height of the pandemic, and barely escaped with the film’s hard drive after the set was bombed when Russia invaded. They had just finished editing when Oct. 7, 2023, arrived, and Dekel was called up for military service.
Dekel knew that the movie would debut in a world transformed by the war and its aftermath.
“Trying to find a good time to put out a movie, a satire — a dark comedy about the Israeli special forces — was very, very touch and go until we finally decided to go for it,” he told the Jewish Telegraphic Agency.
“Checkout” is not a conventional spy thriller. Its protagonist, Dov, is an American-born New Yorker who moved to Israel and is now about to retire from the Mossad.
“The day he checks out of his hotel to retire, someone else checks in and it turns out it’s Mossad’s number one target — an arch terrorist [code-]named Gilgamesh,” Dekel said. “The entire movie is this weird weekend in a hotel where these two middle-aged men, spy-versus-spy, try to figure out who they are. They’re trying to find out about each other, but they find themselves.”
Josh Pais, who plays Dov, said his character is a man searching for meaning in his life — and comes to believe he can find it by tracking down and stopping a terrorist.
“He is possibly stepping into delusion,” said Pais. “What was appealing to me was that this is a story of what really happens to spies. So many movies tap into, you know, the James Bond of being a spy. Those movies are awesome, but this movie is about what it’s really like to be sent to a distant land, to be on location and to pretend that you’re someone else. Over a certain amount of time these guys start to lose touch with reality because, in truth, the vast majority of time as a spy nothing happens.”
Shai Satran, the movie’s co-writer, said he believes this is the “perfect moment for a movie about the Israeli intelligence community and an operation gone bad.”
“His driving force is not really to catch that guy — he doesn’t care about that guy. The driving force is to be accepted by his peers, the people who sent him — that’s at the core,” said Satran. “I don’t want to be crude about this, but there was something pre-Oct. 7 about the Israeli security forces, maybe the special forces: There’s a certain arrogance in being only worried about your peers and not being aware of” the wider mission. In the lead-up to the Hamas attacks of Oct. 7, “Israel, in a sense, thought that they were more in control of the situation than they were,” he said
That idea — of intelligence work as something more complicated than heroic missions and exotic adventures — also runs through “Fauda,” though in a much more conventional action-thriller format.
The Israeli series has been an international success since its Netflix debut in 2016, and its fifth season, which arrived on Netflix Sept. 8, is now testing whether audiences will follow its characters into a story shaped directly by and set two years after Oct. 7.
Lior Raz, the show’s creator, co-writer and star, said last month at a fundraiser in Lenox, Massachusetts for Israel’s Magen David Adom emergency service that he was genuinely surprised by the show’s reception in unlikely places: Previous seasons of the show hit No. 1 in popularity in Lebanon and the United Arab Emirates and it was No. 2 in Qatar.
Season four ran in 2022 in Israel and early the next year on Netflix. The show’s creators had originally begun writing a different fifth season. But after the Oct. 7 Hamas attack, Raz said, those scripts were discarded. The new season deals directly with the aftermath of the attack and what Raz described as the nature of revenge. One reviewer called it “gripping, emotionally exhausting and often deeply difficult to watch,” particularly because of its depiction, in flashbacks, of Oct. 7.
Raz, in his MDA talk, said the backlash against Israel was a campaign orchestrated by radical activists and Israel’s enemies. The latest season of “Fauda” is in part an attempt to depict the Israeli perspective for those open to nuance. “I want them to look in my character’s eyes, and to see what we felt on those days,” he told the New York Times. “If it would happen in their countries, they would feel exactly like we felt and how we feel about the world. So I hope it would open people’s eyes to see what happened on Oct. 7.”
Although its reception abroad is hard to gauge, the latest season was a hit in Israel: The Times reported that it had already been the most-watched season of any show in the history of Israel’s Yes network.
Lacking the backing of a streaming giant, Checkout will have to work harder to find an audience. The Sundance Screenwriters Lab supported the “Checkout” script, Dekel said, but that was before Oct. 7. Since then, “finding a distributor, finding a Netflix, Amazon or Hulu was pretty much crickets [silence] all over. It might be our movie, but looking around [at] movies from my colleagues — Israelis — I think it’s pretty much a broad phenomenon.”
Asked if he believed the difficulty he faced was because it is an Israeli movie or because it involved Jews, Dekel replied, “Is there a difference?”
This article originally appeared on JTA.org.
The post ‘Checkout’ and ‘Fauda’ test the appetite for Israeli spy stories after Oct. 7 appeared first on The Forward.
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Netanyahu backs legislation that would strip ‘NAZA’ makers of citizenship
(JTA) — TEL AVIV — Prime Minister Benjamin Netanyahu said he would advance legislation allowing Israel to revoke the citizenship of people who defame soldiers or the state abroad, citing “NAZA,” the prize-winning documentary accusing the military of knowingly killing large numbers of civilians in Gaza.
Netanyahu said Wednesday he also planned to advance a separate bill raising damages in defamation cases involving the IDF or the state to as much as NIS 1 million, equivalent to $329,000.
In addition to the documentary, Netanyahu cited a 2025 remark by Democrats party leader Yair Golan, a former IDF deputy chief of staff, that “a sane country does not kill children as a hobby.” Netanyahu also cited the 2024 leak by then-IDF Military Advocate General Yifat Tomer-Yerushalmi of surveillance footage, which he called “fake,” from the Sde Teiman detention facility that appeared to show reservists abusing a Palestinian detainee.
Netanyahu said the government would target those responsible “both in their pockets and in their citizenship.”
He added, “Their place is not with us.”
Culture Minister Miki Zohar, who had earlier called for the filmmakers’ citizenship to be revoked, thanked Netanyahu for backing the proposal, saying it was “time to put an end to this disgrace.”
But President Isaac Herzog rejected the idea of stripping the filmmakers’ citizenship, telling Channel 12 that it was “completely irrelevant” and had “no chance” of happening. Herzog nevertheless called “NAZA” “a shame and disgrace” and accused those involved in its making of “tarnishing” Israel’s name abroad.
Under current Israeli law, citizenship can be revoked only in narrowly defined cases involving a “breach of loyalty,” such as terrorism, treason or serious espionage, and the process requires court involvement.
The measure has been used only exceptionally, including in 2002 against Nihad Abu Kishak, a senior Hamas operative, and Qais Obeid, who was associated with Hezbollah, and more recently sought against Israelis convicted of assisting Hamas. There is no precedent for revoking citizenship over speech or a work of art.
In 1996, the Supreme Court rejected a petition seeking to force the interior minister to revoke the citizenship of Yigal Amir after he assassinated Prime Minister Yitzhak Rabin the previous year. The court said Israeli society had ample other ways to express its revulsion and that further condemnation did not justify stripping Amir of a fundamental right, writing that the decision was made “not because of the dignity of the murderer … but because of the dignity of the right.”
“NAZA,” directed by Israeli filmmakers Yuval Abraham and Rachel Szor, is based on three years of interviews with 24 anonymous Israeli soldiers, most of them intelligence personnel, who describe their roles in surveillance, target selection and strikes in Gaza. The film argues that expected civilian deaths were routinely calculated in advance and, in some cases, accepted as part of the targeting process, allegations the IDF has rejected.
Lt. Col. (res.) Sarit Zehavi, a former military intelligence officer who was involved in issues of civilian warnings and target approval, disputed the film’s interpretation of “NAZA.” The acronym is Hebrew military term for “collateral damage,” or the civilian casualties that are likely to come in attacking a military target.
Zehavi, who said she had not seen the full film and was responding to its promotional material, told the Jewish Telegraphic Agency the estimate of civilian deaths is used in the planning process as a warning about the number of civilians who could be harmed in a strike.
The IDF has “no intention whatsoever of killing civilians. Quite the opposite,” she told JTA. “The reason a NAZA estimate is put on a target in the first place is to serve as a red flag, so planners can work out how to avoid that high level of collateral damage.”
The IDF initially issued a detailed public rebuttal after the film’s reception in Venice. Chief of Staff Eyal Zamir convened senior commanders and the military advocate general, called the film’s allegations “blood libels” and a “deliberate distortion of reality.” He also ordered an examination of whether classified material had been disclosed and whether legal action could be taken against those involved.
The military separately rejected the film’s account of its targeting practices, saying strike decisions were not made by AI but by human personnel, expected civilian harm was weighed against military advantage, and attacks were not approved when the anticipated harm was disproportionate.
The military later appeared to change course. According to Israel’s Channel 12 news, IDF and Foreign Ministry officials had concluded that the film had generated relatively little attention abroad but that Israel’s aggressive public response to its creators was drawing more scrutiny and prompting claims that the country was trying to silence them. Officials recommended lowering the temperature and focusing instead on rebutting the documentary’s allegations.
“Right now, the aggressive responses coming from the State of Israel are moving the discussion away from the film itself and toward accusations that Israel does not allow freedom of expression,” an IDF official coordinating the response wrote in an internal message obtained by Channel 12. “In light of that, we are lowering our media profile.”
Channel 12 also reported that Israeli diplomats believed the Prime Minister’s Office was “fueling the internal debate around the film for political reasons and as part of an election campaign,” arguing that the government’s attacks were working against Israel’s interests abroad.
The Association for Civil Rights in Israel also criticized the proposed measures, saying the government was entitled to challenge the film’s claims but using state power to threaten its creators or sources was “illegitimate and violated freedom of expression and freedom of the press.” The Committee to Protect Journalists called the citizenship proposal a “dangerous escalation” in efforts to intimidate journalists and filmmakers.
More than 2,000 Israeli film professionals signed a petition supporting Abraham and Szor, warning that the campaign against them was nearing the legitimization of violence. Forty-three Israeli human rights, equality and peace organizations — including B’Tselem, Peace Now, Adalah, Physicians for Human Rights Israel and Breaking the Silence — also urged authorities to avoid prosecuting the filmmakers or their sources. Prominent international filmmakers and festival leaders joined their defense.
This article originally appeared on JTA.org.
The post Netanyahu backs legislation that would strip ‘NAZA’ makers of citizenship appeared first on The Forward.
