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What Jewish voters need to know about Ron DeSantis, the Florida Republican running for president
(JTA) – In late April, Florida Gov. Ron DeSantis visited Jerusalem, voicing support for Israeli West Bank settlements, touting a law he had just signed giving families thousands of dollars per year in private school tuition vouchers and signing a bill that increased penalties for antisemitic harassment.
Two weeks later, his education department rejected two new textbooks on the Holocaust as part of a clampdown on what he has called “woke indoctrination.”
Those two developments may anchor the Jewish arguments for and against DeSantis as he stands on the cusp of announcing a campaign for the Republican presidential nomination.
Supporters paint him as a steadfast ally of Israel who speaks to the pocketbook concerns of Jewish families. In the years since he became Florida’s governor in 2019, the state has seen an influx of Orthodox Jews, drawn both by lax pandemic policies and the promise of discounted day school tuition.
But DeSantis’ opponents portray him as a cultural reactionary whose anti-“woke” politics are inhibiting education on the Holocaust and antisemitism — along with teaching about race, gender and sexuality. He has repeatedly condemned George Soros, the progressive megadonor who is an avatar of right-wing antisemitic conspiracy theories. Surveys show that his near-total restriction of abortion rights is unpopular with Jews nationally.
And hanging over the campaign is the candidacy of former President Donald Trump, who is running for a second term, is leading in the polls — and shares much in common with DeSantis even as he has attacked him.
While DeSantis’ allies have played up some of their differences (such as DeSantis’ youth and military service), when it comes to their respective records on issues of interest to Jewish voters, Trump and DeSantis are less distinct.
Each has sought to cultivate Jewish support by focusing on Israel and erasing church-state separations that, Orthodox Jewish leaders argue, inhibit religious freedoms. And both have attracted white nationalist supporters while leaning into the culture wars.
DeSantis is set to officially announce his campaign in a chat with Elon Musk, who was just condemned by a wide range of Jewish figures (and defended by a handful of others) for tweeting that Soros “hates humanity.”
Here’s what you need to know about DeSantis’s Jewish record:
He has been an outspoken booster of Israel.
Florida Gov. Ron DeSantis speaks at a Jerusalem Post conference at the Museum of Tolerance in Jerusalem on April 27, 2023. (Yonatan Sindel/Flash90)
DeSantis, a Catholic, has a visceral affinity for Israel, and has framed his support for the country in religious terms.
“When I took office, I promised to make Florida the most pro-Israel state in the United States, and we have been able to deliver on that promise,” he said this week, addressing evangelical Christians at the National Religious Broadcasting Convention in Orlando, The Jerusalem Post reported.
He likes to tell audiences that on his first visit to Israel as a U.S. congressman, his wife Casey scooped up water from the Sea of Galilee into an empty bottle to save for baptisms. The couple had yet to have children.
The water came in handy for the baptisms of their first and second children, but after DeSantis was elected governor, staff at his residence cleared away the unremarkable bottle (which was still half full) after their second child was baptized in 2019. Not long afterward, DeSantis mentioned the minor fiasco in passing at a synagogue in Boca Raton, and before he knew it people were sending him bottles of water from Israel.
The gesture still moves him. “I was sent, all the way from Israel, this beautiful big glass jar filled with water from the Sea of Galilee that sat on my desk in the governor’s office in Tallahassee until our third child was born and baptized, and we used that water to do it,” DeSantis said last month when he visited Israel.
DeSantis made Israel a focus when he was congressman, taking a leading role in advocating for moving the U.S. embassy from Tel Aviv to Jerusalem. He was among a group of lawmakers who toured Jerusalem in March 2017 and was bold enough to pick out what he said would be the likeliest site.
In November of that year, as chairman of the House national security subcommittee, he convened a hearing on what he called the necessity of moving the embassy. The following month, Trump announced the move, and the site the Trump administration chose was the one DeSantis had identified.
In May 2019, just months after becoming governor, DeSantis convened his state cabinet in Jerusalem and gave a definition of antisemitism favored by the pro-Israel community the force of law. The same year, he banned government officials from using Airbnb after the vacation rental broker removed listings in West Bank settlements. DeSantis’ blacklisting of the company was seen was key to Airbnb reversing the decision.
He’s garnered allies — and enemies — among Florida’s Jews.
DeSantis has done much to cultivate support in Florida’s growing Orthodox community, which shares his enthusiasm for bringing faith into government.
In 2021, DeSantis came to a Chabad synagogue in Surfside to sign two bills, one affording state recognition to Hatzalah, the Jewish ambulance service, and the other tasking all Florida public schools with setting aside a daily moment of silence, long a key initiative of the Chabad movement.
In his first gubernatorial campaign in 2018, DeSantis campaigned on steering state money to religious day schools. This year he made good on the promise, signing a law that makes $7,800 in scholarship funds available annually to schoolchildren across the state, regardless of income, and to be used at their school of choice.
DeSantis also has plenty of Jewish enemies in a state where the majority of the Jewish community votes for Democrats.
In his first term, he had a contentious relationship with Nikki Fried, a Democrat who, as agriculture commissioner, was one of the four ministers in the Cabinet who had a vote. DeSantis maneuvered to freeze her out of the decision-making process.
Fried, who describes herself as a “good Jewish girl from Miami,” now chairs the state’s Democratic Party. She routinely calls DeSantis a fascist. In April, she was arrested at an abortion rights protest outside Tallahassee’s City Hall.
Under DeSantis, Florida has prohibited abortions after six weeks of pregnancy. That stance has set him up for clashes with other prominent Jews in the state as well. Last year, he suspended Andrew Warren, a Jewish state attorney, because Warren pledged not to prosecute individuals who seek or provide abortions after the U.S. Supreme Court overturned Roe v. Wade.
L’Dor Va-Dor, a synagogue in Boynton Beach, spearheaded the first lawsuit filed against Florida’s abortion ban in 2022, citing religious freedom arguments. Daniel Uhlfelder, a Jewish lawyer who drew attention when he dressed as the Grim Reaper to protest DeSantis’s reopening of the beaches during the pandemic, signed on as an attorney for the synagogue.
His “war on woke” has had implications on Holocaust education.
Recently, much of DeSantis’ tenure has been defined by what he calls the “war on woke,” a term originated by Black Americans to describe awareness of racial inequity but now more often functions as shorthand for conservative criticism of progressive values. DeSantis has enacted multiple pieces of legislation restricting what can be taught in schools and has also limited transgender rights, banning gender-affirming medical care for children.
While most of the books challenged under DeSantis’ education laws have focused on race and gender, the study of the Holocaust has been affected as well. In addition to the education department’s rejection of the Holocaust textbooks this month, Florida laws that make teachers liable for teaching inappropriate content to students have led multiple school districts to take Holocaust novels off the shelves, including a graphic novel adaptation of Anne Frank’s diary.
DeSantis calls claims that he’s chilling Holocaust education “fake narratives.” He and his defenders point to his requiring all Florida public schools to certify that they teach about the Holocaust.
Neo-Nazi and white supremacist activity has increased under his watch.
A recent report from the Anti-Defamation League described an upward trend of extremist and antisemitic activity in the Sunshine State, driven in part by emerging white supremacist groups — some of whom have gone to bat for DeSantis in the past.
DeSantis has been dogged by accusations that he caters to the far right. One of the most stinging exchanges in the 2018 election season came when Andrew Gillum, DeSantis’s Democratic opponent in the race, accused DeSantis of not being forceful enough in renouncing the white nationalists who expressed support for him in robocalls.
“First of all, he’s got neo-Nazis helping him out in this state,” Gillum said. “Now, I’m not calling Mr. DeSantis a racist, I’m simply saying the racists believe he’s a racist.” DeSantis flinched.
DeSantis eked out a victory a few weeks later, and was soundly reelected last year, but he remains sensitive on the issue. Last year, when neo-Nazis intimidated Orlando’s Jews with signs and shouts at an overpass, politicians in the state reflexively condemned them. A reporter asked DeSantis why he had not done so, and after calling the neo-Nazis “jackasses,” the governor said the question was a “smear” and added, “We’re not playing that game.” (Several months later, the leader of the antisemitic propaganda group Goyim Defense League moved from California to Florida, saying he thought the Sunshine State would be more hospitable to his efforts.)
DeSantis has also called liberal prosecutors “Soros-funded”. It’s not an unusual political gambit — the billionaire Jewish liberal donor does fund progressives running for prosecutor. But Soros has also been the focus of multiple conspiracy theories that antisemitism watchdogs say are antisemitic, casting the Holocaust survivor as a malign influence with excessive power.
Some Jewish donors are already supporting him.
DeSantis appeared last year at a conference in New York of Jewish conservatives, where he talked to a friendly audience about his war against the “woke” and was also conveniently in the room with some of the most generous Republican donors.
He is reportedly working some of those donors, who gave generously to his gubernatorial runs. He was a star last November at the Republican Jewish Coalition’s annual Las Vegas confab, and Axios reported that he met with Miriam Adelson, the widow of GOP kingmaker Sheldon Adelson, as well as other Jewish donors when he was in Jerusalem last month.
A number of them are hanging back, not wanting to alienate Trump while he remains influential in the party. (Adelson has said she does not want to weigh in on the primaries.)
Among the Jewish donors and fundraisers said to be in DeSantis’s camp: Jay Zeidman, a onetime Jewish White House liaison who is now a Houston based businessman; Gabriel Groisman, a lawyer who is the former mayor of Bal Harbor; and Fred Karlinsky, a leading insurance lawyer.
Last week, Jewish conservative political commentator Dave Rubin tweeted that DeSantis would bring “Freedom, sanity and competency” to the country. Groisman shared the tweet with the word “This.”
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The post What Jewish voters need to know about Ron DeSantis, the Florida Republican running for president appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”