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How this Brooklyn neighborhood became the ‘Klezmer Shtetl’

(New York Jewish Week) — Some of the greatest talents in Jewish music have strolled Midwood’s lettered avenues, including the klezmer musician Pete Sokolow and the Hasidic composer Ben Zion Shenker. Both have left us — Sokolow in 2022, Shenker in 2016 — but the Modzitzer synagogue on Avenue L, where Shenker once lead prayers, is a spiritual home for klezmer virtuoso and Midwood denizen Andy Statman, 73. He’s davened (prayed) there for more than 30 years.

Now, a younger group of klezmer musicians joins Statman in making the quiet, south-central Brooklyn neighborhood their home, due to the (relatively) affordable rents, low density and greenery, as well as its proximity to Jewish communal life spread across the borough.

“We needed more room than Park Slope could provide on our budget,” Pete Rushefsky, who has played a hammered dulcimer known as the tsimbl in the city’s klezmer scene for more than 30 years, told the New York Jewish Week. “It’s been a great neighborhood to raise a family.” That’s especially true for a culturally active family: Rushefsky’s wife, Madeline Solomon, sings, plays accordion and runs the Brooklyn Workers Circle School in Park Slope; their 12-year-old daughter, Mathilda, plays in a children’s fiddle band in the neighborhood.

Midwood looms so large over the present-day Jewish music scene that there’s even a klezmer rock band named for it: Midwood, the band, was founded in 2015 by the fiddler Jake Shulman-Ment. The 39-year-old veteran klezmer violinist lives in the same apartment building on Ocean Avenue as Jeremiah Lockwood, a blues performer and a scholar of cantorial music.

“I call it the ‘Klezmer Shtetl,’” said Midwood’s vocalist, Eleonore Weill, who is also a multi-instrumentalist. (Weill used to reside in Midwood but now lives in next-door Ditmas Park, which is also home to Sarah Gordon, lead singer of the rock band Yiddish Princess. Nearby Kensington counts among its klezmer-making residents D. Zisl Slepovitch and the klezmer couple Ilya Shneyveys and Sarah Myerson.)

Another Midwood musician is Michael Winograd, 40, who many consider to be the best klezmer clarinetist of his generation. As a teenager, he went to Statman’s home for lessons; last summer he moved to the neighborhood.

Midwood musicians Jeremiah Lockwood, left, and Pete Rushefsky. (Courtesy)

Elsewhere in Midwood resides guitarist Yoshie Fruchter, founder of Pitom, which the Tzadik record label called “a shredding Jewish instrumental band.” Fruchter has performed with Jon Madof’s Zion80, which plays Shlomo Carlebach tunes in an Afrobeat style, and Mazal Tov Cocktail Party, the latest klezmer/dance music project led by David Krakauer and Kathleen Tagg.

“I didn’t choose Midwood, particularly,” Shulman-Ment told New York Jewish Week. “It sort of fell into my life.” The fiddler decided to rent his Midwood one-bedroom in the summer of 2021 while he was on tour in the Pacific Northwest. After seeing the place online and sending a couple of friends to check it out in person, Shulman-Ment signed a lease while he was still on the road.

As it happens, Lockwood — who lives with his two sons, ages 14 and 16, on the floor below Shulman-Ment — also rented his apartment sight unseen that same summer.

The two neighbors credit Ivona Hertz, co-owner of Ocean Empire Management, with helping them find a home. Her company manages a pair of buildings across from Prospect Park that are home to so many jazz musicians, they came to be known as “the jazz dorms.”

“When the tenants are happy they always recommend their friends,” Hertz said, describing how she came to rent Midwood apartments to so many musicians. “That’s how the ‘jazz dorms’ were created and that’s how the Midwood buildings are now getting more musicians. The apartments are larger, up to three bedrooms, including the square footage, and more affordable in Midwood.”

According to the available rentals on the real estate website StreetEasy, the median rent in Midwood is $2,566. (Hertz, the property manager known for helping musicians, says she typically charges between $1,500 and $1,750 a month for one-bedroom rentals.) The median sale price in the nabe for the first quarter of this year was $644,000, according to the real estate website PropertyShark — that’s substantially less than the Brooklyn borough-wide median of $755,000.

In addition to relatively low housing costs, Midwood is also known for being home to a very large — and mostly Orthodox — Jewish community. Traditionally Ashkenazi, the southern reaches of the neighborhood have also seen steady growth of its longtime Sephardic Jewish community. “Sephardic Jews dominate from [an area known as the] Avenue H cut to Avenue Z,” Sarina Roffe, CEO of the The Brooklyn Jewish Historical Initiative and president of the Sephardic Heritage Project, told the New York Jewish Week. “The Sephardic community in Brooklyn has been growing for more than 100 years.”

Most of these newer, klezmer residents identify as secular Jews, and not Orthodox. But many of them said they enjoy living among their Orthodox brethren. Clarinetist Winograd lives in part of Midwood that’s “very Jewish,” as he described it. “I kind of like being a secular Jew who gets to experience the benefit of a quiet Shabbes. I enjoy being a culturally-engaged Jew living in a Jewish neighborhood even if I’m not partaking in the more religious activities.”

Shulman-Ment — who identifies as a secular Jew who is committed to Jewish culture — spent a year living in Crown Heights, so he was familiar with the feeling of living in an Orthodox neighborhood and feeling like a bit of an outsider. He said he’s noticed, though, that if he’s in his “gig costume” — a suit and fedora — some of his Orthodox co-religionists offer a friendly greeting.

Lockwood described his (and Shulman-Ment’s) section of Midwood, along Ocean Avenue, as “rough-hewn and unlovely. It is a hard-working and threadbare place.” And yet, “I like it here fine,” he told the New York Jewish Week, adding: “I just don’t want to encourage out-of-towners to move in.”

Fruchter — who moved to Midwood last December with his wife, Jewish cookbook author Leah Koenig, and their two kids, aged 4 and 9 — said his area of Midwood has a lot of Pakistani residents, but on Saturday his family can often hear zemiros, hymns sung at the Sabbath table, coming from the homes of Orthodox neighbors down the block. “I really like how you see people from so many different places, cultures, religions and backgrounds all sharing the same sidewalks,” Fruchter told the New York Jewish Week via email. “I love walking by businesses with signs in different languages and restaurants where I have no idea what to order… I love that it’s a ‘quiet’ neighborhood but with a lot of bustle in it.”

Klezmer virtuoso Andy Statman, left, has lived in the neighborhood more than 30 years, while guitarist Yoshie Fruchter, right, is a more recent resident. (Courtesy)

The family is involved in the Flatbush Jewish Center, a Conservative egalitarian synagogue in the neighboring Kensington section of Brooklyn where Fruchter has served as cantor on the High Holy Days and organized a concert series.

Fruchter is also a member of Shulman-Ment’s band Midwood — whose recording of their live performance at the “Klezmer On Ice” festival in Minneapolis last winter will be released in the coming months. Midwood the band’s next gig is at the National Yiddish Book Center’s annual Yidstock festival in Amherst, Massachusetts on July 16.

Shulman-Ment will also be performing with the actor and musician Daniel Kahn on June 15 at the East Village world music venue Drom. The performance is timed to the release of the duo’s first album, “The Building & Other Songs,” which features Yiddish versions of songs by Leonard Cohen, Bruce Springsteen, Tom Waits and Woody Guthrie.

The other Midwood klezmer musicians with gigs to look forward to are Rushefsky — who is also the executive director of the Center for Traditional Music and Dance — and Statman, who will both be playing with the violinist Itzhak Perlman in the coming months.

In addition, Statman plays in two trios: The Andy Statman Trio, which has performed at the Greenwich Village Synagogue in Manhattan regularly for 20 years, and another with the Eddy Brothers, two young West Virginia bluegrass musicians. More recently, Statman started playing with a traditional bluegrass quartet that’s comprised of players he’s known since he was a teenager. That band is now known as Andy’s Ramble, not to be confused with the 1994 Statman album of the same name.

Statman grew up in Queens and was in his mid-20s when he first moved to Brooklyn in 1976. After a series of apartments, he and his wife Basha moved to Avenue L in Midwood in 1987, where they raised their four children. “Our kids needed to be here. We needed to be here,” Statman said. “There is sky and trees and grass here. There are birds chirping all over. The neighborhood was incredibly vibrant.”

When he first arrived, Statman took a break from his music career for a year to study Jewish holy texts full time. In the 35 years since, he’s seen real estate values soar to a level he calls “ridiculous.” Statman said that since the early 2000s, he’s watched kids who grew up on his block move to Lakewood, New Jersey or Monsey in Rockland County — both home to sizable Orthodox Jewish communities — because they couldn’t afford to buy homes in Midwood. Now their parents are leaving, he added, because they want to be near their grandchildren.

It’s a fate the clarinetist is personally familiar with: None of his four children, now grown, live in the area. With two daughters and their grandchildren living near Lakewood, the Statmans are considering relocating there themselves.


The post How this Brooklyn neighborhood became the ‘Klezmer Shtetl’ appeared first on Jewish Telegraphic Agency.

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DOGE Staffers Used ChatGPT to Cut Holocaust History Grants During Counter-DEI Purges: Lawsuit

Elon Musk holds up a chainsaw onstage during the Conservative Political Action Conference (CPAC) in National Harbor, Maryland, US, Feb. 20, 2025. Photo: REUTERS/Nathan Howard

The US Department of Government Efficiency (DOGE) relied on the ChatGPT large language model program when deciding to cut grants for Jewish-related history programs, including one focused on violence against women during the Holocaust, according to a new class-action lawsuit.

DOGE staffer Justin Fox is named as one of the defendants in the suit filed in US federal court on Friday by the Authors Guild, which alleges that he was the one who developed the method of using ChatGPT prompts to determine which grants from the National Endowment for the Humanities (NEH) — also a defendant — to cut in the name of eliminating any programs related to Diversity, Equity, and Inclusion (DEI) initiatives.

Fox said in a deposition that he regarded any grant related to a minority group as qualifying as “DEI” and thus up for elimination. When asked about a grant he chose to cancel related to violence against women during the Holocaust, he responded, “It’s a Jewish — specifically focused on Jewish culture and amplifying the marginalized voices of the females in that culture.” Fox added, “It’s inherently related to DEI for that reason.”

The Trump administration has made a point of targeting DEI programs, especially on university campuses, arguing they foster bigotry by replacing merit with identity-based preferences. Many Jewish groups have criticized DEI initiatives for often excluding Jews, ignoring antisemitism, or characterizing Jews as white “oppressors” rather than as a historically oppressed minority group.

The lawsuit alleges that Fox and his fellow DOGE staffer Nathan Cavanaugh “made and executed the termination decision without any legal authority conferred by Congress. There is no jurisdictional barrier to vacating these unlawful terminations, and permanent relief is warranted.”

One of the projects targeted by DOGE was a translation project titled In the Shadow of the Holocaust: Short Fiction by Jewish Writers From the Soviet Union, which the lawsuit describes as “a critical, annotated translation into English of Yiddish and Russian works written in the aftermath of the most significant Jewish tragedy of the 20th century.”

ChatGPT put the book on the chopping block, stating that “this anthology explores Jewish writers’ engagement with the Holocaust in the USSR.”

According to the suit, the DOGE cuts “are unconstitutional several times over. The record establishes, without genuine factual dispute, that the terminations violated the First Amendment by targeting grants for their viewpoints and perceived political associations; that they violated the equal protection guarantee by classifying grants based on race, sex, and other constitutionally protected characteristics.”

DOGE also allegedly targeted Catholic efforts to promote Holocaust studies. The suit notes that another grant Fox and Cavanaugh chopped was support for the National Catholic Center for Holocaust Education at Seton Hill University.

In a deposition, NEH’s acting chair Michael McDonald said he did not know DOGE had relied on ChatGPT and rejected including Holocaust-related grants under DEI. He also claimed DOGE ignored his disagreements. DOGE possessed the final say about which projects to cut.

In response to the question “In your view, does this grant relate to DEI?” McDonald answered “no.” When the lawyer followed up with “would you consider this to be wasteful spend?” he replied “I would not, no.”

Since the NEH’s founding in 1965, the agency has provided over $6 billion in grants to fund over 70,000 projects in all 50 states.

The lawsuit details that Fox and Cavanaugh lacked “any relevant background in the humanities, public or private grant administration, peer review, or government service of any kind prior to joining the administration.”

According to the filing, the two DOGE staffers met with McDonald and Assistant Chair for Programs Adam Wolfson on March 12. However, Fox and Cavanaugh “entirely controlled the process of selecting grants to terminate and executing the terminations — their approach was top-down, viewpoint- and race-based, and indifferent to the views of NEH leadership or the ordinary processes of grant administration.”

DOGE’s mastermind, billionaire Elon Musk, has a professional rivalry with Sam Altman, the CEO of OpenAI, which developed ChatGPT.

Musk faced multiple controversies last year involving alleged antisemitism, Nazis, and the Holocaust. Following his decision to make a gesture at a Jan. 20 rally which many interpreted as resembling a “Sieg Heil”-style salute, the Anti-Defamation League (ADL) initially defended the billionaire before criticizing his choice to promote Holocaust humor on his X social media platform.

“We’ve said it hundreds of times before and we will say it again: the Holocaust was a singularly evil event, and it is inappropriate and offensive to make light of it. Elon Musk, the Holocaust is not a joke,” Jonathan Greenblatt, the ADL’s CEO and National Director, wrote on X in response to Musk.

Musk faced criticism days later when addressing a gathering of Germany’s far-right Alternative for Germany (AfD) party, where he said, “There is too much focus on past guilt, and we need to move beyond that.” Critics decried the comments, arguing they minimized or dismissed the Holocaust.

“The remembrance and acknowledgement of the dark past of the country and its people should be central in shaping the German society,” Dani Dayan, chairman of Yad Vashem, Israel’s national memorial to the Holocaust, said in response to Musk on X. He warned that not focusing on learning lessons from the past is “an insult to the victims of Nazism and a clear danger to the democratic future of Germany.”

In July, following an upgrade to Musk’s ChatGPT rival Grok, the program began promoting antisemitic conspiracy theories and in one instance labeled itself “MechaHitler.”

Two months later, the Center for Countering Digital Hate (CCDH) and the Jewish Council for Public Affairs (JCPA) released a report revealing the rise of antisemitism on X.

The report utilized OpenAI’s since-discontinued GPT-4o model and drew on a year-long investigation to find that “679,000 posts sampled violate X’s policies on antisemitism, and posts identified as antisemitic got 193 million views in the 11 months of this report, despite X’s promises to limit their visibility. Also, antisemitic conspiracies appear to perform disproportionately well on X, constituting 59% of posts in the sample but 73% of likes.”

The report noted that X had allowed for the rise of so-called “antisemitic influencers” and that  “approximately one third of all likes on antisemitic posts were on posts shared by just 10 antisemitism ‘influencers.’ 9 out of these 10 ‘antisemitism influencers’ have more followers on X than any other platform, and 6 out of the 10 are verified on X. 3 out of the 10 profit from paid subscriptions on X.”

Amid the criticism, Musk has denied accusations of antisemitism and said his priority is to make X a bastion of free speech. He visited Israel in late 2023, weeks after Hamas’s Oct. 7 invasion of the Jewish state, and Auschwitz in January 2024. Following the latter trip, Musk said he was “frankly naive” about antisemitism and described himself as “Jewish by association.”

The Tesla CEO and X owner vowed to wear around his neck a dog tag reading “Bring Them Home” that was given to him by a parent of one of the Israeli hostages held in Gaza until all the captives were returned home.

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Trump’s Iran dithering puts Israel in an unprecedented position

Israel today finds itself in an unusual strategic position: It’s fighting a war that could last for weeks — or end almost instantly. And someone else will decide which way things go.

Down one path lies a prolonged campaign against Iran, with the possibility of regime change. Israel’s leaders openly hope that the campaign will enable the Iranian people to overthrow their rulers. Prime Minister Benjamin Netanyahu recently put it bluntly: “Our aspiration is to enable the Iranian people to cast off the yoke of tyranny.”

Down the other is a rapid cessation of the conflict, with incomplete results. President Donald Trump has already suggested that the conflict may be nearing completion. In a Monday interview with CBS News, Trump said bluntly: “The war is very complete, pretty much.”

Yet in the very same news cycle, Trump offered a strikingly different message. When asked whether the war was essentially over or just beginning, he replied: “I think you could say both.” He suggested he was considering the possibility of taking control of the Strait of Hormuz, the critical global oil chokepoint, and warned on social media that if Iran interfered with shipping there, the United States would strike it “20 times harder than they have been hit thus far.”

Those contradictory statements capture the extraordinary ambiguity surrounding the conflict. And that ambiguity has left Israel in a profoundly complicated position. Now, it must be prepared simultaneously for two radically different scenarios: a prolonged war whose outcome could reshape the Middle East, or a sudden declaration that the conflict is over.

A successful start, and mixed outlook

So far, Israeli and American forces have struck deep inside Iran, decapitating the regime and crippling major parts of military infrastructure. Iran has retaliated with missile and drone attacks against Israel, most of which have been intercepted by Israel’s air defenses, but some of which have brought tragedy.

In recent days, Tehran has picked a new supreme leader: Mojtaba Khamenei, a hardliner and the son of the longtime despot killed on the first day of the war.

If the conflict continues on this trajectory, the implications could be enormous. Sustained pressure on Iran could destabilize the regime. Even without that best-case scenario outcome, a prolonged campaign could dramatically weaken the Islamic Republic.

But a long war carries real dangers. Iran still possesses missiles capable of reaching Israel, and has been firing them daily. Israel’s multilayered defense system intercepts most of them, but not all. A cluster missile strike on Monday killed two; if the war continues, more deaths are likely to follow. And the longer the war lasts, the greater the statistical likelihood that one missile will slip through and cause a true catastrophe.

Even without a disaster, the cumulative strain on Israeli society is unmistakable. The acquisition of weapons and callup of reserve troops is further disrupting an economy that has been in various states of disruption since Oct. 7, 2023. It is also measured in the unquantifiable damage that the stress is causing pretty much every person in the country.

Many businesses are closed, and public life is minimal. Missile alerts — often in the middle of the night — repeatedly send millions of civilians into shelters (and, for a privileged minority, reinforced “safe rooms” in their home). Many offices are half empty. Parents struggle to work while caring for children who are afraid to leave the house.

With ordinary life on hold, a prolonged war could therefore become a grinding economic and psychological burden, even if Israel continues to win militarily.

Yet Israelis broadly support the war. A poll last week found that 93% of the populace backs the operation.

How will they respond if Trump abruptly pulls the plug?

War by whim

To a degree that is profoundly unusual in the history of democratic countries, the trajectory of the war depends largely on one person.

Trump has shown himself to be prone to making unilateral decisions with enormous consequences for the international order without undergoing any of the standard processes.

He launched sweeping tariff wars that upended decades of bipartisan policy on the benefits of relatively free trade. He revived the idea that the U.S. should acquire Greenland — and for weeks refused to rule out using force against Denmark, a NATO ally, to achieve that end. Earlier this year, American forces kidnapped Venezuela’s president, after which Trump openly stated that the U.S. needs “access” to the country’s oil resources.

Even the rhetoric surrounding the Iran campaign is sui generis. In recounting why American forces had sunk Iranian naval vessels rather than capturing them, he approvingly relayed that he was supposedly told by commanders that it was simply “more fun to sink them.”

If Trump decides he is done, and the Islamic Republic limps on, Israelis will be left with the frustrating sense of having missed a huge opportunity to fundamentally alter an unacceptable situation in which Iran is constantly scheming to cause harm.

Iran has been, essentially, a fly the size of an elephant buzzing in Israel’s ear. Yes, the war will be spun as victory either way — but if it ends tomorrow, it will end without achieving all it could. And the current state of affairs, in which Israel effectively has a green light from a U.S. president as indifferent to convention as Trump, may not return.

A reopened Lebanon front

One complication that could outlast either of these scenarios is Hezbollah. The Lebanon-based militia, a regional proxy for Iran, joined the fighting almost immediately, launching rockets and drones toward northern Israel. That intervention may give Israel a strategic opportunity to address a problem that has festered since post-Oct. 7 fighting ended on the Lebanon front in November, 2024.

When that conflict concluded, the Lebanese government pledged that it would dismantle and disarm Hezbollah, finally restoring the state’s monopoly on force. In practice, little changed. Hezbollah remained entrenched in parts of central Lebanon, albeit no longer along Israel’s border.

Israeli patience with this renewed status quo has steadily eroded. But the devastation of the Gaza war had badly damaged Israel’s international standing, making Jerusalem see a renewed Lebanon campaign as diplomatically difficult.

Now, the regional picture has shifted. Lebanese officials — including the country’s president — have increasingly signaled that Hezbollah’s continued militarization is unsustainable. Beirut has in recent days already taken steps to curb Iranian influence, including by restricting activity by the Islamic Revolutionary Guard Corps. Senior figures have made clear that Hezbollah’s role as an armed “state within a state” cannot continue indefinitely.

Elements of Lebanon’s government clearly hope Israel might finish a task they cannot accomplish themselves — the decisive debilitation of Hezbollah — though preferably without bringing another devastating war onto Lebanese soil.

What this means: Israel is likely to be at war, in some way or another, for some time to come. Trump may call time on the war with Iran; he has no such power when it comes to Israel’s own border conflicts.

But the biggest challenges, and biggest changes, facing Israel belong with the Iran war, which has the potential to truly redefine the region. Netanyahu may wield some influence over Trump, but the decision rests with the White House.

This is an unprecedented state of affairs in Israel’s history: A perilous war of aggression, conducted without real Israeli control. The cost of this is whiplash, as the country has no choice but to live with both possibilities at once: a long war that could reshape the region — or a sudden declaration that the war has been won. Netanyahu may be able to influence Trump one way or the other — but he won’t make the call.

For Israelis, that is the rub in the hyper-alliance with Trump’s U.S. Next month, as Israel celebrates its 78th Independence Day, that independence will feel a tad fictitious. An extreme dependency lies bare for all to see, and it will outlive Trump. His successor may not be as munificent.

The post Trump’s Iran dithering puts Israel in an unprecedented position appeared first on The Forward.

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FIFA COO Says World Cup ‘Too Big’ to Be Postponed by Israel-Iran War

Soccer Football – FIFA Club World Cup – Group D – Esperance de Tunis v Chelsea – Lincoln Financial Field, Philadelphia, Pennsylvania, US – June 24, 2025, General view of the FIFA logo before the match. Photo: REUTERS/Lee Smith

FIFA Chief Operating Officer Heimo Schirgi said the 2026 World Cup is “too big” to postpone and will proceed as planned despite the ​ongoing conflict in the Middle East.

Schirgi made the comments while speaking on Monday outside construction of the International Broadcast Center, which is located inside the Kay Bailey Hutchison Convention Center and will serve as a hub for international coverage of the World Cup. Schirgi was asked about Iran as it remains unclear if the country will participate in World Cup, after the US and Israel launched joint airstrikes against the Islamic Republic that led to the killing of Iranian Supreme Leader Ayatollah Ali Khamenei and several other high-ranking Iranian officials. Iran has retaliated with strikes against Israel and civilian areas across the Middle East.

“At some stage, we will have a ​resolution, and the World Cup will go on, obviously,” Schirgi replied, according to ⁠NBC 5 in Dallas. “The World Cup is too big, and ​we hope that everyone can participate that has qualified.”

FIFA Secretary General Mattias Grafstrom previously said the organization is closely monitoring the situation in the Middle East ahead of the World Cup in June. Schirgi added that FIFA has been in contact with Iran’s soccer ​federation, but did not provide details ⁠about what was discussed, according to Reuters.

The FIFA ​World Cup will take place across cities in the US, Mexico, and Canada from June 11 to July 19. Iran qualified for the tournament through its participation in the ‌Asian ⁠Football Conference. It is set to compete in Group G at the World Cup and is scheduled to face New Zealand on June 15 and Belgium on June 21, both in Los Angeles, before going head-to-head against Egypt on June 26 in Seattle. Soccer fans from Iran are already barred from entering the United States for the World Cup as part of a travel ban that the Trump administration announced in June.

The 2026 World Cup will have 48 nations competing, making it the largest in history.
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