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What Marc Maron’s comedy special taught me about laughter and Tisha B’Av
(JTA) — I’ve been teaching a virtual class on Jewish humor through our partner site, My Jewish Learning. I share classic jokes and bits and then discuss what they say about both the Jews who tell them and the Jewish audiences that enjoy them.
We have a lot of fun, and I think I’ve made the case for how a classic Jewish joke can be as revealing and meaningful as any other classic Jewish text. But I do wonder if I am complicit in a worldview that sees humor as the sum total of Jewish identity. The Pew Research Center found that 42% of Jewish Americans associate being Jewish with having a sense of humor — twice as many who said the same thing about observing Jewish law.
Have we all become Tim Whatley, the dentist on “Seinfeld” who Jerry suspects has converted to Judaism just to be able to tell Jewish jokes?
I am having these doubts on the eve of Tisha B’Av, the annual fast that mourns the destruction of the Temples in Jerusalem and other historical calamities. Leading up to the fast day, observant Jews take on many of the rituals of mourning the dead. It’s a grim period, and I’ve always bristled at a custom that demands I perform grief at the height of summer.
The unrelenting sadness of the period must have gotten to the sages of the Talmud. They tell the story of the elders who look down on the Temple Mount after it has been ransacked by the Romans, and see a fox scamper out of what had been the Holy of Holies, the inner sanctum of the Temple. They begin weeping, but Rabbi Akiva laughs instead.
They want to know why he’s laughing, and Akiva explains. On one level, he understands the absurd irony — the cosmic joke — of what they are witnessing: While the Torah says that any non-priest who approaches the Holy of Holies shall die (Numbers 1:51), the fox violates the space unscathed.
But Akiva is also laughing because the scene of destruction fulfills a prophecy: that Jerusalem won’t be restored to the Jews until after it is reduced to rubble. The other sages are comforted.
Miriam Zami, in a deep analysis of the story, says Akiva “resists the notion that the only future is a bleak one.” Laughing and recalling God’s promise to restore Jerusalem is “an act of healing, protesting Roman power and protesting the notion of a fundamentally meaningless existence.”
That’s the kind of laughter that scholars of Jewish humor have long celebrated: “laughter through tears,” the “laughter of defiance.” As the Yiddish scholar Ruth Wisse wrote in her study of Jewish humor, “Both mystic and comedian aspire to get the better of a world they are powerless to reform.”
I worry, though, that humor can offer an undeserved escape from grim reality — perhaps healthy in small doses, but delusional when it becomes a way of being in the world. When we celebrate the genius of Jewish humor are we mocking those who suffered without its comforts? To paraphrase the German philosopher Theodor Adorno, is making comedy after Auschwitz barbaric?
Like Akiva’s buddies, however, I found some comfort in the latest HBO special by veteran comedian Marc Maron. Now 59, Maron has long been a “comic’s comic” but found wider fame in recent years on the strength of a popular podcast and his roles in the Netflix series “GLOW” and his eponymous sitcom on IFC. His style is dyspeptic and confessional, and Jewish to a degree that seems to surprise even him: “There’s part of me that just wants to keep poking the Jew thing,” he says at one point in the new special.
“From Bleak to Dark” is Maron’s first special since the death, in 2020, of his partner, the filmmaker Lynn Shelton. He is one of a number of comedians who have been exploring their personal grief in their comedy; as New York Times critic Jason Zinoman pointed out in a recent essay, “These new shows illustrate how grief, precisely because it’s usually handled with solemnity, jargon and unsaid thoughts, is ripe territory for stand-up.”
The very first words of Maron’s special would fit right into the key text of the Tisha B’Av liturgy, known as “Lamentations“: “I don’t want to be negative,” he says, “but I don’t think anything’s ever gonna get better ever again. I don’t want to bum anybody out but I think this is pretty much the way it’s gonna be for however long it takes us to polish this planet off.”
He’s talking about global warming, but he eventually shifts to talking about Shelton’s death. At first he wonders how he can discuss his loss on stage,tims and then imagines a sad one-man show called “Marc Maron: Kaddish, A Prayer for the Dead,” and even chants the opening words of the prayer.
But Maron is not one to take comfort in Jewish ritual. “I’m not religious. I’m Jewish,” he explains, as if the second sentence makes the first one self-evident.
As for comedy, he says, “I’m a guy who talks about his life. So I wasn’t clear how that was gonna go. How am I going to talk about [Shelton]? You know, is that ever going to happen? Is there a way to bring humor to that?”
There is, and it came to him on the night the doctors took Shelton off of life support. At first, he is not sure he wants to be there, but his friends convince him that he would regret it if he didn’t say goodbye. “So I walk in there and really see her and she’s gone,” he relates. “And I was able to touch her forehead and tell her I love her and cry for a few minutes.” And then, because he is at heart a comedian, he thinks of a joke: As he walks away from her hospital bed, he thinks, “Selfie?”
“When I wrote that joke, or when I came up with it, it made me feel so happy,” he says.
Maron knows he is not the only person in the theater, or watching at home, who is grieving, and his words are solace for them as much as for himself. In another famous Talmud story about laughter, Elijah the Prophet and a Rabbi Baroka come across two men in the marketplace. The two explain that they are jesters. “When we see a person who is sad, we cheer him up,” they explain. “Likewise, when we see two people quarreling, we try to make peace between them.”
Says Elijah, “These two have a share in the World to Come,” which is a prophet’s way of saying they have a free pass to Heaven.
I don’t know if Maron knows the passage, or the one about Akiva, but his special feels like essential viewing on the eve of Tisha B’Av, when Jews are asked to hold onto hope and embrace life despite a tragic history.
“I find that humor that comes from real darkness is really the best because it disarms it,” he explains. “It’s elevating the spirit. It’s why I got into comedy, because I’ve watched comics and they would take things that were complicated or horrifying and simplify them and sort of make you see them in a different way and have a laugh. And I think it’s a beautiful thing and necessary.”
And then, because he is a comedian and Jew, he can’t resist a joke: “I believe there were probably some hilarious people in Auschwitz.”
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The post What Marc Maron’s comedy special taught me about laughter and Tisha B’Av appeared first on Jewish Telegraphic Agency.
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Anti-Israel Activism Takes Center Stage at Emmy Awards After Paramount Condemns Boycott of Israeli Film Companies
Javier Bardem at the 2025 Emmy Awards. Photo: REUTERS/Daniel Cole
Several members of Hollywood promoted their pro-Palestinian and anti-Israel activism on Sunday night at the 77th Emmy Awards at the Peacock Theater in Los Angeles.
Actor Javier Bardem – who stars in “Monsters: The Lyle and Erik Menendez Story” – wore a Palestinian keffiyeh around his neck to the ceremony and talked on the Emmys red carpet about his decision not to work with Israeli institutions and companies.
The Emmy nominee told The Hollywood Reporter that he “will never work with some company now [who] are not condemning the genocide in Gaza.” If his decision impacts the number of jobs he gets, he said, “Me not getting jobs is absolutely [ir]relevant compared to what is going on there.”
The “F1” actor also told Variety on the Emmys red carpet: “I cannot work with someone that justifies or supports the genocide. I can’t. It’s as simple as that. And we shouldn’t, in this industry and in any other industry. What we are witnessing is a genocide on a daily basis.”
Also on Sunday, in Bardem’s home country of Spain, a major cycling race was shut down after thousands of pro-Palestinian demonstrators clashed with police while protesting an Israeli team’s participation in the race. Bardem mentioned the shutdown while speaking on the Emmys red carpet and said Israel’s inclusion in the race is an example of “whitewashing” the “genocide” Israel is supposedly perpetrating in Gaza.
“We ask for a commercial and diplomatic blockade, and sanctions on Israel to stop this genocide. Free Palestine,” Bardem said.
Earlier this month, thousands of members of the Hollywood film industry signed a pledge by Film Workers for Palestine to boycott any Israeli film institutions and companies that are “implicated in genocide and apartheid against the Palestinian people.” More than 1,300 filmmakers, actors, and other creatives signed the pledge.
The film production giant Paramount criticized the boycott in a released statement on Sept. 12.
“At Paramount, we believe in the power of storytelling to connect and inspire people, promote mutual understanding, and preserve the moments, ideas, and events that shape the world we share. This is our creative mission,” read a statement issued by Paramount chief communications officer Melissa Zukerman.
“We do not agree with recent efforts to boycott Israeli filmmakers,” the statement continued. “Silencing individual creative artists based on their nationality does not promote better understanding or advance the cause of peace. The global entertainment industry should be encouraging artists to tell their stories and share their ideas with audiences throughout the world. We need more engagement and communication — not less.”
Bardem responded to Paramount while speaking to The Hollywood Reporter at the Emmys.
“It’s also important to clarify to Paramount that we do not target individuals by their identity. That’s absolutely wrong. Don’t send that message; that is a wrong thing,” he said. “What we target are those complicit film companies and institutions that are involved in whitewashing or justifying the genocide of Israel in Gaza and its apartheid regime. And we stand with those who fight and stand in solidarity with the oppressed.”
Jewish-American actress and “Hacks” star Hannah Einbinder was among those who signed the anti-Israel pledge by Film Workers for Palestine. On Sunday night, Einbinder won the Emmy for best actress in a comedy series and concluded her acceptance speech by cheering the Philadelphia Eagles, calling out immigration raids by US Immigration and Customs Enforcement (ICE), and declaring “Free Palestine.” Backstage in the press room after her first Emmy win, she told reporters that the ongoing Israel-Hamas war in Gaza is “an issue that’s very close to my heart.”
“I have friends in Gaza who are working as frontline workers, as doctors, right now in the north of Gaza to provide care for pregnant women and for school children to create schools in refugee camps,” Einbinder said. “I feel like it is my obligation as a Jewish person to distinguish Jews from the state of Israel because our religion and our culture is such an important and longstanding institution that is really separate to this ethnonationalist state.”
She also explained why she signed the Film Workers for Palestine pledge.
“It’s like many movements — boycotting is an effective tool to create pressure on the powers that be to meet the moment,” she said. “The Film Workers for Palestine boycott does not boycott individuals; it only boycotts institutions that are directly complicit in the genocide. So, it’s important to me and I think it’s an important measure and I was happy to be a part of it.”
Fellow “Hacks” star Megan Stalter walked the Emmys red carpet wearing a white T-shirt and jeans that she paired with a black handbag featuring a message that read, “Cease Fire!” which seemed to be a reference the war in Gaza. There were some members of the audience inside Peacock Theater who were also seen wearing the Artists4Ceasefire red pins that call for an end to Israel’s military actions in the Gaza Strip. “White Lotus” actress Aimee Lou Wood, “Hacks” director Lucia Aniello, “Abbott Elementary” actor Chris Perfetti, and “Presumed Innocent” actress Ruth Negga were among the celebrities who wear the pins on the red carpet on Sunday.
Film Workers for Palestine responded to Paramount’s criticism of its anti-Israel boycott by saying that it hopes the studio is not “intentionally misrepresenting the pledge in an attempt to silence our colleagues in the film industry.”
“Such a move would only shield a genocidal regime from criticism at a time when global outrage is exponentially growing and while meaningful steps towards accountability are being taken by many,” Film Workers for Palestine wrote in a statement posted on social media. “Should Israeli film institutions wish to continue working with pledge signatories, their choice is clear: end complicity in Israel’s genocide and apartheid, and endorse the full rights of the Palestinian people under international law, in line with Palestinian civil society guidelines.”
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‘Incredibly Validating’: Documentary About Oct. 7 Rescue Wins People’s Choice Award at Toronto Film Festival
Canadian director Barry Avrich on the red carpet at a screening of “The Road Between Us: The Ultimate Rescue” at the Toronto International Film Festival (TIFF) on Sept. 10, 2025. Photo: REUTERS/Anna Mehler Paperny
A film about a former Israeli general’s mission to rescue his family during the Hamas terrorist attack in southern Israel on Oct. 7, 2023, won the People’s Choice award for best documentary at the 2025 Toronto International Film Festival (TIFF).
Director Barry Avrich’s documentary “The Road Between Us: The Ultimate Rescue” took home the honor after a whirlwind journey of being dropped from the film festival and then reinvited. The Canadian documentary highlights retired Israeli Gen. Noam Tibon and his heroic efforts to rescue his son’s family from Hamas terrorists on Oct. 7, 2023, when they invaded kibbutz Nahal Oz near Israel’s border with the Gaza Strip.
“To win this award is thrilling for Mark and me. The audience voted and I appreciate that. We look forward to the rest of this journey [and] I appreciate everything that TIFF has done for us,” Avrich said while accepting the documentary award trophy at the Lightbox theater. The award was presented by TIFF CEO Cameron Bailey. The film’s producer, Mark Selby, said in his acceptance speech, “I hope that all the filmmakers of this festival feel as supported as Barry and I did during this whole process.”
“The Road Between Us” made its world premiere at TIFF on Sept. 10. TIFF originally invited the film to take part in this year’s festival but then removed the documentary from its lineup after claiming that filmmakers did not obtain clearance to use footage from the deadly attack that was taken by Hamas terrorists themselves. The film was ultimately invited to rejoin TIFF following outrage from pro-Israel supporters around the world and Cameron apologized twice for the festival’s decision to cancel the screening.
Avrich told The Canadian Press it feels “incredibly validating” to have the audience vote for his film to win the People’s Choice award for best documentary.
“We live in a country where it’s about freedom of expression. So, people want to protest. They can protest,” he told the publication. “We encourage people to see the film and if there’s something they want to protest about in reference to the film, fine. Or don’t buy a ticket. Either way, I’m fine with that … I’ve always said this is a film about family.”
“People can have an opinion but we encourage them to see the film first and then form their opinion based on what they’ve seen,” Selby added.
“The Road Between Us: The Ultimate Rescue” will be released in theaters across North America on Oct. 3. Watch the trailer below.
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Netanyahu Says Israel Should Invest in Influence Operations to Counteract Isolation
Israeli Prime Minister Benjamin Netanyahu speaks at the opening event of the largest-ever bipartisan delegation of American legislators to Israel at the Foreign Ministry in Jerusalem on Sept. 15, 2025. Photo: Debbie Hill/Pool via REUTERS
Israel needs to invest heavily in “influence operations” in traditional and social media to counteract economic isolation arising from negative publicity abroad, Prime Minister Benjamin Netanyahu said on Monday.
Speaking at a Finance Ministry conference, Netanyahu said foreign investment into Israel had held up in the wake of a 12-day war against Iran in June, which he said removed an immediate threat of a nuclear-armed foe.
But in a rare acknowledgment of the isolation arising from international criticism of Israel‘s war in Gaza, he said Israel faced an economic threat of sanctions and other measures.
He blamed isolation on minorities in Europe pushing “anti-Zionist and extreme Islamist ideology,” and on countries such as Qatar, backer of Arabic broadcaster Al Jazeera, investing in shaping global discourse through social media.
“This leads to sanctions against Israel and alters Israel‘s international standing … and this leads to a kind of isolation for Israel,” Netanyahu said. “We can break out of this isolation, but we must invest heavily in countermeasures — particularly in media and social media influence operations.”
Netanyahu said Israel should reduce the dependence of its industries on trade with other countries.
“We might find ourselves blocked not only in R&D but also in actual industrial production. We must start developing our capabilities to rely more on ourselves,” he said, adding that should also include arms and other defense products.
In a response, opposition leader Yair Lapid said international isolation was “the product of a wrong and failed policy by Netanyahu and his government.”
“They are turning Israel into a third world country and are not even trying to change the situation,” he wrote on X. “Israel can return to being successful, popular, with a thriving first-world economy.”
The war in Gaza was triggered by a rampage into southern Israel by Hamas terrorists who killed around 1,200 people and captured 251 hostages.