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‘Life is Beautiful’ hit US theaters 25 years ago. The film’s Holocaust humor raised issues that linger today.

(JTA) — Ferne Pearlstein re-watched “Life is Beautiful,” Roberto Benigni’s Oscar-winning Holocaust film, around 2015. She was working on her documentary “The Last Laugh,” which focused on the possibilities — and limits — of Holocaust humor.
Pearlstein was struck not by how subversive Benigni’s film felt, but how tame it seemed. In the 2000s, she argued in a recent interview, Holocaust humor had become so much more ubiquitous, if not always accepted. Joan Rivers had made a joke about Nazi gas chambers on national TV. The blockbuster “The Hangover” — directed and produced by Jewish filmmaker Todd Phillips — casually tossed in a Holocaust joke. The topic has been a longstanding part of Sarah Silverman’s standup routine.
But when “Life is Beautiful” hit U.S. theaters 25 years ago last month, it rocked Hollywood and beyond by attempting to infuse humor into the setting of a concentration camp.
“I, too, remember watching it when it came out, and being amazed that anybody would have taken the time to have represented part of our story that way,” said Rich Brownstein, the author of a book about hundreds of Holocaust-themed films.
Benigni, by then a well-known Italian comedian, starred in the movie as Guido Orefice, a charming Italian-Jewish drifter who repeatedly uses his wit to get out of bad situations. In the opening days of World War II, he courts a non-Jewish woman who was set to marry a local Fascist commander, eventually marrying her and having a son.
By 1944, once the Nazis occupy Italy, Guido and his young son are taken away to an unnamed concentration camp. For the rest of the film, set in the camp, Guido attempts to shield the truth of their predicament from his son — by pretending their entire imprisonment is a game. Guido suffers under the torture of forced labor, but he finds the strength after a day’s work to keep the charade up for his son, to keep him from drifting into despair.
The film — all in Italian — was a surprise hit, and its awards season campaign was nearly as memorable as the film itself. Throughout the campaign, Benigni charmed American audiences with wild interviews and awards acceptance speeches in which he climbed upon theater seats and spoke in broken but enthusiastic English. At the Oscars in 1999, his movie won three awards, including for best foreign language film and best actor.
“This is a terrible mistake because I used up all my English,” Benigni said from the Oscar stage after winning best actor, in his second speech of the night. “I am not able to express all my gratitude, because now, my body is in tumult because it is a colossal moment of joy so everything is really in a way that I cannot express. I would like to be Jupiter! And kidnap everybody and lie down in the firmament making love to everybody, because I don’t know how to express.”
Audiences loved the film too, as it became the highest-grossing foreign language film in U.S. history at the time (although “Crouching Tiger, Hidden Dragon” surpassed it two years later).
Some critics loved “Life is Beautiful,” seeing the film as funny, inspirational and original.
“The film finds the right notes to negotiate its delicate subject matter. And Benigni isn’t really making comedy out of the Holocaust, anyway,” Roger Ebert wrote. “He is showing how Guido uses the only gift at his command to protect his son. If he had a gun, he would shoot at the Fascists. If he had an army, he would destroy them. He is a clown, and comedy is his weapon.”
The film was an enormous critical success, winning three Oscars, including best actor. (Steve Starr/Corbis via Getty Images)
But many others, from Jewish comedians to academics, were not as kind. Israeli author Kobi Niv wrote an entire book, in 2000, called “Life is Beautiful, But Not for Jews: Another View of the Film by Benigni,” which was critical of the film.
“Oh, Benigni was clearly setting himself up for trouble and he knew it,” Columbia University film professor Annette Insdorf, also an author of a book on the Holocaust in cinema, said at the time.
Many of the comedians Pearlstein interviewed for her film — who included Mel Brooks, Carl Reiner, Gilbert Gottfried and Judy Gold — took issue with the fantastical feel of Benigni’s movie. Guido’s son is able to avoid the Nazis by hiding in the camp’s bunker, something that would not have been possible, Pearlstein noted.
But she added that the bold choice to set much of the film in a camp was a larger trigger point.
“It is sort of verboten to a lot of people to have the camps a part of it, the gas chambers,” she said. “As soon as you evoke those images, it becomes verboten for people, even if the joke was not about the victims.”
Brooks might have been expected to be a fan of “Life is Beautiful,” as someone who had shocked audiences in the late 1960s with “The Producers” — which featured a Broadway musical starring Adolf Hitler as a major plot point. He also mined the Spanish Inquisition for laughs in “History of the World, Part I.” But he hated “Life is Beautiful,” calling it “a crazy film that even attempted to find comedy in a concentration camp.”
“It showed the barracks in which Jews were kept like cattle, and it made jokes about it,” the World War II veteran told German newspaper Der Spiegel in 2006. “The philosophy of the film is: people can get over anything. No, they can’t. They can’t get over a concentration camp.”
Brooks also took issue with the fact that Benigni was not Jewish. “Tell me, Roberto, are you nuts?” he said in the Spiegel interview. “You didn’t lose any relatives in the Holocaust, you’re not even Jewish. You really don’t understand what it’s all about.”
Benigni’s Catholic father reportedly spent two years as a prisoner in the Bergen-Belsen camp, however, and the filmmaker used his recollections of that time in crafting the story. He also consulted with Italian Jewish groups and used Italian Auschwitz survivor Rubino Romeo Salmonì’s memoir “In the End, I Beat Hitler” as further inspiration. Salmonì often used black humor in describing his Holocaust experiences.
Benigni said Charlie Chaplin’s “The Great Dictator,” one of the earliest satires of Hitler, was another influence.
“This is an homage to the master, because I love this movie, and, of course, making a movie — a comedy about [a] concentration camp, I watched this movie a lot of time,” Benigni said at the time.
Pearlstein said that “intent” and “execution” of Holocaust humor are also hugely important. Brooks, she said, “makes a complete distinction between humor about the Nazis versus humor in the camps.” Brownstein agrees.
“There are great Holocaust films made by gentiles, including ‘Cabaret,’ ‘Inglourious Basterds,’ ‘Au revoir les enfants’… and there are horrible Holocaust films made by Jews, including ‘Jojo Rabbit,’” he said. “To make a film of any kind, successfully, you have to have your kishkes in it.”
“Jojo Rabbit,” Taika Waititi’s comedy-drama about a Nazi-era German boy who learns lessons about hate as he becomes disillusioned with the Hitler Youth he once admired, faced a similar gantlet of criticism when it debuted in 2019. Some found the main Jewish character to be hollow, or Waititi’s performance as Hitler — as imagined by the child protagonist — as too light. But the film also won Waititi — a New Zealander who is Māori and Jewish — critical acclaim, and he has since become one of Hollywood’s most in-demand directors.
Pearlstein thinks Holocaust humor will never fully disappear, even in the aftermath of Hamas’ Oct. 7 massacre, which was among the worst attacks against Jews since World War II.
“There might be a dip for a little time. Think about 9/11 — here was a dip, and then people need it; it’s a survival mechanism,” she said. “And that is why you always hear about Jewish people and using humor, because they have used it to survive through the worst of times.”
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Thousands of Protesters Rally Against Trump Across US

“Protect Migrants, Protect the Planet” rally in New York City, U.S., April 19, 2025. Photo: REUTERS/Caitlin Ochs
Thousands of protesters rallied in Washington and other cities across the US on Saturday to voice their opposition to President Donald Trump’s policies on deportations, government firings, and the wars in Gaza and Ukraine.
Outside the White House, protesters carried banners that read “Workers should have the power,” “No kingship,” “Stop arming Israel” and “Due process,” media footage showed.
Some demonstrators chanted in support of migrants whom the Trump administration has deported or has been attempting to deport while expressing solidarity with people fired by the federal government and with universities whose funding is threatened by Trump.
“As Trump and his administration mobilize the use of the US deportation machine, we are going to organize networks and systems of resistance to defend our neighbors,” a protester said in a rally at Lafayette Square near the White House.
Other protesters waved Palestinian flags while wearing keffiyeh scarves, chanting “free Palestine” and expressing solidarity with Palestinians killed in Israel’s war in Gaza.
Some demonstrators carried symbols expressing support for Ukraine and urging Washington to be more decisive in opposing Russian President Vladimir Putin’s war in Ukraine.
Since his January inauguration, Trump and his billionaire ally, Elon Musk, have gutted the federal government, firing over 200,000 workers and attempting to dismantle various agencies.
The administration has also detained scores of foreign students and threatened to stop federal funding to universities over diversity, equity and inclusion programs, climate initiatives and pro-Palestinian protests. Rights groups have condemned the policies.
Near the Washington Monument, banners from protesters read: “hate never made any nation great” and “equal rights for all does not mean less rights for you.”
Demonstrations were also held in New York City and Chicago, among dozens of other locations. It marked the second day of nationwide demonstrations since Trump took office.
The post Thousands of Protesters Rally Against Trump Across US first appeared on Algemeiner.com.
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IDF: Mistakes Led to Opening Fire on Gazan Ambulances, Officer Dismissed

Khan Yunis. Photo: Wikimedia Commons.
i24 News – The Israeli army has concluded its investigation into the tragic incident that occurred on the night of March 23, 2025 in Khan Yunis, in the south of the Gaza Strip, where Red Crescent rescue teams were targeted by Israeli gunfire, according to a press release by the Israel Defense Forces on Sunday.
The findings highlight a series of misjudgments and errors in judgement on the part of the IDF that led to this tragedy. According to the final report, the incident began when a force from the Golani Infantry Brigade’s Reconnaissance unit, engaged in anti-terrorist operations, spotted and neutralized what they identified as a Hamas vehicle. About an hour later, the same unit opened fire on vehicles “approaching rapidly and stopping near the troops, with passengers quickly disembarking.”
It was only after the shots were fired that they realized it was actually a fire truck and ambulances.
“Poor night visibility” is cited as a determining factor that led to this fatal mistake. The investigation specifies that “the deputy commander did not initially recognize the vehicles as ambulances. Only later, after approaching the vehicles and scanning them, was it discovered that these were indeed rescue teams.”
In a third incident that occurred fifteen minutes later, Israeli forces also fired upon a UN vehicle. The report characterizes this act as “due to operational errors in breach of regulations.”
These events strongly contrast with the initial report which portrayed the operation as a successful anti-terrorist action. The army now asserts that out of “fifteen Palestinians [who] were killed, six of whom were identified in a retrospective examination as Hamas terrorists.” However, the IDF stressed that there was no evidence of point-blank execution of ambulance workers.
“The forces also apprehended two pedestrians who raised suspicion, and released them subsequently,” the investigation found. “This indicates that the troops did not engage in indiscriminate fire but remained alert to respond to real threats identified by them.”
The investigation also reveals serious shortcomings in the military’s conduct after the ncident. The damaged vehicles were “crushed” on the spot, a decision that the military now acknowledges as “wrong.” Moreover, the first report submitted by the Reconnaissance Battalion’s deputy commander turned out to be “incomplete and inaccurate.”
In light of these conclusions, Chief of Staff Eyal Zamir has ordered sanctions: the commander of the 14th Brigade, a reserve unit, will receive a disciplinary note in his personal file, while the deputy commander of the Golani Reconnaissance unit will be relieved of his duties.
The investigation stressed that the dismissed commander is a “highly respected officer, whose military service and personal story reflect a spirit of combat, volunteerism, and great dedication.”
The conclusions of this investigation, which highlight severe failures in the chain of command and non-compliance with identification procedures, have been forwarded to the military prosecutor’s office for further review.
“The IDF regrets the harm caused to uninvolved civilians,” the IDF said. “The examination process also serves as part of an ongoing effort to learn from operational incidents and reduce the likelihood of similar occurrences in the future. Existing protocols have been clarified and reinforced – emphasizing the need for heightened caution when operating near rescue forces and medical personnel, even in high-intensity combat zones.”
The post IDF: Mistakes Led to Opening Fire on Gazan Ambulances, Officer Dismissed first appeared on Algemeiner.com.
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UN Hid Details of Official’s Travel Funding Amid Alleged Pro-Hamas Financing

Francesca Albanese, UN special rapporteur on human rights in the Palestinian territories, attends a side event during the Human Rights Council at the United Nations in Geneva, Switzerland, March 26, 2024. Photo: REUTERS/Denis Balibouse
i24 News – The United Nations Human Rights Office appears to have disseminated intentionally deceptive information in an attempt to cover up travel funding that pro-Hamas organizations provided to a UN official.
UN special rapporteur for Palestinian rights Francesca Albanese took a politically-charged trip to Australia and New Zealand in November 2023. The trip included a fundraiser for a Palestinian lobby group, participation in media events, as well as meetings with pro-Palestinian politicians and civil society members, and pushing New Zealand’s sovereign wealth fund to divest from Israel.
Albanese has been accused of antisemitism by the American, French and German governments, among other entities.
Now, the Australian Friends of Palestine Association, which praised Hamas terror mastermind Yahya Sinwar as “incredibly moving,” claimed publicly that it had “sponsored” Albanese’s visit, and Free Palestine Melbourne, the Australian Palestinian Advocacy Network, and Palestinian Christians in Australia stated that they “supported” the trip. All four are lobbying groups.
i24NEWS asked various UN officials and entities for months whether pro-Hamas groups actually did fund the trip. Albanese repeatedly insisted the trip, estimated by the UN Watch NGO to cost around $22,000, was paid for by the UN, calling claims to the contrary “egregiously false.”
Finally, in July of last year, the UN Human Rights Office, acknowledging it was fully aware of documentation that pro-Hamas groups had said they sponsored or organized the trip, told i24NEWS that, “With respect to the Australia trip by the Special Rapporteur, her travel was funded by the UN.”
They ignored requests to provide any documentation showing that to be the case.
Since then, a six-person panel of Albanese’s peers, who have long attacked her accusers, was assigned the task of investigating a host of accusations against Albanese. In a letter written last month to UN Human Rights Council President Jurg Lauber by that panel, known as the UN Coordination Committee of Special Procedures, they finally acknowledged Albanese had taken “partial external funding for internal trips within Australia and New Zealand.”
i24NEWS asked the media offices for UN Human Rights and Special Procedures for clarity on what seemed to be contrary claims.
Like former US president Bill Clinton’s cagey testimony in the Lewinsky affair, when he famously remarked, “It depends upon what the meaning of the word ‘is’ is,” for the UN Human Rights Office and Albanese, it apparently depends upon what the meaning of the word “to” is.
The Special Procedures office told i24NEWS: “With regard to the Special Rapporteur’s visit to Australia, her travel was funded by the United Nations regular budget. The Coordination Committee of Special Procedures assessed the allegations concerning partial external funding for internal travel (the bolding of the words is theirs) within Australia and New Zealand and concluded that there was no breach of the Code of Conduct. The Committee noted that it is common practice for conference organizers to cover the participation costs of mandate holders, and such arrangements do not constitute a violation of the established standards.”
With that, the UN finally conceded Albanese had in fact received external funding after all.
In follow-up conversations, it became clear: the UN was drawing a distinction between funding for travel TO a country, and funding for travel WITHIN a country – a bizarre distinction they failed to make for a year and a half, almost certainly to avoid discussing the topic of Hamas-supporting groups paying for a UN official’s anti-Israel business travel.
Even with all this, the UN Human Rights Office continues to ignore requests to clarify which group or groups funded this trip, and how much they contributed. Accused by i24NEWS of lying, the Special Procedures Media Office said it was a “regrettable and unfair mischaracterization,” though it still made no attempt to reconcile why the UN made no previous mention of external funding, or why the funding for Albanese’s trip “to” Australia should be counted differently from “external funding for internal travel.”
Asked during a press briefing whether UN Secretary-General Antonio Guterres would condemn UN spokespeople for intentionally misinforming the media and whether Guterres would support finally releasing the funding information surrounding the trip, Stephane Dujarric, Guterres’ spokesperson, said, “We support transparency in the activities of any official affiliated with United Nations.”
The post UN Hid Details of Official’s Travel Funding Amid Alleged Pro-Hamas Financing first appeared on Algemeiner.com.
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