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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
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The post ‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator. appeared first on Jewish Telegraphic Agency.
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Are you a Good Witch or a Bad Witch? Or a Jewitch?
When I was a little girl, I played Witch all the time. I was The Grande Madame — the Queen of all the Witches. I even wrote spooky musicals for the neighborhood kids. We set up lawn chairs in my friend Susie’s backyard in Queens, and made our parents watch. If I had been more business minded, I would have sold tickets.
Now I teach music and something must have stayed with me, because October is my favorite month — Witchy Music Month. This week, I put on my pointy hat, plugged in my spooky orange lights, and played some scenes from The Wizard of Oz and Snow White for the kiddos.
Then I noticed something.
Both witches had big, hooked noses. What they used to call “Jewish Noses.” The noses that kept New York surgeons busy when we hit 18. Many of us got nose jobs. It wasn’t a secret. It was expected.
My mother said no, so I couldn’t get one, but it didn’t stop me from kvetching. (I also asked to be sent to a Swiss Finishing School — again, no.)
I looked it up. A big study in 1914 debunked the theory that Jews actually had big noses — 14% aquiline, compared with 10% of the regular population. Considering that Jews are a people sometimes “bottlenecked from geographic diversity” in a more modern study in 2022, meaning that we weren’t allowed to live anywhere we wanted, and definitely meaning that we inbred, it doesn’t sound like we owned Big Nose.
Tell everybody.
Still, the “hook-nosed” Jewish stereotype remains. Hard to get rid of stereotypes, and harder to get rid of what most people find conventionally attractive. Especially when Disney adds to the Big Hooked Nose in Snow White’s witch — with some well-placed warts.
The most famous Jewish Witch story was when King Saul wanted to go to battle with the Philistines and consulted the Witch of Endor. She summoned Prophet Samuel’s Spirit for the King. Alas Samuel prophesied Doom, and King Saul and his son Jonathan were killed the next day.
The irony was that King Saul had banned all witches, until he needed one himself.
And do you remember what TV writer Sol Sacks named Samantha’s mother in the TV series, Bewitched? Yes, Endora. I bet Sacks’ Hebrew School teacher was proud.
My son, Aaron, is most like me, and I guess most susceptible to my witchiness. He really believed when he was little, and I remember once picking him up from his second grade class. As I bent down to tie Aaron’s shoe, I felt 100 little eyes on me. When I straightened up, I was surrounded by a solemn crowd. A little girl pointed and said, “Aaron, she doesn’t look like a witch.”
I have to admit, I was a little insulted.
I also have to admit that I did use my powers on Aaron and I am a little ashamed. When he was six, he hated Shabbos because of its restrictions. No TV, no piano, no trips in the car to the 7-Eleven for Slurpees; and endless synagogue.
But this happened on a Wednesday night. He was in a mood and was smashing all her plastic swords and yelling, and I was on the phone trying to accept a music gig with a bride and groom. I told the couple I’d call them right back.
“Aaron,” I looked at him. “If you don’t stop right now — I’m gonna make it SHABBOS!”
He dropped his swords in petrified horror. “C-c-can you really DO that?”
And then I did something I’m even more ashamed of. I smiled.
The post Are you a Good Witch or a Bad Witch? Or a Jewitch? appeared first on The Forward.
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Turkey-Qatar Partnership Grows While Hamas Refuses to Disarm, Raising Alarm Bells Over Gaza’s Future
Turkish President Tayyip Erdogan is welcomed by Qatar’s Emir Sheikh Tamim bin Hamad al-Thani in Doha, Qatar, Oct. 22, 2025. Photo: Murat Kula/Turkish Presidential Press Office/Handout via REUTERS
As Qatar and Turkey further expand their relationship, concerns are mounting that their growing influence in Gaza could bolster Hamas and complicate the fragile ceasefire, as both countries pursue their regional ambitions in the war-torn enclave.
On Wednesday, Ankara and Doha signed new agreements on defense, trade, and strategic planning, deepening a partnership that continues to raise alarm bells among Israel, Gulf states, and experts, who warn that their expanding roles in Gaza’s reconstruction efforts could potentially strengthen Hamas’s terrorist infrastructure.
As part of his three-day Gulf tour, Turkish President Recep Tayyip Erdogan traveled to Doha to meet with Qatari Emir Sheikh Tamim bin Hamad Al Thani.
During the 11th meeting of the Turkey–Qatar High Strategic Committee, the two leaders issued a joint declaration reaffirming their commitment to maintaining the US-backed Gaza peace plan.
Erdogan’s diplomatic visit came a day after Hamas leaders met with Qatari and Turkish officials in Doha to discuss the ongoing Israel-Hamas ceasefire and plans for rebuilding Gaza after the war.
As both nations expanded their relationship with new cooperation agreements, Turkey has reportedly sought to acquire billions of dollars’ worth of military technology from Qatar, including 24 used and 16 new Eurofighter Typhoon jets.
If approved, the deal would allow Doha to provide Ankara with an immediate solution to its operational gap, bypassing the Eurofighter production schedule, which is currently overbooked due to high global demand.
Amid rising geopolitical tensions, Turkey’s move to acquire advanced multi-role combat aircraft would strengthen its position as a key regional power and reduce reliance on American-made systems, while representing a major step in modernizing its combat aviation fleet.
However, concerns over Qatar and Turkey’s expanding partnership come at a time when the fragile Gaza ceasefire, though seemingly holding, faces mounting challenges, as the Palestinian terrorist group continues to refuse disarmament — an essential component of US President Donald Trump’s peace plan.
On Saturday, Hamas reiterated the group’s refusal to give up its weapons as part of the ceasefire.
“The proposed weapons handover is out of the question and not negotiable,” a Hamas official told AFP.
Hamas Politburo member Mohammed Nazzal also said the group could not commit to disarmament, as it intends to maintain security control in Gaza during an interim period.
Even though Hamas has publicly expressed these views before, these latest remarks have heightened concerns over obstacles to ending the war in Gaza, with the next phase of ceasefire negotiations waiting to begin.
In this regional context, experts warn that both Turkey and Qatar — as two of the largest state sponsors of Hamas, with long-standing ties to the terrorist group — could shield the Islamist movement in Gaza or even bolster its terror infrastructure, as they seek a central role in post-war efforts.
Alongside the United States and regional powers, Qatar has served as a ceasefire mediator during the two-year conflict in Gaza, facilitating indirect negotiations between the Jewish state and Hamas, which has ruled the enclave for nearly two decades.
However, Doha has also backed the Palestinian terrorist group for years, providing Hamas with money and diplomatic support while hosting and sheltering its top leadership.
Turkey has also been a major international backer of Hamas and has maintained an openly hostile stance toward the Jewish state for years.
During his visit to Doha, Erdogan said the ceasefire “has provided relief to Palestinians,” but reiterated that a two-state solution was the only path to resolving the conflict with Israel.
Under Trump’s plan, Turkey is expected to join a multinational task force responsible for overseeing the ceasefire and training local security forces.
However, Israeli Prime Minister Benjamin Netanyahu hinted at opposition to any involvement of Turkish security forces in post-war Gaza.
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Major Body of University Professors Targets Antisemitism Prevention Policies at University of Pennsylvania
Anti-Israel encampment at University of Pennsylvania in Philadelphia, PA, USA in May 2024. Photo: Robyn Stevens via Reuters Connect
The American Association of University Professors (AAUP), the largest and oldest US organization for defending faculty rights, is picking a fight over the University of Pennsylvania’s efforts to combat antisemitism, arguing that a range of faculty speech and conduct considered hostile by Jewish members of the campus community are key components of academic freedom.
In a letter to the administration regarding antidiscrimination investigations opened by Penn’s Office of Religious and Ethnic Interests (OREI), the group charged that efforts to investigate alleged antisemitism on campus and punish those found to have perpetrated can constitute discrimination. Its argument reprises recent claims advanced by the Council on American-Islamic Relations (CAIR) group, notorious for its defense of Sharia law and alleged ties to jihadist groups such as Hamas, in a lawsuit which aims to dismantle antisemitism prevention training at Northwestern University.
“Harassing, surveilling, intimidating, and punishing members of the university community for research, teaching, and extramural speech based on overly broad definitions of antisemitism does nothing to combat antisemitism, but it can perpetuate anti-Arab, anti-Muslim, and anti-Palestinian racism, muzzle political criticism of the Israeli government by people of any background, and create a climate of fear and self-censorship that threatens the academic freedom of all faculty and students,” the AAUP said, threatening to scrutinize the university. “AAUP-Penn will continue to monitor reports related to OREI.”
Additionally, the AAUP described Penn’s efforts to protect Jewish students from antisemitism as resulting from “government interference in university procedures” while arguing that merely reporting antisemitism subjects the accused to harassment, seemingly suggesting that many Jewish students who have been assaulted, academically penalized, and exposed to hate speech on college campuses across the US are perpetrators rather than victims. The group also argued that other minority groups from “protected classes,” such as Arabs and African Americans, are disproportionately investigated for antisemitism.
Despite the AAUP’s claims, some University of Pennsylvania faculty have played an outsized role in organizing antisemitic activities on campus, as previously reported by The Algemeiner.
In 2023, professor Huda Fakhreddine helped organize the “Palestine Writes Festival,” a gathering of anti-Zionists which featured Gaza-based professor Refaat Alareer, who said in 2018, “Are most Jews evil? Of course they are,” and Salman Abu Sitta, who once said in an interview that “Jews were hated in Europe because they played a role in the destruction of the economy in some of the countries, so they would hate them.” Roger Waters, the former Pink Floyd frontman, was also initially scheduled as a speaker, despite a documentary exposing his long record of anti-Jewish barbs. In one instance, a former colleague recalled Waters at a restaurant yelling at the wait staff to “take away the Jew food.”
That event prompted a deluge of antisemitic incidents at the University of Pennsylvania, including Nazi graffiti and a student’s trailing a staffer into the university’s Hillel building and shouting “F–k the Jews” and “Jesus Christ is king!” overturning tables, podium stands, and chairs. Fakhreddine, who days after the Hamas-led Oct. 7, 2023, attack on Israel attended an on-campus rally in which a speaker castigated what he called “the Israeli Jew,” later sued Congress to halt its investigation of campus antisemitism at Penn.
The professor’s civil complaint brimmed with classic antisemitic tropes, describing efforts to eradicate antisemitism as a conspiracy by “billionaire donors, pro-Israel groups, other litigants, and segments of the media” to squelch criticism of Israel and harm Arab students and academics. It also disparaged the International Holocaust Remembrance Alliance’s (IHRA) definition of antisemitism, calling it a tool of a “militant minority which believes that Israel can do no wrong” and alleging that it is “unconstitutional” and the bedrock of a larger plan of a “social engineering movement” to abolish the First Amendment of the US Constitution. A federal judge ultimately threw the case out of court.
The following year, the University Pennsylvania pledged in a report on antisemitism that it would never again confer academic legitimacy to antisemitism and formally denounced the boycott, divestment, and sanctions (BDS) movement against Israel as “discriminatory” and “anti-intellectual.” The university also passed other policies aimed at protecting academic freedom and free speech from attempts to invoke them as justification for uttering hate speech and founded the Office of Religious and Ethnic Interests, which the AAUP is now accusing of breaking the law.
The AAUP has defended antisemitic speech before.
In 2014, it accused the University of Illinois Urbana-Champaign of violating the tenets of academic freedom when it declined to approve the hiring of Steven Salaita because he uttered a slew of antisemitic, extramural comments on social media, such as “Zionists transforming ‘antisemitism from something horrible into something honorable since 1948,” “Every Jewish boy and girl can grow up to be the leader of a murderous colonial regime,” and “By eagerly conflating Jewishness and Israel, Zionists are partly responsible when people say antisemitic s—t in response to Israeli terror.”
An AAUP report that chronicled the incident, which mushroomed into a major controversy in academia, listed those tweets and others but still concluded that not hiring Salaita “acted in violation of the 1940 Statement of Principles of Academic Freedom and Tenure” and “cast a pall of uncertainty over the degree to which academic freedom is understood and respected.” At the same time, the AAUP said that it was “committed to fighting systemic racism and pursuing racial justice and equity in colleges and universities, in keeping with the association’s mission to ensure higher education’s contribution to the common good.”
Other actions have moved the AAUP further into the world of left-wing anti-Zionism, tarnishing its image as a bipartisan guardian of scholarship and inquiry.
Following Hamas’s massacre across southern Israel on Oct. 7, 2023, two and a half weeks passed before the AAUP commented on the ensuing conflict between Israel and Hamas, and when it did, the group said nothing about the Palestinian terrorist group’s atrocities, instead discussing the importance of academic freedom. At the time, many professors cheered Hamas’s violence and encouraged extreme anti-Zionist demonstrations in which masses of students and faculty called for the elimination of the Jewish state “from the river to the sea,” which is widely interpreted as a call for genocide.
In August 2024, the AAUP issued a statement in support of academic boycotts, a seismic decision which reversed decades of policy and cleared the way for scholar activists to escalate their efforts to purge the university of Zionism and educational partnerships with Israel.
Coming amid a bitter debate about the Israeli-Palestinian conflict on college campuses and Israel’s war to eradicate Hamas from the Gaza Strip, the statement did not mention the Jewish state specifically, but its countenancing the anti-Israel BDS movement was made clear, according to Jewish and pro-Israel leaders, by a section of the statement which said that boycotts “can legitimately seek to protect and advance the academic freedom and fundamental rights of colleagues and students who are living and working under circumstances that violate that freedom and one or more of those rights.”
In March, the AAUP held a webinar which promoted false claims about Israel’s conduct in the war with Hamas in Gaza.
Titled “Scholasticide in Palestine,” the virtual event accused Israel of “scholasticide” and “exterminationist” tactics of war. Such accusations cite damages sustained by education institutions and loss of life in Gaza, but rather than describing those misfortunes as inevitable consequences of a protracted war that Hamas started by launching the surprise Oct. 7 massacre, those leading the AAUP event argued that Israel’s aim was to murder educators and erase Palestinian history and culture.
“We are very concerned that AAUP, whose stated mission includes representing all academics and ensuring ‘higher education’s contribution to the common good’ continues to act in ways that demonize Israel, marginalize Jewish and Israeli members, and promote policies and events that portray a one-sided, politicized view of complex issues,” Jonathan Greenblatt, chief executive officer of the Anti-Defamation League (ADL), said at the time.
Follow Dion J. Pierre @DionJPierre.