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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
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A Message From the Torah for 2026: Live Now in a Way You’ll Be Proud of Later
A Torah scroll. Photo: RabbiSacks.org.
I have always cherished Ludwig van Beethoven’s last words, spoken on his deathbed: “Plaudite, amici, comedia finita est.” “Applaud, my friends, the comedy is over.”
This kind of blunt honesty only comes from people facing their final moments. The masks drop, the posturing stops, and what’s left is pure truth.
Steve Jobs was diagnosed with terminal cancer in October 2003. Remarkably, he lived for another eight years, during which he became deeply reflective, increasingly conscious of his legacy and of life’s meaning in ways he had never been before.
In the address he gave at the Stanford commencement in 2005, he told the graduating class and their families, “You can’t connect the dots looking forward — you can only connect them looking backward.”
He didn’t say it explicitly, but his words came from a deep awareness of his own mortality. The message was clear. He was looking back on his life, taking stock, and seeing patterns that only become clear near the end. When death feels real, clarity follows.
Jobs also talked to the Stanford students about his failure, about being fired from the company he started, and about death itself. Looking back, his speech feels less like a graduation talk and more like a final message. It wasn’t about money or material things, but about meaning. Some things in life matter. Others don’t. Some things are just noise. Others have real substance.
History is full of moments like this, when great figures, as their lives are coming to a close, suddenly see what really matters. Near the end of his life, Thomas Jefferson wrote to his beloved daughter, Martha Jefferson Randolph, “The last pang of life is in parting from you!”
What worried him most about death wasn’t losing power or fame, but the pain of being without those he loved. When all is said and done, relationships with our loved ones are what really matter, and our career or achievements pale into insignificance by comparison.
Sir Isaac Newton expressed something similar, though in a different way, as he looked back on his incredible life. Newton, whose discoveries changed how we see the universe, spoke with great humility: “I do not know what I may seem to the world — but as to myself, I seem to have been only like a boy playing on the seashore, and diverting myself now and then in finding a smoother pebble or a prettier shell than ordinary, whilst the great ocean of truth lay all undiscovered before me.”
Even after a lifetime of achievement, he didn’t focus on his success. Instead, he saw clearly how much was still unknown, and how even greatness can feel small when you look at life’s bigger picture.
This is the emotional and moral setting at the start of Parshat Vayechi, which holds the Torah’s great final conversation. Jacob is dying, and he knows it. In his last moments, he gathers his children and speaks to them — not as a nostalgic father looking back, but as someone who truly understands who they are and what each one needs to hear.
If we expect deathbed speeches to be warm and fuzzy, Jacob’s version of one will come as a surprise. Some of his words are blessings, but others are more like rebukes. Reuven is reminded he didn’t reach his potential. Shimon and Levi are called out for their violence. Yehuda is elevated to family leadership, but is also reminded that this role comes with responsibility, not privilege.
This isn’t a “feel good” speech. It’s a speech that values truth over comfort. And that’s exactly the lesson of Jacob’s last words: legacy isn’t about saying nice things, but about saying what’s needed. Jacob isn’t focused on how his sons feel right now. He cares about who they will become after he’s gone, and how his words will echo through their lives and future generations.
Which brings us to today’s world, where we tend to focus more on our image while we’re alive and often don’t think about how we’ll be remembered. Social media in particular has taught us to always project an image that’s curated and perfect in the here and now, with no thought about the long term impact.
Everything is about appearances and how things are seen in the moment. We tell our own stories as they happen, believing that if we control how things look, we can control the outcome.
Vayechi breaks that illusion. Jacob reveals something uncomfortable: you can’t write your own legacy. He is brutally honest with his sons, and in doing so, he also faces his own role as a father. He doesn’t hide the truth. He points out their patterns, their tendencies, their choices — not to shame them, but to help them see both their strengths and weaknesses, take responsibility, and grow into the best version of themselves.
Vayechi is honest, but it is not hopeless. Yaakov doesn’t say, “This is who you are, and you can’t change.” He says, “This is who you have been — now choose what to do with it.” Steve Jobs ended his Stanford speech with the famous line, “Stay hungry. Stay foolish.”
But the line before is even more telling. He called death “life’s change agent,” the force that clears away what doesn’t matter to make room for what does. The message is clear: it’s better to let that kind of clarity shape our lives now, instead of waiting until the end.
Vayechi teaches this lesson. When we reflect honestly, death doesn’t make life smaller — it makes it sharper. It removes pretense and leaves us with what really matters. Seeing our lives from a distance can be cleansing. The key is to live that way now, so we won’t need to revise it later.
It’s an idea that finds a moving expression in Viktor Frankl’s Man’s Search for Meaning. Frankl describes a woman who was his patient reflecting on her life, a life that was shaped by suffering and sacrifice as she cared for a severely disabled son.
Viewing her life as if from its end, she concludes — through tears — that it was not a failure. On the contrary, it was filled with meaning. The pain had turned her life into one of love and responsibility.
Frankl’s point is devastatingly simple: when life is seen through the lens of its conclusion, meaning often emerges where none had been visible before.
Steve Jobs was right: you can only connect the dots of a life by looking back. But Parshat Vayechi shows us we don’t have to wait until the end to start that process. Jacob connects the dots for his sons while he’s still alive — but more importantly, while they all still have many years to live.
The challenge he gives us is simple: live now in a way that will make sense later, when we look back. Because when the full story is told, the dots will connect, whether we like the picture or not. The only thing we really control is how we choose to draw them from the start.
The author is a rabbi in Beverly Hills, California.
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Israel Cannot Outsource Its Survival
Israel’s Iron Dome anti-missile system intercepts rockets launched from the Gaza Strip, as seen from Sderot, Israel May 13, 2023 Photo: REUTERS/Ammar Awad
Israel’s security doctrine has been shaped by a harsh but undeniable reality: hesitation invites criticism, but delay can invite catastrophe.
This is not a posture of arrogance or defiance; it is an expression of responsibility toward all of Israel’s citizens. For Israel, the cost of miscalculation is not theoretical, it is measured in lives. From its founding, Israel has faced existential threats that no other modern democracy has had to confront so consistently or so closely.
Surrounded by hostile actors, terrorist organizations, and regimes that openly question its right to exist, Israel has learned that survival depends on clarity, preparedness, and the willingness to act when necessary, even when such actions are unpopular internationally. Waiting for consensus or permission has historically proven to be something that could endanger Israel’s very existence.
This does not mean Israel rejects peace. On the contrary, Israel has repeatedly demonstrated a willingness to pursue peace where peace is genuinely possible, and cooperation where cooperation enhances security. Peace treaties with former adversaries, regional partnerships, and humanitarian initiatives all testify to Israel’s desire for stability and coexistence. But peace cannot be built on unenforceable promises or blind faith in actors who have repeatedly violated agreements and norms.
Israel will not gamble its existence on assurances that cannot be guaranteed or enforced. Sovereignty, in this context, is not a symbolic concept or a political slogan. It is the concrete ability to defend oneself when no one else will, or when others cannot act in time. Sovereignty means maintaining independent judgment, operational freedom, and the resolve to protect one’s population under all circumstances.
History has taught the Jewish people an enduring and painful lesson: ultimate responsibility for Jewish survival rests with the Jewish State itself. Centuries of persecution, abandonment, and broken promises culminated in a clear understanding that security outsourced is security endangered. Israel’s independence is not only political; it is moral and existential.
Alliances matter. International partnerships, shared values, and moral clarity play an important role in strengthening Israel’s position and legitimacy. Israel values its allies and understands the importance of cooperation in a complex global environment. But when survival is at stake, alliances cannot replace independent decision-making.
No ally can assume responsibility for Israel’s existence, and none should be expected to.
When Israel acts to protect itself, it often ends up protecting others as well. By confronting extremist ideologies, disrupting terrorist networks, and standing as a frontline defender against radicalization, Israel contributes to global security, even when this reality is uncomfortable or inconvenient for the international community to acknowledge.
In the end, Israel’s guiding principle remains clear: peace where possible, strength where necessary, and sovereignty as the final shield.
History has shown that when Israel defends itself decisively, it not only safeguards its own people but helps prevent greater instability beyond its borders. Whether the world is ready to admit it or not, Israel’s self-defense has often served as a defense of shared values and global security itself.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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Selective Reporting: How Gaza Aid Vetting Became a Media Narrative
Trucks carrying humanitarian aid and fuel line up at the crossing into the Gaza Strip at the Rafah border on the Egypt side, amid a ceasefire between Israel and Hamas in Gaza, in Rafah, Egypt, October 17, 2025. Photo: REUTERS/Stringer
Embedding operatives in civilian and humanitarian organizations in Gaza to evade detection by Israeli authorities has been a key strategy of Hamas and other terrorist organizations. Israel has consistently worked to prevent well-intentioned humanitarian organizations from being exploited for these purposes.
This past week, Israel demonstrated yet again its persistence in combating terrorism wherever it may exist by suspending the Gaza operations of 37 humanitarian organizations that refused to cooperate with the rules laid out by Israel.
In March 2025, Israel notified every aid organization in the Gaza Strip that they had to complete a re-registration process to be able to continue their operations in January 2026.
The main requirement asked of the organizations was to submit a list of all employees as part of a security screening process. Those who did not complete the process would be unable to continue their operations.
Protecting Aid – Preventing Exploitation
As of January 1, 2026, international NGOs that did not renew their registration will no longer be allowed to operate.
Organizations were notified in March 2025, given nearly ten months to comply, and granted a good-faith extension… pic.twitter.com/U0JqfR8OKF
— Oren Marmorstein (@OrenMarmorstein) December 30, 2025
Many outlets, such as CNN, have framed this as potentially leading to a “humanitarian crisis.” This is despite the total amount of aid from these 37 organizations accounting for only 1% of the total aid entering the Gaza Strip.
Alex Crawford of Sky News claimed that Israel was blocking these organizations “without evidence” that there have been connections to terrorist organizations, calling the groups “respected.”
Israel is blocking some of the world’s most respected aid groups from Gaza, The groups say Israel’s rules to operate are arbitrary and cd endanger lives. Israel insists – without evidence – that they’ve been infiltrated by militants. https://t.co/gMb3i7XUz4
— Alex Crawford (@AlexCrawfordSky) December 30, 2025
But there’s nothing respectable about terrorists infiltrating organizations meant to help civilians in need. More than that, this effort is meant to ensure terrorist organizations do not take control of or subvert humanitarian operations.
Throughout the war, humanitarian organizations have been abused by terrorist organizations.
Doctors Without Borders (MSF), for instance, is one of the organizations whose operations are being suspended in the coming months, after it failed to provide a list of its Gaza employees. But MSF has previous form. In 2024, it was revealed that an employee of MSF was active in Islamic Jihad and another was a sniper in a Hamas unit.
This is your employee, @MSF. A physical therapist by day and terrorist by night.
Fadi Al-Wadiya, who was eliminated by the @IDF 2 days ago, worked both as a physical therapist for Doctors Without Borders and as a prominent terrorist in the PIJ terrorist organization.
Fadi… pic.twitter.com/N1FiO6QgLz
— COGAT (@cogatonline) June 27, 2024
Mosab Abu Toha, a Pulitzer Prize winner exposed by HonestReporting for excusing the abduction of Israeli hostages on October 7, likewise joined the choir online to complain about MSF being suspended in Gaza.
He faces a knowledge gap in understanding that Hamas and other terrorist organizations have embedded themselves in civilian infrastructure, including hospitals. And MSF only operates five out of 220 primary care clinics and medical points in Gaza, as per COGAT.
What country is barring more than 30 humanitarian organizations, including Doctors Without Borders, from operating in Gaza?
As if these aid groups were ever allowed to function freely in the first place. For months, humanitarian organizations have faced blocked access, extreme…— Mosab Abu Toha (@MosabAbuToha) December 31, 2025
Naturally, this context is omitted from international reports on the NGO suspensions, as it does not fit the narrative. It is thus also telling that the media’s focus has been on the 15 percent of organizations not complying with Israel, rather than the 85 percent who are. This would, however, require the media to question why 37 so-called aid organizations are refusing the simple task of providing a list of their employees.
This is not the first time Gaza’s aid system has been highlighted as being vulnerable to — if not outright compromised by — terrorist infiltration. Hamas has systematically embedded members in civilian infrastructure as a way to control resources. As a result, international aid organizations have repeated claims published by Hamas without any scrutiny. These claims have then been uncritically amplified by the media, creating a self-reinforcing cycle in which Hamas’ aid narratives turned into accepted facts.
While terrorist organizations seek to spread false information about the lack of humanitarian aid in the Gaza Strip, the truth remains that 4,200 trucks filled with aid enter Gaza every week, coordinated between Israel and aid organizations that have complied with the rules. Organizations unwilling to comply and provide a list of employees must explain their persistent refusal to meet this basic requirement of transparency.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.