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Yiddish theater is revived in Tbilisi, Georgia after 100 years
When Lasha Shakulashvili was a grad student at Tbilisi State University in 2022, he stumbled onto something unbelievable. In the National Archives of Georgia, he found Yiddish posters from 1910 announcing theater performances put on by a grassroots, community-run troupe in Tbilisi in what was then still part of the Russian Empire. The troupe was called the Jewish Division of Musical-Melodrama Art.
The posters were fragile and there were only a few of them. Along with them was a single photo he found in a 1917 copy of The Jewish Daily Forward, found in the archives of the National Library of Israel. The paper had a short dispatch mentioning the Ashkenazi school in Tbilisi and the photo showed a teacher writing the Yiddish word friling — spring — on a chalkboard.
Shakulashvili was surprised. Almost nothing had been written about Ashkenazi Jewish heritage in Georgia because most Jews in Georgia were kartveli ebraelebi or Georgian Jews; ‘Mountain Jews’ (Jewish inhabitants of the eastern and northern Caucasus) and Sephardic Jews. Shakulashvili was eager to find out more.

Born in Tbilisi to Orthodox Christian parents, he was raised in part by a Jewish nanny who taught him Russian and Yiddish. That early exposure set him on his scholarly path – and instilled in him a love for Yiddish and Ashkenazi culture.
Before turning to academia, Shakulashvili, who’s now a Yiddish scholar, Jewish history educator and digital storyteller, worked as a diplomat for Georgia’s Permanent Mission to the United Nations and the Georgian Foreign Ministry. Thanks to this career, he told me: “I look at things as an academic and a diplomat. As a diplomat, you have to be cautious but also persistent. A scholar does that, too.”
That persistence led him to write a dissertation on his findings, and publish some of his early discoveries in the Forward in 2022. His thesis is on the role of Yiddish theater in Georgia in the Jewish enlightenment. “Yiddish theater was groundbreaking at a time when Georgia was a very conservative place,”Shakulashvili said. “There were more actresses than actors, women were leading it, and there were plays that explored arranged marriages and women getting revenge. It was a ‘Belle Epoque’: Ashkenazis had been in Georgia less than a century and they changed the life of the whole community.”
Shakulashvili traced how Ashkenazi Jews began arriving in Georgia in the late 19th and early 20th centuries, fleeing poverty and pogroms in densely populated communities in the Russian Empire’s Pale of Settlement. Before the 1917 Revolution, about 5,000 Ashkenazim lived in Georgia, joining an already diverse Jewish population.
Shakulashvili visited Jewish cemeteries, eventually finding graves of every actor whose name was mentioned on the 1910 theater posters. He conducted oral history interviews with Jewish residents of Georgia from different Jewish communities and learned how interconnected different Jewish populations were: Sephardic and Georgian-Jewish sources told him about their grandmothers being educated at the Yiddish school in a time when many schools didn’t accept girls. In turn, the Sephardic community has taken on the task of preserving the two historic Ashkenazi synagogues.
His journey took him to archives in Tbilisi, Jerusalem and Oxford, England. “I had to bring these stories back to life somehow,” he said. “It’s one thing to find a poster and prove the theater existed, but who played there and where did they come from and how did they learn? My curiosity for the theater led me to find out more about the Yiddish schools. One thing led to another — there was a school, there was a society, a whole culture. I wanted to find a complete picture.”
The majority of Georgian-born Jews have since emigrated to Israel or the United States. According to his interviews, most of them did so not because of fear or persecution, but simply for better economic opportunities after the collapse of the Soviet Union.
Shakulashvili shared discoveries with his students at the Paideia Institute in Stockholm and Tbilisi State University, where he was lecturing. He then began sharing his discoveries on Instagram. One early video he posted showed him offering his mostly non-Jewish students cookies shaped like letters of the alef-beyz (the Hebrew alphabet) — a traditional way of welcoming children into Jewish learning.
When Shakulashvili started speaking publicly about the long-lost Yiddish theater, non-Jewish Georgian actors and directors reached out. Many were stunned to learn that Tbilisi once had a Yiddish stage, shut down in 1926 by Soviet authorities. A question emerged: Could the theater be revived?
Shakulashvili’s discovery and networks forged online brought together Georgian historians, Jewish community leaders and actors of all backgrounds. Ana Sanaia, a prominent Georgian actress, director and playwright emerged as the producer who’d make this dream a reality.
A century after its last performance, the Tbilisi Yiddish Theater reopened in 2023. The first production – performed in Yiddish and old Russian, with Georgian supertitles – was Osip Dymov’s 1907 drama Shema Yisroel (named for a centerpiece prayer in Judaism). Jewish protagonists convert to Christianity to survive, only to be rejected by their families and left stranded between identities.
The reopening in Tbilisi came at a tense time. Since the Oct. 7 attacks on Israel and the war in Gaza, Jewish cultural institutions elsewhere have faced protests and boycotts. Georgia has largely avoided that backlash, something Shakulashvili attributes to the country’s strong identification with its Jewish history.
Still, Georgia is politically polarized, especially as Russia’s war in Ukraine continues to shape regional affairs. The theater is self-funded exclusively through independent fundraising, Ana Sanaia, the theater’s producer, told me.
While Shakulashvili has since stepped back from the theater, his research paved the way for recovering the forgotten Yiddish culture of Georgia. He is now based in Israel, where he produces digital content, leads heritage tours and travels for lectures. He still spends the spring semester teaching in Tbilisi.
Meanwhile, Sanaia continues to produce plays, raise funds and recruit actors. She is currently producing her own play in Georgian about the Yiddish-speaking community and their relationship with Abkhaz Muslims in a Black Sea town in 1907.
Shakulashvili’s latest project focuses on online public education about the diverse arts, culture and languages of the Jewish people, through a platform he calls “Jewish Storytelling.” He is also working on a memoir about his discovery and the journey it sent him on.
“I’m proud to be a Georgian Orthodox Christian, and I am proud to work in Jewish studies,” Shakulashvili said. “Everyday I say ‘thank you’ to God that I have been able to do what I love.”
The post Yiddish theater is revived in Tbilisi, Georgia after 100 years appeared first on The Forward.
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Recognizing Shabbat Is Not Establishing a Religion
The backlash to President Trump’s “Shabbat 250” proclamation reveals something deeper than disagreement over a single president or a single ceremonial gesture. It reveals how uneasy a slice of American Jewish leadership has become with the public acknowledgment of a tradition that helped shape America’s moral vocabulary.
The timing matters. Since October 7th, antisemitism has surged on a scale unfamiliar to most American Jews living today – across college campuses, in major cities, on social media, in synagogue parking lots that now require armed guards and entrances fitted with metal detectors. Against that backdrop, a sitting president has used a White House proclamation to honor a core Jewish practice, to invoke George Washington’s 1790 letter to the Hebrew Congregation in Newport, and to name Haym Salomon – the Jewish immigrant financier who helped fund the Revolution – as a model of Jewish American patriotism. One might have expected the organized Jewish community to receive that gesture with something closer to unanimity. Instead, the response has split.
As eJewishPhilanthropy recently reported, the divide ran along predictable lines. Orthodox and politically conservative organizations – Chabad communities, Agudath Israel, the Orthodox Union, the Rabbinical Council of America, Young Jewish Conservatives – embraced the proclamation immediately. Progressive institutions and the Jewish Council for Public Affairs raised church-state concerns. The fault line itself is worth noticing. It tracks, with unsettling precision, which segments of American Jewry still feel confident about Jewish practice in public and which have grown uneasy when Jewish tradition appears outside the synagogue.
The critics’ anxieties are not frivolous. Jewish history is full of governments that used religion coercively and turned on the minorities they once flattered. American Jews were right to be cautious about religious majoritarianism in the past, and a cautious American Jewish political tradition has long taken that lesson seriously. But caution becomes distortion when even symbolic recognition of Jewish practice is treated as a constitutional threat.
The most serious version of the objection comes from Amy Spitalnick, CEO of the Jewish Council for Public Affairs, who warned in the eJP piece that when church-state lines blur, “one day you’re in and the next day you could be out.” The worry deserves a real answer, not dismissal. But Spitalnick herself drew the right distinction in the same interview. A government celebration of Jewish identity and practice, she said, “is very different than trying to utilize the government to advance a specific approach to religion.”
A proclamation honoring rest, gratitude, and the Jewish American contribution to the national story falls squarely on the first side of her line. It establishes no theology. It privileges no denomination. It requires nothing of anyone. It is ceremonial recognition: the same category as presidential Hanukkah candle-lightings, Ramadan iftars, Easter messages, and Thanksgiving statements that have rolled out of the executive branch for generations. The American constitutional order does not require a public square emptied of faith; it requires a public square open to all of them. A president who honors Shabbat one season and hosts an iftar the next is not establishing a religion. He is doing what American presidents have done since Washington: recognizing that the country contains many traditions and that none of them needs to be hidden to be American.
A different objection comes from Rabbi Amichai Lau-Lavie of Lab/Shul, who wrote that we should observe Shabbat “not because a leader commanded it, but because our humanity demands it.” That is a theological worry, not a constitutional one, and it deserves a theological answer. Trump has commanded nothing. All he has done is acknowledge that Shabbat exists, that millions of Americans keep it, that the country is better for the practice.
One can hold separate concerns about this president’s habit of telling Jews how to be Jewish. Those are concerns about a man. They are not an argument against the proclamation. The principle would be right whether the proclamation came from this president or any other, and an American Jewish community that could only accept public recognition from presidents it liked would not be defending the Constitution. It would be practicing politics.
The deeper problem with the church-state framing is that it gets American Jewish history almost exactly backward. American Jews did not flourish because the public square was scrubbed of faith. They flourished because the public square was open to faith – to all faiths -and because the founding promise of religious liberty was extended to a people who had never before been treated as full citizens anywhere in Christendom. Washington’s letter to Touro Synagogue, which the proclamation invokes, did not promise the Newport congregation that religion would be banished from American life. It promised them that the new republic would “give to bigotry no sanction, to persecution no assistance” and that the children of the stock of Abraham would sit safely under their own vine and fig tree. That is not the language of secularism. It is the language of religious confidence extended to Jews as Jews.
The Jews who arrived in America did not ask for invisibility. They asked for equality, and America’s founding promise made that claim possible in a way nearly no other country had. Haym Salomon – born in Poland, jailed by the British, dead in poverty at forty-four after pouring his fortune into the Continental cause – did not finance a revolution so that his descendants could ask the public square to please not mention Jews. The American Jewish bargain has always been the opposite: be visible, be present, be unembarrassed about being Jewish in public, and the country will be the better for it. The First Amendment was designed to prevent a national church. It was never designed to scrub religion from American public life. Covenant, human dignity, moral obligation, liberty under law, the sanctity of conscience; none of it appeared from nowhere. Recognizing that inheritance is not theocracy. It is historical literacy.
It is worth saying plainly what Shabbat is, because much of the anxious commentary proceeds as though the underlying practice were a minor ritual rather than one of the central institutions of Western civilization. Shabbat is the weekly insistence that human beings are not merely productive units. It is the structural refusal to let work, commerce, and noise consume the whole of life. It builds in, by law and by habit, a day for family, for study, for rest, for gratitude and for the things that markets cannot price and bureaucracies cannot manage. The Jewish tradition holds that Shabbat sustained the Jewish people through exile, dispersion, and persecution: more than the Jews kept Shabbat, Shabbat kept the Jews.
That a weekly cessation might be good for an entire country – and not merely for Jews – is not a controversial proposition. It is one of the most quietly radical contributions the Jewish people have made to human civilization. A country drowning in screens, in noise, in the demand to be always available, might reasonably want to pause and acknowledge the institution that taught the West how to stop.
The split inside the American Jewish community over “Shabbat 250” is, in the end, a split about confidence. The progressive instinct to guard the church-state line is the right instinct, applied to the wrong case; the Jews who worry about state-favored religion are reading from the correct historical script, only on the wrong stage. The Orthodox and conservative Jews who embraced the proclamation did so because they still feel ownership over Shabbat; because the practice is theirs, lived, and they are glad to see it honored. Some progressive leaders responded with discomfort because seeing Shabbat publicly honored by political authority now feels unfamiliar, uncomfortable, perhaps even weaponizable. That asymmetry says something painful about where parts of American Jewish life now stand in relation to their own tradition.
Recognizing Shabbat is not the establishment of religion. It is the recognition of a gift; a gift this country received from the Jewish people, and a gift it is finally, in its 250th year, pausing long enough to say thank you for. At a moment when Jews on American campuses are being told they do not belong, and Jews in major cities are being assaulted for being visibly Jewish, the proclamation says something the Jewish community badly needs to hear from the highest office in the land: you are not foreign here. You built this. The country is grateful.
The answer to that gesture is not worry. It is the lighting of candles.
Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.
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Despite Rule Changes, Israel Proved the Haters Wrong at Eurovision
Noam Bettan, representing Israel, performs “Michelle” during the Grand Final of the 2026 Eurovision Song Contest in Vienna, Austria, May 16, 2026. REUTERS/Lisa Leutner
The crowd in Austria booed when it was announced that Israel was in the lead, with only several countries remaining to receive audience votes, in this year’s Eurovision competition.
Noam Bettan’s song “Michelle” — in Hebrew, French, and English — was without a doubt the best song in the competition. But The New York Times had written a disgusting hit piece about how Israel spends a lot of money on its Eurovision entry, while not mentioning anything about the efforts and spending of other countries in the competition. Spain, Slovenia, Iceland, Ireland, and the Netherlands boycotted the competition.
It also made Jew-haters nervous that traditionally, the country that wins hosts Eurovision the next year — meaning that if Israel won, the competition could have come to Jerusalem or Tel Aviv.
Ultimately, Bulgaria was the surprise winner with the nonsense song “Bangaranga!” performed in English by Dara. It’s fun in a campy way, but seems more like a sketch song from a comedy show than a song that should win Eurovision.
Bettan’s “Michelle” showed off his powerful voice, and the song got bigger and better as it went on.
I thought that Finland had the second best song after Israel, with “Liekinheitin” performed by Pete Parkkonen with Linda Lampenius on violin. The country finished sixth. Australia’s Delta Goodrem impressed with “Eclipse,” in what was the third best song of the competition, though the country was awarded fourth place.
Countries in the grand finale were awarded a jury vote (by a panel of professionals) and the televote-countries got 12 votes if they were the top vote getter from another country, with other points if they were in a country’s top 10.
Those voting on their phone or online could not vote for someone from their own country. The rules changed from last year so that each person could vote 10 times, as opposed to last year’s 20. Some critics of Israel online hoped this rule change might limit Israel’s ability to have a strong finish. There was also a “Rest of The World Vote” factored in.
Israel was in the lead with a total of 343 points, 220 from the public and 123 from the jury. With Bulgaria getting 204 jury points, the announcer noted that Bulgaria would need 140 points from the public to be the winner. It received an inexplicable 312 public votes. The jury gave France 144 points, Poland 133 points, Denmark 165 points, and Italy 134 points — which some saw as possible bias against Israel, though Australia’s 165 points and Finland’s 141 points, may have been due to the actual merit of the songs.
With rumors flying that Bulgaria can’t afford to have the Eurovision show in their country, there was speculation online asking if Israel would host it next year — but that sadly will never happen.
Even though Bettan finished second, it was a clear victory, as the song was great, and Israel thrived despite the new rule changes that were put in place because the public complained about last year’s pro-Israel results.
Will Bettan’s strong finish change anyone’s mind about Israel? One never knows exactly, but it doesn’t hurt to have a handsome amazing singer shine on the global stage.
This marks the third consecutive year that Israel has had a great song and performer, and finished in the top 5. Last year, Israel came in second with Yuval Raphael’s “New Day Will Rise.” She received 297 public votes, the most of any competitor, but only 60 jury points, the fewest of any in the top seven. In 2024, Israel finished fifth with Eden Golan’s “Hurricane.” She received 323 points from public votes, the second most in the competition, but only 50 from the jury, the lowest number of any in the top 10.
Israel finishing second for the second consecutive year once again shows a country that beats the odds and shows greatness.
The author is a writer based in New York.
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Even After a Terrorist Attack and Royal Commission, Australia Doesn’t Take Antisemitism Seriously
Demonstrators gather outside Flinders Street Station during a protest against Israeli President Isaac Herzog’s state visit to Australia, following a deadly mass shooting at a Hanukkah celebration at Bondi Beach on Dec. 14, 2025, in Melbourne, Australia, Feb.12, 2026. Photo: REUTERS/Tracey Nearmy
This is not only an Australian story. Jewish communities across the diaspora are living through the same reality. People have been murdered. Jews have been attacked in the streets. Jewish institutions have been threatened and forced to operate under continuously heightened security. Students have been targeted on campus. Families have been made to think twice before being visibly Jewish in public.
The details differ, but the pattern is painfully familiar. Australia is part of a broader failure across the world to confront antisemitism with the seriousness it demands.
For more than two years, Jewish Australians have been told that antisemitism has no place here. We have heard statements of concern and promises that hatred will not be tolerated. But it is being tolerated.
This is no longer theoretical. Jewish children are continuing to hide who they are. Students continue to be intimidated. Synagogues, schools, and community institutions are operating under continuously heightened security. Families are asking whether Australia is still a place where Jews can live openly and safely.
Antisemitism has moved into ordinary life. It appears on campuses, in workplaces, online, in public spaces, and in the constant expectation that Jews explain themselves, apologize for themselves or remain silent.
Australia’s Royal Commission into Antisemitism and Social Cohesion was established to examine the rise of antisemitism and its impact on Jewish Australians. A Royal Commission is one of Australia’s most serious public inquiries, with the power to hear evidence and make recommendations that should shape national policy.
That is why this moment matters. Jewish Australians are asking to be heard through the very process Australia has created. They are asking to be protected, and to see existing laws, standards and institutional policies enforced. They are asking for proof that the country understands what is being exposed, including when antisemitism makes Jewish life smaller, more guarded, and less secure.
But the Royal Commission is revealing something deeply uncomfortable. Even as Jewish Australians give evidence, much of the broader community is not paying attention. Worse, the process itself has drawn more antisemitism online and in person. When Jews speak about hatred and the response is more hatred, the problem is being demonstrated in real time.
This should alarm every Australian. When Jews describe antisemitism, they are accused of inventing it. When they report intimidation, they are told they are exaggerating. When they ask for protection, they are accused of seeking special treatment. When they call out hatred disguised as politics, they are told they are trying to silence debate.
Australia now faces a clear choice. It can keep speaking about antisemitism as a regrettable social issue, or treat it as the serious threat to public safety, social cohesion, and democratic values that it has become.
Universities remain one of the clearest examples of institutional failure. Too many Jewish students have had to walk past slogans that glorify violence, sit in classes where Israel is demonized beyond any reasonable academic standard, and navigate complaint systems designed to exhaust them rather than protect them.
The same applies beyond campus. Councils, schools, workplaces, sporting bodies, cultural institutions, and public venues all have a responsibility to ensure antisemitism is not normalized under the banner of politics.
Anti-Zionism, when it denies Jewish people the same right to self-determination afforded to others, or holds Jews collectively responsible for Israel, is not legitimate criticism. Israel can be criticized. But when that criticism becomes a demand that the Jewish state alone should not exist, uses Nazi comparisons, justifies terrorism, or treats every Jew as a proxy for Israel, it crosses a line too often ignored.
The test is whether Australia can stop enabling antisemitism. That means policing hate speech and intimidation, online accountability, proper security support for vulnerable Jewish institutions, and consequences for institutions that fail to protect Jewish Australians.
For too long, Jewish communities across the diaspora have been asked to explain the problem while others debate whether it is real. It is real. It is not only a Jewish problem. It is a warning sign for every democratic society.
Because in Australia, as across the diaspora, the question is no longer whether antisemitism exists. Jewish communities know it does. A Royal Commission now exists because the problem has become impossible to ignore. The question is whether our leaders, institutions and society have the courage to act before even more damage is done.
Michael Gencher is Executive Director of StandWithUs Australia, an international nonpartisan education organization that supports Israel and fights antisemitism.

