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Yiddish theater is revived in Tbilisi, Georgia after 100 years
When Lasha Shakulashvili was a grad student at Tbilisi State University in 2022, he stumbled onto something unbelievable. In the National Archives of Georgia, he found Yiddish posters from 1910 announcing theater performances put on by a grassroots, community-run troupe in Tbilisi in what was then still part of the Russian Empire. The troupe was called the Jewish Division of Musical-Melodrama Art.
The posters were fragile and there were only a few of them. Along with them was a single photo he found in a 1917 copy of The Jewish Daily Forward, found in the archives of the National Library of Israel. The paper had a short dispatch mentioning the Ashkenazi school in Tbilisi and the photo showed a teacher writing the Yiddish word friling — spring — on a chalkboard.
Shakulashvili was surprised. Almost nothing had been written about Ashkenazi Jewish heritage in Georgia because most Jews in Georgia were kartveli ebraelebi or Georgian Jews; ‘Mountain Jews’ (Jewish inhabitants of the eastern and northern Caucasus) and Sephardic Jews. Shakulashvili was eager to find out more.
Born in Tbilisi to Orthodox Christian parents, he was raised in part by a Jewish nanny who taught him Russian and Yiddish. That early exposure set him on his scholarly path – and instilled in him a love for Yiddish and Ashkenazi culture.
Before turning to academia, Shakulashvili, who’s now a Yiddish scholar, Jewish history educator and digital storyteller, worked as a diplomat for Georgia’s Permanent Mission to the United Nations and the Georgian Foreign Ministry. Thanks to this career, he told me: “I look at things as an academic and a diplomat. As a diplomat, you have to be cautious but also persistent. A scholar does that, too.”
That persistence led him to write a dissertation on his findings, and publish some of his early discoveries in the Forward in 2022. His thesis is on the role of Yiddish theater in Georgia in the Jewish enlightenment. “Yiddish theater was groundbreaking at a time when Georgia was a very conservative place,”Shakulashvili said. “There were more actresses than actors, women were leading it, and there were plays that explored arranged marriages and women getting revenge. It was a ‘Belle Epoque’: Ashkenazis had been in Georgia less than a century and they changed the life of the whole community.”
Shakulashvili traced how Ashkenazi Jews began arriving in Georgia in the late 19th and early 20th centuries, fleeing poverty and pogroms in densely populated communities in the Russian Empire’s Pale of Settlement. Before the 1917 Revolution, about 5,000 Ashkenazim lived in Georgia, joining an already diverse Jewish population.
Shakulashvili visited Jewish cemeteries, eventually finding graves of every actor whose name was mentioned on the 1910 theater posters. He conducted oral history interviews with Jewish residents of Georgia from different Jewish communities and learned how interconnected different Jewish populations were: Sephardic and Georgian-Jewish sources told him about their grandmothers being educated at the Yiddish school in a time when many schools didn’t accept girls. In turn, the Sephardic community has taken on the task of preserving the two historic Ashkenazi synagogues.
His journey took him to archives in Tbilisi, Jerusalem and Oxford, England. “I had to bring these stories back to life somehow,” he said. “It’s one thing to find a poster and prove the theater existed, but who played there and where did they come from and how did they learn? My curiosity for the theater led me to find out more about the Yiddish schools. One thing led to another — there was a school, there was a society, a whole culture. I wanted to find a complete picture.”
The majority of Georgian-born Jews have since emigrated to Israel or the United States. According to his interviews, most of them did so not because of fear or persecution, but simply for better economic opportunities after the collapse of the Soviet Union.
Shakulashvili shared discoveries with his students at the Paideia Institute in Stockholm and Tbilisi State University, where he was lecturing. He then began sharing his discoveries on Instagram. One early video he posted showed him offering his mostly non-Jewish students cookies shaped like letters of the alef-beyz (the Hebrew alphabet) — a traditional way of welcoming children into Jewish learning.
When Shakulashvili started speaking publicly about the long-lost Yiddish theater, non-Jewish Georgian actors and directors reached out. Many were stunned to learn that Tbilisi once had a Yiddish stage, shut down in 1926 by Soviet authorities. A question emerged: Could the theater be revived?
Shakulashvili’s discovery and networks forged online brought together Georgian historians, Jewish community leaders and actors of all backgrounds. Ana Sanaia, a prominent Georgian actress, director and playwright emerged as the producer who’d make this dream a reality.
A century after its last performance, the Tbilisi Yiddish Theater reopened in 2023. The first production – performed in Yiddish and old Russian, with Georgian supertitles – was Osip Dymov’s 1907 drama Shema Yisroel (named for a centerpiece prayer in Judaism). Jewish protagonists convert to Christianity to survive, only to be rejected by their families and left stranded between identities.
The reopening in Tbilisi came at a tense time. Since the Oct. 7 attacks on Israel and the war in Gaza, Jewish cultural institutions elsewhere have faced protests and boycotts. Georgia has largely avoided that backlash, something Shakulashvili attributes to the country’s strong identification with its Jewish history.
Still, Georgia is politically polarized, especially as Russia’s war in Ukraine continues to shape regional affairs. The theater is self-funded exclusively through independent fundraising, Ana Sanaia, the theater’s producer, told me.
While Shakulashvili has since stepped back from the theater, his research paved the way for recovering the forgotten Yiddish culture of Georgia. He is now based in Israel, where he produces digital content, leads heritage tours and travels for lectures. He still spends the spring semester teaching in Tbilisi.
Meanwhile, Sanaia continues to produce plays, raise funds and recruit actors. She is currently producing her own play in Georgian about the Yiddish-speaking community and their relationship with Abkhaz Muslims in a Black Sea town in 1907.
Shakulashvili’s latest project focuses on online public education about the diverse arts, culture and languages of the Jewish people, through a platform he calls “Jewish Storytelling.” He is also working on a memoir about his discovery and the journey it sent him on.
“I’m proud to be a Georgian Orthodox Christian, and I am proud to work in Jewish studies,” Shakulashvili said. “Everyday I say ‘thank you’ to God that I have been able to do what I love.”
The post Yiddish theater is revived in Tbilisi, Georgia after 100 years appeared first on The Forward.
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Iran Leaders Join Crowds on Tehran’s Streets to Project Control in Wartime
Iranians gather at a park on Nature Day, amid the U.S.-Israeli conflict with Iran, in Tehran, Iran, April 2, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
After more than a month of being stalked by targeted assassinations, Iran’s leadership has adopted a new tactic to show it is still in control – with senior officials walking openly in the streets among small crowds who have gathered in support of the Islamic Republic.
In recent days, Iran’s president and foreign minister have separately mixed with groups of several hundred people in central Tehran. On Tuesday, state television aired footage of the two posing for selfies, talking to members of the public and shaking hands with supporters who had gathered in public areas.
According to insiders and analysts, the appearances are part of a calculated effort by Iran’s theocratic leadership to project resilience and authority — not only over the vital Strait of Hormuz but also over the population — despite a sustained US-Israeli campaign aimed at “obliterating” it.
One insider close to the hardline establishment said such public outings are intended to show that the Islamic Republic is “unshaken by strikes and that it remains in control and vigilant” as the war grinds on.
The US-Israeli war on Iran began on February 28 with the killing of veteran Supreme Leader Ayatollah Ali Khamenei and several senior military commanders in waves of strikes that have since continued to target top officials.
Iran’s new Supreme Leader, Mojtaba Khamenei, has not been seen in public since taking over on March 8 from his father. Foreign Minister Abbas Araqchi, meanwhile, was removed from Israel’s hit list amid mediation efforts last month, including by Pakistan, to bring Tehran and Washington together for talks to end the war.
Talks aimed at ending the war have since appeared to have petered out, as Tehran brands US peace proposals “unrealistic.” Against that backdrop, recent public appearances by President Masoud Pezeshkian and Araqchi appear designed to project defiance, if not a convincing display of public support.
A senior Iranian source said officials’ public presence demonstrates that “the establishment is not intimidated by Israel’s targeted killing of top Iranian figures.”
Asked whether Iran’s foreign minister or president were on any sort of kill list, an Israeli military spokesperson, Nadav Shoshani, said on Friday he would not “speak about specific personnel.”
NIGHTLY RALLIES TO SHOW RESILIENCE
Despite widespread destruction, Tehran appears emboldened by surviving weeks of intense US-Israeli attacks, firing on Gulf countries hosting US troops and demonstrating its ability to effectively block the Strait of Hormuz.
On Wednesday, US President Donald Trump vowed more aggressive strikes on Iran, without offering a timeline for ending hostilities. Tehran responded by warning the United States and Israel that “more crushing, broader and more destructive” attacks were in store.
Encouraged by clerical rulers, supporters of the Islamic Republic take to the streets each night, filling public squares to show loyalty even as bombs rain down across the country.
Analysts say the establishment is also seeking to raise the “political and reputational” cost of the strikes at a time when civilian casualties are deeply disturbing for Iranians.
Omid Memarian, a senior Iran analyst at DAWN, a Washington-based think tank, said the decision to send officials into gatherings reflects a layered strategy, including an effort to sustain the morale of core supporters at a moment of acute pressure.
“The system relies heavily on this base; if its supporters withdraw from public space, its ability to project control and authority weakens significantly,” Memarian said.
Speaking to state television, some in the crowds voice unwavering loyalty to Iran’s leadership; others oppose the bombing of their country regardless of politics; and some have a stake in the system, including government employees, students and others whose livelihoods are tied to it.
Hadi Ghaemi, head of the New York-based Center for Human Rights in Iran, said the establishment is using such loyal crowds as human shields to raise the cost of any assassination attempts.
“By being in the middle of large crowds they have protections that would make Israeli-American attacks against them very bloody and generate sympathy worldwide,” he said.
POTENTIAL PROTESTERS STAY OFF STREETS AT NIGHT
The Islamic Republic emerged from a 1979 revolution backed by millions of Iranians. But decades of rule marked by corruption, repression and mismanagement have thinned that support, alienating many ordinary people.
While there has been little sign so far of anti-government protests that erupted in January and abated after a deadly crackdown, the establishment has adopted harsh measures – such as arrests, executions and large-scale deployment of security forces – to prevent any sparks of dissent.
Rights groups have warned about “rushed executions” during wartime after Iran hanged at least seven political prisoners during the war.
“Many potential protesters are frightened by the continuing presence of armed men and violent crowds in the streets and largely stay at home once darkness falls,” Ghaemi said.
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US Fighter Jet Shot Down Over Iran, Search Underway for Crew, US Officials Say
FILE PHOTO: A U.S. Air Force F-16 jet fighter takes off from an airbase during CRUZEX, a multinational air exercise hosted by the Brazilian Air Force, in Natal, Brazil November 21, 2018. REUTERS/Paulo Whitaker/File Photo
A US fighter jet has been shot down over Iran and a search-and-rescue operation is underway for any survivors, two US officials told Reuters on Friday, in the first such known incident since the war began nearly five weeks ago.
The Pentagon and US Central Command did not respond to requests for comment.
The prospect of US pilots being alive and on the run inside Iran raises the stakes for the United States in a conflict that has struggled to win popular support among Americans, according to opinion polls.
It also presents a challenge to the US military, which faces the twin goals of trying to save the lives of any surviving U.S. crew and safeguard whoever is involved in perilous rescue missions.
Iranian officials called on civilians to be on the lookout for survivors and have flooded social media with images that purport to show wreckage from the aircraft.
The governor of Kohgiluyeh and Boyer-Ahmad province said anyone who captured or killed the crew “would be specially commended,” Iran’s semi-official news agency ISNA reported.
The incident follows threats by US President Donald Trump to bomb the country back to the “Stone Age,” including to attack Iran’s energy infrastructure and desalination plants, as he presses Tehran to end the war on US terms.
So far, 13 US military service members have been killed in the conflict and more than 300 have been wounded, according to the US Central Command. No US troops have been taken prisoner by Iran.
While Trump has repeatedly sought to portray the Iranian military as defeated, Reuters has reported on US intelligence showing Iran retains large amounts of missile and drone capability.
As of last week, the United States could only determine with certainty that it has destroyed about a third of Iran’s missile arsenal. The status of around another third was less clear but bombings likely damaged, destroyed or buried those missiles in underground tunnels and bunkers, Reuters’ sources said.
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Trump: US ‘Hasn’t Even Started Destroying What’s Left in Iran’
US President Donald Trump speaks on the day he honors reigning Major League Soccer (MLS) champion Inter Miami CF players and team officials with an event in the East Room of the White House in Washington, DC, US, March 5, 2026. Photo: REUTERS/Jonathan Ernst
i24 News – US President Donald Trump said Israel will halt its military campaign against Iran when he decides to end the war, while also signaling in recent conflicting statements that US strikes on Iranian targets could intensify.
Trump emphasized coordination with Israel, stating, “They’ll do what I tell them… They’ve been a good team player. They’ll stop when I stop. They’ll stop unless they’re provoked.”
At the same time, Trump indicated that the US has not yet fully escalated its military campaign. In a statement on Truth Social on Friday, he said, “Our military… hasn’t even started destroying what’s left in Iran. Bridges next, then electric power plants!” He added that Iran’s new leadership “knows what has to be done and has to be done FAST.”
According to a TIME report, Trump is weighing how to balance further military action with growing domestic pressure. Advisers warned him that public support for the war is declining as fuel prices rise and economic concerns mount in the United States.
The conflict has had global implications, particularly through disruptions in the Strait of Hormuz, a key route for oil shipments. The report notes that prolonged instability in the waterway could deepen economic strain and impact global markets.
At the same time, the administration has highlighted military achievements while acknowledging uncertainty over how to achieve broader goals such as limiting Iran’s long-term capabilities. Trump has expressed interest in ending the war but also in ensuring what he views as a decisive outcome.
The report indicates that the US is pursuing multiple options, with Trump seeking a way to conclude the conflict while maintaining pressure on Iran through continued or expanded strikes.