Uncategorized
For Bob Dylan’s 85th birthday, an 85-minute playlist
Nobel Prize-winning song-poet Bob Dylan turns 85 on Sunday, May 24. In order to celebrate the august occasion, we have put together an 85-minute playlist featuring one minute of music for every year Dylan has been alive. This playlist isn’t meant to summarize or stand in for Dylan’s overall body of work, which numbers well over 600 songs, nor is it intended to suggest that these are his best songs. Rather, this is a journey through Dylan’s vast songbook, purposely avoiding the tried-and-true in favor of highlighting almost two dozen lesser-known but wholly worthy gems.
Happy 85th birthday, Bob Dylan!
Talkin’ Hava Negeilah Blues (1962)
One of the first original songs Bob Dylan wrote and performed in his early coffeehouse days, “Talkin’ Hava Negeilah Blues” gives the lie to the notion that Dylan consciously tried to hide his Jewish background by changing his name (from Zimmerman to Dylan) and making up stories about his past (e.g., that he traveled with the circus). If there was any truth to that, then why did he kick off his career with a riff on that most recognizably Jewish of songs?
Mixed-Up Confusion (1962)
Recorded in the fall of 1962, this rockabilly single recontextualizes (or gives the lie to) the common but false narrative (perpetuated in the film A Complete Unknown) that Bob Dylan “went electric” on his 1965 album, Bringing It All Back Home, and in subsequent concerts the following summer and fall. In fact, Dylan was a rock ‘n’ roller dating back to high school, where the quote appearing beneath his photo in his class yearbook read, “To join Little Richard.” On “Mixed-Up Confusion,” he was already stretching his rock ‘n’ roll muscles several years before the notorious 1965 Newport Folk Festival where he performed with an electric band, much to the horror of the moldy figs of folk music.
4th Time Around (1966)
As early as 1964, the Beatles’ John Lennon began to show signs of having been influenced by Bob Dylan’s songwriting on numbers such as “I’m a Loser” (1964) and “You’ve Got to Hide Your Love Away” (1965), in which Lennon goes so far as to imitate Dylan’s nasal rasp. Bob Dylan was hip to this trend, and after the Beatles released the Dylanesque “Norwegian Wood,” Dylan responded in song with “4th Time Around,” whose melody strongly echoes that of “Norwegian Wood.” Dylan scholar Sean Wilentz wrote in Bob Dylan in America that “4th Time Around” sounds “like Bob Dylan impersonating John Lennon impersonating Bob Dylan.”
Blind Willie McTell (1983)
Unaccountably left off the 1983 album Infidels for which it was originally intended, “Blind Willie McTell” is one of Bob Dylan’s American epics, as it invokes New Orleans, East Texas, bootleg whiskey, plantations, “the ghost of slavery ships,” an unnamed war, and “power and greed and corruptible seed.” Be sure to play it on the 4th of July.
I Want You (1966)
Only Bob Dylan could write such a surrealistic narrative — replete with a guilty undertaker who sighs, a lonesome organ grinder who cries, a drunken politician who weeps, and a child in a Chinese suit — in the form of a bouncy, three-minute pop song that indeed made it into the Top 20 in 1966, when it was released on his greatest (double) album, Blonde on Blonde.
We Better Talk This Over (1978)
“We Better Talk This Over” is one of several numbers on Bob Dylan’s 1978 album Street-Legal that seem to want to bring closure to what Dylan began revealing about his crumbling marriage on 1975’s Blood on the Tracks. Whereas Dylan portrayed himself in pain and bereft on Blood, on this oft-overlooked propulsive number he is ready to put the past behind him and move forward. “The vows that we kept are now broken and swept / ’Neath the bed where we slept,” he sings, somewhat resignedly. Dylan also seemingly reveals an internal spiritual struggle when he sings, “I’m exiled, you can’t convert me,” just a little over a year before he announces to the world his so-called born-again experience on 1979’s Slow Train Coming.
Most of the Time (1989)
An acute, heart-piercing, devastating post-breakup song, featuring an unreliable narrator denying he still hurts but betrayed by his over-the-top insistence that he has gotten over her, in a song featuring a slow emotional and sonic build.
Day of the Locusts (1970)
Poor Bob Dylan. It turns out that the day in 1970 on which he received an honorary degree from Princeton University turned out to be one of the worst days of his life, judging from this song. Nature, a Biblical plague, and David Crosby (in an unnamed cameo, playing the man standing next to Dylan whose “head was exploding”) all conspired against the college dropout to make him fear he might not have gotten “out of there alive.” He could have just transferred to Wesleyan and everything would have been fine.
Everything Is Broken (1989)
In the aggressive, blues-rocking “Everything Is Broken” Bob Dylan recounts the Kabbalistic creation story about the klippot, the broken vessels of divine energy that were left behind everywhere and which point to our ultimate task as humans — to repair the brokenness permeating creation through acts of inherent goodness, otherwise known as mitzvot, in an oft-misunderstood process called tikkun olam. All this in a three-minute song blending New Orleans swamp-rock and classic Chicago blues.
You’re a Big Girl Now (1975)
Another of Bob Dylan’s post-breakup songs of desperation, this from Blood on the Tracks, a recording often referred to as Dylan’s “divorce album.” In “You’re a Big Girl Now,” Dylan drops all anger and defenses in favor of raw emotion: “I’m going out of my mind / With a pain that stops and starts / Like a corkscrew to my heart / Ever since we’ve been apart.”
Positively 4th Street (1965)
Featuring one of the greatest opening lines of all time: “You’ve got a lot of nerve to say you are my friend.” It’s all downhill from there, my friend.
The Groom’s Still Waiting at the Altar (1981)
“The Groom’s Still Waiting at the Altar” is a blistering, urgent missive, with reports of phones out of order and the killing of nuns and soldiers (evocative of American military involvement in Latin America at the time the song was written). Nevertheless, each verse ends with the title refrain, “The groom’s still waiting at the altar,” which I hear as a statement retracting his declaration of conversion.
Can You Please Crawl Out Your Window? (1965)
In September 1965, Dylan nearly hit the top of the pop charts when “Like a Rolling Stone” went to #2; it was kept from the top spot by the Beatles’ “Help!” But Dylan didn’t give up in his quest for the chart-topping hit that had so far evaded him. Songs he recorded and released in coming months that bore musical similarities to “Like a Rolling Stone” included “Positively Fourth Street,” “One of Must Know (Sooner or Later),” and “Can You Please Crawl Out Your Window,” the only studio track recorded with the Hawks — later to become the Band. The single presents the backup group at its fiercest. And Dylan quotes himself when he sings “You’ve got a lot of nerve to say you are my friend,” a line from “Positively 4th Street.”
Going, Going, Gone (1974)
From 1974’s Planet Waves, the only studio album Bob Dylan recorded with the Band, “Going, Going, Gone” stands out on the album for its moody, unsettled nature (surrounded as it is by songs of domestic bliss and naked nostalgia). Robbie Robertson’s evocative electric guitar leads pepper the ballad, saying as much with their clipped notes and anguished tone as Dylan does with lyrics like “I’m closin’ the book / On the pages and the text / And I don’t really care / What happens next.”
Series of Dreams (1989)
An outtake from 1989’s Oh Mercy, this is one of Dylan’s big statement songs that unaccountably got left on the cutting room floor, until demand grew so strong from those who had heard it via bootleg recordings that Dylan’s record company assented to the inclusion of the track on The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991. Dylan could be alluding to the Shoah when he describes his dreams:
In one, numbers were burning
In another, I witnessed a crime
In one, I was running, and in another
All I seemed to be doing was climb.
One More Cup of Coffee (1976)
This hypnotic if unassuming number off the early-1976 album Desire, featuring Dylan’s only authentic cantorial singing and aided and abetted by Scarlet Rivera’s klezmer-via-Gypsy violin, a relentless minor key, and Emmylou Harris’ harmonies is an overlooked gem. As the song says, its “heart is like an ocean, mysterious and dark.”
Dignity (1989)
Like “Series of Dreams,” the song “Dignity” was an outtake from the Oh Mercy sessions that was first released on Bob Dylan’s Greatest Hits Volume 3 in 1994. And like “Series of Dreams,” this song also seems to refer to the Shoah, when the narrator — bereft at the astounding loss of dignity — refers to “a crowded room full of covered-up mirrors,” as in a Jewish house of mourning, and “steps goin’ down into tattoo land.”
Dark Eyes (1985)
To many, the 1985 album Empire Burlesque introduced one of the low points in Bob Dylan’s recording career, including the two follow-up albums Knocked Out Loaded (1986) and Down in the Groove (1988). Empire Burlesque was a desperate attempt by producer Arthur Baker to update Dylan’s sound to blend in more with the mid-1980s dance music aesthetic. But Baker knew that the album needed a dynamite closer, and he suggested that Dylan write an old-style, solo acoustic ballad. In a fit of inspiration, Dylan stayed up all night and came up with this stunner: sharp, intimate, personal, where the singer looks around himself at a chaotic world from which he is totally alienated — “I feel nothing for their game where beauty goes unrecognized / All I feel is heat and flame and all I see are dark eyes.”
Heart of Mine (1981)
“Heart of Mine” stands out on the 1981 Shot of Love album as a raucous, joyful bit of R&B music (which flavors most of the album). But it’s a Bob Dylan song, so it has that subversive touch. The narrator addresses the song to his own heart — “Don’t let her see / Don’t let her see that you need her / Don’t put yourself over the line / Heart of mine” — and warns it that only trouble lies ahead if this is the path he (his heart) decides to pursue. The recording’s impressive instrumental lineup — all of whom are in the Rock and Roll Hall of Fame — includes Ringo Starr on drums, Ronnie Wood on guitar, and Donald “Duck” Dunn on bass, meaning Dylan was backed on this track by a Beatle, a Rolling Stone, and a member of the Stax house band, also known as the M.G.’s, as in Booker T. and the M.G.’s. Not too shabby.
Congratulations (1988)
This is a bit of a cheat stuck into this list to demonstrate that as much as he has always been a solo artist and an iconoclast, Bob Dylan has also always longed for the companionship — musical and otherwise — of a steady band. He came close to achieving this with the Hawks (later the Band) from the mid-1960s through the mid-1970s, and allegedly asked Jerry Garcia in the late-1980s if he could join the Grateful Dead (which was essentially a Dylan tribute band). But it wasn’t until George Harrison persuaded his friend and sometime songwriting partner to join him — along with Tom Petty, Roy Orbison, and Jeff Lynne — in an “anonymous supergroup” called the Traveling Wilburys in 1988, that Dylan took the plunge and subsumed himself into a collective. In most cases, as with “Congratulations,” you could easily tell one lead singer from the other, and in general that person wrote the song. We’re turning this one — an over-the-top expression of post-breakup bitterness (the first line is “Congratulations for breaking my heart”) — back on Dylan on the occasion of his birthday.
My Back Pages (1964)
Along with “It’s All Over Now (Baby Blue),” the song “My Back Pages” is often heard as a transitional statement: out with the old Dylan, in with the new, if you will. Included on the 1964 album, Another Side of Bob Dylan, which eschewed topical protest for more personal and poetic concerns, “My Back Pages” found the 23-year-old singer-songwriter looking back just a few years at his more serious self and judging him thusly: “Ah, but I was so much older then / I’m younger than that now.” A 1967 version of the song by the Byrds made it into the Top 30 and inspired the all-star version of the song rendered at the Bob Dylan 30th Anniversary Concert Celebration in 1992, which featured George Harrison, Eric Clapton, Tom Petty, Neil Young, and Roger McGuinn trading verses alongside Dylan.
The post For Bob Dylan’s 85th birthday, an 85-minute playlist appeared first on The Forward.
Uncategorized
Synagogue attacks were part of massive ISIS-inspired plot last week, FBI says
(JTA) — A 21-year-old man from Valencia, Pennsylvania, suggested poisoning food in synagogues as part of a mass attack in support of the Islamic State group last week, according to the FBI.
The suspect, Jonathan Kramer, said in an online forum using the pseudonym “Hamza Al Rashid” that “i wish to inject ricin or cyanide into places such as grocery stores inside water/food with a syringe, or going to food events, preferably synagogues and putting the chemicals in their food and drink…,” according to a sworn FBI affidavit.
The prospective poisoning was part of a broader plot of mass violence that included “repeated attempts to encourage and coordinate violence through encrypted platforms, such as advising others on attack methods, discussing chemical poisons, arson, vehicle attacks, drone delivery explosives and firearm based assaults,” FBI Special Agent in Charge Richard Evanchec said at a press conference last week.
The Jewish Federation of Greater Pittsburgh said in a security update on Friday that no synagogue had been specified by the FBI. , “We are in close contact with our law enforcement partners and federal prosecutors, and if we learn of anything concerning, we will share that immediately,” the organization noted.
Assistant Attorney General for National Security John Eisenberg announced last Tuesday that Kramer was “preparing for a mass shooting that could have taken many lives, having already secured a rifle and approximately 190 rounds of ammunition for what he called his ‘mission.”
Efforts to reach Kramer’s public defender Jake Morrison were unsuccessful.
FBI agents arrested Kramer in a hotel parking lot in Cranberry, Pennsylvania, the Justice Department said. They seized a semiautomatic rifle, five rifle magazines, a rifle bipod and scope, a total of 190 rounds of rifle ammunition and about 30 knives following a search of him, his house and his hotel room.
Kramer was charged with receiving a firearm and ammunition believing they would be used to commit terrorism. He appeared in court last Wednesday to waive a preliminary hearing, according to CBS News. A court date has not been set for Kramer’s next proceedings, the network reported.
Kramer had been on the FBI’s radar since 2023, when he was charged by Pennsylvania state authorities “for his role in a plot to commit a mass casualty incident” and sent to a juvenile detention facility, FBI special agent Gregory Battaglia said in a sworn affidavit.
Nearly eight years ago, 11 worshippers were killed at Pittsburgh’s Tree of Life synagogue in the deadliest antisemitic attack in U.S. history.
This article originally appeared on JTA.org.
The post Synagogue attacks were part of massive ISIS-inspired plot last week, FBI says appeared first on The Forward.
Uncategorized
Proposed U.S. $24.3 billion sale of F-35 fighter jets to Saudi Arabia advances
(JTA) — The State Department has approved a possible $24.3 billion sale of 48 F-35 fighter jets to Saudi Arabia — a move that would make the kingdom the second Middle Eastern country after Israel to have the world’s most powerful combat aircraft.
“This proposed sale will support the foreign policy and national security objectives of the United States by improving the security of a major non-NATO ally,” the department said in a statement.
Israel wants the sale attached to a normalization deal with Saudi Arabia, but that doesn’t appear to be on the horizon. However, there is a small chance that Congress could keep the sale from happening.
When President Donald Trump first confirmed that he was considering the sale last November, Israeli officials told Axios that while they don’t oppose the sale itself, they wanted it “to be subject to Saudi normalization with Israel.”
Although Israeli Prime Minister Benjamin Netanyahu reportedly brushed off the deal’s significance last fall, a security source at the time warned on CNN that the possibility of Saudi Arabia acquiring “the same capabilities” as Israel was “very concerning.”
The prime minister was more vocal in his opposition to a July announcement from Trump that he was weighing selling the advanced jets to Turkey as well, telling CNN that Turkish President Recep Tayyip Erdogan is “not exactly a model ally of the United States.”
Israel has already purchased 50 F-35 jets, in two procurement rounds that occurred in 2016 and in 2017, according to the Israeli Defense Ministry. However, local media reports indicate that two of the 50 have yet to arrive, meaning that just 48 are on the ground – the same number of planes that the State Department has approved for Saudi Arabia’s potential purchase.
Israel would have many more F-35s than Saudi Arabia for the time being, because its Defense Ministry announced in 2024 that it would be procuring 25 more of the planes, slated to begin arriving in 2028. Earlier this year, the Defense Ministry revealed that it would be procuring yet another squadron of the jets, although the quantity remained unclear.
Congressional approval is not assured; wariness of the Saudi regime, stemming in part from the state-sanctioned 2018 murder of a U.S.-based journalist in Turkey, crosses party lines.
The U.S. Arms Export Control Act requires the executive branch of the government to notify Congress regarding major defense equipment sales to most countries. Congress can then deem a country ineligible to participate in a sale through a joint resolution. The president can then veto the resolution, which Congress would need a two-thirds supermajority to override.
Additionally, U.S. law requires the president to ensure that Israel maintains “a qualitative military edge over military threats” when considering arms sales to other Middle Eastern countries. Israel, per the law, must be able “to counter and defeat any credible conventional military threat” from both other nations and “non-state actors.”
“The proposed sale of this equipment and support will not alter the military balance in the region,” the State Department said on Thursday. It called Saudi Arabia “a force for political stability and economic progress in the Gulf region,” adding that the sale would help “deter current and future threats by strengthening its homeland defense.”
The department maintained that not only would the sale improve Saudi Arabia’s defense capabilities, but it would also boost “interoperability” with both U.S. forces and other players from NATO and the region.
As for the potential deal’s logistics, Saudi Arabia has requested 48 of Lockheed Martin’s F-35 Lightning II Joint Strike Fighter Jets, as well as 49 Pratt & Whitney engines, according to the State Department.
The kingdom is also seeking to acquire other non-major defense equipment, such as cryptographic devices, precision navigation, secure communications, simple key loaders and support for electronic warfare databases, maintenance and personnel training.
Producing and delivering these planes can take many years.
Meanwhile, just a day before Trump’s announcement, The New York Times surfaced intelligence concerns that China could acquire F-35 technology by spying on Saudi Arabia or through its partnerships with the kingdom.
U.S. House Rep. Raja Krishnamoorthi, a Democrat from Illinois, warned in a statement on X that “Beijing has spent decades stealing American intellectual property” and that this deal could “help them do it.”
“Our own intelligence community is warning that it could put the crown jewels of American military technology within reach of the Chinese Communist Party,” Krishnamoorthi added.
The Biden administration reportedly ended a past F-35 deal with the United Arab Emirates — secured by the first Trump administration — due to similar concerns about the country’s connections to China, as well as to Russia.
This article originally appeared on JTA.org.
The post Proposed U.S. $24.3 billion sale of F-35 fighter jets to Saudi Arabia advances appeared first on The Forward.
Uncategorized
After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’
(JTA) — The lieutenant governor of Texas says his recent call for the state’s public schools to remove “over 2,000 titles” of “dirty, filthy and vulgar books” was not meant to include books about the Holocaust.
Dan Patrick’s statement, provided exclusively to the Jewish Telegraphic Agency on Friday, comes after a month of confusion following a press conference in which he and a conservative Christian activist threatened schools with potential loss of state funding if they did not comply with his directive to purge their libraries.
“I believe Texas students must learn about the Holocaust, and that includes reading books such as ‘Night’ by Elie Wiesel, ‘The Diary of Anne Frank,’ and other books about the Holocaust,” Patrick told JTA, singling out two books on the removal list he had promoted – one of which, “Night,” that he previously explicitly called for removal from middle schools.
Patrick added that his initiative was “focused on age-inappropriate, sexually explicit books in public school libraries across Texas.” At his earlier press conference, he had directed viewers to an online list compiled by an activist group that features several books about the Holocaust and Jewish identity.
Patrick’s threats have teeth. In Texas, lieutenant governors are more powerful than in many other states, playing central roles in shaping the budget and determining the legislative agenda.
Patrick also appeared to walk back some of the harsher proclamations from his Aug. 19 press conference, at which the Republican had stated, “We’re coming for the books.”
“As the law states, local communities have the right to make their own decisions about their public school libraries,” he told JTA Friday.
The lieutenant governor, who is up for reelection this fall, appeared at the conference with Bonnie Wallace, the head of the activist group Recover America, and told viewers to “go to RecoverAmerica.com.” That group has circulated a list of more than 2,100 “Harmful Books in Libraries.” Its list, which it describes as “books with harmful, sexually explicit, and vulgar content,” includes more than a dozen titles of particular import to Jewish readers.
Recover America’s flagged books include both volumes of Art Spiegelman’s “Maus,” a comic-book adaptation of Frank’s diary and Bernard Malamud’s novel of a blood libel “The Fixer” — all books that have been removed from school districts in Texas and other states in the past amid broader conservative-led library culture wars. In some cases those books were restored to the districts following public outcry, but spurred deeper dialogue about the state of Holocaust education and antisemitism awareness in public schools.
Patrick’s latest push would go much further than a handful of districts, affecting the more than 5.5 million students in public schools across the state.
One book of particular contention on Recover America’s list was “Night,” Elie Wiesel’s bestselling memoir of surviving Auschwitz and Buchenwald, which has been taught in schools for decades. After a Houston Chronicle story noted the book’s inclusion on the Recover America “harmful” list, Patrick initially doubled down on “Night,” saying that it was not appropriate for middle schools owing to its “violence.”
“If ‘Night,’ by Elie Wiesel, were made into a movie, it would likely be rated R,” Patrick wrote on the social network X on Aug. 26. “‘Night,’ which includes depictions of graphic violence and the machine-gunning of babies, should not be available to sixth graders in middle-school libraries. High school is more age-appropriate.”
His tweet appeared to contradict the state’s own K-12 required reading list, passed this summer, which mandates that “Night” be taught in the eighth grade beginning in 2030.
Now, in response to questions from JTA, the lieutenant governor said he would defer to the Texas State Board of Education on the appropriate grade to teach “Night.”
“The State Board of Education decides the appropriate grade level for books and will determine whether ‘Night,’ by Elie Wiesel, is at the appropriate grade level,” Patrick told JTA in his statement.
He continued to insist that books in schools should be held to “FCC standards,” referring to the Federal Communications Commission, an agency that governs broadcasting content and does not regulate publishing.
The head of the Texas Holocaust, Genocide and Antisemitism Advisory Commission, a governor-appointed panel which advised the state on the inclusion of “Night” and other Holocaust texts on its required reading list, did not return a JTA request for comment.
In a statement, the Texas Educational Authority, which drafted the required-reading list, told JTA, “When Texas students learn about the Holocaust, they will be exposed to the horrors of the Holocaust. That is why the SBOE placed the book in 8th Grade to ensure age appropriateness for students.”
At the Emmys this week, when “The Librarians,” a documentary about librarians facing book removal threats, won an award, retired Texas librarian Carolyn Foote joined the producers on the stage and held up a copy of “Night” in protest.
“I felt like it was very symbolic to bring ‘Night,’” Foote, a subject of the film and a co-founder of the librarian activist group FReadom Fighters, told JTA. “Having read it, I just know the importance of not forgetting our past. And that’s part of Elie Wiesel’s whole legacy, is remembrance, and so it just felt very important for me to carry that book, coming from Texas.” Another librarian onstage for the win held up “Anne Frank’s Diary: The Graphic Adaptation.”
Elisha Wiesel, Elie’s son and chair of the Elie Wiesel Foundation, told JTA that “Texas deserves credit for recognizing that Holocaust education belongs in the eighth-grade curriculum.” Yet, the younger Wiesel suggested, Patrick’s concerns about the book’s violence were misplaced.
“‘Night’ contains violence because the Holocaust was violent; its purpose is not to shock young people, but to help them understand where hatred and indifference can lead,” he wrote in an email. “With context and guidance, students should not be shielded from this history. They should be equipped to confront it.”
Despite having directed viewers to Recover America’s book list during his press conference, Patrick’s new statement to JTA said, “I do not have a book list.” He pointed instead to a law passed in the state legislature in 2025 regulating school books that he said districts were required to follow.
Yet some districts in the state have removed every book on Recover America’s list from their own libraries out of fear of losing funding, Foote told JTA. While the list nominally contains a ratings system, many of the books do not have a rating.
Besides “Night,” “Maus,” “Anne Frank’s Diary” and “The Fixer,” other books about Judaism and the Holocaust on Recover America’s list of “Harmful Books” include:
- “Annexed,” a young-adult novel about Peter van Pels, who hid in the Amsterdam annex with Anne Frank
- “The Berlin Boxing Club,” a young-adult historical novel based on German boxer Max Schmeling, who helped young Jews during Hitler’s rise to power
- “Black, White and Jewish,” a memoir by Rebecca Walker, the mixed-race Jewish daughter of author Alice Walker
- “Caste: The Origins of our Discontents,” a nonfiction book analyzing the “caste systems” of Nazi Germany. “Caste” had been included on an earlier, Wallace-spearheaded list of books for removal from a Texas public library in a case that the U.S. Supreme Court declined to hear in 2025, allowing the removals to proceed.
- “Kasher in the Rye,” a memoir by Jewish comedian Moshe Kasher
- “Pride: the story of Harvey Milk and the Rainbow Flag,” a children’s picture-book biography of the pioneering Jewish LGBTQ legislator
- “Sophie’s Choice,” the bestselling Holocaust novel for adults
- “The Violin Maker’s Daughter,” a historical novel about a Jewish family of musicians during the Holocaust
- “White Bird,” a young-reader graphic novel about a Jewish girl in Nazi-occupied France
In response to JTA sharing a list of the above books, Patrick’s statement mentioned only “Night” and Anne Frank by name. The Recover America list is largely made up of romance and fantasy novels, many with an LGBTQ element, while also including classics such as “The Glass Menagerie” and “Cat’s Cradle” and some picture books for children.
Recover America did not immediately return a JTA request for comment Friday on Patrick’s new statement. Wallace, the group’s leader who has also appeared on Patrick’s podcast, previously told the Houston Chronicle that she had “thought long and hard” about including “Night” on her list.
She ultimately did so, she said, because “an eighth-grade student is 13 years old. Do they need to read about soldiers massacring, throwing up babies, and killing them with machine guns?”
She added, “It’s not to say this doesn’t happen in life. And the Holocaust was maybe the worst tragedy in the history of the world.”
For Cameron Samuels, a Jewish alum of Texas public schools and founder of the activist group Students Engaged in Advancing Texas, such efforts do not help Jewish students.
“Non-Jewish people are deciding for us what’s best, and making this public policy,” Samuels said. “We can’t readily access these books and stories. And that makes students feel alone. It also means that our classroom peers are not learning authentic Jewish narratives.”
This article originally appeared on JTA.org.
The post After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’ appeared first on The Forward.
