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From Mel Brooks to Elaine May to Ethan Coen: Producer Julian Schlossberg writes memoir about working with Jewish stars over 6 decades
(JTA) — On a couple of occasions in Julian Schlossberg’s early life, he found himself in parts of the United States where some people he talked to had never met a Jewish person. The first was a stint in the Army, the second was while selling movies to rural television stations.
But over the next six decades — once Schlossberg embarked on a long and successful career that included stops as a Hollywood studio executive with Paramount Pictures and later as a prolific distributor of movies and producer of off-Broadway and Broadway shows — he was rarely the only Jew in the room ever again.
Schlossberg tells those stories and many more in his new memoir “Try Not to Hold It Against Me: A Producer’s Life” (Beaufort Books). He writes about how he went from a child in the Bronx to an influential show business figure who mingled and worked with countless movie stars, having enjoyed a long career that shows no signs of being over at age 81.
Schlossberg was born in 1941, and grew up in what he describes as a middle class family, in a Bronx neighborhood that at the time was heavily Jewish and Irish. His father Louis played semi-pro baseball, but as Schlossberg writes in the book, turned down the chance to play for a team in Kansas City in part because “there were almost no Jews in baseball.” Instead, Louis spent most of his professional life working in Manhattan’s Garment District.
The family lived near the Kingsbridge Armory, then likely the largest of its kind in the world, which hosted conventions, car shows and rodeos that came through the city at the time. Those rodeos, in fact, were Schlossberg’s introduction to showbiz.
“I would go as a kid and just revel in the fact that I was meeting these incredible stars,” he said.
Schlossberg with Jewish star Michael Douglas. (Courtesy of Julian Schlossberg)
Meeting stars would eventually become commonplace. Before and after his time in the Army in the early 1960s, Schlossberg worked as a cab driver, a busboy, a waiter, a counselor, a typist and more while taking college classes at night. He got a job at the ABC in 1964 and worked his way up the company’s ranks.
“I had decided, as a very young man, that since I didn’t have a law degree or a dental degree or a medical degree, I was going to learn every aspect of show business that I could,” he said. “I didn’t know what it was going to do, but I knew that knowledge was power, and that if I had knowledge, maybe I’d get some power.”
He would live out that goal, working in just about every area of entertainment, from radio to movie distribution to theater producing. (He goes back and forth on which one he likes best.)
In the 1970s, he hosted an AM radio show called “Movie Talk,” for which he interviewed hundreds of movie stars. WMCA station executives wanted Schlossberg to use a different stage name, to sound less Jewish.
“They didn’t want it to be ‘a Jewish name,’ and I said ‘Wait a second — if I’m going to be on the air in New York City, I can’t be a Jew?’ So they gave in, and I kept my name,” he said. “You kind of want to remember the times you did stand up, I guess. Not that it was a giant standing up, but I would have not done the show if they had asked me to change my name, because it made no sense to me.”
Speaking of Jews, Schlossberg has worked with a virtual who’s-who of famous Jewish entertainers over the years, from Neil Simon to Lillian Hellman to Sid Caesar to Mike Nichols to Peter Falk to Ethan Coen. And the ones he didn’t work with, he hung out with socially. Barbra Streisand invited him to a famous birthday party (that ended up taking place at Liza Minnelli’s house), and Mel Brooks has always greeted him as “Schloss Berg,” as if his name were two words.
Schlossberg with Barbra Streisand, right, and Merryn Jose. (Courtesy of Julian Schlossberg)
Schlossberg’s film production credits range from the 1994 British mystery “Widows’ Peak,” starring Natasha Richardson and Mia Farrow; to the 1980 “No Nukes” documentary that filmed an anti-nuclear weapons concert with the likes of Bruce Springsteen and Jackson Browne; to a revival of the long-buried version of Orson Welles’ “Othello.”
In 1995, Schlossberg worked with three prominent Jews on one off-Broadway production: a set of one-act plays performed together each night, called “Death Defying Acts,” written by Woody Allen, David Mamet and Elaine May. Schlossberg later produced the Broadway adaptation of Allen’s movie “Bullets Over Broadway,” while May, whom Schlossberg likens to a sister, contributed the forward to his book.
“Elaine is, as I’ve written, the smartest person I’ve ever met, and probably one of the most talented if not the most talented, because there is nothing that she cannot do,” Schlossberg said of the now 90-year-old Oscar, Tony and Grammy winner. “She’s a great actress, she’s a great writer, and she’s a great director. And she’s a hell of a friend.”
At one point in his career, as he details in one chapter, Schlossberg crossed paths with another Jewish producer: Harvey Weinstein. When Weinstein was young, the now-disgraced serial sexual harasser approached Schlossberg and asked him to teach him the movie business. The two men worked together for a time, although eventually they fell out.
“I never in my wildest dreams thought he would hit the heights that he hit, or the depths that he sunk to. Never,” Schlossberg said.
Another of Schlossberg’s mentoring experiences ended on a more positive note. Mark S. Golub, a rabbi, came to Schlossberg for advice in the late 1990s on learning the theater business. Golub, who died late last month at 77, went on to become a prolific Broadway producer and the founding president of the Jewish Broadcasting Service channel.
It was a fruitful partnership: Golub learned about the industry, and Schlossberg absorbed lessons about Judaism.
“It was a very interesting combination, of somebody who certainly knew a great deal about Judaism, and myself, who was learning a lot by that time about [Judaism],” Schlossberg said. “It was interesting to me to be partners with a rabbi.”
Schlossberg had several projects set to go at the start of the coronavirus pandemic, but when the industry shut down, he wrote his memoir instead. Now he’s looking to rev up some of those projects. Next up on the docket is “Tales From the Guttenberg Bible,” an autobiographical, four-character play written by and starring the Jewish actor Steve Guttenberg. It is now set for its world premiere in April, at the George Street Playhouse in Rutherford, New Jersey.
“I think audiences will respond to it, because he’s so kind and personable and living… a nice Jewish boy,” Schlossberg said of Guttenberg.
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Why Jewish teens aren’t speaking out about the NYC mayoral election, despite their strong feelings
This article was produced as part of the New York Jewish Week’s Teen Journalism Fellowship, a program that works with Jewish teens around New York City to report on issues that affect their lives.
As a teen reporter I work hard to amplify the voices of young people on issues that affect them. That’s why I was excited about my assignment from the New York Jewish Week to gather teens’ reactions to the upcoming New York City mayoral election. While many of these teens aren’t old enough to vote, I hoped to present a range of opinions from young people who care about their city and its future.
But when I started to report on the issue, I kept hitting the same wall: None of the teens I tried to interview would go on the record with their names or their political beliefs. All eight said they didn’t want that type of exposure in such a politically divisive time.
The teens I met aren’t the only ones who feel this way, and it isn’t just the mayoral election that’s keeping young adults quiet. According to Education Week, “young people are reluctant to discuss politics, especially without a space to safely navigate those discussions in such a polarized environment.” The article found that teens often worry that if they speak up in school, their voices will be dismissed, criticized or misunderstood. A lack of confidence could play a role, too: A 2023 study by CIRCLE, Tufts University’s research organization focused on youth civic engagement, found that only 40% of students feel “well-qualified” to participate in political conversations.
Nonetheless, in private conversations, the New York City teens I talked with shared fascinating insights about the mayoral race. The discussions broadly fell into two camps: Teens felt conflicted over the morality and beliefs of the candidates, and they also feared that if they said the wrong thing, their opinions would follow them for the rest of their lives.
Zohran Mamdani, the frontrunner, is a progressive and a staunch critic of Israel who won the Democratic nomination. His closest challenger, former New York Gov. Andrew Cuomo, is seeking a political comeback after resigning as governor in 2021 amid a barrage of sexual harassment allegations. Trailing the pack is Republican Curtis Sliwa, the red beret-wearing founder and CEO of the Guardian Angels.
To Jewish teens, none of these candidates seem suitable to run their beloved city — something my sources were eager to express, albeit anonymously.
“On the one hand, it feels morally wrong to consider electing Andrew Cuomo, given the numerous allegation of sexual harassment. As a woman, I believe elected officials should embody the values of respect and integrity,” one Jewish teen living on the Upper West Side told me. “On the other hand, while Zohran Mamdani’s policies often sound compelling, in theory, I consistently find myself questioning what a sharply critical view of Israel might mean for a city with the largest Jewish population outside of Israel.”
Another Upper West Side teen, a senior at a private high school, echoed a similar sentiment: “This election has been so frustrating because it feels like I have to give up one set of values to protect another.”
The teens I spoke to had strong beliefs. Why had they declined to attach their names to their statements?
Well, according to a junior at a Manhattan public high school, “although I am not yet old enough to vote, I’ve found this mayoral race both confusing and frustrating. I don’t want my name attached to either one of these candidates.”
“I do not want my name to be linked to a political figure,” explained one Upper East Side teen, “because it can follow me into the future and change how others automatically view me when they meet me for the first time.”
This last quote, in particular, touched a nerve with me, as it highlights just how aware teens are of growing up in a society that increasingly lives online. Teens applying for colleges and thinking about their future career path start thinking at a young age. The last thing we want is for a future employer to find — and disagree with — something we said about a politician when we were 16.
As a teen reporter, my job is to give teens an opportunity to be seen and heard. My editor, who has worked with teen journalists for over 30 years, told me that she’s seen more and more young sources ask for anonymity over the past five years. As our lives become inextricably tied to the internet, it’s easy to see why: Doxxing — the malicious release of private information — has become a “mainstream public safety concern,” according to Safe Home, which conducts yearly research on doxxing. According to their report, 57% of Americans say they avoid sharing political views online out of fear of being targeted.
Doxxing over perspectives related to the Israeli-Palestinian conflict has been common in recent years, with both pro-Israel and pro-Palestinian voices experiencing the practice.
So as a 17-year-old who is constantly on social media and always with my friends, I understand why my peers are worried about sharing too much. But this also means my role as a reporter who focuses on teen issues has become significantly more difficult. I worry that as the city becomes more polarized by politics, teens and young adults will feel less and less comfortable sharing their views and, as a result, news articles can’t reflect the community fully and policies can’t be responsive to young people’s needs. When that happens, we all lose.
Compounding the reluctance of young people to speak publicly about politics is the hesitancy of politicians and media to seek their opinions. Meira Levinson, a professor of education and society at Harvard University, writes about the “civic empowerment gap.” She describes how young people, especially those still in school, are often encouraged to care about politics but are rarely given the opportunity to express their views in a meaningful way. Candidates almost never make the effort to integrate teen concerns into their campaign.
Our communal politics need to create a safe space for young people to share their opinions. And candidates should solicit teens’ views if they want to make New York City a safe and inclusive city for all.
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Hamas Expands Terror Operations Across Europe Amid Gaza War, Exploiting Criminal Networks and Weapons Caches
Palestinian Hamas terrorists stand guard on the day of the handover of hostages held in Gaza since the deadly Oct. 7, 2023, attack, as part of a ceasefire and a hostages-prisoners swap deal between Hamas and Israel, in Rafah in the southern Gaza Strip, Feb. 22, 2025. Photo: REUTERS/Hatem Khaled
Hamas has expanded its terrorist operations beyond the Middle East, exploiting a long-established network of weapons caches, criminal alliances, and covert infrastructure that has been quietly built across Europe for years, according to a new report.
Earlier this month, West Point’s Combating Terrorism Center released a study detailing how Hamas leaders in Lebanon have directed operatives to establish “foreign operator” cells across Europe, collaborating with organized crime networks to acquire weapons and target Jewish communities abroad.
“Hamas has never carried out a successful terrorist attack outside of Israel, the West Bank, or Gaza — but not for lack of plotting,” Matthew Levitt, a senior fellow and counterterrorism expert at the Washington Institute for Near East Policy, wrote in the report.
“European and Israeli officials fear that Hamas has taken the decision to go global and carry out plots abroad, marking a significant departure from the group’s prior modus operandi,” he continued.
For example, the study cited a failed Hamas plot in which an alleged operative in Germany traveled to Lebanon to “receive orders from the Qassam Brigades [Hamas’s military wing] to set up an arms depot for Hamas in Bulgaria,” part of a broader, multi-year effort to cache weapons across Europe.
However, German authorities foiled the plot, detaining four Hamas members in late 2023 on suspicion of planning attacks.
Earlier this year, the four suspects went on trial in Berlin in what prosecutors described as Germany’s first-ever case against members of the Palestinian terrorist group.
According to German officials, the weapons “were intended to expand Hamas’s activities in Europe.”
During the investigation, German authorities also found evidence on a defendant’s USB device showing that the Hamas operatives were planning attacks on specific sites in Germany, including the Israeli embassy in Berlin.
Similar weapons depots were established in Denmark, Poland, and other European countries, with Hamas members repeatedly trying to retrieve them to support their operations and plan potential attacks.
The newly released report identified Hamas’s operational headquarters in Lebanon as the command center for its activities abroad, with senior leaders directly managing plots across Europe.
“Even before Oct. 7, Hamas leaders periodically threatened to carry out attacks abroad,” Levitt explained in his report, referring to the Iran-backed Islamist group’s invasion of and massacre across southern Israel in 2023.
“The increased Hamas terrorist activity abroad correlates to the establishment of a Hamas operational component in Lebanon driven by senior Hamas leaders,” he said, noting that such network “developed over time, as senior Hamas leaders left Turkey and Qatar and later made their way to Lebanon.”
The study also reported that Hamas operatives established alliances with European organized crime networks to secure weapons and logistical support for their operations.
For example, another major plot was foiled earlier this year, when a member of the Danish, banned Loyal to Familia (LtF) gang was indicted for purchasing Chinese drones intended for attacks in Denmark or Sweden. Local authorities later revealed that the gang had been working with Hamas, which has ruled Gaza for nearly two decades.
This month, German authorities foiled another planned terrorist attack, arresting three suspects on the eve of Yom Kippur who were preparing to target Jewish institutions.
According to the report, analysts remain uncertain whether these plots signal a permanent strategic shift or reflect a short-term tactical adjustment in response to the Gaza war.
“It remains unclear how decisions about such operations are made and if this includes input and approval from a broad range of Hamas leadership or just a select few,” Levitt said.
Given the loss of Hamas’s leadership and the resulting decentralized decision-making, the report noted that external operations may now be possible where they were previously constrained by internal disagreements.
“With Hamas operational capabilities in Gaza severely degraded, and the group under pressure from both Israeli and Palestinian Authority security forces in the West Bank, the group’s military commanders may find that acts of international terrorism carried out by small cells … may be a more central component of Hamas’s attack strategy,” Levitt concluded.
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British Airways breaks ties with Louis Theroux after interview with ‘Death to the IDF’ artist Bob Vylan
(JTA) — British Airways has dropped its sponsorship of documentarian Louis Theroux’s podcast following an interview with British punk musician Bobby Vylan where the artist defended his chants of “death, death to the IDF” at the Glastonbury music festival.
Following the band’s Glastonbury performance in June, the two members of Bob Vylan had their U.S. visas revoked by the State Department ahead of a planned tour this month. The BBC also said the livestream of the performance broke its guidelines because Bob Vylan’s chants could “fairly be characterised as antisemitic.”
Bob Vylan’s frontman, whose real name is Pascal Robinson-Foster, Theroux that he did not regret the chants during the interview.
“If I was to go on Glastonbury again tomorrow? Yeah, I would do it again. I’m not regretful of it,” said Vylan. “I’d do it again tomorrow, twice on Sundays. I’m not regretful of it at all. Like, the subsequent backlash that I’ve faced is minimal. It’s minimal compared to what people in Palestine are going through.”
Robinson-Foster also criticized a report by the Community Security Trust, British Jewry’s antisemitism watchdog, that found antisemitic incidents had spiked the day after Bob Vylan’s set, telling Theroux that it was unclear what the group was “counting as antisemitic.”
“I don’t think I have created an unsafe atmosphere for the Jewish community,” said Robinson-Foster. “If there were large numbers of people being like, going out and ‘Bob Vylan made me do this,’ then maybe I might go, woof, I’ve had a negative impact here. Again, in that report, what definition are they going by? We don’t know that.”
During the interview, Robinson-Foster also said that the “focus” should not have been placed on the “death to the IDF” chant, but rather “on the conditions that allow for that chant to exist.”
“Ultimately, the fight is against white supremacy, right?,” said Robinson-Foster. “That is what the fight is against. And I think white supremacy is displayed so vividly in Zionists.”
In response, Theroux replied, “They say we’re not white, we’re Jewish, right?”
Later, Theroux appeared to agree with Robinson-Foster’s assertion that the “Zionist movement and the war crimes being committed by Israel” should be viewed through the “lens of white supremacy.”
“I think I’d add to that, there’s an even more macro lens which you can put on it, which is that Jewish identity in the Jewish community, as expressed in Israel, has become almost like an acceptable quote, unquote, way of understanding ethno-nationalism,” said Theroux, later adding that “this sense of post-Holocaust Jewish exceptionalism or Zionist exceptionalism, has become a role model on the national stage for what these white identitarians would like to do in their own countries.”
Following the interview, Theroux drew criticism for failing to challenge Robinson-Foster’s defense of his chants during the interview.
“Louis Theroux has every right to interview whoever he wants, but with that right comes responsibility,” Jewish film producer Leo Pearlman told the British outlet Jewish News. “When you give a microphone to someone who proudly repeats a genocidal chant that played a part in inspiring attacks on Jews across Britain, you’re not probing hate, you’re amplifying it.”
Dave Rich, the head of policy at the Community Service Trust, wrote in a blog post that he had been distressed that Theroux did not note that Robinson-Foster had publicly undercut the idea that his chant of “death to the IDF” was not meant as a call to voice when he commented at another concert, “We are for an armed resistance. We wanna make that explicitly f–king clear.” Rich also criticized the decision to release the interview even after the attack on a Manchester, England, synagogue in which two people were killed on Yom Kippur.
“Theroux’s podcast was recorded before the Manchester attack, which he acknowledges in the introduction,” Rich wrote. “But they still went ahead and published it anyway, as if the death of two Jews due to an Israel-hating jihadist doesn’t change the context of an interview with someone who became famous for calling for death for Israelis.”
After the interview aired on Spotify last Friday, British Airways issued a statement to announce it had dropped its sponsorship of Theroux’s show.
“Our sponsorship of the series has now been paused and the advert has been removed,” the airline wrote in a statement shared with the British outlet Jewish News. “We’re grateful that this was brought to our attention, as the content clearly breaches our sponsorship policy in relation to politically sensitive or controversial subject matters.”
The episode follows the release, in April, of a documentary by Theroux titled “The Settlers” that served a searing portrayal of the far-right Israeli settler movement in the West Bank.
The post British Airways breaks ties with Louis Theroux after interview with ‘Death to the IDF’ artist Bob Vylan appeared first on The Forward.
