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How Jewish comedy found religion, from Philip Roth to ‘Broad City’
(JTA) — In the 2020 comedy “Shiva Baby,” a 20-something young woman shows up at a house of Jewish mourners and gently offers her condolences. When she finds her mother in the kitchen, they chat about the funeral and the rugelach before the daughter asks, “Mom, who died?”
While “Shiva Baby” explores themes of sexuality and gender, the comedy almost never comes at the expense of Jewish tradition, which is treated seriously by its millennial writer and director Emma Seligman (born in 1995) even as the shiva-goers collide. It’s far cry from the acerbic way an author raised during the Depression like Philip Roth lampooned a Jewish wedding or a baby boomer like Jerry Seinfeld mocked a bris.
These generational differences are explored in Jenny Caplan’s new book, “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials.” A religion scholar, Caplan writes about the way North American Jewish comedy has evolved since World War II, with a focus on how humorists treat Judaism as a religion. Her subjects range from writers and filmmakers who came of age shortly after the war (who viewed Judaism as “a joke at best and an actual danger at worst”) to Generation X and millennials, whose Jewish comedy often recognizes “the power of community, the value of family tradition, and the way that religion can serve as a port in an emotional storm.”
“I see great value in zeroing in on the ways in which Jewish humorists have engaged Jewish practices and their own Jewishness,” Caplan writes. “It tells us something (or perhaps it tells us many somethings) about the relationship between Jews and humor that goes deeper than the mere coincidence that a certain humorist was born into a certain family.”
Caplan is the chair in Judaic Studies at the University of Cincinnati. She has a master’s of theological studies degree from Harvard Divinity School and earned a Ph.D. in religion from Syracuse University.
In a conversation last week, we spoke about the Jewishness of Jerry Seinfeld, efforts by young women comics to reclaim the “Jewish American Princess” label, and why she no longer shows Woody Allen movies in her classrooms.
Our conversation was edited for length and clarity
[Note: For the purpose of her book and our conversation, this is how Caplan isolates the generations: the Silent Generation (b. 1925-45), the baby boom (1946-65), Generation X (1966-79) and millennials (1980–95).]
Jewish Telegraphic Agency: Let me ask how you got into this topic.
Jenny Caplan: I grew up in a family where I was just sort of surrounded by this kind of material. My dad is a comedic actor and director who went to [Ringling Bros. and Barnum & Bailey’s] Clown College. My degrees were more broadly in American religion, not Jewish studies, but I was really interested in the combination of American religion and popular culture. When I got to Syracuse and it came time to start thinking about my larger project and what I wanted to do, I proposed a dissertation on Jewish humor.
The key to your book is how Jewish humor reflects the Jewish identity and compulsions of four sequential generations. Let’s start with the Silent Generation, which is sandwiched between the generation whose men were old enough to fight in World War II and the baby boomers who were born just after the war.
The hallmark of the Silent Generation is that they were old enough to be aware of the war, but they were mostly too young to serve. Every time I told people what I was writing about, they would say Woody Allen or Philip Roth, two people of roughly the same generation.
In “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials,” Jenny Caplan explores how comics treated religion from the end of World War II to the 21st century. (Courtesy)
The Roth story you focus on is “Eli, the Fanatic” from 1959, about an assimilated Jewish suburb that is embarrassed and sort of freaks out when an Orthodox yeshiva, led by a Holocaust survivor, sets up in town.
Roth spent the first 20 to 30 years of his career dodging the claim of being a self-loathing Jew and bad for the Jews. But the actual social critique of “Eli, the Fanatic” is so sharp. It is about how American Jewish comfort comes at the expense of displaced persons from World War II and at the expense of those for whom Judaism is a real thriving, living religious practice.
That’s an example you offer when you write that the Silent Generation “may have found organized religion to be a dangerous force, but they nevertheless wanted to protect and preserve the Jewish people.” I think that would surprise people in regards to Roth, and maybe to some degree Woody Allen.
Yeah, it surprised me. They really did, I think, share that postwar Jewish sense of insecurity about ongoing Jewish continuity, and that there’s still an existential threat to the ongoing existence of Jews.
I hear that and I think of Woody Allen’s characters, atheists who are often on the lookout for antisemitism. But you don’t focus on Allen as the intellectual nebbish of the movies. You look at his satire of Jewish texts, like his very funny “Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar” from 1970, which appeared in The New Yorker. It’s a parody of Martin Buber’s “Tales of the Hasidim” and sentimental depictions of the shtetl, perhaps like “Fiddler on the Roof.” A reader might think he’s just mocking the tradition, but you think there’s something else going on.
He’s not mocking the tradition as much as he’s mocking a sort of consumerist approach to the tradition. There was this sort of very superficial attachment to Buber’s “Tales of the Hasidim.” Allen’s satire is not a critique of the traditions of Judaism, it’s a critique of the way that people latch onto things like the Kabbalah and these new English translations of Hasidic stories without any real depth of thought or intellect. Intellectual hypocrisy seems to be a common theme in his movies and in his writing. It’s really a critique of organized religion, and it’s a critique of institutions, and it’s a critique of the power of institutions. But it’s not a critique of the concept of religion.
The idea of making fun of the wise men and their gullible followers reminds me of the folk tales of Chelm, which feature rabbis and other Jewish leaders who use Jewish logic to come to illogical conclusions.
Yes.
You write that the baby boomers are sort of a transition between the Silent Generation and a later generation: They were the teenagers of the counterculture, and warned about the dangers of empty religion, but also came to consider religion and tradition as valuable. But before you get there, you have a 1977 “Saturday Night Live” skit in which a bris is performed in the back seat of a luxury car, and the rabbi who performs it is portrayed as what you call an absolute sellout.
Exactly. You know: Institutional religion is empty and it’s hollow, it’s dangerous and it’s seductive.
Jerry Seinfeld, born in 1954, is seen as an icon of Jewish humor, but to me is an example of someone who never depicts religion as a positive thing. (Not that there’s anything wrong with that.)
“Seinfeld” is more a show about New York than it is necessarily a show about anything Jewish. The New York of Seinfeld is very similar to the New York of Woody Allen, peopled almost entirely by white, middle-class, attractive folks. It’s a sort of Upper West Side myopia.
But there’s the bris episode, aired in 1993, and written by Larry Charles. Unless you are really interested in the medium, you may not know much about Larry Charles, because he stays behind the camera. But he also goes on to do things like direct Bill Maher’s anti-religion documentary “Religulous,” and there’s a real strong case for him as having very negative feelings about organized religion which feels like a holdover from the Silent Generation. And so in that episode you have Kramer as the Larry Charles stand-in, just opining about the barbaric nature of the circumcision and trying to save this poor baby from being mutilated.
The few references to actual Judaism in “Seinfeld” are squirmy. I am thinking of the 1995 episode in which a buffoon of a rabbi blurts out Elaine’s secrets on a TV show. That was written by Larry David, another boomer, whose follow-up series, “Curb Your Enthusiasm,” is similarly known for its irreverence toward Judaism. But you say David can also surprise you with a kind of empathy for religion.
For the most part, he’s classic, old school, anti-organized religion. There’s the Palestinian Chicken episode where the Jews are rabidly protesting the existence of a Palestinian-run chicken restaurant near a Jewish deli, and where his friend Funkhouser won’t play golf on Shabbos until Larry gets permission by bribing the rabbi with the Palestinian chicken. There, rabbis are ridiculous and can be bought and religion is hollow and this is all terrible.
But then there’s this bat mitzvah montage where for one moment in the entire run of this show, Larry seems happy and in a healthy relationship and fulfilled and enjoying life.
That’s where he falls in love with Loretta Black during a bat mitzvah and imagines a happy future with her.
It’s so startling: It is the most human we ever see Larry over the run of the show, and I believe that was the season finale for the 2007 season. It was much more in line with what we’ve been seeing from a lot of younger comedians at that point, which was religion as an anchor in a good way — not to pull you down but to keep you grounded.
So for Generation X, as you write, Judaism serves “real, emotional, or psychological purpose for the practitioners.”
I wouldn’t actually call it respect but religion is an idea that’s not just something to be mocked and relegated to the dustbin. I’m not saying that Generation X is necessarily more religious, but they see real power and value in tradition and in certain kinds of family experiences. So, a huge amount of the humor can still come at the expense of your Jewish mother or your Jewish grandmother, but the family can also be the thing that is keeping you grounded, and frequently through some sort of religious ritual.
Who exemplifies that?
My favorite example is the 2009 Jonathan Tropper novel, “This Is Where I Leave You.” I’m so disappointed that the film adaptation of that sucked a lot of the Jewish identity out of the story, so let’s stick with the novel. In that book, where a family gathers for their father’s shiva, the characters are horrible people in a dysfunctional family writ large. They lie to each other. They backstab each other. But in scene where the protagonist Judd describes standing up on the bimah [in synagogue] to say Kaddish [the Mourner’s Prayer] after the death of his father, and the way he talks about this emotional catharsis that comes from saying the words and hearing the congregation say the words — it’s a startling moment of clarity in a book where these characters are otherwise just truly reprehensible.
Adam Sandler was born in 1966, the first year of Generation X, and his “Chanukah Song” seems like such a touchstone for his generation and the ones that follow. It’s not about religious Judaism, but in listing Jewish celebrities, it’s a statement of ethnic pride that Roth or Woody Allen couldn’t imagine.
It’s the reclamation of Jewish identity as something great and cool and fun and hip and wonderful and absolutely not to be ashamed of.
From left, Ilana Glazer, Abbi Jacobson and Seth Green in an episode of “Broad City” parodying Birthright Israel. (Screenshot from Comedy Central)
Which brings us to “Broad City,” which aired between 2014 and 2019. It’s about two 20-something Jewish women in New York who, in the case of Ilana Glazer’s character, anyway, are almost giddy about being Jewish and embrace it just as they embrace their sexuality: as just liberating. Ilana even upends the Jewish mother cliche by loving her mother to death.
That’s the episode with Ilana at her grandmother’s shiva, which also has the B plot where Ilana and her mother are shopping for underground illegal handbags. They spend most of the episode snarking at each other and fighting with each other and her mother’s a nag and Ilana is a bumbling idiot. But at the moment that the cops show up, and try to nab them for having all of these illegal knockoff handbags, the two of them are a team. They are an absolute unit of destructive force against these hapless police officers.
I think all of your examples of younger comics are women, who have always had fraught relationships with Jewish humor, both as practitioners and as the target of jokes. You write about “The JAP Battle” rap from “Crazy Ex-Girlfriend,” which both leans into the stereotype of the Jewish-American Princess — spoiled, acquisitive, “hard as nails” — and tries to reclaim it without the misogyny.
Rachel Bloom’s character Rebecca in “Girlfriend” self-identifies as a JAP, but she doesn’t actually fit the category. It’s her mother, Naomi, who truly is the Philip Roth, “Marjorie Morningstar,” Herman Wouk model of a JAP. So Bloom is kind of using the term, but you can’t repurpose the term when the original is still there.
So as an alternative, I offer up a new term: the Modern Ashkenazi American Woman. It’s very New York, it’s very East Coast, it’s very particular to a type of upbringing and community that in the 1950s and ’60s would have been almost exclusively Conservative Jews, and then may have become a bit more Reform as we’ve gotten into the ’90s and 2000s. They went to the JCC. They probably went to Jewish summer camp.
But even that doesn’t even really speak to the American sense of what Jewish is anymore, because American Jews have become increasingly racially and culturally diverse.
There is also something that’s happening historically with Generation X, and that’s the distance from the two major Jewish events of the 20th century, which is the Holocaust and the creation of Israel.
The Silent Generation and baby boomers still had a lingering sense of existential dread — the sense that we’re not so far removed from an attempted total annihilation of Jews. Gen X and millennials are so far removed from the Holocaust that they don’t feel that same fear.
But the real battleground we’re seeing in contemporary American Judaism is about the relationship to Israel. For baby boomers and even for some older members of Gen X, there’s still a sense that you can criticize Israel, but at the end of the day, it’s your duty to ultimately support Israel’s right to exist. And I think millennials and Zoomers [Gen Z] are much more comfortable with the idea of Israel being illegitimate.
Have you seen that in comedy?
I certainly think you can see the leading edge of that in some millennial stuff. The “Jews on a Plane” episode of “Broad City” is an absolute excoriation of Birthright Israel, and does not seem particularly interested in softening its punches about the whole idea of Jews going to Israel. I think we can see a trend in that direction, where younger American Jewish comedians do not see that as punching down.
You’re teaching a class on Jewish humor. What do your undergraduates find funny? Now that Woody Allen is better known for having married his adoptive daughter and for the molestation allegations brought by another adoptive daughter, do they look at his classic films and ask, “Why are you teaching us this guy?”
For the first time I’m not including Woody Allen. I had shown “Crimes and Misdemeanors” for years because I think it’s his most theological film. I think it’s a great film. And then a couple years ago, I backed off, because some students were responding that it was hard to look at him with all the baggage. He’s still coming up in conversation because you can’t really talk about the people who came after him without talking about him, but for the first time I’m not having them actually watch or read any of his stuff.
They have found things funny that I didn’t expect them to, and they have not found things funny that I would have thought they would. They laughed their way through “Yidl mitn fidl,” the 1936 Yiddish musical starring Molly Picon. I also thought they’d enjoy the Marx Brothers’ “Duck Soup” and they did not laugh once. Some of that is the fact that Groucho’s delivery is just so fast.
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Jared Kushner presents plan for ‘New Gaza’ at Davos as Trump launches Board of Peace with Israel absent
(JTA) — Jared Kushner presented a phased vision for the future of Gaza at the World Economic Forum in Davos, Switzerland, on Thursday, saying that there was “no plan B” when it comes to reconstructing the territory battered during the two-year war between Israel and Hamas.
Kusher, President Donald Trump’s son-in-law and advisor, was crucial to negotiating the ceasefire that ended active fighting in the war in October.
The 20-point vision he presented in Davos reflects elements of that ceasefire deal, which has been only partially implemented. It calls for starting at the enclave’s southern border by reopening the Rafah crossing and moving steadily northward until the entire Palestinian territory has been rebuilt, to include a seaport, airport and tourism infrastructure. The end result, according to a slide he presented, would be “peace & prosperity.”
Kushner said the most important step is to disarm Hamas, which still controls a portion of Gaza. Emphasized that reconstruction will take place only in portions of Gaza where Hamas is demilitarized, he said some Hamas members who agree to lay down their arms will be given amnesty and could become part of a new security apparatus in Gaza.
Kushner suggested that he understood that his vision, which would take many years and at least $25 billion to implement, could encounter obstacles. But the White House had decided to “plan for catastrophic success,” he said.
Kushner’s presentation came as Trump held a “signing ceremony” for his new “Board of Peace,” an entity devised initially to oversee Gaza but whose mandate Trump has indicated could include other world conflicts. (Its charter does not mention Gaza specifically.) Of the 60 countries that the United States invited to join, representatives from about 20 attended the ceremony, including Hungary’s Viktor Orban, Argentina’s Javier Milei and officials from Qatar and Saudi Arabia.
Orban was the only European leader present; other European countries have turned down the invitation to join the board or expressed concerns about its composition — potentially to include Russia — and potential to undercut other international bodies, about which Trump has expressed disdain.
Israel also did not have a representative at the ceremony. Prime Minister Benjamin Netanyahu said on Wednesday that Israel would join despite misgivings about the presence of Turkey and Qatar, which have backed Hamas, on the board. Netanyahu is not in Davos (Switzerland is party to the International Criminal Court, which has issued a warrant for his arrest) but Israeli President Isaac Herzog, who is present, did not attend.
The Egyptian official at the ceremony announced that the crossing at Rafah, which has been closed since Hamas attacked Israel on Oct. 7, 2023, would reopen in both directions next week. Israel has said it would not open the crossing until the final Israeli hostage in Gaza, Ran Gvili, is returned, which Hamas agreed to do as part of the ceasefire.
Kushner urged those who have expressed skepticism about the board to hold their criticism. “Just calm down for 30 days,” he said. “The war is over. Let’s work together.”
The post Jared Kushner presents plan for ‘New Gaza’ at Davos as Trump launches Board of Peace with Israel absent appeared first on The Forward.
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Andrew Tate insists he wasn’t really singing Ye’s ‘Heil Hitler.’ Others who were with him are doubling down.
(JTA) — A group of far-right influencers caught on tape singing along to the Ye song “Heil Hitler” has been split on how to respond to the allegations of antisemitism that have followed.
“Manosphere” brothers Andrew and Tristan Tate have distanced themselves from the footage, though not from the influencer who was filmed performing a Nazi salute.
Others have doubled down or flouted the criticism. Myron Gaines, who did the salute, posted a video in which he was dressed as an Orthodox Jewish man, wearing a tallit, fake beard and black hat, and dancing to a song with the lyrics, “Oy vey, the goyim know, time to shut down the entire show.”
The split responses come days after a video of the influencers alongside Sneako, Clavicular, Justin Waller and the avowed antisemite Nick Fuentes ignited controversy and recriminations in Miami. The group was on camera during an hourslong live stream that included multiple plays of Ye’s song — once during a drive to a Miami nightclub, and again inside the club.
In a podcast appearance on Tuesday, Andrew Tate absolved himself of blame, pointing out that he was not dancing or repeating any of the song’s lyrics, which include the phrase “Heil Hitler” repeated numerous times.
“I didn’t want to go to the club, I said I don’t want to go, I said this is bulls–t, they said it’s Nick [Fuentes’] first-ever time, and I truthfully believed I could get in and out of this dump in 15 minutes,” Tate said on the Patrick Bet-David Podcast on Tuesday. Bet-David, a prominent conservative media personality, has hosted figures like Donald Trump and Israeli Prime Minister Benjamin Netanyahu on his podcast.
“I’m sorry to anybody who was offended,” Tate added. About the allegations of antisemitism dogging him, he added, “If I had played the song myself, and danced around to it, sure. [But] I was in a car.”
Tate’s brother, Tristan, wrote on X that neither brother was involved in playing the song.
“Everybody on the bus saw @sneako take the phone from Justin wallers hand, turn off the country music and put on HH,” Tate wrote. “I normally wouldn’t ‘tell’ on him but it was LIVE streamed to 50,000 people in HD.”
The stream showed Waller handing off the phone to Sneako so he could add a song to the queue.
“I think you know what to play,” Gaines, smiling, said repeatedly.
Gaines, Sneako, Fuentes and Clavicular all sang along to the song, while Tristan Tate bobbed to the rhythm and Andrew was out of frame. Gaines, whose real name is Amrou Fudl and is Sudanese-American, did the Nazi salute multiple times.
“Jews mad! Jews mad!” he said.
The incident came amid rising concern on the right about antisemitic rhetoric and figures such as Fuentes, who has become more prominent since his interview with Tucker Carlson last year. The Tate brothers, meanwhile, have added considerable antisemitism and intensely anti-Israel content to their streaming content in the last few years; Mother Jones reported in 2024 that the Tates’ criticisms of Israel segued into “antisemitic claims clearly rooted in the blood libel.”
Andrew Tate acknowledged a rise in antisemitism online on Tuesday, which he said “must be scary” for Jews to encounter. He distanced himself from the Miami episode, saying that he had no say in the music being played — but he also denied that antisemitism was to blame for his fellow influencers’ actions.
“I don’t think that any of them are deeply antisemitic genuinely, and I don’t think that any of them really thought it through,” Tate said. “Honestly, I think they’re just kids. I think they’re just kids, it gets a reaction, they think they’re funny, they’re on the internet, they need a reaction, they want likes, and they did some f—ing dumb s—t.”
Adam Sosnick, a Jewish internet personality who is Bet-David’s co-host, pushed back against Tate’s framing, pointing out that Myron Gaines is nearly 40 years old. Tate’s comment mirrored J.D. Vance’s response to Hitler jokes and racist and homophobic slurs used in a Young Republican group chat; Vance had said the officials, who were reportedly between the ages of 24 and 34, were just “kids” doing “stupid things.”
“This,” Sosnick said, imitating the Nazi salute which Gaines did during the stream, “that ain’t no kid stuff.”
Tate replied that Gaines is a “great friend” of his, and that he has “a whole bunch of friends who do a whole bunch of s—t that perhaps I would not do myself, or I may not 100% agree with.”
Like Gaines, Braden Peters, who is known as Clavicular and sang along enthusiastically to the Ye song, doubled down over the weekend.
“I am not sorry. I don’t apologize for what I did,” he said. “I would do it again today.”
He added, “I would rather have free speech and the ability to make jokes and do content, a thousand times over, rather than being a little b—h who has to censor himself and do all that s—t.”
Sneako, whose real name is Nicolas Kenn De Balinthazy, posted a video criticizing the Tate brothers for shifting blame to him, and denied that he was the one who played the song.
A sharp Israel critic, Sneako also criticized Tate for joining the PBD Podcast, which had previously hosted Netanyahu.
Fuentes, on the other hand, defended the Tate brothers on Tuesday, who he said are in a more delicate position because they are “quite literally under the gun in a few jurisdictions.”
Prosecutors have accused the Tate brothers of trafficking more than 30 women in Romania, where they’d been banned from leaving from 2022 until the ban was lifted in 2025, which was widely seen as reflecting the influence of the new Trump administration. They’re also facing criminal charges of rape and human trafficking in the United Kingdom, and have been under investigation by U.S. Homeland Security anti-trafficking agents since 2023, according to the New York Times.
“I do understand, not everybody is in the same place in their career,” Fuentes said. “He may not have the same license to say controversial things as everybody else.”
The post Andrew Tate insists he wasn’t really singing Ye’s ‘Heil Hitler.’ Others who were with him are doubling down. appeared first on The Forward.
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Invoking Torah, Minnesota Jews mobilize against ICE operations
(JTA) — The Hebrews’ flight from Egypt is on a lot of Jewish minds right now, as the annual cycle of Torah readings has reached the Book of Exodus.
But for many Jewish leaders in Minnesota, the ancient story has particular resonance.
With Immigration and Customs Enforcement agents descending on the Twin Cities in search of undocumented immigrants and stirring chaos and pushback, the story of Exodus — about a king who tries to thwart the growing number of “foreigners” in his midst, and the leader who seeks to protect them — is inspiring widespread anti-ICE actions.
“As we’re currently reading in the Torah, Moses confronts Pharoah knowing it won’t be easy, and feeling his own doubts about such an act,” Rabbi Aaron Weininger, who leads the Conservative Adath Jeshurun Congregation in the suburb of Minnetonka, told the Jewish Telegraphic Agency. “And in doing so, the Israelites enslaved in Egypt are able to get unstuck. They’re able to taste freedom.”
Inspired by such teachings, and frequently invoked Jewish injunctions like “welcoming the stranger,” Jewish groups are signing on to open letters, and synagogues are actively involved in pro‑immigrant actions and advocacy. The Jewish presence at an interfaith anti-ICE rally this week is expected to be substantial.
“Our community members and staff live and work in every corner of society. There are too many stories of lives upended by what the government itself refers to as the ICE surge,” reads an open letter, issued Monday, spearheaded by the Jewish federation and signed by around two dozen Jewish groups.
Jewish groups “are deeply concerned by the current volatile situation throughout the Twin Cities and Minnesota,” according to the letter. Its signatories as of press time include 13 area congregations, ranging from Reform to Modern Orthodox; two Jewish day schools; Minnesota Hillel; the Minnesota JCC; the progressive group Jewish Community Action, and Jewish Family and Children’s Service of Minnesota.
ICE’s presence — which includes masked, heavily armed officers conducting aggressive traffic stops, neighborhood raids and street patrols — has led to a lack of caregivers tending to local Jewish seniors, according to the letter.
It follows an earlier open letter from 49 Minnesota Jewish clergy, distributed on Friday, that describes “grief” and “horror” over ICE “wreaking havoc across our state.”
Quoting Deuteronomy — “Love the stranger, for you were strangers in the land of Egypt” — the rabbis and cantors spotlight the “tragic death” of driver Renee Good at the hands of an ICE officer Jan. 7 and include a prayer to “spread a canopy of peace and protection over all those wrongfully targeted by ICE at this moment.”
Both of those letters precipitated what is turning into a larger institutional Jewish pushback to ICE. On Wednesday, leaders of the Reform, Conservative and Reconstructionist movements issued a joint statement to “condemn, in the strongest terms, the violence with which the Department of Homeland Security is enforcing American immigration law — above all, in Minneapolis, Minnesota, as well as in cities and towns across the nation.”
“Our sages taught that the Book of Deuteronomy’s directive, ‘Justice, justice shall you pursue’ (16:20), implies that the law must be enforced through a fair process, and that one should pursue justice whether it would be to one’s advantage or to one’s loss,” the statement reads, with the Jewish leaders further calling on the Justice Department to investigate Good’s death.
Rabbi Jill Avrin, campus lead at the Jewish Community Relations Council of Minnesota and the Dakotas, said it was “unprecedented” for such a wide variety of local Jewish groups to sign onto such messages.
“We have a really diverse Jewish community here, and we felt that this is a moment that is impacting all of us,” Avrin, who helped draft the letters, told JTA.
The multiple open letters are trying to appeal to shared spiritual values as the standoffs between protesters and ICE agents become increasingly fraught. A number of prominent figures — most recently Bruce Springsteen — have compared ICE’s tactics to the Gestapo; at the same time, an anti-ICE protest that disrupted a church service over the weekend has prompted concern and controversy across the interfaith community and led at least one Republican to compare the protesters to Hamas.
Local Jewish leaders say they are not dissuaded from what they view as a Jewish imperative to respond.
“Judaism isn’t about skipping the hard parts,” Weininger said. “It’s about noticing the struggles for centuries that have led us to this point: slavery, persecution, destruction, exile, coming home.”
Rabbis have been active in local mobilizing against ICE. They attended a community vigil for Good; Weininger discussed the issue during his Shabbat sermon. He also helped draft the rabbinical open letter, and this week is one of around 80 to 90 rabbis — many others from out of town — planning to attend an interfaith march in Minneapolis with more than 600 clergy present. Around 50 of the rabbis expected to attend are part of T’ruah, a Jewish social justice network, which mobilized after local clergy put out the request.
“What’s scary is that lawful actions are being targeted,” Weininger said about the situation on the ground. “We’re talking about protest and prayer and taking action in community, and even those modes of engagement are under attack.”
Recalling how Minneapolis Jews similarly mobilized in 2020 to protest George Floyd’s murder by Minneapolis police, the rabbi described “a real sense of civil society here, and I think that is true of the Jewish clergy community in how people care for one another.”
Rabbis also spoke out at a Tuesday interfaith press conference denouncing ICE and outlining plans for this week’s march. “As people of faith, as leaders of faith communities, we are called to say, ‘Enough. Not on our watch,’” Rabbi Tamar Magill-Grimm, who leads the Conservative Beth Jacob Congregation in Mendota Heights, said while standing next to a local imam.
Some Jewish groups across the country have raised concern about ICE’s activities for months, with some synagogues posting signs identifying themselves as houses of worship that agents do not have authority to enter. Rabbis affiliated with T’ruah have participated in “ICE watch” actions in other cities.
But Minnesota’s Jews have now witnessed firsthand the effects of a sustained, targeted ICE presence on their community. Local synagogues have hosted “upstander” training seminars for congregants to learn how to react in the face of an ICE encounter. For many congregants, the experience has pushed them to action — but it’s also invoked an eerie sensation, bringing echoes of a dangerous past.
“As a Jewish parent in Minneapolis, history feels too close right now,” one Twin Cities resident told Daci Platt, a fellow Minnesotan who works at Kveller, a JTA sister publication. “The sense of safety we usually rely on feels shakier than it ever has.”
Jewish community organizations are particularly concerned about the threat the ICE raids, which have focused primarily on non-white Twin Cities residents, pose to a caregiving workforce largely composed of immigrants.
“Jewish seniors are not having their basic needs met because their caregivers are too afraid to come to work,” says the letter spearheaded by the federation.
Amy Weiss, CEO of Jewish Family and Children’s Service of Minnesota, told JTA that ICE has also affected her organization’s ability to serve its nonsectarian clients more generally. Much of their own staff are from immigrant communities, and Weiss worries about drawing attention to them by sending them out into the field to help clients.
“People are afraid to go to work. They’re afraid to leave their homes,” Weiss said. “I don’t see this as political. When you look at our mission, to support people in need, then this is very basic. These are the very basic needs of the community.”
The open letter also notes that there are Jews “who are immigrants themselves, have family members who are immigrants, or could be reasonably perceived to be immigrants. Many of these people are scared to leave their homes out of fear of being arrested and deported.”
The federation-backed letter is careful not to deride all law enforcement. It states, “We affirm our commitment to the rule of law, the lawful implementation of statutes, and the thousands of law enforcement officers charged with keeping us safe, whose efforts we deeply appreciate.”
Avrin, too, praised local law enforcement, whom she called “amazing” and “not the same thing as the ICE agents who are here on the ground.” She also noted that not all of the Jewish communal leaders shared the specific goals of this week’s march, which other Jewish leaders helped plan. The march’s demands include “ICE must leave Minnesota immediately” and “ICE should be investigated for human and Constitutional violations of Americans and our neighbors.”
“This moment is a moment that calls for coalition,” she said. “We are acknowledging and naming that we might be showing up with people whom we don’t actually agree with their broader platform.”
That discomfort has also arisen in some of the language of the opposition. As ICE protests in Minnesota attract growing national attention, comparisons to Nazis and the Gestapo have also grown. Avrin said the JCRC discourages such rhetoric
During a concert in New Jersey last weekend, Springsteen decried “heavily armed, masked federal troops invading an American city and using Gestapo tactics against our fellow citizens.” He then repeated a catchphrase popularized by Jacob Frey, Minneapolis’s Jewish mayor: “ICE should get the f–k out of Minneapolis.” (On Tuesday, Frey, along with other state officials, was subpoenaed by the Justice Department for alleged obstruction of immigration agents. Some of his critics have called attention to his Jewish identity.)
The faith-based protests suffered a distraction when anti-ICE protesters disrupted a St. Paul church service. The protesters, including Black Lives Matter Minnesota, claimed that one of its pastors also works as a local ICE field office leader. The Trump administration has announced an investigation into the protest, which officials said could amount to a violation of a federal law permitting free access to any worship site.
Following the protest, Cities Church in Minnesota issued a statement saying the protesters “accosted members of our congregation, frightened children, and created a scene marked by intimidation and threat. Such conduct is shameful, unlawful, and will not be tolerated.”
The statement added, “Invading a church service to disrupt the worship of Jesus — or any other act of worship — is protected by neither the Christian Scriptures nor the laws of this nation.” A founding pastor of the church has ties to Pete Hegseth, Trump’s defense secretary.
One Republican, Rep. Will Self of Texas, said the protesters — who had livestreamed themselves from inside the church — reminded him of Hamas livestreaming on Oct. 7.
“When you livestream something, you want it to cause terror in the population,” Self told the far-right TV network Newsmax. “So when they livestreamed it, I compare them to Hamas, who livestreamed the attack in Israel that killed thousands of people.”
American Jewish leaders, for whom the freedom of worship in America has long been a key policy plank, say they disagree such a protest in a house of worship. Rabbi Jill Jacobs, who heads T’ruah, told JTA her organization “would not organize a protest of a church.”
The local JCRC also criticized the church protest, which comes in the aftermath of recent pro-Hamas synagogue protests in New York that were widely condemned by Jewish and progressive leaders alike.
“That is something we are absolutely opposed to. We would never encourage people to disrupt a worship service. That is not aligned with our values in any way,” Avrin said. “In my opinion it doesn’t reflect the broader efforts that are happening on the ground. That’s going to happen any time you have a large movement.”
Jews in that movement are focusing on injunctions drawn from the Bible. Speaking at New Birth, a historically Black Baptist church in Georgia with links to the family of Martin Luther King Jr., Georgia Democrat Sen. Jon Ossoff, who is Jewish, gave a biblically inflected anti-ICE message.
“How can it be that masked federal agents set up checkpoints in American cities, demand papers, rip Americans from their cars, and throw them to the ground? Kill? Kill? With apparent license from the very top,” Ossoff told the congregation. “There’s a wickedness to the program. I don’t know, Pastor, where it is in scripture that it says ‘deny care to the sick, take from those with the least to give to those with the most, violate the house of worship to hunt down the refugee.’ Where in the scripture are those lessons taught?”
Ossoff, who is defending his seat in a tight reelection campaign, added that he and the church’s pastor had been “texting” about the Exodus journey of Moses, and how he used his staff to rally the Israelites.
In the face of the groundswell in Minnesota, President Donald Trump again forcefully rebuked the protesters and defended ICE.
“They’re apprehending murderers and drug dealers and a lot of bad people,” the president said of the agents during a press conference to mark one year of his second term.
Holding up images he said were of immigrant criminals apprehended by ICE, including one who he claimed was connected to Hezbollah, Trump asked the White House press pool, “Why don’t you talk about that more?… Do you want to live with these people?”
The president also referenced the church protest. “I have such respect for that pastor. He was so calm. He was so nice. He was just accosted,” Trump said of the clergyman whose sermon was interrupted. (He was not the pastor the protesters were targeting.) “What they did in that church was horrible.”
Trump, too, has been a mobilizing force for Jews in Minnesota. Following the president’s derogatory comments last month about the Somali population in the state — which Trump said justified the ICE raids — many local Jewish leaders had held coalition meetings with interfaith partners.
For some in the room at the time, Avrin recalled, it was the first time they had come face-to-face with these partners since Hamas’ Oct. 7, 2023 attack on Israel and the start of the war in Gaza, which frayed many Jewish-liberal coalitions when other communal groups denounced Israel and “Zionists.”
Such partners had “stopped speaking to us, basically,” she said.
But for the Jewish leaders in the room, the Talmudic imperative to love the stranger overcame lingering uncertainty about reconfiguring these coalitions: “We can’t walk away from that just because we’ve been hurt,” she said.
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