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How Jewish comedy found religion, from Philip Roth to ‘Broad City’
(JTA) — In the 2020 comedy “Shiva Baby,” a 20-something young woman shows up at a house of Jewish mourners and gently offers her condolences. When she finds her mother in the kitchen, they chat about the funeral and the rugelach before the daughter asks, “Mom, who died?”
While “Shiva Baby” explores themes of sexuality and gender, the comedy almost never comes at the expense of Jewish tradition, which is treated seriously by its millennial writer and director Emma Seligman (born in 1995) even as the shiva-goers collide. It’s far cry from the acerbic way an author raised during the Depression like Philip Roth lampooned a Jewish wedding or a baby boomer like Jerry Seinfeld mocked a bris.
These generational differences are explored in Jenny Caplan’s new book, “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials.” A religion scholar, Caplan writes about the way North American Jewish comedy has evolved since World War II, with a focus on how humorists treat Judaism as a religion. Her subjects range from writers and filmmakers who came of age shortly after the war (who viewed Judaism as “a joke at best and an actual danger at worst”) to Generation X and millennials, whose Jewish comedy often recognizes “the power of community, the value of family tradition, and the way that religion can serve as a port in an emotional storm.”
“I see great value in zeroing in on the ways in which Jewish humorists have engaged Jewish practices and their own Jewishness,” Caplan writes. “It tells us something (or perhaps it tells us many somethings) about the relationship between Jews and humor that goes deeper than the mere coincidence that a certain humorist was born into a certain family.”
Caplan is the chair in Judaic Studies at the University of Cincinnati. She has a master’s of theological studies degree from Harvard Divinity School and earned a Ph.D. in religion from Syracuse University.
In a conversation last week, we spoke about the Jewishness of Jerry Seinfeld, efforts by young women comics to reclaim the “Jewish American Princess” label, and why she no longer shows Woody Allen movies in her classrooms.
Our conversation was edited for length and clarity
[Note: For the purpose of her book and our conversation, this is how Caplan isolates the generations: the Silent Generation (b. 1925-45), the baby boom (1946-65), Generation X (1966-79) and millennials (1980–95).]
Jewish Telegraphic Agency: Let me ask how you got into this topic.
Jenny Caplan: I grew up in a family where I was just sort of surrounded by this kind of material. My dad is a comedic actor and director who went to [Ringling Bros. and Barnum & Bailey’s] Clown College. My degrees were more broadly in American religion, not Jewish studies, but I was really interested in the combination of American religion and popular culture. When I got to Syracuse and it came time to start thinking about my larger project and what I wanted to do, I proposed a dissertation on Jewish humor.
The key to your book is how Jewish humor reflects the Jewish identity and compulsions of four sequential generations. Let’s start with the Silent Generation, which is sandwiched between the generation whose men were old enough to fight in World War II and the baby boomers who were born just after the war.
The hallmark of the Silent Generation is that they were old enough to be aware of the war, but they were mostly too young to serve. Every time I told people what I was writing about, they would say Woody Allen or Philip Roth, two people of roughly the same generation.
In “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials,” Jenny Caplan explores how comics treated religion from the end of World War II to the 21st century. (Courtesy)
The Roth story you focus on is “Eli, the Fanatic” from 1959, about an assimilated Jewish suburb that is embarrassed and sort of freaks out when an Orthodox yeshiva, led by a Holocaust survivor, sets up in town.
Roth spent the first 20 to 30 years of his career dodging the claim of being a self-loathing Jew and bad for the Jews. But the actual social critique of “Eli, the Fanatic” is so sharp. It is about how American Jewish comfort comes at the expense of displaced persons from World War II and at the expense of those for whom Judaism is a real thriving, living religious practice.
That’s an example you offer when you write that the Silent Generation “may have found organized religion to be a dangerous force, but they nevertheless wanted to protect and preserve the Jewish people.” I think that would surprise people in regards to Roth, and maybe to some degree Woody Allen.
Yeah, it surprised me. They really did, I think, share that postwar Jewish sense of insecurity about ongoing Jewish continuity, and that there’s still an existential threat to the ongoing existence of Jews.
I hear that and I think of Woody Allen’s characters, atheists who are often on the lookout for antisemitism. But you don’t focus on Allen as the intellectual nebbish of the movies. You look at his satire of Jewish texts, like his very funny “Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar” from 1970, which appeared in The New Yorker. It’s a parody of Martin Buber’s “Tales of the Hasidim” and sentimental depictions of the shtetl, perhaps like “Fiddler on the Roof.” A reader might think he’s just mocking the tradition, but you think there’s something else going on.
He’s not mocking the tradition as much as he’s mocking a sort of consumerist approach to the tradition. There was this sort of very superficial attachment to Buber’s “Tales of the Hasidim.” Allen’s satire is not a critique of the traditions of Judaism, it’s a critique of the way that people latch onto things like the Kabbalah and these new English translations of Hasidic stories without any real depth of thought or intellect. Intellectual hypocrisy seems to be a common theme in his movies and in his writing. It’s really a critique of organized religion, and it’s a critique of institutions, and it’s a critique of the power of institutions. But it’s not a critique of the concept of religion.
The idea of making fun of the wise men and their gullible followers reminds me of the folk tales of Chelm, which feature rabbis and other Jewish leaders who use Jewish logic to come to illogical conclusions.
Yes.
You write that the baby boomers are sort of a transition between the Silent Generation and a later generation: They were the teenagers of the counterculture, and warned about the dangers of empty religion, but also came to consider religion and tradition as valuable. But before you get there, you have a 1977 “Saturday Night Live” skit in which a bris is performed in the back seat of a luxury car, and the rabbi who performs it is portrayed as what you call an absolute sellout.
Exactly. You know: Institutional religion is empty and it’s hollow, it’s dangerous and it’s seductive.
Jerry Seinfeld, born in 1954, is seen as an icon of Jewish humor, but to me is an example of someone who never depicts religion as a positive thing. (Not that there’s anything wrong with that.)
“Seinfeld” is more a show about New York than it is necessarily a show about anything Jewish. The New York of Seinfeld is very similar to the New York of Woody Allen, peopled almost entirely by white, middle-class, attractive folks. It’s a sort of Upper West Side myopia.
But there’s the bris episode, aired in 1993, and written by Larry Charles. Unless you are really interested in the medium, you may not know much about Larry Charles, because he stays behind the camera. But he also goes on to do things like direct Bill Maher’s anti-religion documentary “Religulous,” and there’s a real strong case for him as having very negative feelings about organized religion which feels like a holdover from the Silent Generation. And so in that episode you have Kramer as the Larry Charles stand-in, just opining about the barbaric nature of the circumcision and trying to save this poor baby from being mutilated.
The few references to actual Judaism in “Seinfeld” are squirmy. I am thinking of the 1995 episode in which a buffoon of a rabbi blurts out Elaine’s secrets on a TV show. That was written by Larry David, another boomer, whose follow-up series, “Curb Your Enthusiasm,” is similarly known for its irreverence toward Judaism. But you say David can also surprise you with a kind of empathy for religion.
For the most part, he’s classic, old school, anti-organized religion. There’s the Palestinian Chicken episode where the Jews are rabidly protesting the existence of a Palestinian-run chicken restaurant near a Jewish deli, and where his friend Funkhouser won’t play golf on Shabbos until Larry gets permission by bribing the rabbi with the Palestinian chicken. There, rabbis are ridiculous and can be bought and religion is hollow and this is all terrible.
But then there’s this bat mitzvah montage where for one moment in the entire run of this show, Larry seems happy and in a healthy relationship and fulfilled and enjoying life.
That’s where he falls in love with Loretta Black during a bat mitzvah and imagines a happy future with her.
It’s so startling: It is the most human we ever see Larry over the run of the show, and I believe that was the season finale for the 2007 season. It was much more in line with what we’ve been seeing from a lot of younger comedians at that point, which was religion as an anchor in a good way — not to pull you down but to keep you grounded.
So for Generation X, as you write, Judaism serves “real, emotional, or psychological purpose for the practitioners.”
I wouldn’t actually call it respect but religion is an idea that’s not just something to be mocked and relegated to the dustbin. I’m not saying that Generation X is necessarily more religious, but they see real power and value in tradition and in certain kinds of family experiences. So, a huge amount of the humor can still come at the expense of your Jewish mother or your Jewish grandmother, but the family can also be the thing that is keeping you grounded, and frequently through some sort of religious ritual.
Who exemplifies that?
My favorite example is the 2009 Jonathan Tropper novel, “This Is Where I Leave You.” I’m so disappointed that the film adaptation of that sucked a lot of the Jewish identity out of the story, so let’s stick with the novel. In that book, where a family gathers for their father’s shiva, the characters are horrible people in a dysfunctional family writ large. They lie to each other. They backstab each other. But in scene where the protagonist Judd describes standing up on the bimah [in synagogue] to say Kaddish [the Mourner’s Prayer] after the death of his father, and the way he talks about this emotional catharsis that comes from saying the words and hearing the congregation say the words — it’s a startling moment of clarity in a book where these characters are otherwise just truly reprehensible.
Adam Sandler was born in 1966, the first year of Generation X, and his “Chanukah Song” seems like such a touchstone for his generation and the ones that follow. It’s not about religious Judaism, but in listing Jewish celebrities, it’s a statement of ethnic pride that Roth or Woody Allen couldn’t imagine.
It’s the reclamation of Jewish identity as something great and cool and fun and hip and wonderful and absolutely not to be ashamed of.
From left, Ilana Glazer, Abbi Jacobson and Seth Green in an episode of “Broad City” parodying Birthright Israel. (Screenshot from Comedy Central)
Which brings us to “Broad City,” which aired between 2014 and 2019. It’s about two 20-something Jewish women in New York who, in the case of Ilana Glazer’s character, anyway, are almost giddy about being Jewish and embrace it just as they embrace their sexuality: as just liberating. Ilana even upends the Jewish mother cliche by loving her mother to death.
That’s the episode with Ilana at her grandmother’s shiva, which also has the B plot where Ilana and her mother are shopping for underground illegal handbags. They spend most of the episode snarking at each other and fighting with each other and her mother’s a nag and Ilana is a bumbling idiot. But at the moment that the cops show up, and try to nab them for having all of these illegal knockoff handbags, the two of them are a team. They are an absolute unit of destructive force against these hapless police officers.
I think all of your examples of younger comics are women, who have always had fraught relationships with Jewish humor, both as practitioners and as the target of jokes. You write about “The JAP Battle” rap from “Crazy Ex-Girlfriend,” which both leans into the stereotype of the Jewish-American Princess — spoiled, acquisitive, “hard as nails” — and tries to reclaim it without the misogyny.
Rachel Bloom’s character Rebecca in “Girlfriend” self-identifies as a JAP, but she doesn’t actually fit the category. It’s her mother, Naomi, who truly is the Philip Roth, “Marjorie Morningstar,” Herman Wouk model of a JAP. So Bloom is kind of using the term, but you can’t repurpose the term when the original is still there.
So as an alternative, I offer up a new term: the Modern Ashkenazi American Woman. It’s very New York, it’s very East Coast, it’s very particular to a type of upbringing and community that in the 1950s and ’60s would have been almost exclusively Conservative Jews, and then may have become a bit more Reform as we’ve gotten into the ’90s and 2000s. They went to the JCC. They probably went to Jewish summer camp.
But even that doesn’t even really speak to the American sense of what Jewish is anymore, because American Jews have become increasingly racially and culturally diverse.
There is also something that’s happening historically with Generation X, and that’s the distance from the two major Jewish events of the 20th century, which is the Holocaust and the creation of Israel.
The Silent Generation and baby boomers still had a lingering sense of existential dread — the sense that we’re not so far removed from an attempted total annihilation of Jews. Gen X and millennials are so far removed from the Holocaust that they don’t feel that same fear.
But the real battleground we’re seeing in contemporary American Judaism is about the relationship to Israel. For baby boomers and even for some older members of Gen X, there’s still a sense that you can criticize Israel, but at the end of the day, it’s your duty to ultimately support Israel’s right to exist. And I think millennials and Zoomers [Gen Z] are much more comfortable with the idea of Israel being illegitimate.
Have you seen that in comedy?
I certainly think you can see the leading edge of that in some millennial stuff. The “Jews on a Plane” episode of “Broad City” is an absolute excoriation of Birthright Israel, and does not seem particularly interested in softening its punches about the whole idea of Jews going to Israel. I think we can see a trend in that direction, where younger American Jewish comedians do not see that as punching down.
You’re teaching a class on Jewish humor. What do your undergraduates find funny? Now that Woody Allen is better known for having married his adoptive daughter and for the molestation allegations brought by another adoptive daughter, do they look at his classic films and ask, “Why are you teaching us this guy?”
For the first time I’m not including Woody Allen. I had shown “Crimes and Misdemeanors” for years because I think it’s his most theological film. I think it’s a great film. And then a couple years ago, I backed off, because some students were responding that it was hard to look at him with all the baggage. He’s still coming up in conversation because you can’t really talk about the people who came after him without talking about him, but for the first time I’m not having them actually watch or read any of his stuff.
They have found things funny that I didn’t expect them to, and they have not found things funny that I would have thought they would. They laughed their way through “Yidl mitn fidl,” the 1936 Yiddish musical starring Molly Picon. I also thought they’d enjoy the Marx Brothers’ “Duck Soup” and they did not laugh once. Some of that is the fact that Groucho’s delivery is just so fast.
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Muslim Groups Call on US Lawmakers to Condemn Jewish Rep. Randy Fine for ‘Islamophobic Attack’ on Mamdani
Rep. Randy Fine (R-FL) leaves the US Capitol after the last votes of the week on Sept. 4, 2025. Photo: Tom Williams/CQ Roll Call/Sipa USA via Reuters Connect
A coalition of Muslim organizations across New York has called on the state’s congressional delegation to take a public stand against what it described as “rising Islamophobia” in the US Congress, focusing on comments made by Rep. Randy Fine (R-FL) against New York city mayoral candidate Zohran Mamdani.
In a letter sent on Oct. 16 to all 28 members of New York’s congressional delegation, including Senate Majority Leader Chuck Schumer and House Minority Leader Hakeem Jeffries, the groups accused Fine of a “racist and Islamophobic attack” on Mamdani, who currently serves in the New York State Assembly. Fine, a Jewish Republican who represents a district in Florida, referred to Mamdani on X as “little more than a Muslim terrorist” and said he should be “deported to the Ugandan s–thole he came from.”
The letter, signed by organizations such as the Council on American-Islamic Relations (CAIR), Emgage Action NY Metro, and Desis Rising Up and Moving (DRUM), called for Fine’s condemnation, censure, and removal from committee assignments.
In the 2000s, CAIR was named as an unindicted co-conspirator in the Holy Land Foundation terrorism financing case. Politico noted in 2010 that “US District Court Judge Jorge Solis found that the government presented ‘ample evidence to establish the association’” of CAIR with the Palestinian terrorist group Hamas.
The groups urged both political parties to reaffirm that “anti-Muslim, anti-African hate has no place in Congress.”
“This rhetoric is not only Islamophobic and xenophobic but unmistakably anti-Black,” the letter said, arguing that Fine’s comments echoed “colonial language once used to dehumanize African and immigrant communities.”
Mamdani, who has made anti-Israel activism a cornerstone of his political career, has alarmed the Jewish community in New York City by falsely accusing Israel of “genocide” in Gaza, refusing to recognize the right of Israel to exist as a Jewish state, and defending the phrase “globalize the intifada” — which has been widely interpreted as a call for terrorism against Jews and Israelis around the world — before walking back his defense of the controversial slogan. The Democratic mayoral nominee has maintained a comfortable lead in the race, according to recent polling, and is expected to win the general election next month.
The Muslim groups tied Fine’s statements against Mamdani, who was born in Uganda, to what they described as a broader pattern of Islamophobic hate on Capitol Hill. The letter cited comments by several lawmakers, including Rep. Andy Ogles (R-TN), who said, “I think we should kill them … Everybody in Hamas” when asked about the deaths of Palestinian children in Gaza, referring to the terrorist group that has ruled the enclave for nearly two decades. The letter also cited Sen. Tommy Tuberville (R-AL), who recently called to “ban Sharia law” in the US. The organizations compared such proposals to banning Catholic canon law or Jewish Halacha, framing them as a form of religious discrimination. Critics counter that Sharia, or Islamic law, is incompatible with Western values and that Islamist extremists ultimately aim for the system to supersede the US Constitution.
According to the letter, New York’s Muslims make up about roughly 10 percent of the state’s population and are integral to its economy, public services, and schools. “We will not be silenced or scapegoated,” the groups wrote, warning that legislative measures conflating Palestinian advocacy with antisemitism “threaten civil rights and free speech.”
The coalition concluded by appealing to New York lawmakers to “meet this moment with moral clarity,” defending Muslim leaders under attack and rejecting the “weaponization of Islamophobia.”
“For generations,” they wrote, “New York’s congressional delegation has served as a moral compass for the nation. That tradition must continue.”
Since entering Congress, Fine has established himself as an outspoken advocate for Israel and critic of Islam. Earlier this month, Fine posted online that “Fear of Islam is rational. Islamophobia is a lie.” He also wrote that Islam is not “compatible with American values.” He has argued that radical Islam poses an existential threat to the United States and Jewish Americans in particular.
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As Greenpoint’s Jewish community grows, so does this shul’s Hebrew school
Greenpoint, Brooklyn is known for many things: its extensive waterfront, a tight-knit Polish community and a vibrant arts scene.
One thing it’s not known for: a thriving Jewish community. But that’s rapidly changing.
The Greenpoint Shul — North Brooklyn’s only non-Haredi, brick-and-mortar synagogue — is today home to some 100 member families. That’s twice as many members as just 16 months ago, according to Rabbi Isaiah Rothstein, who has led the community since August 2024.
The congregation is looking to future generations, too: This school year, the Orthodox congregation officially added a Hebrew school serving some 30 children in grades kindergarten through 8. The school provides Jewish families an alternative to the only other option in the area, the Hebrew school that’s run by Chabad of North Brooklyn in nearby Williamsburg.
“I know the power and importance of having a youth department and it being a core pillar of building a thriving and growing community,” said Rothstein, who was previously the youth director at Young Israel of Stamford, Connecticut before assuming the helm of the Greenpoint Shul.
The Hebrew school was initially founded in 2019 by Yoni Kretzmer and his wife, artist Avital Burg, who are members of the synagogue and the parents of three children ages 8, 4 and 2. For five years, the school operated independently but borrowed the space inside the synagogue. As of this academic year, the school was officially “adopted” by the shul, which did not have a Hebrew school of its own.
“We saw that there’s nothing happening in North Brooklyn,” Yoni Kretzmer, who moved to Greenpoint from Israel with his wife in 2015, said of the local Jewish education scene. “So that was basically it — we started because we thought it was possible.”
Six years later, Kretzmer is now employed by the Greenpoint Shul, where one benefit he has seen so far is getting to exchange ideas with the rabbinic leadership team. He no longer has to independently collect tuition from parents, and he can provide students with supplies and snacks directly purchased from the synagogue budget.
“The way that we can present it now is as part of a much larger structure,” Kretzmer said. “When people [are] joining, they’re not only feeling that we’re using the shul, but that they’re part of a community center in the fullest meaning of the word.”
He added, “Now I can really be a teacher and the organizer, but I don’t have to be the accountant.”
With a focus on Torah and art, the school opened with about a dozen students — split into two groups, with Kretzmer teaching the older students, and Burg teaching the younger students — and grew via word of mouth. “It was mainly parents who brought other parents,” Kretzmer said. “So the connections were kind of within the neighborhood, of people who knew each other.”
The Greenpoint Shul was founded in 1886 and moved into its location at 108 Noble St. in 1904. (Courtesy Daphne Lasky)
The new school bucks multiple trends. Across the country, supplementary Jewish school enrollment is down by nearly half over the last two decades, a recent study found, and many of those that remain have reduced the number of days they operate. The Greenpoint Shul’s school holds classes on Tuesdays and Thursdays, though different children attend each day.
While enrollment declined early in the pandemic, “once it was deemed safe to return, then it really started growing,” said Kretzmer, who is now the youth director at Greenpoint Shul.
One recent arrival is Andrew Altfest, who moved to nearby Williamsburg in 2014 and enrolled his 5-year-old son, Alden, last year.
“We really like the values that are being taught,” said Altfest, a financial advisor who grew up Reform. “Those values, they range from everything: learning Torah stories, Jewish culture, ethics. And we value the diversity of the families of the kids that are there.”
Like so many parts of Brooklyn, Greenpoint has seen a wave of gentrification and development in recent decades. In Greenpoint, this change was spurred, in part, by a massive rezoning along the neighborhood’s once-derelict waterfront in 2005. While there is no reliable data on the neighborhood’s Jewish population — studies often lump Greenpoint with Williamsburg, which is home to a sizable Hasidic community — locals believe the number of Jews in Greenpoint has grown in recent years.
“Greenpoint is not a famously Jewish neighborhood in New York City,” said Greenpoint Shul president Daphne Lasky. “I think there are other things other than Jewish community that sometimes draw people to Greenpoint: the waterfront location, the scale of the buildings. There’s so much creative energy in the neighborhood. But then you end up with Jewish families who have those interests and they also want to come together around their Jewish life as well.”
As such, other Jewish institutions have grown to meet the needs of the area’s Jewish community. The Neighborhood: An Urban Center for Jewish Life, a Jewish cultural and events hub funded by UJA-Federartion of New York, was founded in 2022 expressly to serve Jews in both central and northern Brooklyn.
“We feel there’s a really significant demand,” said Neighborhood director Rebecca Guber. “Part of it, which is kind of hard to wrap your head around, is that in North Brooklyn, the only Jewish infrastructure is Orthodox and ultra-Orthodox, and that’s just not serving all members of the community.”
For now, at least, The Neighborhood does not have a physical space.
The Greenpoint Shul, meanwhile, has a long history in the neighborhood. Founded at the turn of the last century by German-Jewish immigrants as Congregation Ahavas Israel, the synagogue is in a landmarked Romanesque Revival building at 108 Noble Street whose cornerstone was laid in 1903. Today’s Greenpoint Shul is the result of multiple mergers between two neighboring Reform congregations and one Orthodox synagogue. Its prayer service is Orthodox; women sit upstairs in the balcony while men sit downstairs for prayer services. But the community is multicultural, multiracial and welcoming of all backgrounds, including many members who have recently converted to Judaism. While Orthodox families are likely to send their children to day schools and yeshivas, the Hebrew school is geared toward “children of all ages and backgrounds,” according to its web site.
“The congregation has gone through a lot of changes and growth — and shrinking and growing again — over the last 140 years,” Lasky said. “In particular, in the last 25 years or so, as Greenpoint has had its own renaissance as a neighborhood, there’s been more and more families moving into the neighborhood that need Jewish education for their children and Jewish connection for their children.”
Because of the new, formal relationship between the school and the shul, Rothstein said he’s already seen interest from prospective parents who would like to enroll their kids in the program next year. But the growth of a community isn’t just measured in sheer numbers — Rothstein added that, as a result of the Hebrew school, youth attendance at recent Sukkot and holiday events increased this year.
“We’ve seen, already, crossover, where it’s a pipeline to deeper engagement,” Rothstein said.
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Prominent NYC rabbi urges congregants to vote against Zohran Mamdani in Shabbat sermon
(JTA) — This piece first ran as part of The Countdown, JTA’s daily newsletter rounding up all the developments in the New York City mayor’s race. Sign up here to get it in your inbox. There are 15 days to the election.
🗣 Rabbis speak out
- Two leading New York rabbis are using their pulpits to condemn Zohran Mamdani as he holds onto a commanding lead in the last weeks of the race.
- Rabbi Elliot Cosgrove, who heads the Conservative Park Avenue Synagogue on the Upper East Side, decried the frontrunner in a speech to his congregation on Shabbat. “I believe Zohran Mamdani poses a danger to the security of the New York Jewish community,” he said, citing Mamdani’s views of Israel and Zionism.
- Cosgrove also urged his congregants to convince their Jewish friends and family to vote against Mamdani. He said Jewish New Yorkers should “prioritize their Jewish selves” by voting based on their connection to Israel, rather than local issues such as affordability.
- “As Jews, ahavat Israel — love of Israel — does take precedence over other loves,” said Cosgrove.
- Reform Rabbi Ammiel Hirsch, who leads the Stephen Wise Free Synagogue on the Upper West Side, addressed Mamdani in his own video that was shared with his congregation days earlier.
- Hirsch said Mamdani’s “ideological commitments” against Israel served to “delegitimize the Jewish community and encourage and exacerbate hostility towards Judaism and Jews.” He told Mamdani, “I urge you to reconsider your long-held views of Israel’s right to exist.”
- Hirsch also said, “Most Jews are deeply offended by your ongoing accusations of Israeli genocide.” Four in 10 American Jews said they believed Israel was committing genocide in Gaza, according to a Washington Post poll conducted in early September.
- A Fox News survey last week found that Jews were closely split between Mamdani and Andrew Cuomo, who is polling a distant second in the race.
- Other New York rabbis have been plagued by the question of whether to endorse in this election, since the IRS reversed a decades-long policy that barred endorsements from the pulpit. Hirsch previously told our reporter Grace Gilson that he was alarmed by Mamdani but would not make an endorsement, warning fellow clergy that “it diminishes us if we are perceived as being in a partisan camp.”
📣 Sliwa called on to quit
- Curtis Sliwa faced calls to quit the race during a meeting at Fifth Avenue Synagogue on Sunday, where our reporter Joseph Strauss saw attendees pleading with the Republican nominee who is polling third. The day before, on Shabbat, he visited The Jewish Center, an Orthodox synagogue on the Upper West Side. Later in the day, he headed to Congregation Beth Elohim in Brooklyn, where Mamdani spoke last week.
- The Fifth Avenue Synagogue crowd was not unanimously anti-Sliwa, but they convened with the purpose of stopping Mamdani’s rise. One person accused Sliwa of being a “spoiler.”
- “We all love you, we want you to win,” said synagogue president Jacob Gold, who stood by Sliwa at the podium. “But you’re at 15%, and Cuomo’s at what percent? And Mamdani’s at what percent?” Gold said that he wanted Sliwa to “merge with Cuomo.”
- Cuomo himself urged Sliwa to drop out after the first general election debate on Thursday, during which he fielded barbs from both Sliwa and Mamdani.
- “There is no Curtis as a candidate. There’s Curtis as a spoiler,” Cuomo said to conservative Jewish radio host Sid Rosenberg on Friday. “If Curtis is not in the race, I win. And that’s a choice for Republicans. Do you vote for Curtis so you can say ‘I voted Republican’ and wind up electing Mamdani? Or do you vote for me?”
- Sliwa responded to his detractors, including Jewish billionaire Bill Ackman, in an interview with Jewish YouTuber Nate Friedman. He called Ackman a “jerk” who did not understand politics or live in New York City. To Cuomo, he said, “Get your own votes.”
🎂 Mamdani turns 34
- Mamdani celebrated his birthday on Saturday, taking the chance to address voters who express concerns about his age.
- “You’re worried about a 33-year-old becoming mayor of New York City,” he said in a video. “And I want you to know, I hear you. That’s why this weekend I’ll be making a change. I’m turning 34, and I’m committing that for every single day from here on out, I will grow older.”
- Mamdani asked supporters to mark his birthday by signing up for a canvassing shift. “The best gift is to beat Andrew Cuomo a second time,” he said.
👀 Trump watch
- President Trump continues to muse about the race. But after saying that Mamdani “hates Jewish people” and reiterating his threats to cut federal funding from New York under a Mayor Mamdani last week, he suggested over the weekend that the election result wouldn’t make much difference to him.
- “Would I rather have a Democrat than a communist? Barely. They’re almost becoming the same thing,” Trump said on Fox News on Sunday morning. “I don’t know that I’m going to get involved.”
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