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How Jewish comedy found religion, from Philip Roth to ‘Broad City’
(JTA) — In the 2020 comedy “Shiva Baby,” a 20-something young woman shows up at a house of Jewish mourners and gently offers her condolences. When she finds her mother in the kitchen, they chat about the funeral and the rugelach before the daughter asks, “Mom, who died?”
While “Shiva Baby” explores themes of sexuality and gender, the comedy almost never comes at the expense of Jewish tradition, which is treated seriously by its millennial writer and director Emma Seligman (born in 1995) even as the shiva-goers collide. It’s far cry from the acerbic way an author raised during the Depression like Philip Roth lampooned a Jewish wedding or a baby boomer like Jerry Seinfeld mocked a bris.
These generational differences are explored in Jenny Caplan’s new book, “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials.” A religion scholar, Caplan writes about the way North American Jewish comedy has evolved since World War II, with a focus on how humorists treat Judaism as a religion. Her subjects range from writers and filmmakers who came of age shortly after the war (who viewed Judaism as “a joke at best and an actual danger at worst”) to Generation X and millennials, whose Jewish comedy often recognizes “the power of community, the value of family tradition, and the way that religion can serve as a port in an emotional storm.”
“I see great value in zeroing in on the ways in which Jewish humorists have engaged Jewish practices and their own Jewishness,” Caplan writes. “It tells us something (or perhaps it tells us many somethings) about the relationship between Jews and humor that goes deeper than the mere coincidence that a certain humorist was born into a certain family.”
Caplan is the chair in Judaic Studies at the University of Cincinnati. She has a master’s of theological studies degree from Harvard Divinity School and earned a Ph.D. in religion from Syracuse University.
In a conversation last week, we spoke about the Jewishness of Jerry Seinfeld, efforts by young women comics to reclaim the “Jewish American Princess” label, and why she no longer shows Woody Allen movies in her classrooms.
Our conversation was edited for length and clarity
[Note: For the purpose of her book and our conversation, this is how Caplan isolates the generations: the Silent Generation (b. 1925-45), the baby boom (1946-65), Generation X (1966-79) and millennials (1980–95).]
Jewish Telegraphic Agency: Let me ask how you got into this topic.
Jenny Caplan: I grew up in a family where I was just sort of surrounded by this kind of material. My dad is a comedic actor and director who went to [Ringling Bros. and Barnum & Bailey’s] Clown College. My degrees were more broadly in American religion, not Jewish studies, but I was really interested in the combination of American religion and popular culture. When I got to Syracuse and it came time to start thinking about my larger project and what I wanted to do, I proposed a dissertation on Jewish humor.
The key to your book is how Jewish humor reflects the Jewish identity and compulsions of four sequential generations. Let’s start with the Silent Generation, which is sandwiched between the generation whose men were old enough to fight in World War II and the baby boomers who were born just after the war.
The hallmark of the Silent Generation is that they were old enough to be aware of the war, but they were mostly too young to serve. Every time I told people what I was writing about, they would say Woody Allen or Philip Roth, two people of roughly the same generation.
In “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials,” Jenny Caplan explores how comics treated religion from the end of World War II to the 21st century. (Courtesy)
The Roth story you focus on is “Eli, the Fanatic” from 1959, about an assimilated Jewish suburb that is embarrassed and sort of freaks out when an Orthodox yeshiva, led by a Holocaust survivor, sets up in town.
Roth spent the first 20 to 30 years of his career dodging the claim of being a self-loathing Jew and bad for the Jews. But the actual social critique of “Eli, the Fanatic” is so sharp. It is about how American Jewish comfort comes at the expense of displaced persons from World War II and at the expense of those for whom Judaism is a real thriving, living religious practice.
That’s an example you offer when you write that the Silent Generation “may have found organized religion to be a dangerous force, but they nevertheless wanted to protect and preserve the Jewish people.” I think that would surprise people in regards to Roth, and maybe to some degree Woody Allen.
Yeah, it surprised me. They really did, I think, share that postwar Jewish sense of insecurity about ongoing Jewish continuity, and that there’s still an existential threat to the ongoing existence of Jews.
I hear that and I think of Woody Allen’s characters, atheists who are often on the lookout for antisemitism. But you don’t focus on Allen as the intellectual nebbish of the movies. You look at his satire of Jewish texts, like his very funny “Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar” from 1970, which appeared in The New Yorker. It’s a parody of Martin Buber’s “Tales of the Hasidim” and sentimental depictions of the shtetl, perhaps like “Fiddler on the Roof.” A reader might think he’s just mocking the tradition, but you think there’s something else going on.
He’s not mocking the tradition as much as he’s mocking a sort of consumerist approach to the tradition. There was this sort of very superficial attachment to Buber’s “Tales of the Hasidim.” Allen’s satire is not a critique of the traditions of Judaism, it’s a critique of the way that people latch onto things like the Kabbalah and these new English translations of Hasidic stories without any real depth of thought or intellect. Intellectual hypocrisy seems to be a common theme in his movies and in his writing. It’s really a critique of organized religion, and it’s a critique of institutions, and it’s a critique of the power of institutions. But it’s not a critique of the concept of religion.
The idea of making fun of the wise men and their gullible followers reminds me of the folk tales of Chelm, which feature rabbis and other Jewish leaders who use Jewish logic to come to illogical conclusions.
Yes.
You write that the baby boomers are sort of a transition between the Silent Generation and a later generation: They were the teenagers of the counterculture, and warned about the dangers of empty religion, but also came to consider religion and tradition as valuable. But before you get there, you have a 1977 “Saturday Night Live” skit in which a bris is performed in the back seat of a luxury car, and the rabbi who performs it is portrayed as what you call an absolute sellout.
Exactly. You know: Institutional religion is empty and it’s hollow, it’s dangerous and it’s seductive.
Jerry Seinfeld, born in 1954, is seen as an icon of Jewish humor, but to me is an example of someone who never depicts religion as a positive thing. (Not that there’s anything wrong with that.)
“Seinfeld” is more a show about New York than it is necessarily a show about anything Jewish. The New York of Seinfeld is very similar to the New York of Woody Allen, peopled almost entirely by white, middle-class, attractive folks. It’s a sort of Upper West Side myopia.
But there’s the bris episode, aired in 1993, and written by Larry Charles. Unless you are really interested in the medium, you may not know much about Larry Charles, because he stays behind the camera. But he also goes on to do things like direct Bill Maher’s anti-religion documentary “Religulous,” and there’s a real strong case for him as having very negative feelings about organized religion which feels like a holdover from the Silent Generation. And so in that episode you have Kramer as the Larry Charles stand-in, just opining about the barbaric nature of the circumcision and trying to save this poor baby from being mutilated.
The few references to actual Judaism in “Seinfeld” are squirmy. I am thinking of the 1995 episode in which a buffoon of a rabbi blurts out Elaine’s secrets on a TV show. That was written by Larry David, another boomer, whose follow-up series, “Curb Your Enthusiasm,” is similarly known for its irreverence toward Judaism. But you say David can also surprise you with a kind of empathy for religion.
For the most part, he’s classic, old school, anti-organized religion. There’s the Palestinian Chicken episode where the Jews are rabidly protesting the existence of a Palestinian-run chicken restaurant near a Jewish deli, and where his friend Funkhouser won’t play golf on Shabbos until Larry gets permission by bribing the rabbi with the Palestinian chicken. There, rabbis are ridiculous and can be bought and religion is hollow and this is all terrible.
But then there’s this bat mitzvah montage where for one moment in the entire run of this show, Larry seems happy and in a healthy relationship and fulfilled and enjoying life.
That’s where he falls in love with Loretta Black during a bat mitzvah and imagines a happy future with her.
It’s so startling: It is the most human we ever see Larry over the run of the show, and I believe that was the season finale for the 2007 season. It was much more in line with what we’ve been seeing from a lot of younger comedians at that point, which was religion as an anchor in a good way — not to pull you down but to keep you grounded.
So for Generation X, as you write, Judaism serves “real, emotional, or psychological purpose for the practitioners.”
I wouldn’t actually call it respect but religion is an idea that’s not just something to be mocked and relegated to the dustbin. I’m not saying that Generation X is necessarily more religious, but they see real power and value in tradition and in certain kinds of family experiences. So, a huge amount of the humor can still come at the expense of your Jewish mother or your Jewish grandmother, but the family can also be the thing that is keeping you grounded, and frequently through some sort of religious ritual.
Who exemplifies that?
My favorite example is the 2009 Jonathan Tropper novel, “This Is Where I Leave You.” I’m so disappointed that the film adaptation of that sucked a lot of the Jewish identity out of the story, so let’s stick with the novel. In that book, where a family gathers for their father’s shiva, the characters are horrible people in a dysfunctional family writ large. They lie to each other. They backstab each other. But in scene where the protagonist Judd describes standing up on the bimah [in synagogue] to say Kaddish [the Mourner’s Prayer] after the death of his father, and the way he talks about this emotional catharsis that comes from saying the words and hearing the congregation say the words — it’s a startling moment of clarity in a book where these characters are otherwise just truly reprehensible.
Adam Sandler was born in 1966, the first year of Generation X, and his “Chanukah Song” seems like such a touchstone for his generation and the ones that follow. It’s not about religious Judaism, but in listing Jewish celebrities, it’s a statement of ethnic pride that Roth or Woody Allen couldn’t imagine.
It’s the reclamation of Jewish identity as something great and cool and fun and hip and wonderful and absolutely not to be ashamed of.
From left, Ilana Glazer, Abbi Jacobson and Seth Green in an episode of “Broad City” parodying Birthright Israel. (Screenshot from Comedy Central)
Which brings us to “Broad City,” which aired between 2014 and 2019. It’s about two 20-something Jewish women in New York who, in the case of Ilana Glazer’s character, anyway, are almost giddy about being Jewish and embrace it just as they embrace their sexuality: as just liberating. Ilana even upends the Jewish mother cliche by loving her mother to death.
That’s the episode with Ilana at her grandmother’s shiva, which also has the B plot where Ilana and her mother are shopping for underground illegal handbags. They spend most of the episode snarking at each other and fighting with each other and her mother’s a nag and Ilana is a bumbling idiot. But at the moment that the cops show up, and try to nab them for having all of these illegal knockoff handbags, the two of them are a team. They are an absolute unit of destructive force against these hapless police officers.
I think all of your examples of younger comics are women, who have always had fraught relationships with Jewish humor, both as practitioners and as the target of jokes. You write about “The JAP Battle” rap from “Crazy Ex-Girlfriend,” which both leans into the stereotype of the Jewish-American Princess — spoiled, acquisitive, “hard as nails” — and tries to reclaim it without the misogyny.
Rachel Bloom’s character Rebecca in “Girlfriend” self-identifies as a JAP, but she doesn’t actually fit the category. It’s her mother, Naomi, who truly is the Philip Roth, “Marjorie Morningstar,” Herman Wouk model of a JAP. So Bloom is kind of using the term, but you can’t repurpose the term when the original is still there.
So as an alternative, I offer up a new term: the Modern Ashkenazi American Woman. It’s very New York, it’s very East Coast, it’s very particular to a type of upbringing and community that in the 1950s and ’60s would have been almost exclusively Conservative Jews, and then may have become a bit more Reform as we’ve gotten into the ’90s and 2000s. They went to the JCC. They probably went to Jewish summer camp.
But even that doesn’t even really speak to the American sense of what Jewish is anymore, because American Jews have become increasingly racially and culturally diverse.
There is also something that’s happening historically with Generation X, and that’s the distance from the two major Jewish events of the 20th century, which is the Holocaust and the creation of Israel.
The Silent Generation and baby boomers still had a lingering sense of existential dread — the sense that we’re not so far removed from an attempted total annihilation of Jews. Gen X and millennials are so far removed from the Holocaust that they don’t feel that same fear.
But the real battleground we’re seeing in contemporary American Judaism is about the relationship to Israel. For baby boomers and even for some older members of Gen X, there’s still a sense that you can criticize Israel, but at the end of the day, it’s your duty to ultimately support Israel’s right to exist. And I think millennials and Zoomers [Gen Z] are much more comfortable with the idea of Israel being illegitimate.
Have you seen that in comedy?
I certainly think you can see the leading edge of that in some millennial stuff. The “Jews on a Plane” episode of “Broad City” is an absolute excoriation of Birthright Israel, and does not seem particularly interested in softening its punches about the whole idea of Jews going to Israel. I think we can see a trend in that direction, where younger American Jewish comedians do not see that as punching down.
You’re teaching a class on Jewish humor. What do your undergraduates find funny? Now that Woody Allen is better known for having married his adoptive daughter and for the molestation allegations brought by another adoptive daughter, do they look at his classic films and ask, “Why are you teaching us this guy?”
For the first time I’m not including Woody Allen. I had shown “Crimes and Misdemeanors” for years because I think it’s his most theological film. I think it’s a great film. And then a couple years ago, I backed off, because some students were responding that it was hard to look at him with all the baggage. He’s still coming up in conversation because you can’t really talk about the people who came after him without talking about him, but for the first time I’m not having them actually watch or read any of his stuff.
They have found things funny that I didn’t expect them to, and they have not found things funny that I would have thought they would. They laughed their way through “Yidl mitn fidl,” the 1936 Yiddish musical starring Molly Picon. I also thought they’d enjoy the Marx Brothers’ “Duck Soup” and they did not laugh once. Some of that is the fact that Groucho’s delivery is just so fast.
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Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue
Voters may react differently to a Jewish politician who publicly practices their faith than to one who simply identifies as Jewish, a new poll found. The distinction could matter for Pennsylvania Gov. Josh Shapiro, a possible 2028 presidential candidate who has made his Jewish faith central to his public life and service.
The Politico poll of 2,002 U.S. adults showed that Democratic voters were less likely to vote for a candidate who regularly attends synagogue than for a candidate not practicing a religion or attending services once a year. Among Republicans, however, a candidate who regularly attends synagogue performed better than one who attends only once a year.
The survey, conducted online in partnership with the London-based polling firm Public First between August 8 and 14, asked respondents to choose between hypothetical candidates with different characteristics, including political ideology, age, race, profession, sexual orientation and religious practice. The sample has a reported margin of error of plus or minus 2.2%.
The poll offers a window into how religious observance may shape the way voters view a Jewish candidate. In an earlier poll conducted by the same firm in May, among 2,038 voters, candidates were identified simply by religion rather than how often or where they worshipped. Being identified as Jewish hurt a hypothetical candidate among voters in both parties compared with being identified as Christian.
The findings could be particularly relevant to Shapiro, the popular Pennsylvania governor running for reelection this fall. He maintains a traditional Conservative Jewish lifestyle, keeps kosher and is a longtime member of Beth Sholom Congregation in Elkins Park, outside Philadelphia. In his recent memoir, Where We Keep the Light, Shapiro detailed experiences shaped by and tied closely to his Jewish identity, including his vetting as a vice presidential candidate in 2024.
Shapiro has been viewed as a potential first Jewish president since his gubernatorial campaign in 2022 and is one of three prominent Jewish Democrats — along with Illinois Gov. J.B. Pritzker and former Chicago Mayor Rahm Emanuel — mentioned as possible 2028 presidential candidates.
Religious identity, particularly Christianity, has become more central in Republican politics since President Trump returned to the White House in 2025. Trump and his Cabinet have made religious faith a prominent part of his administration’s agenda. He created a White House Faith Office to work with religious organizations and established a Justice Department task force focused specifically on what the administration calls anti-Christian bias. At the same time, an increasingly vocal faction on the far right has made Christian nationalism and antisemitism central to its politics.
The Politico poll does not explain why Republican voters responded differently to Jewish candidates based on how often they attended synagogue. But the gap aligns with the broader split in positions among conservatives who have warmly embraced visibly religious and politically conservative Jews, while criticizing liberal or less observant Jews over their politics and commitment to Judaism.
Trump has repeatedly drawn that distinction himself. During the 2024 election, for example, he said that Jewish Americans who vote for Democrats “hate their religion.”
The post Could going to synagogue help or hurt a Jewish candidate? This poll offers a clue appeared first on The Forward.
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Nazi imagery nothing new for crypto casino behind Orlando fight with swastika flags and Hitler salutes
(JTA) — Nazi salutes. A swastika flag. Fights in the stands. They were all part of the scene at a recent combat sports event in Orlando that pitted an Israeli Jew against an avowed racist with SS bolts tattooed on his chest – and ended with the latter mocking his defeated foe as “a short little f–king Jew prick.”
The condemnation that followed the Aug. 29 event was aimed in a number of directions: at Paul Miller, the fighter who performed the Hitler salute after his win; at the attendees who returned the salute and displayed the Nazi flag; and at the Kia Center, the city-owned arena best known as the home of the NBA’s Orlando Magic, which hosted the fight night.
Politicians were shocked by the display and wrote statements condemning the event — but the Nazi symbols were nothing new for Duel, the online cryptocurrency casino behind the promotion.
Founded last year and billing itself as “the first casino that gives a f–k,” Duel has used Nazi symbols and racist language in its gambling programming. And its owner, Ossi Ketola, a Finnish high-stakes poker player, is himself a self-described First Amendment absolutist with his own history of racially charged comments. He celebrated his free speech devotion just one week after the Orlando event, in a social media post featuring a photo of himself with Donald Trump Jr.
One of Duel’s blackjack dealers, Nelli Levonyan, has worn a Nazi outfit with a swastika armband on multiple occasions while dealing cards on the blackjack stream. In a skit from the blackjack table that circulated online, a man, dressed up as an Orthodox Jew and holding an Israeli flag, attacked Levonyan by throwing coins at her. Levonyan’s character then sprayed something at the Jewish man — “Gassing!” he yelled — and said, “Go away from me, you dirty kike.”
In another blackjack stream, the dealer imitated one of the two San Diego mosque shooters, who killed five people in May. Levonyan has sung the lyrics to “Heil Hitler,” the Ye (formerly Kanye West) song, during a stream. She has also appeared alongside Miller while hosting the card game.
Earlier this month, Ketola joined a neo-fascist rally in Helsinki staged by the far-right party Sinimusta Liike, or the Blue-and-Black Movement. Ketola, who was dressed in a Spongebob costume, livestreamed the rally and posted the footage with the title “Saving white Finland.” Speaking about immigrants, he said that people “need to be educated about how the genes work, and how these people realistically cannot be integrated here.”
He then attended an anti-fascist rally held elsewhere in Helsinki simultaneously, prompting left-wing demonstrators to chase him and his video crew back to their car. Ketola could be heard off-camera yelling “Sieg heil” as they drove away.
“What f–king violent pussies. Imagine what f–ing leftists,” Ketola said after taking off the Spongebob costume. “You see? These right-wing people, white people, the most friendly people. I just walked there, we didn’t say anything, we didn’t do anything — we go to these leftists and they try to f–ing attack us. F–ing dumb stupid f–ing n–ers.”
The following night, Ketola attended the dinner with Trump and about a dozen others in Tallinn, Estonia, hosted by Studioworks, a company that develops software for online casino sites. Ketola posted a photo of himself and the U.S. president’s son on Instagram, and wrote that he discussed “Duel, the state of the world and current political climate with him and his staff.”
“The political situations in our respective countries have become increasingly similar, with a rising tide of violence and radical leftism in both America and Finland,” Ketola wrote. “As a firm 1st amendment absolutist and an individual with many values that coincide with Republicans and Donald Trump himself, this was a great chance to align on many things important to both.”
Neither the Trump Organization, Miller, Ketola nor Levonyan responded to requests for comment.
Duel was founded last summer and has featured some prominent personalities on its streams, including boxing great Mike Tyson — who told Levonyan, “You dumb b–h, you like Hitler” — and the “looksmaxxing” influencer Braden Peters, who is known as Clavicular.
The fight night that it organized and promoted in Orlando was its first foray into combat sports, and made for the company’s biggest splash yet. It also caught the attention of at least one watchdog and a local lawmaker.
“Right after the event there was a lot of criticism put on the venue, which didn’t have much responsibility in this, and not enough eyes on the people who actually made it happen,” Mark Pitcavage, senior fellow at the Anti-Defamation League’s Center on Extremism, told the Jewish Telegraphic Agency. (The city had said that, as an operator of public venues, it “cannot deny access because we disagree with the political ideology, opinion or perspective, regardless of the message.”)
State Rep. Anna Eskamani called for the Florida Athletic Commission to revoke Duel Arena’s license. The commission’s members were appointed by Florida Gov. Ron DeSantis, who has not commented on the event. The governor’s office did not respond to multiple requests for comment from JTA.
DeSantis’ immediate predecessor and fellow Republican, U.S. Senator Rick Scott, posted that the event was “utterly disturbing” and that “Antisemitism has NO PLACE in Florida.”
Pitcavage said that combat sports are “a draw for far-right extremists and white supremacists” who often view themselves as “white warriors.” He noted, however, that they make up a small portion of the participants and fans.
“It’s not at all surprising that some of them will get into various types of what they would consider manly, or warrior-like athletics,” he said.
Duel’s involvement in the Orlando event put the intersection of online gambling sites and far-right ideologies on his radar. “It’s something we’re starting to look into,” Pitcavage said. He noted that Duel is registered and licensed offshore on the autonomous island of Anjouan, making it more difficult to investigate.
Eskamani, who is running for mayor of Orlando, told JTA that Duel should not be allowed to operate in Florida, citing reasons that she says would beat the city’s First Amendment defense.
“These offshore cryptocurrency — I mean, there are so many red flags in how this entity is operating that from a purely financial security position for a public venue, I would not want to accept a reservation,” Eskamani said.
Duel set and promoted the matchups on the fight card, which included the kickboxing match between Miller, who goes by the moniker “Gypsy Crusader,” and his fellow influencer Ben “King” Azoulay.
Miller, who has made numerous appearances on Duel’s casino games streams, has been known to use racial slurs and denigrate minority groups in his online content. He was convicted in 2021 of felony weapons charges, and sentenced to 41 months in federal prison. He had posted about initiating a race-based civil war.
During a livestreamed conversation with Adin Ross, a Jewish streamer who has interviewed or maintained friendly relationships with controversial figures including Nick Fuentes and Andrew Tate, Miller said there are no exceptions in his feelings toward Jews.
“I respect you for having an opinion that is different from the Jews,” Miller told Ross. “But that doesn’t mean that I would not laugh if I see you in a gas chamber.”
Clips from the Orlando event showed Miller performing the Nazi salute twice after his victory — something he has done after winning previous fights — prompting a number of attendees to do the same. One fan brought a Nazi Germany flag and waved it in his seat.
“He’s not a tough guy, he’s not an alpha male. He’s a short little f–ing Jew prick,” Miller declared about his opponent Azoulay in his post-fight interview, eliciting some cheers from the crowd.
U.S. Rep. Randy Fine, the Jewish Republican firebrand whose district includes Palm Coast and Daytona Beach, posted a video of the Nazi flag being unfurled and wrote, “This is not a joke and it is not edgy. The guy who did this is old enough to know exactly what that symbol means and to know that it’s not funny. We will make an example out of him.”
Asked what he meant by making an example of the attendee, Fine told JTA, “We put the video out so he would be recognized and be held publicly accountable. Most folks are unwilling to associate with Nazis.”
Cheering Miller on ringside was Jake Shields, a former mixed martial artist-turned far-right influencer who has espoused conspiracy theories about Jews and Israel. Shields wore a shirt reading “FCK ISRL.” Myron Gaines, a prominent streamer who has spread similar conspiracy theories and performed Nazi salutes, was in the stands, and told Miller before the fight, “You fight for the goyim,” according to clips shared on social media.
Pitcavage said he has been tracking a trend of the far-right getting involved in combat sports since the late 1990s, as mixed martial arts and UFC became a more mainstream phenomenon and amateur gyms became widespread and increasingly accessible.
The ADL has flagged that in recent years “active clubs,” or “localized white supremacist crews” that gather for fight training, have become more common. The ADL writes that these groups “see themselves as fighters training for an ongoing war against a system that they claim is deliberately plotting against the white race.”
As news outlets covered backlash to the Orlando fight night, Duel issued its own statement saying it was horrified “to learn that a group of viewers were displaying symbols of hate at our event.” The company criticized the city’s “shocking remarks that the ‘First Amendment’ applies and that ‘free speech’ is permitted at their arena,” and pledged to “work with local activist groups to push back on this and ensure that this kind of hate does not fester ever again.”
The statement appeared to be an example of Duel trolling with deadpan, buttoned-up language. Before the fight, Ketola had similarly released a promotional video that appeared to be condemning Miller’s views. “Paul Miller is a Nazi. Being a Nazi is bad,” Ketola narrated, over footage of him shaking his head. “We cannot support this. The only reason we are allowing him to fight is to ensure the good guys get to add another victory to their record.”
Then, after Miller’s win, Duel’s Instagram account left a comment that told a different story.
“The good guys won,” Duel wrote.
This article originally appeared on JTA.org.
The post Nazi imagery nothing new for crypto casino behind Orlando fight with swastika flags and Hitler salutes appeared first on The Forward.
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I want to rescue the word Zionism. We cannot reduce a vast Jewish idea to the politics of the moment.
On Rosh Hashanah, I spoke about my predecessor Rabbi Alexander Kohut. He was the renowned European scholar who gave his first sermon here in 1885 and began with the Gomel prayer, thanking God for bringing him safely to America, to this promised land.
I need to tell you how the rest of that sermon went down. Our new German-speaking rabbi proceeded to warn our congregation about the changes he saw happening in American Judaism that threatened our connection to the Jewish people as a whole.
Two years earlier, when Hebrew Union College ordained its first class of American-trained Reform rabbis, its celebratory dinner included littleneck clams and shrimp salad: the infamous Trefa Banquet. It was a provocative declaration that American Jews were no longer bound by archaic laws that separated us from our neighbors.
Kohut cautioned that discarding tradition would leave Judaism a skeleton “without spirit and heart.” If every Jew could simply pick which rules to follow, what would hold us together as a people?
Kohut illustrated this point with a famous Midrashic parable. A group of people are traveling together on a boat. When one passenger begins drilling a hole beneath his seat, the others cry out, “What are you doing?” He responds, “Why do you care? The hole is only under my seat.” Kohut’s sermon sent shock waves through the Jewish community.
The next Shabbat, Rabbi Kaufmann Kohler, the leading voice of radical Reform, answered from his own pulpit just eight blocks uptown, arguing, “Judaism is a living faith, not a religion confined to dead letters.” For weeks, the two rabbis traded sermons before packed pews. The Kohut–Kohler debates even made the front page of The New York Times.
Later that year, Kohler helped author the Pittsburgh Platform, defining the principles of a new American Reform Judaism. Its most consequential statement was not about kashrut or ritual garb but about peoplehood, declaring, “We consider ourselves no longer a nation, but a religious community.”
America had offered Jews a radical promise: you could be fully Jewish and fully American. With America gratefully embraced as our new nation, Judaism could just be our religion, like our Protestant neighbors’ down the street. It was liberating, but it also amputated a part of Jewish identity that had been essential for thousands of years.
Of course, Judaism is a religious practice. But for centuries, it was also our law and calendar, our language and literature. Jewish identity runs through how we speak and argue and tell a joke, and through that inexplicable pull that, when something happens to a Jew we have never met in a place far away, we somehow feel it happened to us.
The 20th-century philosopher Martin Buber understood why. Most religions, he noted, begin with an individual revelation. A prophet or a spiritual teacher has an encounter and shares it with others. But Judaism’s defining religious encounter is different. At Sinai, revelation happens to an entire people. Buber wrote, “In the hour of faith, the group becomes a nation. Only as a nation can it hear what it is destined to hear.” Jewish faith and peoplehood cannot be pulled apart.
But we kept trying. Modernity asked us to check a box. Religion, race, nationality: What are we?
The author Dara Horn gives the best answer I’ve heard. She says, “It’s not complicated. It’s just old. Jews are a joinable tribal group with a shared history, homeland, and culture.” That’s a whole sentence in English, but in Hebrew, it’s just two letters: Am. We are Am Yisrael, the people Israel.
Around the turn of the 20th century, just as Reform Jews were loosening their claim on nationhood, Europe told our Jewish brethren, “Not so fast.” Pogroms swept through the Russian Empire. Political movements in Germany demanded the rollback of Jewish rights. Vienna, the glittering capital of European culture, elected an openly antisemitic mayor. And in France, Alfred Dreyfus, a Frenchman by birth, language, and military service, discovered that to his accusers, he was simply a Jew.
Europe kept asking what was called the Jewish Question: What to do with the Jews? Could they assimilate enough to belong, or would they always remain strangers in the lands they called home?
Jewish leaders began asking a different question: How can we take our future into our own hands? Different Jews gave radically different answers. Their answers came to be called Zionism.
The political Zionist Theodor Herzl asked, “How do we save the Jews?” His answer was sovereignty. Jews could no longer depend on the tolerance of other nations for our safety.
The cultural Zionist Ahad Ha’am pushed back: “What good is saving the Jews if we fail to save Judaism?” His answer was cultural renewal, a Hebrew spiritual and cultural center that could renew Jewish life everywhere.
The Labor Zionist A.D. Gordon pushed the question further: But what kind of Jews are we trying to become? His answer was labor. Jews would become rooted again by working the soil, remaking not only a homeland but ourselves.
The religious Zionist Rav Kook asked, “How can this national rebirth also be a spiritual rebirth?” His answer was redemption. By rebuilding Jewish national life, even secular pioneers participated in a sacred process larger than they understood.
There was never just one Zionism, and there still isn’t today. Early Zionists disagreed about every aspect of the state they hoped to build. Zionism was a family argument about how an ancient people takes responsibility for its future.
Journalist Haviv Rettig Gur has defined Zionism as a rescue project, because underlying all of those competing visions was one urgent conviction: There has to be somewhere in the world where we do not need another nation’s permission to live as Jews.
The Holocaust made that need undeniable. Even after the world witnessed the Nazis’ machinery of extermination, hundreds of thousands of survivors languished in displaced persons camps because most nations still refused to take us in. Later, more than 800,000 Jews were expelled from Arab and Muslim countries such as Iraq, Libya, and Iran, erasing Jewish communities that had endured for thousands of years.
And in the 1990s, Israel took in over a million Jews fleeing persecution from the former Soviet Union, and tens of thousands of Ethiopian Jews escaping famine and civil war. After the founding of the State of Israel, Jewish survival never again had to depend on whether someone else would open the door.
And that brings me to a rescue project for our generation. I want to rescue the word Zionism.
A Jewish Federation survey earlier this year grabbed my attention. Nine out of 10 American Jews believe Israel has a right to exist as a Jewish and democratic state. Nine out of 10. But only a third of us are willing to call ourselves Zionists. Why does that matter? Because when a majority of Jews reject the name Zionist, it obscures just how mainstream support for the Jewish state and attachment to Jewish peoplehood is for Jews.
Zionism, simply put, is the belief that the Jewish people have a right to self-determination in our ancestral homeland. If you believe Israel should exist as a Jewish state, you are already standing inside the Zionist argument.
Let me tell you why I am a Zionist. To me, Zionism is what becomes possible when the Jewish people can fully shape our own lives. In Israel, Jews not only live from January to December, but from Nisan to Adar, from Rosh Hashanah to Tisha B’Av. Children order ice cream in the language of our prophets. Jews have built amazing universities and hospitals where Jewish and Palestinian citizens study side by side and save lives together. Engineers make the desert bloom one drip at a time. And we live again in a land toward which Jews in exile have directed our prayers for 2,000 years.
With that return comes the responsibility to build a society worthy of our deepest Jewish values, always striving for peace. And because I know how essential safety and self-determination are for my people, my Zionism cannot deny those same fundamental rights to another. Palestinians, too, must live with dignity, security, and freedom in that land. That, too, is my Zionism.
Today, I’m not addressing the one in 10 Jews who reject the very idea of a Jewish state, though my door and this synagogue remain open to you. I’m speaking to the majority of Jews who believe in the Jewish state but refuse the Zionist name. And you’ve told me why.
You’ve said, “I don’t want to call myself a Zionist because I can’t support the Israeli government’s or military’s treatment of the Palestinians.” But Zionism is older and larger than any government. Dissent, even contempt for an Israeli leader or policy, does not place you outside Zionism. It puts you alongside Israelis who have filled the streets for years protesting their own government because of their Zionism.
You’ve said, “I’m ashamed of Israeli extremists who commit crimes in the name of religious Zionism.” But all of us should be appalled by extremist settler violence. No one should stand in the same camp with racist ministers who excuse or enable this Hillul Hashem, this desecration. Hundreds of prominent Zionists, including prime ministers, former IDF generals, and heads of the Mossad and Shin Bet, have all condemned this Jewish terrorism and demanded an end to the violence and displacement in the West Bank.
You’ve said Zionism has become a slur, “She’s a Zionist” is now shorthand for colonialism, racism, apartheid, even genocide. But these words have a history. In the 1960s, Soviet propaganda deliberately recast the Jewish national liberation movement as a colonialist and imperialist project, while using anti-Zionism to oppress Soviet Jews, even sponsoring a 1975 UN resolution equating Zionism with racism. The label Zionist has been weaponized against Jews for more than half a century.
We cannot reduce a vast Jewish idea to the politics of the moment. As British writer Howard Jacobson says, “Zionism is not a country or a system of government. Zionism is an expression of a people’s soul. It is a longing and a necessity, a utopian fantasy. It’s an understanding of history and a solution, an act of reasoning, an act of despair, a prayer, a poem, and a song.”
And since when do we Jews let other people do our naming for us? If we refuse the Zionist name because others have smeared it, or because some have stained it with violence, we hand the word to its most fanatical followers and its most hostile opponents. We abandon the Zionists working every day to build a more just, secure, and peaceful Israel for all its inhabitants. And we surrender a word that has carried the dreams, sacrifices, and hopes of Am Yisrael for generations.
One of our young Central members spent the last year in Israel, and he said his time there both increased his love for the Israeli people and his disgust for the current government. He’s not the type to join in protests, but on Fridays he traveled to the West Bank to accompany Palestinian shepherds and farmers so they could work with less fear of harassment or violence from settlers. Israeli groups call this “protective presence.” This young man called it his Zionism.
I especially want the next generation to know that claiming Zionism means believing in Jewish sovereignty and insisting that it’s not exempt from our tradition’s moral demands. It means seeing clearly where Israel has been a beacon and a blessing, and where it has failed to live up to the values stated in its own Declaration of Independence: freedom, justice, and peace, and equal rights for all its citizens.
When we fall short of our promise, as every person and every nation does, the Jewish response is not abandonment. It is teshuvah, a return to who we are meant to be. That is what Yom Kippur asks of us. Teshuvah requires honest accounting and change. But the goal of teshuvah is not shaming. Teshuvah is fundamentally an act of hope, the hope of return.
When the Israelites first returned to Jerusalem in the sixth century BCE after their first exile, they sang.
“When God returned us to Zion, we were like dreamers.” They couldn’t believe it. They were living inside what once seemed impossible: to be back in their land.
Zionism has always required that kind of imagination. Theodor Herzl looked at a scattered, vulnerable people and imagined us sovereign again in our ancestral homeland, saying, “Im tirtzu, ein zo agadah. If you will it, it is no dream.” Less than half a century later, the State of Israel was born. Impossible, until it happened.
And after the 1973 Yom Kippur War, Israelis regarded Egypt as their most formidable enemy, and the vast majority of Israelis did not believe peace was possible. But soon thereafter, Israel’s mightiest adversary became the first Arab state to make peace with it. Impossible, until it happened.
And in recent memory, after 738 days of despair and fear that we would never see every hostage out of Gaza, on Simchat Torah, two years after their kidnapping, every last living hostage came home. It was a miracle made possible by the relentless work of so many and the prayers of Am Yisrael from around the world. Impossible, until it happened.
Im tirtzu, ein zo agadah. If you will it, it is no dream.
There is so much that still feels impossible in Israel right now. But if our history teaches us anything, it’s not to underestimate what is yet to come, or our responsibility to help shape it.
Rabbi Kohut served this congregation around the time of the birth of the modern Zionist movement. His message to us in 1885 is no less true today. We Jews are in the same boat. Half of the Jews of the world live in the State of Israel. No Jew should say, “Why should I care? The hole is only under their seat.” We cannot walk away from the most important sovereign project of the Jewish people. We must proudly claim the name Zionist and take our place in the unfolding story of Am Yisrael.
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