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How Jewish comedy found religion, from Philip Roth to ‘Broad City’
(JTA) — In the 2020 comedy “Shiva Baby,” a 20-something young woman shows up at a house of Jewish mourners and gently offers her condolences. When she finds her mother in the kitchen, they chat about the funeral and the rugelach before the daughter asks, “Mom, who died?”
While “Shiva Baby” explores themes of sexuality and gender, the comedy almost never comes at the expense of Jewish tradition, which is treated seriously by its millennial writer and director Emma Seligman (born in 1995) even as the shiva-goers collide. It’s far cry from the acerbic way an author raised during the Depression like Philip Roth lampooned a Jewish wedding or a baby boomer like Jerry Seinfeld mocked a bris.
These generational differences are explored in Jenny Caplan’s new book, “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials.” A religion scholar, Caplan writes about the way North American Jewish comedy has evolved since World War II, with a focus on how humorists treat Judaism as a religion. Her subjects range from writers and filmmakers who came of age shortly after the war (who viewed Judaism as “a joke at best and an actual danger at worst”) to Generation X and millennials, whose Jewish comedy often recognizes “the power of community, the value of family tradition, and the way that religion can serve as a port in an emotional storm.”
“I see great value in zeroing in on the ways in which Jewish humorists have engaged Jewish practices and their own Jewishness,” Caplan writes. “It tells us something (or perhaps it tells us many somethings) about the relationship between Jews and humor that goes deeper than the mere coincidence that a certain humorist was born into a certain family.”
Caplan is the chair in Judaic Studies at the University of Cincinnati. She has a master’s of theological studies degree from Harvard Divinity School and earned a Ph.D. in religion from Syracuse University.
In a conversation last week, we spoke about the Jewishness of Jerry Seinfeld, efforts by young women comics to reclaim the “Jewish American Princess” label, and why she no longer shows Woody Allen movies in her classrooms.
Our conversation was edited for length and clarity
[Note: For the purpose of her book and our conversation, this is how Caplan isolates the generations: the Silent Generation (b. 1925-45), the baby boom (1946-65), Generation X (1966-79) and millennials (1980–95).]
Jewish Telegraphic Agency: Let me ask how you got into this topic.
Jenny Caplan: I grew up in a family where I was just sort of surrounded by this kind of material. My dad is a comedic actor and director who went to [Ringling Bros. and Barnum & Bailey’s] Clown College. My degrees were more broadly in American religion, not Jewish studies, but I was really interested in the combination of American religion and popular culture. When I got to Syracuse and it came time to start thinking about my larger project and what I wanted to do, I proposed a dissertation on Jewish humor.
The key to your book is how Jewish humor reflects the Jewish identity and compulsions of four sequential generations. Let’s start with the Silent Generation, which is sandwiched between the generation whose men were old enough to fight in World War II and the baby boomers who were born just after the war.
The hallmark of the Silent Generation is that they were old enough to be aware of the war, but they were mostly too young to serve. Every time I told people what I was writing about, they would say Woody Allen or Philip Roth, two people of roughly the same generation.
In “Funny, You Don’t Look Funny: Judaism and Humor from the Silent Generation to Millennials,” Jenny Caplan explores how comics treated religion from the end of World War II to the 21st century. (Courtesy)
The Roth story you focus on is “Eli, the Fanatic” from 1959, about an assimilated Jewish suburb that is embarrassed and sort of freaks out when an Orthodox yeshiva, led by a Holocaust survivor, sets up in town.
Roth spent the first 20 to 30 years of his career dodging the claim of being a self-loathing Jew and bad for the Jews. But the actual social critique of “Eli, the Fanatic” is so sharp. It is about how American Jewish comfort comes at the expense of displaced persons from World War II and at the expense of those for whom Judaism is a real thriving, living religious practice.
That’s an example you offer when you write that the Silent Generation “may have found organized religion to be a dangerous force, but they nevertheless wanted to protect and preserve the Jewish people.” I think that would surprise people in regards to Roth, and maybe to some degree Woody Allen.
Yeah, it surprised me. They really did, I think, share that postwar Jewish sense of insecurity about ongoing Jewish continuity, and that there’s still an existential threat to the ongoing existence of Jews.
I hear that and I think of Woody Allen’s characters, atheists who are often on the lookout for antisemitism. But you don’t focus on Allen as the intellectual nebbish of the movies. You look at his satire of Jewish texts, like his very funny “Hassidic Tales, With a Guide to Their Interpretation by the Noted Scholar” from 1970, which appeared in The New Yorker. It’s a parody of Martin Buber’s “Tales of the Hasidim” and sentimental depictions of the shtetl, perhaps like “Fiddler on the Roof.” A reader might think he’s just mocking the tradition, but you think there’s something else going on.
He’s not mocking the tradition as much as he’s mocking a sort of consumerist approach to the tradition. There was this sort of very superficial attachment to Buber’s “Tales of the Hasidim.” Allen’s satire is not a critique of the traditions of Judaism, it’s a critique of the way that people latch onto things like the Kabbalah and these new English translations of Hasidic stories without any real depth of thought or intellect. Intellectual hypocrisy seems to be a common theme in his movies and in his writing. It’s really a critique of organized religion, and it’s a critique of institutions, and it’s a critique of the power of institutions. But it’s not a critique of the concept of religion.
The idea of making fun of the wise men and their gullible followers reminds me of the folk tales of Chelm, which feature rabbis and other Jewish leaders who use Jewish logic to come to illogical conclusions.
Yes.
You write that the baby boomers are sort of a transition between the Silent Generation and a later generation: They were the teenagers of the counterculture, and warned about the dangers of empty religion, but also came to consider religion and tradition as valuable. But before you get there, you have a 1977 “Saturday Night Live” skit in which a bris is performed in the back seat of a luxury car, and the rabbi who performs it is portrayed as what you call an absolute sellout.
Exactly. You know: Institutional religion is empty and it’s hollow, it’s dangerous and it’s seductive.
Jerry Seinfeld, born in 1954, is seen as an icon of Jewish humor, but to me is an example of someone who never depicts religion as a positive thing. (Not that there’s anything wrong with that.)
“Seinfeld” is more a show about New York than it is necessarily a show about anything Jewish. The New York of Seinfeld is very similar to the New York of Woody Allen, peopled almost entirely by white, middle-class, attractive folks. It’s a sort of Upper West Side myopia.
But there’s the bris episode, aired in 1993, and written by Larry Charles. Unless you are really interested in the medium, you may not know much about Larry Charles, because he stays behind the camera. But he also goes on to do things like direct Bill Maher’s anti-religion documentary “Religulous,” and there’s a real strong case for him as having very negative feelings about organized religion which feels like a holdover from the Silent Generation. And so in that episode you have Kramer as the Larry Charles stand-in, just opining about the barbaric nature of the circumcision and trying to save this poor baby from being mutilated.
The few references to actual Judaism in “Seinfeld” are squirmy. I am thinking of the 1995 episode in which a buffoon of a rabbi blurts out Elaine’s secrets on a TV show. That was written by Larry David, another boomer, whose follow-up series, “Curb Your Enthusiasm,” is similarly known for its irreverence toward Judaism. But you say David can also surprise you with a kind of empathy for religion.
For the most part, he’s classic, old school, anti-organized religion. There’s the Palestinian Chicken episode where the Jews are rabidly protesting the existence of a Palestinian-run chicken restaurant near a Jewish deli, and where his friend Funkhouser won’t play golf on Shabbos until Larry gets permission by bribing the rabbi with the Palestinian chicken. There, rabbis are ridiculous and can be bought and religion is hollow and this is all terrible.
But then there’s this bat mitzvah montage where for one moment in the entire run of this show, Larry seems happy and in a healthy relationship and fulfilled and enjoying life.
That’s where he falls in love with Loretta Black during a bat mitzvah and imagines a happy future with her.
It’s so startling: It is the most human we ever see Larry over the run of the show, and I believe that was the season finale for the 2007 season. It was much more in line with what we’ve been seeing from a lot of younger comedians at that point, which was religion as an anchor in a good way — not to pull you down but to keep you grounded.
So for Generation X, as you write, Judaism serves “real, emotional, or psychological purpose for the practitioners.”
I wouldn’t actually call it respect but religion is an idea that’s not just something to be mocked and relegated to the dustbin. I’m not saying that Generation X is necessarily more religious, but they see real power and value in tradition and in certain kinds of family experiences. So, a huge amount of the humor can still come at the expense of your Jewish mother or your Jewish grandmother, but the family can also be the thing that is keeping you grounded, and frequently through some sort of religious ritual.
Who exemplifies that?
My favorite example is the 2009 Jonathan Tropper novel, “This Is Where I Leave You.” I’m so disappointed that the film adaptation of that sucked a lot of the Jewish identity out of the story, so let’s stick with the novel. In that book, where a family gathers for their father’s shiva, the characters are horrible people in a dysfunctional family writ large. They lie to each other. They backstab each other. But in scene where the protagonist Judd describes standing up on the bimah [in synagogue] to say Kaddish [the Mourner’s Prayer] after the death of his father, and the way he talks about this emotional catharsis that comes from saying the words and hearing the congregation say the words — it’s a startling moment of clarity in a book where these characters are otherwise just truly reprehensible.
Adam Sandler was born in 1966, the first year of Generation X, and his “Chanukah Song” seems like such a touchstone for his generation and the ones that follow. It’s not about religious Judaism, but in listing Jewish celebrities, it’s a statement of ethnic pride that Roth or Woody Allen couldn’t imagine.
It’s the reclamation of Jewish identity as something great and cool and fun and hip and wonderful and absolutely not to be ashamed of.
From left, Ilana Glazer, Abbi Jacobson and Seth Green in an episode of “Broad City” parodying Birthright Israel. (Screenshot from Comedy Central)
Which brings us to “Broad City,” which aired between 2014 and 2019. It’s about two 20-something Jewish women in New York who, in the case of Ilana Glazer’s character, anyway, are almost giddy about being Jewish and embrace it just as they embrace their sexuality: as just liberating. Ilana even upends the Jewish mother cliche by loving her mother to death.
That’s the episode with Ilana at her grandmother’s shiva, which also has the B plot where Ilana and her mother are shopping for underground illegal handbags. They spend most of the episode snarking at each other and fighting with each other and her mother’s a nag and Ilana is a bumbling idiot. But at the moment that the cops show up, and try to nab them for having all of these illegal knockoff handbags, the two of them are a team. They are an absolute unit of destructive force against these hapless police officers.
I think all of your examples of younger comics are women, who have always had fraught relationships with Jewish humor, both as practitioners and as the target of jokes. You write about “The JAP Battle” rap from “Crazy Ex-Girlfriend,” which both leans into the stereotype of the Jewish-American Princess — spoiled, acquisitive, “hard as nails” — and tries to reclaim it without the misogyny.
Rachel Bloom’s character Rebecca in “Girlfriend” self-identifies as a JAP, but she doesn’t actually fit the category. It’s her mother, Naomi, who truly is the Philip Roth, “Marjorie Morningstar,” Herman Wouk model of a JAP. So Bloom is kind of using the term, but you can’t repurpose the term when the original is still there.
So as an alternative, I offer up a new term: the Modern Ashkenazi American Woman. It’s very New York, it’s very East Coast, it’s very particular to a type of upbringing and community that in the 1950s and ’60s would have been almost exclusively Conservative Jews, and then may have become a bit more Reform as we’ve gotten into the ’90s and 2000s. They went to the JCC. They probably went to Jewish summer camp.
But even that doesn’t even really speak to the American sense of what Jewish is anymore, because American Jews have become increasingly racially and culturally diverse.
There is also something that’s happening historically with Generation X, and that’s the distance from the two major Jewish events of the 20th century, which is the Holocaust and the creation of Israel.
The Silent Generation and baby boomers still had a lingering sense of existential dread — the sense that we’re not so far removed from an attempted total annihilation of Jews. Gen X and millennials are so far removed from the Holocaust that they don’t feel that same fear.
But the real battleground we’re seeing in contemporary American Judaism is about the relationship to Israel. For baby boomers and even for some older members of Gen X, there’s still a sense that you can criticize Israel, but at the end of the day, it’s your duty to ultimately support Israel’s right to exist. And I think millennials and Zoomers [Gen Z] are much more comfortable with the idea of Israel being illegitimate.
Have you seen that in comedy?
I certainly think you can see the leading edge of that in some millennial stuff. The “Jews on a Plane” episode of “Broad City” is an absolute excoriation of Birthright Israel, and does not seem particularly interested in softening its punches about the whole idea of Jews going to Israel. I think we can see a trend in that direction, where younger American Jewish comedians do not see that as punching down.
You’re teaching a class on Jewish humor. What do your undergraduates find funny? Now that Woody Allen is better known for having married his adoptive daughter and for the molestation allegations brought by another adoptive daughter, do they look at his classic films and ask, “Why are you teaching us this guy?”
For the first time I’m not including Woody Allen. I had shown “Crimes and Misdemeanors” for years because I think it’s his most theological film. I think it’s a great film. And then a couple years ago, I backed off, because some students were responding that it was hard to look at him with all the baggage. He’s still coming up in conversation because you can’t really talk about the people who came after him without talking about him, but for the first time I’m not having them actually watch or read any of his stuff.
They have found things funny that I didn’t expect them to, and they have not found things funny that I would have thought they would. They laughed their way through “Yidl mitn fidl,” the 1936 Yiddish musical starring Molly Picon. I also thought they’d enjoy the Marx Brothers’ “Duck Soup” and they did not laugh once. Some of that is the fact that Groucho’s delivery is just so fast.
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Contributor to Drop Site News Says Israelis Should ‘Be Removed From Our Planet’
Abubaker Abed reporting from Gaza. Photo: Screenshot
Abubaker Abed, a self-described Palestinian journalist and contributor to the far-left news outlet Drop Site News, has come under intense scrutiny following the circulation of social media posts in which he called for the “wiping out” of Israel and said that Israelis “mustn’t feel safe.”
The remarks, which quickly spread across multiple online platforms, have prompted widespread condemnation and renewed skepticism over the credibility and coverage of Drop Site News, a controversial publication fiercely critical of Israel and US foreign policy in the Middle East.
“Wiping out Israel off the planet is not enough revenge. Israelis mustn’t feel safe anymore. Haunt them and go after them where they go. These terrorist parasites must be removed from our planet,” Abed posted on an Instagram story.
Drop Site co-founder Ryan Grim responded to the incident by clarifying that Abed’s comments do not reflect the editorial position or institutional stance of his publication. Grim, a far-left investigative reporter who has repeatedly accused Israel of committing “genocide” in Gaza, did not condemn the statements by Abed.
“We also are never going to police the language of anyone who survived a genocide,” Grim posted on X.
Abed, a social media influencer from Gaza who evacuated to Ireland during the Israel-Hamas war, has previously suggested that attacks on Jewish institutions might be justified if they signal support for Israel.
Following the recent attack on the Temple Beth Israel Synagogue in Michigan, Abed resurfaced a photo from the synagogue featuring an Israel soldier. Abed wrote that the attempted mass casualty event was justified because the assailant defended himself.
“A person is not criminally responsible if they act reasonably to defend themselves against an imminent and unlawful use of force,” Abed wrote in a since-deleted post on X. “Israel murdered his relatives and is illegally bombing and invading his country.”
The FBI said last week that the attack on the largest Jewish temple in Michigan was an “act of terrorism” inspired by Hezbollah, the Iran-backed Lebanese terrorist group committed to Israel’s destruction.
Drop Site, a new media organization which debuted in July 2024, has found itself under immense criticism over its coverage of the Israeli-Palestinian conflict and the broader Middle East. The outlet has consistently characterized Israel as a “genocidal” aggressor stoking chaos and violence throughout the region.
Meanwhile, Drop Site depicts internationally recognized terrorist groups such as Hamas, Hezbollah, and the Houthis in a far more favorable light. Drop Site lead reporter Jeremy Scahill routinely refers to Hamas as “the resistance” and has given softball interviews to Hamas leaders.
Drop Site has also defended the Iranian regime from accusations of terrorism, asserting that Tehran’s goals “center on national sovereignty.” The site contends that Iran has “sought to project influence regionally through allied governments and forces (Hezbollah, Hamas, Houthi, Iraqi Militants, etc.) what’s often called the ‘Axis of Resistance.’”
Some observers have raised alarm bells over the outlet’s growing popularity among establishment mainstream liberals. Ben Rhodes, a former Obama administration official and co-host of the popular “Pod Save America” podcast, has praised the outlet on his social media profile and confirmed he is a subscriber.
Drop Site’s expanding influence does not seem to be confined to left-wing or liberal ideological circles. Right-wing media personality Mike Cernovich contended on X that young conservatives are increasingly reading Drop Site “for Israel news.” Joe Kent, the former director of the US National Counterterrorism Center, over the weekend reposted a Drop Site article pushing Iranian regime propaganda falsely claiming the US was actually trying to kill a downed American airman — just hours before he was dramatically rescued.
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Palestinian-French lawmaker arrested after praising 1972 bomber of Ben Gurion Airport
(JTA) — French police detained Rima Hassan, a member of the European Parliament from France, on suspicion of “advocating for terrorism” after she quoted one of the perpetrators of a 1972 terror attack on an Israeli airport in a social media post.
Hassan, 33, was detained for several hours on Thursday by French authorities over a March 26 post in which she quoted an individual convicted of participating in the 1972 terror attack on Ben Gurion airport in Tel Aviv, which killed 26 people.
The post, which Hassan later deleted, included Japanese and Palestinian flags as well as a quote from Kozo Okamoto, a member of the terror group, which read, “I dedicated my youth to the Palestinian cause. As long as there is oppression, resistance will not only be a right, but a duty.”
The Paris prosecutor’s office said it had released Hassan and given her a court date of July 7 “to be tried on charges of advocating terrorism committed online.” If convicted, Hassan could face up to a seven-year jail term and a fine of up to 100,000 euros, or $115,290.
Hassan, who was elected to the European Parliament in 2024 for the French far-left party France Unbowed, has previously said that “Hamas’s actions are legitimate from an international perspective” and argued that Franco-Palestinians “must be able to join the Palestinian armed resistance.” She also participated in the Gaza-bound flotilla protesting Israel’s blockade of the enclave last June, and, last month, was denied entry into Canada ahead of a scheduled conference appearance.
The arrest came after two France-based antisemitism watchdogs, the International League Against Racism and Antisemitism and the European Jewish Organization, lodged complaints over Hassan’s post.
“Statements presenting the acts committed by terrorists in a favorable light constitute an apology for terrorism,” the European Jewish Organization wrote in a post on X on Thursday. “It is on this basis that the OJE has filed a complaint against RH for the statements made on X and for which she appears to have been placed in police custody today.”
The prosecutor’s office said that Hassan is under investigation in six additional cases, and that 16 other cases involving alleged online hate speech have been closed. Police are also separately investigating “substances resembling CBD and 3-MMC,” illegal drugs, that were found among her belongings.
In a post on X Friday, Hassan, who was born in Syria in a Palestinian refugee camp and has made pro-Palestinian advocacy and fierce criticism of Israel a hallmark of her political career, said that she was the “target of political, judicial, and media harassment.”
“This custody hearing was followed by a fifth summons this Friday, well illustrating the politico-judicial harassment that the Palestinian cause is enduring after more than 2 years of genocide and inaction on the part of our government,” wrote Hassan in a subsequent post.
French Interior Minister Laurent Nuñez dismissed claims that the case against Hassan was politically motivated, saying in a television appearance, “No one is above the law, especially on subjects as serious as the glorification of terrorism.”
The post Palestinian-French lawmaker arrested after praising 1972 bomber of Ben Gurion Airport appeared first on The Forward.
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Michigan Democrats, Jewish leaders uneasy over Senate candidate’s alliance with Hasan Piker
(JTA) — Just weeks after an attack on a Michigan synagogue, a U.S. Senate candidate’s decision to campaign in the state with Hasan Piker — a streamer accused of antisemitic rhetoric — is prompting unease among Jewish leaders and fellow Democrats.
Abdul El-Sayed, a physician and former county health executive, is set to appear with Piker at two different Michigan universities on Tuesday.
The Hillel at Michigan State University said it was “deeply troubled” by Piker’s planned visit to campus, calling him a “known antisemite,” while at least one planned speaker, a state representative, backed out of the rallies citing the concerns of her Jewish constituents.
National Jewish leaders also criticized the planned events, with some comparing Piker to Nick Fuentes, the openly antisemitic livestreamer who has divided Republicans and others drawing a connection to the attack last month on Temple Israel.
“Abdul El-Sayed’s decision to host campaign rallies with Piker is not just alarming; it’s absolutely shocking. It reflects a broader trend: the dangerous normalization of antisemitism in our politics,” tweeted Jonathan Greenblatt, the head of the Anti-Defamation League. “That this is happening in Michigan, where Temple Israel was targeted in a violent antisemitic attack … makes it even more egregious.”
El-Sayed has defended his decision to campaign with Piker, including to Greenblatt, saying that he agrees with Piker on some issues but not others. Their points of agreement, he said, include “the way that AIPAC has decimated our politics and made us think that the most important goal of our foreign policy is to backstop Israel.”
He recently told a pro-Palestinian podcast that Piker’s past comments have been “taken out of context,” adding that Piker represents “where the disaffected people are” and that the streamer “has taken great pains to condemn any attempt to tie the government of Israel to the Jewish people.”
The campaign stops come as both Piker and El-Sayed — both Muslim progressives — face scrutiny over their comments about Jews and Israel.
Piker has increasingly divided Democrats, with a Jewish congressman from Illinois recently calling him “an unapologetic antisemite” even as some of his colleagues have continued to appear with him on his streaming show and in real life.
El-Sayed, meanwhile, grew up in a heavily Jewish suburb of Detroit and has the endorsement of some progressive Jews including former U.S. Rep. Andy Levin. He raised eyebrows with his response to the Temple Israel attack last month — he condemned the attack but also criticized Israel’s offensive in Lebanon, where the attacker’s brother was killed — as well as his reluctance to comment on the death of Iran’s supreme leader, Ayatollah Ali Khamenei.
A former security official with El-Sayed’s campaign recently told a local blog that he had witnessed comments from the candidate that the staffer thought would “give credibility to the claims of [El-Sayed’s] antisemitism and pro-Islamist regimes/factions” before resigning. The blog did not report any specifics.
“Personally, I regret and feel shame for excusing antisemitism and for not leaving sooner,” the former staffer said.
El-Sayed and Piker are set to appear with Rep. Summer Lee of Pennsylvania as well as candidates for local office, at both MSU and the University of Michigan.
In the leadup to the rallies, one of El-Sayed’s primary opponents, state Sen. Mallory McMorrow, as well as the head of the AJC compared Piker to white nationalist Nick Fuentes, who has celebrated Hitler and attacked “organized Jewry.”
Piker’s most vociferous critics have pointed to a history of his comments in which, among other things, he has denied or downplayed that rape took place during the Oct. 7 attacks and compared Houthi rebels to Anne Frank.
Piker rejects allegations of antisemitism. But in a recent interview he expressed regret over some of his more extreme rhetoric, including referring to Haredi Orthodox Jews as “inbred,” and offered additional context for some of his other remarks spotlighted by Greenblatt and other critics including the centrist Democratic group Third Way.
He has also said it is “Islamophobic to say: ‘Oh, this Muslim critic of Israel who has the majority opinion on Israel should not be going to a campaign rally.’”
El-Sayed has suggested that Piker’s critics are more broadly conflating criticism of Israel with antisemitism.
“I love and revere the Jewish people because I love ALL people. And I criticize Israel’s genocide because I love ALL people. I pray someday you understand,” El-Sayed tweeted in response to Greenblatt’s criticism of his association with Piker.
In a subsequent video, the candidate pointed out that former Vice President Kamala Harris invited Piker to stream at the 2024 Democratic National Convention, during her bid for president. He said he would not apologize “for every single video that people put up there that Hasan said this or Hasan said that” — and that he thought the progressive cause was larger than those critiques.
“Any Democrat who tells you that you cannot speak with some group of people because of one offensive thing that they might have said is missing the point of what it means to actually bring people into a legitimate mainstream policy where we can actually fight for the things we need and deserve,” El-Sayed said.
Third Way has called on El-Sayed to outline specifically where his views and Piker’s differ.
“If you insist on campaigning with an extremist like Piker just weeks after an attack on Jews at Temple Israel in Michigan, voters in your state deserve to know what you truly believe and how closely you align with his most abhorrent views,” wrote the group’s president, Jonathan Cowan. He asked six questions including, “Do you also dismiss the mass rape of Jewish and Israeli women by Hamas?” and “Do you believe as he does that ‘Hamas is a thousand times better’ than the Israeli state?”
At least one planned participant, Ann Arbor-based state Rep. Carrie Rheingans, has backed out of the rallies. She told local media that she still endorses El-Sayed and has “heard him denounce antisemitism vehemently multiple times,” but added, “I don’t appreciate many of Piker’s antisemitic comments… Maybe Hasan Piker has some room to learn how his comments affect other people, but I have to say, Jews, Muslims, and Arabs in Michigan are hurting for a lot of really good reasons right now.”
MSU Hillel, meanwhile, did not mention El-Sayed by name in its statement.
“At a time when Jewish students are experiencing heightened fear and vulnerability — especially in the wake of the recent attack on Temple Israel in West Bloomfield — this choice is especially concerning,” the Hillel chapter wrote on Instagram. “Hosting individuals like Hasan Piker who consistently use harmful, inflammatory and antisemitic rhetoric creates a hostile environment for Jewish students, threatening their security and belonging.”
The comparisons between Piker and Fuentes have opened a new flashpoint in debates over the role that streaming personalities are playing in American politics.
“In Piker’s case, his record speaks for itself, the same with Nick Fuentes. I don’t need to go into details about who they are or what they represent,” Ted Deutch, CEO of the American Jewish Committee, told Jewish Insider while urging Democrats not to associate with Piker. “Neither one of them belongs in the middle of the political process as a result of candidates choosing to put them there.”
In a statement, AJC Detroit, the region’s Jewish community relations arm, cautioned associating with both Piker and Fuentes but also did not name any candidates.
“AJC has reached out to leaders of both parties to warn about the dangers of platforming extremists like Hasan Piker and Nick Fuentes and helping them spread their virulent antisemitism,” spokesperson Amy Sapeika wrote. “With increasing polarization and the rise of extremism from the far left and far right, both parties need to make clear that antisemites like them have no place on their stages.”
The comparison is also shaping the Senate race directly. Piker “is somebody who says extremely offensive things in order to generate clicks and views and followers, which is not entirely different from somebody like Nick Fuentes,” McMorrow told Jewish Insider.
The other Democratic candidate in the Senate primary, Rep. Haley Stevens, said El-Sayed was “choosing to campaign with someone who has a history of antisemitic rhetoric” but did not make a Fuentes comparison. (Elissa Slotkin, the state’s centrist Jewish senator who is not up for reelection this year, said she wasn’t familiar with Piker’s rhetoric but that it “sounds deeply antisemitic.”)
Stevens, who is not Jewish, is generally seen as a centrist candidate preferred by AIPAC, the pro-Israel lobby that has emerged as a bogeyman in Democratic politics. McMorrow, who has a Jewish husband and Jewish child, is battling El-Sayed for the progressive mantle: She has the endorsement of liberal Zionist group J Street and has said Israel committed genocide in Gaza.
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