Local News
“The Soundtrack of our Lives”: JHCWC program leaves audience enthralled
Posted July 5 By BERNIE BELLAN (Note: This article first appeared in our June 7 issue but there’s nothing in it that doesn’t bear repeating now.)
Put an audience of aging baby boomers together with three also aging musicians who are experts on Winnipeg’s music scene – and all three great raconteurs besides, along with an MC who is also himself an aging musical aficionado – and what do you get? An afternoon of nostalgia mixed with great humour and the occasional anecdote that defied belief.
Such was the case on a glorious Sunday afternoon, May 28, when, despite the gorgeous weather outside, Temple Shalom was packed with many formerly hirsute men along with an assortment of graying (and a few nicely hair-dyed) women. They were there to attend what was billed as “The Soundtrack of our Lives: Jews in Winnipeg’s Music Industry.”
Although there had been a fair bit of advance billing for the program, including an excellent preview article in the Winnipeg Free Press, even the three experts who had been assembled on stage really had no idea what was going to ensue.
The event was sponsored by the Jewish Heritage Centre of Western Canada, which continues to come up with imaginative programming year after year (even if they haven’t yet agreed to follow up on my proposal to do a program on famous Jewish criminals in Manitoba’s history.)
The three expert panelists included, in order: Owen Clark, a musician of great repute (voted “Winnipeg jazz musician of the year” in 2009), also a historian of Winnipeg’s music scene going back to the 1920s; Len Udow, folk singer, cantor, seven-time performer at the Winnipeg Folk Festival, and recording artist – with three solo albums of his own; and John Einarson, former musician with a number of different bands and the writer of over 20 books telling the stories of a host of different Winnipeg musicians, including his opus, “Heart of Gold,” which is a comprehensive history of Manitoba musicians, and which is now in its fourth printing.
Keeping the entire affair coherent was MC Kinzey Posen, who was able to inject his own experiences as a band member into the proceedings – going back to a time when as, Jewish Heritage Centre former president Dan Stone noted, Kinzey not only had hair, he had lots of it.
Stone told this story about Kinzey (and, like a lot of the stories told that afternoon, it might have been greatly embellished): It seems that Kinzey (a.k.a. Martin) was kicked out of school for two weeks for having too long hair. His parents, Stone claimed, offered Kinzey a deal: “If you cut your hair, we’ll buy you a bass and amplifier.”
Owen Clark was the first of the panelists to talk about Jewish musicians of the past. He began by showing a 1920s era photo on the screen (next to the stage) of the “Minnedosa Little Symphony Orchestra,” led by Leon Asper and his wife, Cecilia.
Thus began a chronology of Jewish musicians and others associated with the music industry, including Harry Smith, owner of Club Morocco, whose real name, Clark revealed, was Herschel Shmudkin.
Among the musicians mentioned by Clark was Al Sprintz who, as Clark noted, “went to Club Morocco for two weeks and stayed for 22 years.”
Clark also discussed the integration of black musicians into bands that had Jewish musicians over the years, noting that, as members of two groups that suffered from discrimination, there was a kinship that led to the breaking down of barriers for both blacks and Jews.
Len Udow took a somewhat different tack than Clark – also later Einarson, as he focused primarily on his own history of growing up in a supremely musically talented family, including his mother Sarah, his aunt Belva, and uncle David, all of whom were talented opera singers.
Udow recounted his early childhood experiences of being in the Rosh Pina children’s choir and performing at the old YMHA on Hargrave as having been significant in his own development as a performer.
He told one story of having been a member of a group as a teenager known as the “Wayward Four Plus One.” According to Udow, the group was invited to appear on the CKY Amateur Hour one time, where they won the competition by beating out someone by the name of Burton Cummings (who played trumpet that day).
Later, Udow told of his many experiences on the stage of the Winnipeg Folk Festival, paying tribute to two pioneers of that festival, Mitch Podolak and Marvin Terhoch.
Speaking of Mitch Podolak (about whom Kinzey Posen wrote a moving tribute in our October 11, 2017 issue, which you can find on our website), John Einarson began his own remarks about Jews in Winnipeg’s music scene through the years by telling this story: It seems that Einarson and Podolak had never met until one day their paths happened to cross and Podolak told Einarson that he was thinking of starting a music festival for Winnipeg. He asked Einarson what he thought of the idea?
Einarson’s answer, he recounted was: “It’ll never work.”
Growing up in the 1950s, Einarson recalled, opened up a whole new world for him – and countless other youngsters, with the invention of the transistor radio.
“It made a great difference in listening to music,” he explained.
“It broke down barriers…Rock ‘n roll was a great equalizer” among kids in those days.
“I grew up with Jewish musicians,” Einarson continued. “They went on to become doctors and lawyers…The place to go for music was community clubs.”
Einarson took the audience through a Powerpoint presentation that showed pictures of bands from the 1950s, 60s and 70s that were either entirely Jewish or else had a majority of Jewish members.
He also paid tribute to others who played instrumental roles in promoting local talent, such as DJs Doc Steen and Howard Mandshein.
There were other notable figures who were important promoters, Einarson noted, including such individuals as Ivan Berkowits (who hit upon the idea of promoting his Monarch Wear brand of jeans known as TJs through music, with girls wearing TJs appearing at community clubs); Fred Glazerman; Frank Wiener (just recently passed), who opened the Hungry I booking agency; Terry Morris; Jerry Shore (who ran Celebrity Box Office); Roy Levin (of Transcontinental Productions, and who was the first to book the Guess Who here): Sam Katz (of Nite Out Entertainment); and Lorne Saifer (the longtime manager of the Guess Who).
Then, there were the club owners, Einarson told about: Jerry Huck (Jay’s Discotheque); Dick Golfman (The Twilight Zone); Bruce Druxerman (The Fireplace); Phil and Ray Kives (The Zoo, on Osborne); and the Gindin family (St. Vital Hotel).
There were also the record store owners: Murray Posner (Mother’s Records); Norman Stein (Opus 69); and Lilian Lewis (Lilian Lewis Records).
One more name Einarson mentioned was Harry Kreindler, of Banquex Amplifiers.
He told the story how former Manitoba Cabinet Minister Maitland Steinkopf had arranged to bring what was then one of the biggest bands in the world, Led Zeppelin, to play at the old Winnipeg Stadium in 1970 in celebration of Manitoba’s Centennial.
It started to rain, Einarson explained, and the band left the stage. “They had a clause saying they didn’t have to play if it started to rain,” Einarson continued.
But Steinkopf went to the hotel where the band was staying, accompanied by a well-known singer at the time, Diane Hetherington, in an attempt to persuade the band to come back and play inside the Winnipeg Arena.
Steinkopf was told the band wouldn’t do that unless he came up with $25,000US in cash. Somehow, he came back with a suitcase loaded with cash –and the concert did carry on – in the Arena.
Einarson also said that there was a story he had heard – which had never been corroborated, and he asked whether anyone had ever heard the same story: It revolved around well-known restaurateur Oscar Grubert and the Rolling Stones.
Apparently Grubert was the promoter who brought the Rolling Stones to Winnipeg. (Einarson said that Grubert had also tried to bring the Beatles to Winnipeg.) The story he had heard, Einarson said, was that the Rolling Stones stayed at Grubert’s Garden City home. (In later correspondence that I had with Einarson, Kinzey Posen, and Stan Carbone, curator of the Jewish Heritage Centre, when I asked all three of them whether they had heard anything more about that story, Stan Carbone suggested that the Stones had stayed at a hotel owned by Grubert and somehow it got misinterpreted that they had stayed at his home. John Einarson later emailed me to confirm that the Stones had stayed at the Champs Motor Inn on Osborne (which was later bought by the Kives brothers and became the Osborne Motor Inn.)
Too bad, it would have been more fun to think that one of the most famous rock ‘n roll bands in the world actually stayed on Forest Park Drive, no doubt eating only kosher food. (Oscar Grubert was at one time head of the Va’ad Ha’ir in this city.)
Speaking of wild misinterpretations, I interrupted Einarson with my own story, which was about Barbra Streisand. I said that, years ago, I was working for another well-known restaurateur (also nightclub owner), Auby Galpern.
By now, the story of Streisand either being fired by Galpern – or leaving Winnipeg of her own accord, is legendary. (She appeared at the Towers Nightclub in July 1961, when she was only 19, and just starting out in her career).
I said that Auby had told me that he fired Streisand because she was “a dirty hippie” and “sang too loud.” (Later Kinzey Posen told me that she couldn’t have been a “dirty hippie” in 1961; a “dirty beatnik” maybe. Why am I always being corrected?)
A very good website about the history of Winnipeg, known as “Local Dumplings” takes issue with that account of what happened: “Local lore says that Streisand was ‘fired’ by T & C co-owner Auby Galpern and told that she would never make it as a cabaret singer. That has recently been disputed by a couple of former senior T & C staffers who say that she was released early at the request of her agent to return to the U.S. for work.
“In an April 23, 1964 Gene Telpner column, Galpern said of Streisand’”I liked her but I thought she dressed very strangely (she bought her wardrobe at rummage sales to give her an eclectic look).”
In any event, my recalling the famous Barbra Streisand story set off a chain of comments – both from panelists and from audience members, but the wildest stories revolved around Barbra Streisand supposedly being set up on a blind date while she was in Winnipeg. (Later, John Einarson wrote me that would have been impossible because she was only here three nights and would have been performing each evening, so when would she have had time for a date?)
Regardless, the craziest story came from one audience member who said he had heard that Barbra was set up with Ron Braunstein who, at the time, was a very successful curler on his brother Terry’s team. According to what the audience member said, Ron Braunstein told Barbra that, unless she wanted to come to a curling match that night, he couldn’t make it. But this was July! See how tell tales get started! (In subsequent email correspondence with Einarson, Posen, and Carbone, I suggested that I wouldn’t be surprised if the two wild stories – about the Rolling Stones and Barbra Streisand, got so intertwined some day that someone would say they had heard that Barbra Streisand was set up on a blind date with Mick Jagger at Oscar Grubert’s house.)
Speaking of clubs, John Einarson recalled that Winnipeg musicians, after they had finished their gigs in various clubs, used to head over to the Club Morocco after 1 am because it was the only club still serving food.
Someone in the audience brought up the name of another club, The Fourth Dimension (later bought by Mickey Cooperband). Einarson said that many famous musicians had played there, including Stephen Stills, Joni Mitchell, Don McLean, and Neil Young. (Later, after the program was over, someone told me that a musician by the name of Bob Zimmerman (a.k.a. Bob Dylan) used to come to Winnipeg to visit relatives here and stay at Neil Young’s house.)
Len Udow told an amusing story about musician Bernie Senensky. Apparently Udow and Senensky were in a Grade 10 British History class together in high school.
“We were not great students,” Udow remarked. “We didn’t share our intellect with anyone.”
Still, Udow recalled, when he would look over at Senensky, he was busy arranging music rather than paying attention to what was going on in class. “He was so obsessed with music,” Udow said. You could see what lay ahead for Senensky, who went on to a great career as a jazz pianist and composer.
One final – and very astute observation was brought up by someone else in the audience who observed that, while community clubs might have been the venues of choice for rock ‘n roll, church halls were where folk music could be heard. Then, one election year in Manitoba, Gary Doer hit upon the idea of going after the youth vote by promising to lower the drinking age to 18 from 21 – and all of a sudden all those kids congregating in church halls listening to folk music were now able to hit the bars – “and that killed the folk music scene.”
It was truly a great afternoon of memories and anecdotes. I had noticed someone was videoing the program when I walked in, so I emailed Stan Carbone to ask whether a video of the program might be available for people to see. He said he’ll get back to me with further information.
Local News
Rachel Fish, leader in combating antisemitism in academia, this year’s Kanee Distinguished Lecture series speaker
By MYRON LOVE The Jewish Heritage Center of Western Canada would seem to have hit another home run with the announcement that Dr. Rachel Fish, a leading voice in tackling anti-Zionism and Jew hatred in North American academia, is this year’s guest speaker at the JHCWC’s upcoming annual Sol and Florence Kanee Distinguished Lecture – which is scheduled for Thursday, April 30, at the Shaarey Zedek Synagogue.
The theme of her timely lecture will be“How the Academy Has Created a Fertile Ground for Antisemitism,” a topic in which she is well versed. Fish has an impressive resumé. She is the co-founder of the nonprofit “Boundless,” a think tank partnering with community leaders across North America to revitalize Israel education and take bold collective action to combat antisemitism. She also serves as Director for The Brandeis University President’s Initiative on Antisemitism; is an associate research professor at the Cohen Center for Modern Jewish Studies; and teaches Israeli history and society at The George Washington University as Visiting Assistant Professor of Educational Leadership in the Graduate School of Education and Human Development.
In the past, she has served as Senior Advisor and Resident Scholar at the Paul E. Singer Foundation in New York City and Executive Director of the Schusterman Center for Israel Studies, where she trained the next generation of academics in the field of Israel Studies. She has also served on the faculty at Brandeis University, George Washington University, and Harvard University. She has has written articles for several publications in the mainstream press and academic journals, and co-edited the book “Essential Israel: Essays for the 21st Century.”
I had the pleasure of speaking with Dr. Fish a couple of weeks ago. My first question to her was how she finds the time to do all that she does. Her response is that there are not enough hours in the day. Her multiple activities remind me of an expression I heard once years ago while I was a member of a short-lived Jewish international development group – “if you want to make sure something gets done, you give it to the busiest person you know.”
Fish observes that she has been explaining Judaism to non-Jews all of her life. “I was raised in Tennessee in a place called Johnson City in the foothills of the Smokey Mountains,” she recounts. “My parents were originally from Ohio. There were very few Jews where we lived. My family spent a lot of time teaching our neighbours, teachers in my school and others we associated with about Jews, our practices and the State of Israel.”
She recalls – as early as 2001 when she was studying at Harvard’s Divinity School, that she was noticing what she describes as a “strong undercurrent of anti-Israel feeling and Jew-hatred”.
“I was determined to pursue a career in higher education,” she notes, “in part because I believe that education matters, because I derive oxygen from teaching, and I particularly enjoy dealing with complex issues. As well, I appreciate the opportunities that teaching at the university level gives me to share what I have learned in public forums such as the Kanee Lecture.”
Ideally, she observes, a professor should not – as much as humanly possible – be sharing her political or personal opinions in class. Higher education should be about creating a space where students can debate freely and challenge each other’s ideas. Instead (as I am sure many readers are aware), too many educators are focused on indoctrinating their students in the teacher’s beliefs – with students with dissident opinion facing hostility and risking ostracism.
Too many universities have become ideological monocultures where critical thinking is discouraged and there is a litmus test for new hires. She cites a FIRE (Foundation for Individual Rights and Expression) report in which an overwhelming majority of the faculty at many leading universities share a leftist – anti-Israel, anti-Christian and anti-Conservative worldview.
That is particularly true with Ivy league and other elite universities in both the United States and Canada – and especially in their liberal Arts and Humanities programs. Much of the anti-Zionist and antisemitic atmosphere – such as the takeover of university quadrants in the wake of October 7 – has been created by outside agitators and foreign funders – notably the oil rich Islamic sheikhdom of Qatar.
“Where you have universities with strong administrative leadership,” she points out, “the level of hostility to Jewish students and threats of violence have not been allowed to take root. It has only been the case where the administration and the board are weak.”
So why, I asked her, do so many Jewish students not seek out alternatives to these compromised campuses?. She responded that some Jewish students have chosen to enrol in universities in the southern United States where there is a more welcoming environment.
But many Jewish students, she observes, continue to enrol in leading universities such as Harvard and Yale, Cornell and UCLA (or York or the University of Toronto in Canada). Many Jewish students still share the belief that being identified with being affiliated with a top flight university will benefit their future careers.
Sadly, she further points out, this poison has filtered down to the K-12 level. Many university education departments have graduated numerous indoctrinated teachers who have taken control of school boards and administrations and seek to impose their vile doctrines on susceptible young minds.
Nevertheless, there are a great many state and lesser known universities that provide a more welcoming attitude to Jewish students.
Rachel Fish suggest that, for too long, North American Jewish communities have been complacent and not recognized the danger in our midst. She does see some hopeful signs though. She has observed that more and more communities, parents and student s have woken to the danger and begun to fight back.
“It’s difficult,” she acknowledges. “It can feel overwhelming. But we have to keep chipping away and not just let the other side win.”
The Sol and Florence Kanee Distinguished Lecture series was inaugurated by the Jewish Heritage Centre of Western Canada in 2006 to celebrate Sol Kanee’s 95th birthday. In welcoming the audience to that first lecture, lecture series co-chair Harold Buchwald paid tribute to Kanee, who died on April 23 at 97, as a man who “cast a giant shadow” on world Jewish history in the second half of the 20th century. The former resident of Melville, Saskatchewan, who spent almost all of his adult life in Winnipeg, Kanee was a leader in the development of Israel and the Free Soviet Jewry movement as well as a macher in our Jewish community and across Canada.
I would encourage readers who may be interested in learning more about the current state of antisemitism in academia – and want to support the JHCWC to go online at jhcwc.org for further information or to order tickets. The price of admission is $50.
Local News
Young tech entrepreneur Adam Fainman gathering accolades locally and internationally
By MYRON LOVE Winnipegger Adam Fainman is taking the world by storm. In fewer than three years his new AI start-up – Moonlite Labs – has attracted thousands of users in 550 cities in 95 countries world wide.
As he explained in an interview in the Winnipeg Sun last June, Moonlite Labs is “a creative content platform designed to make multimedia storytelling radically more accessible. With a few prompts,” he noted, “users can generate professional grade videos, animations, voiceovers, talking avatars, music-reactive visuals, and more.”
On Tuesday, February 24, the young entrepreneur garnered his newest accolade when Winnipeg-based North Forge, Canada’s only start-up incubator, accelerator and fabrication lab, gave Fainman its DARE Emerging Innovator Award at a reception at the Royal Aviation Museum of Western Canada.
“I dedicated the award to my zaida, Jacob T. Schwartz,” Fainman says, noting that his zaida was a prominent computer scientist and professor of Computer Science at the New York University Courant Institute of Mathematical Science, and founder, in 1964, of New York University’s Department of Computer Science – which he chaired for 16 years.
At the awards evening, Fainman adds, he had the opportunity to meet many of the movers and shakers in the industry here.
The son of Shane and Rachel Fainman began his life in Toronto. “My father is from Winnipeg, my mother from New York. They met in the Sinai Desert at a music festival.”
The family moved to Winnipeg in 2006 when Adam was in high school. After graduating from the University of Winnipeg Collegiate he went on to earn a B.Sc. in Computer Science from the University of Winnipeg.
“Performing was always my first love” he says.
Post university, he began a career as a rapper, beatboxer, and producer under the stage name Beatox, touring across Canada and central Europe with his rare ability to combine story-telling and singing.
In 2015, he enrolled in a two-year digital media and design program at Red River Community College. After graduation, on the encouragement of a University of Toronto professor, he continued his studies in Toronto earning a Masters Degree in Music Technology and Digital Marketing.
“During the Covid shutdown,” he recounts, “I began experimenting with AI and producing music videos combining music, story-telling and animation. I posted them on social media sites such as YouTube and TikTok. They went viral, garnering millions of views. People were asking me if I could help them with creating similar videos. I saw there was a gap in accessibility to this technology, so I decided I should create a platform as a solution”
“A friend of mine, Brayden Bernstein was involved in the tech scene in Winnipeg, saw the success I was having on TikTok and gave me some advice on how to go about this” Fainman continues. “As well, a few colleagues from the University of Winnipeg expressed interest in building a solution together.”
Wanting to create a platform that would make it easy for others to replicate what he was doing, Fainman sought out resources in Winnipeg that might be able to help him.
He pitched his idea first to NRC-IRAP (National Research Council of Canada Industrial Research Assistance Program), Canada’s leading innovation assistance program for small and medium-sized businesses,
“They loved the concept and traction I was getting, and agreed to help fund us,” Fainman says.
His next stop was North Forge – in 2024 – where Moonlite joined their Ascent Program and was matched with mentors.
In early 2025, Moonlite Labs made its official debut at the Manitoba AI Innovation Showcase where the new company was greeted with an award. “It was a massive confidence boost,” Fainman told the Sun in that earlier interview. “It was our first time sharing with the public what we’ve been up to for the last year. To win the award… that was very, very rewarding.”
Last June, the company made its presence known on the international stage at VivaTech 2025 in Paris — Europe’s largest startup and tech conference, with over 180,000 visitors.
Moonlite was selected as one of TechCrunch’s Top 30 Startups of the Year, a shortlist that included only two Canadian companies.
“Getting the AI Showcase award, getting into VivaTech, being selected as one of the top 30 startups of the Year by TechCrunch, that was pretty crazy,” Fainman told the Sun.“Backed by ScaleAI, Moonlite joined Canada’s official delegation at VivaTech, which had special visibility this year with Canada named Country of the Year at the conference.
“We had a massive space. The French president came through our whole area. It was the craziest thing,” Fainman recalled. “Everyone had their phones. It was like a mob… then we’re like, oh my God, it’s the French president. People were freaking out.”
As per the Sun story, Fainman was given two days to showcase Moonlite, with a booth for both the platform’s business-to-business (B2B) and business-to-consumer (B2C) offerings. But the most personal moment came on stage, where he delivered a presentation showcasing his journey from beatboxing artist to tech founder.
With Moonlite Labs growing exponentially, Faiman and his team of eight are hoping to become as ubiquitous as Adobe and Canva. “My ultimate goal is to help as many people as possible to create professional-grade videos and ultimately share their stories,” he comments.
He himself, he adds, is hoping to get back to live performances as well. “I recently appeared at Festival du Voyageur and I have just completed my 4th studio album. I can’t wait to use Moonlite for all my videos and world building” he reports.
Readers who might want to try Moonlite for themselves can go to https://moonlitelabs.com
You can get in touch with Adam Fainman at adam@moonlitelabs.com
Local News
Richard Morantz and Sheree Walder fund new MBA degree, annual real estate symposium, at Hebrew University
By MYRON LOVE Last October, the husband and wife team of Richard Morantz and Sheree Walder donated $1 million towards the Shaarey Zedek Synagogue’s ongoing capital campaign. Last month, the couple followed up with an equally generous donation – this time to the Canadian Friends of the Hebrew University, to establish a new degree program in real estate through the Hebrew University’s business school.
“We are long time supporters of the Canadian Friends of the Hebrew University,” notes Walder, who is a lawyer and former partner in the firm Myers LLP.
“We had funded some smaller projects at the Hebrew University, adds Morantz, the president and CEO of Globe Property Management, one of Canada’s leading privately-held residential real estate firms.
(Globe was founded in the 1920s by Richard’s grandfather, Morris. Richard became the company’s sole shareholder in the mid-1990s after buying out his father Saul, and his siblings. Under Richard’s leadership, the company has expanded steadily and strategically, acquiring and developing real estate almost every year for the past three decades. Over the last 30 years, he has built an impressive and diverse portfolio, which includes over 8000 residential and commercial properties, particularly notable given that Globe remains privately owned and independently operated.
“Two years ago, we approached the (Hebrew) University about doing something more impactful. Since I am a businessman in real estate, we wanted to work on a project with the business school.”
The first fruits of the relationship between Richard and Sheree and the university was the establishment the annual Richard Morantz Real Estate Symposium in the Hebrew University Business School (HUBS) MBA Program.
“I was able to attend the most recent symposium in November,” Morantz reports. “I wanted to see for myself how this was working.”
Morantz also used the occasion to arrange – with the help of CFHU executive director (and former executive director of the JNF office here) Rami Kleinmann – a meeting with HUBS officials about building on the symposium and creating a new MBA program at the university.
The Richard Morantz Major in Real Estate and Finance, in the words of Business School President Dr. Orly Sade, “will, together with traditional academics, feature non-academic practitioners and leaders in all aspects of the real estate industry, providing students an opportunity to expand their professional networks, while gaining real-world industry insights and bridging the gap between theory and practice.
In a press release issued on February 24, Seade added that “this investment is a defining moment in the evolution of the school. The importance of an academic discipline focused solely on the real estate sector has significantly increased, owing to an understanding of the sector’s unique position in the global economy and international finance. HUBS consistently ranks within the top five business schools in Eurasia & the Middle East. The addition of this major will further elevate HUBS academic offerings, and the annual symposium will help expand the Hebrew University and Israel’s footprint as a global hub for intellectual exchange in the sector, drawing diverse professionals from around the world, fostering cross-border collaboration, increasing visibility, and contributing to the potential to attract top-level investors.”
Kleinmann further pointed out that “Richard’s comprehensive industry knowledge, combined with his dedication to Israel and the University, has resulted in an innovative academic program that, combined with the Symposium, is setting a new benchmark for industry education. We are all extremely grateful and look forward to the outcomes.”
As reported in the Jewish Post in relation to the couple’s donation to the Shaarey Zedek, Morantz noted that it was the Hamas-led assault on Israel and subsequent tsunami of antisemitism worldwide that prompted Richard and Sheree to consider stepping up and contributing to the Shaaray Zedek campaign in such a magnanimous way.
“I have never been a religious person,” Morantz remarked. “While I may be more secular, I strongly believe in the traditions of Judaism. I had a charmed upbringing in the 60s and 70s in River Heights. It is not the case that I experienced no antisemitism, but those experiences were very minimal. Post-October 7th, I found myself, for the first time in my life, having to judge every situation and every person I came across before divulging the fact that I am Jewish or discussing Israel. I came to the realization, during the process of considering this donation, that a primary driver for us is that this synagogue is a safe place for Jews, where we can comfortably be ourselves.”
Walder pointed out that, while her mother’s large family were Jewish pioneers, her father was a Romanian Holocaust survivor, with almost no family after the war. “Family matters a great deal to us,” she said, “in addition to strongly agreeing with Richard that the tragedy of October 7th and continuing and growing antisemitism are big drivers for us in making these donations.”
“There will be an event celebrating the new MBA program at the Hebrew University’s Board of Governors meeting in June,” Morantz says. “We are looking forward to attending.”