Local News
“The Soundtrack of our Lives”: JHCWC program leaves audience enthralled
Posted July 5 By BERNIE BELLAN (Note: This article first appeared in our June 7 issue but there’s nothing in it that doesn’t bear repeating now.)
Put an audience of aging baby boomers together with three also aging musicians who are experts on Winnipeg’s music scene – and all three great raconteurs besides, along with an MC who is also himself an aging musical aficionado – and what do you get? An afternoon of nostalgia mixed with great humour and the occasional anecdote that defied belief.
Such was the case on a glorious Sunday afternoon, May 28, when, despite the gorgeous weather outside, Temple Shalom was packed with many formerly hirsute men along with an assortment of graying (and a few nicely hair-dyed) women. They were there to attend what was billed as “The Soundtrack of our Lives: Jews in Winnipeg’s Music Industry.”
Although there had been a fair bit of advance billing for the program, including an excellent preview article in the Winnipeg Free Press, even the three experts who had been assembled on stage really had no idea what was going to ensue.
The event was sponsored by the Jewish Heritage Centre of Western Canada, which continues to come up with imaginative programming year after year (even if they haven’t yet agreed to follow up on my proposal to do a program on famous Jewish criminals in Manitoba’s history.)
The three expert panelists included, in order: Owen Clark, a musician of great repute (voted “Winnipeg jazz musician of the year” in 2009), also a historian of Winnipeg’s music scene going back to the 1920s; Len Udow, folk singer, cantor, seven-time performer at the Winnipeg Folk Festival, and recording artist – with three solo albums of his own; and John Einarson, former musician with a number of different bands and the writer of over 20 books telling the stories of a host of different Winnipeg musicians, including his opus, “Heart of Gold,” which is a comprehensive history of Manitoba musicians, and which is now in its fourth printing.
Keeping the entire affair coherent was MC Kinzey Posen, who was able to inject his own experiences as a band member into the proceedings – going back to a time when as, Jewish Heritage Centre former president Dan Stone noted, Kinzey not only had hair, he had lots of it.
Stone told this story about Kinzey (and, like a lot of the stories told that afternoon, it might have been greatly embellished): It seems that Kinzey (a.k.a. Martin) was kicked out of school for two weeks for having too long hair. His parents, Stone claimed, offered Kinzey a deal: “If you cut your hair, we’ll buy you a bass and amplifier.”
Owen Clark was the first of the panelists to talk about Jewish musicians of the past. He began by showing a 1920s era photo on the screen (next to the stage) of the “Minnedosa Little Symphony Orchestra,” led by Leon Asper and his wife, Cecilia.
Thus began a chronology of Jewish musicians and others associated with the music industry, including Harry Smith, owner of Club Morocco, whose real name, Clark revealed, was Herschel Shmudkin.
Among the musicians mentioned by Clark was Al Sprintz who, as Clark noted, “went to Club Morocco for two weeks and stayed for 22 years.”
Clark also discussed the integration of black musicians into bands that had Jewish musicians over the years, noting that, as members of two groups that suffered from discrimination, there was a kinship that led to the breaking down of barriers for both blacks and Jews.
Len Udow took a somewhat different tack than Clark – also later Einarson, as he focused primarily on his own history of growing up in a supremely musically talented family, including his mother Sarah, his aunt Belva, and uncle David, all of whom were talented opera singers.
Udow recounted his early childhood experiences of being in the Rosh Pina children’s choir and performing at the old YMHA on Hargrave as having been significant in his own development as a performer.
He told one story of having been a member of a group as a teenager known as the “Wayward Four Plus One.” According to Udow, the group was invited to appear on the CKY Amateur Hour one time, where they won the competition by beating out someone by the name of Burton Cummings (who played trumpet that day).
Later, Udow told of his many experiences on the stage of the Winnipeg Folk Festival, paying tribute to two pioneers of that festival, Mitch Podolak and Marvin Terhoch.
Speaking of Mitch Podolak (about whom Kinzey Posen wrote a moving tribute in our October 11, 2017 issue, which you can find on our website), John Einarson began his own remarks about Jews in Winnipeg’s music scene through the years by telling this story: It seems that Einarson and Podolak had never met until one day their paths happened to cross and Podolak told Einarson that he was thinking of starting a music festival for Winnipeg. He asked Einarson what he thought of the idea?
Einarson’s answer, he recounted was: “It’ll never work.”
Growing up in the 1950s, Einarson recalled, opened up a whole new world for him – and countless other youngsters, with the invention of the transistor radio.
“It made a great difference in listening to music,” he explained.
“It broke down barriers…Rock ‘n roll was a great equalizer” among kids in those days.
“I grew up with Jewish musicians,” Einarson continued. “They went on to become doctors and lawyers…The place to go for music was community clubs.”
Einarson took the audience through a Powerpoint presentation that showed pictures of bands from the 1950s, 60s and 70s that were either entirely Jewish or else had a majority of Jewish members.
He also paid tribute to others who played instrumental roles in promoting local talent, such as DJs Doc Steen and Howard Mandshein.
There were other notable figures who were important promoters, Einarson noted, including such individuals as Ivan Berkowits (who hit upon the idea of promoting his Monarch Wear brand of jeans known as TJs through music, with girls wearing TJs appearing at community clubs); Fred Glazerman; Frank Wiener (just recently passed), who opened the Hungry I booking agency; Terry Morris; Jerry Shore (who ran Celebrity Box Office); Roy Levin (of Transcontinental Productions, and who was the first to book the Guess Who here): Sam Katz (of Nite Out Entertainment); and Lorne Saifer (the longtime manager of the Guess Who).
Then, there were the club owners, Einarson told about: Jerry Huck (Jay’s Discotheque); Dick Golfman (The Twilight Zone); Bruce Druxerman (The Fireplace); Phil and Ray Kives (The Zoo, on Osborne); and the Gindin family (St. Vital Hotel).
There were also the record store owners: Murray Posner (Mother’s Records); Norman Stein (Opus 69); and Lilian Lewis (Lilian Lewis Records).
One more name Einarson mentioned was Harry Kreindler, of Banquex Amplifiers.
He told the story how former Manitoba Cabinet Minister Maitland Steinkopf had arranged to bring what was then one of the biggest bands in the world, Led Zeppelin, to play at the old Winnipeg Stadium in 1970 in celebration of Manitoba’s Centennial.
It started to rain, Einarson explained, and the band left the stage. “They had a clause saying they didn’t have to play if it started to rain,” Einarson continued.
But Steinkopf went to the hotel where the band was staying, accompanied by a well-known singer at the time, Diane Hetherington, in an attempt to persuade the band to come back and play inside the Winnipeg Arena.
Steinkopf was told the band wouldn’t do that unless he came up with $25,000US in cash. Somehow, he came back with a suitcase loaded with cash –and the concert did carry on – in the Arena.
Einarson also said that there was a story he had heard – which had never been corroborated, and he asked whether anyone had ever heard the same story: It revolved around well-known restaurateur Oscar Grubert and the Rolling Stones.
Apparently Grubert was the promoter who brought the Rolling Stones to Winnipeg. (Einarson said that Grubert had also tried to bring the Beatles to Winnipeg.) The story he had heard, Einarson said, was that the Rolling Stones stayed at Grubert’s Garden City home. (In later correspondence that I had with Einarson, Kinzey Posen, and Stan Carbone, curator of the Jewish Heritage Centre, when I asked all three of them whether they had heard anything more about that story, Stan Carbone suggested that the Stones had stayed at a hotel owned by Grubert and somehow it got misinterpreted that they had stayed at his home. John Einarson later emailed me to confirm that the Stones had stayed at the Champs Motor Inn on Osborne (which was later bought by the Kives brothers and became the Osborne Motor Inn.)
Too bad, it would have been more fun to think that one of the most famous rock ‘n roll bands in the world actually stayed on Forest Park Drive, no doubt eating only kosher food. (Oscar Grubert was at one time head of the Va’ad Ha’ir in this city.)
Speaking of wild misinterpretations, I interrupted Einarson with my own story, which was about Barbra Streisand. I said that, years ago, I was working for another well-known restaurateur (also nightclub owner), Auby Galpern.
By now, the story of Streisand either being fired by Galpern – or leaving Winnipeg of her own accord, is legendary. (She appeared at the Towers Nightclub in July 1961, when she was only 19, and just starting out in her career).
I said that Auby had told me that he fired Streisand because she was “a dirty hippie” and “sang too loud.” (Later Kinzey Posen told me that she couldn’t have been a “dirty hippie” in 1961; a “dirty beatnik” maybe. Why am I always being corrected?)
A very good website about the history of Winnipeg, known as “Local Dumplings” takes issue with that account of what happened: “Local lore says that Streisand was ‘fired’ by T & C co-owner Auby Galpern and told that she would never make it as a cabaret singer. That has recently been disputed by a couple of former senior T & C staffers who say that she was released early at the request of her agent to return to the U.S. for work.
“In an April 23, 1964 Gene Telpner column, Galpern said of Streisand’”I liked her but I thought she dressed very strangely (she bought her wardrobe at rummage sales to give her an eclectic look).”
In any event, my recalling the famous Barbra Streisand story set off a chain of comments – both from panelists and from audience members, but the wildest stories revolved around Barbra Streisand supposedly being set up on a blind date while she was in Winnipeg. (Later, John Einarson wrote me that would have been impossible because she was only here three nights and would have been performing each evening, so when would she have had time for a date?)
Regardless, the craziest story came from one audience member who said he had heard that Barbra was set up with Ron Braunstein who, at the time, was a very successful curler on his brother Terry’s team. According to what the audience member said, Ron Braunstein told Barbra that, unless she wanted to come to a curling match that night, he couldn’t make it. But this was July! See how tell tales get started! (In subsequent email correspondence with Einarson, Posen, and Carbone, I suggested that I wouldn’t be surprised if the two wild stories – about the Rolling Stones and Barbra Streisand, got so intertwined some day that someone would say they had heard that Barbra Streisand was set up on a blind date with Mick Jagger at Oscar Grubert’s house.)
Speaking of clubs, John Einarson recalled that Winnipeg musicians, after they had finished their gigs in various clubs, used to head over to the Club Morocco after 1 am because it was the only club still serving food.
Someone in the audience brought up the name of another club, The Fourth Dimension (later bought by Mickey Cooperband). Einarson said that many famous musicians had played there, including Stephen Stills, Joni Mitchell, Don McLean, and Neil Young. (Later, after the program was over, someone told me that a musician by the name of Bob Zimmerman (a.k.a. Bob Dylan) used to come to Winnipeg to visit relatives here and stay at Neil Young’s house.)
Len Udow told an amusing story about musician Bernie Senensky. Apparently Udow and Senensky were in a Grade 10 British History class together in high school.
“We were not great students,” Udow remarked. “We didn’t share our intellect with anyone.”
Still, Udow recalled, when he would look over at Senensky, he was busy arranging music rather than paying attention to what was going on in class. “He was so obsessed with music,” Udow said. You could see what lay ahead for Senensky, who went on to a great career as a jazz pianist and composer.
One final – and very astute observation was brought up by someone else in the audience who observed that, while community clubs might have been the venues of choice for rock ‘n roll, church halls were where folk music could be heard. Then, one election year in Manitoba, Gary Doer hit upon the idea of going after the youth vote by promising to lower the drinking age to 18 from 21 – and all of a sudden all those kids congregating in church halls listening to folk music were now able to hit the bars – “and that killed the folk music scene.”
It was truly a great afternoon of memories and anecdotes. I had noticed someone was videoing the program when I walked in, so I emailed Stan Carbone to ask whether a video of the program might be available for people to see. He said he’ll get back to me with further information.
Local News
New young (and not so young) talent added to list of Jewish high achievers at most recent Winnipeg Music Festival
By MYRON LOVE The most recent (107th annual) Winnipeg Music Festival – which takes place annually in March – produced another group of Jewish musical stars – including several who were new to the competition. Joining repeat high achievers – such as Yale Rayburn-Vander Hout, Gregory Hyman, Alex Schaeffer, Juliet Eskin and Noah Kravetsky – this year the winner’s circle also included: Lyla Chisick, Lotan Berenstein, Benji Greenberg and Shani Groisman..
While the overwhelming majority of the music festival entrants are pre-teens and teenagers, Greenberg, who is 38, and Groisman – who recently celebrated her 20th birthday – are exceptions to that pattern.
Shani, who finished first in the PIANO SOLO, LATE ROMANTIC COMPOSERS, GRADE/LEVEL 10 category – is an accomplished pianist, singer, and music teacher, who has participated in numerous international and local festivals and piano competitions. As a teacher, she teaches students ranging from beginners to Level 5.
The daughter of Marina and Boris Groisman arrived in Winnipeg from Israel 10 years ago. Shani says that she began taking piano lessons when she was 5.
“This competition was something new for me,” observes the Grant Park High School graduate. . “I entered for the challenge. David Moroz, my teacher at the (University of Manitoba’s) Desautels School of Music was very supportive. I am looking forward to next year’s festival.”
Benji Greenberg reports that it was her singing teacher, Geneva Halverson, who encouraged her to enter the competition, A lawyer by training, who currently works as a children’s advocate for Manitoba Advocate for children and youth, Benji notes that while she has always enjoyed singing and has appeared over the years in musical productions in high school and shows staged by the Manitoba Bar Association, it was only about a year ago that she decided to take singing lessons “to learn to sing properly”.
The daughter of Debbie and Harley Greenberg, Benji competed in two categories – Musical Theatre 1965 to 2000, and Musical Theatre pre-1965 – for singers 16 and over. In both categories, she was runner-up to Yale Rayburn Vander Hout, a veteran of four years now in the competition.
“I loved being on stage,” Benji says. “I am looking forward to the next year’s competition.”
Yale Rayburn-Vander Hout continues to build on his accomplishments at the yearly festival. Last year, his third year in the competition, the 18-year-old son of Samantha and Peter was awarded the prestigious Gilbert and Sullivan Society Trophy – awarded for the most outstanding performance in a competition of winners of Gilbert & Sullivan classes.
A former Gray Academy student, he graduated from the University of Winnipeg Collegiate, and is currently in his first year at the Desautels Faculty of Music, where he is studying under the guidance df Donna Fletcher, the co-founder of Dry Cold Productions.
Yale – who has already graced our local stages, notes that he is hoping to pursue a career in musical theatre.
Gregory Hyman is a multi-faceted artist who can do it all. The 17-year-old son of Hartley and Rishona Hyman is a singer/songwriter/musician (guitar) who records and performs under the stage name, GMH. His versatility shone through once again in his seventh Music Festival, in which he registered three first-place finishes – once for guitar (20th and 21st century composers), and twice for vocals (popular and contemporary music and TV and movie music).
The St. John’s-Ravenscourt student has been busy on stage the past couple of months – headlining his own show at Sidestage on Osborne on March 2 and opening for musician/singer/’songwriter Goody Grace at the Park Theatre on March 16. His next solo performance was scheduled for the Rec Room on Friday, May 9.
Gregory has put out three albums – which readers can check out on any of the music streaming platforms as well as his own Instagram page (thegmh). He also continues to host his own podcast – “Talk and Rock with GMH”- now in its fifth season – in which he interviews various people in the music business across Canada.
Fifteen-year-old Alex Schaeffer registered one first place finish this year in the Canadian musicals 16 and under category. For the son of Marc Schaeffer and Kae Sasake, this was his fourth year competing in the festival
Both Alex and his older sister, Hannah (both Grant Park students), continue their nascent careers on stage. Alex made his big stage debut last year as one of the Von Trapp children in MTC’s production of “The Sound of Music” – followed by an appearance in the Manitoba Opera production of Carmen as a member of the children’s chorus.
Both Hannah and Alex recently performed in Grant Park High School’s production of A Chorus Line (Hannah played Cassie, and Alex played Paul), and Meraki Theatre’s production of Twelfth Night (Hannah played Malvolio, Alex played Antonio).
This summer Hannah and Alex will be performing in three different shows with Meraki Theatre and Rem Lezar Theatre at the Winnipeg Fringe Festival.
In the fall. Hannah will be off to to Oakville. Ontario to attend Sheridan College where she will be studying Musical Theatre Performance.
Juliet Eskin, 15, also stood out. In this her fourth go-round at the festival, the daughter of the musically talented Kelly Robinon and Josh Eskin took home three golds in: the viola solo, level 7 categories; Romantic composer, Baroque and Concerto; and was recommended by the adjudicator to compete for the Swedish Musical Club Trophy.
Juliet originally took up violin – adding the viola a couple of years ago. Outside of the music festival, she is the violist in the Assiniboine String Quartet and just finished performing in Evil Dead the Musical at MTYP, as well as singing the role of Sheila in A Chorus Line.
Rounding out this year’s returning Jewish WMF star was pianist Nate Kravetsky. playing piano.
Twelve-year-old Nate and older brother Noah, 15, the sons of Dr. Azriel Kravetsky and Dr. Carrie Palatnick, both attend Gray Academy – and have been taking piano lessons from Erica Schultz since they were five years old. Last year, Nate won gold in three classes: Baroque, Sonatina and Canadian Composer. In this year’s music festival, he completed in two classes: sonatina and own choice. He won gold in both classes.
His favourite thing about learning piano, Nate says, is getting to express himself and play a contemporary piece from a movie or video game when the festival is over.
This year’s music festival was the first for 11-year-old songstress Lyla Chisick – and the daughter of Daniel and Baillee Chisick acquitted herself quite well. She competed in five categories and achieved gold in three: solo performances in Own Choice; Musicals, 2965 to 1999; and 20th and 21st century English Art Song.
Lyla reports that she began taking voice lessons from Jessica Kos-Whicher abougt 18 months ago. “I really love singing,” she says. “It is a great activity.
“I am looking forward to next year’s festival.”
Lyla, Gregory and Yale were also recommend for the Provincials which will be held the weekend of May 24-26. Yale was recommended in the musical theatre category, while Gregory and Lyla were recommended in the TV and Movie category. Gregory was also recommended in the Popular Contemporary category, while Lyla was further recommended in the Vocal Primary category.
We look forward to the continued musical success off Yale, Gregory, Shani, Benji, Alex, Nate, Juliet and Lyla and what new talent may be unveiled at next year’s Winnipeg Music festival.
Local News
Belle Jarniewski recognized by Manitoba Legislature for leadership in combatting antisemitism and raising awareness of the Holocaust
By MYRON LOVE This year’s community commemoration of Yom Hashoah began on Erev Yom Hashoah – April 23 – with with the Megillat Hashoah interfaith reading of the Holocaust Scroll at Congregation Shaarey Zedek the night before.
Yom Hashoah, Thursday, April 24, began, as usual, in the morning with B’nai Brith’s “Unto Everyone There is a Name” – at the Legislature – during which members of our community – including a group of Grade 11 students from Gray Academy – and leaders of the greater community took turns reading out the names of relatives of local Holocaust survivors.
Gray Academy Grade 11 and 12 students also participated in the Jewish Federation of Winnipeg’s annual public commemorative service over the noon hour – also inside the Legislative Building – with students Alex Stoller and Aaron Greaves leading the 200 or so attendees in singing our national anthem and Hatikvah. Later in the program, they also performed “April Wind.”
Political leaders representing the three levels of Government and Jewish Federation leaders paid their respects leading to the service’s climax – the candle lighting. The ceremony was introduced by Belle Jarniewski, the executive director of the Jewish Heritage Society of Western Canada– with local survivors Saul and Rachel Fink, Susan Garfield, Faye Hoch, Edith Kimelman and Nehama Reuter participating.
The service ended with the traditional El Malei Rachamim prayer (recited by Congegaton Etz Chayim Chazan Tracy Kasner) and Kaddish, led by Rabbi Yossi Benarroch of Adas Yeshurun Herzlia.
This year’s Yom Hashoah commemoration concluded with a special honour for Belle Jarniewski who, later in the afternoon, was publicly recognized in the Legislature for her leadership in Holocaust awareness and the ongoing fight against antisemitism.
In recommending her for special recognition in the Legislature, Tuxedo MLA Carla Compton noted how Jarniewski’s upbringing as the daughter of Holocaust survivors instilled in her a passion for tikkun olam and spurred her to dedicate her life to teach people of all ages about the Holocaust and other genocides.
“Through her work as executive director of the Jewish Heritage Centre of Western Canada,” Compton noted, “Belle brings education about the Holocaust to thousands of students, teachers, administrators and professional groups each year. She has partnered with Manitoba Education and Training numerous times. She is also a writer who has been published in numerous Canadian, Israeli and European newspapers.”
Compton cited, in particular, Jarniewski’s 2010 book, “Voices of Winnipeg Holocaust Survivors,” which documents the histories of 73 local survivors before, during and after the Shoah and can be found in the libraries of every secondary school in Manitoba and in university and national libraries in several countries.
“At a time when antisemitism is on the rise, we must do whatever we can to combat it,” Compton stated. “Belle is doing this great work every day. Today, on Yom Hashoah, Holocaust Remembrance Day, I cannot think of a better person to celebrate and honour.”
In response to this most recent honour, Jarniewski stated that she “feels tremendously humbled and honoured by Tuxedo MLA Carla Compton’s Member Statement in the Legislature about me. Carla has been a true friend, supporter, and ally to our community.”
She added that she met Compton when the latter was running for office about a year ago in the byelection to replace the former MLA from Tuxedo and former premier, Heather Stefanson.
“I feel very fortunate to be able to honour the memory of my parents and that of the many members of my family who were murdered in the Shoah – through my work. I’m sure my mom (Sylvia) and dad (Samuel) would never have imagined that our provincial government would one day rise to honour their daughter for working to combat antisemitism and remembering the Holocaust.”
As mentioned earlier, this was the most recent of several awards that Jarniewski has received over the past few months. Last month, she was one of several Jewish Winnipeggers who received a King Charles III Coronation medal. Hers was presented by the Manitoba Government.
Last September, our Jewish Federation – at the annual Shem Tov Awards evening – bestowed on her the Larry Hurtig Communal Professional Award in recognition of her outsized leadership role in Winnipeg, nationally and internationally, in preserving the memory of the Holocaust and fighting antisemitism.
“About 15 years ago,” she recalled at that time, “Joe Riesenbach, a survivor, reached out to me to help move a project forward that had literally been collecting dust. Before I knew it, I was a member of the Holocaust Education committee and was then named to the federally appointed delegation to the International Holocaust Remembrance Alliance (IHRA), as a member of the Academic Working Group, the Education Working Group and the Committee on Antisemitism and Holocaust Denial. The committee elaborated the first intergovernmental definition of anti-Semitism, adopted by consensus at the 2016 IHRA plenary. “
Through her work on Holocaust preservation and education, she was introduced to the Jewish Heritage Centre of Western Canada. She was appointed the JHCWC’s executive director in 2018.
“The Jewish Heritage Centre is the key to our past and our future,” she noted. Exploring our archive is like walking back in time. It’s a treasure trove reflecting the incredible history and diversity of our wonderful Jewish community stretching back 125 years- the challenges and the many triumphs that have shaped who we are today. As the saying goes, you need to know the past to understand the present.
“The Winnipeg I grew up in was a golden age for Jews-a tapestry of multiculturalism with shared values,” she continued. “We thought that the kind of antisemitism earlier generations had faced was gone forever. While we may not be able to bring back the wonder years, we must stand united as a community and be strong in our convictions.”
Jarniewski is particularly pleased with the recent announcement, made by our provincial government on Yom Hashoah, reiterating its new partnership with the Jewish Heritage Centre of Western Canada to put into place Premier Wab Kinew’s earlier promise to create and roll out a Holocaust education curriculum in Manitoba schools.
In an April 24 press release, Kinew said that “we are one Manitoba that cannot be divided by hatred. Now, more than ever, we must honour the diversity and inclusivity in our province and commit to learning the lessons of history so that they cannot be repeated. Learning lessons from the past protects some of the intrinsic values of our province – diversity, inclusion and human rights. The best way to uphold that basic understanding is to help foster these values in our young people.”
Beginning in the fall, the grades 6, 9 and 11, social studies curriculum will be updated to include mandatory Holocaust education in all schools across the province.
The Jewish Heritage Centre of Western Canada has been tasked to develop new curriculum guidance on Holocaust education, including implementation tools, supports and resources.
“Recent surveys have demonstrated that most Canadian students know very little about the Holocaust,” said Jarniewski. “With increased hate-fueled violence and incidents of antisemitism, Holocaust education is a key tool for countering prejudice and cultivating inclusion. We at the Jewish Heritage Centre of Western Canada are tremendously grateful for the opportunity to partner with the Manitoba government in strengthening Holocaust education in Manitoba through the creation of a mandated curriculum. We know that Holocaust education encourages critical thinking and reflection on how individuals could or should act in society and provides important lessons from the past to learn for the present and the future.”
Local News
This man – Michael Kalo – has been defaming prominent Winnipeggers online for years, but now he’s getting a taste of his own medicine
By BERNIE BELLAN (Posted May 3, updated May 8, updated May 11) There’s a particularly ugly side that often comes with being in the public eye – and that’s being on the receiving end of some of the most vile and awful comments, often threats – sometimes on social media, sometimes in emails, and sometimes on websites.
For years now many prominent Winnipeggers (almost all of them Jewish) have had to endure just that kind of vicious attack from someone by the name of Michael Kalo. But how do you fight back against someone who writes some of the most awful things – and then sends them out to various members of the media (including me), all the while hiding behind a series of aliases? There’s no point in suing him for defamation; he’s penniless. (The police have seized his computer in the past and are well aware of him, but the individuals whom he has defamed have always been reluctant to have the Crown press charges, thinking that it will only draw more attention to him – which is what he seems to want.)
But I’m different – and I’ve finally had enough of his crap.
In my original column I had posted the email Kalo had sent out to a great many individuals in which he defamed Jacob Brodovsky, who was forced to resign as co-executive director of BB Camp after a website called the j.ca launched a series of attacks on Jacob over his perceived “anti-Zionist” attitudes. I suppose these days who defines “Zionist” is a decision made by certain individuals who reserve for themselves the right to define what support for Israel means. I guess all those hundreds of thousands of Israelis who have been marching on the streets protesting Netanyahu’s deliberate strategy of letting the remaining hostages linger in tunnels in Gaza – however many may still be alive) are also “anti-Zionist.”
Anyway, I’ve now removed that vile email. If anyone still wants to see it, email me at jewishp@mymts.net and I’ll send it to you.
Something else I’ve now removed from this article is my referring to Michael Kalo’s very accomplished daughters. My intention was to attempt to induce them to use their influence to sway their father to stay off the internet and stop defaming members of Winnipeg’s Jewish community. But then I received an email from a prominent member of our community who asked me to remove my references to Michael Kalo’s daughters. That person wrote, in part: ‘His daughters don’t have anything to do with him. They don’t talk to him.”
Well, if his daughters don’t want anything to do with him, then I suppose there’s no point in retaining what I had written about them – so that’s gone too.
What’s left now though is a video of Michael Kalo that gives anyone who has never heard of him – or seen him in pubic, a clear idea of what type of person he is.
The video that was sent to me shows Kalo engaging in an argument with someone (and the identity of that person was not revealed to me by the person who sent me the video.) In it you can hear Michael explain why he’s consistently called Ben Carr a “kike”, “a spoiled Jew boy,” along with some other choice epithets. (Kalo has sent out numerous emails defaming Ben Carr using the name “Mohammed Greenberg” as the sender.)
But, I did respond to Kalo, whom I’ve know for many years, starting with when he achieved notoriety by being banned from entering the Asper Campus over 30 years ago. Here’ what I wrote to him:
“You know what I’m going to do Michael. I’m going to print your letter on my website – but I’m going to say that it was sent by someone named Michael Kalo, who has been defaming various Winnipeg Jews for years. That way it will have the opposite effect of what you’re intending. I’m also going to post the video in which you call Ben Carr (and the person filming the video) a kike. And if you want to come after me the way you’ve been going after anyone and everyone who provokes your ire, go right ahead. (You seem to have a real hate on for successful Winnipeg Jews. Is it because you’re such a failure in life yourself?) And I’m going to bcc this email to some of the people you’ve been defaming so that they can see how much of a fool you”ve been making of yourself for years.
-“Bernie”
Here’s the video of Michael (who is apparently walking away with a Ben Carr sign tucked under his arm):
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