Local News
“The Soundtrack of our Lives”: JHCWC program leaves audience enthralled
Posted July 5 By BERNIE BELLAN (Note: This article first appeared in our June 7 issue but there’s nothing in it that doesn’t bear repeating now.)
Put an audience of aging baby boomers together with three also aging musicians who are experts on Winnipeg’s music scene – and all three great raconteurs besides, along with an MC who is also himself an aging musical aficionado – and what do you get? An afternoon of nostalgia mixed with great humour and the occasional anecdote that defied belief.
Such was the case on a glorious Sunday afternoon, May 28, when, despite the gorgeous weather outside, Temple Shalom was packed with many formerly hirsute men along with an assortment of graying (and a few nicely hair-dyed) women. They were there to attend what was billed as “The Soundtrack of our Lives: Jews in Winnipeg’s Music Industry.”
Although there had been a fair bit of advance billing for the program, including an excellent preview article in the Winnipeg Free Press, even the three experts who had been assembled on stage really had no idea what was going to ensue.
The event was sponsored by the Jewish Heritage Centre of Western Canada, which continues to come up with imaginative programming year after year (even if they haven’t yet agreed to follow up on my proposal to do a program on famous Jewish criminals in Manitoba’s history.)
The three expert panelists included, in order: Owen Clark, a musician of great repute (voted “Winnipeg jazz musician of the year” in 2009), also a historian of Winnipeg’s music scene going back to the 1920s; Len Udow, folk singer, cantor, seven-time performer at the Winnipeg Folk Festival, and recording artist – with three solo albums of his own; and John Einarson, former musician with a number of different bands and the writer of over 20 books telling the stories of a host of different Winnipeg musicians, including his opus, “Heart of Gold,” which is a comprehensive history of Manitoba musicians, and which is now in its fourth printing.
Keeping the entire affair coherent was MC Kinzey Posen, who was able to inject his own experiences as a band member into the proceedings – going back to a time when as, Jewish Heritage Centre former president Dan Stone noted, Kinzey not only had hair, he had lots of it.
Stone told this story about Kinzey (and, like a lot of the stories told that afternoon, it might have been greatly embellished): It seems that Kinzey (a.k.a. Martin) was kicked out of school for two weeks for having too long hair. His parents, Stone claimed, offered Kinzey a deal: “If you cut your hair, we’ll buy you a bass and amplifier.”
Owen Clark was the first of the panelists to talk about Jewish musicians of the past. He began by showing a 1920s era photo on the screen (next to the stage) of the “Minnedosa Little Symphony Orchestra,” led by Leon Asper and his wife, Cecilia.
Thus began a chronology of Jewish musicians and others associated with the music industry, including Harry Smith, owner of Club Morocco, whose real name, Clark revealed, was Herschel Shmudkin.
Among the musicians mentioned by Clark was Al Sprintz who, as Clark noted, “went to Club Morocco for two weeks and stayed for 22 years.”
Clark also discussed the integration of black musicians into bands that had Jewish musicians over the years, noting that, as members of two groups that suffered from discrimination, there was a kinship that led to the breaking down of barriers for both blacks and Jews.
Len Udow took a somewhat different tack than Clark – also later Einarson, as he focused primarily on his own history of growing up in a supremely musically talented family, including his mother Sarah, his aunt Belva, and uncle David, all of whom were talented opera singers.
Udow recounted his early childhood experiences of being in the Rosh Pina children’s choir and performing at the old YMHA on Hargrave as having been significant in his own development as a performer.
He told one story of having been a member of a group as a teenager known as the “Wayward Four Plus One.” According to Udow, the group was invited to appear on the CKY Amateur Hour one time, where they won the competition by beating out someone by the name of Burton Cummings (who played trumpet that day).
Later, Udow told of his many experiences on the stage of the Winnipeg Folk Festival, paying tribute to two pioneers of that festival, Mitch Podolak and Marvin Terhoch.
Speaking of Mitch Podolak (about whom Kinzey Posen wrote a moving tribute in our October 11, 2017 issue, which you can find on our website), John Einarson began his own remarks about Jews in Winnipeg’s music scene through the years by telling this story: It seems that Einarson and Podolak had never met until one day their paths happened to cross and Podolak told Einarson that he was thinking of starting a music festival for Winnipeg. He asked Einarson what he thought of the idea?
Einarson’s answer, he recounted was: “It’ll never work.”
Growing up in the 1950s, Einarson recalled, opened up a whole new world for him – and countless other youngsters, with the invention of the transistor radio.
“It made a great difference in listening to music,” he explained.
“It broke down barriers…Rock ‘n roll was a great equalizer” among kids in those days.
“I grew up with Jewish musicians,” Einarson continued. “They went on to become doctors and lawyers…The place to go for music was community clubs.”
Einarson took the audience through a Powerpoint presentation that showed pictures of bands from the 1950s, 60s and 70s that were either entirely Jewish or else had a majority of Jewish members.
He also paid tribute to others who played instrumental roles in promoting local talent, such as DJs Doc Steen and Howard Mandshein.
There were other notable figures who were important promoters, Einarson noted, including such individuals as Ivan Berkowits (who hit upon the idea of promoting his Monarch Wear brand of jeans known as TJs through music, with girls wearing TJs appearing at community clubs); Fred Glazerman; Frank Wiener (just recently passed), who opened the Hungry I booking agency; Terry Morris; Jerry Shore (who ran Celebrity Box Office); Roy Levin (of Transcontinental Productions, and who was the first to book the Guess Who here): Sam Katz (of Nite Out Entertainment); and Lorne Saifer (the longtime manager of the Guess Who).
Then, there were the club owners, Einarson told about: Jerry Huck (Jay’s Discotheque); Dick Golfman (The Twilight Zone); Bruce Druxerman (The Fireplace); Phil and Ray Kives (The Zoo, on Osborne); and the Gindin family (St. Vital Hotel).
There were also the record store owners: Murray Posner (Mother’s Records); Norman Stein (Opus 69); and Lilian Lewis (Lilian Lewis Records).
One more name Einarson mentioned was Harry Kreindler, of Banquex Amplifiers.
He told the story how former Manitoba Cabinet Minister Maitland Steinkopf had arranged to bring what was then one of the biggest bands in the world, Led Zeppelin, to play at the old Winnipeg Stadium in 1970 in celebration of Manitoba’s Centennial.
It started to rain, Einarson explained, and the band left the stage. “They had a clause saying they didn’t have to play if it started to rain,” Einarson continued.
But Steinkopf went to the hotel where the band was staying, accompanied by a well-known singer at the time, Diane Hetherington, in an attempt to persuade the band to come back and play inside the Winnipeg Arena.
Steinkopf was told the band wouldn’t do that unless he came up with $25,000US in cash. Somehow, he came back with a suitcase loaded with cash –and the concert did carry on – in the Arena.
Einarson also said that there was a story he had heard – which had never been corroborated, and he asked whether anyone had ever heard the same story: It revolved around well-known restaurateur Oscar Grubert and the Rolling Stones.
Apparently Grubert was the promoter who brought the Rolling Stones to Winnipeg. (Einarson said that Grubert had also tried to bring the Beatles to Winnipeg.) The story he had heard, Einarson said, was that the Rolling Stones stayed at Grubert’s Garden City home. (In later correspondence that I had with Einarson, Kinzey Posen, and Stan Carbone, curator of the Jewish Heritage Centre, when I asked all three of them whether they had heard anything more about that story, Stan Carbone suggested that the Stones had stayed at a hotel owned by Grubert and somehow it got misinterpreted that they had stayed at his home. John Einarson later emailed me to confirm that the Stones had stayed at the Champs Motor Inn on Osborne (which was later bought by the Kives brothers and became the Osborne Motor Inn.)
Too bad, it would have been more fun to think that one of the most famous rock ‘n roll bands in the world actually stayed on Forest Park Drive, no doubt eating only kosher food. (Oscar Grubert was at one time head of the Va’ad Ha’ir in this city.)
Speaking of wild misinterpretations, I interrupted Einarson with my own story, which was about Barbra Streisand. I said that, years ago, I was working for another well-known restaurateur (also nightclub owner), Auby Galpern.
By now, the story of Streisand either being fired by Galpern – or leaving Winnipeg of her own accord, is legendary. (She appeared at the Towers Nightclub in July 1961, when she was only 19, and just starting out in her career).
I said that Auby had told me that he fired Streisand because she was “a dirty hippie” and “sang too loud.” (Later Kinzey Posen told me that she couldn’t have been a “dirty hippie” in 1961; a “dirty beatnik” maybe. Why am I always being corrected?)
A very good website about the history of Winnipeg, known as “Local Dumplings” takes issue with that account of what happened: “Local lore says that Streisand was ‘fired’ by T & C co-owner Auby Galpern and told that she would never make it as a cabaret singer. That has recently been disputed by a couple of former senior T & C staffers who say that she was released early at the request of her agent to return to the U.S. for work.
“In an April 23, 1964 Gene Telpner column, Galpern said of Streisand’”I liked her but I thought she dressed very strangely (she bought her wardrobe at rummage sales to give her an eclectic look).”
In any event, my recalling the famous Barbra Streisand story set off a chain of comments – both from panelists and from audience members, but the wildest stories revolved around Barbra Streisand supposedly being set up on a blind date while she was in Winnipeg. (Later, John Einarson wrote me that would have been impossible because she was only here three nights and would have been performing each evening, so when would she have had time for a date?)
Regardless, the craziest story came from one audience member who said he had heard that Barbra was set up with Ron Braunstein who, at the time, was a very successful curler on his brother Terry’s team. According to what the audience member said, Ron Braunstein told Barbra that, unless she wanted to come to a curling match that night, he couldn’t make it. But this was July! See how tell tales get started! (In subsequent email correspondence with Einarson, Posen, and Carbone, I suggested that I wouldn’t be surprised if the two wild stories – about the Rolling Stones and Barbra Streisand, got so intertwined some day that someone would say they had heard that Barbra Streisand was set up on a blind date with Mick Jagger at Oscar Grubert’s house.)
Speaking of clubs, John Einarson recalled that Winnipeg musicians, after they had finished their gigs in various clubs, used to head over to the Club Morocco after 1 am because it was the only club still serving food.
Someone in the audience brought up the name of another club, The Fourth Dimension (later bought by Mickey Cooperband). Einarson said that many famous musicians had played there, including Stephen Stills, Joni Mitchell, Don McLean, and Neil Young. (Later, after the program was over, someone told me that a musician by the name of Bob Zimmerman (a.k.a. Bob Dylan) used to come to Winnipeg to visit relatives here and stay at Neil Young’s house.)
Len Udow told an amusing story about musician Bernie Senensky. Apparently Udow and Senensky were in a Grade 10 British History class together in high school.
“We were not great students,” Udow remarked. “We didn’t share our intellect with anyone.”
Still, Udow recalled, when he would look over at Senensky, he was busy arranging music rather than paying attention to what was going on in class. “He was so obsessed with music,” Udow said. You could see what lay ahead for Senensky, who went on to a great career as a jazz pianist and composer.
One final – and very astute observation was brought up by someone else in the audience who observed that, while community clubs might have been the venues of choice for rock ‘n roll, church halls were where folk music could be heard. Then, one election year in Manitoba, Gary Doer hit upon the idea of going after the youth vote by promising to lower the drinking age to 18 from 21 – and all of a sudden all those kids congregating in church halls listening to folk music were now able to hit the bars – “and that killed the folk music scene.”
It was truly a great afternoon of memories and anecdotes. I had noticed someone was videoing the program when I walked in, so I emailed Stan Carbone to ask whether a video of the program might be available for people to see. He said he’ll get back to me with further information.
Local News
Premier Wab Kinew wows an audience of seniors at the Gwen Secter Centre
By BERNIE BELLAN (Sept. 11, 2025) There was a mood of heightened expectancy the afternoon of Wednesday, September 10, at the Gwen Secter Centre. The premier of Manitoba, Wab Kinew, was scheduled to arrive at approximately 1:30 pm to speak to a large audience of over 60 seniors (including this writer).
(Seniors are able to come to the Gwen Secter Centre every Wednesday for a delicious lunch, followed either by entertainment or a speaker.)
But Premier Kinew had been scheduled to come to the Gwen Secter Centre a couple of months prior to this particular day – but was forced to cancel due to something unexpected that had come up in his busy schedule, as things are wont to do when you’re the premier.
This time though, three other NDP MLAs arrived prior to the premier and – because none of them looked like a senior – although I didn’t have a clue who any of them were, I assumed that they weren’t there simply for no reason at all, so I asked one of them, who happened to be a nice, young woman: “Is the premier going to show or is he going to bail again?”
I don’t think she particularly liked the tone of my question (Obviously she didn’t know who I was either, otherwise she wouldn’t have been surprised at my cheekiness), but she responded quite warmly, reassuring me that he was on his way. She also asked me what I was doing there – because I was standing outside the auditorium when everyone else was seated by that point, so I said: “Hey, I’m a senior – so I’m entitled to be here, but I’m also a very annoying reporter – and I’m here to cover this.”
But where was the security detail that one would normally expect to see in advance of a VIP as important as the premier? I wondered.
It turns out there was one lonely security guy – in a suit, but not wearing an earpiece. (I asked him if he was security because he was dressed too nicely for the Gwen Secter Centre – and he wasn’t talking with anyone.) He admitted that he was security, but when I said that I thought there would be more like him considering it was the premier of Manitoba who was coming, he answered that they consider the kind of audience that will be at an event when planning security for the premier – and no one thought that audience that day was going to be overly dangerous. Also, the premier was scheduled to arrive after everyone in the audience had had lunch; he was wise not to arrive before lunch because seniors, especially Jewish seniors, generally don’t care who it is they’re going to hear from – all they want to know is whether the food is going to be served on time!
As it was, Premier Kinew was only a few minutes late and, after mingling with the Gwen Secter staff for a few minutes, made his way directly to the microphone situated at one end of the auditorium. There was no grand entrance accompanied by a phalanx of minders – only the premier, who had a big smile on his face as he navigated the tables of seniors. (Clearly he hadn’t been advised that every Jewish event starts late and that no one as important as a premier simply walks in unaccompanied by a large retinue of self-important toadies.)
Dan Saidman, who is program coordinator at Gwen Secter, introduced the premier with a few brief remarks. Thereupon Premier Kinew stood in front of the auditorium and, being a polished speaker whom we’ve all learned is totally comfortable in front of a mic, spent about 20 minutes talking about what his government has done.
There wasn’t much that anyone who follows Manitoba politics wouldn’t have heard before, but unlike so many other politicians, the premier seemed to be totally at ease and engaged as he spoke.
Now, ordinarily one might have thought that, after all, it was the premier of Manitoba, so how much time would he have had to spend at the Gwen Secter Centre in the midst of a weekday afternoon?
But, I was pleasantly surprised to hear the premier, following his remarks, say: “I’m willing to take any questions if anyone has them.” Okay, I thought, a few minutes maybe, but I was amazed to watch the premier of Manitoba listen to question after question, and answer them all thoughtfully – for over 45 minutes.
The questions covered quite a wide range of issues. Two questioners asked about the security situation at the Health Sciences Centre and one of those questioners struck a particular chord when he began his question by saying that he has two daughters who work as nurses at HSC – and they’re frightened to walk to their cars at night when they leave.
I had thought before I even rode my bike to Gwen Secter Centre (which I like to do because I’m a thrill seeker and riding a bike in Winnipeg is nothing if not thrillingly dangerous) that, if I had the opportunity to ask the premier a question, I was going to ask him about renewable energy.
So, when Dan Saidman handed me the mic, I did ask him a question along those lines, but I began by saying to the premier that the impact he made upon the Jewish community in October 2023 – and this was shortly after the NDP had won the election, when he spoke at the massive rally that was held at the Asper Campus, and touched anyone who was there by the support he showed for the Jewish community and how heartfelt he was, was very much appreciated.
But, I went on to say, we all know that the health file is an almost impossible challenge, that crime is another almost impossible challenge – so is homelessness but, for gosh sakes, he’s an NDP premier and the government seems to have given up on renewable energy as a goal.
The premier responded that, in fact, the government is engaged in quite a massive build-out of wind power which ultimately, will end up adding 600 megawatts to Manitoba’s total energy supply – amounting to “ten percent” of Manitoba’s total energy capacity when all is said and done.
He went on to describe in some detail three different projects, each of which will add approximately 200 megawatts to our energy capacity.
I admit I was quite surprised to hear the premier’s answer because there have been so many letters to the editor and opinion columns in the Winnipeg Free Press decrying Manitoba’s almost total reliance on hydro power, also the construction of a new natural gas energy plant. I’m not expert enough to know whether Premier Kinew’s answer was based on real, hard commitments or not, but he seemed to be thoroughly acquainted with the details of the plan to add a massive amount of wind power to the infrastructure we already have. When all three components of the wind power plan are implemented, Premier Kinew said, it will quadruple the amount of wind power we presently have in Manitoba.
As he stood there, fielding question after question, listening patiently and always answering thoughtfully, even though it’s not the first time I’ve been in an audience when Wab Kinew has spoken, I thought to myself: He genuinely likes people. I’ve met a lot of politicians in my day, but the only other politician who I also thought honestly seemed to enjoy meeting people was Justin Trudeau, but that was before he became prime minister. I remember Justin Trudeau attending Shalom Square in 2015, accompanied by Jim Carr, and watching him climb over chairs in the Rady JCC gym to shake hands with people, to get hugged by oodles of women, all the time with a big smile on his face.
Of course, as Charles Adler once remarked on his radio show, “Once you can fake sincerity, the rest is easy,” so who’s to know what people like Wab Kinew and Justin Trudeau really would be thinking when they were working an audience?.
But, when he finished answering all the questions that anyone had, Dan Saidman asked the premier one more: “Who were the people whom he admired most in life?”
Kinew’s answer was: “His mother and his father.” He told a particularly poignant story about his father, who had been a chief during his lifetime. When his father lay dying in a hospital, Wab said he would go visit him every day. He hadn’t been all that close to his father until that time, he said, but after spending those final days with his father, he realized that not only was his father his father, he was his “best friend.”
And, following that final remark, the premier of the province said that he was going to stick around and chat with anyone who wanted to talk to him – which he proceeded to do for another half hour.
As Gerry Posner might say: “What a mensch!”
Local News
JNF Canada says a new charity called “Friends of JNF Canada” will be able to issue tax receipts to donors – but the actual situation is clear as mud
By BERNIE BELLAN (Sept. 11, 2025) It’s a complicated – and very confusing story – and it goes back to an earth-shaking decision issued by the Canada Revenue Agency on August 10, 2024. That decision, which was published in the Canada Gazette (which is where an announcenment about any charity whose charitable status has been revoked is published) was to revoke the Jewish National Fund Canada’s charitable status.
To give you an idea how important charitable donations have been to JNF Canada, according to the most recent audited financial statements that are available, “In 2023, JNF Canada received $20.2 million in donations and had a total revenue of $22.2 million.”
We’ve written numerous times about what led up to CRA’s decision to revoke JNF Canada’s charitable status and the resulting aftermath – in which JNF Canada was thrown into disarray.
Much of the reporting on this story was done by Ellen Bessner, writing for the Canadian Jewish News. Bessner was stolid in her research and although a good portion of what she wrote laid the blame for what happened to JNF Canada at the feet of JNF Canada itself, she provided exhausting detail about what lay behind CRA’s decision. If you want to read past articles that follow the chronology of events following that August 10, 2024 decision by CRA, you can simply enter JNF in the search engine on jewishpostandnews.ca, and you’ll find a great many stories about not only what led up to CRA’s decision to remove JNF Canada’s charitable status, but what steps JNF Canada took subsequent to that momentous decision.
During the past 13 months though, JNF Canada has been embroiled in a legal battle against CRA on different levels – in two different courts: The Federal Court and the Federal Court of Canada. You’ll have to read an article posted on June 17 this year on jewishpostandnews.ca to understand the difference between the two courts. For the purpose of this article, however, it is only important to note that JNF Canada’s appeal to the Federal Court was turned down by that court – for technical reasons, i.e., the Federal Court ruled that it was not the proper court to hear the particular matter that JNF Canada had brought forward; however, the appeal to the Federal Court of Canada is still underway. It may take quite some time before that court issues a decision and, if it also goes against JNF Canada, there is a strong likelihood JNF Canada will take its case all the way to the Supreme Court of Canada. The upshot is that it may be years before the legal battle JNF Canada has been waging with CRA may be resolved.
In the meantime though, JNF Canada had been working to come up with a solution to the challenge of its having been deregistered by CRA as a charity able to issue tax receipts.
On September 2, JNF Canada sent out an email to its supporters in which it gave a preview of what was about to happen. That email noted: “This past year has been challenging for JNF Canada and for Jewish communities across the country.
“Even without charitable status and amid an ongoing legal dispute with the CRA JNF Canada has remained committed to its mission… The absence of our charitable status has limited our ability to operate effectively and our supporters have told us they want their donations to have the full impact, including the ability to receive charitable receipts… In response wonderful friends stepped forward to dedicate their charity to caring out similar work and have appropriately renamed it “Friends of JNF Canada” (emphasis mine).
What did that mean? I wondered. The email also noted that “JNF Canada will continue to operate as it fights its legal battle against the CRA, for its right to fair treatment.”
So, JNF Canada is still alive as an organization called JNF Canada – but it has now managed to find a way to issue tax receipts to its supporters. The September 2 email didn’t go into any detail as to what “Friends of JNF Canada” was – and how it had come about.
But, in a story issued by the CJN on September 4, it was noted that “JNF Canada, whose charitable tax status was revoked by the Canada Revenue Agency (CRA) in 2024, has created a new charitable entity linked to the organization. The new charity, Friends of JNF Canada, officially launches on Sept. 8.”
“A new charitable entity?” I wondered. What did that mean?
The CJN story, written by Jonathan Rothman, went on to note that “Friends of JNF Canada will have the ability to issue charitable tax receipts, (Nathan) Disenhouse (National President, JNF Canada) told the National Post in an interview, saying the new organization’s fundraising for Israel would be done ‘in a similar way that JNF Canada did, but with the ability to issue tax receipts.’
My reaction upon reading Rothman’s story was: “What? This sounds just like JNF Canada, but with a new name. Isn’t this really an end-around that would allow JNF Canada to circumvent CRA’s removal of JNF Canada’s charitable status?”
So, on September 5, I wrote to CRA, asking this question: “Can you confirm that ‘Friends of JNF Canada’ is now a registered charity, able to issue tax receipts?”
I received a response that same day saying that someone would get back to me with an answer.
The answer arrived September 10: “The public may consult the CRA’s List of charities and certain other qualified donees to confirm whether an organization is a registered charity or other qualified donee. For clarity, the public may also confirm in the same registry: the registration number, the current status of the charity, the date since the status has been valid, the type of qualified donee, the designation, and the website of a specific charity. We can confirm that Friends of JNF (emphasis mine) was registered as a public foundation effective September 22, 2022. Note that the governing documents in our records reflect a legal name change from ‘The Benzimra Foundation’ to ‘Friends of JNF’ effective August 14, 2025.”
Note that the email from CRA referred twice to the charity as “Friends of JNF,” not “Friends of JNF Canada.” Was that just a typing error or was it more significant? I again wondered.
On September 11, I asked CRA to clarify whether “Friends of JNF” and “Friends of JNF Canada” are one and the same.
But – upon a search of the list of charities on the CRA website I saw that the Benzimra Foundation and Friends of JNF both have the same address. I have contacted CRA to ask whether their having listed the charity as Friends of JNF rather than Friends of JNF Canada was simply a clerical error?
Adding to the confusion, JNF Canada issued another email on September 10, in which it said, in part, that …wonderful friends stepped forward to dedicate their charity to carrying out similar work (to what JNF Canada had been doing) and have appropriately renamed it Friends of JNF Canada. With our Board of Director’s (sic.) full endorsement this organization will continue supporting the kinds of projects that have always defined JNF Canada’s mission: serving Israelis in need through charitable projects that help the vulnerable, enhance environmental sustainability, and support the mental & physical health of Israelis in need.”
That email did not name the Benzimra Foundation as the charity that had agreed to change its name to Friends of JNF Canada but, as you can see in the email from CRA, CRA disclosed that information.
But, in an October 2024 article in CJN, it was noted that another Canadian charity known as the Ne’eman Foundation had also had its charitable status revoked in August 2024. Subsequently, that same article reported, “the organization, which distributes funds to various causes in Israel, began instructing prospective donors to contribute through another recently formed Canadian charity (emphasis mine).
“Six weeks later, Canadian officials imposed a one-year suspension on that charity, called the Emunim Fund, according to its listing on the Canada Revenue Agency website.
“CRA regulators had previously raised concerns about particular Ne’eman Foundation projects in Israel, and a volunteer with Jewish pro-Palestinian group had alleged to the agency that the Ne’eman Foundation was using the Emunim Fund to skirt the revocation (emphasis mine).
“The agency has not publicly disclosed why it suspended the Emunim Fund, and said in a statement that it is barred by law from commenting on individual cases.”
Thus, there are two questions for which we’re awaiting answers: Is the name of the charity which JNF Canada now says will be able to issue tax receipts to donors who might previously have donated to JNF Canada “Friends of JNF” (as the CRA email said was the name) or is it “Friends of JNF Canada,” which was what the emails from JNF Canada says it its name?
Second, although the CRA email would seem to indicate that it has granted registration to this new charity – whether its name is Friends of JNF or perhaps Friends of JNF Canada, given CRA’s previous revocation of the registration of a charity linked to Israel when it changed its name from the Ne’eman Foundation to the Ne’eman Fund, will CRA follow suit and suspend the new charity whose name closely resembles JNF Canada’s name?
As I wrote – this is all so confusing. Even though spokespersons for both CRA and JNF Canada have been quick to respond to emails from me in which I’ve been asking questions trying to sort out exactly what has been going on, it seems that each email leads me to ask yet more questions.
If I receive more information from either CRA or JNF Canada that helps to clarify the questions I’ve asked, I’ll update this story – so keep checking back.
Local News
From Broadway to Berney: Winnipeg Jewish Theatre Opens Season with Razor-Sharp Thriller
By MARTIN ZEILIG The Winnipeg Jewish Theatre (WJT) launches its 2025–26 season with a bold and timely production: JOB The Play, a psychological thriller that probes the fragile boundaries between truth, technology, and identity.
Written by Jewish American playwright Max Wolf Friedlich, the play arrives in Winnipeg fresh off its Broadway run, bringing with it a reputation for intellectual grit and emotional intensity.
Running from September 11 to 21 at the Berney Theatre, JOB is a two-hander that unfolds in the aftermath of a viral workplace incident. Jane, a high-strung tech employee, f inds herself on mandatory leave. Her return hinges on therapy sessions with Loyd, a calm but enigmatic practitioner who suspects her job may be more harmful than helpful. What follows is a taut, 80-minute battle of wits and wills—no intermission, no easy answers.
For WJT Artistic Director Dan Petrenko, the decision to open the season with JOB was immediate and instinctive.
“I came across this play as it was finishing its Broadway run, and I was immediately struck by how of-the-moment it feels,” Petrenko said. He and the play’s director, Jack Grinhaus, agreed to an email interview.
“It’s a play about work, technology, and the way we always question truth in this hyper-connected world,” Petrenko continued. “As a Jewish theatre, we are always looking for plays that ask big moral and ethical questions, and JOB does exactly that. It’s sharp, unsettling, and even funny at times.”
The production stars Jada Rifkin and Dov Mickelson, two actors Petrenko describes as “incredible talents.” Mickelson, originally from Edmonton and now based in Toronto, was last seen on a Winnipeg stage in Royal MTC’s Indecent. Rifkin, also Toronto-based, recently performed in The Thanksgiving Play at Mirvish Productions.
“JOB is a two-hander, so the entire play rests on their performances,” Petrenko noted.
“Both bring immense precision and depth to these roles. After seeing them in rehearsal this week, I can already tell this is going to be an electrifying performance.”
Grinhaus is Artistic Director of Calgary’s Vertigo Theatre— Canada’s national theatre of mystery and intrigue. He is no stranger to Winnipeg, having directed a show for Prairie Theatre Exchange just five months ago.
“Feels like I didn’t actually leave,” he joked. “Winnipeg has an incredible theatre community and audience base. It’s an honour and pleasure to be here.”
Grinhaus was immediately drawn to the play’s complexity.
“I was amazed at how both intellectual and visceral the piece was,” he wrote. engagement and offers poetry and honesty without being instructive. It lays out its argument for audiences to puzzle over, asking the questions but leaving the answers for each viewer to determine.”
The emotional and psychological journey of the characters is central to the production’s impact.
“I saw this as a battle for truth between two very opposing perspectives, positions, and generations,” Grinhaus explained. “There’s not one line in it where the characters can agree on a single ‘right’ Jack Grinhaus, Director JOB answer. They are often as right as the moral and ethical positions the audiences bring with them.”
Grinhaus hopes audiences leave the theatre questioning their own relationship with the digital world.
“The digital sphere is a double edged sword,” he said. “The promise of it being a place where the world is united and connected has, somehow, also created one where we are more divided and isolated. The long-term implications of this tech life are still to be figured out.”
Petrenko sees JOB as more than just a provocative opener—it’s a signal of what’s to come.
“There are so many things to be excited about in our upcoming season,” he said. “Beyond JOB, we’re bringing you a range of productions and theatrical events that celebrate Jewish stories while opening doors to broader conversations with the community at large.”
Highlights include a staged reading this fall of local playwright Alex Poch-Goldin’s comedy-drama The Right Road to Pontypool, and the Canadian premiere of Ride The Musical in April 2026. The latter tells the story of Annie Londonderry, the first woman to travel around the world on a bicycle—a Jewish icon whose adventures captivated audiences in London’s West End and San Diego’s Old Globe Theatre.
“I am so thrilled to be bringing this story to our stage,” Petrenko said.
The season will conclude in May 2026 with another family musical rooted in Jewish storytelling—details to be announced soon.
“The best way to get in on all the fun this year is to subscribe to our season,” Petrenko added, noting that special promotion packages are available until September 21.
For Grinhaus, JOB is more than a play—it’s a mirror.
“This is a very theatrical piece of theatre,” he said. “It’s pure theatre, highly engaging and entertaining while also challenging our own views on modern society. Our hope is that audiences are drawn deep into this world and, only once it is done, begin the conversation the story and its themes bring up.”
With JOB, the Winnipeg Jewish Theatre sets the tone for a season of bold storytelling, ethical inquiry, and cultural resonance. From Broadway to Berney, this is theatre that doesn’t just entertain—it interrogates and enlightens.