Local News
Two Toronto synagogues attacked over the Canada Day weekend in a window-smashing spree
June 30, 2024 By MICHAEL FRAIMAN (Canadian Jewish News)) When members of Pride of Israel Synagogue in Toronto began showing up for Sunday prayer services on the morning of June 30, in the middle of the Canada Day long weekend, they were shocked to discover several windows shattered, holes in their stained glass and stones scattered onto the bimah.
The congregants stood there for a moment, rattled and disappointed. But that didn’t stop them from holding their 9 a.m. services.
“We’re gonna go on,” Carl Zeliger, vice-chairman of the congregation, told The CJN over the phone as the sounds of broken glass cracked under his feet. “Our service continued today. All [the vandal] accomplished was maybe a five-minute delay in the start of our services. We’re gonna continue. This isn’t going to help them.”
The custodian of the building, which is located near the intersection of Steeles Ave. and Bathurst St., first noticed the damage after arriving at 8 a.m. Police were called by 8:30. A forensic team gathered evidence for several hours until they gave the congregation the green light to clean things up.
The attack allegedly occurred earlier that morning. A nearby resident told Zeliger that they were awoken by a loud crash shortly before 3 a.m. According to Zeliger, this neighbour looked out their window and saw a motorcyclist wearing a helmet and speeding away. The neighbour then called the police at 3:02 a.m., according to a Toronto Police Service press release.
Police added that they believe the same suspect attacked the Kehillat Shaarei Torah synagogue at 3:30 a.m., throwing another rock at a window—the third such attack on the Bayview Ave. and Fifeshire Rd. building since mid-April, along with an incident involving a dead raccoon left in its parking lot.
Michael Gilmore, executive director of Kehillat Shaarei Torah, confirmed to The CJN that their video cameras captured on tape the motorcyclist pull up to their shul, remove two small objects from their pockets and throw the objects at their windows.
However, because the synagogue had not yet repaired their windows from the previous attack, this latest suspect merely threw the objects at polycarbonate covers that shielded already-broken glass.
“These three separate attacks have encapsulated the very real and present dangers that the Jewish community across Canada faces daily,” Gilmore told The CJN. “Fortunately, as Jewish generations before us have done, we come together as a community stronger, more united, and with a greater sense of purpose than ever before.”
In their press release, Toronto police confirmed they are treating the investigation as being “a suspected hate-motivated offence” and will be increasing police presence in both areas.
The damage to the Pride of Israel building, Zeliger says, “is quite significant.” The attacker threw two large, heavy rocks through the windows above the main entrance. They also threw a couple smaller stones that pierced (but did not shatter) the stained glass windows that lead to the sanctuary. Those stones ended up on the bimah.
In addition, the attacker seemingly attempted to break a glass door with a different rock, but that door held strong.
As of Sunday afternoon, the congregants had already contacted professionals to fix the glass, and made immediate plans to call their insurance company and review their safety and security protocols.
Pride of Israel Synagogue traces its roots to 1905, when the Pride of Israel Sick Benefit Society was founded in a house on Chestnut Street in downtown Toronto. The grassroots organization sent doctors and money to community members who were sick or in need. The congregation, which describes itself as “traditionally conservative” yet independent of any Jewish denomination, eventually moved into its current building in North York in 1969.
Its name, Zeliger believes, is partly what made it a target in the long aftermath of Oct. 7.
“If you view this as anything other than antisemitism, I don’t think you’re paying attention to the reality today,” he says. “My parents were Holocaust survivors. This hurts. I love my parents, but I’m happy they’re not here to see this.”
This incident makes Pride of Israel the latest in a wave of antisemitic attacks that has washed over all of Canada, with Jewish buildings being lit aflame, shot at and vandalized in Vancouver, Montreal, Toronto and many other cities on a recurring basis.
What struck Zeliger most was how this happened on the eve of July 1.
“We as Canadians are supposed to be joyful of who we are, where we are. But that includes people of all different races, colours, religions, whatever. This is really an affront to everyone—that this is what happened on a Canada Day weekend. It’s basically saying our values dont mean anything. I really would like to see the silent majority come to terms with this. We have to do better. We can make this a better Canada.”
Local News
Nakba exhbit at CMHR – you can see it right here and make your own assessment
By BERNIE BELLAN (Posted June 26, updated July 19) The Nakba exhibit at the Canadian Exhibit for Human Rights opened to the public June 27. The morning before the exhibit was set to open to the public, (it had a private opening for invited guests the evening of June 26) we received a press release from the CMHR. That press release gave a very detailed description of what was in the exhibit, along with photos (supplied by Annie Kierans of the CMHR).
There is also a link right at the beginning of the press release that will allow you to watch the same videos that anyone attending the exhibit can watch. We reprinted what was sent to us without making one edit. We leave it to you to form your own opinion as to whether the exhibit is fair in its presentation, and whether it is lacking “context” – which is an accusation that has been levelled at the exhibit’s organizers by some representatives of Jewish organizations.
We have received many emails in reaction to the exhibit. If you have an opinion and would like to see it published on this website, you can send it to jewishp@mymts.net, but please indicate whether you would be willing to have it published on this website.
Here is what we received the morning of June 26:
Winnipeg, MB — June 26, 2026 — The Canadian Museum for Human Rights (CMHR) will open a new exhibit tomorrow that explores human rights violations related to the ongoing forced displacement of Palestinian Canadians.
Palestine Uprooted: Nakba Past and Present will be on display in the Rights Today gallery on Level 5 until 2028. Featuring personal stories told through artifacts and video testimonies, the exhibit presents Palestinian Canadians reflecting on their ongoing struggle for human rights. The small exhibit reveals enduring patterns of loss and resilience, helping visitors understand more about this contemporary human rights story.
Palestinian Canadian stories are now included alongside many other stories of forced displacement and human rights violations featured in the Museum’s galleries. Each of these stories contribute to our visitors understanding of human rights and help the Museum fulfill its mandate to foster reflection and dialogue.
Exhibition highlights
Personal stories and artifacts: Experience firsthand accounts from Palestinian Canadians sharing their journeys of displacement and memory through a series of five artifacts. Cases display artifacts like property deeds, house keys, and a traditional Palestinian embroidered dress, accompanied by short videos that deepen understanding of the impacts of displacement.
Powerful artworks: In her painting Bound Together in Gaza, Malak Mattar, a Gazan artist, captures the struggles and resilience of her generation shaped by conflict. Her work pays homage to Guernica, Picasso’s powerful masterpiece depicting civilian suffering during war.
Curfews and Closures, by Rajie Cook, bears witness to life under military occupation during the 2000–2005 Palestinian uprising, when curfews and closures were expanded and further limited basic rights and freedoms.
Cultural heritage: Discover traditional Palestinian embroidery called tatreez. Tatreez motifs and colours are tied to place, family history and regional identity. Patterns are associated with particular towns, villages or areas of Palestine. In this way, tatreez is a form of storytelling: a way of preserving memory, sustaining identity and expressing resilience across displacement and exile.
Poetry and reflection: Engage with Mahmoud Darwish’s evocative verses, inspiring personal reflection on exile, voice, and responsibility. Visitors can take a card containing Darwish’s poem and add a personal note, fostering ongoing dialogue beyond the exhibit.
Contemporary context: Witness striking images of current events in Gaza and the West Bank, connecting past displacement to ongoing struggles.
Quotes:
“No force can silence the truth we carry. Growing up in Canada, my children lived the Nakba through our stories. And now we watch it happen again, live, on our phones. When I see the images coming out of Gaza, I am not watching the news. I am watching my history repeat itself.” -Fouad Sahyoun, a Palestinian Canadian featured in the exhibit
“We developed this exhibit with a clear awareness that Palestinian Canadian voices have too often been marginalized, silenced or spoken over — and that anti-Palestinian racism affects whose stories are heard and whose suffering is recognized. That is why we intentionally centred Palestinian Canadian voices throughout the exhibit.” -Isabelle Masson, Curator of Palestine Uprooted
“Human rights matter precisely when they are inconvenient, when the question of who deserves the dignity of having their rights recognized is genuinely contested. These are the moments where having a national museum for human rights is most important.
There are people who believe this exhibit should not exist in its current form. There are people who believe it should have existed sooner. There are people who will visit this exhibit and feel that it does not say enough, and others who will feel it says too much.
We have listened to every one of these voices. We have reflected. And we have renewed our resolve to continue the difficult, sometimes contested, and often controversial work of building understanding about human rights. We are a museum grounded in Canada’s human rights framework, whose mandate requires us to bear witness to the full complexity of the human story. We are proud to open this exhibit because the story it tells will help achieve that mandate, and because this story belongs in the collective memory of Canadians.”
- – Isha Khan, CEO
Local News
A photo that’s being circulated on the internet about me
For those of you not familiar with nutjob Michael Kalo – the psycho who created the notorious “$hitler’s List” years ago and the same psycho who went after Ben Carr, well – now he’s obviously taken a strong disliking to the stance I’ve taken on the Nakba exhibit at the Canadian Museum for Human Rights. (You can read elsewhere on this website how I simply posted the entire exhibit as it is – and asked readers to form their own opinions.)
Kalo likes to send out emails to various individual using phony names – such as Frank Ostrowski. When people ask me (or asked Ben Carr) why we don’t take action against him, my answer is: What’s the use? He only basks in the attention.
So Michael – enjoy the attention you’re receiving. I know how much of an embarrassment you are to your wonderfully talented daughters.
Local News
Ami Hassan returning as owner of Falafel Place
By BERNIE BELLAN In a surprise move – and after more than a six-year absence as owner of Falafel Place (Corydon at Wilton) the legendary Ami Hassan has decided to return as owner of one of Winnipeg’s most famous eateries.
Long known for his sometimes irreverent attitude to his customers, e.g., “If you’re finished, get out!”, Ami decided to return to running Falafel Place after having retired years ago (or so he thought) from running the Corydon Avenue restaurant.
We asked Ami whether he’ll be sending a special invitation to Julia Roberts to come visit him at Falafel Place. He asked again: “Who’s Julia Roberts?” (Just kidding – he really does know how Julia Roberts is.) Read the story how Ami told her to leave the restaurant and come back later at Julia Roberts turned away from Falafel Place
Ami did note that when customers saw him inside the restaurant one recent day as he was getting it ready for the reopening Monday, August 10, over 20 of them came in asking him if he was open already.
We asked Ami whether the menu will be the same as it was when he last ran the place and he said everything will be the same.
Falafel Place will be open 7 days a week from 7 am – 2 pm. Remember, if you’re finished – get out!
