Features
Gambling Statistics Shine Light on Canadian Gambling Culture
Explore pivotal statistics that highlight Canada’s gambling culture. Get a concise overview of the trends shaping the nation’s betting landscape.
Canada’s gambling culture is as diverse as its landscape, and recent statistics shed light on this thriving sector. From coast to coast, Canadians engage in various forms of betting, each with its own set of trends and numbers. This article delves into the data, uncovering the patterns and preferences defining gambling nationwide.
Canadian Gambling Statistics
User penetration refers to the percentage of consumers engaging with a product or service beyond the expected audience. Despite a 47% decline in 2023, the online gambling industry is projected to expand.
By 2027, it’s forecasted that the gambling market will cater to 20.38 million individuals. This trend suggests an increasing preference among Canadians for online gambling over traditional brick-and-mortar casinos.
The industry boasted a 97% return on investment in 2022, outperforming land-based casinos, which only saw a 61% return. With the rising interest in online betting, Canada’s online casino industry is experiencing the highest user penetration rate.
What Is the Average Expenditure on Gambling by Canadians?
Many enjoy the thrill of the occasional game of chance. The fact that you can retain all of your earnings, as there are no taxes on gambling profits in Canada, adds to the allure of gambling. In Canada, winnings are subject to taxation only for professional gamblers with a sustained winning streak.
In recent years, the trend toward online casinos has changed. The pandemic-induced closures of land-based casinos accelerated this change. It’s a profitable industry, as 60% of Canadians say they spend money gambling each month.
Canadian gambling statistics:
- Six out of ten Canadians have gambled.
- The monthly average expenditure for gaming and gambling in Canada is $6.75.
- A month’s worth of gaming expenses is reported by 63% of males and 57% of women.
- According to 73% of Canadians, gambling-related issues have gotten worse in their region.
The Increasing Attraction to Online Casino Gambling in Canada
An increasing number of Canadians are using online casinos, particularly in the wake of the pandemic. They offer various benefits regular casinos do not and are more convenient. Over time, land-based casinos’ revenue has decreased due to the growing popularity of online gambling sites.
The pandemic shutdowns accelerated the drop. For instance, the land-based casinos in Alberta no longer make as much money as they once did. Consequently, the Albertan government opened an online casino, and other governments quickly adopted similar strategies.
Casino Games at Online Casinos in Canada
Online casinos in Canada offer various games that cater to different preferences. Some of the most popular casino games at Canadian online casinos include:
- Slots: These are the most common and varied, with themes ranging from classic fruit machines to the latest online slot games with advanced graphics and features.
- Table Games: Classics like blackjack, roulette, craps, and baccarat are available in multiple variations.
- Live Dealer Games: These provide an immersive experience, allowing players to interact with real dealers and other players in real time.
- Video Poker: A favourite for many, combining elements of slots and poker in a unique format.
- Progressive Jackpots: Games that offer the chance to win life-changing sums of money with a single spin.
- Canadian Legalities for Online Gambling Sites
- Casinos are legal in Canada, but each province and territory has the authority to establish its gaming regulations and issue online gambling website licences. Saskatchewan is the only province that does not host multiple online gaming sites.
- Authorities in British Columbia, Ontario, Quebec, and Manitoba issue licences without a specific requirement, but these online casinos must operate exclusively within their respective provincial borders. Online gaming sites seeking to operate beyond these borders need a special agreement.
- In Canada, only land-based casinos face penalties; foreign operators can only function by obtaining local licenses. Although offshore casinos cannot legally target Canadian players, they can accept them.
- Statistics on Gambling Addiction in Canada
- While the majority of gamblers do so without experiencing issues, there are hazards and health issues associated with it for some people. Because of this, the Canadian Centre on Substance Use and Addiction (CCSA) carries out studies and creates resources aimed at assisting Canadians in making wise decisions regarding their gambling, both generally and, in particular, high-risk scenarios, like when they’re using alcohol or other drugs.
- Here are some key statistics on gambling addiction in Canada for the year 2024:
- 64.5% of Canadians aged 15 or older actively participated in gambling activities within the past year.
- 1.6% of Canadian gamblers, representing approximately 304,400 individuals, face moderate-to-severe gambling addiction risks.
- Canadian males reported higher gambling participation and addiction risks compared to females.
- Indigenous Canadians showed a higher tendency to gamble (72.4%) and experienced greater susceptibility to gambling problems (4.5%) than non-Indigenous people.
- In Canada, responsible gambling is promoted through various programs and initiatives, ensuring that individuals engage in betting activities within their means and maintain control. The emphasis is on providing resources and support to prevent gambling addiction and encourage safe, enjoyable gaming experiences.
- Reflecting on Canada’s Responsible Gambling Journey
- The statistics we’ve explored offer a revealing glimpse into Canada’s gambling culture, highlighting both the widespread appeal and the responsible practices of Canadian bettors. As the industry evolves, it reflects the country’s commitment to balancing entertainment with economic benefit and social responsibility. The future of gambling in Canada seems poised to be driven by informed choices and a clear understanding of the risks and rewards involved.
Features
Filmmaker Shira Newman brings wealth of experiences to role of Rady JCC Coordinator of Arts & Older Adult Programming
By MYRON LOVE As with many people I have interviewed over the years, Shira Newman’s life journey towards her present stage as Rady JCC Coordinator of Arts & Older Adult Programming has encompassed a range of different areas, including: fine arts, filmmaking and teaching stints, working at the Society of Manitobans with Disabilities, and the Women’s Health Clinic and, most recently before coming to the Rady JCC, the Prairie Fusion Arts and Entertainment Centre (as program co-ordinator) in Portage La Prairie.
The daughter of Joan and the late Paul Newman began her life in River Heights. After graduation from Grant Park, she enrolled in Fine Arts at the University of Manitoba. In addition to painting and drawing, she took a course in film – and found that she really enjoyed it.
“I learned a lot about the art that goes into filmmaking,” she recalls. “We watched foreign films and independent films. I fell in love with the ideas of creating this three-dimensiomal world on the screen.”
After earning her first degree at the University of Manitoba, Newman worked for a few years at the aforementioned Women’s Health Clinic and the Society for Manitobans with Disabilities before returning – in her mid-20s – to university, this time Concordia in Montreal – to study filmmaking full time.
After completing the two year program Newman returned to Winnipeg and became involved with the Winnipeg Film Group and the Winnipeg film community.
Over the next few years, she taught filmmaking in Winnipeg School Division No. 1, and also began to get work in our city’s booming film production industry, working in set design and costuming..
Her big break came when she was asked by local filmmaker Sean Garrity to serve as script supervisor on one of his movies.
(According to Wikipedia, a script supervisor oversees the continuity of the motion picture, including dialogue and action during a scene. The script supervisor may also be called upon to ensure wardrobe, props, set dressing, hair, and makeup are consistent from scene to scene. The script supervisor keeps detailed notes on each take of the scene being filmed. The notes recorded by the script supervisor during the shooting of a scene are used to help the editor cut the scenes together in the order specified in the shooting script. They are also responsible for keeping track of the film production unit’s daily progress.)
“I knew Sean’s films and was excited that he asked to me to work with him,” Newman recalls.
That job led to many other assignments as a script supervisor over the next ten years. “I worked on a lot of Hallmark Movies being shot here as well as some Lifetime features,” she says.
The last movie shot in Winnipeg that Newman worked on was in 2018. It was called “Escaping the Madhouse: the Nellie Bly Story”.
It was about that time that Newman felt that she needed a change in direction. “Making a movie is a world in itself,” she observes, “but the work isn’t steady. I decided that I needed something more stable.”
Thus, she responded to an ad for a coordinator at the Prairie Fusion Centre in Portage. The Centre, she notes, has a gallery, a store and classes. She was responsible for educational programming.
Newman stayed at the Prairie Fusion Centre for a year – commuting every day from Winnipeg. Then she saw the Rady JCC ad calling for a Coordinator for Arts and Older Adult Programming.
“It was a perfect fit for me,” she says.
Newman is now in her fourth year at the Rady JCC. One of the first programs she introduced was a new social club for seniors – replacing the former Stay Young Club which had been disbanded some years before due to flagging attendance.
Club programs are Mondays at 11:00. “We have guest speakers and musical programs and we celebrate all the holidays,” Newman notes.
Last year, Newman introduced a new Yiddish Festival – picking up where the former Mamaloshen left off. “While studying filmmaking, I developed an appreciation for the 1930s Yiddish cinema,” she reports. “In recent years, there has been a revival of interest in Yiddish culture, music and literature.”
For the first “Put a Yid in it Festival of new Yiddish Culture,” Newman brought in younger performers in the persons of ”Beyond the Pale”, a Toronto-based klezmer band that also performs Romanian and Balkan music – and, from Montreal, Josh Dolgin, aka Socalled – a rap artist and record producer who combines hip hop, klezmer and folk music.
“We had the concert at the West End Cultural Centre.” Newman reports. “We had a great crowd with people of all ages, including kids.”
For this second upcoming Yidfdish festival at the beginning of February, Newman is organizing three concerts featuring klezmer group “Schmaltz and Pepper” from Toronto; “Forshpil”, a Yiddish and klezmer band from Latvia; and live music to accompany a 1991 movie called “The Man Without a World” – a recreation of a 1920s silent movie set in a Polish shtetl.
This year’s festival will also include three movies and two speakers. Among the movies is “The Jester”. Co-directed by Joseph Green and Jan Nowina-Przybylski – who also made “Yiddle with His Fiddle” in 1936, “The Jester” is a musical drama involving a love triangle featuring a wandering jester, a charismatic vaudeville performer, and Esther, the shoemaker’s daughter, torn between her family’s desire for a prominent match and her own dreams.
“Yiddishland”, by Australian Director Ros Horin, focuses on the art and practices of a diverse group of innovative international artists who create new works about the important issues of our time in the Yiddish language, why they create in Yiddish, what it means to them personally and professionally, and what obstacles they must overcome to revive what was once considered a dying language..
“Mamele” is described as “a timeless masterpiece, brought to life by Molly Picon, the legendary Pixie Queen of the Yiddish Musical. Picon shines as a devoted daughter who keeps her family together after the loss of their mother. Caught between endless responsibilities and her own dreams, her world changes when she discovers a charming violinist across the courtyard. Set in the vibrant backdrop of Lodz, this enchanting musical comedy-drama immerses audiences in the rich diversity of interwar Jewish life in Poland – featuring everything from pious communities to nightclubs, gangsters and spirited ‘nogoodnicks’’.”
The speaking presentation will nclude a talk by the University of Manitoba Yiddish teacher Professor Itay Zutra “exploring the resilience and survival of Yiddish art, from S. Ansky’s The Dybbuk to the demons of I.B. Singer, through the trauma of the Holocaust and beyond.”
There will also be a panel discussion highlighting the pivotal experience of the Jewish community in the 1919 Winnipeg General Strike, with a focus on Yiddish-speaking organizations and newspapers.
Back in late October, Newman organized our community’s first JFest – a celebration of Jewish Culture and the Arts – which highlighted the works of seven local Jewish artists. She reports that the art exhibit was well attended.
She also mentions ongoing Rady JCC programs such as the long-running “Music and Mavens” and the annual Jewish Film Festival.
Returning to the subject of filmmaking, Newman has been a film programmer for the Gimli International Film Festival for the last four years. (The first years, she says, she served as the shorts programmer and the last three as the documentary film programmer.)
She adds that her first short film, “The Blessing,” which she made when she returned to Winnipeg from Montreal, was shown at various festivals, including the Toronto International Jewish Film Festival.It was also shown here in Winnipeg at the Winnipeg Jewish International Film Festival where it won the award here for “best short film by an emerging or established local filmmaker.”
In her spare time, Newman reports, she has embarked on a new project. “I am working on a documentary about Monarch butterflies and the community of people who are dedicated to preserving them. These are regular people who have become citizen scientists. I am working with a friend whose zaida was a biology teacher and instilled in his family a love of nature and conservation. I have met people who have gone to Mexico to see for themselves where the butterflies spend their winters.”
Newman is anticipating that the new documentary will be completed within a year.
Features
Rabbi (to be) Lara Rodin
By GERRY POSNER In May 2025, the Jewish Theological seminary will welcome a new rabbi into the fold. A recent graduate of the seminary, she is a young woman from Western Canada with roots in both Winnipeg and Calgary. Her name is Lara Rodin.
Lara will be the new assistant rabbi at the Beth Tzedec Synagogue in Toronto (not to be confused with the Beth Tzedec Synagogue in Calgary, where her family still lives and where they remain members to this day). Her formal induction into the rabbinate will happen later this year, in May, in New York City.
Rabbi Rodin is a fresh, warm, and engaging young woman who already has made a difference in the lives of many families.
The jump from being Lara Rodin, daughter of Greg and Andria (Paul) Rodin, raised in a secular home, to a woman about to become a rabbi, was hardly preordained. Lara was born in Winnipeg, but she moved with her family at a young age to Calgary where she was a student at the Calgary Jewish Academy. Her connection to Judaism, though, was tenuous. Still, with her growing involvement in BBYO, also at Camps B’nai Brith at Pine Lake, Alberta and Hatikvah in BC, the seeds were already starting to grow and sprout. As well, Lara, had a strong Jewish influence from her maternal grandparents, Leonard and Elaine Paul, of blessed memory, both of whom were strongly centred in the Jewish world, particularly at the Bnay Abraham Synagogue in Winnipeg.
Lara was fortunate to attend McGill University in Montreal, where she obtained an Arts degree. Although her father Greg, a lawyer, had pushed her to study law, she was more interested in courses in philosophy and theology. She soon concluded that she need not focus so much on other religions, but work on the one she was born into.
That decision was the impetus for her to improve her Jewish learning. She even taught a class at the Shaar Hashomayim Synagogue in Montreal. That experience led to her seriously consider a career in teaching.
To proceed on a path to becoming g a teacher and also to further her Jewish education, Lara applied for and was accepted into the Pardes Institute of Jewish Studies in Jerusalem. It was there that not only did she complete her Masters in Jewish Education, Lara came to realize that, while she wanted to teach, she wanted to do it within a Jewish framework. It was the intense learning at Pardes that stimulated Lara’s passion to begin the trail to the rabbinate.
Once you learn more about Lara’s family history, however, you can see how her becoming a rabbi wasn’t all that surprising. When Lara was born, she came along with a twin brother, Isaac. When her father came into the birthing room to see his newborn children for the first time, he said that he sensed that one of the twins was destined to become a rabbi, but it was Isaac, not Lara. Even as the twins grew up, Greg’s sense of a rabbinical calling for his son persisted. When Lara declared her intention to pursue a career in the rabbinate, Greg was ecstatic, stating he had it right all along – he just missed the correct gender. He likely deserves a pass on this one as back at that time, female rabbis from Western Canada were largely unknown and even to this day, a rarity.
Thus, it came to pass that Lara Rodin entered the Jewish Theological Seminary School in New York. She had to cope with the consequences of Covid and so part of her programme had Lara stuck in the basement of her parents’ home in Calgary. In 2021, while still a student, Lara was privileged to become a Tanenbaum Fellow.
Subsequently she developed a more formal association with the Beth Tzedec Synagogue in Toronto, where she has been for the past three years. In 2023- 2024, Lara became a Resnick Fellow. Both the Resnick and Tanenbaum Fellowships were highly valuable to Lara as she proceeded in her Jewish education.
Along the way, even as far back as her attending Camp Ramah, Lara met a boy there who became her husband: Jonah Levitt. They were recently married at Beth Tzedec on August 18, 2024 – another really good reason to send your children to Jewish camps!
Aside from her responsibilities at Beth Tzedec to date, Lara has been working as a Rabbi in Residence at the Robbins Hebrew Academy in Toronto. There she is putting her skills as a teacher to good use. On top of that, she is the go-to person for conversions within the Conservative movement among several synagogues in the Toronto area. In that way Lara Rodin has made contact with many young couples, all inspired to become Jewish and, in many cases, more Jewish. This is a part of her job that she says she finds particularly challenging, yet satisfying.
Of course, if you really want to check out the newest addition to Beth Tzedec, the place to be is at synagogue, where she can be found most of the time. Her smile, her genuine warmth, and her depth of thought will be obvious immediately. Or, if you like to hike or cycle, when not in the synagogue or classroom, you are likely to find Lara participating in those activities.
As the Beth Tzedec synagogue celebrates its 70th anniversary in 2025, so too it now celebrates the addition to the synagogue of Rabbi Lara Rodin. A blessing for all of us.
Features
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