Features
The privileged, yet not unscathed, life of Baron Maurice de Hirsch
The Baron: Maurice de Hirsch and the Jewish Nineteenth Century
by Matthias B. Lehmann
Stanford University Press, 400 pp., $49
Reviewed by IRENA KARSHENBAUM
In reading Matthias B. Lehmann’s The Baron: Maurice de Hirsch and the Jewish Nineteenth Century what becomes painfully obvious is that despite owning chateaus and estates across Europe and being a member of the aristocracy, this elevated status still did not protect Baron Maurice de Hirsch, the wealthiest Jewish person of his time, from antisemitism.
How to find a solution to this eternal hatred haunted Hirsch his entire life and influenced not only how he envisioned the lives of his future grandchildren, but guided his philanthropic projects that changed the fates of millions of people.
It is a rare feat to acquire great wealth within a single generation. Hirsch was no exception.
Born Moritz von Hirsch — later to be known as Maurice de Hirsch — in 1831 in Munich, Bavaria, to Joseph and Caroline (née Wertheimer) von Hirsch, Lehmann describes how the young Hirsch grew up a member of “the noble class, with its privileges and rights,” yet was still the subject of the contradictory Jewish edict of 1813, which opened most occupations to Jews and granted them freedom of worship, but also imposed numerous restrictions, “designed to control and limit the overall number of Jews tolerated within the kingdom [of Bavaria]. Jewish immigration was banned, and the so-called Judenmatrikel established quotas for the permissible size of each Jewish community, limiting permission to marry and designed to keep the number of Jews static or reduce it.”
Yet despite this antisemitic decree, in 1818, Hirsch’s grandfather, Jacob Hirsch, managed to obtain the status of nobility from the King of Bavaria and the upwardly mobile family was allowed to be called “von Hirsch auf Gereuth,” after an estate the senior patriarch had purchased a few years earlier.
The Hirschs, however, were mere “cattle merchants” (albeit conducting business with the King of Bavaria) in comparison to the wealth and status of his mother’s family, the Wertheimers, who were descendants of Samson Wertheimer, the banker to Emperor Charles VI.
The Hirsch family had to wait another half a century, until 1869, when Joseph was awarded the hereditary title of baron for “contributions to the welfare of the Bavarian state,” following his establishing a field hospital during the Prussian-Austrian War of 1866. (The family’s philanthropic contributions were not limited to this singular charitable act, but this recognition speaks to Joseph having finally “played his cards right,” which secured “a place for himself and his descendants as members of the European aristocracy.”)
At age thirteen, Hirsch was moved to Brussels where, in 1855, he succeeded in doing what his father had done a generation earlier — he married up. His bride, Clara Bischoffsheim, was the daughter of Jonathan Raphaël Bischoffsheim, the partner of Bischoffsheim & Goldschmidt, one of Europe’s leading banks, which would one day become France’s BNP Paribas. Clara had worked as her father’s secretary, training that would serve her well to act as her husband’s “chief secretary” for their expanding business interests and philanthropic work.
Hirsch’s arrival in Brussels was of perfect timing, not only for his matrimonial aspirations, but it also coincided with the birth of the railway age when Belgium opened its first international railway line, linking Antwerp to Cologne.
At this time, Hirsch developed a passion for railroads. He formed an odd partnership with a known antisemite, André Langrand-Dumonceau, who advocated for “the building of an international Catholic financial empire to compete with… Jewish- (and Protestant-) dominated high finance.” The partnership eventually dissolved, Langrand-Dumonceau’s financial Ponzi scheme collapsed and the stake that he had owned in the Ottoman railway concession ended up in Hirsch’s hands thanks to the pursuit of an Ottoman public works minister, an Armenian named Davud Pasha, with whom he signed an agreement, in April of 1869, to link Constantinople and Salonika with central European railways.
The business deal became, as Lehmann writes, “The defining moment in Hirsch’s life as a businessman, and which was the main source of one of the largest fortunes in Europe of the late nineteenth century.”
Almost twenty years later, in the summer of 1888, after successfully maneuvering the corrupt Ottoman political and commercial landscape, the first train on the railroad that Hirsch had built, left Vienna for Constantinople. Yet even this remarkable achievement of linking Europe with the Ottoman Empire ignited antisemitic vitriol.
Lehmann writes, “The idea of building a Vienna-Constantinople-Salonika railroad link had sparked imperialist dreams in the Habsburg capital. When fantasies of colonial riches failed to materialize as the completion of the railway connections was repeatedly delayed, a narrative… became increasingly personalized, focusing on Baron Hirsch in the guise of the “Parisian financier” and “the Jew.” Rather than the bursting of a speculative bubble in Vienna in 1873 or the effect of the Russo-Ottoman War of 1877-1878, not to mention the machinations of the Great Powers of Europe or the political chaos in Constantinople in the mid-1870s, a story emerged in which it was Baron Hirsch, single-handedly, who betrayed the dream of Austria’s Oriental empire.”
Hirsch understood that antisemitism was impossible to defeat. In giving an interview, in January of 1889, to the New York Herald, titled “The Jews Must Disappear: A Hebrew Millionaire Spends Enormous Sums to Assimilate Them with Christians” he explained his solution, “The Jewish question can only be solved by the disappearance of the Jewish race, which will inevitably be accomplished by the amalgamation of Christians and Jews.”
In terms of his own descendants, when his son, Lucien, was in his twenties, Hirsch stated that, “He must marry an Englishwoman,” especially since, “younger members of the families of Rothschild and Montefiore” were assimilating through marriage.
Immersed in an antisemitic milieux, it is important to also consider that neither Hirsch, his wife, or their son even contemplated conversion unlike many members of the Jewish nobility of western Europe like, Benjamin Disraeli, the 19th-century British prime minister who converted to Christianity. Assimilation was for the next generation through the planned raising of their future grandchildren as Christians.
With the sudden passing of his only son at age 30, Hirsch — whose loyalties were still deeply intertwined with his co-religionists — shifted his energies to helping the Jews of the Russian Empire who were facing escalating antisemitism.
In 1891, Hirsch incorporated the Jewish Colonization Association (JCA) in London with initial capital of 2 million pounds sterling (the 2023 equivalent of about $2 billion) of his own funds “to assist… the emigration of Jews from any parts of Europe or Asia… where they may be subjected to any special laws,” and to help them, “establish colonies in various parts of North and South American… for agricultural [purposes].”
With his recent experience conducting business with the corrupt Ottomans, he objected, ““On principal,” to purchasing land for colonization purposes anywhere in the Ottoman Empire, where the authorities were bound to subject the colonists to endless “chicaneries and difficulties,” and, ““religious memories and ancient traditions” were a feeble ground on which to build a large-scale colonization enterprise.”
Hirsch rejected Theodor Herzl’s “fantastical plan, of creating a “Jewish state”” in Palestine. (Herzl himself went on to contemplate Hirsch’s efforts in an 1896 article for London’s Jewish Chronicle titled, “Shall we choose Argentine or Palestine?”)
By the fall of 1891, Hirsch decided that the focus of JCA’s work would be the evacuation of 3.25 million Russian Jews, primarily to Argentina, which he estimated would take about twenty-five years to complete. By 1896, the year of Hirsch’s passing, 6,757 colonists were living on 910 farms in Argentina.
In Canada, the majority of JCA’s work did not begin until after Hirsch’s passing and it is believed that most Jewish farming communities received at least some funding from the association. A number of the prairie settlements — Hirsch and Sonnenfeld in Saskatchewan, and Narcisse in Manitoba — were named after leading JCA figures.
Lehmann’s thoroughly researched biography and view into the Jewish nineteenth century rings eerily true for Jews today.
Irena Karshenbaum writes in Calgary.
irenakarshenbaum.com
Features
Japanese Straightening/Hair Rebonding at SETS on Corydon
Japanese Straightening is a hair straightening process invented in Japan that has swept America.
Features
History of the Winnipeg Beach Synagogue: 1950-2025
By BERNIE BELLAN The history of the Winnipeg Beach Synagogue is a fascinating one. We have had several articles over the years about the synagogue in The Jewish Post & News.
In June 2010 I wrote an article for The Jewish Post & News upon the 60th anniversary of the synagogue’s opening. Here are the opening paragraphs from that article:
“Sixty years ago a group of Winnipeg Beach vacationers decided that what their vacation area lacked was a synagogue. As it happened, a log cabin one-room schoolhouse in the Beausejour area happened to be available.
“In due course, the log cabin was relocated to the corner of Hazel and Grove in Winnipeg Beach, where it stayed for 48 years.”
In December 1994 my late brother, Matt, wrote a story about the spraying of antisemitic grafitti on the synagogue which, at that time, was still situated at its original location on the corner of Hazel and Grove in the town of Winnipeg Beach:
“Two 16-year-olds spraypainted slogans like ‘Die Jews,’ ‘I’ll kill you Jews,’ and other grafitti in big letters on the beach synagogue.
“Jim Mosher, a news reporter for the Interlake Spectator in Gimli, said last Halloween’s vandalism against the synagogue wasn’t the first. In the late 1980s, he claimed, it was spraypainted with swastikas.
“Jack Markson, a longtime member of the Winnipeg Beach Synagogue, last week also said he could remember finding anti-Semitic grafitti spraypainted on the synagogue ‘a few years ago,’ and at least twice in the 1970s, when the cottage season was over.”
My 2010 article continued: “In 1998 the Town of Winnipeg Beach informed the members of the synagogue that the building would have to be hooked up to the town’s sewer and water system. Rather than incur the cost of $3-4,000, which was thought to be ‘prohibitive,’ according to longtime beach synagogue attendee Laurie Mainster, synagogue goers looked elsewhere for a solution.
“As a result, the board of Camp Massad was approached and asked whether the synagogue might be relocated there, with the understanding that the synagogue would be made available to the camp at any time other than what were then Friday evening and Saturday morning services.
“Over the years the ‘beach synagogue’ had come to be a very popular meeting place for summertime residents of Winnipeg Beach and Gimli. In fact, for years minyans were held twice daily, in addition to regular Saturday morning services. Of course, in those years Winnipeg Beach was also home to a kosher butcher shop.
“While the little synagogue, which measured only 18 x 24 feet, has gone through several transformations, including the move to Camp Massad, and the opening up to egalitarian services in 2007 (The move to egalitarian services was as much a practical necessity as it was a nod to the equality of women – the only Kohen present at the time was a woman!), it has always remained cramped at the best of times.
“In recent years the synagogue has seen the addition of a window airconditioner (although to benefit from it, you really have to be sitting just a few feet away), as well as a fridge that allows synagogue attendees to enjoy a regular Saturday morning Kiddush meal following the service.
“According to Laurie Mainster, the Saturday morning service has continued to be popular, even though many of the attendees now drive in from Winnipeg, as they have sold the cottages they once maintained.
“On the other hand, one of the side benefits to being located on Camp Massad’s grounds has been an infusion of young blood from among the camp counsellors.
“Since there is no longer a rabbi available to conduct services (Rabbi Weizman did lead services for years while he had a cottage at the beach), those in attendance now take turns leading the services themselves.
“Anyone may attend services and, while there are no dues collected, donations are welcome. (Donations should be made to the Jewish Foundation of Manitoba, with donors asked to specify that their donations are to be directed to the beach synagogue.)
“Mainster also says that the beach synagogue is now undergoing an expansion, which will be its first in 60 years. An entirely new space measuring 16 x 18 feet is being added – one that will allow for a real Kiddush area. (Until now, a table has been set up in the back of the synagogue and synagogue goers would help themselves to the buffet that is set up each Saturday during the summer. While pleasant enough, it will certainly be more comfortable to have an actual area set aside for the Saturday afternoon after service lunch.)
“As for dress, longtime attendee Abe Borzykowski (in an article written by Sharon Chisvin for the Free Press in 2007) remarked that ‘I don’t think there are many synagogues where people can attend in shorts, T-shirts and sandals and not feel out of place.’ “
As mentioned in that 2010 article, the beach synagogue at that time was about to undergo an extensive remodelling. Here is an article from a January 2011 issue that describes that remodelling process. The article was written by Bernie Sucharov, who has been a longtime member of the beach synagogue:
“The Hebrew Congregation of Winnipeg Beach made a major change to the synagogue this past summer. With the help of many volunteers, Joel Margolese being the project manager, the synagogue was expanded and an addition was built to handle the overflow crowds, as well as to add more space for the kiddush following services.
“The volunteers spent many Sundays during the summer months building the addition. Bad weather caused many delays, but finally the addition was completed one week before the official summer opening.
“The volunteers were: Joel Margolese, Gordon Steindel, Sheldon Koslovsky, Viktor Lewin, Harvey Zabenskie, Nestor Wowryk, Kevin Wowryk, Victor Spigelman, Jerry Pritchard, and David Bloomfield.
“On Sunday, June 25, 2010 a special ceremony was held to affix a mezzuzah to the front entrance door. Gordon Steindel had the honour of affixing the mezzuzah, which was donated by Sid Bercovich and Clarice Silver.
“Refreshments and food for the day were prepared by Phyllis Spigelman, also known as our catering manager. Throughout the summer, Phyllis, Lenore Kagan and other friends prepared the food for our kiddush.
“A sound system was donated by Arch and Brenda Honigman in memory of their father, Sam Honigman z”l. “The system was installed by Joel Margolese and Stevan Sucharov. This will allow the overflow crowd to hear the service in the new addition.
“There were also generous donations of 50 chumashim and an air conditioner. The chumashim were donated by Gwen, Sheldon and Mark Koslovsky. The air conditioner in the new addition was donated by Joel and Linda Margolese.
“The official opening of the synagogue for the summer took place on July 3, 2010. We had an overflow crowd of 70+ people.”
Since that 2010 major addition to the synagogue, it has also added a wheelchair ramp (although I’ve been unable to ascertain exactly when the ramp was built). Also, the synagogue also has its own outdoor privy now. (Attendees used to have to use facilities in Camp Massad.)
And, as already noted in article previously posted to this site (and which you can read at Beach Synagogue about to celebrate 75th anniversary), in recognition of that occasion, on August 2nd members of the synagogue will be holding a 75th anniversary celebration.
As part of the celebration anyone who is a descendant or relative of any of the original members of the first executive committee is invited to attend the synagogue that morning.
If you are a relative please contact Abe Borzykowski at wpgbeachshule@shaw.ca or aborzykowski@shaw.ca to let Abe know you might be attending.
Features
Kinzey Posen: CBC Winnipeg’s former “go-to guy”
By GERRY POSNER If former Winnipegger Lawrence Wall was the CBC go-to guy in Ottawa, CBC Winnipeg had its own version of a go-to guy for many years with none other than the very well known Kinzey Posen. Of course, many readers will recognize that name from his career with Finjan, the Klezmer group so famous across Canada and beyond. It has been written about Posen and his wife Shayla Fink that they have been involved in music since they got out of diapers. And, as an aside, their love and ability in music has now been transmitted to the next generation as in their son, Ariel Posen (but that’s another story).
Kinzey Posen (not to be confused with Posner, or maybe we are to be confused, but who knows for sure?), was a graduate of Peretz School, having attended there from nursery right until Grade 7, graduating in1966. That was followed by Edmund Partridge and West Kildonan Collegiate. Musically, he was in large part self taught. However, he did have some teachers along the way. After moving to Vancouver – from 1974-78, he had the chance to study acoustic classical bass with a member of the Vancouver Symphony Orchestra. When Kinzey lived in Vancouver, he also worked as a jazz musician.
Upon returning to Winnipeg, Kinzey enrolled as a mature student at the University of Winnipeg, where he obtained a Bachelor of Urban Studies degree. Although the degree was in no way connected to the career that followed, his attending the University of Winnipeg was critical to his connecting with the CBC. Why? you ask. Kinzey had a position after graduation working for the Institute of Urban Studies. While there, he met someone who invited him to work for the Department of Continuing Education as one of their program directors. At the time the Department of Continuing Education was located at 491 Portage Avenue, which was also known as the TJ Rice Building. The CBC also leased some space in the same building. According to Kinzey, the CBC part of the building “included HR, different shows and other support offices. Continuing Education was located in the basement and main floor and that’s where I worked.”
KInzey had long had an interest in the CBC, which made the fact that the CBC had some offices in the same building where he was working serendipitous. That Kinzey might be interested in visiting the CBC was not an accident. As a young boy he had a nightly connection to CBC, as it was his ritual to listen to CBC Radio (as well as all sorts of other radio stations across the USA) on his transistor radio every night in bed. He became enamoured of one particular CBC host, Bill Guest, so that when going to sleep, he imagined that he was Guest doing interviews with imaginary guests. That dream of working for CBC became a reality when he had a chance to do a one week gig with Jack Farr’s network program.
Kinzey took a week off from his Continuing Education job and spent five days at the CBC. That week was a training session for Posen, as he had to create ideas, research, pre-interview, write the script, and set up the studio for Farr’s interview. He was almost in his dream job – although not quite – since it was only for one week. His opportunity, however, came in 1988, when he was offered a one-year term as a production assistant – the lowest guy on the ladder, for a show called “ Simply Folk,” with the late Mitch Podolak as the host. Although he was indeed at the bottom as far as those working on the show were concerned, he took a chance and gave his notice to the U of W. The rest is history. In his new job, Kinzey learned how to become a producer. Lucky for him, at the end of the year, when the person he replaced was supposed to come back, she never returned (just like the song, “MTA,” by the Kingston Trio). At that point, Kinzey was hired full time at the CBC.
Kinzey was a fixture at the CBC for 27 years. During those years, Kinzey had the chance to work with Ross Porter, a respected former CBC host and producer, also with Karen Sanders – on the “Afternoon Edition.” One aspect of Kinzey’s job on the Afternoon Edition was to come up with ideas, mix sound effects, arrange interviews and music, to create a two-hour radio experience. In addition, he covered jazz and folk festivals and, as a result, was exposed to some of the best musicians in the world. With Ross Porter in the 1990s, he worked on a network jazz show called “ After Hours,” which was on from 8-10 PM five nights a week. Kinzey was involved with writing the scripts, picking the music, and recording the shows, as well as editing them and then presenting them to the network for playback.
Of course, over his career, Kinzey had many memorable moments. He told me about one of them. The story revolved around the National Jazz Awards one year in particular. The awards were to be broadcasted after the National News which, in those days, began much earlier in the evening, and were over by 8:00 pm. The legendary Oscar Peterson was lined up to play a half hour set at the awards, starting at 7:30. But, as Kinzey told me, Oscar Peterson had a “hate on” for the CBC ecause one of his recorded performances was wrongly edited and he refused to appear on CBC under any circumstances. As the time neared 8:05 PM, which was when the CBC was to begin its broadcast of the jazz awards, it became apparent that Oscar was not going to finish on time. As the producer of the awards show, Kinzey was tasked with telling Oscar Peterson to wrap it up and get off the stage. There was Kinzey Posen, a huge fan of Oscar Peterson, now faced with the prospect of telling Oscar – while he was still playing – with 500 people in the audience, to stop and get off the stage. Not often was or is Kinzey Posen frozen, but that was one such moment. There was one loud “Baruch Hashem” from Kinzey when Oscar completed his set literally just in time.
Clearly, Kinzey was part of a very successful run with After Hours as it was on the air for 14 years. It was easily one of the most popular shows on CBC Radio 2, and a winner of several broadcasting awards. Kinzey also played a major role in producing a two part documentary about legendary guitarist Lenny Breau.
When After Hours ended, Posen became one of the contributing producers to Canada Live and specialized in producing live radio specials for the network, such as the Junos, for CBC Radio One and Two. Needless to say, his career planted Posen in the world of some top notch musicians, including his time spent working with Robert Plant (Led Zeppelin), Dave Brubeck, Randy Bachman, Chantal Kreviazuk and a list of prominent names in the Canadian, American and European music spheres. Locally, the CBC came to refer to Kinzey as the Jewish expert. I would add music expert to that title.
After his 27 year run at the CBC – and before he fully retired, Kinzey went on to work for the Rady JCC as a program director for a year and a half. Of course, to say that Kinzey Posen is retired is a major contradiction in terms. You really can’t keep him down and he has his hand in a variety of programs and projects – most of which he remains silent about, as is his style.
When I realized the full depth and talent of Kinzey Posen, I quickly concluded that he must certainly be related to me. Even if he isn’t, I now tell people he is.