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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.

(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.

But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.

Here were the biggest Jewish cultural releases of 2022:

Growing up Jewish at the movies

From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)

Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.

‘Tár’ and teshuvah

While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.

A ‘Rehearsal’ for living Jewishly

Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring  Nathan Fielder, left. (Screenshot)

Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.

‘The U.S. and the Holocaust’ under a microscope

The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.

TV had Jewish conflicts, with heart

Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)

Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.

A Nazi gold train on ‘Russian Doll’

Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.

‘And Just Like That,’ some uncomfortable Jewish jokes

HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.

‘Funny Girl,’ serious cast conflicts

Beanie Feldstein as Fanny Brice  during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)

A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.

Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage

While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.

Non-Jewish authors explore Jewish legacies

Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.

Jewish comedians stuck out their shtick

Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)

Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.

The Miami Boys Choir lit up the Internet

The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)

If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.

A new Museum of Broadway is a Jewish hall of fame

An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)

Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.

Other Jewish stories from 2022 now available to stream:

13: The Musical (Netflix)

Ahed’s Knee (VOD rental)

American Masters: The Adventures of Saul Bellow (PBS)

The Calling (Peacock)

Cha Cha Real Smooth (Apple TV+)

Heirs to the Land (Netflix)

Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)

Idina Menzel: Which Way to the Stage (Disney+)

Image of Victory (Netflix)

Jackass Forever (Paramount+)

Last Flight Home (Paramount+)

Ridley Road (PBS)

Shababnikim (Chaiflicks)

Yosi, the Regretful Spy (Amazon Prime)


The post 2022 was a big year for Jews in the arts. Here’s what happened on screen and stage. appeared first on Jewish Telegraphic Agency.

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Iran Prepares Counterproposal as Trump Weighs Strikes

U.S. President Donald Trump speaks with members of the media on board Air Force One en route to Palm Beach, Florida, U.S., January 31, 2026. REUTERS/Nathan Howard

Iran’s foreign minister said on Friday he expected to have a draft counterproposal ready within days following nuclear talks with the United States this week, while US President Donald Trump said he was considering limited military strikes.

Two US officials told Reuters that US military planning on Iran had reached an advanced stage, with options including targeting individuals as part of an attack and even pursuing leadership change in Tehran, if ordered by Trump.

Trump on Thursday gave Tehran a deadline of 10 to 15 days to make a deal to resolve their longstanding nuclear dispute or face “really bad things” amid a US military buildup in the Middle East that has fueled fears of a wider war.

THREATS OF ATTACK FOLLOW CRACKDOWN ON MASS PROTESTS

Asked on Friday if he was considering a limited strike to pressure Iran into a deal, Trump told reporters at the White House: “I guess I can say I am considering” it. Asked later about Iran at a White House press conference, Trump added: “They better negotiate a fair deal.”

Iranian Foreign Minister Abbas Araqchi said after indirect discussions in Geneva this week with Trump’s Special Envoy Steve Witkoff and son-in-law Jared Kushner that the sides had reached an understanding on main “guiding principles,” but that did not mean a deal was imminent.

Araqchi, in an interview on MS NOW, said he had a draft counterproposal that could be ready in the next two or three days for top Iranian officials to review, with more U.S.-Iran talks possible in a week or so.

Military action would complicate efforts to reach a deal, he added.

After the US and Israel bombed Iran’s nuclear facilities and some military sites in June, Trump again began threatening strikes in January as Tehran crushed widespread protests with deadly force.

Referring to the crackdown on Friday, Trump said there was a difference between the people of Iran and the country’s leadership. He asserted that “32,000 people were killed over a relatively short period of time,” figures that could not immediately be verified.

“It’s a very, very, very sad situation,” Trump said, adding that his threats to strike Iran had led the leadership to abandon plans for mass hangings two weeks ago.

“They were going to hang 837 people. And I gave them the word, if you hang one person, even one person, that you’re going to be hit right then and there,” he said.

The US-based group HRANA, which monitors the human rights situation in Iran, has recorded 7,114 verified deaths and says it has another 11,700 under review.

Hours after Trump’s statements on the death toll, Araqchi said that the Iranian government has already published a “comprehensive list” of all 3,117 killed in the unrest.

“If anyone doubts the accuracy of our data, please speak with evidence,” he posted on X.

ARAQCHI SAYS DEAL POSSIBLE IN ‘VERY SHORT PERIOD’

Araqchi gave no specific timing as to when Iranians would get their counterproposal to Witkoff and Kushner, but said he believed a diplomatic deal was within reach and could be achieved “in a very short period of time.”

United Nations spokesperson Stephane Dujarric reiterated concerns about heightened rhetoric and increased military activities in the region.

“We encourage both the United States and the Islamic Republic of Iran to continue to engage in diplomacy in order to settle the differences,” Dujarric told a regular news briefing at the U.N.

During the Geneva talks, the United States did not seek zero uranium enrichment and Iran did not offer to suspend enrichment, Araqchi told MS NOW, a US cable television news network.

“What we are now talking about is how to make sure that Iran’s nuclear program, including enrichment, is peaceful and would remain peaceful forever,” he said.

He added that technical and political “confidence-building measures” would be enacted to ensure the program would remain peaceful in exchange for action on sanctions, but he gave no further details.

“The president has been clear that Iran cannot have nuclear weapons or the capacity to build them, and that they cannot enrich uranium,” the White House said when asked about Araqchi’s comments.

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Israeli Strikes in Lebanon Kill at Least 10, Including Senior Hezbollah Official

People inspect the damage at the site of an Israeli strike on Friday, in Bednayel, Bekaa valley, Lebanon, February 21, 2026. Photo: REUTERS/Mohamed Azakir

At least 10 people were killed and 50 wounded in Israeli strikes in Lebanon’s Bekaa Valley, two security sources told Reuters, after the Israeli military said it had targeted Hezbollah sites in the Baalbek area.

The strikes on Friday were among the deadliest reported in eastern Lebanon in recent weeks and risk testing a fragile US-brokered ceasefire between Israel and Shi’ite Islamist group Hezbollah, which has been strained by recurring accusations of violations.

The Israeli military said in a statement that it struck Hezbollah command centers in the Baalbek area, part of eastern Lebanon’s Bekaa Valley.

In a separate statement on Saturday, it said it had “eliminated several terrorists of Hezbollah’s missile array in three different command centers … recently identified as operating to accelerate the organization’s readiness and force build-up processes, while planning fire attacks towards Israel.”

Hezbollah said on Saturday that eight of its fighters, including a commander, Hussein Mohammad Yaghi, were killed in Friday’s strikes in the Bekaa area.

CEASEFIRE BROKERED IN 2024

Israel and Hezbollah agreed to a US-brokered ceasefire in 2024 intended to end more than a year of cross-border exchanges of fire that culminated in Israeli strikes that weakened the Iran-aligned group. Since then, the sides have traded accusations of ceasefire violations.

US and Israeli officials have pressed Lebanese authorities to curb Hezbollah’s arsenal, while Lebanese leaders have warned that broader Israeli strikes could further destabilize the country already battered by political and economic crises.

Separately, the Israeli military said it also struck what it described as a Hamas command center from which militants operated in the Ain al-Hilweh area in southern Lebanon. Ain al-Hilweh is a crowded Palestinian refugee camp near Sidon.

Lebanese President Joseph Aoun condemned the overnight Israeli strikes on the Sidon area and towns in Bekaa as a “new violation” of Lebanon’s sovereignty and a breach of U.N. obligations, urging countries backing regional stability, including the United States, to press for an immediate halt to avert further escalation, the presidency said.

Hamas condemned in a statement the Israeli strike on Ain al-Hilweh and rejected Israeli assertions about the target, saying the site belonged to the camp’s Joint Security Force tasked with maintaining security.

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The ‘Hymietown’ affair degraded Black-Jewish relations. Jesse Jackson wasn’t the real culprit

Conventional wisdom suggests Rev. Jesse Jackson’s infamous, unfortunate, off-the-record, 1984 “Hymietown” comment radically reshaped and further degraded Black-Jewish relations. It’s true. But not for the reasons that one might imagine.

Jackson, then a presidential candidate, initially denied the report, first published in The Washington Post, that he had used the aforementioned slur in a Washington, D.C. airport bar. Two weeks later he reversed course. In an address at synagogue Adath Yeshurun in New Hampshire, he asked to be forgiven.

How much damage to Black-Jewish relations did Jackson’s remark actually do? Some, for sure. But given how wobbly the two communities’ once-vaunted “grand alliance” had become by 1984, the degree of the slur’s impact has, I think, been overstated. Both groups had already built a vast reservoir of mutual mistrust. Among the causes: Jackson’s meetings with Yasser Arafat of the PLO rendered him suspect to Jews, and Jewish opposition to affirmative action struck Blacks as a betrayal. Ditto for the Andrew Young affair of 1979, a takedown of one of the community’s most distinguished public servants.

What actually changed Black-Jewish relations for the worse was not the “Hymietown” indiscretion, but Nation of Islam Minister Louis Farrakhan’s entry into the fray.

On Feb. 25, 1984, 12 days after the slur was first reported and one day before his synagogue apology, Jackson attended a meeting of the Nation of Islam in Chicago. There, Farrakhan told Jews: “If you harm this brother, I warn you in the name of Allah, this will be the last one you harm.”

Farrakhan was just getting started. On March 11, he referred to Hitler “as a very great man.” In June, he described Judaism as a “gutter religion.” By summertime, Jewish organizations were demanding that Jackson, still at that point running for president, fully denounce Farrakhan. Jackson initially resisted that call, instead downgrading the controversial cleric’s status from campaign “surrogate” to “supporter.” Eventually, with his campaign on fire, a besieged Jackson made a complete disavowal.

The long-term repercussions of this episode for the fragile Black-Jewish alliance were immense. The scandal launched Farrakhan — who until that point could have been described, per The New Republic, as “the boss of a fringe Muslim sect” — into national and even international visibility, so much so that Libyan ruler Muamar Gaddafi soon donated to his cause. Perched atop this new platform, Farrakhan set about injecting his group’s unremittingly antisemitic worldview into the cultural mainstream.

Conspiracy theories with lingering influence

The consequences of this ascent are still unfolding today.

For instance, the falsehood that Jews were major players in the African slave trade had little traction before the events of 1984. After them, it became a hot subject in popular and even academic circles. The far-right commentator Candace Owen’s antisemitic espousal of it to her audience of millions is only the most recent manifestation of that trend.

Under Farrakhan, the Nation of Islam argued that “so-called Jews” were imposters who had usurped and appropriated an African religious identity. That trope has recently reappeared in statements by public figures like Nick Cannon, Kyrie Irving, Deshawn Jackson, and Ice Cube — some of whom have since apologized.

It’s not just the Jewish community that has suffered in response. Farrakhan’s emergence also triggered what journalist Marjorie Valburn has called a “litmus test” for Black politicians: A requirement that Black political candidates must publicly denounce Farrakhan, often at the summons of a Jewish leader. The test has been administered countless times, including to former President Barack Obama during his 2008 campaign; numerous Democratic lawmakers in 2018; and Congressman Jamaal Bowman in 2024.

As Cynthia Ozick once observed, a Jew is a person who makes distinctions. Major Jewish organizations who subjected Blacks to the litmus test seemed incapable of doing precisely that. Jackson was clearly not Farrakhan. Truth be told, most Black people who shared Farrakhan’s concerns about economic empowerment were not and are not Farrakhan; they have little interest in his antisemitic obsessions.

In any case, I know of no case where applications of this test helped to improve Black-Jewish relations. Quite the contrary: It bred further resentment and distrust.

A mistaken mythology

As I learned while co-authoring a book about Black-Jewish relations with Terrence L. Johnson, the Black-Jewish alliance was never quite as “feel-good” as its champions have alleged. Even when the groups collaborated toward impressive Civil Rights accomplishments,their encounter was rife with every imaginable tension.

Johnson and I date the alliance from the NAACP’s founding in 1909 to the Six-Day War in 1967. One of our key observations was that inter-group tensions between Blacks and Jews were exacerbated and even driven by intra-group tensions. In other words, pitched battles between Jewish liberals and conservatives, and between Church-based liberals and Black radicals did much to shape — and endanger — the alliance, even when it was racking up victories for civil rights.

The same held true after 1984. Because of the intra-group complexities with which Jackson was dealing —  trying to temper the effusions of radicals like Farrakhan while absorbing them into his coalition — his relations with Jews got worse. And tension within the Jewish community about how to respond equally spurred reasonable mistrust on the other side. Many forgave, but others, like then- executive director of the ADL, Nathan Perlmutter, did not: Perlmutter once said that Jackson “could light candles every Friday night and grow side curls, and it still wouldn’t matter. He’s a whore.”

The irony and tragedy is that Jackson was, in fact, one of the leaders in either community who put in the most effort to repair the shattered alliance. He understood its importance, and the risks of its dissolution. He sought to solve collective problems by forging common ground among disparate actors in a mutli-racial, multi-ethnic Rainbow Coalition.

His plan did not come to fruition. But as we mourn his passing, we should ponder his legacy, and revisit his compelling vision.

The post The ‘Hymietown’ affair degraded Black-Jewish relations. Jesse Jackson wasn’t the real culprit appeared first on The Forward.

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