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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.
(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.
But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.
Here were the biggest Jewish cultural releases of 2022:
Growing up Jewish at the movies
From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)
Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.
‘Tár’ and teshuvah
While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.
A ‘Rehearsal’ for living Jewishly
Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring Nathan Fielder, left. (Screenshot)
Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.
‘The U.S. and the Holocaust’ under a microscope
The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.
TV had Jewish conflicts, with heart
Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)
Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.
A Nazi gold train on ‘Russian Doll’
Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.
‘And Just Like That,’ some uncomfortable Jewish jokes
HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.
‘Funny Girl,’ serious cast conflicts
Beanie Feldstein as Fanny Brice during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)
A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.
Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage
While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.
Non-Jewish authors explore Jewish legacies
Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.
Jewish comedians stuck out their shtick
Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)
Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.
The Miami Boys Choir lit up the Internet
The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)
If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.
A new Museum of Broadway is a Jewish hall of fame
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.
Other Jewish stories from 2022 now available to stream:
13: The Musical (Netflix)
Ahed’s Knee (VOD rental)
American Masters: The Adventures of Saul Bellow (PBS)
The Calling (Peacock)
Cha Cha Real Smooth (Apple TV+)
Heirs to the Land (Netflix)
Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)
Idina Menzel: Which Way to the Stage (Disney+)
Image of Victory (Netflix)
Jackass Forever (Paramount+)
Last Flight Home (Paramount+)
Ridley Road (PBS)
Shababnikim (Chaiflicks)
Yosi, the Regretful Spy (Amazon Prime)
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80 Years After the Holocaust, Did Antisemitism Disappear? Or Did Anti-Zionism Replace It?
A German and Israeli flag fly, on the day Chancellor Friedrich Merz meets with Israeli President Isaac Herzog for talks, in Berlin, Germany, May 12, 2025. Photo: REUTERS/Liesa Johannssen
There is a comforting narrative circulating in Western discourse. It insists that the surge of anti-Israel activism we see today is nothing more than political engagement. We are told it is about policy disagreements, about borders, about governments and human rights. We are assured it has nothing to do with Jews as Jews.
Yet over and over again, the façade cracks. Beneath the slogans and hashtags, something much older surfaces. What presents itself as principled opposition to a state too often reveals itself as hostility toward a people.
For centuries, Jews have been blamed for calamities that had nothing to do with them. During the Black Death in medieval Europe, Jewish communities were accused of poisoning wells and spreading plague. These lies triggered massacres. In times of disease and social instability, fear sought an outlet and found it in the Jewish minority.
The pattern did not end there. Blood libels claimed that Jews murdered Christian children to use their blood in religious rituals. Jews were portrayed as shadowy financiers manipulating global markets, engineering wars, and controlling governments. These were not fringe ideas whispered in dark corners. They were preached from pulpits, embedded in political rhetoric, and woven into cultural narratives.
The consequences were catastrophic. The expulsions from European kingdoms. The pogroms that swept across Eastern Europe and parts of the Middle East all the way up until the 1900s. The 1929 massacre in Hebron, where Jews were slaughtered in their homes. And ultimately the Holocaust, orchestrated by the Nazi regime under Adolf Hitler, in which six million Jews were systematically murdered. Each era insisted it was responding to some new threat. Each era recycled ancient accusations.
Many antisemites now claim they only oppose Israel — but are we really supposed to believe that 80 years after 1/3 of every Jew on Earth was murdered, that antisemitism has disappeared and this is all about Israel?
Modern terrorism continued the pattern. At the 1972 Munich Olympics, members of the Israeli team were murdered in cold blood. In 1985, during the hijacking of the cruise ship Achille Lauro, a Jewish passenger was singled out and killed. In 1976, Jewish hostages were separated from others in Entebbe before a dramatic rescue operation. And on October 7, 2023, Israeli civilians were massacred in their homes, children were abducted, and elderly people were dragged into Gaza by Hamas. Once again, Jews were targeted not for what they had done as individuals, but for who they were.
Each time, the world proclaims never again. Each time, hatred finds new language.
That’s why most “anti-Zionism” is just antisemitic logic repackaged for the digital age.
The intellectual dishonesty extends further. Marginal sects such as Neturei Karta are frequently showcased as the authentic voice of Judaism because they oppose the State of Israel. This tiny, fringe group does not represent mainstream Jewish communities in Israel or the Diaspora. Yet their images are amplified to suggest that “real Jews” reject Jewish self determination. It is not an honest engagement with Jewish diversity. It is a strategy to legitimize hostility.
In online spaces, the pattern is unmistakable. Comment sections filled with recycled tropes about Jewish control of media, finance, and politics are everywhere. Every geopolitical development is reframed as evidence of a hidden Jewish hand. Emotional accusations drown out factual context. In the age of algorithms, outrage spreads faster than correction. A sensational claim travels further than a careful explanation.
None of this means that Israel is beyond criticism. But there is a difference between criticism and much of what is happening now.
The State of Israel was established after centuries in which Jews lacked sovereignty and paid for that vulnerability with blood. It emerged in the aftermath of the Holocaust, when the absence of refuge proved fatal. To reduce its existence to colonial ambition is to erase Jewish history and the lived reality of exile, persecution, and statelessness.
Antisemitism disguised as anti-Zionism is not diminishing. It is intensifying across university campuses, in activist movements, and in mainstream conversation. The vocabulary may sound modern, but the underlying message echoes the past. Jews are uniquely malevolent. Jews are collectively responsible. Jews are the problem.
The antidote is not censorship but clarity. Historical literacy matters. Facts matter. Calling out antisemitic tropes when they appear, even when wrapped in fashionable language, is not an attempt to silence dissent. It is a defense of truth and moral consistency.
The lesson of history is neither abstract nor distant. When antisemitism is trivialized or excused, it spreads. When it is confronted with moral seriousness and factual rigor, it loses legitimacy. If we are sincere in our commitment to a world where Jews are not scapegoats for every crisis, then we must recognize that anti-Zionism too often serves as the latest vessel for the oldest hatred.
The responsibility to say so belongs to all of us.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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Israel, AIPAC Take Center Stage in Competitive US Congressional Primary
Aug. 12, 2025, Chicago, Illinois, US: Daniel Biss, mayor of Evanston, Illinois, attends a rally at Federal Plaza in Chicago after the announcement that the Trump administration has unilaterally ended the collective bargaining agreement with federal unions. Photo: Chicago Tribune via ZUMA Press Wire via Reuters Connect
Leading candidates in a hotly contested open-seat Democratic primary for US Congress are dueling over support for Israel and the country’s largest pro-Israel lobbying group, which have become key focal points of the race.
Tensions have been simmering for months but escalated after a super PAC known as Elect Chicago Women — which is reportedly supported by donors tied to the American Israel Public Affairs Committee (AIPAC) — began airing its first attack ad in Illinois’ 9th Congressional District last weekend. The ad accused progressive Evanston Mayor Daniel Biss of being “willing to say anything to get elected.”
Elect Chicago Women has spent hundreds of thousands of dollars on broadcast television attacking Biss and more than $2 million boosting moderate state Sen. Laura Fine, according to federal filings.
The political action committee has not publicly disclosed its donors ahead of the primary, fueling complaints from Biss and other candidates about covert influence in the contest.
In a statement on Sunday, the Biss campaign stated that voters “won’t be fooled by these slimy dark money ads, and they won’t allow right-wing special interests to pick our next member of Congress.”
The next day, Biss released an attack ad targeting Fine for receiving money from supporters of AIPAC, which Biss’s campaign described as a “Trump-aligned, pro-Netanyahu” group, referring to US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu. The ad also said that AIPAC was aligned with “MAGA,” or Trump’s Make America Great Again movement.
AIPAC is a prominent lobbying group that seeks to foster bipartisan support for the US-Israel alliance. Despite making bipartisanship a key tenet of its work, AIPAC has in recent years become a favorite target of left-wing, Democratic activists and politicians.
Before the latest dueling ads, the clash in Illinois’ 9th District spilled into a candidate forum hosted by the Pink Poster Club last week in Evanston, where contenders were asked directly whether they accept contributions from AIPAC or longtime AIPAC supporters.
Fine was the only candidate on stage to say yes. She clarified that she has not received money directly from AIPAC itself but has accepted donations from individuals who support the group, as well as from some Republican donors. AIPAC has not formally endorsed any candidates in the race.
Nonetheless, Biss seized on Fine’s distinction, arguing that Democratic voters should question why right-leaning and pro-Israel special-interest donors are investing heavily in a Democratic primary. He has framed the super PAC spending as an attempt by outside forces to purchase the seat and shape the district’s representation on foreign policy.
Fine was also the sole candidate last week to respond “yes” to supporting continued military assistance for Israel.
Other rivals echoed concerns about transparency and influence, but it was Biss who most forcefully made policy toward Israel and AIPAC-aligned spending a centerpiece of his critique.
Fine has pushed back, saying the attacks mischaracterize both her record and her motivations. She points to her legislative work in Springfield on issues such as abortion rights, health-care access, and environmental protection, arguing that her support is grounded in her progressive credentials.
She has also emphasized her longstanding ties to the local Jewish community, a significant constituency in the district, and said backing from pro-Israel donors reflects shared values, not outside control. Supporters argue that strong US–Israel relations are a mainstream Democratic position and that accepting donations from pro-Israel individuals does not conflict with progressive priorities.
Fine and her campaign have denied any coordination with outside groups and contend that Biss is unfairly singling out Jewish and pro-Israel donors for political gain. Moreover, Fine has taken aim at Biss for his supposed connections with conservative donors.
“Daniel Biss has relied on Republican donors for years and voters are sick of politicians who say whatever it takes to win an election,” Fine’s campaign said in a statement.
At last week’s forum, Fine said she was “sick and tired of being Dan-splained,” noting that Biss met with AIPAC officials multiple times before rebuking their involvement in the race.
“When they said, ‘We don’t trust you,’ he changed his tune again. And that’s not a surprise, because he’ll tell one group one thing and another group another,” Fine said.
Another candidate in the race, Kat Abughazaleh, a 26-year-old Palestinian-American social media personality who has repeatedly accused Israel of so-called “genocide” in Gaza, also slammed Biss for previously meeting with AIPAC officials.
Biss currently leads the primary with 24 percent support among voters, according to a new poll commissioned by the Evanston RoundTable and conducted by Public Policy Polling, a firm affiliated with the Democratic Party. He was followed by Abughazaleh at 17 percent and Fine at 16 percent, with nearly a quarter of voters still undecided.
In the open competition to replace retiring Democratic Rep. Jan Schakowsky, Fine has sought to establish herself as the most Israel-friendly candidate, stressing the importance of Israel’s self-defense and the importance of continuing the American alliance with the Jewish state.
Biss, who is Jewish, has taken a harsher stance against Israel, issuing sharpened criticisms of the Jewish state’s conduct in Gaza. Though Biss has stated that he supports Israel and has expressed desire for continuing the alliance between Washington and Jerusalem, he has condemned the Netanyahu government and called for increased restrictions on US military aid. However, the mayor also spent large stretches of his childhood in Israel and has expressed a generally positive sentiment toward the nation and its people.
Nonetheless, Biss has promised not to accept any funding or support from AIPAC, accusing the prominent lobbying group of having “MAGA-aligned donors” and arguing that accepting its support would force him to “compromise” his progressive values.
Last month, US Rep. Tim Walberg (R-MI), chairman of the House Committee on Education and the Workforce, penned a letter demanding answers from Biss, accusing him of failing to protect Jewish students during a pro-Hamas, anti-Israel encampment at Northwestern University that, lawmakers say, devolved into widespread antisemitic harassment and violence. Northwestern’s campus is located in Evanston.
Illinois’ 9th District, long represented by progressive stalwarts, is heavily Democratic and includes Evanston and Chicago’s North Side. In such a deep-blue seat, the winner of the March primary will be the overwhelming favorite to win the general election.
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IDF Base Sports Center Destroyed in Oct. 7 Attack Reopens as Part of Multi-Million Dollar Rebuilding Project
Inside the reconstructed sports complex at the Israel Defense Forces’ Re’im Base during its reopening ceremony on Feb. 24, 2026. Photo: FIDF
A sports center and gym at the Israel Defense Forces (IDF) base in Re’im, Israel, reopened on Tuesday after being infiltrated on Oct. 7, 2023, by Hamas-led terrorists, who used the facility to plan further attacks against Israelis before it was ultimately destroyed.
The sports center at the IDF base in Re’im, which serves as the military’s Gaza Division headquarters, was reconstructed and reopened as part of a NIS 23 million ($7.44 million) project to restore facilities destroyed during the deadly massacre across southern Israel. The facility was rebuilt from the ground up and now includes a state-of-the-art fitness gym and indoor basketball arena. A mezuzah was placed on the doorpost of the center during its reopening ceremony on Tuesday and a commemorative plaque was unveiled.
A project to make the base fully operational again was led by Friends of the Israel Defense Forces (FIDF) and the Association for Israel’s Soldiers (AFIS). The sports center’s original construction was funded by donors from FIDF’s New York Tristate Area Real Estate Affinity Group, who united after the Oct. 7 attack to launch its rebuilding. Marty Berger, co-chair of the group, spoke at the center’s reopening on Tuesday.
“I remember when we first built this gym and facility and coming back over the years to see how much they meant to you,” he told IDF solders and FIDF supporters in attendance. “When we returned in December 2023, just two months after Oct. 7, we saw the damage and the bullet holes throughout the gym and fitness center. It was heartbreaking, but we also saw how the Gaza Division re-emerged ready to defend Israel with strength and determination and we vowed to rebuild it. To see this place rebuilt and to have played a small part in restoring it is deeply humbling.”
Hamas-led terrorists infiltrated the IDF base on Oct. 7, 2023, and used the sports center as their own center for operations, where they planned further attacks on IDF soldiers and their families on base. When IDF special forces closed in and tried to regain control of the base, the terrorists used the gym as the site for their final stand-off. The IDF ultimately ordered an airstrike against the terrorists, which completely destroyed the building. Many of the military base’s structures were also damaged in the Oct. 7 attack and considered unusable.
“Rehabilitating [the] Re’im base is a true mission, stemming from the inseparable bond between the Jewish community in the United States and IDF soldiers,” said FIDF CEO Maj. Gen. (Res.) Nadav Padan. “The reconstruction of the sports center and other welfare facilities symbolizes the determination to restore routine, stability, and a place that enables soldiers to continue their mission with a sense of security and pride. We stand alongside the soldiers of the Gaza Division today and in the future, with full and ongoing commitment.”
“The completion of this rehabilitation project is not only the rebuilding of structures but also symbolizes the end of a complex period and the beginning of a new path for the soldiers and commanders at Re’im base,” added AFIS CEO Col. (Res.) Shari Nechmias-Carmel. “It is an expression of life, spirit, and hope returning to the base, and of our commitment to providing those who serve there with a dignified environment that is strengthening and secure.”
The NIS 23 million reconstruction project also includes the restoration of the military base’s synagogue, library, health clinic, and other structures damaged during the Oct. 7 attack.