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2022 was a big year for Jews in the arts. Here’s what happened on screen and stage.

(JTA) – Once more for the record, Dave Chappelle: Jews don’t actually run Hollywood.

But anyone paying attention to pop culture in 2022 saw a lot of Jewish creativity. This year saw several big, distinctly Jewish releases across multiple media, ranging from acclaimed movies to popular TV shows to theater, books and viral TikToks. And amid endless debates over who has the right to tell (and be cast in) Jewish stories, it was notable just how many of the biggest pop-culture events of the year fervently embraced Jewish identity.

Here were the biggest Jewish cultural releases of 2022:

Growing up Jewish at the movies

From left to right: Paul Dano, Mateo Zoryna Francis-Deford and Michelle Williams as fictionalized members of Steven Spielberg’s family in his film “The Fabelmans.” (2022 Universal Pictures and Amblin Entertainment)

Two of the year’s big art-house film releases were autobiographical portrayals of their directors’ Jewish upbringings. In “The Fabelmans,” Steven Spielberg’s account of how he became a filmmaker, a teenager in 1950s America navigates a fracturing Jewish family and antisemitism at school. And in “Armageddon Time,” James Gray’s retelling of his Reagan-era childhood (with appearances from the Trumps), a Jewish family in Queens, New York tries to assimilate into the WASPy upper class — while their young son brushes aside the needs of his Black friend.

‘Tár’ and teshuvah

While the families in “The Fabelmans” and “Armageddon Time” were obviously Jewish, Cate Blanchett’s monstrous fictional conductor in “Tár” was not — which made it all the more surprising when the film not-so-subtly incorporated several Jewish themes into its story of artistic success and karmic retribution. The acclaimed drama looks to make big inroads this awards season as it gives audiences a de facto Hebrew lesson.

A ‘Rehearsal’ for living Jewishly

Miriam Eskenasy, a cantor and Portland-based Hebrew and b’nei mitzvah tutor, had a pivotal moment in HBO’s meta-reality show “The Rehearsal,” created by and starring  Nathan Fielder, left. (Screenshot)

Gonzo comedian Nathan Fielder staged elaborate simulations of everyday life in “The Rehearsal,” a new HBO series that proved to be among the buzziest TV shows of the year — and whose late-season pivot to discussions of Jewish parenting caught just about everyone by surprise. As the Internet lit up with conversations about Miriam Eskenasy, the Hebrew tutor Fielder hired for his fake Jewish son, JTA spoke to Miriam herself about the various questions of Jewish identity explored by the show.

‘The U.S. and the Holocaust’ under a microscope

The latest Ken Burns PBS history documentary, relaying how the United States responded to the horrors of the Holocaust both on the homefront and in wartime, ignited a fierce national reckoning over America’s historic treatment of Jews and outsiders. Burns and his Jewish co-directors told JTA they hoped to communicate an important lesson to the country about antisemitism and xenophobia that could challenge America’s founding myths.

TV had Jewish conflicts, with heart

Laura Niemi as Beth Strauss and Steve Carell as Alan Strauss in “The Patient.” (Suzanne Tenner/FX)

Narrative TV saw storylines about Jews clashing with each other and bonding with unexpected allies. FX/Hulu’s thriller “The Patient” dug into an inter-family divide between Reform parents and Orthodox children, even as the show weathered criticism for its casting of non-Jew Steve Carell as a Jewish therapist. Another Hulu show, Ramy Youssef’s “Ramy,” entered its third season with a storyline set in Israel and an Orthodox Jewish supporting character — notable for a series that focuses on a Muslim American protagonist.

A Nazi gold train on ‘Russian Doll’

Natasha Lyonne’s time-hopping Netflix series returned for a second season this year, reaching deep into the past to find Lyonne’s protagonist Nadia unearthing generations of Jewish trauma in her family. It all culminated with her exploration of a Hungarian “gold train” filled with treasures the Nazis supposedly looted from the country’s Jews during wartime. Lyonne was drawing on real-life Holocaust history for the plot, suggesting that Jewish inherited trauma remains with us to this day.

‘And Just Like That,’ some uncomfortable Jewish jokes

HBO’s “Sex and the City” follow-up was largely viewed by fans of the original as a fascinating trainwreck. Jewish viewers saw something else: a throughline of bizarre Jewish jokes, from a midseason flirtation with a Holocaust denier to a season-finale “They Mitzvah” that ultimately didn’t happen.

‘Funny Girl,’ serious cast conflicts

Beanie Feldstein as Fanny Brice  during the opening night curtain call for the musical “Funny Girl” on Broadway at The August Wilson Theatre in New York City, April 24, 2022. (Bruce Glikas/WireImage)

A classically Jewish Broadway show became the centerpiece of the year’s messiest backstage drama. “Funny Girl,” the hotly anticipated revival of the biographical musical about Jewish comedian Fanny Brice that initially launched the career of Barbra Streisand, debuted in spring to sky-high expectations. Lead Beanie Feldstein told JTA that taking on the role of Brice was “incredibly meaningful for me as a Jewish woman.” But following poor reviews and ticket sales, Feldstein exited with gusto — and was replaced by Lea Michele, the “Glee” star with Jewish ancestry who’d spent much of her career openly pining for the role of Fanny.

Tom Stoppard’s ‘Leopoldstadt’ puts the Shoah on stage

While Tom Stoppard would make just about anybody’s shortlist of the world’s most influential playwrights, he had never before explored his Jewish background onstage — until this play. Stoppard’s sprawling new historical drama, featuring a massive cast depicting several generations of Austrian Jews before and after the Holocaust, was Broadway’s most hotly debated play this year — and, he told JTA, its themes of assimilation and lost Jewish histories are ideas he found to be rich and poignant.

Non-Jewish authors explore Jewish legacies

Two seismic novels this year dealt in controversial ways with traumatic Jewish history, both written by European non-Jews. The Polish Nobel laureate Olga Tokarchuk delivered the English translation of “The Books of Jacob,” a 1,000-page doorstopper steeped in the tale of false messiah Jacob Frank, while Irish author John Boyne delivered “All The Broken Places,” a sequel to his infamous Holocaust fable “The Boy in the Striped Pajamas” — as he defended the first against charges that it was implausible and tone deaf.

Jewish comedians stuck out their shtick

Ariel Elias makes her TV debut on “Jimmy Kimmel Live,” Oct. 24, 2022. (Screenshot from YouTube)

Stand-up comedy could be a scary place for Jews this year — see the aforementioned Dave Chappelle controversy. But a new generation of Jewish jokers still found ways to assert themselves, whether it was Ariel Elias parlaying a confrontation with a heckler into a very Jewish “Jimmy Kimmel Live” set or Ari Shaffir’s YouTube special about leaving Judaism, but not his Jewishness, behind. The New York Jewish Week was among the sponsors of a “Chosen Comedy Festival” that drew 4,000 people to Coney Island for a night of unapologetically Jewish standup by the likes of Modi, Jessica Kirson and Elon Gold. Meanwhile, British Jewish comic David Baddiel opened up a giant can of worms by playing it straight with his TV documentary “Jews Don’t Count,” based on his book about the ways he believes progressive circles have disregarded the scourge of antisemitism.

The Miami Boys Choir lit up the Internet

The Miami Boys Choir went viral on TikTok and Twitter, creating a new generation of fans of the Orthodox pop group.
(Screenshots via Twitter, TikTok/Design by Jackie Hajdenberg)

If you recently found yourself moved to tears by clips of Orthodox boys singing harmonized Hebrew pop songs on TikTok, you weren’t alone. The Miami Boys Choir became a breakout viral sensation this fall, with millions of newly minted fans celebrating their besuited swagger — and a few of the group’s alums getting in on the fun, too. MBC’s success was welcomed by Orthodox Jews in every corner of the Internet, who often feel sidelined or misrepresented by their depictions in popular culture.

A new Museum of Broadway is a Jewish hall of fame

An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)

Delayed by COVID, the Museum of Broadway finally opened in the heart of New York’s Theater District. And while it doesn’t go out of its way to center the Jewish contributions to the Great White Way, the work of Jewish composers, lyricists, playwrights, producers and choreographers is everywhere, from exhibits dedicated to Rodgers and Hammerstein and Stephen Sondheim to tributes to Mel Brooks, Tony Kushner and the late, great cartoonist Al Hirschfeld.

Other Jewish stories from 2022 now available to stream:

13: The Musical (Netflix)

Ahed’s Knee (VOD rental)

American Masters: The Adventures of Saul Bellow (PBS)

The Calling (Peacock)

Cha Cha Real Smooth (Apple TV+)

Heirs to the Land (Netflix)

Hallelujah: Leonard Cohen, A Journey, A Song (VOD rental)

Idina Menzel: Which Way to the Stage (Disney+)

Image of Victory (Netflix)

Jackass Forever (Paramount+)

Last Flight Home (Paramount+)

Ridley Road (PBS)

Shababnikim (Chaiflicks)

Yosi, the Regretful Spy (Amazon Prime)


The post 2022 was a big year for Jews in the arts. Here’s what happened on screen and stage. appeared first on Jewish Telegraphic Agency.

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Federal Officials Dig in on Minneapolis Shooting Narrative Despite Video Evidence

A person reacts at a makeshift memorial at the site where a man identified as Alex Pretti was fatally shot by federal immigration agents trying to detain him, in Minneapolis, Minnesota, U.S., January 25, 2026. REUTERS/Tim Evans

Senior Trump administration officials on Sunday defended the fatal shooting of a US citizen by immigration agents in Minneapolis even as video evidence contradicted their version of events and tensions grew between local law enforcement and federal officers.

As residents visited a makeshift shrine of flowers and candles in frigid temperatures and snow to mark Saturday’s fatal shooting of Alex Pretti — the second shooting death by federal officers in Minneapolis this month — the Trump administration argued that Pretti assaulted officers, compelling them to fire in self-defense.

Gregory Bovino, Border Patrol commander-at-large speaking on CNN’s “State of the Union,” could not offer evidence that Pretti was trying to impede a law enforcement operation, but focused on the fact that the ICU nurse was carrying a gun, which he had a license to carry.

“The victims are border patrol agents,” Bovino said. “Law enforcement doesn’t assault anyone.”

Bovino and Homeland Security Secretary Kristi Noem accused Pretti of assaulting the agents, rioting and obstructing them.

“We do know that he came to that scene and impeded a law enforcement operation, which is against federal law,” Noem told Fox News’ “Sunday Briefing” program. “It’s a felony. When he did that, interacting with those agents, when they tried to get him to disengage, he became aggressive and resisted them.”

That official line, echoed by other Trump officials on Sunday, triggered outrage from local law enforcement, many in Minneapolis and Democrats on Capitol Hill, because of bystander videos that appear to show a different version of events.

HOLDING A PHONE, NOT A GUN

Videos from the scene verified and reviewed by Reuters showed Pretti, 37, holding a phone in his hand, not a gun, as he tries to help other protesters who have been pushed to the ground by agents.

As the videos begin, Pretti can be seen filming as a federal agent pushes away one woman and shoves another woman to the ground. Pretti moves between the agent and the women, then raises his left arm to shield himself as the agent pepper sprays him.

Several agents then take hold of Pretti — who struggles with them — and force him onto his hands and knees. As the agents pin down Pretti, someone shouts what sounds like a warning about the presence of a gun.

Video footage then appears to show one of the agents removing a gun from Pretti and stepping away from the group with it.

Moments later, an officer with a handgun pointed at Pretti’s back and fired four shots at him in quick succession. Several more shots can then be heard as another agent appears to fire at Pretti.

Darius Reeves, the former head of ICE’s field office in Baltimore, told Reuters that federal agents’ apparent lack of communication is troubling. “It’s clear no one is communicating to me, based on my observation of how that team responded,” Reeves said.

One of the officers appeared to have taken possession of Pretti’s weapon before he was killed, Reeves said. “The proof to me is how everyone scatters,” he said. “They’re looking around, trying to figure out where the shots came from.”

‘VIDEOS SPEAK FOR THEMSELVES’

Brian O’Hara, the Minneapolis police chief, told CBS’ “Face the Nation” that “the videos speak for themselves,” adding the Trump administration version of events was “deeply disturbing.” He said he had seen no evidence that Pretti brandished a gun.

Tensions in the city were already running high after a federal agent fatally shot US citizen Renee Good on Jan 7. Trump officials claim she was trying to ram the agent with her car, but other observers have argued that bystander video suggests she was trying to steer away from the officer who shot her.

Federal authorities have refused to allow local officials to participate in their investigation of the incident.

US Senator Amy Klobuchar, a Democrat from Minnesota, told ABC News’ “This Week” that Trump’s surge of federal agents into Minneapolis was “completely out of control and out of balance,” and that they should leave Minnesota. She described the shooting of Pretti as “simply horrific.”

The deaths of Good and Pretti have sparked large protests in the Democrat-run city, although on Sunday morning the area where Pretti was shot was calm.

A woman wearing nursing scrubs ventured out in Sunday’s frigid temperatures to pay homage to Pretti, who she said worked with her. When asked what brought her out, the woman began to sob.

“He was caring and he was kind. None of this makes any sense,” said the woman, who asked not to be identified by name, saying she feared retribution from the federal government.

In addition to large protests in Minneapolis since Good’s death, there have been rallies in other cities led by Democratic politicians, including Los Angeles and Washington, D.C., since Trump began sending immigration agents and National Guard troops to those communities last year.

Trump has defended the operations as necessary to reduce crime and enforce immigration laws.

Pretti’s shooting triggered legal filings on Saturday night from state and local officials, as well as others.

A US district judge issued a temporary restraining order prohibiting federal officials from destroying or altering evidence related to the shooting in response to a lawsuit filed by Minnesota’s attorney general, the Hennepin County Attorney’s Office and the Bureau of Criminal Apprehension. A full hearing is set for Monday.

Lawyers representing protesters in Minnesota also asked an appeals court to reinstate a lower court’s order that prevented violent retaliation by federal agents against protesters, citing Pretti’s death and the likelihood of a surge of people taking to the streets.

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Iran Health Officials Say Death Toll Far Exceeds Official Figures During Protests

Cars burn in a street during a protest over the collapse of the currency’s value, in Tehran, Iran, Jan. 8, 2026. Photo: Stringer/WANA (West Asia News Agency) via REUTERS

i24 NewsSenior sources inside Iran’s Ministry of Health have told the American publication TIME that an internal government tally shows as many as 30,000 people may have been killed in Iran on January 8 and 9 alone, far exceeding the official death toll announced by the authorities. According to the report, the figure is based on accounts from two unnamed senior Health Ministry officials and could not be independently verified.

The officials said the scale of the killings by Iranian security services during those two days overwhelmed state systems. Stocks of body bags were depleted, the officials said, and eighteen-wheel semi-trailers were used in place of ambulances to transport bodies.

According to the report, the internal government count has not been previously revealed and far exceeds the figure of 3,117 deaths announced on January 21 by Iranian authorities and state media aligned with Supreme Leader Ali Khamenei. TIME noted that Iran’s ministries, including the Health Ministry, formally report to the country’s elected president.

The reported internal figure also surpasses counts being compiled by independent activists documenting fatalities by name. As of Saturday, the US-based Human Rights Activists News Agency (HRANA) said it had confirmed 5,459 deaths and was investigating an additional 17,031 cases.

The two Health Ministry officials described the internal tally as reflecting only a portion of the broader unrest, highlighting January 8 and 9 as particularly deadly. The report mentioned the deaths cited occurred “in the streets of Iran,” underscoring the intensity of those two days. Iranian authorities have not publicly commented on the internal figures cited by TIME.

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UN Rights Body Censures Iran’s ‘Brutal Repression’ of Protests

Members of the UN Security Council meet on Iran at the request of the United States at U.N. headquarters in New York City, US, January 15, 2026. Photo: REUTERS/Eduardo Munoz

The U.N. rights body condemned Iran on Friday for rights abuses and mandated an investigation into a recent crackdown on anti-government protests that killed thousands of people.

“I call on the Iranian authorities to reconsider, to pull back, and to end their brutal repression,” High Commissioner Volker Turk told an emergency session of the U.N. Human Rights Council in Geneva, voicing concerns for detainees.

The council passed a motion extending a previous inquiry set up in 2022 so U.N. investigators could also document the latest unrest “for potential future legal proceedings.”

Rights groups say bystanders were among those killed during the biggest crackdown since Shi’ite Muslim clerics took power in the 1979 revolution. Tehran has blamed “terrorists and rioters” backed by exiled opponents and foreign foes the US and Israel.

Iran’s mission decried the rights council’s “politicized” resolution and rejected external interference, saying in a statement it had its own independent and robust accountability mechanisms to investigate “the root causes of recent events.”

Twenty-five states including France, Mexico and South Korea voted in favor, while seven including China and India voted against and 14 abstained.

“This is the worst mass murder in the contemporary history of Iran,” Payam Akhavan, a former U.N. prosecutor of Iranian-Canadian nationality, told the meeting. He called for a “Nuremberg moment”, referring to the international criminal trials of Nazi leaders following World War Two.

Iran’s ambassador to the U.N. in Geneva, Ali Bahreini, told the Council its emergency session was invalid and gave Tehran’s tally of some 3,000 people killed in the unrest.

One Iranian official, however, has told Reuters that at least 5,000 people, including 500 members of the security forces, had been killed.

The U.S.-based HRANA rights group said it has so far verified 4,519 unrest-linked deaths and had 9,049 additional deaths under review.

China, Pakistan, Cuba and Ethiopia also questioned the utility of the rights session, with Beijing’s ambassador Jia Guide calling the unrest in Iran “a matter of internal affairs”.

It was unclear who would cover the costs of the extended U.N. inquiry amid a funding crisis that has stalled other probes.

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