Uncategorized
7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
—
The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.
Uncategorized
Denmark Unveils $18 Million Plan to Combat Rising Antisemitism Amid Surge in Attacks
People take part in an anti-Israel demonstration in Copenhagen, Denmark, Oct. 4, 2025. Photo: Ritzau Scanpix/Emil Nicolai Helms via REUTERS
Denmark’s government on Tuesday unveiled an $18 million, five-year plan to combat antisemitism through 2030, focusing on security, education, and research, as the country’s Jewish community continues to face a wave of targeted attacks and hostility.
“Following Hamas’s terrorist attack in Israel on Oct. 7, 2023, and the subsequent war in Gaza, there has been a flare-up in antisemitism in Denmark,” the Danish Justice Ministry said while announcing the new plan.
Building on Denmark’s first national plan to combat antisemitism from 2022, the new initiative will focus on boosting security for Jewish institutions, combating online hate, and introducing programs for children and young people.
As a new addition to the previous plan set to expire at the end of this year, the newly released program will appoint an Education Ministry coordinator to fight antisemitism in schools and establish an association to combat antisemitic hate crimes.
Other measures will include expanded educational programs, giving all upper secondary schools the opportunity to apply for study trips that teach students about the Holocaust and antisemitism.
“Jews in Denmark should neither feel persecuted, harassed, nor receive death threats,” Danish Justice Minister Peter Hummelgaard said in a statement.
“Fighting antisemitism must be done through education and prevention, as well as tough and firm consequences towards those who spread antisemitism and hatred against Jews,” he continued. “Jews in Denmark must be able to live and move freely and safely.”
The new plan also includes the creation of the Weinberger Institute, a research center focused on hate crimes, led by Jonathan Fischer, a former vice president of the Jewish Community of Denmark.
The government’s new initiatives come amid a startling rise in anti-Jewish hostility in the country, with attacks that include vandalism of businesses, murals, and memorials, as well as physical assaults and death threats targeting Jews and Israelis.
According to the Danish Jewish Community’s Department for Mapping and Registering Antisemitic Incidents, the country recorded 207 antisemitic incidents in 2024, up 71 percent from 121 the previous year and up sharply from just nine before the Oct. 7, 2023, attacks.
Over the last few years, the local Jewish community in Denmark has experienced a sharp rise in antisemitic bullying, violence, and death threats.
“Danish Jews are part of our common culture, history, and soul, and we as a society have a responsibility to surround our Jewish fellow citizens when antisemitism rears its ugly face,” Hummelgaard said.
Uncategorized
More Than 200 Celebrities Join Campaign Calling for Israel to Release Convicted Terrorist Marwan Barghouti
Marwan Barghouti gestures as Israeli police bring him into the District Court for his judgment hearing in Tel Aviv, May 20, 2004. Photo: Reuters / Pool / David Silverman.
Paul Simon, Sting, Benedict Cumberbatch, Tilda Swinton, and Margaret Atwood are among the more than 200 cultural figures who have backed a campaign calling for Israel to release Palestinian terrorist mastermind Marwan Barghouti, who is serving five life sentences plus an additional 40 years in prison for orchestrating deadly terrorist attacks during the Second Intifada.
The celebrities who support the campaign are recognizable in the music, film, music, literature, and sports industries. They include actors Ian McKellen, Mark Ruffalo, Cynthia Nixon, Simon Pegg, Susan Sarandon, Javier Bardem, Stephen Fry, Hannah Einbinder, and Ilana Glazer. Others who have joined the campaign include author Sally Rooney; broadcaster and former footballer Gary Lineker; and the musicians Annie Lennox, Brian Eno, Fontaines D.C, Massive Attack, and Mabel.
They are all urging the United Nations and governments around the world to pressure Israel to free Marwan, 66, who has so far spent 23 years in Israeli prison. They also condemn what they describe as Barghouti’s “violent mistreatment and denial of legal rights whilst imprisoned.”
According to Israeli officials, Barghouti co-founded Fatah’s al-Aqsa Martyrs Brigade, a US-designated terrorist group that carried out suicide bombings and shootings attacks during the Second Intifada from 2000-2005, and formerly was the head of Fatah’s Tanzim armed wing. Barghouti, who denied having such a leadership role, was arrested in 2002 and convicted for helping to plan terrorist attacks during the Second Intifada that killed five civilians. He has been nicknamed the “Palestinian Mandela” by his supporters.
“Everyone that believes in freedom and dignity for the Palestinian people should join in the call for his immediate release” said Scottish actor Brian Cox from “Succession.” French writer Annie Ernaux claimed Barghouti “embodies the possibility of peace which [Israeli Prime Minister Benjamin] Netanyahu refuses, determined as he is to continue with the expansion of settlements in the West Bank.”
The International Campaign to Free Marwan that was launched on Nov. 29 is spearheading the efforts, which they claim resemble the cultural movement that helped secure the freedom of Nelson Mandela and ended apartheid in South Africa. Others who are backing the campaign to secure Barghouti’s freedom include billionaire entrepreneur Richard Branson, journalist Peter Beinart, Israeli architect Eyal Weizman, author and speaker Gabor Maté, and activist and author Angela Davis.
Uncategorized
StandWithUs Legal Team Requests Florida Investigate Guinness World Records for Anti-Israel Policy
In 2019, students, faculty and parents from the San Diego Jewish Academy broke the Guinness World Record for most sandwiches made in under three minutes, all of which were donated to San Diego’s Alpha Project, an organization dedicated to helping the homeless achieve self-sufficiency. Photo: Courtesy.
StandWithUs, the international nonprofit organization that fights antisemitism and promotes education about Israel, has called on the state of Florida to investigate Guinness World Records (GWR) over its ban on applications from Israel and to ensure that public funds do not support companies engaged in such a “discriminatory policy” against the Jewish state.
StandWithUs Saidoff Law, which carries out legal action for the pro-Israel group, sent a letter on Thursday to members of the Florida State Board of Administration (SBA) following the revelation this week that GWR has enforced a policy since 2023 not to accept submission applications from Israel and the Palestinian territories. Saidoff Law formally requested that the board investigate GWR and its affiliate Guinness World Records North America regarding the “boycott policy” to see if they should be included on Florida’s official list of “Scrutinized Companies or Other Entities that Boycott Israel” in accordance with Florida law. Guinness World Records North America is registered in Florida as a foreign profit corporation.
Created in 2016, the list currently includes 109 companies or entities that participate in a boycott of Israel, including actions that limit commercial relations with Israel or Israeli-controlled territories. The SBA is prohibited from acquiring direct holdings of the companies on this list, which is updated and published every quarter following review and approval by SBA trustees. In late September, 91 new entities were added to the list.
StandWithUs Saidoff Law is urging the Florida State Board of Administration to review GWR’s actions to see if they can be added on the list. “We hope that prompt action from the SBA will reaffirm Florida’s strong commitment to opposing discriminatory boycotts and upholding the integrity of the state’s investment and contracting policies,” the letter stated. It was signed by StandWithUs Saidoff Law Director Yael Lerman and Assistant Director Gadi Dotz.
Guinness World Records recently rejected a submission application by an Israeli charity that is organizing an event where a record-breaking 2,000 kidney donors will gather in one place. GWR said that since November 2023, “we are not generally processing record applications from the Palestinian Territories [sic] or Israel, or where either is given as the attempt location, except those done in cooperation with a UN humanitarian aid relief agency.” The policy was enforced shortly after the start of the Israel-Hamas war in the Gaza Strip, which began with the Hamas-led massacre across southern Israel on Oct. 7, 2023.
GWR said it is “monitoring the situation carefully” and its policy is subject to a monthly review. “We hope to be in a position to receive new inquiries soon,” it noted.
StandwithUs Saidoff Law wrote in its letter to Florida’s State Board of Administration that GWR’s “refusal to engage in commercial relations with entities in Israel and Israeli-controlled territories … appears to be intentional, discriminatory in that it singles out Israel and Israeli-controlled territories despite its political neutrality policy, and is not based on neutral business criteria. Also, it squarely falls within Florida’s definition of a boycott of Israel.”
According to Florida law, a boycott of Israel means “refusing to deal, terminating business activities, or taking other actions to limit commercial relations with Israel, or persons or entities doing business in Israel or in Israeli-controlled territories, in a discriminatory manner.”