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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Trump highlights last year’s Iran strikes in State of the Union delivered as US forces prep for possible new ones
(JTA) — President Donald Trump devoted most of his State of the Union address Tuesday night to familiar themes of economic strength and immigration enforcement, but about an hour into the speech he turned to foreign conflicts and issues closely watched by Jewish audiences, including Gaza and Iran.
Speaking to a joint session of Congress for the first State of the Union address of his second term, Trump cast his administration as a global peacemaker while also emphasizing military power.
“We’re proudly restoring safety for Americans at home, and we are also restoring security for Americans abroad,” Trump said, declaring that the United States had “never been stronger.”
In a speech that coincided with the fourth anniversary of the ongoing war between Russia and Ukraine, Trump claimed credit for ending a series of international conflicts, listing flashpoints across multiple regions. Among them, he cited tensions involving Israel and Iran and what he described as “the war in Gaza, which proceeds at a very low level, it’s just about there.” He thanked Steve Witkoff and his son-in-law Jared Kushner, both of whom have played advisory roles on Middle East policy, along with Secretary of State Marco Rubio.
Turning specifically to Gaza, Trump highlighted a ceasefire agreement and efforts to secure the release of hostages. “Under the ceasefire I negotiated, every single hostage, both living and dead, has been returned home,” Trump said. He described the recovery of the bodies of deceased captives in emotional terms, recounting conversations with grieving families and praising the cooperation of Israeli authorities.
The president’s remarks echoed his longstanding effort to frame himself as uniquely capable of brokering Middle East agreements, a message likely aimed at both domestic supporters and international audiences. The status of Gaza and the fate of hostages have been central concerns for many American Jews since the outbreak of the war.
Trump then shifted to Iran, adopting a more confrontational tone. He referenced the U.S. military’s Operation Midnight Hammer which he said “obliterated Iran’s nuclear weapons program.” The strikes targeting Iranian facilities are believed to have caused significant damage but the extent of the impact has not been confirmed by independent assessments.
Reiterating a core pillar of U.S. policy, Trump said his administration would not allow Tehran to acquire a nuclear weapon.
“My preference is to solve this problem through diplomacy, but one thing is certain, I will never allow the world’s number one sponsor of terror, which they are by far, to have a nuclear weapon,” Trump said. “No nation should ever doubt America’s resolve. We have the most powerful military on Earth.”
At least two dozen Democrats stood in a show of approval following Trump’s pledge to prevent Iran from obtaining nuclear arms.
Iran’s nuclear ambitions and regional influence have long been top priorities for pro-Israel advocates and many Jewish organizations, making the issue a recurring feature of Trump’s rhetoric.
While Trump’s comments on Gaza and Iran drew attention, the president did not address other issues that have loomed large in Jewish communal discourse. He made no mention of rising antisemitism in the United States, nor did he acknowledge increasingly visible divisions within his own political coalition over Israel.
Instead, Trump quickly returned to domestic themes, closing the speech, which lasted nearly two hours, as he began it — emphasizing economic performance, border security and what he portrayed as stark contrasts with Democrats.
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Forverts podcast, episode 7: Purim
דער פֿאָרווערטס האָט שוין אַרויסגעלאָזט דעם זיבעטן קאַפּיטל פֿונעם ייִדישן פּאָדקאַסט, Yiddish With Rukhl. דאָס מאָל איז די טעמע „פּורים“.
אין דעם קאַפּיטל לייענט שׂרה־רחל שעכטער פֿאָר אַן אַרטיקל פֿונעם אַרגענטינע־געבוירענעם ייִדיש־אַקטיוויסט דניאל גלאַי, „ווען מײַן מאַמע און מומע האָבן זיך אַרויסגעגנבֿעט צום פֿאַרבאָטענעם קאַרנאַוואַל“, וואָס איר קענט אַליין לייענען דאָ און אַ צווייטן אַרטיקל פֿון איציק גאָטעסמאַן, „ווי ייִדן האָבן געפּראַוועט פּורים אין מיזרח־אייראָפּע פֿאַרן חורבן,“ וואָס איר קענט לייענען דאָ.
צו הערן דעם פּאָדקאַסט, גיט אַ קוועטש דאָ.
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How Christian Zionism explains Mike Huckabee’s expansive view of Israel’s borders
In a recent interview with Tucker Carlson, U.S. Ambassador to Israel Mike Huckabee went viral for claiming that Israel has the right to control much of the Middle East based on the Bible — what may have been one of the clearest expressions of Christian Zionism by an American diplomat.
In the interview, which took place during Carlson’s recent visit to Israel, Carlson, who has routinely questioned the U.S.-Israel dynamic, asked Huckabee about whether he believes Israel has the right to all the land God promised the Jews in the Bible. Citing scripture, Carlson described the territory as stretching from the Nile to the Euphrates, “essentially the entire Middle East.”
Huckabee replied, “it would be fine if it took it all,” but clarified several times that Israel is not seeking to do so, stating: “They’re not asking to go back to take all of that, but they are now asking to at least take the land that they now live in, they now occupy, they now own legitimately, and it is a safe haven for them.”
Later in the interview, Huckabee referred to his remarks as “somewhat of a hyperbolic statement” and subsequently took to X to say that his comments were edited and taken out of context by Carlson. He said that Carlson had asked him “as a former Baptist minister about the theology of Christian Zionism.”
While Huckabee’s statements on Tucker Carlson may not have aligned with official U.S. policy, they were consistent with the theological worldview he has articulated for years — one rooted in Christian Zionism, a movement that sees the modern state of Israel as the fulfillment of biblical prophecy. For some believers, the modern state of Israel is viewed as a prerequisite for the second coming of Jesus. Many adherents cite the Abrahamic covenant in Genesis — “I will bless those who bless you” — as a theological mandate to support Israel. Others frame their support less in apocalyptic terms and more in the language of shared “Judeo-Christian” heritage.
While Huckabee is the first evangelical Christian to serve as U.S. ambassador to Israel, the Christian Zionist movement he is part of has a formidable political and financial infrastructure within the United States and has become a major force in the U.S.–Israel relationship.
Growing Groups
Christian Zionism has been one of the most reliable pillars of pro-Israel sentiment in American politics for decades. A 2025 survey by the Pew Research Center found that seven in ten white evangelical Christians has a favorable view of Israel, compared with approximately half of Americans who have an unfavorable view. Another study found that U.S. evangelicals are as supportive of Israel as they were before the Gaza war.
Israeli leaders have openly acknowledged that support. Ron Dermer, former Israeli ambassador to the U.S. and a close advisor of Prime Minister Benjamin Netanyahu, once called evangelicals “the backbone of Israel’s support in the United States.”
That support goes far beyond positive sentiment. The International Fellowship of Christians and Jews, which Huckabee has been affiliated with, says it has raised $3.6 billion for Israel since 1983, with 92% of its donors identifying as Christian. In 2023, the organization raised more money than AIPAC or the ADL. Another major organization, Christians United for Israel, founded in 2006 by Texas pastor John Hagee, claims 10 million members, a figure larger than the total Jewish population of the United States.
A 2018 investigation by Haaretz estimated that evangelical organizations raised between $50 million and $65 million from 2008 to 2018 for projects in the West Bank.
The movement has also maintained a physical presence in Jerusalem. The International Christian Embassy Jerusalem was founded in 1980 after several foreign embassies left the city in protest of Israel’s declaration of Jerusalem as its capital. The embassy hosts annual gatherings during the Jewish holiday of Sukkot that draw thousands of evangelical pilgrims, and it funds assistance programs for Jews who wish to immigrate to Israel, emergency aid, housing for Holocaust survivors, and other initiatives.
The Christian Broadcasting Network, an evangelical news network that reaches millions of viewers worldwide, operates a dedicated Jerusalem bureau that “offers a biblical and prophetic perspective to the daily news events that shape our world.”
Huckabee, a former Baptist minister and Arkansas governor, has long existed within this ecosystem and is one of Christian Zionism’s most visible public figures. He has said that he has visited Israel over 100 times and was among the evangelical leaders who advocated for President Donald Trump to move the U.S. embassy from Tel Aviv to Jerusalem in 2018, a decision widely celebrated within Christian Zionist circles. In 2018, Huckabee laid ceremonial bricks in the settlement of Efrat as a symbol of support.
He has also made controversial statements regarding the West Bank, stating in 2017, “There is no such thing as a West Bank. It’s Judea and Samaria. There’s no such thing as a settlement. They’re communities, they’re neighborhoods, they’re cities. There’s no such thing as an occupation.”
Personal theology vs. diplomacy
During Huckabee’s Senate confirmation hearing, Huckabee described the U.S.–Israel relationship as “not geopolitical” but “also spiritual,” stating that “to deny that would be to make it very difficult for us to ever understand how to go forward in a relationship with them.” He also acknowledged that while he had previously supported the possibility of Israeli annexation of the West Bank, his duty as ambassador would be to carry out the president’s policy rather than set it.
His interview with Carlson hearkened back to that moment and the tension between Huckabee’s role as an ambassador and his personal convictions.
The Trump administration has repeatedly stated that the United States does not support formal Israeli annexation of the West Bank. That position is tied in part to Trump’s effort to expand the Abraham Accords, the normalization agreements between Israel and several Arab and Muslim-majority states. Potential future participants — most notably Saudi Arabia — have explicitly conditioned normalization on credible steps toward a two-state solution, a framework that annexation would almost certainly undermine.
In response to Huckabee’s interview, more than a dozen Arab and Muslim-majority governments, joined by major regional bodies including the Organization of Islamic Cooperation, the Arab League, and the Gulf Cooperation Council, issued a joint statement condemning Huckabee’s remarks. The statement described his comments as “dangerous and inflammatory” and said they “directly contradict the vision put forward by U.S. President Donald J. Trump” and the Comprehensive Plan to End the Gaza Conflict. Just three days before the statement’s release, many of those same governments had met in Washington for the inaugural meeting of the Board of Peace and pledged significant funding to the initiative.
According to reports, members of the Trump administration sought to reassure those governments that Huckabee’s comments reflected his personal views rather than official U.S. policy.
For his part, far-right Israeli Finance Minister Bezalel Smotrich — a supporter of West Bank annexation — posted Saturday on X, riffing on a movie title: “I (heart) Huckabee.” And no wonder: last year the ambassador had declined to oppose plans for a large West Bank settlement Smotrich had declared “will bury the idea of a Palestinian state,” with Huckabee declaring it “incumbent on all of us to recognise that Israelis have a right to live in Israel.”
Trump, however, has said he opposes annexation of the West Bank, reflecting growing rifts in the U.S. and even his own supporters, with the rise of a Christian Nationalist movement that includes many at odds with Christian Zionism.
At the same time, generational shifts within the republican party suggests an uncertain future for Christian Zionism. A recent study found that 20% of Republicans overall believe the United States is providing too much military aid to Israel. The generational divide is pronounced: 27% of Gen Z Republicans say the U.S. is giving too much aid, compared with 16% among Republicans in the Silent, Baby Boomer, and Generation X cohorts. Influential figures within this camp — including Candace Owens, Tucker Carlson, and Rep. Marjorie Taylor Greene, and on the more extreme fringe, Nick Fuentes — have gained prominence in part by criticizing the scope of U.S. support for Israel.
For now, however, the evangelical Christian Zionist movement remains deeply embedded in American politics. With Huckabee in the ambassador’s residence, that worldview occupies an official diplomatic post.
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