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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Synagogue in Rome Vandalized, Memorial Plaque Defaced Amid Surge in Antisemitic Attacks Across Italy
Antisemitic slogans deface the walls of the Beth Michael synagogue in Monteverde, Rome, marking the latest attack on the city’s Jewish community. Photo: Screenshot
A synagogue in Rome was defaced on Sunday night when unknown individuals vandalized the building and a memorial plaque honoring a Jewish child killed in a terrorist attack — the latest incident targeting the city’s Jewish community amid a relentless climate of hostility.
On Monday morning, the Beth Michael synagogue in Monteverde, a neighborhood in southwest Rome, was found defaced with antisemitic graffiti reading “Monteverde anti-Zionist and anti-fascist” and “Free Palestine.”
The synagogue’s memorial plaque honoring Stefano Gaj Taché — a two-year-old Jewish child murdered in the 1982 Palestinian terrorist attack on the Great Synagogue of Rome — was also vandalized.
Local police have launched an investigation into the latest incident, pursuing leads on two masked individuals captured on surveillance cameras near the synagogue.
Victor Fadlun, president of the Jewish Community of Rome, condemned the attack, denouncing it as part of a disturbing surge in antisemitic incidents targeting Italy’s Jewish community.
“This was all part of a climate of intimidation … Antisemitism in general has become a tool for political protest,” Fadlun said in a statement. “We have faith in the police and call for strong government intervention to stop this spiral of hatred.”
Italian Foreign Minister Antonio Tajani expressed solidarity with the local Jewish community, calling for swift action to hold the perpetrators accountable and reaffirming the country’s commitment to fighting this growing hatred.
“Antisemitism is an evil germ that must be eradicated from Europe and Italy. Antisemitism cannot be confused with criticisms that can be leveled at the Israeli government,” the top Italian diplomat said in a statement.
“We must guarantee the safety of all Jewish citizens, who must not be subjected to threats and violence,” Tajani continued.
The European Jewish Congress also condemned the incident, urging authorities to investigate “this hate crime and ensure that such acts are treated with the seriousness they deserve.”
“Defacing a memorial honoring a murdered child is an act of profound disrespect and a painful reminder of how antisemitism continues to poison our societies,” EJC wrote in a post on X.
“This is not ‘anti-Zionism.’ It is antisemitism: the targeting of Jewish memory, Jewish mourning, and Jewish history,” the statement read. “Stefano’s name is a symbol of one of Italy’s darkest terror attacks. His memory should be protected, not desecrated.”
We condemn the vandalism of the memorial plaque for Stefano Gaj Taché, the two-year-old Jewish child murdered in the 1982 Palestinian terrorist attack on the Great Synagogue of Rome.
Defacing a memorial honouring a murdered child is an act of profound disrespect and a painful… pic.twitter.com/wcG144OWL6
— European Jewish Congress (@eurojewcong) December 1, 2025
This latest incident comes amid a surge in antisemitism and anti-Israel sentiment across Europe and around the world since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
In Italy, Jewish individuals have been facing a surge in hostility and targeted attacks, including vandalism of murals and businesses, as well as physical assaults. Community leaders have warned that such incidents are becoming more frequent amid continued tensions related to the war in Gaza.
Last month, a group of Orthodox Jewish American tourists was brutally attacked at Milan’s Central Station by a pro-Palestinian individual.
The victim, who was with a group of 10 Orthodox Jewish tourists visiting Italy, was checking the departure board when an unknown individual began harassing him.
The attacker then allegedly chased the victim while punching and kicking him and striking him in the head with a blunt metal ring.
During the attack, the assailant reportedly shouted antisemitic insults and threats, including “dirty Jews” and “you kill children in Palestine, and I’ll kill you.”
In September, a Jewish couple was walking through Venice in traditional Orthodox clothing when three assailants confronted them, shouted “Free Palestine,” and physically attacked them, slapping both.
This incident followed another attack on a Jewish couple in Venice the month before, when a man and his pregnant wife were harassed near the city center by three unknown individuals.
The attackers approached the couple, shouting antisemitic insults and calling the husband a “dirty Jew,” while physically assaulting them by throwing water and spitting on them.
One of the assailants later set his dog on the couple in an attempt to intimidate them before the group stole their phones.
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Harvard Files Another Motion to Dismiss Antisemitism Lawsuit, Student Hits Back
Students walk on campus at Harvard University in Cambridge, Massachusetts, US, Nov. 19, 2025. Photo: Reba Saldanha via Reuters Connect
Harvard University has asked a US federal court to respond to a second and final motion to dismiss a lawsuit brought by a former graduate student who says the administration unlawfully refused to discipline students and faculty who harassed him for being Jewish.
Harvard submitted its first motion in October, charging that the alleged victim, Yoav Segev, has not backed his claim with evidence and that his grievance derived not from any legally recognizable harm but a disagreement over policy. Segev fired back on Nov. 17, with his attorneys writing in response that Harvard’s litigation strategy is a “morally indefensible” attempt to disappear allegations which they say the school knows are true.
As previously reported by The Algemeiner, Segev was mobbed in October 2023 by a crush of pro-Hamas activists led by Ibrahim Bharmal and Elom Tettey-Tamaklo, who stalked him across Harvard Yard before encircling him and screaming “Shame! Shame! Shame!” as he struggled to break free from the mass of bodies which surrounded him. Video of the incident, widely viewed online at the time, showed the group shoving keffiyehs — traditional headdresses worn by men in the Middle East that in some circles have come to symbolize Palestinian nationalism — in his face.
“The harassment also came from Harvard faculty, who publicly blamed Mr. Segev because his presence, as a Jew, was somehow ‘frightening’ to other students,” Segev’s attorneys wrote in a memorandum to the court. “This pervasive harassment also includes Harvard mistreating and misleading Mr. Segev to deny him a fair process while protecting and rewarding his attackers. Harvard ignores these allegations.”
They added, “Moreover, while the complaint focuses on Mr. Segev’s assault, ensuring harassment, and Harvard’s unreasonable response, it details the many other ways Harvard neglected the entire Jewish community, of which Mr. Segev is a member.”
Harvard implored the court to respond to its filing, saying Segev “does not attempt to explain how the facts alleged about that single, short-lived event — shouting and some brief instances of non-injurious physical contact — could be vile enough to have a systemic effect on his education experience.”
It continued, “Mr. Segev attempts to sweep in a purported ‘overall environment’ of events that predate his time at Harvard or that he did not experience. To that end, Mr. Segev retreads a litany of allegations copied from other lawsuits arguing that reliance on these allegations is proper because he ‘is a member of Harvard’s Jewish community, and he suffered … just as much as other Jewish students.’”
In the two years since the October 2023 incident, Bharmal and Tettey-Tamaklo not only avoided hate crime charges but even amassed new accolades and distinctions — according to multiple reports.
Bharmal went on to be conferred a law clerkship with the Public Defender for the District of Columbia, a government-funded agency which provides free legal counsel to “individuals … who are charged with committing serious criminal acts.” He also reaped a $65,000 fellowship from Harvard Law School to work at the Council on American-Islamic Relations (CAIR), an Islamic group whose leaders have defended the Palestinian terrorist group Hamas’s atrocities against Israelis on Oct. 7, 2023.
As for Tettey-Tamaklo, he walked away from Harvard Divinity School with honors, according to The Free Press, as the 2024 Class Committee for Harvard voted him class marshal, a role in which he led the graduation procession through Harvard Yard alongside the institution’s most accomplished scholars and faculty.
He is currently hired as a Harvard teaching fellow, according to a recent report by The Washington Free Beacon.
Harvard’s relationship with the Jewish community became a staple of American news coverage ever since some of its students cheered Hamas’s Oct. 7, 2023, massacre across southern Israel, in which Palestinian terrorists indiscriminately murdered Israelis while sexually assaulting both women and men. Later, students stormed academic buildings chanting “globalize the intifada”; a faculty group posted an antisemitic cartoon on its social media page; and the Harvard Law School student government passed a resolution that falsely accused Israel of genocide and ethnic cleansing.
Since US President Donald Trump’s election in November 2024, Harvard has attempted to turn over a new leaf, settling lawsuits which stipulate its adopting the International Holocaust Remembrance Alliance’s (IHRA) widely used definition of antisemitism and even shuttering far-left initiatives which were adjacent to extreme anti-Zionist viewpoints.
In July, the university announced new partnerships with Israeli academic institutions, saying it will establish a new study abroad program, in partnership with Ben-Gurion University of the Negev, for undergraduate students and a postdoctoral fellowship in which Harvard Medical School faculty will mentor and train newly credentialed Israeli scientists in biomedical research as preparation for the next stages of their careers.
Speaking to The Harvard Crimson — which has endorsed boycotting Israel — Harvard vice provost for international affairs Mark Elliot trumpeted the announcement as a positive development and, notably, as a continuation, not a beginning, of Harvard’s “engagement with institutions of higher education across Israel.” Elliot added that Harvard is planning “increased academic collaboration across the region in the coming years.”
Follow Dion J. Pierre @DionJPierre.
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Antisemitism in Healthcare Is a Public Health Crisis — and Must Be Treated as One
Illustrative: Medical staff work at the coronavirus disease (COVID-19) ward at Hadassah Ein Kerem Hospital, in Jerusalem January 31, 2022. REUTERS/Ronen Zvulun
While healthcare providers pledge to “do no harm,” that oath is being violated as antisemitism seeps into the very spaces meant to embody compassion and healing. This was the warning issued by Dr. Jacqueline Hart, who organized a medical conference on this issue, and emphasized that antisemitism in medicine endangers both patients and practitioners.
At the conference, titled “Addressing Antisemitism in Healthcare,” a Jewish medical student described classmates who erased her from social media groups when they learned she was Jewish, and chalked the names of Hamas “martyrs” (those who brutally murdered Jewish men, women, and children) outside the school on the anniversary of October 7.
Other Jewish medical students were labeled “colonizers,” “oppressors,” and “bloodthirsty Zionists” by their peers. A genetic counselor who petitioned to stop her professional association from platforming a speaker with a history of antisemitic rhetoric received death threats from colleagues, and had to walk into work with a police escort. One Jewish resident recalled a patient who sneered, “I don’t trust the Jew to treat me,” while the supervising physician said nothing.
Jewish patients within the mental health sphere are experiencing what’s known as traumatic invalidation — the denial or dismissal of one’s pain, experience, and humanity. Research shows that when people are silenced, minimized, or erased in this way, the psychological impact can be as damaging as other recognized traumas, leaving deep scars of mistrust, hypervigilance, and isolation.
And when bias permeates hospitals and clinics, everyone is at risk. Patients hesitate to disclose important personal information, practitioners experience significant harm, and the public’s faith in medicine erodes.
For these reasons, antisemitism in healthcare must be treated as a public-health crisis.
A National Call to Action
America’s great medical hubs — Boston, Chicago, New York, San Francisco, Philadelphia, Seattle, Atlanta, and others — have long set the pace for clinical innovation and high-quality care. Now they must lead again. Public and private leaders within healthcare must mobilize around confronting antisemitism head-on.
For example, longitudinal studies should be funded and conducted on the impact of antisemitism on patient outcomes, workforce retention, and mental health, and to develop antisemitism-reduction interventions — just as we do for smoking cessation or infection control.
Policies and practices that illuminate and address the issue must be implemented, including adding antisemitism metrics to existing patient-safety and employee-climate surveys; requiring academic medical centers and health systems to track and publicly report antisemitic incidents; and posting a Patients’ Bill of Rights that explicitly guarantees a care environment free from discrimination.
Healthcare facilities should review their dress codes and revise policies to prohibit staff from wearing political attire that could intimidate patients or colleagues. This will help to ensure that treatment environments remain safe and welcoming for all.
Mandatory training and education are needed, including integrating antisemitism education into cultural-competence curricula for students, residents, and continuing medical education for practicing clinicians.
Facilities should create anonymous reporting hotlines — either individually or collectively — where patients and workers can report antisemitic or other bias-related incidents without fear of retaliation, and facilities should also ensure there are penalties for retaliation.
Mental health services must be available for patients and health care workers who experience discriminatory treatment. Further, regulations should be reviewed and revised to guarantee that clinical environments remain free from antisemitic bias and other forms of hate.
Finally, medical schools’ LCME accreditation and hospital Joint Commission status should be made dependent on having an antisemitism-prevention program or training requirement.
Medicine’s social contract is built on safety, dignity, and trust. When Jewish clinicians who report antisemitism are told to “keep politics out of the hospital,” or Jewish patients fear revealing their identity, that contract is broken. The cure is neither complicated nor optional: study the problem, implement interventions, train the workforce, and enforce standards — just as we have done with other threats to public health.
What’s at stake is not only the well-being of Jewish patients and professionals, but the integrity of our healthcare system itself.
Sara A. Colb is the Director of Advocacy for ADL’s National Affairs division. Dr. Miri Bar-Halpern is the Director of Trauma Training and Services at Parents for Peace and a Lecturer in Psychology at Harvard Medical School, where she supervises psychology interns and psychiatry residents.
