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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Syrian Security Forces Use Gunfire to Disperse Rival Protests in Alawite Heartland
Alawites gather during a protest to demand federalism and the release of detained members of their community, in Latakia, Syria, Nov. 25, 2025. Photo: REUTERS/Stringer
Syrian security forces used gunfire on Tuesday to break up two rival groups of demonstrators in the coastal town of Latakia, heartland of the country’s Alawite minority, witnesses and officials said.
Syria has been rocked by several episodes of sectarian violence since longtime leader Bashar al-Assad, who hails from the Muslim Alawite minority, was ousted by a rebel offensive last year and replaced by a Sunni-led government.
Witnesses said hundreds of Alawite protesters had gathered to demand a decentralized political system in Syria and the release of men they say were unjustly detained by the country’s new authorities. Supporters of the government then gathered and began shouting insults at the Alawites.
About an hour into the Alawites’ rally, gunshots were heard in Agriculture Square, one of two town squares where the protesters had gathered, according to two witnesses and videos verified by Reuters. One of the verified videos showed a man lying motionless on the ground with a wound to the head.
There was no immediate official word on casualties.
Noureddine el-Brimo, the head of media relations in Latakia province, told Reuters security forces had fired into the air to disperse the rival protesters, and added that unknown assailants had also fired on civilians and on the security forces.
He gave no further details but witnesses said both protests had broken up by the afternoon.
‘THERE’S NO MORE SECURITY’
The rally had been called for by the head of the Supreme Alawite Islamic Council, Ghazal Ghazal, on Monday. He urged Alawites to protest peacefully.
“We demand to live in security, to go to school safely without kidnapping. This was the only place we used to feel security. Now there’s no more security and we’re exposed to kidnapping and fear,” said Leen, who attended the protest but declined to give her last name out of security concerns.
Nearly 1,500 Alawites were killed by government-linked forces in March after Assad loyalists ambushed state security. Reuters reported that dozens of Alawite women were later kidnapped, though authorities deny they were abducted.
Syria‘s President Ahmed al-Sharaa, a former militant Islamist, has vowed to rule for all Syrians but the country’s nearly 14-year civil war and the bouts of violence over the last year have prompted fears of further instability.
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Zelenskiy Says Ukraine Ready to Move Forward With US-Backed Peace Plan
A rescuer walks next to a body of a resident killed by a Russian missile strike at a compound of the supermarket warehouse, amid Russia’s attack on Ukraine, in Kyiv, Nov. 25, 2025. Photo: Press service of the State Emergency Service of Ukraine/Handout via REUTERS
Ukrainian President Volodymyr Zelenskiy said on Tuesday that Kyiv was ready to move forward with a US-backed peace deal, and that he was prepared to discuss its sensitive points with US President Donald Trump in talks he said should include European allies.
In a speech to the so-called coalition of the willing, a copy of which was seen by Reuters, Zelenskiy urged European leaders to hash out a framework for deploying a “reassurance force” to Ukraine and to continue supporting Kyiv for as long as Moscow shows no willingness to end its war.
Ukraine had signaled earlier in the day support for the framework of a peace deal with Russia but stressed that sensitive issues needed to be fixed at a meeting between Zelenskiy and Trump.
Kyiv’s message hinted that an intense diplomatic push by the Trump administration could be yielding some fruit but any optimism could be short-lived, especially as Russia stressed it would not let any deal stray too far from its own objectives.
US and Ukrainian negotiators held talks on the latest US-backed peace plan in Geneva on Sunday. US Army Secretary Dan Driscoll then met on Monday and Tuesday with Russian officials in Abu Dhabi, a spokesperson for Driscoll said.
US and Ukrainian officials have been trying to narrow the gaps between them over the plan to end Europe’s deadliest and most devastating conflict since World War II, with Ukraine wary of being strong-armed into accepting a deal largely on the Kremlin’s terms, including territorial concessions.
“Ukraine – after Geneva – supports the framework’s essence, and some of the most sensitive issues remain as points for the discussion between presidents,” a Ukrainian official said.
Zelenskiy could visit the United States in the next few days to finalize a deal with Trump, Kyiv’s national security chief Rustem Umerov said, though no such trip was confirmed from the US side.
White House press secretary Karoline Leavitt said on X that over the past week the US had made “tremendous progress towards a peace deal by bringing both Ukraine and Russia to the table.” She added: “There are a few delicate, but not insurmountable, details that must be sorted out and will require further talks between Ukraine, Russia, and the United States.”
Oil prices extended an earlier decline after reports of Ukraine potentially agreeing to a war-ending deal.
Underlining the high stakes for Ukraine, its capital Kyiv was hit by a barrage of missiles and hundreds of drones overnight in a Russian strike that killed at least seven people and again disrupted power and heating systems. Residents were sheltering underground wearing winter jackets, some in tents.
ZELENSKIY: WILL DISCUSS SENSITIVE ISSUES WITH TRUMP
US policy towards the war has zigzagged in recent months.
A hastily arranged summit between Trump and Russian President Vladimir Putin in Alaska in August raised worries in Kyiv and European capitals that the Trump administration might accept many Russian demands, though the meeting ultimately resulted in more US pressure on Russia.
The 28-point plan that emerged last week caught many in the US government, Kyiv, and Europe alike off-guard and prompted fresh concerns that the Trump administration might be willing to push Ukraine to sign a peace deal heavily tilted toward Moscow.
The plan would require Kyiv to cede territory beyond the almost 20% of Ukraine that Russia has captured since its February 2022 full-scale invasion, as well as accept curbs on its military and bar it from ever joining NATO – conditions Kyiv has long rejected as tantamount to surrender.
The sudden push has raised the pressure on Ukraine and Zelenskiy, who is now at his most vulnerable since the start of the war after a corruption scandal saw two of his ministers dismissed, and as Russia makes battlefield gains.
Zelenskiy could struggle to get Ukrainians to swallow a deal viewed as selling out their interests.
He said on Monday the latest peace plan incorporated “correct” points after talks in Geneva. “The sensitive issues, the most delicate points, I will discuss with President Trump,” Zelenskiy said in his nightly video address.
Zelenskiy said the process of producing a final document would be difficult. Russia‘s unrelenting attacks on Ukraine have left many skeptical about how peace can be achieved soon.
“There was a very loud explosion, our windows were falling apart, we got dressed and ran out,” said Nadiia Horodko, a 39-year-old accountant, after a residential building was struck in Kyiv overnight.
“There was horror, everything was already burning here, and a woman was screaming from the eighth floor, ‘Save the child, the child is on fire!’”
MACRON WARNS AGAINST EUROPEAN CAPITULATION
Russian Foreign Minister Sergei Lavrov said an amended peace plan must reflect the “spirit and letter” of an understanding reached between Putin and Trump at their Alaska summit.
“If the spirit and letter of Anchorage is erased in terms of the key understandings we have established then, of course, it will be a fundamentally different situation [for Russia],” Lavrov warned.
A group of countries supporting Ukraine, which is known as the coalition of the willing and includes Britain and France, was also set to hold a virtual meeting on Tuesday.
“It’s an initiative that goes in the right direction: peace. However, there are aspects of that plan that deserve to be discussed, negotiated, improved,” French President Emmanuel Macron told RTL radio regarding the US-proposed plan. “We want peace, but we don’t want a peace that would be a capitulation.”
In a separate development, Romania scrambled fighter jets to track drones that breached its territory near the border with Ukraine early on Tuesday, and one was still advancing deeper into the NATO-member country, the defense ministry said.
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Hamas Attack Victims Sue Binance for Allegedly Allowing Payments to Terror Group
A logo on the Binance exhibition space at the Viva Technology conference dedicated to innovation and startups at Porte de Versailles exhibition center in Paris, France, June 15, 2022. Photo: REUTERS/Benoit Tessier
Victims of Hamas‘s Oct. 7, 2023, invasion of and massacre across southern Israel sued Binance and its founder Changpeng Zhao, accusing them of facilitating millions of dollars in payments to the Islamist group and other US-designated terrorist organizations.
According to a complaint made public on Monday, the world’s largest cryptocurrency exchange laundered money for Hamas even after pleading guilty in November 2023 and paying a $4.32 billion criminal penalty for violating federal anti-money-laundering and sanctions laws.
The plaintiffs include 306 American victims of Hamas‘s attack, including relatives of people killed, injured or taken hostage, and subsequent attacks by various groups.
They accused Binance of knowingly enabling Hamas, Hezbollah, Palestinian Islamic Jihad, and Iran’s Islamic Revolutionary Guard Corps to move more than $1 billion through its platform, including more than $50 million after the Oct. 7 attack.
Zhao pleaded guilty to anti-money-laundering violations in connection with Binance‘s plea and served a four-month prison sentence. US President Donald Trump pardoned him on Oct. 23.
“Binance intentionally structured itself as a refuge for illicit activity,” the complaint said. “To this day, there is no indication that Binance has meaningfully altered its core business model.”
In a statement, Binance declined to discuss the lawsuit but said “we comply fully with internationally recognized sanctions laws.” A lawyer representing Zhao in related litigation declined to comment.
The lawsuit seeks compensatory and triple damages, among other remedies.
BIG TRANSACTIONS LINKED TO BRAZILIAN LIVESTOCK OPERATOR
According to the complaint, large sums of cryptocurrency went through accounts of people with no obvious financial means to explain them.
They allegedly included a Venezuelan woman who appeared to operate a Brazilian livestock-related company, Fazenda Amazonia, or Amazonia Farm in English.
Her account, opened in 2022 when she was 26, allegedly received more than $177 million in deposits, and more than $130 million in withdrawals were made, the complaint said.
“When a company chooses profit over even the most basic counterterrorism obligations, it must be held accountable – and it will be,” Lee Wolosky, a lawyer for the plaintiffs, said in a statement.
The complaint was filed in North Dakota federal court. It said at least two suspicious transactions went through online addresses in Kindred, North Dakota, which has about 1,000 people.
Binance and Zhao are separately defending against a lawsuit by other attack victims in Manhattan federal court. The lawsuit claims they provided a “clandestine” funding mechanism for Hamas and Palestinian Islamic Jihad to raise money and transact illegal business for several years.
A judge rejected the defendants’ motion to dismiss that case in February.