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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.
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In Michigan, a Black conservative group pushes Jewish and pro-Israel messaging
(JTA) — YPSILANTI, Michigan – A Black conservative group is distributing signs and paying for billboards in Michigan encouraging Black voters to support Jews and Israel, in the days before a contentious U.S. Senate race in which the Democratic candidate has struggled to shore up both voting groups.
The Center for Urban Renewal and Education (CURE), a Washington, D.C.-based nonprofit, has paid for a series of yard signs reading “Blacks and Jews Standing Together” throughout cities with high Black populations, including Detroit, Flint and Ypsilanti.
The nonprofit’s director, Star Parker, told the Jewish Telegraphic Agency in an email their goal is “to remind black Christian voters of unique and special reasons to stand with Israel.”
Parker said CURE is also paying for billboards in the area reading “Self Defense is Not Genocide” and “Many Black Evangelicals Agree that Israel Has a Right to Exist.”
The signs and billboards do not name any candidates. But Michigan’s Democratic Senate nominee, Abdul El-Sayed, has alienated many Jewish voters with his rhetoric on Israel and comments on Jewish safety.
He has also had difficulty shoring up Black support, another traditional Democratic constituency, with many Black Detroiters voting for his primary rival, U.S. Rep. Haley Stevens. That phenomenon has shifted somewhat in the race’s final days, with one poll commissioned by the Detroit News suggesting that 87% of likely Black voters would support El-Sayed.
Still, there can be distrust between Black and Arab communities as with Jewish and Arab populations. Sam Robinson, a Detroit-based reporter for a historic Black newspaper who has interviewed scores of Black voters in viral interviews, recently told the Columbia Journalism Review, “There’s a scarcity mindset that there are only so many resources and Arabs are somehow taking Black people’s share.”
Republican Mike Rogers, meanwhile, has courted Black voters as well as Jewish ones, with pro-Rogers ads highlighting tensions between local Black and Arab communities. A new super PAC linked to Rogers has spent heavily on ads stating that El-Sayed “has been disrespectful and dishonest with Black voters.”
CURE’s signs targeting Black voters appeared in the final week of the campaign. They followed an Oct. 22 interfaith roundtable in Detroit hosted by the organization, in which a local rabbi appeared alongside Black pastors to discuss the history of Black-Jewish organizing — a longtime alliance that has been shaken in recent years for a number of reasons.
Rabbi Aaron Bergman of Adat Shalom, a Conservative synagogue in the Detroit suburb of Farmington Hills, participated in the CURE roundtable. Over email, he told JTA that politics was not meant to be the focus of the event.
“It was mostly about teaching about antisemitism, which I guess at this point in history is political,” Bergman wrote.
El-Sayed has focused much of his campaign’s homestretch on shoring up the Black vote, visiting Black churches and holding events with former President Barack Obama and senior U.S. Rep. Jim Clyburn of South Carolina, a Black congressional leader. Driving up turnout in Black communities, usually one of the Democrats’ strongest constituencies, is viewed as key to his chances of taking the seat.
Stevens’ last-minute decision to endorse Rogers instead is a wildcard. Star told JTA she believed many “black Christian voters” would follow her lead.
“Their support for Israel needed a boost,” she said. “I believe this endorsement has taken Mike Rogers over the finish line with black voters.”
Yet there are signs that Palestinian rights may be a more animating issue among Michigan’s Black voters this year than in the past. Pro-Palestinian state Rep. Donavan McKinney, a democratic socialist, won his primary challenge against a pro-Israel incumbent in a majority-Black, Detroit-area congressional district in August. And during one Stevens primary campaign stop in Detroit, a Black community organizer directly confronted her over her support for Israel.
This article originally appeared on JTA.org.
The post In Michigan, a Black conservative group pushes Jewish and pro-Israel messaging appeared first on The Forward.
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New York Jewish leaders defend Democratic AG Letitia James from GOP challenger’s attacks
(JTA) — New York state Attorney General Letitia James and her Republican opponent Saritha Komatireddy are clashing over how to combat antisemitism ahead of Tuesday’s election.
The GOP challenger has frequently attacked James during the campaign over her handling of antisemitic crimes, but prominent Jewish leaders are rallying to defend the Democratic incumbent.
Komatireddy accuses James of turning a “blind eye” to antisemitic hate crimes as they grow more common in the state with the largest Jewish population.
A number of Jewish leaders have lined up to defend James’ record.
Mark Treyger, CEO of the Jewish Community Relations Council of New York, told the Jewish Telegraphic Agency in a statement that he has seen James’ commitment to New York communities “firsthand.”
“When an Ethiopian-Israeli small business owner in Harlem faced hate, she rearranged her statewide schedule to stand with her, offered immediate support, and followed through personally,” Treyger said, referring to anti-Israel backlash that faced Tsion Cafe.
“From confronting antisemitism and discrimination to protecting public safety and celebrating Jewish life, she has remained accessible and responsive to community concerns,” he continued, praising “her unwavering leadership and partnership.”
As a City Council member, James’ district included parts of the heavily Orthodox Jewish Crown Heights neighborhood, and she has called herself an “honorary Lubavitch.” Crown Heights United PAC endorsed James for reelection last month.
As attorney general of New York state since 2019, James is the state’s chief legal officer, leading an office with more than 700 lawyers that conducts statewide criminal and civil investigations.
But as reported hate crimes against Jews across the state have increased in the past decade, Komatireddy, who was a federal prosecutor in New York for more than a decade, says the attorney general isn’t doing enough.
“The data shows that antisemitic hate crimes are surging in New York, and someone has to step in and do something about it, because our DAs are being ineffective in stopping that trend,” Komatireddy said in an interview with JTA, referring to district attorneys who generally oversee the prosecution of hate crimes.
James has rejected Komatireddy’s claims. A campaign spokesperson told JTA that she has “stood arm in arm with the Jewish community all throughout her career.”
“She’s gone after bad actors who preyed upon Jewish New Yorkers time and time again, and will continue to fight against antisemitism and hate in all its forms,” the spokesperson said.
Jewish Democratic politicians in New York are supporting James’ bid. Outgoing U.S. Rep. Jerry Nadler, City Council Speaker Julie Menin and six other Jewish Democratic officials endorsed James at a press conference last week, where they commended her support for the Jewish community.
Manhattan Borough President Brad Hoylman-Sigal praised her for combating housing discrimination against Hasidic families in Orange County and for stopping a Rockland County car wash from overcharging Orthodox Jews.
Menin thanked James for annually marching in the Israel Day Parade — an example, she said, of James “standing with the Jewish community when things are difficult.”
“I’m verklempt right now,” James said after Menin’s remarks.
But some Jewish figures and groups are backing Komatireddy as she attempts to become the state’s first Republican elected as attorney general in more than 30 years. Komatireddy has the endorsement of President Donald Trump, who called James “corrupt” after she brought a civil suit against him over inflated property values and called for her to be removed as special prosecutor in a Cornell University rape lawsuit.
Komatireddy told reporters that she would declare a “state of emergency on antisemitism” on Day One as attorney general — a plan that James told JTA can only be enacted by the governor, not an attorney general.
Asked how she would declare a state of emergency, Komatireddy said she meant that she would utilize a law that allows the attorney general “to step in and prosecute hate crimes when a district attorney has been ineffective in doing so.” Komatireddy’s promises to the Jewish community also include establishing buffer zones outside Jewish schools and synagogues using existing civil rights law.
Komatireddy’s tough-on-crime, tough-on-antisemitism campaign has resonated with some Jewish New Yorkers, and could be the catalyst for “a lot of defections from James to Saritha,” predicted Moshe Davis, who was executive director of the mayor’s office to combat antisemitism under Mayor Eric Adams.
“I think a lot of the Jewish community is taking to her message,” said Davis.
A poll conducted by Siena last month has James ahead 54% to 39%; James led by 6 percentage points in the New York City suburbs.
Rabbi Elie Weinstock, who leads Long Island’s Jewish Center of Atlantic Beach, told JTA that there is “a sense of unease” among Jewish voters regarding antisemitic incidents.
“I think the Jewish community wants to hear people who will say, ‘I’ve got your back,’ and I think whoever gives off that impression will do well in the Jewish community,” said Weinstock, who counts Republican gubernatorial candidate Bruce Blakeman among his congregants.
He added that people’s opposition to New York City Mayor Zohran Mamdani, a Democrat like James, “may guide Jews’ votes” to Komatireddy.
Komatireddy attended a service at Park Avenue Synagogue and posted a video in October of the congregation’s rabbi Elliot Cosgrove wishing her “every blessing on your campaign” from the bimah. In a text to JTA, Cosgrove clarified that, while the post was recent, her visit was in “winter/spring.”
“I don’t / didn’t endorse. I always warmly welcome visitors,” he wrote.
Jewish Insider reported in October that Komatireddy posted photos from a meeting on the street with members of a Black Hebrew Israelite church that has called Jews “imposters” and the “Synagogue of Satan.”
Komatireddy told JTA that this was “an impromptu meeting” on the street in Rochester, and that “once we found out who they were, we rejected the hateful views that the group espouses” and deleted the post.
In March, Komatireddy wrote a scathing piece for the New York Post accusing James of turning a “blind eye” to antisemitic incidents.
But Binyamin Krauss, principal of SAR Academy, a Jewish day school in the Bronx, said “That’s not my experience” of James. Krauss last week hosted the attorney general at SAR, where she spoke with students. He pointed to her “supporting the community” on Manhattan’s Upper West Side after two men were stabbed there over the summer.
“Obviously you can disagree with certain decisions, when to prosecute, what to prosecute, how to handle a certain situation — but I do not agree with that characterization,” said Krauss, who added that he is not endorsing any candidates.
Meanwhile, Davis said that “turning a blind eye” is “not necessarily how I would frame it,” but opined that “people want to see more.” He also said that James is “someone who’s always shown up, always been a friend” to Jewish New Yorkers.
Phylisa Wisdom, who leads Mamdani’s office to combat antisemitism and was executive director of the liberal advocacy group New York Jewish Agenda, told JTA that James “has been a committed advocate for New York’s Jewish communities for decades,” going back to her time on the New York City Council.
“Attorney General James has used the tools of her office to root out antisemitism and help ensure that everyone in the state, including Jewish communities across the five boroughs, can live safely and thrive,” Wisdom said.
The left-wing group Jews for Racial and Economic Justice did not endorse James but recommended her in its voter guide, which commended her for taking action against far-right Zionist group Betar over “an alarming and illegal pattern of bias-motivated harassment and violence designed to terrorize communities and shut down lawful protest.”
This article originally appeared on JTA.org.
The post New York Jewish leaders defend Democratic AG Letitia James from GOP challenger’s attacks appeared first on The Forward.
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‘He made Black Jews not invisible anymore; he was the bridge’
Rabbi Capers C. Funnye, Jr. rabbi and spiritual leader of Beth Shalom B’nai Zaken Ethiopian Hebrew Congregation in Chicago, and the Chief Rabbi of the International Israelite Board of Rabbis, died Nov. 2 at the age of 74.
A cousin of Michelle Obama and an important leader for Black Jews in America, Funnye was raised in the African Methodist Episcopal Church and converted to Conservative Judaism. He held leadership positions in Chicago’s Jewish community and was a consultant to many cultural institutions throughout the United States.
“I’ve known him my whole life,” said Rabbi Tamar Manasseh said. “There is nothing that prepares you for this. I think it’s really important for people to know that he made Black Jews not invisible anymore. He was the bridge.”
“At that time it was not the priority for other Black Jews, but for him it was the priority,” Manasseh continued. “There were a million times that he was uncomfortable to one day bring comfort to us all.”
Funnye was born in 1952, in Georgetown, South Carolina, and attended Howard University. He received a B.A. in Hebrew literature and a rabbinic ordination from the Israelite Board of Rabbis, Inc., in Queens, New York, and a B.A. in Jewish studies and an M.A. in human services administration from the Spertus Institute of Jewish Studies, in Chicago.
In 1995, Funnye, Michelle Stein-Evers and Robin Washington (an editor-at-large at The Forward) founded the Alliance of Black Jews.
Funnye became the first African American member of the Chicago Board of Rabbis in 1997, and was named Chief Rabbi of the International Israelite Board of Rabbis, in New York in 2015.
He also served as a rabbi for congregations in Nigeria, Uganda, and other sub-Saharan African nations.
“Rabbi Capers Funnye was my ‘rebbe’ for connecting with the Black community and for understanding how important it is to bring the Black Jewish community to the very center of the Jewish community,” said Rabbi Asher Lopatin.
“I was inspired as he fought hard to gain acceptance as a full member of the Chicago Board of Rabbis and then succeeded in getting full membership in the New York Board of Rabbis and opening up the New York Board of Rabbis to graduates of the Israelite Rabbinical Academy,” Lopatin said. “I will never forget his passion, his brilliance, his insight and his love for Judaism, the Jewish community and Israel. May his memory be a blessing.”
“It was an honor to welcome Rabbi Funnye and members of the International Israelite Board of Rabbis to become part of our rabbinic family. His steadfast commitment to group relations helped us to better understand the dynamics of the Black Jewish community,” said Rabbi Joseph Potasnik, executive vice president of the New York Board of Rabbis. “May we continue to perpetuate his legacy.”
“Rabbi Funnye has touched countless lives with his spiritual leadership, wisdom, and unwavering commitment to our congregation and the broader Hebrew Israelite community. His legacy of faith, service, and dedication will continue to inspire generations,” Beth Shalom B’nai Zaken Ethiopian Hebrew Congregation wrote on its Facebook page.
The post ‘He made Black Jews not invisible anymore; he was the bridge’ appeared first on The Forward.
