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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Marjorie Taylor Greene is feuding with Donald Trump. Could she win over Jewish Democrats?
(JTA) — As the U.S. House prepared this week to take a pivotal vote to force the release of the Jeffrey Epstein files, one leading Jewish Democrat had words of praise for a prominent MAGA diehard who helped make the vote possible.
“This is a party that’s got room for Marjorie Taylor Greene, if she wants to come over,” Rep. Jamie Raskin told a group of Florida Democrats on Monday. “We got room for anybody who wants to stand up for the Constitution and for the Bill of Rights today.”
Raskin wasn’t the only influential Jewish Democrat to have recently offered praise for Greene, the far-right Georgia congresswoman with a history of conspiratorial remarks about Jews, Israel and antisemitism.
Last month California Sen. Adam Schiff, who had called Greene part of the “lunatic fringe” when she first entered Congress in 2021, released a short video titled “I agree with… MTG?” The issue they agreed on, Schiff said, was rising healthcare costs, which Jewish Senate Majority Leader Chuck Schumer also said Greene was “absolutely right” about. Such Democratic praise came as a growing number of Jewish Republicans, including Florida Rep. Randy Fine, have taken the opposite tack and more forcefully denounced Greene as an antisemite.
Such praise for Greene from unexpected corners comes as she is generating positive press for her recent public break with President Donald Trump, which helped spur all but one Republican to ultimately vote on Tuesday to release the Epstein files.
Trump formally withdrew his support for Greene last week, calling her a “RINO,” or Republican in name only, and saying he is willing to support a primary challenge against her.
In recent days Greene, amid her escalating split from the president she once fervently supported, has made the media rounds. She told CNN she was “committed to ending the toxic politics” and told Bill Maher that “I didn’t even know the Rothschilds were Jewish” when she made a now-infamous 2018 Facebook post blaming California wildfires on a space laser she said was funded by the Jewish banking family. Joy Behar of “The View,” like Raskin, urged her to become a Democrat, to wild audience applause.
Yet some Jewish groups are still urging caution when it comes to dealing with the onetime QAnon adherent.
“Marjorie Taylor Greene’s repudiation of Donald Trump – whether on the Epstein files or healthcare subsidies – isn’t something Democrats had on our 2025 bingo card. Her separation from MAGA, however, doesn’t erase her years of political extremism and dangerous lies about Jewish Americans,” Hailie Soifer, head of the Jewish Democratic Council for America, told the Jewish Telegraphic Agency in a statement.
Soifer continued, “If Marjorie Taylor Greene wants to truly distinguish herself from the toxic and divisive politics of Donald Trump, she needs to take meaningful action to repudiate the antisemitic conspiracy theories that she’s previously espoused.”
The head of Democratic Majority for Israel, a pro-Israel group focused on shoring up the left side of the aisle, also expressed hesitation about Greene’s transformation.
“Marjorie Taylor Greene’s sudden and supposed change of heart regarding President Trump does not erase her long record of antisemitic rhetoric, her affinity for spreading dangerous conspiracy theories and her clear anti-Israel actions, which have continued through yesterday,” the group’s CEO, Brian Romick, told JTA in a statement on Tuesday. “She is a key part of the troubling trend and embrace of antisemitism coursing through the GOP.”
Romick specifically pointed out the congresswoman’s record on Israel.
“Greene has consistently voted and spoken out against providing critical support and resources for Israel to defend itself,” Romick said. “There should be no room for antisemitism, her dangerous views on Israel, or reckless conspiracy theories in either political party.”
The discussion around Greene has renewed speculation about the political future for an outspoken member of Congress who still believes disproven theories that the 2020 election was stolen and is the rare Republican to publicly accuse Israel of genocide in Gaza.
The Anti-Defamation League had, in years past, been one of the Jewish groups most loudly sounding the alarm on Greene. A spokesperson for the ADL declined to comment on Greene for this story.
In 2021, as Greene was being stripped of committee assignments over her promulgation of conspiracy theories, including antisemitic ones, ADL CEO Jonathan Greenblatt said that Greene “literally is breaking new ground in antisemitism, stringing together so many crazy ideas it’s hard to keep track.” The following year he also called her remarks comparing then-President Joe Biden to Hitler “disgraceful”.
On her rehabilitation tour, Greene has made no effort to signal any change in her thinking on Israel or antisemitism. Even the issue that Greene has taken up as her main breaking point with Trump — Epstein — has in her hands become fodder for more conspiracy theories about Israel.
“It really makes you wonder what is in those files and who and what country is putting so much pressure on him?” Greene wrote about Trump on X last week as she pushed for the Epstein files release. She attached a screenshot of a donations page from the pro-Israel lobbying giant AIPAC.
When asked about the tweet later on CNN, Greene was even more explicit about what she was saying.
“We saw Jeffrey Epstein with ties to Ehud Barak,” she said, referring to documented links between the sex trafficker and the former Israeli prime minister, who visited Epstein’s townhouse on multiple occasions. “We saw him making business deals with them. Also, business deals that involved the Israeli government and seems to have led into their intel agencies. And I think the right question to ask is, was Jeffrey Epstein working for Israel?”
Greene again asserted that Trump was acting on behalf of a foreign power during a press conference with Epstein survivors Tuesday morning, before the House vote.
“He called me a traitor for standing with these women and refusing to take my name off the discharge petition,” Greene said about Trump while flanked by survivors. “Let me tell you what a traitor is. A traitor is an American who serves foreign countries and themselves.”
Greene also isn’t trying to bury her past association with Nick Fuentes, the antisemitic podcaster whose recent interview with Tucker Carlson has spurred broader fears about his “groyper” movement’s hold on the GOP.
In the same CNN interview with Jewish anchor Dana Bash, Greene declined to condemn Carlson’s decision to interview Fuentes. “I don’t believe in canceling people,” Greene said, also reminding viewers that she herself had spoken at a Fuentes-organized conference in 2022.
Greene is close with Carlson, appearing on his show the week before Fuentes and backing recent insinuations promoted by Carlson and Candace Owens that Israel may have played a role in the murder of conservative activist Charlie Kirk. And she has offered some Israel-centric conspiracy theories of her own.
In May Greene suggested that the Mossad, Israel’s intelligence services, may have played a role in John F. Kennedy’s assassination. And in an August interview with conservative personality Megyn Kelly, Greene further stated, “Israel is the only country I know of that has some sort of incredible influence and control over nearly every single one of my colleagues. And I don’t know how to explain it.”
Greene has also advanced talking points circulated by far-right Christians. Last year she opposed a House bill to define antisemitism on the grounds that it “could convict Christians of antisemitism for believing the Gospel that says Jesus was handed over to Herod to be crucified by the Jews.”
At least one Democratic lawmaker embracing Greene publicly says he is still treading carefully.
In a statement to JTA, Raskin — whose remarks in Florida seemingly welcoming Greene were met with some boos — outlined more specifically what he would need to see from her in order to bring her into the fold.
“Before I would welcome Rep. Greene or any other leaders who might flee from Trump’s autocratic personality cult,” he told JTA, “I would of course want to see them repudiate all the forms of authoritarianism, antisemitism, racism, transphobia and bigotry that they have promoted as Republicans and that have become so intertwined with the MAGA Republican brand under Trump.”
Raskin added, “I have real hope that a whole lot of my colleagues will continue to evolve away from the dangerous and divisive swamps of MAGA politics.”
The post Marjorie Taylor Greene is feuding with Donald Trump. Could she win over Jewish Democrats? appeared first on The Forward.
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Cameron Kasky, Jewish Parkland shooting survivor, is running for Congress on platform to ‘stop funding genocide’
(JTA) — Cameron Kasky, the 25-year-old Jewish activist and school shooting survivor, has entered the race to represent one of the United States’ most Jewish congressional districts — on a platform that includes stopping Israel’s “genocide” in Gaza.
“We need leaders who aren’t going to coddle their billionaire donors, who won’t support a genocide and who aren’t going to settle for flaccid incrementalism,” Kasky said in the launch video posted on Tuesday for his campaign to represent New York City’s 12th Congressional District.
The video’s caption includes the three main points of his campaign: “Medicare for all. Stop funding genocide. Abolish ICE.”
While Kasky’s anti-Trump positions are likely to go over well with the district’s largely liberal populace, his stance that Israel is committing a genocide — and the apparent centrality of that stance to his campaign — could be an issue for constituents. The district includes the Upper West and East Sides of Manhattan, where many voters sided with the pro-Israel Andrew Cuomo over Zohran Mamdani in the city’s recent mayoral election, as well as Midtown Manhattan.
Kasky’s messaging may, however, speak more to young voters in the district. A New York Times/Siena poll from September found that 66% of New York City voters ages 18 to 29 found that Mamdani, an anti-Zionist, “best addressed the Israeli-Palestinian conflict” among the mayoral candidates.
A democratic socialist, Kasky was a vocal supporter of Mamdani throughout the mayoral election — and an aggressive critic of fellow Democrats who objected to the mayoral candidate’s anti-Israel stances.
“‘Vote blue no matter who unless it’s a Muslim who criticizes Israel’s extremist far right nationalist government’ is not ‘vote blue no matter who,’” he wrote in one tweet.
In another, he wrote that Democrats who refused to endorse him after the primary should “go get a consulting gig and stop disrespecting your own voter base.”
Kasky had teased entering the crowded race for months, ever since Rep. Jerry Nadler, Congress’ most senior Jewish member, announced he would not be running for reelection.
In that time, Kasky has also weighed in on the viability of Micah Lasher, the Jewish state Assembly member and former Nadler aide who launched his own campaign for the seat earlier in the fall.
Lasher is unable to “fight fascism” because of his “genocide denial and free speech attacks on students,” Kasky wrote, with a screenshot of a Lasher tweet from Oct. 28, 2023, that criticized what Lasher called the “awful use of the word ‘genocide’ by some westerners to describe Israel’s actions.” (As the war in Gaza neared its two-year mark this summer, a poll found that half of Americans believed Israel had committed genocide, a claim that Israel and the United States both reject.)
Kasky also reposted a poll according to which Brad Lander, Mamdani’s most prominent Jewish ally, would beat the moderate congressman Dan Goldman, who is Jewish and withheld an endorsement due to “some of the rhetoric coming from Mamdani.”
“Needless to say, I am looking forward to working with Brad Lander,” Kasky wrote.
Kasky is the co-host of the “For You Podcast” with Tim Miller, which attempts to “break down the politics of the TikTok generation,” for The Bulwark, a center-right, anti-Trump media company.
One of Kasky’s podcast guests over the summer is now his opponent: Jack Schlossberg.
Schlossberg, who is the grandson of President John F. Kennedy and has said he is “at least 100% half Jewish,” announced his own candidacy for the 12th Congressional District last week.
Kasky remarked on their podcast that many women in his life have crushes on Schlossberg — and Schlossberg replied that the two men have a similar appeal.
“I always say, when you go unhinged politics Jew, it’s hard to go back,” Kasky said.
Kasky was thrust into the national spotlight as a survivor of the Marjory Stoneman Douglas High School shooting in Parkland, Florida, in 2018. Together with other survivors, he led a march in Washington and spurred a national movement that is seen as crucial to the 2022 passage of the most significant federal gun control legislation in decades.
Kasky, a junior at the time of the shooting, is credited with having selecting the name and hashtag #NeverAgain — which has long been linked to Holocaust commemoration — for the student-led gun control campaign. (Another co-founder of Never Again MSD is David Hogg, who recently stepped down as the youngest-ever vice chair of the Democratic National Committee.)
Before the shooting, Kasky said he played Motel in a school production of “Fiddler on the Roof.” The quality of his performance was proof, he joked, that he was not a paid actor in the protests, as some conspiracy theorists accused.
Kasky attended Hebrew school growing up, which he referenced when speaking on MSNBC about the “No Kings” protests against Trump.
“This kind of reminded me of my education growing up — when you go to Hebrew school, you learn about fascism a little bit younger than the other kids,” he said. “And you find yourself asking, in the face of authoritarianism, in the face of seeing a genocide happen before the entire world, what would I do? How would I react?”
He moved to New York City to attend Columbia University, where he later dropped out, and lives in the 12th Congressional District that’s been described as a “crown jewel” of New York politics.
Now, Kasky is running on a progressive agenda that emphasizes fighting Trump and stopping U.S. military aid for Israel, referring to the country’s actions in Gaza in no uncertain terms as a “genocide” — a response which he says has been informed in part by his Jewish identity.
“I am always surprised when people ask me why I focus so much on Palestine,” he wrote. “Beyond my Jewish identity making me strongly opposed to genocide, I’m a school shooting survivor-turned-activist. I started my adult life demanding an end to American-made weapons slaughtering children.”
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Democrats urge Senate to oppose Trump’s pick for antisemitism envoy ahead of confirmation hearing
(JTA) — On the eve of a long-delayed Senate confirmation hearing for President Donald Trump’s pick for antisemitism envoy, a group of House Democrats is urging senators to reject the nomination of Yehuda Kaploun, arguing that he lacks the judgment and moral authority the post requires.
In a letter obtained by the Jewish Telegraphic Agency and sent Tuesday to Sen. Jim Risch, the Idaho Republican who chairs the Senate Foreign Relations Committee, and Sen. Jeanne Shaheen, its top Democrat, the lawmakers call Kaploun’s nomination “partisan and controversial” and say his “comments and actions demonstrate a clear unfitness for this post.”
A total of 18 House Democrats signed the letter, including several Jewish lawmakers such as Jerrold Nadler, Jamie Raskin, Jan Schakowsky, Becca Balint and Steve Cohen.
The intervention is atypical: House members almost never publicly oppose sub-cabinet nominees, a category generally considered routine Senate business.
The committee is scheduled to hold a hearing on Kaploun’s nomination on Wednesday morning.
Trump tapped Kaploun in April to serve as the State Department’s Special Envoy to Monitor and Combat Antisemitism, an ambassador-level role focused on antisemitism abroad. The Senate did not move for months to schedule a hearing, leaving the position vacant even as administration officials warned about a spike in antisemitism.
Kaploun, a Hasidic rabbi, Miami-based businessman and longtime political operative close to Trump, would be the first Hasidic Jew to serve in the role if confirmed. In a May profile, JTA detailed how he rose from a Brooklyn yeshiva student and community activist affiliated with the Chabad movement to a prominent figure in Republican politics and a visible surrogate in Trump’s 2024 campaign.
The Democratic letter focuses first on Kaploun’s rhetoric about Trump’s political opponents. It cites a comment in which Kaploun said that after the Hamas attacks of Oct. 7, “Democrats refuse to even recognize the butchers of women and kidnappers of children as terrorists,” calling the statement “absurd, insulting, and malicious.” The lawmakers argue that the remark maligns Democratic members of the Foreign Relations Committee who condemned the attacks and raises questions about his ability to work across party lines.
In addition, the Democrats point to an event Kaploun organized during the 2024 campaign at which Trump said that if he were to lose the election, “the Jewish people would have a lot to do with a loss,” and spoke of a “Democrat curse” on Jews who vote for the party. The letter describes those remarks as antisemitic scapegoating and says Kaploun’s failure to publicly condemn them — or what the letter calls the administration’s hiring of “antisemites and Christian Nationalists” — should be a central topic of Wednesday’s hearing.
The lawmakers also cite JTA’s earlier reporting on dueling lawsuits in Miami-Dade County involving Kaploun and another member of his synagogue, which alleged threats and an extramarital affair. Court records show that judges issued restraining orders on both sides and that the case was settled in April, days before Trump announced the nomination. Kaploun has denied having an affair and has said, through an attorney, that he was drawn into a marital dispute that has now been resolved.
The letter closes by turning Kaploun’s own past standard for nominees back on him, quoting a 1993 submission he made to the Senate, in which he argued that nominees must be judged on “honor,” “fidelity to principle” and respect for civil rights. “By his own standards, Mr. Kaploun fails,” the lawmakers write, urging senators to vote no.
Their intervention comes as a broad coalition of Jewish organizations has pressed the Senate to move quickly to confirm an antisemitism envoy and a parallel ambassador-at-large for international religious freedom. In an August letter led by the Jewish Federations of North America, groups from across the Jewish communal spectrum urged Senate leaders to “swiftly” fill both roles, warning that “we dare not delay in filling these critical positions.”
Kaploun has previously said he is refraining from interviews until after his confirmation process, but he has publicly argued for the importance of rising above partisanship. In a May op-ed published by JTA and co-authored with the previous two antisemitism envoys, Elan Carr and Deborah Lipstadt, Kaploun wrote that “the fight against this terrible scourge… must be bipartisan and non-political.”
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