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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Contributor to Drop Site News Says Israelis Should ‘Be Removed From Our Planet’
Abubaker Abed reporting from Gaza. Photo: Screenshot
Abubaker Abed, a self-described Palestinian journalist and contributor to the far-left news outlet Drop Site News, has come under intense scrutiny following the circulation of social media posts in which he called for the “wiping out” of Israel and said that Israelis “mustn’t feel safe.”
The remarks, which quickly spread across multiple online platforms, have prompted widespread condemnation and renewed skepticism over the credibility and coverage of Drop Site News, a controversial publication fiercely critical of Israel and US foreign policy in the Middle East.
“Wiping out Israel off the planet is not enough revenge. Israelis mustn’t feel safe anymore. Haunt them and go after them where they go. These terrorist parasites must be removed from our planet,” Abed posted on an Instagram story.
Drop Site co-founder Ryan Grim responded to the incident by clarifying that Abed’s comments do not reflect the editorial position or institutional stance of his publication. Grim, a far-left investigative reporter who has repeatedly accused Israel of committing “genocide” in Gaza, did not condemn the statements by Abed.
“We also are never going to police the language of anyone who survived a genocide,” Grim posted on X.
Abed, a social media influencer from Gaza who evacuated to Ireland during the Israel-Hamas war, has previously suggested that attacks on Jewish institutions might be justified if they signal support for Israel.
Following the recent attack on the Temple Beth Israel Synagogue in Michigan, Abed resurfaced a photo from the synagogue featuring an Israel soldier. Abed wrote that the attempted mass casualty event was justified because the assailant defended himself.
“A person is not criminally responsible if they act reasonably to defend themselves against an imminent and unlawful use of force,” Abed wrote in a since-deleted post on X. “Israel murdered his relatives and is illegally bombing and invading his country.”
The FBI said last week that the attack on the largest Jewish temple in Michigan was an “act of terrorism” inspired by Hezbollah, the Iran-backed Lebanese terrorist group committed to Israel’s destruction.
Drop Site, a new media organization which debuted in July 2024, has found itself under immense criticism over its coverage of the Israeli-Palestinian conflict and the broader Middle East. The outlet has consistently characterized Israel as a “genocidal” aggressor stoking chaos and violence throughout the region.
Meanwhile, Drop Site depicts internationally recognized terrorist groups such as Hamas, Hezbollah, and the Houthis in a far more favorable light. Drop Site lead reporter Jeremy Scahill routinely refers to Hamas as “the resistance” and has given softball interviews to Hamas leaders.
Drop Site has also defended the Iranian regime from accusations of terrorism, asserting that Tehran’s goals “center on national sovereignty.” The site contends that Iran has “sought to project influence regionally through allied governments and forces (Hezbollah, Hamas, Houthi, Iraqi Militants, etc.) what’s often called the ‘Axis of Resistance.’”
Some observers have raised alarm bells over the outlet’s growing popularity among establishment mainstream liberals. Ben Rhodes, a former Obama administration official and co-host of the popular “Pod Save America” podcast, has praised the outlet on his social media profile and confirmed he is a subscriber.
Drop Site’s expanding influence does not seem to be confined to left-wing or liberal ideological circles. Right-wing media personality Mike Cernovich contended on X that young conservatives are increasingly reading Drop Site “for Israel news.” Joe Kent, the former director of the US National Counterterrorism Center, over the weekend reposted a Drop Site article pushing Iranian regime propaganda falsely claiming the US was actually trying to kill a downed American airman — just hours before he was dramatically rescued.
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Palestinian-French lawmaker arrested after praising 1972 bomber of Ben Gurion Airport
(JTA) — French police detained Rima Hassan, a member of the European Parliament from France, on suspicion of “advocating for terrorism” after she quoted one of the perpetrators of a 1972 terror attack on an Israeli airport in a social media post.
Hassan, 33, was detained for several hours on Thursday by French authorities over a March 26 post in which she quoted an individual convicted of participating in the 1972 terror attack on Ben Gurion airport in Tel Aviv, which killed 26 people.
The post, which Hassan later deleted, included Japanese and Palestinian flags as well as a quote from Kozo Okamoto, a member of the terror group, which read, “I dedicated my youth to the Palestinian cause. As long as there is oppression, resistance will not only be a right, but a duty.”
The Paris prosecutor’s office said it had released Hassan and given her a court date of July 7 “to be tried on charges of advocating terrorism committed online.” If convicted, Hassan could face up to a seven-year jail term and a fine of up to 100,000 euros, or $115,290.
Hassan, who was elected to the European Parliament in 2024 for the French far-left party France Unbowed, has previously said that “Hamas’s actions are legitimate from an international perspective” and argued that Franco-Palestinians “must be able to join the Palestinian armed resistance.” She also participated in the Gaza-bound flotilla protesting Israel’s blockade of the enclave last June, and, last month, was denied entry into Canada ahead of a scheduled conference appearance.
The arrest came after two France-based antisemitism watchdogs, the International League Against Racism and Antisemitism and the European Jewish Organization, lodged complaints over Hassan’s post.
“Statements presenting the acts committed by terrorists in a favorable light constitute an apology for terrorism,” the European Jewish Organization wrote in a post on X on Thursday. “It is on this basis that the OJE has filed a complaint against RH for the statements made on X and for which she appears to have been placed in police custody today.”
The prosecutor’s office said that Hassan is under investigation in six additional cases, and that 16 other cases involving alleged online hate speech have been closed. Police are also separately investigating “substances resembling CBD and 3-MMC,” illegal drugs, that were found among her belongings.
In a post on X Friday, Hassan, who was born in Syria in a Palestinian refugee camp and has made pro-Palestinian advocacy and fierce criticism of Israel a hallmark of her political career, said that she was the “target of political, judicial, and media harassment.”
“This custody hearing was followed by a fifth summons this Friday, well illustrating the politico-judicial harassment that the Palestinian cause is enduring after more than 2 years of genocide and inaction on the part of our government,” wrote Hassan in a subsequent post.
French Interior Minister Laurent Nuñez dismissed claims that the case against Hassan was politically motivated, saying in a television appearance, “No one is above the law, especially on subjects as serious as the glorification of terrorism.”
The post Palestinian-French lawmaker arrested after praising 1972 bomber of Ben Gurion Airport appeared first on The Forward.
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Michigan Democrats, Jewish leaders uneasy over Senate candidate’s alliance with Hasan Piker
(JTA) — Just weeks after an attack on a Michigan synagogue, a U.S. Senate candidate’s decision to campaign in the state with Hasan Piker — a streamer accused of antisemitic rhetoric — is prompting unease among Jewish leaders and fellow Democrats.
Abdul El-Sayed, a physician and former county health executive, is set to appear with Piker at two different Michigan universities on Tuesday.
The Hillel at Michigan State University said it was “deeply troubled” by Piker’s planned visit to campus, calling him a “known antisemite,” while at least one planned speaker, a state representative, backed out of the rallies citing the concerns of her Jewish constituents.
National Jewish leaders also criticized the planned events, with some comparing Piker to Nick Fuentes, the openly antisemitic livestreamer who has divided Republicans and others drawing a connection to the attack last month on Temple Israel.
“Abdul El-Sayed’s decision to host campaign rallies with Piker is not just alarming; it’s absolutely shocking. It reflects a broader trend: the dangerous normalization of antisemitism in our politics,” tweeted Jonathan Greenblatt, the head of the Anti-Defamation League. “That this is happening in Michigan, where Temple Israel was targeted in a violent antisemitic attack … makes it even more egregious.”
El-Sayed has defended his decision to campaign with Piker, including to Greenblatt, saying that he agrees with Piker on some issues but not others. Their points of agreement, he said, include “the way that AIPAC has decimated our politics and made us think that the most important goal of our foreign policy is to backstop Israel.”
He recently told a pro-Palestinian podcast that Piker’s past comments have been “taken out of context,” adding that Piker represents “where the disaffected people are” and that the streamer “has taken great pains to condemn any attempt to tie the government of Israel to the Jewish people.”
The campaign stops come as both Piker and El-Sayed — both Muslim progressives — face scrutiny over their comments about Jews and Israel.
Piker has increasingly divided Democrats, with a Jewish congressman from Illinois recently calling him “an unapologetic antisemite” even as some of his colleagues have continued to appear with him on his streaming show and in real life.
El-Sayed, meanwhile, grew up in a heavily Jewish suburb of Detroit and has the endorsement of some progressive Jews including former U.S. Rep. Andy Levin. He raised eyebrows with his response to the Temple Israel attack last month — he condemned the attack but also criticized Israel’s offensive in Lebanon, where the attacker’s brother was killed — as well as his reluctance to comment on the death of Iran’s supreme leader, Ayatollah Ali Khamenei.
A former security official with El-Sayed’s campaign recently told a local blog that he had witnessed comments from the candidate that the staffer thought would “give credibility to the claims of [El-Sayed’s] antisemitism and pro-Islamist regimes/factions” before resigning. The blog did not report any specifics.
“Personally, I regret and feel shame for excusing antisemitism and for not leaving sooner,” the former staffer said.
El-Sayed and Piker are set to appear with Rep. Summer Lee of Pennsylvania as well as candidates for local office, at both MSU and the University of Michigan.
In the leadup to the rallies, one of El-Sayed’s primary opponents, state Sen. Mallory McMorrow, as well as the head of the AJC compared Piker to white nationalist Nick Fuentes, who has celebrated Hitler and attacked “organized Jewry.”
Piker’s most vociferous critics have pointed to a history of his comments in which, among other things, he has denied or downplayed that rape took place during the Oct. 7 attacks and compared Houthi rebels to Anne Frank.
Piker rejects allegations of antisemitism. But in a recent interview he expressed regret over some of his more extreme rhetoric, including referring to Haredi Orthodox Jews as “inbred,” and offered additional context for some of his other remarks spotlighted by Greenblatt and other critics including the centrist Democratic group Third Way.
He has also said it is “Islamophobic to say: ‘Oh, this Muslim critic of Israel who has the majority opinion on Israel should not be going to a campaign rally.’”
El-Sayed has suggested that Piker’s critics are more broadly conflating criticism of Israel with antisemitism.
“I love and revere the Jewish people because I love ALL people. And I criticize Israel’s genocide because I love ALL people. I pray someday you understand,” El-Sayed tweeted in response to Greenblatt’s criticism of his association with Piker.
In a subsequent video, the candidate pointed out that former Vice President Kamala Harris invited Piker to stream at the 2024 Democratic National Convention, during her bid for president. He said he would not apologize “for every single video that people put up there that Hasan said this or Hasan said that” — and that he thought the progressive cause was larger than those critiques.
“Any Democrat who tells you that you cannot speak with some group of people because of one offensive thing that they might have said is missing the point of what it means to actually bring people into a legitimate mainstream policy where we can actually fight for the things we need and deserve,” El-Sayed said.
Third Way has called on El-Sayed to outline specifically where his views and Piker’s differ.
“If you insist on campaigning with an extremist like Piker just weeks after an attack on Jews at Temple Israel in Michigan, voters in your state deserve to know what you truly believe and how closely you align with his most abhorrent views,” wrote the group’s president, Jonathan Cowan. He asked six questions including, “Do you also dismiss the mass rape of Jewish and Israeli women by Hamas?” and “Do you believe as he does that ‘Hamas is a thousand times better’ than the Israeli state?”
At least one planned participant, Ann Arbor-based state Rep. Carrie Rheingans, has backed out of the rallies. She told local media that she still endorses El-Sayed and has “heard him denounce antisemitism vehemently multiple times,” but added, “I don’t appreciate many of Piker’s antisemitic comments… Maybe Hasan Piker has some room to learn how his comments affect other people, but I have to say, Jews, Muslims, and Arabs in Michigan are hurting for a lot of really good reasons right now.”
MSU Hillel, meanwhile, did not mention El-Sayed by name in its statement.
“At a time when Jewish students are experiencing heightened fear and vulnerability — especially in the wake of the recent attack on Temple Israel in West Bloomfield — this choice is especially concerning,” the Hillel chapter wrote on Instagram. “Hosting individuals like Hasan Piker who consistently use harmful, inflammatory and antisemitic rhetoric creates a hostile environment for Jewish students, threatening their security and belonging.”
The comparisons between Piker and Fuentes have opened a new flashpoint in debates over the role that streaming personalities are playing in American politics.
“In Piker’s case, his record speaks for itself, the same with Nick Fuentes. I don’t need to go into details about who they are or what they represent,” Ted Deutch, CEO of the American Jewish Committee, told Jewish Insider while urging Democrats not to associate with Piker. “Neither one of them belongs in the middle of the political process as a result of candidates choosing to put them there.”
In a statement, AJC Detroit, the region’s Jewish community relations arm, cautioned associating with both Piker and Fuentes but also did not name any candidates.
“AJC has reached out to leaders of both parties to warn about the dangers of platforming extremists like Hasan Piker and Nick Fuentes and helping them spread their virulent antisemitism,” spokesperson Amy Sapeika wrote. “With increasing polarization and the rise of extremism from the far left and far right, both parties need to make clear that antisemites like them have no place on their stages.”
The comparison is also shaping the Senate race directly. Piker “is somebody who says extremely offensive things in order to generate clicks and views and followers, which is not entirely different from somebody like Nick Fuentes,” McMorrow told Jewish Insider.
The other Democratic candidate in the Senate primary, Rep. Haley Stevens, said El-Sayed was “choosing to campaign with someone who has a history of antisemitic rhetoric” but did not make a Fuentes comparison. (Elissa Slotkin, the state’s centrist Jewish senator who is not up for reelection this year, said she wasn’t familiar with Piker’s rhetoric but that it “sounds deeply antisemitic.”)
Stevens, who is not Jewish, is generally seen as a centrist candidate preferred by AIPAC, the pro-Israel lobby that has emerged as a bogeyman in Democratic politics. McMorrow, who has a Jewish husband and Jewish child, is battling El-Sayed for the progressive mantle: She has the endorsement of liberal Zionist group J Street and has said Israel committed genocide in Gaza.
The post Michigan Democrats, Jewish leaders uneasy over Senate candidate’s alliance with Hasan Piker appeared first on The Forward.
