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7 Jewish highlights from the new Museum of Broadway

(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers. 

That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.” 

Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”

If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows. 

(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)  

The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows. 

Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:

 

A whirligig of Rodgers and Hammerstein musicals

A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)

Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.

 

Jerome Robbins’ notes on “West Side Story”

Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)

Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.

 

Florence Klotz’s costume “bible”

Florence Klotz won six Tony Awards for her costume designs. (NYJW)

Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.

 

A shrine to “Company”

A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)

Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.

 

A tribute to Joseph Papp

Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)

Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.

 

Al Hirschfeld’s barber chair

A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)

The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).

 

A stage set from “The Producers”

An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)

You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.


The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.

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Gen Z New Hampshire Congressional Candidate Refuses to Acknowledge Israel’s ‘Right to Exist’

New Hampshire state Rep. Heath Howard, a Democrat who is running for US Congress in the 2026 election, speaks during televised interview. Photo: Screenshot

A Democratic state lawmaker in New Hampshire now running for US Congress is facing mounting criticism after comments in which he refused to affirm the legitimacy of Israel as a Jewish state, reigniting a broader political debate over antisemitism and the boundaries of criticism of Israel.

During a new interview on WMUR’s “Close-Up,” congressional candidate Heath Howard rejected the idea that Israel possesses a unique “right to exist” as a Jewish nation. Howard also drew an equivalence between Israel, the closest US ally in the Middle East, and the Palestinian Islamist group Hamas, a US-designated terrorist organization.

“While there are a number of condemnable actions that they’ve taken, like any sort of government, I don’t think that Hamas has a right to exist. I don’t think Israel has a right to exist. I think that people have a right to exist,” Howard said.

Howard then appeared to defend the prospect of Hamas’s continued rule over Gaza as a form of Palestinian autonomy, saying, “We need to respect the will of the Palestinian people, and we need to make sure that they have access to democracy. We need to make sure that we allow the people to have self-determination.”

Heath has criticized the US relationship with Israel, saying that it has “furthered a lot of conflict in the Middle East,” and called for imposing enhanced restrictions on military assistance to Jerusalem.

He has also hand-waved suggestions that Hamas could be a danger to Jewish people and called for the transformation of Israel into a “secular state.”

Skeptics claim the comments crossed a line from criticism of Israeli government policy into opposition to Israel’s existence as a homeland for the Jewish people, a distinction many Jewish organizations say is central in determining when anti-Israel rhetoric becomes antisemitic.

Benjamin Sharoni, consul general of Israel to New England, rebuked Howard’s commentary.

“To suggest that Israel has no right to exist is not a nuanced policy position. It is a denial of history, reality, international law, and the very principle that grants legitimacy to every nation on earth,” Sharoni told NHJournal.com.

“Israel is a sovereign state, a member of the United Nations, and the national home of the Jewish people,” he continued. “Invoking universal rights while calling for the dismantling of a recognized state is not humanitarianism. Those who are genuinely committed to the rights of people must begin by acknowledging the right of nations to exist and defend their citizens.”

Howard’s policy platform contains a number of unorthodox suggestions, such as implementing a complete arms, trade, and intelligence embargo on Israel, forging closer ties with China, and the removal of the US blockade on Cuba.

“It is essential that we immediately cease our involvement in these endless imperial wars and adopt non-interventionism as a general policy. Moreover, we must immediately end all military aid and weapons sales to both Israel and Saudi Arabia and impose a complete arms, technological, and cultural embargo on Israel,” Howard’s campaign website reads.

“We must also work to restore and improve our relationship with China and work with them, not against them, to make technological, political, and societal progress — and above all, we must honor our commitments to the Universal Declaration of Human Rights and the Charter of the United Nations,” his website continues.

The controversy comes at a particularly sensitive moment in American politics, as tensions surrounding Israel and the war in Gaza continue to divide parts of the Democratic Party following Hamas’s Oct. 7, 2023, attack on Israel. The massacre, which killed roughly 1,200 people and saw hundreds taken hostage, prompted widespread expressions of solidarity with Israel across much of the US political establishment. Since then, however, divisions have emerged between mainstream Democrats and a growing activist wing increasingly critical of Zionism and American support for Israel.

Supporters of Israel argue that denying Jews the right to self-determination to maintain a nation-state is discriminatory, especially given the existence of dozens of countries organized around national, ethnic, or religious identities. They also note that Israel serves as a refuge for Jews facing centuries of persecution.

Critics argue that Howard’s comments may fuel concerns among some Democratic strategists that rhetoric perceived as hostile to Israel could alienate moderate voters and Jewish Americans, particularly in swing districts. Several prominent Democrats nationally have faced similar scrutiny in recent months over statements questioning Israel’s legitimacy or character as a Jewish state.

The dispute reflects a broader ideological battle playing out inside the Democratic Party, where debates over Zionism, antisemitism, and Middle East policy have increasingly become litmus tests in some progressive circles.

Howard, a 25-year-old left-wing candidate, may be reflective of a newer generation of Americans which are broadly skeptical of the US-Israel relationship. Recent polling suggests that overwhelming majorities of younger Americans disapprove of the Jewish state.

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Mamdani supersizes NYC hate crimes office, as tensions simmer over synagogue protests

New York City Mayor Zohran Mamdani announced a nearly ninefold increase in New York City’s budget for preventing hate crimes as part of his budget proposal announced Tuesday, fulfilling a campaign promise that was central to his outreach to Jewish voters amid concerns about his stance against Israel.

The Jewish community overwhelmingly did not support his election, and his proposal comes amid rising tensions stoked by anti-Israel protests — most recently on Monday night, when dozens descended on a heavily Jewish Brooklyn neighborhood where a synagogue hosted a real estate sale that included West Bank properties.

Mamdani’s $26 million  for the Office for the Prevention of Hate Crimes would significantly expand an agency created in 2019 to combat rising antisemitism and other forms of hate, which currently has a $3 million annual budget

The office is tasked with addressing all hate crimes, and Mamdani did not specify how much of the $26 million would be directed specifically toward combating antisemitism, since the office is. According to the New York City Police Department, antisemitic incidents accounted for 57% of all reported hate crimes in 2025. The Anti-Defamation League’s 2025 annual audit found that while antisemitic incidents in New York declined by 19%, last year was still the third-highest year on record.

“Too often, the only response offered to a hate crime is exactly that, it’s a response,” Mamdani said. “Today we want to also do the work of preventing those hate crimes.” The mayor said most of the funding would go toward expanding existing city programs that have proven effective, alongside the rollout of the city’s first comprehensive municipal strategy to combat antisemitism, which is expected this fall.

Most of the office’s current funding goes towards a program called the Partners Against the Hate FORWARD initiative — in partnership with the NYC Commission on Human Rights — that offers grants up to $10,000 for community-based initiatives.

The proposal resembles a plan authored by Jews For Racial & Economic Justice, a progressive organization that supported Mamdani during the election. The JFREJ proposal called for between $26 million and $30 million in hate violence prevention initiatives, including expanded reporting systems, proactive relationship-building and anti-bias education.

In a statement Tuesday, the group hailed the investment as a “huge win” for advocates of a broader approach. “The Mamdani administration has significantly raised the bar for what it looks like to seriously address antisemitism and hate violence,” said Audrey Sasson, JFREJ’s executive director.

The hate crimes office expansion drew swift praise from Jewish elected officials, including some who have distanced themselves from Mamdani in their support for Israel. “Promises made, promises kept,” Manhattan Borough President Brad Hoylman-Sigal posted on X. Rep. Dan Goldman — whose primary challenger, Brad Lander, is backed by Mamdani — said the funding is a worthy tool to combat hate: “It is vital that we all work together to ensure we do everything possible to keep New Yorkers safe.”

Hasidic leaders of both Satmar sects also applauded the mayor, with one organization calling the investment a “massive increase of resources to stop the rising tide of antisemitism in NYC.”

Still, Mamdani’s prevention strategy does not include measures in response to protests outside synagogues, which have included antisemitic displays and slogans.

On Monday night, pro-Palestinian protesters marched through the heavily Orthodox neighborhood of Midwood in Brooklyn, chanting slogans including calls for “intifada revolution” during a demonstration outside a synagogue hosting an event marketing real estate in Israel and West Bank settlements. The protest also drew a crowd of pro-Israel counterprotesters, many of them teenage boys, as police intervened to keep the groups apart. The NYPD reported four arrests, including two Jewish teens.

Under a new law recently passed in the City Council by a veto-proof majority, the NYPD is currently devising a synagogue protection plan that it must make public. But meanwhile, police officers accompanied the protesters as they circled residential blocks chanting anti-Israel slogans.

Many Jewish residents have said such protests leave them feeling intimidated or unsafe. The administration has yet to outline a more robust enforcement or public safety approach to demonstrations, and Mamdani — who has not commented on the Brooklyn confrontations — recently defended a similar protest of a real estate sale held on Manhattan’s Upper East Side.

In a statement shared with the Forward, Mamdani condemned the violence at the protest and counter-protests on Monday night “alongside antisemitic, anti-Muslim and racist rhetoric, as well as racial slurs, displays of support for terrorist organizations, and calls for the death of others” as “despicable.”

“New Yorkers have the constitutional right to protest and to counter-protest, but no one should face violence, intimidation, or hatred because of who they are or what they believe,” the mayor added. “We can simultaneously protect both public safety and civil liberties, and our city remains committed to doing exactly that by upholding the right to peaceful protest while keeping every New Yorker safe.”

The post Mamdani supersizes NYC hate crimes office, as tensions simmer over synagogue protests appeared first on The Forward.

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‘No Peace’: Anti-Israel Mob Storms Jewish Neighborhood in New York City

Anti-Israel protesters march through a Jewish neighborhood in Brooklyn, New York City, May 11, 2026. Photo: Screenshot

New York City saw another bombardment of a Jewish house of worship on Monday, compounding an antisemitism crisis that has plunged the municipality into episodes of anti-Jewish mob violence, swastika graffiti, and discrimination.

As seen in several viral videos posted to social media, masses of anti-Zionists descended on the Flatbush section of Brooklyn to march through the streets of the heavily Jewish quarter and walk up to Young Israel of Midwood synagogue to protest its involvement in selling land they say is “stolen” for being located in West Bank.

The group behind the demonstration, the Palestinian Assembly for Liberation in Al-Awda (PAL-Awda NY/NJ), led the protesters to the institution while shouting jihadists slogans whose orators could not be identified behind the keffiyeh scarves repurposed as masks to hide their faces.

“Zionism will fall,” the activists chanted while others wielded signs proclaiming “Abolish Israel” and “no peace on stolen land,” according to local reports. Words failed to make the point for some, however, as one female activist ambushed a Jewish girl attempting to outpace the protesters to get home. Wearing a surgical mask and red keffiyeh scarf not around her face but her shoulders, she charged the Jewish girl from behind, grabbed a fistful of her hair, and jerked backwards, video of the incident showed. When a group of teenagers near the incident decried the assault, a swarm of hooded protesters confronted them, pushing and squaring shoulders in an apparent effort to dare a response and threaten more force.

New York City Police Department (NYPD) officers attempted to hold the line between demonstrators and the synagogue’s entrance. According to reports, at least three demonstrators were arrested after attacking counterprotesters, and some of the anti-Israel activists could be seen holding flags and banners expressing support for Hamas and Hezbollah, both US-designated foreign terrorist organizations.

This is not the first time PAL-Awda has targeted a Jewish neighborhood or institution over the issue of Israeli real estate.

Last week, protesters gathered outside Park East Synagogue in Manhattan during a showcase called “The Great Israeli Real Estate Event 2026,” which included the marketing of properties in Israel proper as well as West Bank settlements. At the demonstration, activists held signs and chanted slogans that went beyond criticism of Israel, seemingly calling for the death and expulsion of Jews and, in some cases, support for US-designated terrorist groups.

“Death, death to the IDF [Israel Defense Forces],” “Rapists,” and “Settlers, settlers go back home, Palestine is ours alone” were among the insults screamed by the protesters, some of whom also waved flags belonging to Hezbollah.

The demonstration prompted a significant police response and raised concerns about rising antisemitic rhetoric in the city home to the world’s largest Jewish population outside of Israel.

The scene marked a return to the same synagogue that was the site of a contentious protest in November, where demonstrators chanted “We don’t want no Zionists here” and “Resistance, you make us proud, take another settler out,” among others. One speaker claimed, “It is our duty to make them think twice before holding these events! We need to make them scared.”

Both protests were organized by Pal-Awda.

In each case, New York City Mayor Zohran Mamdani, who took office on Jan. 1 but was mayor-elect at the time of the November incident, condemned the Israeli real estate event.

“There is no tolerance for hatred of Jewish New Yorkers,” he said last week. “I’ve also been clear to New Yorkers, my honest opinions about the fact that when we have a real estate expo that is promoting the sale of land, which includes the sale of land in occupied West Bank in settlements that are a violation of international law, that that is something that I firmly disagree with.”

As previously reported by The Algemeiner, antisemitic hate crimes in New York City have been surging since Mamdani’s election. According to police data, Jews this year have been targeted in the majority of all hate crimes committed in the city, continuing a troubling trend of rising antisemitism following Hamas’s Oct. 7, 2023, massacre across southern Israel.

Jews were targeted in 60 percent of all confirmed hate crimes in April despite composing just 10 percent of the city’s population, the NYPD revealed in its latest figures.

The change in New York City’s climate since Mamdani’s election is palpable, Jewish advocacy groups have said. On his first day in office in January, Mamdani voided the city government’s adoption of the International Holocaust Remembrance Alliance’s (IHRA) definition of antisemitism, lifted the ban on contracts with companies boycotting Israel, and modified key provisions of an executive order directing law enforcement to monitor anti-Israel protests held near synagogues.

“Mayor Mamdani is deeply opposed to the real estate expo this evening that includes the promotion of the sale of land in settlements in the Occupied West Bank,” Mamdani said in a statement issued before last week’s synagogue protest, failing to deliver the conciliating message his critics said was needed to hold together a fraying community. “These settlements are illegal under international law and deeply tied to the ongoing displacement of Palestinians.”

Rabbi Mark Wildes, director and founder of the Manhattan Jewish Experience organization, told The Algemeiner that the Mamdani administration is fueling antisemitism.

“From swastikas appearing on homes and in parks, to increased anti-Israeli demonstrations, Mayor Mamdani has created a climate in which bigotry is allowed to flourish,” Wiles charged. “His irresponsible rhetoric calling Israel an ‘apartheid’ state committing ‘genocide only emboldens antisemites to target Jews across the city.”

On Tuesday, as Jewish community advocates called for the arrest of the protester filmed assaulting a Jewish girl, the Trump administration confirmed that the US Justice Department is investigating the incident.

“We are aware of this situation last night and are working with our colleagues in NYC to collect evidence and analyze potential charges,” said Harmeet Dhillon, the assistant attorney general for civil rights.

Follow Dion J. Pierre @DionJPierre.

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