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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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13-Year-Old Boy Brutally Assaulted in Paris in Second Antisemitic Attack in Less Than a Week
Tens of thousands of French people march in Paris to protest against antisemitism. Photo: Screenshot
In a shocking second antisemitic attack in less than a week, a 13-year-old boy in Paris was brutally beaten Monday by a knife-wielding assailant, prompting authorities to open a criminal investigation and step up security amid a rising tide of antisemitism.
On his way to a synagogue in Paris’s 18th arrondissement, the schoolboy was physically attacked by a group of five assailants who beat him, pressed a knife to his throat, called him a “dirty Jew,” and stole his belongings, the French news outlet Le Parisien reported.
According to the Paris prosecutor’s office, the victim was walking to a synagogue, clutching his kippah in his hand rather than wearing it for fear of being recognized, when five attackers confronted him; stole his AirPods, sneakers, and coat; and forced him to empty his pockets.
The boy also told authorities that he was shoved, punched in the face, and threatened with a knife to his throat before his attackers stole his belongings, shouting antisemitic remarks throughout the assault.
Local police have arrested and taken an 18-year-old suspect into custody after he was recognized during the assault by someone on a video call with the victim. The four other attackers remain at large as of this writing.
The prosecutor’s office has opened an investigation into armed robbery and armed violence, committed as a group and aggravated by discrimination, as authorities continue to work to identify and apprehend the remaining suspects.
This latest antisemitic attack marks the second such incident in less than a week, underscoring a growing climate of hostility as Jews and Israelis face a surge of targeted assaults.
Over the weekend, three Jewish men wearing kippahs were physically threatened with a knife and forced to flee after leaving their Shabbat services near the Trocadéro in southwest Paris’s 16th arrondissement, European Jewish Press reported.
As the victims were leaving a nearby synagogue and walking through the neighborhood, they noticed a man staring at them. The assailant then approached the group and repeatedly asked, “Are you Jews? Are you Israelis?”
When one of them replied “yes,” the man pulled a knife from his pocket and began threatening the group. The victims immediately ran and found police officers nearby. None of the victims were injured.
Like most countries across Europe and the broader Western world, France has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
According to the French Interior Ministry, the first six months of 2025 saw more than 640 antisemitic incidents, a 27.5 percent decline from the same period in 2024, but a 112.5 percent increase compared to the first half of 2023, before the Oct. 7 atrocities.
Last week, a Jewish primary school in eastern Paris was vandalized, with windows smashed and security equipment damaged, prompting a criminal investigation and renewed outrage among local Jewish leaders as targeted antisemitic attacks continued to escalate.
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Over 90% of American Jews Feel Less Safe After Recent Antisemitic Attacks, Survey Finds
A friend organized a vigil for Yaron Lischinsky and Sarah Lynn Milgrim, both Israeli embassy workers who were allegedly murdered by an anti-Israel activist, in Washington, DC on May 22, 2025. Photo: ZUMA Press Wire via Reuters Connect
Nearly all Jews in the United States feel less safe after a recent wave of antisemitic attacks, and the majority have changed their behavior over the last year as a result, according to a major new survey.
The American Jewish Committee (AJC) on Tuesday published its annual State of Antisemitism in America report, revealing a growing level of fear among American Jews — especially the 31 percent directly targeted by antisemitic hate themselves in the past year. Of those who reported being the target of antisemitism, 80 percent said they changed their behavior in response.
“We need Americans to wake up to the reality of what their Jewish neighbors are experiencing,” AJC CEO Ted Deutch said in a statement announcing the report.
The AJC’s researchers found that 91 percent of American Jews feel more unsafe in the country following last year’s antisemitic attacks against Pennsylvania Gov. Josh Shapiro’s residence in April and pro-Israel demonstrators in Boulder, Colorado in June, in addition to the slayings of Israeli embassy staffers Sarah Milgrim and Yaron Lischinsky at the Capital Jewish Museum in May.
Seventy-eight percent of survey respondents said they feel less safe as a Jewish person in the US because of Hamas’s Oct. 7, 2023, invasion of southern Israel. During the onslaught, Hamas-led Palestinian terrorists perpetrated the biggest single-day massacre of Jews since the Holocaust, killing 1,200 people and kidnapping 251 hostages.
“Right now, in America, when Jews gather, whether at synagogue or a community event, it’s routinely behind metal detectors and armed guards,” Deutch said. “No one in America should have to change their behavior because of what they believe, but that’s how most Jews are living their lives. What we’re asking for is what every other minority group expects in America: the freedom to be who we are without fearing for our safety.”
The report documents that 55 percent of Jewish respondents to the survey said they changed their behavior in response to fears of antisemitism, while 17 percent noted they have considered leaving the US in the past five years as a result of rising hate, an increase from 13 percent in 2024.
Majorities of American Jews are attuned to the threats of online hate and the dangers of the popular large language model (LLM) chatbots marketed as so-called “artificial intelligence,” including SpaceX’s Grok, OpenAI’s ChatGPT, and Anthropic’s Claude.
Seventy-three percent of American Jews who were surveyed said they have experienced online antisemitism, and 65 percent expressed concerns at either the “very” or “somewhat” levels that LLM chatbots will spread more bigotry against Jews.
In addition, 69 percent of American Jews worry that information and misinformation from LLMs will inspire antisemitic incidents, according to the data.
More American Jews surveyed in 2025 said they saw antisemitism on social media platforms than those in 2024. Jews reporting seeing antisemitism on billionaire Meta CEO Mark Zuckerberg’s Facebook social media website rose from 47 percent in 2024 to 54 percent last year, while those experiencing the hate on his Instagram photo-sharing app shot up from 32 percent to 40 percent.
American Jews seeking to enjoy online videos also reported rising bigotry targeting them on Alphabet’s YouTube (increasing from 27 percent to 38 percent) and Oracle’s TikTok (up from 18 percent to 23 percent).
The picture of life for younger American Jews is much more dire than for the middle-aged and elderly, with 47 percent of respondents 29 and younger saying antisemites had personally targeted them in the last year. This compares to 28 percent for Jews 30 and older.
The survey also affirms reports in recent years of increased antisemitism at the outposts of American academia.
Among Jewish college students, 42 percent said they experienced antisemitism while on campus, and 25 percent reported feeling or being excluded from a group or event because of their Jewish identity.
Jewish institutions remain widely under threat, with 28 percent of respondents saying that antisemites had targeted at least one synagogue, Jewish school, or community organization where they affiliated.
The survey also found that the protest slogan “globalize the intifada,” which references previous periods of sustained Palestinian terrorism against Jews and Israelis and has been widely interpreted as a call to expand such violence, provokes fear among 88 percent of Jewish respondents, with 27 percent saying they would feel “very unsafe” hearing the words. Among the general public, only 13 percent of respondents said they knew the phrase while 32 percent had heard the similar controversial war cry “from the river to the sea, Palestine will be free.”
More Americans (73 percent) knew the “Free Palestine” chant. The AJC noted that the alleged killer of Milgrim and Lischinsky “is reported to have shouted ‘Free Palestine’ during the shooting. The alleged attacker in Boulder is also reported to have yelled ‘Free Palestine’ as he threw a Molotov cocktail at the crowd of people gathered to support hostages held by Hamas in Gaza, ultimately leading to the death of 82-year-old Karen Diamond.”
In a parallel survey the AJC conducted of the American general public, researchers found that 70 percent of respondents called antisemitism a problem, 63 percent said it had increased since Hamas’s Oct. 7 atrocities, and 45 percent had seen or heard an antisemitic incident in the last 12 months.
Deutch on Tuesday highlighted some of the key findings in an op-ed published by the New York Post announcing the report.
“Among Americans who know a Jewish person, only 54 percent said they had personally seen or heard one or more antisemitic incidents in the last year,” Deutch wrote. “Among those who don’t know any Jews? Thirty-two percent.”
Deutch continued, “I am not advocating for special attention or treatment for my community. I’m calling for, rather, the same care, awareness, and collective outrage we would rightly see if these daily assaults were being made against members of any other religious or ethnic group in the United States.” He warned that “the fortress of metal detectors and bulletproof glass we’ve built around the Jewish community is a physical sign of the deep cracks undermining the foundation of our society.”
Holly Huffnagle, the AJC’s director of antisemitism policy, warned in a statement that tolerating the spread of antisemitism “corrodes social trust, legitimizes extremism, and weakens the democratic institutions that protect everyone, making a clear, dedicated government response not just optional, but necessary.”
The AJC’s survey took place between Sept. 26 and Oct. 29, 2025. Researchers drew data from responses provided by 1,222 Jews, ages 18 and up, as well as 1,033 adults in the general population. The margin of error for Jewish respondents was +/-3.7 percent while for the general population it was 3.4, at a 95 percent confidence level.
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China Played Key Role in Iran’s Digital Crackdown on Protesters, Report Shows
Protesters march in downtown Tehran, Iran, Dec. 29, 2025. Photo: Screenshot
The Iranian regime used Chinese and Russian technology to silence dissent during recent nationwide anti-government protests, imposing near-total internet shutdowns and disrupting satellite communications to suppress public scrutiny, according to a new study.
On Monday, the international human rights organization Article 19 released a new report examining digital cooperation between China and Iran, detailing Beijing’s role in expanding Tehran’s digital repression apparatus.
“In its pursuit of total control over the digital space, Iran borrows directly from the Chinese digital authoritarian playbook,” Michael Caster, head of Article 19’s Global China Program, said in a statement.
“From Chinese companies embedded inside Iran’s infrastructure, to Iran’s support for China’s ‘cyber sovereignty’ principles based on censorship and surveillance, both countries align in their ambition to disconnect their populations from the open, global internet,” he continued.
According to the report, China has provided material and technical support to Iran since at least 2010, bolstering its surveillance and censorship capabilities as Chinese firms including ZTE, Huawei, Tiandy, and Hikvision continue operating in the country despite international sanctions.
“Emulating China’s infrastructure of oppression helps Iran entrench power, sidestepping accountability and exercising full control over the information environment,” Article 19’s head of resilience, Mo Hoseini, said in a statement. “That way, dissent is not just silenced, it is prevented from ever surfacing.”
The study also explains that Iran is seeking to replicate China’s “Great Firewall” through its National Information Network, a system designed to restrict access to the global internet while centralizing censorship and embedding surveillance deep within national infrastructure.
As international scrutiny over the regime grows, new estimates show that tens of thousands of people were killed by Iranian security forces during an unprecedented crackdown on nationwide protests last month.
Two senior Iranian Ministry of Health officials told Time magazine that as many as 30,000 people could have been killed in the streets of Iran on Jan. 8 and 9 alone. Some reports have put the figure even higher, suggesting the regime could have perpetrated one of the deadliest crackdowns in modern history — all under cover of digital darkness.
With authorities enforcing an internet blackout for weeks, the actual number of casualties remains difficult to verify. Activists fear the internet shutdown is being used to conceal the full extent of the crackdown on anti-regime protests.
According to Craig Singleton, a Stanford professor and senior fellow at the Foundation for Defense of Democracies (FDD), a Washington, DC-based think tank, surveillance technology supplied by Chinese exporter Tiandy Digital Technology Co. has strengthened Iranian security forces’ ability to identify and track protesters.
The equipment, including network video recorders, has been deployed during both the current unrest and previous waves of nationwide protests.
Chinese surveillance firm Tiandy is helping Iran track, identify, and repress innocent protesters—moving from street cameras to knock-on-the-door arrests.
This is digital authoritarianism in action.@SecScottBessent @HowardLutnick @Secrubio @BrendanCarrFCC @FDD
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— Craig Singleton (@CraigMSingleton) January 13, 2026
China expressed support for the Iranian regime last month amid the protests, hoping Tehran would “overcome” the unrest and “uphold stability.”
If the regime in Iran was seriously weakened or potentially collapsed, it would present a problem for a strategic partner of Beijing.
China, a key diplomatic and economic backer of Tehran, has moved to deepen ties with the regime in recent years, signing a 25-year cooperation agreement, holding joint naval drills, and continuing to purchase Iranian oil despite US sanctions.
China is the largest importer of Iranian oil, with nearly 90 percent of Iran’s crude and condensate exports going to Beijing
Iran’s growing ties with China come at a time when Tehran faces mounting economic sanctions from Western powers, while Beijing itself is also under US sanctions.
According to some media reports, China may be even helping Iran rebuild its decimated air defenses following the 12-day war with Israel in June.
The extent of China’s partnership with Iran may be tested as the latter comes under increased international scrutiny over its violent crackdown on anti-regime protests.
However, as The Algemeiner previously reported, Iran’s relationship with China has proven weaker than official statements from both countries would suggest, filled with limits and skepticism even as Tehran faces unprecedented military challenges from both the US and Israel.

