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7 Jewish highlights from the new Museum of Broadway

(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers. 

That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.” 

Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”

If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows. 

(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)  

The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows. 

Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:

 

A whirligig of Rodgers and Hammerstein musicals

A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)

Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.

 

Jerome Robbins’ notes on “West Side Story”

Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)

Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.

 

Florence Klotz’s costume “bible”

Florence Klotz won six Tony Awards for her costume designs. (NYJW)

Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.

 

A shrine to “Company”

A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)

Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.

 

A tribute to Joseph Papp

Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)

Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.

 

Al Hirschfeld’s barber chair

A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)

The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).

 

A stage set from “The Producers”

An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)

You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.


The post 7 Jewish highlights from the new Museum of Broadway appeared first on Jewish Telegraphic Agency.

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Iran’s Water Crisis Worsens as President Warns Tehran May Need to Be Evacuated

Iranian President Masoud Pezeshkian speaks during a meeting in Ilam, Iran, June 12, 2025. Photo: Iran’s Presidential website/WANA (West Asia News Agency)/Handout via REUTERS

Iran has endured an extreme drought in recent months, depleting the country’s reservoirs and leading President Masoud Pezeshkian to warn that the capital may even need to be evacuated.

“If rationing doesn’t work, we may have to evacuate Tehran,” Pezeshkian said last week, adding that the Iranian regime will start restricting water supplies in the city next month if there isn’t more rain.

According to Abbasali Keykhaei of the Iranian Water Resources Management Company, 19 major dams comprising 10 percent of the country’s reservoirs have run dry. In Tehran — a city with 10 million people in the city itself and 18 million in the metropolitan area — five dams that provide drinking water have hit “critical” levels, with one at below 8 percent capacity.

Hossein Esmaeilian, managing director of the Water and Wastewater Company in Mashad, the country’s second largest city with four million residents, told state media that reserves have fallen below 3 percent and that “the current situation shows that managing water use is no longer merely a recommendation – it has become a necessity.”

Esmaeilian added that “only 3 percent of the combined capacity of Mashhad’s four water-supplying dams — Torogh, Kardeh, Doosti, and Ardak — remains. Apart from Doosti Dam, the other three are out of operation.”

Iranian Energy Minister Abbas Ali Abadi has stated that “some nights we might decrease the water flow to zero.” He said on Iranian state television on Saturday that this was needed “so that reservoirs can refill.”

“If people can reduce consumption by 20 percent, it seems possible to manage the situation without rationing or cutting off water,” Esmaeilian urged Iranians, suggesting that those consuming the most would see cuts to their water supply first.

However, environmental researcher Azam Bahrami told German media outlet DW that “reduced consumption among the population is nowhere near enough to overcome this crisis.”

“One look at the water consumption pyramid shows that the agriculture sector consumes about 80-90 percent, the biggest share,” Bahrami continued. “As long as other sectors are positioned as priority … the water saving measures will not be very successful.”

The BBC reported that Iranian weather officials do not expect rain in the next 10 days. Mohammad-Ali Moallem, who manages the Karaj Dam, said that there was a 92 percent decrease in rain compared to last year.

“We have only 8 percent water in our reservoir — and most of it is unusable and considered ‘dead water,’” he added.

Stuttgart University researcher Mohammad Javad Tourian told DW about the rate of water loss Iran has seen in recent years.

“Iran loses a volume the size of Lake Constance almost every three years,” Tourian said. “In total, some 370 cubic kilometers have disappeared over the last 23 years. This means the problem is very serious.”

The question of a potential evacuation of Tehran remains unresolved. Former Tehran Mayor Gholamhossein Karbaschi stated that fleeing the city due to the drought “makes no sense at all.”

Tourian identified actions that Iran could take to provide “rapid relief,” saying that prioritizing drinking water in key cities and the “temporary diverting of less critical usage” could be effective as quick, short-term steps.

However, actions to create a sustainable solution to the water crisis remain elusive.

While the Islamic regime in Iran struggles to quench the thirst of the Iranian people, its military reportedly remains stocked in its missiles targeting Israel.

“Our missile power today far surpasses that of the 12-day war,” Iranian Foreign Minister Abbas Araghchi said last week, referring to the regime’s brief conflict with Israel in June. “The enemy in the recent 12-day war failed to achieve all its objectives and was defeated.”

Brig. Gen. Aziz Nasirzadeh likewise boasted of Iranian military might, saying on Monday that the country’s “defense production has improved both in quantity and quality compared to before the 12-day Israeli-imposed war in June.”

Last week, a US official confirmed that Iran had initiated a plan to assassinate Ambassador Einat Kranz Neiger, Israel’s emissary in Mexico City.

“The plot was contained and does not pose a current threat,” the official told i24 News. “This is just the latest in a long history of Iran’s global lethal targeting of diplomats, journalists, dissidents, and anyone who disagrees with them, something that should deeply worry every country where there is an Iranian presence.”

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Ritchie Torres Faces Multiple 2026 Challengers Attacking His Support for Israel

US Rep. Ritchie Torres (D-NY) speaks during a rally to mark 506 days in Hamas captivity at Naumburg Bandshell at Central Park on Feb. 23, 2025, in New York City. Photo: Ron Adar / SOPA Images via Reuters Connect

Rep. Ritchie Torres, a Democrat and one of the US Congress’s most outspoken supporters of Israel, is facing multiple challengers seeking to unseat him in New York’s 15th Congressional District, a race that is shaping up to be in large part a referendum on his pro-Israel advocacy.

Former New York State Assemblyman Michael Blake, who also served as a vice chair of the Democratic National Committee, announced his 2026 Democratic primary campaign last week, taking direct aim at Torres’s support of Israel. In his launch video, Blake accused Torres of caring more about Israel than his Bronx district, claiming the congressman has prioritized foreign policy over the district’s economic struggles. Blake has even accused the incumbent of supporting a so-called “genocide” through his support of US military aid to Israel.

“I am ready to fight for you and lower your cost of living while Ritchie fights for a genocide,” Blake said in an announcement video.

“I will focus on affordable housing and books as Ritchie will only focus on AIPAC and Bibi,” he continued, referring to the American Israeli Public Affairs Committee and using the nickname for Israeli Prime Minister Benjamin Netanyahu. “I will invest in the community. Ritchie invests in bombs. I want to end credit scores for housing. Ritchie only wants to take credit.”

The district, one of the poorest in the nation, has a child poverty rate of 37 percent, according to the US Census Bureau, the highest in the country and a figure Blake has cited to argue for redirecting attention to the needs of working families.

Blake’s attacks have prompted backlash of their own. As reported by the New York Post, the challenger appears to have deleted years of social-media posts praising Israel and AIPAC, the influential pro-Israel lobbying group he once openly supported. Between 2014 and 2017, Blake attended AIPAC events and heaped praise on the Jewish state. Blake subsequently deleted photos of himself at AIPAC events after receiving criticism. 

Torres’s other declared challenger, Andre Easton, a Bronx teacher running as an independent backed by the Party for Socialism and Liberation, has called for cutting all US aid to Israel and replacing it with domestic social spending. Blake and Easton’s campaigns underscore an ideological rift inside the Democratic Party between the progressive far left, which has been largely hostile to the Jewish state, and the more moderate wing.

A campaign video launched by Easton showed pictures of the candidate sporting a keffiyeh — a traditional Arab headdress repurposed during the Gaza war to signal support for Palestinians and opposition to Israel, while decrying capitalism and poverty rampaging the district. He argued that “billionaires” are corrupting politicians to vote in support of a so-called “genocide in Gaza.” Easton also outlined a litany of promises, including free childcare and guaranteed jobs. 

Torres, 37, a Bronx native who is both Afro-Latino and openly gay, has not shied away from the fight. He has long framed his support for Israel as part of a broader belief in liberal democracy and human rights and is known in Washington as one of the few progressive Democrats willing to challenge the party’s left flank on Middle East issues. Torres’s campaign dismissed Blake’s challenge as opportunistic, and the incumbent has vowed to continue his vocal support for Israel.

Allies of Torres argue that since his election in 2020, he has secured federal funding for affordable housing, local infrastructure, and small-business relief while being instrumental in directing pandemic recovery aid to neighborhoods hardest hit by COVID-19.

New York’s 15th District, encompassing much of the South Bronx, remains overwhelmingly Democratic and majority black and Hispanic.

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Dutch Jewish Writer Recounts Being Denied Care by Pro-Palestinian Nurse

March 29, 2025, Amsterdam, North Holland, Netherlands: A pro-Palestinian demonstrator burns a hand-fashioned Israeli flag. Photo: James Petermeier/ZUMA Press Wire via Reuters Connect

A Jewish columnist from Amsterdam has publicly denounced yet another example of rising antisemitism in health-care settings, saying she was denied medical care by a nurse who refused to remove a pro-Palestinian pin shaped like a fist.

On Monday, Jonath Weinberger, a dual Belgian-Israeli citizen who moved to the Netherlands in 2024, described how a visit for urgent medical care quickly turned into an unsettling experience, in a column for the Dutch Jewish news site Jonet.

Two months ago, Weinberger required urgent medical attention and was taken to a local hospital, the name of which she chose not to disclose.

“As I stepped into the room with the doctor and nurse, I was shocked. The nurse was wearing a large pin shaped like a fist in the colors of the Palestinian flag,” she wrote in her column.

Feeling uncomfortable with the situation, Weinberger told the paramedic that she was uneasy about the nurse’s pin. The paramedic then “gently [or cautiously, depending on the translation]” asked the nurse if she could remove it.

“I didn’t feel safe being treated by someone displaying such a political statement,” Weinberger said.  

But the nurse “reacted indignantly, muttered that she no longer wished to treat [her], and walked out of the room.”

Weinberger recalled having to wait for another nurse to arrive, despite her medical emergency, before she could finally receive treatment.

Now that she has almost fully recovered, Weinberger is considering taking legal action against the hospital.

The experience “was outrageous, as health-care professionals are legally and ethically required to treat all patients equally, no matter their background, religion, political views, or sexual orientation,” she said. “I hope that this nurse is held accountable for her irresponsible and unprofessional behavior.”

Weinberger explained that her fears were driven by the rising tide of antisemitism in health-care settings across several Western countries, including the growing number of medical professionals openly voicing antisemitic views and even outright death threats against Israelis.

“Many staunch anti-Israel protesters hide behind the term ‘anti-Zionist,’ but in reality, they are often simply antisemites,” she wrote. “That’s why I found it completely inappropriate for a health-care professional to display such a political statement while I was receiving urgent medical care.”

“It wasn’t even a small Palestinian flag, but an actual fist — a symbol of militant resistance — and that doesn’t belong in a hospital. A hospital should be a neutral, safe space for everyone,” she continued.

This antisemitic incident reflects a wider pattern across the West, where rising antisemitism within health-care settings in recent months has left Jewish communities feeling unsafe and marginalized.

Elsewhere in the Netherlands, local police opened an investigation into Batisma Chayat Sa’id, a nurse who allegedly stated she would administer lethal injections to Israeli patients.

In Italy, two medical workers filmed themselves at their workplace discarding medicine produced by the Israeli company Teva Pharmaceuticals in protest against the Jewish state and the war in Gaza.

In Belgium, a local hospital suspended a physician after discovering antisemitic content on his social media, including a cartoon showing babies being decapitated by the tip of a Star of David and an AI-generated image depicting Hasidic Jews as vampires poised to devour a sleeping baby.

The same doctor came under fire after he recently diagnosed a nine-year-old patient by listing “Jewish (Israeli)” as one of her medical problems on his report.

Several such incidents have occurred in the United Kingdom, British Prime Minister Keir Starmer unveiled a new plan last month to address what he described as “just too many examples, clear examples, of antisemitism that have not been dealt with adequately or effectively” in the country’s National Health Service (NHS).

One notable case drawing attention involved Dr. Rahmeh Aladwan, a trainee trauma and orthopedic surgeon, who police arrested on Oct. 21, charging her with four offenses related to malicious communications and inciting racial hatred.

Aladwan’s arrest followed the UK’s top medical regulatory body, the General Medical Council (GMC), clearing her to continue treating patients. She had made antisemitic social media claims such as labeling the Royal Free Hospital in London :a Jewish supremacy cesspit” and asserting that “over 90% of the world’s Jews are genocidal.”

Aladwan wrote on April 29 that “I will never condemn the 7th of October,” referring to the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel, the deadliest day for Jews since the Holocaust.

In September, a North London hospital suspended a physician who was under investigation for publicly claiming that all Jews have “feelings of supremacy” and downplaying antisemitism.

In Australia, two nurses filmed themselves bragging online about refusing to treat Israelis, making throat-slitting gestures, and boasting of killing Jews. Both lost their licenses and now face criminal charges.

Weinberger referenced the Australian example in her column when discussing her mindset in the hosptial.

“Let me assure you: as a Zionist Jew with Israeli citizenship, you feel very unsafe at a time like this,” she wrote. “So much was going through my mind at that moment. I’d also seen TikTok videos where nurses threatened to kill Zionist patients. And there’s already been a case in Australia.”

A US-born Jewish woman who moved from Israel to Australia six years ago told The Algemeiner earlier this year that she no longer feels safe in hospitals given the atmosphere of heightened antisemitism.

“In the past year alone, my little boy has witnessed many hostile protests where ‘anti-Zionists’ have actually come into the Jewish community without permits to intimidate us. Time and time again, instead of [authorities] dispersing and arresting anyone in the crowd for screaming racial slurs and threats, Jews are asked to evacuate and told if they don’t run away, they are inciting violence,” the woman said.

“Now they actually brag online about killing Israeli patients,” she continued, referring to the case in Australia. “I don’t know how safe I would feel giving birth at that hospital.”

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