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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Trump Hosts Saudi Crown Prince for Pomp-Filled, Deal-Making Visit
US President Donald Trump stands next to Saudi Crown Prince and Prime Minister Mohammed bin Salman during an arrival ceremony on the South Lawn of the White House in Washington, DC, US, Nov. 18, 2025. Photo: REUTERS/Kevin Lamarque
President Donald Trump hosted Crown Prince Mohammed bin Salman at the White House on Tuesday, with the Saudi de facto ruler seeking to further rehabilitate his global image after the 2018 killing of US-based journalist Jamal Khashoggi and deepen ties with Washington.
Making his first White House visit in more than seven years, the crown prince was greeted with a lavish display of pomp and ceremony presided over by Trump on the South Lawn, complete with a military honor guard, a cannon salute, and a flyover by US warplanes.
Talks between the two leaders are expected to advance security ties, civil nuclear cooperation, and multibillion-dollar business deals with the kingdom. But there will likely be no major breakthrough on Saudi Arabia normalizing ties with Israel, despite pressure from Trump for such a landmark move.
The meeting underscores a key relationship — between the world’s biggest economy and the top oil exporter — that Trump has made a high priority in his second term as the international uproar around the killing of Khashoggi, a Saudi insider-turned-critic, has gradually faded.
US intelligence concluded that bin Salman approved the capture or killing of Khashoggi at the Saudi consulate in Istanbul. The crown prince denied ordering the operation but acknowledged responsibility as the kingdom’s de facto ruler.
The warm welcome for bin Salman in Washington is the latest sign that relations have recovered from the deep strain caused by Khashoggi’s murder.
Trump greeted bin Salman with a smile and a handshake on the red carpet, while dozens of military personnel lined the perimeter. The limousine was escorted up the South Drive by a US Army mounted honor guard. The two leaders then looked skyward as fighter jets roared overhead, before Trump led his guest inside.
Before sitting down for talks, the two leaders chatted amiably as Trump gave bin Salman a tour of presidential portraits lining the wall outside the Oval Office.
During a day of White House diplomacy, bin Salman will hold talks with Trump in the Oval Office, have lunch in the Cabinet Room, and attend a formal black-tie dinner in the evening, giving it many of the trappings of a state visit. US and Saudi flags festooned lamp posts in front of the White House.
Trump expects to build on a $600 billion Saudi investment pledge made during his visit to the kingdom in May, which will include the announcement of dozens of targeted projects, a senior US administration official said.
The US and Saudi Arabia were ready to strike deals on Tuesday for defense sales, enhanced cooperation on civil nuclear energy, and a multibillion-dollar investment in US artificial intelligence infrastructure, the official said on condition of anonymity.
Trump told reporters on Monday, “We’ll be selling” F-35s to Saudi, which has requested to buy 48 of the advanced aircraft.
This would be the first US sale of the fighter jets to Saudi Arabia and mark a significant policy shift. The deal could alter the military balance in the Middle East and test Washington’s definition of maintaining what the US has termed Israel’s “qualitative military edge.” Until now, Israel has been the only country in the Middle East to have the F-35.
Beyond military equipment, the Saudi leader is seeking new security guarantees. Most experts expect Trump to issue an executive order creating the kind of defense pact he recently gave to Qatar but still short of the congressionally ratified NATO-style treaty the Saudis initially sought.
EYE ON CHINA
Former US negotiator in the Middle East Dennis Ross, who is now at the Washington Institute for Near East Policy think tank, said Trump wants to develop a multifaceted relationship that keeps Saudi Arabia out of China’s sphere.
“President Trump believes all these steps bind the Saudis increasingly to us on a range of issues, ranging from security to the finance-AI-energy nexus. He wants them bound to us on these issues and not China,” Ross said.
Trump is expected to keep up pressure on bin Salman for Saudi Arabia to join the Abraham Accords and normalize relations with Israel.
The Saudis have been reluctant to take such a major step without a clear path to Palestinian statehood, a goal that has been forced to the backburner as the region grapples with the Gaza war.
Trump reached Abraham Accords agreements between Israel and Bahrain, the United Arab Emirates, Morocco, and Sudan during his first term in 2020. In recent weeks, Kazakhstan agreed to join.
But Trump has always seen Saudi Arabia joining the Abraham Accords as the linchpin to achieving a wider Middle East peace.
“It’s very important to him that they join the Abraham Accords during his term and so he has been hyping up the pressure on that,” the senior White House official said.
Jonathan Panikoff, former deputy national intelligence officer on the Middle East, said that while Trump will urge bin Salman to move toward normalizing ties with Israel, any lack of progress there is unlikely to hinder reaching a new US-Saudi security pact.
“President Trump’s desire for investment into the US, which the crown prince previously promised, could help soften the ground for expanding defense ties even as the president is determined to advance Israeli-Saudi normalization,” said Panikoff, now at the Atlantic Council think tank in Washington.
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After UN Vote, Netanyahu Calls for Hamas’s Expulsion From the Region
Israeli Prime Minister Benjamin Netanyahu speaks at the plenum of the Knesset, Israel’s parliament, in Jerusalem, Nov. 10, 2025. Photo: REUTERS/Ronen Zvulun
Israeli Prime Minister Benjamin Netanyahu on Tuesday called for Hamas to be expelled from the region, a day after the UN Security Council endorsed President Donald Trump’s plan to end the war that offers the Palestinian terrorist group amnesty.
Netanyahu publicly endorsed the plan during a White House visit in late September. However, his latest remarks appear to show that there are differences with the United States on the path forward. Hamas has also objected to parts of the plan.
Diplomats say privately that entrenched positions on both the Israeli and Hamas sides have made it difficult to advance the plan, which lacks specific timelines or enforcement mechanisms. Still, it has received strong international backing.
Netanyahu on Tuesday published a series of posts on X in response to the UN vote. In one post, he applauded Trump and in another wrote the Israeli government believes the plan would lead to peace and prosperity because it calls for the “full demilitarization, disarmament, and deradicalization of Gaza.”
“Israel extends its hand in peace and prosperity to all of our neighbors” and calls on neighboring countries to “join us in expelling Hamas and its supporters from the region,” he said.
Asked what the prime minister had meant by expelling Hamas, a spokesperson said that it would mean “ensuring there is no Hamas in Gaza as outlined in the 20-point plan, and Hamas has no ability to govern the Palestinian people inside the Gaza Strip.”
PLAN DOES NOT CALL FOR HAMAS’s EXPULSION
Trump’s 20-point plan includes a clause saying that Hamas members “who commit to peaceful coexistence and to decommission their weapons will be given amnesty” and members who wish to leave will be given safe passage to third countries.
Another clause says Hamas will agree to not having any role in Gaza’s governance. There is no clause that explicitly calls for the Islamist militant group to disband or to leave Gaza.
The plan says reforms to the West Bank-based Palestinian Authority may ultimately allow conditions “for a credible pathway to Palestinian self-determination and statehood.”
Ahead of the UN vote, Netanyahu said on Sunday that Israel remained opposed to Palestinian statehood after protests by far-right coalition allies over a US-backed statement indicating support for a pathway to Palestinian independence.
Netanyahu also opposes any Palestinian Authority involvement in Gaza.
MULTINATIONAL FORCE FOR POST-WAR GAZA
The Security Council resolution authorized a multinational force that Trump’s plan says will be temporarily deployed to Gaza to stabilize the territory. The resolution’s text also says member states could join a “Board of Peace” that would oversee reconstruction and economic recovery inside Gaza.
Hamas has criticized the resolution as failing to “live up to the demands and political and humanitarian rights” of the Palestinian people, who it said rejected an international guardianship mechanism of Gaza.
Any international force must only be deployed along Gaza’s borders to monitor the ceasefire and under UN supervision, Hamas said in a statement, warning that such a force would lose its neutrality if it tried to disarm the terrorist group.
Reham Owda, a Palestinian political analyst from Gaza, said the Hamas statement should be viewed as an objection, rather than complete rejection, in an attempt to negotiate mechanisms for the international force and the role of the board of peace.
A ceasefire between Israel and Hamas came into effect on Oct. 10 as part of Trump’s multi-phased plan to end the war. Israel has partially withdrawn its forces but still controls 53% of Gaza and the sides have accused each other of violations.
Abu Abdallah, a businessman displaced in central Gaza, said Palestinians would support the deployment of international forces if it meant that Israel would fully withdraw its forces.
“Hamas can’t decide our fate alone, but we also don’t want to get rid of one occupation, Israel, and get another international occupation,” he said by phone.
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Car Ramming, Stabbing Attack in West Bank Kills One, Injures Three; Terrorists Killed by Israeli Soldiers
Israeli forces and emergency responders work at the scene of what Israel’s ambulance services said was a fatal stabbing attack at the Gush Etzion junction in the West Bank, Nov. 18, 2025. Photo: REUTERS/Dedi Hayun
One man was killed and three other people were injured in a car ramming and stabbing attack in the West Bank on Tuesday, the Israeli military and ambulance service said, in what Israeli authorities described as a terrorist attack.
The Israeli military said in a statement two attackers were also killed by soldiers, but did not provide further details. It said explosive materials were found in the vehicle used by the attackers, which were being neutralized by bomb disposal specialists.
There was no immediate claim of responsibility for the attack.
The attack took place between Bethlehem and Hebron at a traffic junction at the entrance to a cluster of Israeli settlements known as the Etzion bloc.
A spokesperson for the Israeli ambulance service said a 71-year-old man died of stab wounds. Earlier he had been described as a 30-year-old. A woman, a boy, and another man were wounded.
The attack came as Israel has been under international pressure to curb attacks by some Israeli settlers on Palestinians in the West Bank.
Prime Minister Benjamin Netanyahu will convene an urgent meeting of ministers and security officials on Thursday to discuss steps to bring Israelis who attack Palestinians to justice, senior officials said.
On Monday, Israelis torched homes and vehicles in Jab’a, a Palestinian village near Bethlehem, after an earlier attack on property and civilians in the village of Sa’ir, the WAFA news agency said, quoting officials.
Defense Minister Israel Katz said on Monday the government will take unprecedented steps in coming weeks allocating resources and funding to curbing Israeli violence — a move he expected would have a significant impact.
“The Jewish rioters in Judea and Samaria harm the State of Israel, disgrace Judaism, and cause damage to the settlement project,” Foreign Minister Gideon Sa’ar posted on X on Monday, using the biblical names for the West Bank.
“The IDF, the Shin Bet, and the Israel Police must act decisively and firmly to stop this rampage, which is also directed at our soldiers and police officers.”