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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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Pope Urges Angola to Overcome Divisions at Mass Attended by 100,000 People
Pope Leo XIV arrives to lead a Holy Mass during his apostolic journey in Africa, in Kilamba, Luanda province, Angola, April 19, 2026. REUTERS/Guglielmo Mangiapane
Pope Leo urged Angolans on Sunday to overcome divisions after decades of bloody conflict in an address to an estimated 100,000 people who flocked to a Mass in a dirt field near the capital Luanda.
In one of the biggest events of his four-nation Africa tour, the pope called Angola, which experienced a bloody, 27-year civil war from 1975 to 2002, a “beautiful yet wounded country.”
He urged Angolans to “build together a country where old divisions are overcome once and for all, where hatred and violence disappear.”
At the end of the Mass, the pope decried the recent ramp-up in the Ukraine war, calling “for the weapons to fall silent and for the path of dialogue to be followed.”
He also praised the ceasefire between Israel and Lebanon, to end fighting between Israeli forces and Iran-backed Hezbollah, as a “reason for hope.”
Believers began arriving before dawn at Kilamba, a sprawling housing complex, braving hot and humid conditions to hear the address from the pope, who has become outspoken on war and inequality and angered US President Donald Trump.
By the time the Mass began, throngs of people filled the site, dancing and shouting as Leo drove through in his white popemobile.
Among those welcoming Leo was Sister Christina Matende, who arrived around 6 a.m. (0500 GMT) for the Mass.
“The pope coming here is a joy,” she said. “We are living in a moment of a lot of difficulties.”
Angola is one of the leading oil-producing countries in sub-Saharan Africa, but its population of 36.6 million people is still confronting extreme poverty, with more than 30% living on less than $2.15 per day, according to the World Bank.
More than half of the country identifies as Catholic.
POPE DENOUNCES ‘DESPOTS AND TYRANTS’
Leo, the first US pope, is visiting Angola on the third leg of a four-nation Africa tour. In a speech to the country’s political leaders on Saturday, he decried the exploitation of natural resources on the continent.
The pope blasted “despots and tyrants” who he said guarantee wealth but do not deliver on their promises, leading to suffering and deaths.
He also urged political leaders to focus on helping all their people, and not just corporate interests.
“History will then vindicate you, even if in the near term some may oppose you,” he said.
Anielka Caliata, 25, who was in the crowd waiting for the pope in Kilamba on Sunday, said she was grateful for the way the pope has debuted a forceful speaking style on his Africa tour.
“Our country needs a lot of this message and I think the pope will help us to think and reflect about that, knowing that all of us need to work together and do our best to have peace,” she said, as she stood with her fiancé and parents.
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UK Police Examine Iran Links to Arson Attacks on Jewish Targets
FILE PHOTO: Chief Rabbi Ephraim Mirvis visits the scene after four ambulances belonging to Hatzola, a Jewish community organisation, were set on fire in an incident that the police say is being treated as an antisemitic hate crime, in northwest London, Britain, March 23, 2026. REUTERS/Hannah McKay/File Photo
British police said they are investigating possible Iran links to a series of arson attacks on Jewish targets in London, which the UK chief rabbi said showed a sustained campaign of violence against the Jewish community was gathering momentum.
After the latest attack, at Kenton United Synagogue in the Harrow area of the city shortly after midnight, the third such incident in a week, UK counter-terrorism police said they were heading up investigations into the incidents.
A pro-Iranian government group, which says it is also behind a spate of attacks across Europe on US, Israeli and Jewish targets, has said it was responsible.
“As the conflict in the Middle East continues to evolve, counter-terrorism policing and our partners remain alive to the threat of Iranian hostile activity in the UK,” Vicki Evans, Britain’s senior national coordinator for Counter Terrorism Policing, told reporters.
“We are aware of public reporting that suggests this group may have links to Iran. As you would expect, we will continue to explore that question as our investigation evolves.”
‘SUSTAINED CAMPAIGN OF VIOLENCE’
Chief Rabbi Ephraim Mirvis said the Kenton fire, which did not cause any significant damage, was the third “cowardly” attack on Jewish sites in the British capital in less than a week.
“A sustained campaign of violence and intimidation against the Jewish community of the UK is gathering momentum,” Mirvis said on X. “Thank God, no lives have been lost, but we cannot, and must not, wait for that to change before we understand just how dangerous this moment is for all of our society.”
On Friday night, there was an attempted arson attack on a business premises with links to the Jewish community, while a few days earlier police arrested two suspects over an attempted arson attack on another synagogue in the capital.
Meanwhile an area around the Israeli embassy in London was cordoned off following an online report that it had been targeted with drones carrying “dangerous substances.” Police later said items they found did not contain any harmful or hazardous substances.
Last month, several ambulances belonging to the Jewish volunteer emergency service Hatzola, which were parked near a synagogue in Golders Green, were torched.
Police said they had boosted their presence in the area, and it was officers on a “deterrence” patrol shortly after midnight who spotted a window at the Kenton synagogue had been damaged. They found an accelerant had been thrown inside.
British Prime Minister Keir Starmer said he was appalled by the attempted antisemitic arson attacks. “This is abhorrent and it will not be tolerated. Attacks on our Jewish community are attacks on Britain,” he wrote on X.
PRO-IRANIAN GROUP CLAIMS RESPONSIBILITY
The Pro-Iranian group Harakat Ashab al-Yamin al-Islamiyya (HAYI) or Movement of the Companions of the Right Hand of Islam, has said it is responsible, and posted a video purporting to show the attack on the Kenton synagogue on social media.
“This same group has claimed several incidents over recent months at places of worship, business and financial institutions across Europe,” Evans said. “These locations all appear to be linked to Jewish or Israeli interests.”
British police and security services have warned for a number of years of Iran hiring proxies to carry out attacks on its behalf. Last month, two men were charged with being tasked by Tehran to carry out hostile surveillance on the Israeli Embassy and other Jewish targets.
“This is recruiting violence as a service, and the people who conduct that violence often have little or no allegiance to the cause and are taking quick cash for their crimes,” Evans said.
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Trump Says US Delegation to Go to Pakistan for Iran Talks, Threatens New Strikes
Ships and tankers in the Strait of Hormuz off the coast of Musandam, Oman, April 18, 2026. Photo: REUTERS/Stringer/File Photo
US President Donald Trump said on Sunday his envoys would return to Pakistan for new talks with Iran, while threatening new attacks on Iran’s bridges and power plants unless it accepts his terms.
Trump said the US delegation would arrive on Monday evening, a timetable that leaves just a day for talks to make progress before a two-week ceasefire ends.
“We’re offering a very fair and reasonable DEAL, and I hope they take it because, if they don’t, the United States is going to knock out every single Power Plant, and every single Bridge, in Iran,” he posted on social media. “NO MORE MR. NICE GUY!”
However, there was no immediate confirmation from Iran that it would attend any new talks. Iran’s Tasnim news agency reported that there had been no decision taken to send a delegation while a US blockade of Iranian ports was in place.
A White House official said the US delegation would be headed by Vice President JD Vance, who led the war’s first peace talks a week ago. Trump’s envoy Steve Kushner and the president’s son-in-law Jared Kushner would also attend. Earlier, Trump had told ABC News and MS Now that Vance would not go.
Iran’s chief negotiator, Mohammad Baqer Qalibaf, earlier said the two sides had made progress but were still far apart on nuclear issues and the Strait of Hormuz.
The vital shipping strait remained closed on Sunday, a day after Iran fired on two vessels that tried to cross.
Iran, which has blocked off the strait to ships apart from its own since the United States and Israel attacked on February 28, had announced on Friday it would reopen it. But it reversed that decision on Saturday after Trump declined to lift a US blockade of Iranian ports.
“Iran decided to fire bullets yesterday in the Strait of Hormuz — A Total Violation of our Ceasefire Agreement!” Trump wrote in Sunday morning’s post. “That wasn’t nice, was it?”
STRAIT OF HORMUZ STILL SHUT
Trump’s renewed threat to hit Iran’s power plants and bridges fits a pattern of such warnings throughout the war, several of which preceded moves to de-escalate. He abruptly announced the ceasefire two weeks ago just hours after declaring that Iran’s “whole civilization will die tonight.”
Iran has said that if the United States attacks its civilian infrastructure it would hit power stations and desalination plants of Gulf Arab neighbors.
Now in its eighth week, the war has created the most severe shock to global energy supplies in history, sending oil prices surging because of the de facto closure of the strait, which before the war carried one-fifth of the world’s oil shipments.
Two liquefied petroleum gas tankers were seen on ship-tracking websites moving eastbound towards the strait early on Sunday morning, but the semi-official Tasnim news agency reported that Iran’s armed forces turned them back. Marine traffic data showed no other movements after midnight.
Friday’s announcement that the strait would reopen caused the sharpest one-day drop in oil prices in years, while stock markets hit fresh all-time highs on the expectation that the disruption would soon end. But with the strait yet to reopen, markets could face new volatility when they reopen on Monday.
Amrita Sen, founder of the Energy Aspects think tank, predicted oil prices would rise on Monday when traders returned to their desks having realized they might have been prematurely optimistic last week.
“Events over the weekend with Iran firing on merchant vessels and shutting the strait again highlight just how precarious the situation is,” she said.
Thousands of people have been killed by US-Israeli strikes on Iran and in an Israeli invasion of Lebanon conducted in parallel. Iran responded to attacks with missiles and drones against its Arab neighbors that host US bases.
PAKISTANI CAPITAL LOCKS DOWN FOR TALKS
Two giant US C-17 cargo planes landed at Pakistan’s Nur Khan air base on Sunday afternoon carrying security equipment and vehicles in preparation for the US delegation’s arrival, two Pakistani security sources said.
City authorities in the capital Islamabad halted public transport and heavy goods traffic through the city. Rolls of barbed wire were rolled out near the Serena Hotel where last week’s talks were held. The hotel told all guests on Sunday to leave.
Pressure for a way out of the war has mounted on Trump as his fellow Republicans prepare to defend narrow majorities in Congress in the November midterm elections, with US gasoline prices high, inflation rising and his own approval ratings down.
When US and Iranian negotiators met last weekend in Islamabad, Washington proposed a 20-year suspension of all Iranian nuclear activity, while Iran suggested a halt of 3 to 5 years, according to people familiar with the proposals.
A statement from Iran’s Supreme Leader Ayatollah Mojtaba Khamenei said Iran’s navy was ready to inflict “new bitter defeats” on its enemies.
Apart from the two-week ceasefire in the Iran war set to expire early on Wednesday, Israel and Lebanon announced a separate ceasefire last week.
More than a million Lebanese were displaced by the Israeli invasion, which Israel said was in pursuit of Hezbollah, a powerful Shi’ite armed group allied with Iran that fired across the border in support of Tehran.
A French soldier serving in a U.N. peacekeeping mission in Lebanon was killed, and three personnel from the mission were wounded, two of them severely, in an incident U.N. officials said was probably caused by Hezbollah fire. An Israeli soldier was also killed in a separate incident, the Israeli military said.