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7 Jewish highlights from the new Museum of Broadway
(New York Jewish Week) — There’s a reliably funny Twitter account called @JewWhoHasItAll, which imagines a universe where nearly everyone is Jewish and those who aren’t are the outliers.
That’s the sensation I got on a visit to the Museum of Broadway, which opened last month. A three-story tribute to the Theater District located in its very heart, it is organized around a series of rooms dedicated to landmark musicals and plays, and the majority bear the stamp of Jewish creators: Jerome Kern and Oscar Hammerstein’s “Showboat,” Richard Rodgers and Hammerstein’s “Oklahoma!”, Leonard Bernstein’s “West Side Story,” Stephen Sondheim’s “Company,” Tony Kushner’s “Angels in America.”
Other projects dedicated to the history of Broadway aren’t shy about noting the over-representation of Jews in the business. “Broadway Musicals: A Jewish Legacy,” a documentary that seems to run on a nearly endless loop on my local PBS station, notes that “over the [first] 50-year period of its development, the songs of the Broadway musical were created almost exclusively by Jewish Americans.”
If the Museum of Broadway acknowledges this, I didn’t notice. Some might take this as an omission or a snub, the way critics objected when a new museum about the history of Hollywood initially overlooked the essential Jewish contribution to the movie business. But in this case, the Jewishness of Broadway is taken as a given. You’d have to be culturally illiterate not to notice how many of the most celebrated creators are Jewish: In addition to the musical tributes, there are wall placards singling out the contributions of Sondheim and the director Harold Prince, a corner devoted to “Fiddler on the Roof” and a gallery celebrating Joe Papp (born Joseph Papirofsky) and his Public Theater, that reliable pipeline of breakthrough Broadway shows.
(There were, however, frequent mentions of the specifically African-American contributions to Broadway. That seemed a deliberate attempt to counter perceptions that Broadway is indeed the “Great White Way.”)
The museum, whose opening was delayed by the pandemic, is a collaboration with Playbill, Broadway Cares/Equity Fights AIDS (which is supported by a portion of the stiff $39 admission charge), the Al Hirschfeld Foundation, Concord Theatricals and Goodspeed Musicals. Its approach is chronological, with a timeline that pulls visitors from room to room, from vaudeville, through Broadway’s “Golden Age” and up to the present. Original costumes and props are on display in Instagram-ready settings that resemble the original sets for various shows.
Among the paraphernalia and stagecraft are a number of Jewish highlights. Here are seven:
A whirligig of Rodgers and Hammerstein musicals
A sample of Rodgers and Hammerstein musicals, on display at the Museum of Broadway. (NYJW)
Just past the cornstalks celebrating the ground-breaking 1943 musical “Oklahoma!” is a wall display showcasing the duo’s most important collaborations, including “Carousel,” “South Pacific,” “The King and I,” “Flower Drum Song” and “The Sound of Music.” Rodgers, working with Hammerstein and before him Lorenz Hart, wrote more than 900 songs and 41 Broadway musicals. Combine that with Hammerstein’s work with Kern, and it is hard to imagine two more important figures in the history of musical comedy.
Jerome Robbins’ notes on “West Side Story”
Choreographer Jerome Robbins suggested a “seder” scene in an early conception of what became “West Side Story.” (NYJW)
Look closely at this list of proposed scenes for a musical based on “Romeo and Juliet” and you’ll see the word “seder.” Robbins, the choreographer, originally proposed that the show focus on a star-crossed love story between a Jewish girl and an Irish boy, but he and his fellow Jewish collaborators — composer Leonard Bernstein, lyricist Stephen Sondheim and playwright Arthur Laurents — soon felt the interfaith idea had already been exhausted in plays like “Abie’s Irish Rose.” When the show premiered in 1957, the gangs were Puerto Rican and a medley of ethnic whites.
Florence Klotz’s costume “bible”
Florence Klotz won six Tony Awards for her costume designs. (NYJW)
Costume designer Florence Klotz frequently collaborated with Prince and Sondheim. The museum displays her sketches for Sondheim’s “Follies” and “A Little Night Music.” Born in Brooklyn, Klotz would win six Tony awards. She died in 2006. The museum also includes an entire floor dedicated to the “backstage” talent: costume and set designers, stage managers, prop masters and writers.
A shrine to “Company”
A display at the Museum of Broadway celebrates a recent revival of “Company.” (NYJW)
Sondheim and Prince emerge as the museum’s lodestars. “Their intense and fruitful partnership and their creative trailblazing in [the 1970s] resulted in an extraordinary artistic innovation and a slew of provocative new works,” a wall card proclaims. “Company” (1970) was a largely plotless exploration of urban anomie. The museum calls it a “frank, even painful look at modern life,” perfectly attuned to the upper-middle class theatergoers who, it says, are the “backbone” of the Broadway audience. It’s the show people love or hate if they love or hate Sondheim. The “Company” exhibit includes photos of the original cast and spare set, and a backdrop that draws on the recent gender-bending revival.
A tribute to Joseph Papp
Costumes from productions that originated at Joseph Papp’s Public Theater on display at the Museum of Broadway. (NYJW)
Joe Papp flipped the script on how shows made it to Broadway: His Public Theater produced edgy off-Broadway plays that drew audiences downtown, and then successfully transferred that same buzz to the “Big Stem.” Papp, a son of Yiddish-speaking parents who grew up in a Brooklyn slum, founded the New York Shakespeare Festival. A section of the museum includes costumes and posters from important productions that originated at The Public — including wildly popular revivals of “The Pirates of Penzance” and “The Threepenny Opera” — and a dress Meryl Streep wore in her Broadway debut, in “Trelawny of the ‘Wells.’” Two other musicals developed at The Public — “Hair” and “A Chorus Line” — get their own tribute rooms.
Al Hirschfeld’s barber chair
A room at the Museum of Broadway includes works by the famed caricaturist Al Hirschfeld. (NYJW)
The museum has an entire gallery dedicated to the work of artist Al Hirschfeld and his caricatures of Broadway stars and productions from 1923-2001. His pen-and-ink drawings were a visual shorthand for “Broadway,” and it would sometimes seem that the stars he drew would come to resemble his drawings, not the other way around. The museum includes his wonderfully kooky Barbra Streisand in “Funny Girl” and a bearish, brooding Zero Mostel as Tevye. On display is a barber chair similar to the one he used in his studio (the original had fallen apart by the 1990s).
A stage set from “The Producers”
An exhibit space at the Museum of Broadway evokes the scenery from the Mel Brooks musical “The Producers.” (NYJW)
You can sit behind a desk and pretend you are Broadway producer Max Bialystock, who was played by Nathan Lane in the phenomenally successful 2001 musical adaptation of Mel Brooks’ 1967 film about the worst musical ever staged for Broadway. The display is a reminder of the impact of the show, and not only on ticket prices: It proved the viability of adapting movies for Broadway, and earned a record-setting 12 Tony Awards. The museum calls the musical, with its tap-dancing Nazis and sweet and conniving Jewish protagonists, a “glittering homage to Broadway’s past” — a past that is unmistakably Jewish.
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At a synagogue meeting about how to beat Mamdani, Sliwa faces calls to exit NYC mayor’s race
NEW YORK CITY — More than 100 people gathered Sunday morning in the basement of Fifth Avenue Synagogue, a Modern Orthodox congregation on Manhattan’s Upper East Side, to discuss one thing: how to stop Zohran Mamdani’s march to City Hall.
“Fifth Avenue Synagogue invites you to attend a parlor meeting to discuss DEFEATING MAMDANI PLAN B,” the invitation read.
Synagogue president Jacob Gold had invited Mamdani’s two competitors in New York City’s mayor’s race, former Gov. Andrew Cuomo and Republican Curtis Sliwa, to join the event. Only Sliwa RSVPed yes, speaking to the group before taking questions from the mix of members and guests of the synagogue.
Over coffee and bagels with egg salad, attendees voiced their appreciation for the Guardian Angels founder, who was wearing his signature red beret — but their overwhelming message was one that he did not want to hear.
“We all love you, we want you to win,” said synagogue president Jacob Gold, who was standing by Sliwa at the podium. “But you’re at 15%, and Cuomo’s at what percent? And Mamdani’s at what percent?”
No one answered, but everyone knew the numbers: Cuomo netted 28% of the vote in the latest poll, which was also the first to show Mamdani crossing the 50% threshold.
“Let’s cut to the chase — you want me to drop out,” Sliwa interjected.
“No!” Gold replied. “I want you to merge with Cuomo.”
Many others in the room joined Gold in yelling out “No” in unison. But a smattering of voices told Sliwa he had sized the situation up correctly.
A number of attendees spoke up during the Q&A period, pleading their case that Sliwa, who is polling third, should team up with former Gov. Andrew Cuomo against Mamdani.
“Merge!” attendees blurted out at various points, as well as “Unite!” One suggested Sliwa could take a position in Cuomo’s administration. Another posited that Sliwa could take over as mayor once Cuomo runs for president of the United States in a couple years.
But Sliwa has resisted calls to drop out before and did so again during the synagogue meeting. “It’s not happening,” he said.
The pleas to unite with Cuomo did not necessarily reflect loyalty to the former governor, whom Gold said might visit the synagogue next week: The phrase “Plug your nose and vote Cuomo” was uttered more than once. Instead, they came as part of an attempt to overcome a sizable lead by Mamdani, the Queens state lawmaker whose harshly critical views on Israel and democratic socialist politics are anathema to many in Orthodox Jewish communities.
“He’s an antisemite, period!” one man yelled out.
Once Sliwa left after concluding his Q&A, other speakers took to the podium including Hank Sheinkopf, a veteran political consultant; former Lieutenant Governor Betsy McCaughey, who’s behind an anti-Mamdani independent expenditure committee called Save NYC; and Jason Meister, a former Trump advisor who’s heading Defend NYC, a super PAC aimed at thwarting Mamdani’s campaign.
They emphasized the importance of a major get-out-the-vote effort, citing their belief that Mamdani could still be beaten if voter turnout reached 45%. McCaughey distributed leaflets about Mamdani’s support for a law that she said could cause voters against him if they were aware.
“He’s the only candidate who backs rigorous enforcement of Local Law 97, which will force one million Homeowners like you to foot the enormous cost of converting oil or natural gas heat to electric heat throughout your building,” part of the leaflet reads, with “DO NOT VOTE FOR MAMDANI” in big red letters.
Sheinkopf urged attendees to combat the presence of Mamdani’s tens of thousands of volunteers by campaigning against him.
“The only thing that matters here is communicating with people and getting in the street. The rest of it is nonsense,” Sheinkopf said. “Sure as we’re in this room, I need your help to hit those doors and get in the street and get on those phones. Because if we do, we have the potential to win this thing.”
Ultimately, however, the biggest push from the attendees themselves was their attempt to talk Sliwa into a coalition with Cuomo.
“Everybody’s talking about it privately,” said Daria Fane, an attendee who is not a member of Fifth Avenue Synagogue, but frequently attends services there and at other Upper East Side congregations.
“We sit around the dinner table talking about it — where’s New York City going, and what are we going to be able to do?” Fane said in an interview following the event. “And one of the little truisms that always comes up is that Curtis Sliwa should drop out. If it’s just a two-way race, Cuomo would have a better chance of winning.”
She added, “We’ve had this conversation since before Eric Adams dropped out.”
During the Q&A, a woman who said she was wearing a red hat in support of Sliwa asked that he not “put down Cuomo” in the next debate, as he had done in Thursday’s. “You need to both go against Mamdani — Mam-dummy,” she said, getting some laughs with a derisive nickname.
But Sliwa did not entertain the idea of a coalition with Cuomo, and doubled down on his criticisms of the former governor.
“I was raised in America — one man, one woman, one vote,” Sliwa said. “I never heard of one man, one woman, and the rest of you drop out.”
“Andrew Cuomo needs to get out on the campaign trail. He’s spending all of his time trying to get me to drop out. It’s not happening. I’m out there to get my vote out,” he said, which was met with more shouts of “Unite!”
“But then you’re going to be a spoiler!” someone in the crowd said, which drew some boos.
“You guys would make the best government ever,” an attendee chimed in, appealing to the idea that they “unite” rather than using the term “drop out.”
Sliwa did not hold back from criticizing Cuomo, skewering him for signing cashless bail legislation reform as governor. He also came out hard against Mamdani, telling attendees that they must convince their Mamdani-supporting “children, grandchildren and great-grandchildren that they are committing a shanda,” the Yiddish term for “shame.”
Sliwa did defend Mamdani, however, when an angered attendee recalled when Mamdani asked Cuomo during the debate if he’d ever visited a mosque.
“Cuomo should’ve said, ‘Have you ever been in a synagogue?’” she said.
A mix of cheers and chatter erupted; Sliwa shook his head. “Excuse me — he has been in a synagogue,” he said, correcting the record.
Mamdani attended a mayoral candidates forum in the spring at B’nai Jeshurun, a non-denominational synagogue on the Upper West Side, as well as High Holiday services at the progressive Brooklyn congregation Kolot Chayeinu and the “God-optional experimental Jewish community” Lab/Shul. Last weekend Mamdani spoke at Congregation Beth Elohim, the biggest Reform synagogue in Brooklyn.
Even with Sliwa not budging on his position, speakers including McCaughey and Defend NYC’s Meister said a major voter turnout could swing the election against Mamdani. With the election on Nov. 4, however, time is not on their side, leaving some attendees wondering if it’s too little, too late.
“I don’t know,” said Monique Silberman, a member of Fifth Avenue Synagogue. “It’s last-minute — this whole thing is last-minute.”
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US Says It Hit Colombian Rebel Vessel as Trump Calls Petro ‘Illegal Drug Leader’
US Defense Secretary Pete Hegseth attends a Senate Appropriations Committee hearing on US President Donald Trump’s budget request for the Department of Defense, on Capitol Hill in Washington, DC, US, June 11, 2025. Photo: REUTERS/Elizabeth Frantz
US forces attacked a vessel associated with a Colombian leftist rebel group, Defense Secretary Pete Hegseth said on Sunday, the same day President Donald Trump called Colombian President Gustavo Petro an “illegal drug leader” and said payments to the South American nation would cease.
Trump‘s comments marked a new low in relations between Bogota and Washington, which have frayed since Trump returned to office in January and since his administration launched a series of strikes on vessels allegedly transporting drugs in the Caribbean.
Hegseth wrote on X that the Pentagon had destroyed a vessel and killed three people on Friday “in the USSOUTHCOM area of responsibility,” which includes the Caribbean.
He said the ship was affiliated with the leftist rebel group National Liberation Army and was involved in illicit narcotics smuggling, without offering evidence to back the claim.
The Pentagon said it had nothing to add beyond Hegseth’s initial post.
COLOMBIA CONDEMNS TRUMP‘S REMARKS
Colombia’s Foreign Ministry condemned Trump‘s remarks as offensive and a direct threat to its sovereignty, and vowed to seek international support in defense of Petro and the country’s autonomy.
“These accusations represent an extremely serious act and undermine the dignity of the president of Colombians,” it said in a statement.
The post from Hegseth came hours after Trump lambasted Petro on social media and said the United States would stop large-scale payments and subsidies to Colombia.
“President Gustavo Petro, of Colombia, is an illegal drug leader strongly encouraging the massive production of drugs, in big and small fields, all over Colombia,” Trump wrote on Truth Social.
“The purpose of this drug production is the sale of massive amounts of product into the United States, causing death, destruction, and havoc,” Trump wrote.
Reuters could not immediately establish which payments Trump was referring to. Colombia was once among the largest recipients of US aid in the Western Hemisphere, but the flow of money was suddenly curtailed this year by the shuttering of USAID, the US government’s humanitarian assistance arm.
The US State Department referred questions to the White House, which did not immediately respond to a query.
FRAUGHT RELATIONS
Last month the United States revoked Petro’s visa after he joined a pro-Palestinian demonstration in New York and urged US soldiers to disobey Trump‘s orders.
The US administration’s deadly strikes on boats in the Caribbean have also outraged Colombians. Many legal experts and human rights activists have condemned the extraordinary series of military actions, with Amnesty International describing it as murder on the high seas.
Earlier this month, Petro said one of the strikes hit a Colombian vessel, an allegation the Trump administration denied.
Petro condemned the most recent bombing, saying the boat belonged to a “humble family,” not the National Liberation Army. He also hit back at Trump‘s remarks.
“Mr. Trump, Colombia has never been rude to the United States… but you are rude and ignorant to Colombia,” Petro responded on X. “Since I am not a businessman, I am even less a drug trafficker. There is no greed in my heart.”
Colombia is fighting its own longstanding drug problems. Last year, Petro pledged to tame coca-growing regions in the country with massive social and military intervention, but the strategy has brought little success.
In September, Trump designated countries such as Afghanistan, Bolivia, Burma, Colombia and Venezuela among those the United States believes to have “failed demonstrably” in upholding counter-narcotics agreements during the past year.
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Trump Urged Zelensky to Cut a Deal with Putin or Risk Facing Destruction, FT Reports
Ukraine’s President Volodymyr Zelenskiy meets with U.S. President Donald Trump (not pictured) over lunch in the Cabinet Room at the White House in Washington, D.C., U.S., October 17, 2025. Photo: REUTERS/Jonathan Ernst
US President Donald Trump urged Ukrainian President Volodymyr Zelensky to accept Russia’s terms for ending the war between Russia and Ukraine in a White House meeting on Friday, warning that President Vladimir Putin threatened to “destroy” Ukraine if it didn’t comply, the Financial Times reported on Sunday.
During the meeting, Trump insisted Zelensky surrender the entire eastern Donbas region to Russia, repeatedly echoing talking points the Russian president had made in their call a day earlier, the newspaper said, citing people familiar with the matter.
Ukraine ultimately managed to swing Trump back to endorsing a freeze of the current front lines, the FT said. Trump said after the meeting that the two sides should stop the war at the battle line; Zelensky said that was an important point.
The White House did not immediately respond to a Reuters request for comment on the FT report.
Zelensky arrived at the White House on Friday looking for weapons to keep fighting his country’s war, but met an American president who appeared more intent on brokering a peace deal.
In Thursday’s call with Trump, Putin had offered some small areas of the two southern frontline regions of Kherson and Zaporizhzhia in exchange for the much larger parts of the Donbas now under Ukrainian control, the FT report added.
That is less than his original 2024 demand for Kyiv to cede the entirety of Donbas plus Kherson and Zaporizhzhia in the south, an area of nearly 20,000 square km.
Zelensky’s spokesperson did not immediately respond to a request for comment sent outside business hours on whether Trump had pressured Zelensky to accept peace on Russia’s terms.
Trump and Putin agreed on Thursday to hold a second summit on the war in Ukraine within the next two weeks, provisionally in Budapest, following an August 15 meeting in Alaska that failed to produce a breakthrough.