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A brand-new Jewish ritual object inspires an innovative art exhibit
(New York Jewish Week) — When Andrew Mandel dreamt up a new Jewish ritual object known as a “tzedek box,” he was admittedly most interested in the “tzedek” — the social justice — aspect, and less so the “box” part.
Mandel, a fifth-year rabbinical student at Hebrew Union College in New York, envisioned a new Jewish holiday, Yom HaTzedek (Day of Justice) back in 2018 as a way to make acts of social justice an integral part of religious life. To reinforce the themes of the holiday, Jews would write reflections on each effort made to help the world throughout the year, and save them in a box. “This action is not meant to self-congratulate or to rack up a record of good deeds,” Kveller, the New York Jewish Week’s partner site, wrote in 2021. “Rather, it provides a moment to reflect on the work and develop accountability around consistently being ‘shomer tzedek,’ a guardian of justice.”
When he first conceived of the holiday, the box itself was an afterthought. “I have to confess, at first, the actual box wasn’t particularly relevant to me,” Mandel, 44, told the New York Jewish Week. “It’s like — find a shoe box, find a jar. It was shortsighted, but that’s where I was.”
But as Yom HaTzedek shifted from concept to reality — the day is now officially commemorated on Pesach Sheni, or the Second Passover, observed on the 14th day of Iyar (this year May 5) — so too did Mandel’s thinking on the box itself. Conversations with renowned Jewish artist Tobi Kahn and Jean Bloch Rosensaft, director of the Dr. Bernard Heller Museum at HUC, led Mandel to believe the aesthetics of the box could help enhance the users’ spiritual exploration of justice.
And now, these conversations have inspired a new exhibit, “Tzedek Boxes: Justice Shall You Pursue,” which will open at the Heller Museum on Thursday. The exhibit features 29 tzedek boxes created by contemporary Jewish artists. They include one of Kahn’s series of seven wooden tzedek boxes, “Zahryz III,” and Eli Kaplan-Wildmann’s customizable cardboard “Pop-up Tzedek Box,” which has been massed-produced for 8,300 participants and two dozen synagogues that have all participated in the new holiday.
The exhibit’s aim, said Rosensaft, echoes the museum’s mission “to encourage the interpretation and renewal of Jewish values, tradition, and practice through the creativity of contemporary artists in works that will advance justice in our world.”
If the tzedek box sounds familiar, it’s probably because you’ve heard of its cousin — or version 1.0, if you will: the tzedakah box, a receptacle for collecting coins to be donated to charity. The words “tzedek” and “tzedakah” have the same Hebrew root: justice.
“It’s not just that we don’t really use coins anymore,” Mandel said. “There’s more ways of making change than [just] philanthropy — whether it’s advocacy, whether that’s direct service and volunteer work, whether that’s just listening and learning. A tzedek box creates an umbrella for all those different actions so we can all live out our values together to improve the world.”
In the exhibit, the artists’ tzedek boxes capture different facets of social justice: in Jewish tradition (images of doves, or flowing rivers); motivation for social action (references to heroes and past injustices such as the Holocaust); the causes people care about (the environment, food insecurity) and symbols of generous behavior (an open heart, an open mind).
“I’m not an artist myself,” Mandel said. “But now I have seen these contributions of wildly diverse, often quite moving representations of justice and righteousness, it really opens things up to how multifaceted this process [of tzedek] is. Your box really matters.”
Reva Jane Solomon’s tzedek box, “Mommy’s Justice,” is a homage to her mother’s love. (Courtesy the Heller Museum)
In Reva Jane Solomon’s “Mommy’s Justice,” the tzedek box takes the form of a purple jewelry box, an homage to her mother’s love meant to encourage small acts of compassion and justice. Holly Berger Markhoff’s “Justice Knows No Other” is a wooden box featuring an interactive scroll on which to record one’s deeds, creating a continuous chronicle of righteousness.
Kahn, whose cityscape-inspired tzedek box evokes the Jewish obligation to care for humankind, said he hoped the exhibit would inspire all Jews to adopt the ritual. “If you believe in something you should actually do it,” he said. “I’m thrilled that many people are making their own because that’s how ritual starts.”
This isn’t the first new Jewish ritual object that the Heller Museum launched into the mainstream. In 1997, it featured an exhibit of Miriam’s cups — a goblet filled with water that’s placed alongside Elijah’s cup at Passover as a call to include women and their stories in the seder. The exhibit helped introduce the now widespread practice to Jews around the world.
Rosensaft sees the tzedek box exhibition as a similar call to action. “One of the pillars of Judaism is the notion that we, as a people, have been affiliated by horrific episodes of injustice, intolerance and genocide,” she said. “We cry ‘never again,’ but we know we cannot say that if we are not prepared to work towards the causes of human rights and freedom in our own time.”
To this end, Rosensaft paired the tzedek boxes with a concurrent exhibit, “One Nation,” in which artists of all backgrounds were invited to create works that comment on the state of America past, present and future.
“A lot of that hope for the future hinges on individuals taking action to solve the problems afflicting American society,” Rosensaft said.
“Tzedek Boxes” and “One Nation” are on view at the Dr. Bernard Heller Museum, (1 West 4th St.), from Jan. 26 through May 18. Or you can download the free Bloomberg Connects App and visit the Heller Museum page to virtually visit all the museum’s exhibitions, including “Tzedek Boxes” and “One Nation.”
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Israel to Reopen Jordan Border Crossing for Passage of Aid, Goods After Terror Attack
Israeli police officers stand next to their cars at the scene of a fatal shooting at the Allenby Crossing between the West Bank and Jordan, Sept. 18, 2025. Photo: REUTERS/Oren Ben Hakoon
Israel is set to reopen the Allenby Crossing with Jordan to the passage of goods and aid on Wednesday, an Israeli security official said on Tuesday.
The border crossing has been closed to aid and goods since September, when a driver bringing humanitarian aid to Gaza opened fire and killed two Israeli military personnel before being killed by security forces.
The security official said the crossing would have tightened screening for Jordanian drivers and truck cargo, and that a dedicated security force had been assigned to the crossing.
The Allenby Bridge is a key route for trade between Jordan and Israel and the only gateway for more than 3 million Palestinians in the West Bank to reach Jordan.
The crossing reopened to passenger traffic shortly after the attack, but had remained closed to aid trucks. The UN says the crossing is a major route for bringing food, tents, and other goods into Gaza.
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US Imposes Sanctions on Network It Accuses of Fueling War in Sudan
A bronze seal for the Department of the Treasury is shown at the US Treasury building in Washington, US, Jan. 20, 2023. Photo: REUTERS/Kevin Lamarque
The US on Tuesday imposed sanctions on actors it accused of fueling the war in Sudan, taking aim at what it said was a transnational network that recruits former Colombian military personnel and trains soldiers, including children, to fight for the paramilitary Rapid Support Forces.
The US Treasury Department in a statement seen by Reuters said that it imposed sanctions on four individuals and four entities that were part of the network, which it said was largely comprised of Colombian nationals and companies.
The Treasury said that since at least 2024, hundreds of former Colombian military personnel have traveled to Sudan to fight alongside the RSF, which the US has accused of committing genocide.
The Colombians have provided the RSF with tactical and training expertise and served as infantry and artillerymen, drone pilots and instructors, among other roles, with some training children to fight for the paramilitary group, according to Treasury, which added that Colombian fighters have participated in battles across Sudan, including in the capital Khartoum and al-Fashir.
“The RSF has shown again and again that it is willing to target civilians — including infants and young children. Its brutality has deepened the conflict and destabilized the region, creating the conditions for terrorist groups to grow,” Treasury Under Secretary for Terrorism and Financial Intelligence, John Hurley, said in the statement.
Among those targeted was Alvaro Andres Quijano Becerra, who the Treasury said was a dual Colombian-Italian national and a retired Colombian military officer based in the United Arab Emirates. It accused him of playing a central role in recruiting and deploying former Colombian military personnel to Sudan.
The UAE has been widely accused of arming the RSF, an accusation it has denied.
“The United States again calls on external actors to cease providing financial and military support to the belligerents,” Treasury said in the statement.
The conflict between the Sudanese army and the RSF erupted in April 2023 out of a power struggle and has triggered famine, ethnic killings, and mass displacement. In November, US President Donald Trump said he would intervene to stop the conflict.
The United States, the United Arab Emirates, Egypt, and Saudi Arabia – known as the Quad – earlier in November proposed a plan for a three-month truce followed by peace talks. The RSF responded by saying it had accepted the plan, but soon after attacked army territory with a barrage of drone strikes.
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When Is a Wedding Too Extravagant?
A wedding ceremony, illustrative. Photo: Jason Hutchens via Wikimedia Commons.
It has been part of my life as a rabbi to attend weddings — more often than not, to “perform.” I reckon that I have attended approximately 100 weddings of various sizes, styles, numbers, and traditions. Some I have enjoyed, but I am finding it increasingly hard to feel comfortable about many of the religious weddings I have attended.
They are getting more and more protracted. People are forced to wait for hours. A wedding I once attended was so overcrowded by jostling relatives under the Chupah, that the father of the bride couldn’t get close enough to give his son in law a sip of the cup of wine.
One band plays for the reception, another for the Chupah, a third for Hasidic or Israeli dances, a fourth for ballroom dancing, and a fifth for a disco. One singer is for Ashkenazi cantorial style, one for Hasidic pop, one for Sephardi tunes, and another for Carlebach. As for food, a loaded reception is offered as people arrive, and sushi is a must. There are multiple servings and meals, and if there’s a Hasidic Mitzvah dance at the end, you’ll get a complete breakfast too.
It is fashionable in the Diaspora to fly in rabbis from Israel. An oligarch recently hired an airliner to ferry over musicians, artistes, and security alone. Consider the millions being spent each year on religious weddings. And then consider how much charitable and educational work could be accomplished instead of a one-night bash that disappears into photo albums a few hours after it is over, to be glanced at perhaps once a year thereafter. The cost and the waste is mind blowing.
Successful businessmen have to invite business contacts, flaunt their success to attract new capital, and invite gaggles of rabbis to prove their religious status and legitimacy. It is not just spoiled daughters who clamor for excess; it’s magnates, too.
Over the past 50 years of rising Jewish affluence, as well as continuing Jewish poverty, many religious leaders of all denominations have tried hard to limit excessive expenditures on weddings, to absolutely no avail. Desperate parents have offered apartments and cars instead of huge weddings. Occasionally, you hear of a couple who elope to Israel or just take a rabbi and two witnesses into Central Park, but the pressures are great — and in most Jewish circles, it is simply not an option.
Recently, I entertained a relatively humble Rosh Yeshiva from Israel with 10 children who has personal debts of $500,000 because of marrying off his five daughters. It was not just the cost of the wedding itself or all the celebrations. It was the need to buy an apartment for each that left him staggering under such a heavy load of debt. And at the same time, he must help and support his five sons who are also married but are studying full time. This is not atypical. A rented apartment is unacceptable nowadays. And the chances of someone with no serious secular education getting a good job are massively reduced in Israeli society, indeed in any society nowadays.
Judaism is expanding because of its families blessed with many children. And it is true that social welfare (incidentally a product of the secular culture they despise) enables this mindset. But eventually, at some point, social welfare will have to be cut back as fewer enter the workplace to fund all this with their taxes.
For our own good as a people, we must call a halt to throwing so much money away on pure self-indulgence. If we care for our future, we must give as much attention to supporting Jewish education as we do to celebrating occasions. And the place to start is weddings. Make your calculations. Then set budgets, be realistic, and divide the sum evenly between your needs and those of others.
It is a huge mitzvah to rejoice at weddings and to help couples get married. Every day in our prayers, we are reminded how important Hachnasat Kala is. But that doesn’t mean we should go overboard. There should be limits.
The author is a rabbi and writer based in New York.