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A brand-new Jewish ritual object inspires an innovative art exhibit
(New York Jewish Week) — When Andrew Mandel dreamt up a new Jewish ritual object known as a “tzedek box,” he was admittedly most interested in the “tzedek” — the social justice — aspect, and less so the “box” part.
Mandel, a fifth-year rabbinical student at Hebrew Union College in New York, envisioned a new Jewish holiday, Yom HaTzedek (Day of Justice) back in 2018 as a way to make acts of social justice an integral part of religious life. To reinforce the themes of the holiday, Jews would write reflections on each effort made to help the world throughout the year, and save them in a box. “This action is not meant to self-congratulate or to rack up a record of good deeds,” Kveller, the New York Jewish Week’s partner site, wrote in 2021. “Rather, it provides a moment to reflect on the work and develop accountability around consistently being ‘shomer tzedek,’ a guardian of justice.”
When he first conceived of the holiday, the box itself was an afterthought. “I have to confess, at first, the actual box wasn’t particularly relevant to me,” Mandel, 44, told the New York Jewish Week. “It’s like — find a shoe box, find a jar. It was shortsighted, but that’s where I was.”
But as Yom HaTzedek shifted from concept to reality — the day is now officially commemorated on Pesach Sheni, or the Second Passover, observed on the 14th day of Iyar (this year May 5) — so too did Mandel’s thinking on the box itself. Conversations with renowned Jewish artist Tobi Kahn and Jean Bloch Rosensaft, director of the Dr. Bernard Heller Museum at HUC, led Mandel to believe the aesthetics of the box could help enhance the users’ spiritual exploration of justice.
And now, these conversations have inspired a new exhibit, “Tzedek Boxes: Justice Shall You Pursue,” which will open at the Heller Museum on Thursday. The exhibit features 29 tzedek boxes created by contemporary Jewish artists. They include one of Kahn’s series of seven wooden tzedek boxes, “Zahryz III,” and Eli Kaplan-Wildmann’s customizable cardboard “Pop-up Tzedek Box,” which has been massed-produced for 8,300 participants and two dozen synagogues that have all participated in the new holiday.
The exhibit’s aim, said Rosensaft, echoes the museum’s mission “to encourage the interpretation and renewal of Jewish values, tradition, and practice through the creativity of contemporary artists in works that will advance justice in our world.”
If the tzedek box sounds familiar, it’s probably because you’ve heard of its cousin — or version 1.0, if you will: the tzedakah box, a receptacle for collecting coins to be donated to charity. The words “tzedek” and “tzedakah” have the same Hebrew root: justice.
“It’s not just that we don’t really use coins anymore,” Mandel said. “There’s more ways of making change than [just] philanthropy — whether it’s advocacy, whether that’s direct service and volunteer work, whether that’s just listening and learning. A tzedek box creates an umbrella for all those different actions so we can all live out our values together to improve the world.”
In the exhibit, the artists’ tzedek boxes capture different facets of social justice: in Jewish tradition (images of doves, or flowing rivers); motivation for social action (references to heroes and past injustices such as the Holocaust); the causes people care about (the environment, food insecurity) and symbols of generous behavior (an open heart, an open mind).
“I’m not an artist myself,” Mandel said. “But now I have seen these contributions of wildly diverse, often quite moving representations of justice and righteousness, it really opens things up to how multifaceted this process [of tzedek] is. Your box really matters.”
Reva Jane Solomon’s tzedek box, “Mommy’s Justice,” is a homage to her mother’s love. (Courtesy the Heller Museum)
In Reva Jane Solomon’s “Mommy’s Justice,” the tzedek box takes the form of a purple jewelry box, an homage to her mother’s love meant to encourage small acts of compassion and justice. Holly Berger Markhoff’s “Justice Knows No Other” is a wooden box featuring an interactive scroll on which to record one’s deeds, creating a continuous chronicle of righteousness.
Kahn, whose cityscape-inspired tzedek box evokes the Jewish obligation to care for humankind, said he hoped the exhibit would inspire all Jews to adopt the ritual. “If you believe in something you should actually do it,” he said. “I’m thrilled that many people are making their own because that’s how ritual starts.”
This isn’t the first new Jewish ritual object that the Heller Museum launched into the mainstream. In 1997, it featured an exhibit of Miriam’s cups — a goblet filled with water that’s placed alongside Elijah’s cup at Passover as a call to include women and their stories in the seder. The exhibit helped introduce the now widespread practice to Jews around the world.
Rosensaft sees the tzedek box exhibition as a similar call to action. “One of the pillars of Judaism is the notion that we, as a people, have been affiliated by horrific episodes of injustice, intolerance and genocide,” she said. “We cry ‘never again,’ but we know we cannot say that if we are not prepared to work towards the causes of human rights and freedom in our own time.”
To this end, Rosensaft paired the tzedek boxes with a concurrent exhibit, “One Nation,” in which artists of all backgrounds were invited to create works that comment on the state of America past, present and future.
“A lot of that hope for the future hinges on individuals taking action to solve the problems afflicting American society,” Rosensaft said.
“Tzedek Boxes” and “One Nation” are on view at the Dr. Bernard Heller Museum, (1 West 4th St.), from Jan. 26 through May 18. Or you can download the free Bloomberg Connects App and visit the Heller Museum page to virtually visit all the museum’s exhibitions, including “Tzedek Boxes” and “One Nation.”
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The post A brand-new Jewish ritual object inspires an innovative art exhibit appeared first on Jewish Telegraphic Agency.
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Yemen’s Separatists Appear to Split, Reflecting Saudi-UAE Rift
Supporters of the UAE-backed separatist Southern Transitional Council (STC) hold a poster of Aidarous al-Zubaidi, the STC’s leader, who, according to the Saudi-backed coalition, fled to an unknown destination, in Aden, Yemen, Dec. 21, 2025. Photo: REUTERS/Fawaz Salman
Yemen’s main separatist group appeared split on Friday as some members announced it was disbanding, reflecting a feud between Gulf powers Saudi Arabia and the United Arab Emirates that was blown into the open by a separatist advance last month.
Saudi-backed fighters have largely retaken areas in southern and eastern Yemen seized by the UAE-backed Southern Transitional Council (STC) in December, and an STC delegation has traveled to the Saudi capital Riyadh for talks.
However, STC leader Aidarous al-Zubaidi fled Yemen on Wednesday instead of joining the talks, with the Saudi-led coalition in Yemen saying the UAE had helped spirit him away on a flight that was tracked to a military airport in Abu Dhabi.
One of the members who traveled to Riyadh for the talks said in a statement broadcast on Saudi state media on Friday that the group had decided to disband.
But the STC says it has had no communication with the delegation that initiated the talks under Saudi sponsorship.
A spokesperson who did not travel to Riyadh and is close to Zubaidi said any decision on the group’s fate can only be taken by the entire council, including its leader.
Any such decision would only be taken once the delegation in Riyadh “is released,” he said.
Saudi Arabia’s Defense Minister Khalid bin Salman welcomed the decision as a “brave” one. A conference would be held in Saudi Arabia to discuss southern Yemeni issues with all groups invited, he said.
Saudi Arabia and the UAE had previously worked together in a coalition battling the Iran-backed Houthis in Yemen’s civil war, a conflict which caused one of the world’s worst humanitarian crises.
But the two most powerful countries in the Gulf have had sharp differences over issues ranging from geopolitics to oil output. Their rivalry was exposed when the STC advanced to within reach of Yemen’s border with Saudi Arabia, which Riyadh declared a threat to its national security.
The STC on Friday called for mass protests in the southern cities of Aden and Mukalla, urging supporters to rally on Saturday in a show of “loyalty and steadfastness” amid the political crisis.
Authorities in Aden aligned with Yemen’s Saudi-backed government later ordered a ban on demonstrations in the southern city, citing security concerns, according to an official directive seen by Reuters.
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Gal Gadot to Produce, Potentially Star in Paramount Film Adaption of ‘Recovery Agent’ Book Series
Gal Gadot at the 82nd Annual Golden Globe Awards at the Beverly Hilton Hotel in Beverly Hills, California on Sunday, Jan. 5, 2025. Photo: Dan MacMedan-USA TODAY via Reuters Connect
Paramount Pictures has acquired the rights to the bestselling Recovery Agent book series by Janet Evanovich, and Israeli actress Gal Gadot will produce and potentially star in the feature film, Deadline reported.
The former “Wonder Woman” star and her husband and business partner Jaron Varsano will produce under their television and film production company Pilot Wave, with a screenplay written by Ellen Shanman (“Voltron”). Paramount will also develop and produce the film with Carol Mendelsohn and Julie Weitz from Carol Mendelsohn Productions, according to Deadline.
The Recovery Agent was published in 2022 and its sequel “The King’s Random” was published in November 2025, each by Atria Books. Both books have been New York Times bestsellers. The protagonist in Evanovich’s book series is Gabriela Rose, an international recovery agent who specializes in retrieving stolen or lost high-value items, often in dangerous missions. Her partner is her ex-husband Rafer Burke, and together they travel the world looking for valuable treasures.
Gadot’s most recent credits include Julian Schnabel’s “In the Hand of Dante,” which premiered at the 2025 Venice Film Festival, Kevin Macdonald’s action thriller “The Runner” for Amazon International, and the live-action remake of the Disney classic “Snow White.” Her past credits include the “Wonder Woman” films, the “Fast & Furious” franchise, “Heart of Stone,” and “Red Notice,” which is Netflix’s second most-popular film of all time.
Evanovich has written 46 New York Times bestsellers over the last 28 years and has sold over 200 million books worldwide, according to Deadline. She is also the author of the Stephanie Plum 31-book series and its most recent installment, Now or Never, debuted on top of the New York Times bestseller list.
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Iran Shuts Off Internet as Anti-Regime Protests Intensify Across Country
Protesters gather as vehicles burn, amid evolving anti-government unrest, in Tehran, Iran, in this screen grab obtained from a social media video released on Jan. 9, 2026. Photo: Social Media/via REUTERS
Iran was largely cut off from the outside world on Friday after authorities blacked out the internet to curb growing unrest, as video showed buildings aflame in anti-government protests raging in cities across the country.
Rights groups have already documented dozens of deaths of protesters in nearly two weeks and, with Iranian state TV showing clashes and fires, the semi-official Tasnim news agency reported that several police officers had been killed overnight.
In a televised address, Supreme Leader Ayatollah Ali Khamenei vowed not to back down, accusing demonstrators of acting on behalf of émigré opposition groups and the United States, and a public prosecutor threatened death sentences.
DOZENS KILLED IN TWO WEEKS OF PROTEST
The protests pose the biggest internal challenge in at least three years to Iran‘s clerical rulers, who look more vulnerable than during past bouts of unrest amid a dire economic situation and after last year’s war with Israel and the United States.
While the initial protests were focused on the economy, with the rial currency losing half its value against the dollar last year and inflation topping 40% in December, they have morphed to include slogans aimed directly at the authorities.
Iranian rights group HRANA said on Friday it had documented the deaths of at least 62 people including 14 security personnel and 48 protesters since demonstrations began on Dec. 28.
The internet blackout has sharply reduced the amount of information flowing out of the country. Phone calls into Iran were not getting through. At least 17 flights between Dubai and Iran were canceled, Dubai Airport’s website showed.
Images published by state television overnight showed what it said were burning buses, cars, and motorbikes as well as fires at underground railway stations and banks.
Videos verified by Reuters as having been taken in the capital Tehran showed hundreds of people marching. In one of the videos, a woman could be heard shouting “Death to Khamenei!”
Other chants included slogans in support of the monarchy.
Iranian rights group Hengaw reported that a protest march after Friday prayers in Zahedan, where the Baluch minority predominates, was met with gunfire that wounded several people.
Authorities have tried a dual approach – describing protests over the economy as legitimate while condemning what they call violent rioters and cracking down with security forces.
Last week President Masoud Pezeshkian urged authorities to take a “kind and responsible approach,” and the government offered modest financial incentives to help counter worsening impoverishment as inflation has soared.
But with unrest spreading and clashes appearing more violent, the Supreme Leader, the ultimate authority in Iran, above the elected president and parliament, used much tougher language on Friday.
“The Islamic Republic came to power through the blood of hundreds of thousands of honorable people. It will not back down in the face of vandals,” he said, accusing those involved in unrest of seeking to please US President Donald Trump.
Tehran’s public prosecutor said those committing sabotage, burning public property, or engaging in clashes with security forces would face the death penalty.
FRAGMENTED OPPOSITION
Iran‘s fragmented external opposition factions called for more protests, and demonstrators have chanted slogans including “Death to the dictator!” and praising the monarchy that was overthrown in 1979.
Reza Pahlavi, exiled son of the late shah, told Iranians in a social media post: “The eyes of the world are upon you. Take to the streets.”
However, the extent of support inside Iran for the monarchy or for the MKO, the most vocal of émigré opposition groups, is disputed. A spokesperson for the MKO said units with the group had taken part in the protests.
“The sense of hopelessness in Iranian society is something today that we haven’t seen before. I mean, that sense of anger has just deepened over the years and we are at record new levels in terms of how Iranian society is upset,” said Alex Vatanka of the Middle East Institute in Washington.
Trump, who bombed Iran last summer and warned Tehran last week that the US could come to the protesters’ aid, said on Friday he would not meet Pahlavi and was “not sure that it would be appropriate” to support him.
Despite the increased pressure, Iranian Foreign Minister Abbas Araqchi said on Friday the chance of foreign military intervention in Iran was “very low.” He said the foreign minister of Oman, which has often interceded in negotiations between Iran and the West, would visit on Saturday.
UN rights chief Volker Turk said he was “deeply disturbed by reports of violence” and by communications shutdowns.
The Islamic Republic has weathered repeated bouts of major nationwide unrest across the decades, including student protests in 1999, mass demonstrations over a disputed election outcome in 2009, demonstrations over economic hardships in 2019, and the Woman, Life, Freedom protests in 2022.
The 2022 protests, sparked by the killing of a young woman in the custody of Iran‘s Islamic morality police, drew a large variety of people onto the streets, with men and women, old and young, rich and poor.
They were ultimately suppressed, with hundreds of people reported killed and thousands imprisoned, but authorities also subsequently ceded some ground with women now routinely disobeying public dress codes.