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A Golda Meir biopic starring Helen Mirren avoids politics. It premiered as Israel’s government faces widespread scrutiny.
(JTA) — When a film about a group of Israeli youths who visit former concentration camps in Poland premiered on Sunday at the Berlin Film Festival, its Israeli producer took the microphone after the screening to decry the state of his nation.
“The new far-right government that is in power is pushing fascist and racist laws,” said Yoav Roeh, a producer of “Ha’Mishlahat” (“Delegation”) on stage after the film’s premiere. He was referring to lawmakers in Israel’s government who have long histories of anti-Arab rhetoric and their new proposals to limit the power of the country’s Supreme Court, which critics at home and around the world deem a blow to Israel’s status as a democracy.
“Israel is committing suicide after 75 years of existence,” Roeh added.
The next day brought the premiere of “Golda,” a highly-anticipated Golda Meir biopic starring Oscar winner Helen Mirren about the former Israeli prime minister and her decisions during the 1973 Yom Kippur War. Hours earlier, Israel’s government took another step closer to passing its controversial judicial reforms, and when asked about the political situation, Mirren didn’t mince words.
“I think [Meir] would have been utterly horrified,” she told AFP. “It’s the rise of dictatorship and dictatorship was what has always been the enemy of people all over the world and she would recognize it as that.”
That was the heated backdrop for the debut of “Golda,” which will not hit U.S. theaters until August. But an onlooker wouldn’t know that from the film’s own introductory press conference with Mirren, director Guy Nattiv and other stars from the film. The headlines that have emerged from it have been dominated by the film’s place in the “Jewface” debate, about who should play Jewish characters on screen. Mirren is not Israeli or Jewish.
“Let’s say that we’re making a movie about Jesus Christ. Who’s going to play him?” Mirren’s co-star Lior Ashkenazi stepped in to answer in response to a journalist, eliciting laughter from the press corps.
The film is framed by Meir’s testimony to the Agranat Commission, which investigated the lead-up to the war. As the film shows through flashbacks, Meir appears to have not acted quickly enough on Mossad intelligence about a possible attack from Egyptian and Syrian forces. Israeli forces were surprised on the holiday and initially lost ground; both sides lost thousands of troops, and the war is seen as a major trauma in Israeli history — the moment when the state’s conception of its military superiority over its Arab neighbors was shattered. The film is claustrophobic, shot mostly indoors — in bunkers, hospital rooms and government offices — and offers an apt visual encapsulation of the loss the war would bring.
Mirren walks the red carpet at the Berlin Film Festival, Feb. 20, 2023. She spent time on a kibbutz in 1967. (Courtesy of Berlinale)
Though Meir has historically been lionized as a tough female hero in the United States and in Jewish communities around the world (even non-Jewish soldiers in Ukraine took inspiration from her in the early days of the Russian invasion last year), her legacy is more complicated in Israel and the Palestinian territories. In addition to being associated with the trauma of the war for many Jewish Israelis, she is remembered as an inveterate enemy by Palestinians.
In recent years, the representation of Meir has shifted more favorably in Israel, said Meron Medzini, Meir’s former press secretary and one of her biographers. He said that historians have begun to view her favorably in comparison to some of the political leaders who followed her.
“I consider the film [‘Golda’] part of this effort to rehabilitate her name,” he told the Jewish Telegraphic Agency. “I think she is now gaining her rightful place in the history.”
“Golda” fits into Medzini’s narrative by emphasizing the intractability and pride of her Cabinet ministers as the prime reasons for Israel’s surprise. It affirms Meir’s honor by portraying her as attempting to protect the ministers from criticism — all men — and to promote national unity.
At the press conference, Nattiv gave the briefest of nods to Meir’s complex legacy but like Medzini compared her to Israel’s current slate of leaders, who he reserved brief criticism for.
“Golda is not a super clean character in this movie,” said Nattiv, who is best known for directing “Skin,” a 2018 film about a neo-Nazi. “She had her faults. She made mistakes. And she took responsibility, which leaders are not doing today.”
Meir has long enjoyed a kind of star status in the United States. She was interviewed by Barbra Streisand in 1978, close to the Israeli leader’s death from cancer, for a TV special on Israel’s 30th anniversary.
“She clearly is the great-grandmother of the Jewish people [in the special] and Streisand is very reverential toward her,” Tony Shaw, a history professor at the University of Hertfordshire and the author of “Hollywood and Israel: A History,” said about the Streisand interview. “She just comes across as very humble, slightly out-of-date, out-of-time.”
“Of course, it’s very different from what we now know Golda Meir was really like,” he added, referring to her strong character and political pragmatism, which the film seeks to convey.
Since William Gibson’s critically-panned 1977 play also titled “Golda,” there have been a number of representations of Meir. Most famous among them is Ingrid Bergman’s final performance in “Golda Meir,” a four-hour-long television biopic from 1982. That production “was very much in keeping with Hollywood’s treatment of Israel in that period,” said Shaw, “which was very sympathetic towards Golda Meir, towards Israel and the troubles it was having in the first 30 years of its life.” More recently, Meir appears in Steven Spielberg’s more ambivalent 2005 film “Munich,” in which she helps to recruit the film’s protagonist to track down the figures behind the 1972 Munich Olympics attacks.
Golda Meir meets with Israeli Defense Minister Moshe Dayan and troops on the Golan Heights during the Yom Kippur War, Oct. 21, 1973. (Ron Frenkel/GPO/Getty Images)
Nattiv’s work, which has received mixed early reviews, focuses on the war as reflected in Meir’s character, forgoing engagement with broader politics or history.
“My inspiration was ‘Das Boot,’ in the way that she is in the trenches,” said Nattiv, referencing the revered World War II movie from 1981 set in a German U-boat. “She is very alone in the mayhem of war around these men.”
“This is the Vietnam of Israel,” he explained. “It is a very tough and hard look at the war and every soldier that died…Golda takes it to her heart.”
Despite the “Jewface” questioning, Nattiv compared Mirren to an “aunt” figure who, for him, had the “Jewish chops to portray Golda.” Mirren explained to the AFP that she has long felt a connection to Israel and to Meir, especially after a stay on a kibbutz in 1967, not long after the Six-Day War, with a Jewish boyfriend.
“She was at her happiest on the kibbutz actually,” Mirren said. “Their idealism, their dream of the perfect world. And I did experience that which was great.”
Sanders Isaac Bernstein contributed reporting from Berlin.
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The post A Golda Meir biopic starring Helen Mirren avoids politics. It premiered as Israel’s government faces widespread scrutiny. appeared first on Jewish Telegraphic Agency.
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Israel’s National Security Council Warns Israelis Abroad Not to Attend Passover Events in Open, Public Spaces
El Al planes are seen on the tarmac at Ben-Gurion International airport, near Tel Aviv, Israel, March 10, 2020. Photo: Reuters / Ronen Zvulun.
Israel’s National Security Council (NSC) has “strongly recommended” that Israelis traveling abroad avoid public Passover events, following its assessment that the ongoing war with Iran increases the risk of them being targeted in terrorist attacks around the world orchestrated by the Iranian regime.
The NSC issued the warning on Wednesday, one week before the Jewish holiday of Passover is set to begin, explaining that the Islamic Republic will increase efforts to carry out terrorist attacks against Israeli and Jewish targets abroad.
“Throughout Passover (as well as other spring holidays and commemorative days such as Shavuot, Memorial Day, and Independence Day) there are large gatherings of Israelis abroad. These constitute potential targets for terrorists, both organized and lone-wolf attackers,” the NSC said in a statement. “In light of the above, and based on the current situational assessment, the NSC calls on Israelis abroad to exercise increased precautionary measures in any country worldwide. We strongly recommend not attending Passover events that are unsecured or held in open, public spaces.”
“In recent weeks, several terrorist attacks, led by Iran and its proxies as well as lone-wolf attackers acting under Iranian inspiration, have been carried out or thwarted,” the NSC added. “Several attacks and attempted attacks have targeted synagogues and Jewish sites (explosives in synagogues in Belgium and the Netherlands, and an attempted attack on a synagogue in the United States).”
Regarding countries bordering Iran — including Azerbaijan, Georgia, Turkey, the United Arab Emirates and Gulf states — the NSC advised that Israelis should not participate in holiday events, including holiday meals, at venues identified with Israelis or Jews, “due to concerns that these will be targets for kinetic attacks by Iranian elements.”
A separate advisory on the same topic was published on March 5.
Last week, the NCS urged Israelis in the United Arab Emirates to exercise extreme caution as Iran continued its campaign of drone and missile attacks across the country and broader Gulf region, warning that their safety could be directly at risk.
Jews and Israelis living in the UAE were advised to avoid public events, synagogues, Israeli-linked businesses, and unnecessary gatherings, including at airports, unless holding a valid flight ticket.
In Wednesday’s statement, the NSC also advised Israelis abroad to take “increased precautions” in Asia, especially in Thailand and the Philippines, and said it strongly recommended Israelis not to stay in the region of the Sinai Peninsula, except if they are traveling to and from Taba Airport in Egypt.
Israeli authorities also urged citizens to enter and exit Israel through Ben Gurion Airport. Those choosing to travel through Egypt or Jordan are advised only to use Taba Airport or Aqaba Airport in Jordan, “and avoid staying in these countries longer than your flight requires.” The NSC additionally recommended that Israelis try to avoid connecting flights in countries classified as Level 4 (high threat).
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A new book of contemporary Yiddish poetry with Russian translations
נישט יעדער ווייסט, אַז די ייִדישע פּאָעזיע לעבט און בליט נאָך אינעם 21סטן יאָרהונדערט. די נײַע זאַמלונג „איך קער זיך אום“, וואָס איז אַרויס אין מאָסקווע סוף 2025, קומט דווקא צו ווײַזן, אַז דאָס פּאָעטישע לעבן אויף ייִדיש גייט אָן ווײַטער — אין פֿאַרשידענע לענדער, שפּראַכן און סטילן. דאָס בוך האָט אַרויסגעגעבן דער ייִדישער פֿאַרלאַג „קניזשניקי“ מיט דער הילף פֿונעם פּריוואַטן אַרויסגעגעבער ברוך־לייב (באָריס) זײַטשיק.
די אַנטאָלאָגיע איז צווײ־שפּראַכיק אוןמע קען זי לײענען פֿון בײדע זײַטן׃ אײן טײל איז אױף ייִדיש, און דער צווייטער – אױף רוסיש. די אויסגאַבע שליסט אײַן צוועלף דיכטער. יעדער אײנער פֿון זײ ווערט פֿאָרגעשטעלט מיט צען לידער. אַוודאי זענען דאָ אַ סך מער ייִדישע דיכטער הײַנט אױף דער וועלט, אָבער, ווי עס שרײַבן אינעם אַרײַנפֿיר־וואָרט ברוך־לײב זײַטשיק און יואל מאַטוועיעוו, דער צונויפֿשטעלער און רעדאַקטאָר פֿון דער זאַמלונג, איז דער ציל געווען צו געבן אַ פּאַנאָראַמישן איבערבליק פֿון דער ייִדישער פּאָעטישער לאַנדשאַפֿט.
די צוועלף דיכטער רעפּרעזענטירן פֿאַרשידענע דורות און לענדער׃ לעוו בערינסקי, פֿעליקס חײַמאָוויטש, מיכאל פֿעלזענבאַום, וועלוול טשערנין, גיטל שעכטער־ווישוואַנאַט, ישׂראל נעקראַסאָוו, ברוריה וויגאַנד, שלום בערגער, יואל מאַטוועיעוו, מאַרעק טושעוויצקי, דוד־עומר כּהן און אַני הקטנה. זײ זענען געבוירן געוואָרן צווישן 1938 און 1993 און ווױנען אין ארץ־ישׂראל, רוסלאַנד, בעלאַרוס, די פֿאַראײניקטע שטאַטן, ענגלאַנד, פּוילן און האָלאַנד.
דער טיטל פֿון דער אַנטאָלאָגיע איז אַ שליסל צום בוך – אַ ציטאַט פֿון וועלוול טשערנינס ליד וועגן דעם אײביקן אומקער און זוכן אַ באַשטימטן צוועק. אין אָט דעם קאָנטעקסט מײנען די ווערטער אינעם טיטל, אַז די ייִדישע פּאָעזיע בײַט זיך און אַנטוויקלט זיך ווײַטער. דער פֿאַקט, וואָס מע שרײַבט הײַנט ווײַטער אױף ייִדיש און נײַע זאַמלונגען לידער זענען אַרױס כּמעט יעדעס יאָר, קען זײַן אַ חידוש אַפֿילו פֿאַר די, וואָס פֿאַרנעמען זיך מיט ייִדיש.
ווי עס שרײַבט דער מיטרעדאַקטאָר וואַלערי דימשיץ אין זײַן הקדמה צום בוך׃ „מענטשן, וואָס זײַנען ווײַט פֿון דער הײַנטצײַטיקער ייִדישער ליטעראַטור, גיבן פֿון צײַט צו צײַט אַ ביטערן קרעכץ און טענהן, אַז ייִדיש, שױן אָפּגערעדט פֿון דער שפּראַכס ליטעראַריש לעבן, איז געבליבן אינעם עבֿר.“
די שאַפֿער פֿונעם בוך וואַרפֿן אָפּ אַזעלכע פֿאַרשפּרייטע סטערעאָטיפּן. זײַטשיקס און מאַטוועיעווס אַרײַנפֿיר־וואָרט איז באַטיטלט „נײַע רינגען פֿון דער ׳גאָלדענער קײט׳“ — די קייט, וואָס פֿאַרבינדט די מאָדערנע ייִדישע דיכטונג מיט דער לאַנגער טראַדיציע פֿון פֿאַרגאַנגענע דורות. די הײַנטצײַטיקע פּאָעטן זענען נישט קײן אײנצלנע איזאָלירטע עפּיזאָדן, נאָר טײלן פֿון אײן גרױסן ליטעראַרישן פּראָצעס.
אין דער זעלבער צײַט געהערט יעדער פֿון זײ צו דער ליטעראַרישער טראַדיציע פֿון זײַן לאַנד און סבֿיבֿה. הײַנט, ווי מיט אַ הונדערט יאָר צוריק, זענען ייִדישע דיכטער פֿילשפּראַכיק. זײ זענען אױפֿגעוואַקסן אַלע מיט אַנדערע ליטעראַטורן אַרום זיך – די רוסישע, אַמעריקאַנער, פּױלישע. דעריבער ברענגען זיי מיט זיך זײער לאָקאַלע ירושה.
די אַנטאָלאָגיע ווײַזט אױך ווי פֿילפֿאַרביק ס׳איז די וועלט פֿון דער הײַנטיקער ייִדישער פּאָעזיע׃ די דיכטער האָבן גאַנץ פֿאַרשידענע סטילן און טעמעס. פֿון דער וויסנשאַפֿטלעך־טעכנישער רעוואָלוציע בײַ לעוו בערינסקי ביז צום „חסידישיזם“ פֿון דוד־עומר כּהן; פֿון טושעוויצקיס „דזשאָגינג“ (לויפֿלען) אין וויליאַמסבורג ביז שעכטער־ווישוואַנאַטס ליד וועגן דעם קאָוויד; פֿון מאַטוועיעווס קבלה־מאָטיוון ביז וויגאַנדס שפּילן מיטן ייִדישן פֿאָלקלאָר. די געזאַמלטע ווערק שטײַגן איבער אַלע דערוואַרטונגען.
דאָס אױסזען פֿונעם בוך קען אַרױסרופֿן עפּעס אַן אַנדער רושם. די הילע – פּרעכטיקע „רײזעלעך“ מיט בלומען און חיות – דערמאָנט אין דער ייִדישער פֿאָלקסקונסט און מע קען דענקען, אַז דאָס בוך האָט עפּעס אַ נאָסטאַלגישן טעם. אָבער נײן, דער תּוכן פֿון די לידער איז ווײַט פֿון דער שטעטל־עסטעטיק. אַגבֿ, וועגן די קאָמפּליצירטע באַציִונגען מיטן אימאַזש פֿון אַ שטעטל רעדט דאָס טרױעריק־איראָנישע ליד פֿון שלום בערגער אין זײַן ליד „דער ייִדישער ליטעראַטור“:
דער ייִדיש־דיכטער שעפּט פֿון שטעטל־חלום
אַ טעם געמישטן פֿון חרוסת־כרײן,
נאָר פֿונעם שטעטל איז אַנטלאָפֿן יעדער,
און צו דעם שטעטל קען מען ניט דערגײן.
דאָס בוך איז די ערשטע דוגמא פֿון אַן אַרומנעמיקער צווײ־שפּראַכיקער אַנטאָלאָגיע פֿון דער הײַנטיקער פּאָעזיע אױף ייִדיש, הגם אַ קורצע באַשיידענע אַנטאָלאָגיע פֿון אַזאַ מין איז דערשינען אינעם אַלמאַנאַך „ביראָבידזשאַן“ אין 2023. הגם עס זענען געווען עטלעכע לידער־אַנטאָלאָגיעס אױף ייִדיש (צום בײַשפּיל, „אַ רינג“, 2017) איז „איך קער זיך אום“ די ערשטע ברייטע פּרעזענטאַציע פֿון דער טעמע פֿאַר אַ נישט־ייִדיש־רענדניקן עולם. דאָס מאַכט די זאַמלונג אױך אַ מין מאַניפֿעסט גופֿא – ייִדישע פּאָעזיע איז לעבעדיק, זי האָט אַ שטאַרק און זיכער קול. פּאָעזיע אױף ייִדיש דאַרף פֿאַרנעמען אַ גלײַך אָרט צווישן אַלע אַנדערע הײַנטצײַטיקע פּאָעטישע טראַדיציעס און קען זײַן אינטערעסאַנט דעם ברייטן עולם אױסער דער ייִדישיסטישער סבֿיבֿה.
אױב מע זוכט וואָס צו קריטיקירן אינעם בוך, קען איך אָנמערקן, אַז עס זענען דאָ נאָר דרײַ דיכטערינס קעגן נײַן דיכטערס. די פּראָפּאָרציע שפּיגלט אָפּ, צום באַדױערן, דעם אמתדיקן מאַנגל פֿון פֿרױען־שטימען אין דער ייִדישער פּאָעזיע. אָבער איך בין אָפּטימיסטיש – מירצעשעם וועלן מיר הערן מער און מער נײַע פֿרוייִשע קולות. ווער ווײסט, אפֿשר אין אַ פּאָר יאָר אַרום וועט מען קענען אַרױסגעבן אַ גאַנצע אַנטאָלאָגיע פֿון הײַנטיקע ייִדישע דיכטערינס.
The post A new book of contemporary Yiddish poetry with Russian translations appeared first on The Forward.
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At least 40% of Russia’s Oil Export Capacity Halted, Calculations Show
The Druzhba oil pipeline between Hungary and Russia is seen at the Hungarian MOL Group’s Danube Refinery in Szazhalombatta, Hungary, May 18, 2022. Photo: REUTERS/Bernadett Szabo
At least 40% of Russia’s oil export capacity is at a halt following Ukrainian drone attacks, a disputed attack on a major pipeline and the seizure of tankers, according to Reuters calculations based on market data.
The shutdown is the most severe oil supply disruption in the modern history of Russia, the world’s second largest oil exporter, and has hit Moscow just as oil prices exceeded $100 a barrel due to the Iran war.
Russia’s oil output is one of the main sources of revenue for the national budget and is central to the $2.6 trillion economy.
UKRAINE HAS INCREASED ATTACKS
Ukraine intensified drone attacks on Russia’s oil and fuel export infrastructure this month, hitting all three of Russia’s major western oil export ports, including Novorossiysk on the Black Sea and Primorsk and Ust-Luga on the Baltic Sea.
According to Reuters calculations, about 40% of Russia’s crude oil export capabilities – or around 2 million barrels per day, were shut as of Wednesday after the most recent attack.
That includes Primorsk and Ust-Luga as well as the Druzhba pipeline, which runs through Ukraine to Hungary and Slovakia.
Kyiv has also targeted pipeline oil pumping stations and refineries. Kyiv says it aims to diminish Moscow’s oil and gas revenue, which accounts for around a quarter of Russia’s state budget proceeds, and weaken its military might.
Russia says the Ukrainian strikes are terrorist attacks and has tightened security across its 11 time zones.
PORTS, PIPELINES, AND TANKERS
Ukraine said that part of the Druzhba pipeline was damaged by Russian strikes at the end of January, while both Slovakia and Hungary demanded Kyiv restart the supplies immediately.
The Novorossiysk oil terminal, which can handle up to 700,000 bpd, has been loading oil below plan since damage from a heavy Ukrainian drone attack early this month.
In addition, frequent seizures of Russia-related tankers in Europe have disrupted 300,000 bpd of Arctic oil exports flowing from the port of Murmansk, traders said.
With its westward export routes under fire, Moscow must rely on oil exports to Asian markets, but those routes are limited due to capacity, traders said.
Russia continues uninterrupted supplies via pipelines to China, including the Skovorodino-Mohe and Atasu-Alashankou routes, as well as ESPO Blend exports by sea via the port of Kozmino.
Together, the three routes account for some 1.9 million bpd of oil.
Russia also continues to load oil from its two far eastern Sakhalin projects, shipping about 250,000 bpd from the island.
Traders also say that Russia is supplying the refineries in neighboring Belarus with around 300,000 bpd of oil.