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A graphic novel of the Purim story, from a Batman comics editor
(JTA) — In 1996, Jordan Gorfinkel launched two series of comics that get at the two sides to his personality and career.
One was “Birds of Prey” — which has since been the basis for several television and film adaptations — that he created while overseeing the Batman franchise as an editor at DC Comics. (Another claim to fame during his tenure from 1991-99 was the creation of “Batman: No Man’s Land,” which served as inspiration for the 2012 Christopher Nolan blockbuster “Dark Knight Rises.”)
The other that he launched 1996 was “Jewish Cartoon,” an ongoing series of comics that poke fun and celebrate aspects of Jewish life and religious observance. To date, he has followed a cast of characters in this series for over 1,000 cartoons.
Gorfinkel’s newest project combines those two passions into a graphic novel version of the Purim story, usually read in what’s called a Megillah scroll. Gorfinkel said “The Koren Tanakh Graphic Novel Esther,” which is illustrated by Yael Nathan, is a “Batman-style” adaptation.
It’s not his first collaboration with the Jewish publisher — three years ago, he published a graphic novel haggadah with the Israeli artist Erez Zadok.
He and Nathan spoke to the Jewish Telegraphic Agency about their latest creation and what’s next in the Jewish graphic novel world.
JTA: What does the book provide beyond the normal Megillah story text?
Gorfinkel: The Koren Esther graphic novel is 100% kosher to bring to your Megillah reading because alongside the sequential art pages is the full, unabridged Hebrew text. The mitzvah is to listen to the Megillah in Hebrew and the tradition is to read it in the language you understand. That’s why this book presents the English translation in the captions and word balloons embedded in the fabulous art by Israeli illustrator Yael Nathan in a stunning package designed by Tzipora Ginzberg.
Why a graphic novel?
Nathan: From a visual perspective, this story has everything. Emotions, action, intrigue, great characters, battles and redemption. It really allowed me to flex my storytelling muscles and try to convey complex scenes and ideas in a limited space.
Gorfinkel: Esther/Hadassah is the O.G. Wonder Woman! Ripped away from her family, her land and her people to serve in a foreign court, keeping a secret identity until the moment comes to step up and be a savior. Megillat Esther is tailor-made for a graphic novel.
Is this book just for kids? Who do you want to reach?
Gorfinkel: I want to reach everyone. With Esther and the Passover haggadah graphic novel that preceded it, readers can return to the material at every age and gain new and deeper insights out of the experience. Think of it like a good “Simpsons” episode, or Pixar movie: kids enjoy the surface meaning while teens and adults experience the same material at deeper levels. The Jewish graphic novels that I produce are child-friendly but decidedly not childish. This is because I acknowledge that Western readers presume that if a book has pictures, it has to be for kids. I’m going to need a few more books to educate the masses otherwise!
Nathan: I think this book is for everyone. The style of the characters is purposefully endearing and humorous, to help people connect to them — but what is conveyed in each panel goes much deeper than cute characters. There is a wealth of knowledge and interpretations that are not in the plain text and are portrayed visually so the reader can take them in without reading a whole page of explanations. Both those who know the meaning behind the text would find interesting references, and those who don’t will learn something new.
Jordan Gorfinkel edited the DC Batman franchise from 1991-99. (Courtesy of Gorfinkel)
What comics did you grow up with? And what do comics mean to you?
Nathan: My father was born and raised in the Philippines, the son of Jewish immigrants who fled from Germany before the second World War. So my influences are from all over the world. I grew up looking at European comics, Israeli cartoons, American golden-age comics that my father brought over from the Philippines and Japanese manga. Comics mean the freedom to tell stories from my own viewpoint with no constraints. Unlike movies — where the efforts required to film a person in a room is much less involved than filming a full space scene with aliens and battleships — in comics, the work involved is all the same. It’s just drawing. No big budgets or additional resources needed. Just imagination and storytelling skill.
Gorfinkel: I never grew up. I’m a Jewish Peter Pan (Pinchas Pan?). In my youth, however, I devoured Batman comics, of course. The basic morality tales of extroverted “good guys” vanquishing evil and consistently delivering justice for all complemented the grade school Torah education I was receiving in Jewish day schools of a variety of different denominations. We moved around a lot, and these superheroes were my comfortable and consistent companions. As I got older, I began to lean into Marvel Comics, whose anti-heroes fought internal struggles between their “yetzer hatov” (good inclination) and “yetzer harah” (evil inclination). Teenaged Gorf appreciated how these nuanced characterizations reflected the deeper layers of Torah I was learning in high school and my gap year in an Israel yeshiva. At the same time, I was, and am, a huge fan of newspaper-style four panel comic strips, quite possibly introduced to me by my zayde [grandfather], who always clipped the Sunday funnies for me. My mother continues the tradition to this day. When I was first starting my own newspaper strip, I reached out for advice and “chizuk” to my favorite artists. I received handwritten replies from nearly everyone, from Charles “Peanuts” Schulz to G.B. “Doonesbury” Trudeau. To this day, I treasure Canadian cartoonist Lynn “For Better or For Worse” Johnston as a mentor and friend.
You have done a Passover graphic novel and now a Purim graphic novel. What’s next?
Gorfinkel: Esther is intended as the lead-off for a Koren graphic novel series surveying the entire Bible. We’re just getting underway… I am also conceptualizing a nonprofit Jewish graphic novel initiative as an umbrella organization, to provide further support for the Koren work and moreover, to train and provide support for the next generation of Jewish visual storytellers who reach out to me because they want to do what I do. Jewish people created the superhero medium. Now, I am bringing the medium full circle so that superheroes and graphic novels can benefit the Jewish people. At the same time, I am traveling North America and the world as a scholar in residence and Jewish Cartoon workshop instructor, spreading my core message: Make Judaism your superpower!
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The post A graphic novel of the Purim story, from a Batman comics editor appeared first on Jewish Telegraphic Agency.
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Contributor to Drop Site News Says Israelis Should ‘Be Removed From Our Planet’
Abubaker Abed reporting from Gaza. Photo: Screenshot
Abubaker Abed, a self-described Palestinian journalist and contributor to the far-left news outlet Drop Site News, has come under intense scrutiny following the circulation of social media posts in which he called for the “wiping out” of Israel and said that Israelis “mustn’t feel safe.”
The remarks, which quickly spread across multiple online platforms, have prompted widespread condemnation and renewed skepticism over the credibility and coverage of Drop Site News, a controversial publication fiercely critical of Israel and US foreign policy in the Middle East.
“Wiping out Israel off the planet is not enough revenge. Israelis mustn’t feel safe anymore. Haunt them and go after them where they go. These terrorist parasites must be removed from our planet,” Abed posted on an Instagram story.
Drop Site co-founder Ryan Grim responded to the incident by clarifying that Abed’s comments do not reflect the editorial position or institutional stance of his publication. Grim, a far-left investigative reporter who has repeatedly accused Israel of committing “genocide” in Gaza, did not condemn the statements by Abed.
“We also are never going to police the language of anyone who survived a genocide,” Grim posted on X.
Abed, a social media influencer from Gaza who evacuated to Ireland during the Israel-Hamas war, has previously suggested that attacks on Jewish institutions might be justified if they signal support for Israel.
Following the recent attack on the Temple Beth Israel Synagogue in Michigan, Abed resurfaced a photo from the synagogue featuring an Israel soldier. Abed wrote that the attempted mass casualty event was justified because the assailant defended himself.
“A person is not criminally responsible if they act reasonably to defend themselves against an imminent and unlawful use of force,” Abed wrote in a since-deleted post on X. “Israel murdered his relatives and is illegally bombing and invading his country.”
The FBI said last week that the attack on the largest Jewish temple in Michigan was an “act of terrorism” inspired by Hezbollah, the Iran-backed Lebanese terrorist group committed to Israel’s destruction.
Drop Site, a new media organization which debuted in July 2024, has found itself under immense criticism over its coverage of the Israeli-Palestinian conflict and the broader Middle East. The outlet has consistently characterized Israel as a “genocidal” aggressor stoking chaos and violence throughout the region.
Meanwhile, Drop Site depicts internationally recognized terrorist groups such as Hamas, Hezbollah, and the Houthis in a far more favorable light. Drop Site lead reporter Jeremy Scahill routinely refers to Hamas as “the resistance” and has given softball interviews to Hamas leaders.
Drop Site has also defended the Iranian regime from accusations of terrorism, asserting that Tehran’s goals “center on national sovereignty.” The site contends that Iran has “sought to project influence regionally through allied governments and forces (Hezbollah, Hamas, Houthi, Iraqi Militants, etc.) what’s often called the ‘Axis of Resistance.’”
Some observers have raised alarm bells over the outlet’s growing popularity among establishment mainstream liberals. Ben Rhodes, a former Obama administration official and co-host of the popular “Pod Save America” podcast, has praised the outlet on his social media profile and confirmed he is a subscriber.
Drop Site’s expanding influence does not seem to be confined to left-wing or liberal ideological circles. Right-wing media personality Mike Cernovich contended on X that young conservatives are increasingly reading Drop Site “for Israel news.” Joe Kent, the former director of the US National Counterterrorism Center, over the weekend reposted a Drop Site article pushing Iranian regime propaganda falsely claiming the US was actually trying to kill a downed American airman — just hours before he was dramatically rescued.
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Frankfurt cinema declines to participate in Jewish film festival, spurring backlash
(JTA) — A Frankfurt cinema’s decision not to participate in the local Jewish film festival is spurring allegations of antisemitism, even as its manager says the move was financial.
The Jewish Community of Frankfurt announced last week that the Astor Film Lounge did not wish to host movies during Jewish Film Days this year. The cinema, it said, had cited its workers’ reluctance to staff movies that are part of the biennial festival, as well as concerns about the security required to host Jewish events.
“The decision unequivocally signifies that Jewish life, Jewish people, and a Jewish media presence are no longer welcome at the Astor Film Lounge,” the community said in a statement.
“This line of reasoning is not only disappointing, but sends a devastating societal signal: If Jewish life and Jewish presence are suppressed out of fear of potential reactions, then this effectively amounts to a capitulation to antisemitic pressure,” the statement continued. “The fact that Jewish life can only take place under police protection is already shameful. That this necessity for police protection is now being used as a pretext to completely prevent Jewish events is a scandal.”
But the cinema’s managing director, Tom Flebbe, contested the Jewish Community of Frankfurt’s interpretation of events. In a statement cited in a leading local newspaper, he said the theater had withdrawn this year for economic reasons, as only 40 to 50 guests had come to screenings last year.
Flebbe said a lower-level manager had made unauthorized and inaccurate remarks about security concerns.
“Economic viability is a legitimate and necessary basis for business decisions — regardless of the thematic context of an event,” Flebbe said, adding that other joint projects with the Jewish community will continue as planned.
“The ASTOR Film Lounge MyZeil views Jewish life as a natural and welcome part of this society,” the statement concluded. “The decision against participating in the 2026 Jewish Film Days is not against Jewish people, Jewish culture, or Jewish presence. It is the result of a careful consideration of economic factors. We regret that our reasoning has been interpreted in this way and stand by our decision.”
During the 2024 festival, a half-dozen venues hosted screenings as part of Jewish Film Days. The Astor Film Lounge hosted one screening, of the film “March ’68,” a love story set during the Polish government’s antisemitic campaign following Israel’s Six-Day War.
Film festivals have emerged as a frontier for tensions over Israel and antisemitism. Germany’s largest film festival, the Berlinale, was roiled by tensions this year as its jury head fended off calls to criticize Israel. A major Toronto film festival, meanwhile, ruffled feathers last year by first canceling and then screening a documentary about the Oct. 7 attack on Israel. And a Jewish film festival was canceled in Malmo, Sweden, last year because too few cinemas would agree to show movies for it.
Flebbe’s explanation for why Astor Film Lounge would not participate in this year’s Jewish Film Days did not satisfy everyone who heard it. The Berlin-based German-Jewish Values Initiative, a non-partisan think tank, in an open letter called the economic justification a “mere pretext.”
“To the best of our knowledge, the Jewish Community of Frankfurt was prepared to guarantee a minimum revenue” for the film festival, the letter said. By apparently giving in to “threats and antisemitic pressure,” it added, the cinema has capitulated “to the very forces seeking to drive Jews out of the public sphere.”
The post Frankfurt cinema declines to participate in Jewish film festival, spurring backlash appeared first on The Forward.
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Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest
(JTA) — Israeli and Serbian officials are denouncing antisemitic comments made by demonstrators during a clash between Serbian students and police at a protest last week.
“Death to Vučić and all the Jews around him,” one protester said in a televised interview, referring to Serbian President Aleksandar Vučić. “Long live Serbia.”
The protest last Tuesday marked the latest flashpoint in a series of anti-government protests that have erupted across the country over the past year after 16 people died in an accident at a railway station in November 2024. Hundreds of students participated in the protest, which came as Serbian police searched the offices of the University of Belgrade as part of an investigation into the death of a female student. The school’s leadership claimed that the investigation was an “attack on the university” for its support for the student-led protest movement.
Serbia and Israel first established diplomatic relations in 1948, and Vučić told the Jerusalem Post last year that the country “will always appreciate, respect, and like the Jewish people and Israel.”
Nemanja Starović, the Serbian minister of European integration and the chair of Serbia’s delegation to the International Holocaust Remembrance Alliance, called on the protest leaders to “unambiguously condemn these antisemitic incidents and to immediately remove all antisemitic messages and slogans from university premises.”
“On multiple occasions over the past months, we have warned about the widespread antisemitic ideology within the so-called blockade movement at universities in Serbia,” Starović wrote in a post on X. “Ignoring this dangerous threat has allowed it to escalate into open calls for murder, which now appear as a logical and inevitable outcome.”
The Israeli Foreign Ministry condemned the demonstrator’s comments in a post on X.
“Israel strongly condemns the reprehensible antisemitic calls made yesterday in Belgrade,” the post read. “Israel appreciates the Serbian government’s immediate condemnation of these calls and its firm and consistent stance in the fight against antisemitism.”
Efraim Zuroff, the director of the Israel Office and Eastern European Affairs for the Simon Wiesenthal Center in Jerusalem, also condemned the antisemitic rhetoric in a Times of Israel op-ed.
“One gets the impression that this is a politically motivated to harm President Aleksandar Vučić, who has close ties with the State of Israel, key Jewish organizations such as AIPAC and the Serbian Jewish community,” Zuroff wrote. “That is completely unacceptable! If these things are not stopped, they will end up in dangerous violence, and therefore cannot be ignored.”
The controversy over the protest comes as antisemitism has surged in Europe in recent years. Last September, Serbia arrested 11 individuals accused of perpetrating hate-motivated acts in France and Germany, including throwing green paint on the Holocaust Museum, several synagogues and a Jewish restaurant in Paris.
The post Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest appeared first on The Forward.