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A graphic novel of the Purim story, from a Batman comics editor

(JTA) — In 1996, Jordan Gorfinkel launched two series of comics that get at the two sides to his personality and career.

One was “Birds of Prey” — which has since been the basis for several television and film adaptations — that he created while overseeing the Batman franchise as an editor at DC Comics. (Another claim to fame during his tenure from 1991-99 was the creation of “Batman: No Man’s Land,” which served as inspiration for the 2012 Christopher Nolan blockbuster “Dark Knight Rises.”)

The other that he launched 1996 was “Jewish Cartoon,” an ongoing series of comics that poke fun and celebrate aspects of Jewish life and religious observance. To date, he has followed a cast of characters in this series for over 1,000 cartoons.

Gorfinkel’s newest project combines those two passions into a graphic novel version of the Purim story, usually read in what’s called a Megillah scroll. Gorfinkel said “The Koren Tanakh Graphic Novel Esther,” which is illustrated by Yael Nathan, is a “Batman-style” adaptation.

It’s not his first collaboration with the Jewish publisher — three years ago, he published a graphic novel haggadah with the Israeli artist Erez Zadok.

He and Nathan spoke to the Jewish Telegraphic Agency about their latest creation and what’s next in the Jewish graphic novel world.

JTA: What does the book provide beyond the normal Megillah story text?

Gorfinkel: The Koren Esther graphic novel is 100% kosher to bring to your Megillah reading because alongside the sequential art pages is the full, unabridged Hebrew text. The mitzvah is to listen to the Megillah in Hebrew and the tradition is to read it in the language you understand. That’s why this book presents the English translation in the captions and word balloons embedded in the fabulous art by Israeli illustrator Yael Nathan in a stunning package designed by Tzipora Ginzberg. 

Why a graphic novel? 

Nathan: From a visual perspective, this story has everything. Emotions, action, intrigue, great characters, battles and redemption. It really allowed me to flex my storytelling muscles and try to convey complex scenes and ideas in a limited space. 

Gorfinkel: Esther/Hadassah is the O.G. Wonder Woman! Ripped away from her family, her land and her people to serve in a foreign court, keeping a secret identity until the moment comes to step up and be a savior. Megillat Esther is tailor-made for a graphic novel. 

Is this book just for kids? Who do you want to reach?

Gorfinkel: I want to reach everyone. With Esther and the Passover haggadah graphic novel that preceded it, readers can return to the material at every age and gain new and deeper insights out of the experience. Think of it like a good “Simpsons” episode, or Pixar movie: kids enjoy the surface meaning while teens and adults experience the same material at deeper levels. The Jewish graphic novels that I produce are child-friendly but decidedly not childish. This is because I acknowledge that Western readers presume that if a book has pictures, it has to be for kids. I’m going to need a few more books to educate the masses otherwise! 

Nathan: I think this book is for everyone. The style of the characters is purposefully endearing and humorous, to help people connect to them — but what is conveyed in each panel goes much deeper than cute characters. There is a wealth of knowledge and interpretations that are not in the plain text and are portrayed visually so the reader can take them in without reading a whole page of explanations. Both those who know the meaning behind the text would find interesting references, and those who don’t will learn something new. 

Jordan Gorfinkel edited the DC Batman franchise from 1991-99. (Courtesy of Gorfinkel)

What comics did you grow up with? And what do comics mean to you? 

Nathan: My father was born and raised in the Philippines, the son of Jewish immigrants who fled from Germany before the second World War. So my influences are from all over the world. I grew up looking at European comics, Israeli cartoons, American golden-age comics that my father brought over from the Philippines and Japanese manga. Comics mean the freedom to tell stories from my own viewpoint with no constraints. Unlike movies — where the efforts required to film a person in a room is much less involved than filming a full space scene with aliens and battleships — in comics, the work involved is all the same. It’s just drawing. No big budgets or additional resources needed. Just imagination and storytelling skill.

Gorfinkel: I never grew up. I’m a Jewish Peter Pan (Pinchas Pan?). In my youth, however, I devoured Batman comics, of course. The basic morality tales of extroverted “good guys” vanquishing evil and consistently delivering justice for all complemented the grade school Torah education I was receiving in Jewish day schools of a variety of different denominations. We moved around a lot, and these superheroes were my comfortable and consistent companions. As I got older, I began to lean into Marvel Comics, whose anti-heroes fought internal struggles between their “yetzer hatov” (good inclination) and “yetzer harah” (evil inclination). Teenaged Gorf appreciated how these nuanced characterizations reflected the deeper layers of Torah I was learning in high school and my gap year in an Israel yeshiva. At the same time, I was, and am, a huge fan of newspaper-style four panel comic strips, quite possibly introduced to me by my zayde [grandfather], who always clipped the Sunday funnies for me. My mother continues the tradition to this day. When I was first starting my own newspaper strip, I reached out for advice and “chizuk” to my favorite artists. I received handwritten replies from nearly everyone, from Charles “Peanuts” Schulz to G.B. “Doonesbury” Trudeau. To this day, I treasure Canadian cartoonist Lynn “For Better or For Worse” Johnston as a mentor and friend. 

You have done a Passover graphic novel and now a Purim graphic novel. What’s next? 

Gorfinkel: Esther is intended as the lead-off for a Koren graphic novel series surveying the entire Bible. We’re just getting underway… I am also conceptualizing a nonprofit Jewish graphic novel initiative as an umbrella organization, to provide further support for the Koren work and moreover, to train and provide support for the next generation of Jewish visual storytellers who reach out to me because they want to do what I do. Jewish people created the superhero medium. Now, I am bringing the medium full circle so that superheroes and graphic novels can benefit the Jewish people. At the same time, I am traveling North America and the world as a scholar in residence and Jewish Cartoon workshop instructor, spreading my core message: Make Judaism your superpower! 


The post A graphic novel of the Purim story, from a Batman comics editor appeared first on Jewish Telegraphic Agency.

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Israel’s Bobsled Team Clarifies It Withdrew From Last Day of Winter Olympics After Wanting Lineup Switch

Milano Cortina 2026 Olympics – Bobsleigh – 4-man Heat 1 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – Feb. 21, 2026. Adam Edelman of Israel, Menachem Chen of Israel, Uri Zisman of Israel, Omer Katz of Israel in action during Heat 1. Photo: REUTERS/Athit Perawongmetha

Israel’s four-man bobsled team withdrew from the last day of the 2026 Milan Cortina Olympics on Sunday after there were issues with how the team wanted to change its lineup mid-competition and allow its alternate to participate.

The team’s captain and pilot AJ Edelman explained in a series of posts on X that since the team knew it had no chance of winning in the third heat on Sunday, it wanted to give their alternative, 25-year-old Druze athlete Ward Fawarseh, an opportunity to compete in the Olympics for the first time ever before the Winter Games concluded. Farwarseh is the first Druze to make it to the Olympics, and this year marks the first time ever that Israel is competing in bobsledding in the Games.

However, changing push athletes midway through a competition is only permitted under special circumstances, including an illness or injury. As a result, the Israeli team – consisting of AJ Edelman, Menachem Chen, Uri Zisman, and Omer Katz – decided together to withdraw from the third heat on Sunday.

“We offered to withdraw before any action was taken,” Edelman told The Algemeiner on Monday, clarifying that his team was not disqualified from the competition, despite reports suggesting the contrary.

“Given that our placement going into the final run was all but predetermined, it was more important to us that our alternate could have the opportunity to compete in the Olympics. The team moved to make the replacement,” Edelman further explained in a post on X. “But the circumstances under which we made the substitution did not meet the bar that allows a team to make a lineup change, and we withdrew from our final run.”

“I will always remain proud that the team looked at their Druze brother, who had earned his place on the team, and unanimously said ‘we want this for you.’ I signed off on it and I take responsibility,” the American-Israeli athlete wrote in a subsequent post. He added that he apologizes “profusely” if fans were disappointed, but in a since-deleted post on X, he added that he does not apologize “at all” for the decision.

“The switch is not only common in our sport, we did it believing it was good for the country and to honor our teammate,” he said. “We thought we were putting country first.”

Team Israel finished the first two runs of the four-man bobsled competition with a combined time of 1:51.16, which placed them in 24th place out of 27 leading into the third heat on Sunday. Edelman and his teammate Menachem Chen also competed in the two-man bobsled race during the Winter Olympics.

In a statement given to The Times of Israel, the Olympic Committee of Israel claimed it did not allow the bobsled team to compete in the third heat on Sunday because they lied about a team member being sick in order to switch push athletes between the first two heats on Saturday and the third heat on Sunday.

“The bobsleigh team asked to include Ward, the substitute, in the competition. According to the rules, this is only permitted if one of the athletes is injured or ill,” the OCI said. “In order to make this possible, one of the team members — encouraged by his teammates — declared that he was unwell. He even went for a medical examination and signed an affidavit so that the Olympic Committee could request approval for a substitution.”

The OCI said that afterward, Zisman “admitted to the head of the delegation that he had acted improperly. This forced the Olympic Committee of Israel to withdraw the request and disqualify the move.” The OCI said that the team’s behavior was “improper” and “goes against fair and sportsmanlike conduct.”

In response to the OCI’s comments, Edelman told The Algemeiner that his team withdrew from the competition before the OCI took any action against them. “The process to change Ward to a primary accreditation is within the OCI control. The team’s withdrawal was within our own,” he said. “The team received a DNS, a ‘did not start,’ not a DSQ [disqualified].”

Bobsled was Israel’s only team sport at the Milan Cortina Winter Games. Edelman is Israel’s first multi-sport Olympian, after competing previously in skeleton, and he is also the first Jewish bobsled pilot to compete in the Olympic Games. He is additionally the most decorated observant Jewish Olympian and is believed to be the first Orthodox Jew to ever compete in the Winter Games.

Over the weekend, Italy’s state broadcaster RAI apologized after viewers heard on air someone tell others to “avoid” filming the Israeli bobsled team before it broadcast coverage of the four-man bobsled race at the Olympics on Saturday. Viewers heard, “Let’s avoid crew number 21, which is the Israeli one.”

RAI condemned the remark as “unacceptable” and RAI CEO Giampaolo Rossi said the incident represented a “serious” breach of the network’s “principles of impartiality, respect, and inclusion.” He added that RAI had opened an internal investigation to determine responsibility for the remarks and disciplinary proceedings.

Before the start of the 2026 Winter Games, an apartment in the Czech Republic where the Israeli bobsled team was staying during their final training was robbed, and passports and personal belongings were stolen. Then, during the team’s two-man bobsled race on Feb. 16, a commentator on the Swiss network RTS claimed on-air that Edelman “supports the genocide in Gaza” and should have been banned from the Olympics. The commentator also described the athlete as a “self-defined ‘Zionist to the core.’”

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Jewish Community Advocates Urge US Civil Rights Commission to Take Campus Antisemitism Seriously

A pro-Hamas demonstrator uses a bullhorn during a protest at the University of California, Los Angeles (UCLA) on March 11, 2025. Photo: Daniel Cole via Reuters Connect.

Jewish community advocates and civil rights lawyers discussed the campus antisemitism crisis in American higher education during two days of briefings and public comment held by the US Commission on Civil Rights last week, urging the agency to fight anti-Jewish hatred as aggressively as with other forms of discrimination.

Titled “Antisemitism on America’s College and University Campuses: Current Conditions and the Federal Response,” the forum served as one component of the commission’s bipartisan investigation of campus antisemitism, an inquiry led by Peter Kirsanow, a Republican, and Mondaire Jones, a Democrat. Drawing from advocates as well as critics of the Jewish community’s response to campus antisemitism, it highlighted work that remains undone while exposing some differences in opinion on Zionism, free expression on campus, and interpretation of Title VI of the Civil Rights Act, which prohibits discrimination based on race, color, or national origin in any program or activity receiving federal funding.

During the proceedings, several students who witnessed the onslaught firsthand described how the administrative bureaucracy, a branch of higher education governance dominated by the American progressive movement, stonewalled discrimination complaints, ignored utterances of classic antisemitic tropes, and refused to acknowledge rising antisemitism on the political left while accusing Jewish community advocates of assaulting academic freedom.

“I raised concerns repeatedly with administrators — but was met with silence or deliberate indifference. My peers faced retaliation in classic DARVO tactic: deny, attack, and reverse victim-offender roles,” said Sabrina Soffer, research fellow for the Jerusalem Center for Security and Foreign Affairs and a George Washington University alumna who sued the institution over alleged antisemitic discrimination. “We must stop this pipeline of hate in its tracks. Administrators must be held accountable for failing to enforce academic integrity and upholding their duty of care. We must scrutinize foreign funding, syllabi review, and the composition of academic departments.”

For several years before and since Hamas’s Oct.7, 2023, massacre across southern Israel, The Algemeiner has reported daily on campus antisemitism incidents which involved identity-based physical assaults, verbal abuse, and others acts of discrimination. These included anti-Zionists spitting on Jewish students at the University of California, Berkeley while calling them “Jew”; gang assaults at Columbia University’s Butler Library; swastika graffiti; the desecration of Jewish religious symbols; and the expulsion of a sexual assault survivor from a victim support group over her support for Zionism.

Other incidents include, a faculty group’s sharing an antisemitic political cartoon which marked Jews and Israel as enemies of people of color; a Cornell University student threatening to murder Jewish men, whom he called pigs, and to rape Jewish women, and perpetrate a mass shooting at the campus’ kosher dining hall; and professors praising Hamas’s Oct. 7 atrocities, which included mass murder, sexual assault, and kidnapping as legitimate modes of “resistance.”

Many such incidents preceded the Oct. 7 massacre by several years and received little to no coverage in the mainstream press.

Lenny Gold, executive producer of the campus antisemitism awareness documentary “The Blind Spot,” said during the hearing that higher education has hidden from the problem in lieu of addressing it transparently and vigorously.

“Schools often invoke academic freedom to justify their indifference to antisemitism while failing to recognize freedom’s inseparable partner: responsibility,” Gold said. “Academic responsibility includes eliminating the blind spot towards Jews and our inextricable connection to our ancient homeland, and having zero tolerance for antisemitism in classrooms, on campus, and in curricula, academic departments, and administrative staffs.”

He continued, “Anti-discrimination programs and policies must treat Jews an antisemitism on an equal footing with other protected groups and forms of prejudice.’

Soffer and Gold’s point of view sustained a slew of opposition during last week’s gathering, with some critic isms being uttered by Jewish students from elite colleges who accused the media and pro-Israel Jewish community of exaggerating the antisemitism crisis in the name of profits, ideology, and bullying the Ivy League. They also accused US President Donald Trump — whose daughter is Jewish and whose administration has mounted a legal campaign against campus antisemitism and the ideological bias that fostered it — of exploiting antisemitism to promote a political agenda.

“Since the Gaza War, I’ve felt more hesitant to tell people I’m Jewish, not because I’m scared of being the victim of a hate crime, but because I’m scared people will assume I’m against Palestinian people and associate me with the Trump administration’s anti-Palestinian rhetoric,” American University student Ellie Sweet told the commission, insisting that what is being described as antisemitism is harmless, anti-Israel rhetoric.

Another student, Sarah Silverman of Harvard University, screamed her entire seven-minute statement, in which she at one point charged that “policy described as protecting Jewish students did not make me feel protected!” She added, “Instead, in a deeply troubling way, I felt blamed. I knew I had done nothing wrong, but when decisions are made in your name without ever speaking to you but are affecting your academic community in extremely negative ways, you begin to worry that others believed you asked for these actions.”

A highlight of the event was testimony delivered by Kenneth Marcus, who served as assistant secretary for civil rights during the first Trump administration and currently leads the Louis D. Brandeis Center for Human Rights Under Law.

“Antisemitism does have various disguises, and anti-Zionism in that sense brings forward to the present all of the same tropes, the same stereotypes, the same defamations that have historically befallen the Jewish people, viewing Israel as the collective Jew or Jew among nations” he told the commission. “That is the form of antisemitism that we see most commonly on colleges campuses and that we need to address.”

Follow Dion J. Pierre @DionJPierre.

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German Minister Walks Out After Berlinale Winner Accuses Germany of Aiding Gaza ‘Genocide’ in Acceptance Speech

Director Abdallah Al-Khatib accepts the GWFF Best Feature Film Debut Award for “Chronicles From the Siege,” during the awards ceremony at the 76th Berlinale International Film Festival in Berlin, Germany, Feb. 21, 2026. Photo: REUTERS/Axel Schmidt

German Minister of Environment Carsten Schneider walked out of the awards ceremony at the 76th Berlin International Film Festival (Berlinale) on Saturday after a Palestinian-Syrian filmmaker accused Germany of being “partners in the genocide in Gaza by Israel” during his acceptance speech.

Schneider left the room following the remarks made by Abdallah Al-Khatib, whose film “Chronicles From the Siege” won the Berlinale’s best first feature award in the Perspectives section. “The Federal Minister considers these statements unacceptable and therefore left the event during the speech,” a spokesperson for Schneider said on Sunday, as cited by several media outlets. The minster was the only representative of the German government to attend the awards ceremony, a spokesman for his ministry told the German Press Agency.

Al-Khatib, who lives in Germany and wrote and directed “Chronicles From the Siege,” delivered his acceptance speech on stage with a keffiyeh draped on his shoulder.

“Some people told me, maybe you have to be careful before you say what I want to say now, because you are a refugee in Germany, and there are so many red lines. But I don’t care. I care about my people, about Palestine,” he said. “So, I will say my final word to the German government. You are partners in the genocide in Gaza by Israel. I believe you are intelligent enough to recognize this truth, but you choose to not care.” The filmmaker also held a Palestinian flag on stage and ended his speech with a call for a “free Palestine from now to the end of the world.”

“We will remember everyone who stood with us, and we will remember everyone who stood against us,” Al-Khatib added. He also claimed Palestinians in the Gaza Strip are living under “siege” and “occupation.”

Other Berlinale award winners also used their acceptance speeches to express solidarity with Palestinians or criticize Israel’s military actions in Gaza, during the country’s war against Hamas terrorists who orchestrated the deadly terrorist attack in southern Israel on Oct. 7, 2023.

While accepting the Golden Bear for best short film for “Someday a Child,” Lebanese filmmaker Marie-Rose Osta condemned Israeli bombings in Gaza and Lebanon, and what she called a “collapse of international law,” while also accusing the Israeli government of “genocide.”

“The people of Palestine, you are not alone,” said Turkish filmmaker Emin Alper, whose film “Salvation” won the Grand Jury Prize. “The people of Iran suffering under tyranny, you are not alone, the people of Kurdistan [you] are not alone. And my people, you are not alone,” he added.

Indian author Arundhati Roy pulled out of the Berlinale this year after jury president Wim Wenders said during the opening press conference that filmmakers should stay out of politics.

Earlier this month, more than 100 artists in the film industry – including Javier Bardem, Mark Ruffalo, and Tilda Swinton – signed an open letter criticizing the Berlinale for its “silence” about the situation in Gaza during the Israel-Hamas war and accused Israel of “ongoing genocide of the Palestinians in the Gaza Strip.”

“We call on the Berlinale to fulfil its moral duty and clearly state its opposition to Israel’s genocide, crimes against humanity and war crimes against Palestinians, and completely end its involvement in shielding Israel from criticism and calls for accountability,” the letter stated.

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