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A graphic novel of the Purim story, from a Batman comics editor
(JTA) — In 1996, Jordan Gorfinkel launched two series of comics that get at the two sides to his personality and career.
One was “Birds of Prey” — which has since been the basis for several television and film adaptations — that he created while overseeing the Batman franchise as an editor at DC Comics. (Another claim to fame during his tenure from 1991-99 was the creation of “Batman: No Man’s Land,” which served as inspiration for the 2012 Christopher Nolan blockbuster “Dark Knight Rises.”)
The other that he launched 1996 was “Jewish Cartoon,” an ongoing series of comics that poke fun and celebrate aspects of Jewish life and religious observance. To date, he has followed a cast of characters in this series for over 1,000 cartoons.
Gorfinkel’s newest project combines those two passions into a graphic novel version of the Purim story, usually read in what’s called a Megillah scroll. Gorfinkel said “The Koren Tanakh Graphic Novel Esther,” which is illustrated by Yael Nathan, is a “Batman-style” adaptation.
It’s not his first collaboration with the Jewish publisher — three years ago, he published a graphic novel haggadah with the Israeli artist Erez Zadok.
He and Nathan spoke to the Jewish Telegraphic Agency about their latest creation and what’s next in the Jewish graphic novel world.
JTA: What does the book provide beyond the normal Megillah story text?
Gorfinkel: The Koren Esther graphic novel is 100% kosher to bring to your Megillah reading because alongside the sequential art pages is the full, unabridged Hebrew text. The mitzvah is to listen to the Megillah in Hebrew and the tradition is to read it in the language you understand. That’s why this book presents the English translation in the captions and word balloons embedded in the fabulous art by Israeli illustrator Yael Nathan in a stunning package designed by Tzipora Ginzberg.
Why a graphic novel?
Nathan: From a visual perspective, this story has everything. Emotions, action, intrigue, great characters, battles and redemption. It really allowed me to flex my storytelling muscles and try to convey complex scenes and ideas in a limited space.
Gorfinkel: Esther/Hadassah is the O.G. Wonder Woman! Ripped away from her family, her land and her people to serve in a foreign court, keeping a secret identity until the moment comes to step up and be a savior. Megillat Esther is tailor-made for a graphic novel.
Is this book just for kids? Who do you want to reach?
Gorfinkel: I want to reach everyone. With Esther and the Passover haggadah graphic novel that preceded it, readers can return to the material at every age and gain new and deeper insights out of the experience. Think of it like a good “Simpsons” episode, or Pixar movie: kids enjoy the surface meaning while teens and adults experience the same material at deeper levels. The Jewish graphic novels that I produce are child-friendly but decidedly not childish. This is because I acknowledge that Western readers presume that if a book has pictures, it has to be for kids. I’m going to need a few more books to educate the masses otherwise!
Nathan: I think this book is for everyone. The style of the characters is purposefully endearing and humorous, to help people connect to them — but what is conveyed in each panel goes much deeper than cute characters. There is a wealth of knowledge and interpretations that are not in the plain text and are portrayed visually so the reader can take them in without reading a whole page of explanations. Both those who know the meaning behind the text would find interesting references, and those who don’t will learn something new.
Jordan Gorfinkel edited the DC Batman franchise from 1991-99. (Courtesy of Gorfinkel)
What comics did you grow up with? And what do comics mean to you?
Nathan: My father was born and raised in the Philippines, the son of Jewish immigrants who fled from Germany before the second World War. So my influences are from all over the world. I grew up looking at European comics, Israeli cartoons, American golden-age comics that my father brought over from the Philippines and Japanese manga. Comics mean the freedom to tell stories from my own viewpoint with no constraints. Unlike movies — where the efforts required to film a person in a room is much less involved than filming a full space scene with aliens and battleships — in comics, the work involved is all the same. It’s just drawing. No big budgets or additional resources needed. Just imagination and storytelling skill.
Gorfinkel: I never grew up. I’m a Jewish Peter Pan (Pinchas Pan?). In my youth, however, I devoured Batman comics, of course. The basic morality tales of extroverted “good guys” vanquishing evil and consistently delivering justice for all complemented the grade school Torah education I was receiving in Jewish day schools of a variety of different denominations. We moved around a lot, and these superheroes were my comfortable and consistent companions. As I got older, I began to lean into Marvel Comics, whose anti-heroes fought internal struggles between their “yetzer hatov” (good inclination) and “yetzer harah” (evil inclination). Teenaged Gorf appreciated how these nuanced characterizations reflected the deeper layers of Torah I was learning in high school and my gap year in an Israel yeshiva. At the same time, I was, and am, a huge fan of newspaper-style four panel comic strips, quite possibly introduced to me by my zayde [grandfather], who always clipped the Sunday funnies for me. My mother continues the tradition to this day. When I was first starting my own newspaper strip, I reached out for advice and “chizuk” to my favorite artists. I received handwritten replies from nearly everyone, from Charles “Peanuts” Schulz to G.B. “Doonesbury” Trudeau. To this day, I treasure Canadian cartoonist Lynn “For Better or For Worse” Johnston as a mentor and friend.
You have done a Passover graphic novel and now a Purim graphic novel. What’s next?
Gorfinkel: Esther is intended as the lead-off for a Koren graphic novel series surveying the entire Bible. We’re just getting underway… I am also conceptualizing a nonprofit Jewish graphic novel initiative as an umbrella organization, to provide further support for the Koren work and moreover, to train and provide support for the next generation of Jewish visual storytellers who reach out to me because they want to do what I do. Jewish people created the superhero medium. Now, I am bringing the medium full circle so that superheroes and graphic novels can benefit the Jewish people. At the same time, I am traveling North America and the world as a scholar in residence and Jewish Cartoon workshop instructor, spreading my core message: Make Judaism your superpower!
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Berlin rabbi makes history as first European to head Conservative rabbis’ association
(JTA) — BERLIN — Gesa Shira Ederberg was not yet a rabbi when she was tapped to lead a seder, to teach Hebrew, and to organize an egalitarian minyan in her home city of Berlin. She happened to be in the right places when help was needed, recalls Ederberg, who was pursuing a degree in Jewish studies at the time. She wondered: Could she be doing more?
Three decades later, Ederberg is a veteran rabbi of Berlin’s first official egalitarian congregation on Oranienburger Strasse — and this month she reached a new milestone.
She was installed last week as the international head of the Conservative/Masorti movement’s Rabbinical Assembly, the organization representing more than 1,600 rabbis worldwide. For the first time, the group is being led by a European rabbi.
Her installation marks another milestone as well. “As far as the Rabbinical Assembly is aware — Rabbi Ederberg is the first Jew by choice to serve as president,” said a spokesperson for the organization.
For observers of Jewish life in Germany, the moment carries symbolic weight.
“This is quite an extraordinary deal, actually, because there’s never been a non-American or non-Israeli to head the Rabbinical Assembly,” said Deidre Berger, an American who has lived in Germany for more than 40 years and serves on the boards of both the German and worldwide Masorti organizations.
“It’s also a major step forward in relations between a broader group in the American Jewish community with Germany — with being willing to acknowledge that postwar Jewish life did get relaunched in Germany and is here to stay,” added Berger, the former head of the American Jewish Committee office in Berlin.
Rabbi Jacob Blumenthal, CEO of both the Rabbinical Assembly and the United Synagogue of Conservative Judaism, said Ederberg’s election also reflects the movement’s embrace of Jews by choice.
“Welcoming converts is one of the ways in which our communities are growing and thriving,” he said. “So to have a colleague who made this choice to lead a Jewish life and then to become a rabbi is certainly something to celebrate.”
Ederberg’s installation took place in two parts: last week at Congregation Beth Sholom in Teaneck, New Jersey, followed by a second ceremony on Tuesday in Berlin, where her synagogue received a Rabbinical Assembly Torah mantle that remains with each president during their term.
“I will see it every time we open the ark,” she said. “It will be a reminder of my new responsibilities.”
Born in 1968 in the German city of Tuebingen, Ederberg grew up in a Lutheran family. Her father was in charge of his church’ youth exchanges with Israel, and Israeli teenagers often visited the family home. She traveled to Israel for the first time at age 13, an experience that helped cement what she said was “a deep connection” with the country and its people.
Ederberg later earned a master’s degree in Protestant theology. But her involvement in Jewish-Christian dialogue deepened her interest in Judaism, leading her to pursue Jewish studies in Berlin and eventually convert in 1995 at the Jewish Theological Seminary there.
Her decision grew partly out of her fascination with Jewish texts. “I was loving the texts,” she recalled early in her rabbinic career.
But it was also theological. She had come to believe that “the anti-Jewish tradition was an intrinsic part of Christianity,” she said at the time, and rejected interpretations portraying Judaism as obsolete.
Conversion, she added, was “a long and difficult process. You only get there if you really want it.”
Ederberg was ordained in 2002 at the Schechter Institute of Jewish Studies in Jerusalem. Her husband, Nils Ederberg — whom she met when both were Protestant students of Jewish studies — is also a rabbi. Ordained at Berlin’s Abraham Geiger College in 2014, he now serves as a military chaplain in Hamburg. The couple has three children.
After serving her first pulpit in Weiden, Ederberg returned to Berlin in 2007. There she became the first woman to serve as a rabbi in the city since Regina Jonas, a Liberal rabbi ordained in 1935 who was murdered by the Nazis, and only the second woman to hold a synagogue pulpit since the Holocaust.
She has helped build institutions for Germany’s small Masorti movement, founding Berlin’s Masorti elementary school in 2018 and serving as a founding member of Germany’s General Rabbinical Conference for non-Orthodox rabbis. She also served as a rabbinic adviser to the Zacharias Frankel College Conservative seminary at the University of Potsdam.
At the same time, she rose through the leadership ranks of the Rabbinical Assembly, serving in several voluntary roles before being elected vice president two years ago. She was elected president in December, succeeding Rabbi Jay Kornsgold of New Jersey, becoming the third woman to hold the role.
Ederberg’s installation comes at a challenging time for what was once America’s largest Jewish denomination, but has for years faced declining membership. As a centrist movement committed to what has been called “tradition and change,” it sits between a growing Orthodoxy on one side and a liberal Reform movement that has historically been far swifter to innovate.
Her installation also comes as broader changes in attitudes toward Jewish life in Germany have shifted. For decades after World War II, many American Jewish institutions viewed Germany as an unlikely place for Jewish communal revival.
Ederberg’s mentor, Rabbi Ismar Schorsch, the former chancellor of the Jewish Theological Seminary of America who encouraged her to pursue ordination, described her as “both the agent and the symbol of the potential of Conservative Judaism to flourish once again in Germany.”
That revival has taken place alongside a transformation of Germany’s Jewish population. Before World War II, about 500,000 Jews lived in the country. After the Holocaust only a small community remained, but immigration from the former Soviet Union beginning in the late 1990s helped rebuild Jewish life. Today roughly 100,000 Jews belong to congregations in Germany, with a similar number unaffiliated.
There are currently two Masorti congregations in the country: Ederberg’s in Berlin and another in Cologne.
Her congregation meets upstairs in a chapel attached to the New Synagogue on Oranienburger Strasse in former East Berlin. The mid-19th-century building was heavily damaged during World War II; its windows overlook the empty courtyard that once held the synagogue’s Torah ark and pews. Today, congregants gather in restored spaces, including a hall above what once served as the women’s gallery.
While other synagogues now offer egalitarian services, Ederberg’s congregation once served as an incubator, giving many women their first opportunity to read Torah from the bimah.
“On the one hand, it’s an intimate setting in her synagogue,” Blumenthal said. “But also you see the depth of both knowledge and commitment of the folks who are part of her community.”
Ederberg knows that for some people, her German Christian background remains a hurdle. Jewish identity in Germany today often reflects complicated family histories shaped by the upheavals of the 20th century.
Not only are there numerous converts like herself; there also are many Jews with a mother or grandmother who survived the Holocaust and a father or grandfather who served in the Wehrmacht, she noted. The question of Jewish identity in Germany, Ederberg said, “is a broader question about individuals and their family history.”
Her own family history reflects that complexity: Both of her grandfathers served in World War II, one dying at Stalingrad and the other working as a mechanic.
Ultimately, she said, the mentorship she received from three German-born Jewish figures — Schorsch as well as Israeli educators Alice Shalvi and Zeev Falk — proved decisive.
Back when she was an accidental rabbi, called upon to lead seders and services and to teach in a pinch, Ederberg hadn’t made up her mind whether to pursue ordination. She might have chosen to become a diplomat, she says, if it had not been for those three mentors who took her by the hand.
“Their encouragement, their push towards rabbinical school, their push towards, ‘Yes, you should go back to Germany and do what you’re doing,’ was really crucial,” she said.
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Fox’s Bible story miniseries puts women front and center
Depending on where you start the clock, the founding of the Jewish nation was partially born of an act of extreme cruelty.
When Sarah welcomed Isaac, after decades of trying for a child, she persuaded Abraham to send away her handmaiden Hagar and her son by him, Ishmael. That God provided for the child and his mother in the wilderness, and made a great nation of Ishmael’s descendants, was a worthy consolation. But could Sarah have known this blessing would come to pass?
In the first installments of Fox’s shiny new six-part, Sunday school miniseries, The Faithful: Women of the Bible, debuting March 22, it is Hagar (Natacha Karam) who narrates the story of Sarah. Though their dynamic was complicated — the OG Handmaid’s Tale — Hagar concludes that Sarah was a friend, and through the ages, “came to symbolize motherhood” as the “first of the great matriarchs.”
The mission statement of The Faithful, devised by an interfaith team and written by Star Trek alum René Echevarria and directed by Danny Cannon (CSI, Judge Dredd, Geostorm), is to foreground the stories of women in the biblical narrative. To that end, Sarah —played by Minnie Driver, using her natural British accent, forcing Yank Jeffrey Donovan’s Abraham to match her Received Pronunciation — has more agency than she did in Genesis.
It is Sarah (then still Sarai) who tells the pharaoh that Abraham is her brother and dodges the monarch’s advances with the help of some divine intervention. Leaving the palace, she manages to liberate Hagar, who was enslaved there.
Billed in the first episode title as “The Woman who Bowed to No One,” this Sarah is strong-willed, petitioning the almighty, with screams and some hurled offerings, to open her womb. As in scripture, it is her idea to give Hagar to Abraham to produce an heir. Only in this iteration there’s a quid pro quo: If Hagar gives Abraham a child, Sarah will help her return to her homeland. When the baby comes, Hagar reneges, sparking Sarah’s jealousy and the pretense that Hagar is not Ishmael’s real mother.
When Isaac arrives, heralded by three hooded strangers who stop by Abraham’s tent before firebombing Sodom and Gemorrah, the friction between Ishmael and his younger, legitimate brother is too much for Sarah.
“Cast them both out,” she tells Abraham. “We have to protect Isaac no matter the cost.”
The scene is uncomfortable. The actor playing Ishmael is brown with a different accent than Driver or Donovan. The child actor playing Isaac is blond, and Abraham hoped he’d have his mother’s light eyes.
Josephus and Jewish tradition regard Ishmael as the founder of the Arab nation. In Islam, he, not Isaac, is Abraham’s heir and the son who experienced the would-be sacrifice of the akedah. It will perhaps be difficult for some to watch white actors settle Canaan and exile people of color and not recall the narrative now surrounding Israel, and the meme of just about everything being promised to Jews 3,000 years ago.
But The Faithful is too dull to be truly provocative.
A common refrain has Abraham describing his wish to stand with his bride, “shoulder to shoulder, no matter what.” We see their early courtship beginning when Abraham (then Abram) helps her to disrupt an arranged marriage and gifts her a blue shawl — the fact that they may have been half-siblings is duly glossed over. It’s Tanakh by way of Nicholas Sparks.
Making Hagar a passive protagonist is an interesting twist, but the proceedings are too rooted in the mythic to fully capture the human drama at the story’s core. (Her journey, in which she grabs a rock from her homeland, and decades later places it on Sarah’s grave, dubiously suggests the origins of a familiar Jewish custom.)
The series has reasonable production values — which will go on to track Rebekah, Rachel and Leah — and since it’s based on the most popular book of all time, there’s a built-in audience that could certainly overlook some hackneyed writing and soap opera acting. As far as entertainment of this ilk goes, the show is of the highest caliber, admittedly faint praise.
The tales were meant to be retold, and we see Abraham developing the Jewish oral tradition, speaking of Eden and the Tower of Babel around the campfire. One night he teases the story of Sarah’s cunning escape from Pharaoh’s court.
Sarah laughs, chiding him for presenting the incident “as if it were one of the sagas.”
“Who knows,” Abraham all but winks at the viewer, “it might be one day.”
It is, but not all tellings are created equal.
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Israeli couple killed by Iranian cluster bomb as Israel continues assassinating Iranian officials
(JTA) — A couple in their 70s were killed overnight Tuesday by an Iranian missile, apparently as they tried to reach a bomb shelter, amid an especially intense barrage of missiles aimed at the Tel Aviv area.
Yaron and Ilana Moshe were killed near their home in Ramat Gan, an upscale suburb of Tel Aviv; a walker found near their bodies suggested that they were on their way to shelter but could not move quickly, officials said. Damage from the cluster munitions, which shed smaller bombs as they land, was also reported at other sites including a main train station in Tel Aviv.
The barrage, Iran said, was retaliation for the killing the day before of Ali Larijani, the country’s security minister and a close ally of its assassinated supreme leader, Ayatollah Ali Khamenei.
Shortly afterwards, Israel announced that it had assassinated another top official, intelligence minister Esmaeil Khatib. The Israeli military said in a statement, “Khatib played a significant role during the recent protests throughout Iran, including the arrest & killing of protestors and led terrorist activities against Israelis & Americans around the world.”
Israel’s defense minister, Israel Katz, warned that “significant surprises” would be ahead as Israel continued to pummel targets in Iran.
A Wall Street Journal story published Wednesday details how Israel says it is choosing its targets, describing an extensive list of sites and people who are in its crosshairs. Israel knew security officers would gather in sports complexes after their offices were destroyed, then bombed the complexes once they were full, for example, according to the story, which says Iranians say order is beginning to fray on the streets but the regime appears far from falling. Israel said earlier this week that it had three more weeks of targets to work through.
Israel has also stepped up its campaign in and around Beirut, where it is targeting forces affiliated with Hezbollah, the Iranian proxy that operates out of Lebanon and has been bombing Israel since earlier this month.
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