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A groundbreaking ex-Hasidic memoir is now an opera

(New York Jewish Week) — As a Hasidic mom raising a family in Houston, Leah Lax had seven children ages 9 and under — including an infant, and a toddler with health issues, born just 11 months apart. When she found herself unexpectedly pregnant again, she realized she needed to have an abortion.

That scene — and the ensuing conflict with her husband, who viewed abortion as murder — is an emotional climax in “Uncovered: A Chamber Opera in One Act,” which is based on Lax’s acclaimed memoir, “Uncovered: How I Left Hasidic Life and Finally Came Home.” When the book was published in 2015, the New York Jewish Week called it “the first ex-Hasidic gay memoir.” 

Produced by City Lyric Opera, it opens Wednesday at Manhattan’s HERE Arts Center, and runs through Saturday night. 

Raised in a secular Jewish family, Lax connected with the Chabad Hasidic movement at age 16 and married a grad student when she was 19. Today, Lax, 66, still lives in Houston, but with her wife, with whom she has been partnered for 17 years. Her children — some of whom have remained religious and some who have not — are spread around the country. Lax has 13 grandchildren “and counting,” she says with audible delight.

Lax wrote the libretto for “Uncovered,” as she has for other operas; the music was composed by Lori Laitman. Lax’s next book, “Not From Here,” is based on a libretto she wrote for Houston Grand Opera for which she spent a year interviewing dozens of refugees and immigrants in the Texas city. It is slated for publication in summer 2023 by Pegasus Press. Interviewing those people led Lax to realize that she felt like an immigrant to her own life, she said.

Lax and I have known each other since I reviewed the book “Uncovered” shortly after publication.

This interview was lightly edited for length and clarity.

New York Jewish Week: What did your eighth pregnancy represent?

Leah Lax: It was the wakeup call of my life. Before that I was inured to everything except following what I was expected to do. Before that my body didn’t belong to me. It belonged to God, and what is God? Halacha [Jewish law] is the voice of God. 

Then I realized that this pregnancy could kill me. My body was telling me something that nobody else was hearing, and I realized that I am the authority of my body. I decided to get an abortion. When I told my husband it sparked a huge crisis. He said “If you do, I will divorce you.” To soothe him, I said let’s ask a rav [a rabbi]. I knew I would do it anyway, but if a rav said yes I wouldn’t be out on the street or lose my children [in a divorce]. The rav spoke to my doctor, who said he thought I was at risk. The rav came back and said, “You have to do this thing and do not speak of it to anyone.” Today Christian values have taken over the abortion issue and it really is stomping on our freedom of religion. [Most Jewish sources do not consider that life begins at conception, and Jewish tradition allows room to prioritize the life of the mother when there is a danger to her physical or emotional health.]

I had the abortion, but it came between my husband and me. He grieved and would not speak of it. I was alone with my secret.  But I was awake. I changed. That’s when I started writing. It set off a process that led me out the door.

You stayed in Houston, where you raised your family. What was it like to come out as gay and non-religious there?

I was having an affair with a woman. The whole community figured it out and erupted in gossip. I was followed. There’s a confrontation scene in the opera about it. I crossed town to be with my lover and didn’t come out formally until I moved out of the house and left the community. The community shunned me to the point where I began grocery shopping on Saturdays to avoid people. I had been the first- and third-grade teacher at their Chabad day school, and I lost those relationships. Now I’ve reconciled with many of them.

What impact did the publication of “Uncovered” have?

It caused tension with some of my religious kids. They were OK with our differences as long as it was private. Putting it in print, that radical freedom of speech was a departure for them. I really seek to heal that — we have, to some extent. Being an artist is an act of radical free speech. Artists are dangerous people. If I had it to do over again, I would talk it through with my children in advance. I didn’t know to prepare them for it, and I don’t know if it would have helped.

Writing it, I had to delve into memories and keep renewing that story. I became a person living both my past and present. It moved me forward. It led into the next project, “Not From Here: The Song of America,” this awareness of the past and how it forms us.

What do you want viewers to take away from “Uncovered” the opera?

I want my work to break down religious walls. I want people to find through this work that these issues that are looked as abstract by movements are personal and individual, whether it’s abortion, sexuality or religious choice. It is within us, or between us and God.

“Uncovered” runs at the HERE Arts Center, 145 Sixth Ave. Wednesday-Friday, Nov. 16-18, 8:30 p.m.; Saturday, Nov. 19, 4:00 p.m.; Saturday, Nov. 19, 8:30 p.m. $35. Get ticket information here.


The post A groundbreaking ex-Hasidic memoir is now an opera appeared first on Jewish Telegraphic Agency.

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The Nakba exhibit and the importance of historical context

Anti-Israel protesters on Tuxedo Blvd. near the Asper Campus on Tuesday, August 4 (while Shalom Square was on)
Noah Strauss

By NOAH STRAUSS When I went to the Nakba Exhibit, I was shocked, not by the contents of the exhibit but by its size. The exhibit was tiny in my eyes, and I thought the amount of outcry was excessive for an exhibit that is less than 500 words. It felt like every other day the National Post had an article about the exhibit, criticizing different aspects of it. But then I had a realization: the exhibit was never criticized because it was “too” big, but because of the contents of it. When I was toured by the curator, I actually asked her, “Where is the rest of it?” I was confused because I had been misled by the media to believe the size of the exhibit was massive.

I believe that every human being should be able to live a free life. No human should be bullied for who they are. That is not okay, and to some credit, the Nakba exhibit does cover this. But where my problem now comes into play is the fact that the museum fails to portray the full history surrounding the Nakba.

The museum is publicly funded; our taxpayers’ dollars go there. It is supposed to represent our nation and our beliefs, not take a side on history. The Museum did exactly that. It took a side, and guess what? It caused chaos.

Whenever asked why it does not show the other side of history, the museum would always say something along the lines of: our space is limited, the focus of the exhibit is solely the Nakba, etc. But to me, these are excuses, and I will call that out.

For context, the Nakba was an event that occurred around 1948 after the 1947 UN Partition Plan. The Nakba continued until about 1949. During this time, approximately 750,000 Palestinians were either forced out or left what is now Israel.

The Museum is contributing to concerns surrounding the rise of antisemitism. The Museum has failed to mention that during the same era as the Nakba, hundreds of thousands of Jewish people were displaced from Middle Eastern and North African countries, with many forced to leave because of their religion.

Context matters. Yes, 750,000 Palestinians were displaced, but what happened during the same era also left hundreds of thousands of Jewish people without homes. When a visitor with no historical context walks in to see what the “Jewish” people did to the Palestinians, of course they’re going to blame the Jews. Because it makes me, a Jewish person, look terrible.

In my view, the exhibit contributes to concerns about growing antisemitism by presenting an incomplete historical narrative.

But then, as Jewish people, we need to know when it’s time to move forward. We need to focus on how we can positively portray the Jewish community and show the world who we are, rather than allowing others to define us through a one-sided historical narrative.

Noah Strauss is a 15-year-old Gray Academy student

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Trump is still going after Palestinians in the U.S. Jews must keep protesting those antidemocratic efforts

Mohsen Mahdawi, a 35-year-old Palestinian, has been a permanent resident of the United States for the past 14 years. And as the U.S. government presses ahead with efforts to deport him over his pro-Palestinian advocacy at Columbia University, more than 1,000 Jews have come forward to defend him by signing an open letter I authored.

Why? At a time of particularly fractious division in the Jewish community over issues related to the Israeli-Palestinian conflict, how is it possible that so many Jews have come together in support of a Palestinian activist?

One key reason is that the government is seeking to infringe upon the rights of someone who neither engaged in acts of violence nor supported them. In July, the Second Circuit Court overruled a prior district court judge’s dismissal of the deportation case against Mahdawi, giving new energy to the government’s efforts.

Mahdawi has committed no crime; the government has not even bothered to accuse him of doing so. Instead, he simply gave voice to his belief in the necessity of freedom for his people.

Jews of all ideological stripes can and should agree that it is wrong to penalize someone for the expression of their political views. They don’t need to go far back in time to recall that such tactics have often been used against Jews themselves — in the Soviet Union to suppress refuseniks who sought to manifest their identity as Jews; in the U.S. during the McCarthy era; and, most ominously, during the dark age of Nazi totalitarianism.

In drafting an open letter defending Mahdawi, focused on the attack on his political rights, I hoped that a diverse range of Jews would be willing to acknowledge that whether they agree or disagree with Mahdawi, the government’s targeting of him represents a threat to all of us.

I know Mahdawi personally. We met at a peace-building retreat in the summer of 2024. He was an enormously compelling presence who drew people together through his preternatural calmness and clarity of purpose.

Since then, I have come to see him as a unifier, not a divider. He’s an advocate of peace, not war. And he has the potential to become a leader of enormous charisma and potential.

So why has the Trump administration devoted so much attention to persecuting a Palestinian student who has repeatedly called out antisemitism, including at a Palestinian solidarity rally at Columbia?

The sad reality is that Mahdawi, like his fellow Columbia student Mahmoud Khalil, is being persecuted for the crime of being Palestinian.

The U.S. State Department came up with the logic-defying claim, in March 2025, that Mahdawi’s activities at Columbia “would have a potentially serious adverse foreign policy consequences and would compromise a compelling U.S. foreign policy interest.” If this administration truly wishes to advance its foreign policy interests, then it should focus on reconstructing Gaza and building a framework for peace between Israelis and Palestinians, not targeting a devoted adept of non-violence like Mahdawi.

Many who signed the letter in support of Mahdawi joined in for the simple reason that they believe it is un-American to discriminate against people on the basis of their political views. Some who added their names  felt, as I did , that there was another compelling reason to sign on: that Mahdawi’s activism gives the lie to the prevalent myth that to be pro-Palestine is to be antisemitic. This proposition gets buried in the raging discourse around antisemitism and Israel today.

It is essential to recognize that support for the cause of Palestinian freedom and self-determination is not the political or moral equivalent of antisemitism. It is a precondition to a world in which Israeli Jews and Palestinians live peaceably together. And it is a cause that Jews, by virtue of their own historical experience of exile, should be eminently capable of both understanding and supporting.

Mohsen Mahdawi perfectly exemplifies the position. He is fierce in his advocacy for Palestinian rights. And he is fierce in his opposition to all forms of identity-based discrimination, including and especially, antisemitism. He deserves better from the U.S., and we Jews must vigorously oppose the profound miscarriage of justice being directed against him.

David N. Myers teaches Jewish history at UCLA.

The post Trump is still going after Palestinians in the U.S. Jews must keep protesting those antidemocratic efforts appeared first on The Forward.

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Lawmakers seek 100-foot buffer zone around houses of worship to protect prayer goers from protests

(JTA) — A bipartisan group of lawmakers introduced a federal legislation Thursday in the House and Senate aimed at protecting houses of worship from disruptive demonstrations, following a series of protests outside of synagogues this year.

The Right to Worship Act was introduced by Sens. Ted Cruz, a Texas Republican, and Elissa Slotkin, a Michigan Democrat, alongside Reps. Brad Knott, a North Carolina Republican, and Tom Suozzi, a New York Democrat. It would establish a 100-foot “buffer zone” around houses of worship during religious services — mirroring similar legislation recently enacted in New York.

“The First Amendment guarantees every American the right to freely exercise their faith, and Congress has a duty to ensure that guarantee is met,” Cruz said in a statement Thursday.

The legislation would also establish civil penalties for offenders and provide pathways for individuals, including state attorneys, to seek court orders and damages in federal court. While the legislation would target protesters who knowingly disrupt scheduled religious services, houses of worship would not be required to make their schedules public.

The bill’s sponsors say the measure is aimed at conduct rather than the content of protesters’ speech.

“No one should have to push through a hostile crowd or shout over a bullhorn in an attempt to pray,” said Jonathan Greenblatt, the CEO and national director of the Anti-Defamation League, which helped lawmakers draft the legislation.

It’s the latest attempt at passing federal legislation aimed at insulating houses of worship from protest, following Suozzi’s “SACRED Act” legislation, a similar bill he introduced in April but which has not progressed in the House.

Those efforts have now been joined by Slotkin, who is Jewish, and Cruz, who has often taken aim at antisemitism within the Republican coalition over the past year.

“Exercising your right to worship should not require you to exhibit particular courage as you enter your synagogue, church, mosque, temple, mandir, or gurdwara,” Suozzi said in a statement.

The New York City Council passed a local buffer zone bill in March following a series of pro-Palestinian protests outside of synagogues that hosted Israeli real estate expos. While Jewish groups and leaders heavily advocated for the measure, it also faced opposition from civil rights leaders who said it would have a chilling effect on First Amendment protections.

This article originally appeared on JTA.org.

The post Lawmakers seek 100-foot buffer zone around houses of worship to protect prayer goers from protests appeared first on The Forward.

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