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A groundbreaking ex-Hasidic memoir is now an opera
(New York Jewish Week) — As a Hasidic mom raising a family in Houston, Leah Lax had seven children ages 9 and under — including an infant, and a toddler with health issues, born just 11 months apart. When she found herself unexpectedly pregnant again, she realized she needed to have an abortion.
That scene — and the ensuing conflict with her husband, who viewed abortion as murder — is an emotional climax in “Uncovered: A Chamber Opera in One Act,” which is based on Lax’s acclaimed memoir, “Uncovered: How I Left Hasidic Life and Finally Came Home.” When the book was published in 2015, the New York Jewish Week called it “the first ex-Hasidic gay memoir.”
Produced by City Lyric Opera, it opens Wednesday at Manhattan’s HERE Arts Center, and runs through Saturday night.
Raised in a secular Jewish family, Lax connected with the Chabad Hasidic movement at age 16 and married a grad student when she was 19. Today, Lax, 66, still lives in Houston, but with her wife, with whom she has been partnered for 17 years. Her children — some of whom have remained religious and some who have not — are spread around the country. Lax has 13 grandchildren “and counting,” she says with audible delight.
Lax wrote the libretto for “Uncovered,” as she has for other operas; the music was composed by Lori Laitman. Lax’s next book, “Not From Here,” is based on a libretto she wrote for Houston Grand Opera for which she spent a year interviewing dozens of refugees and immigrants in the Texas city. It is slated for publication in summer 2023 by Pegasus Press. Interviewing those people led Lax to realize that she felt like an immigrant to her own life, she said.
Lax and I have known each other since I reviewed the book “Uncovered” shortly after publication.
This interview was lightly edited for length and clarity.
New York Jewish Week: What did your eighth pregnancy represent?
Leah Lax: It was the wakeup call of my life. Before that I was inured to everything except following what I was expected to do. Before that my body didn’t belong to me. It belonged to God, and what is God? Halacha [Jewish law] is the voice of God.
Then I realized that this pregnancy could kill me. My body was telling me something that nobody else was hearing, and I realized that I am the authority of my body. I decided to get an abortion. When I told my husband it sparked a huge crisis. He said “If you do, I will divorce you.” To soothe him, I said let’s ask a rav [a rabbi]. I knew I would do it anyway, but if a rav said yes I wouldn’t be out on the street or lose my children [in a divorce]. The rav spoke to my doctor, who said he thought I was at risk. The rav came back and said, “You have to do this thing and do not speak of it to anyone.” Today Christian values have taken over the abortion issue and it really is stomping on our freedom of religion. [Most Jewish sources do not consider that life begins at conception, and Jewish tradition allows room to prioritize the life of the mother when there is a danger to her physical or emotional health.]
I had the abortion, but it came between my husband and me. He grieved and would not speak of it. I was alone with my secret. But I was awake. I changed. That’s when I started writing. It set off a process that led me out the door.
You stayed in Houston, where you raised your family. What was it like to come out as gay and non-religious there?
I was having an affair with a woman. The whole community figured it out and erupted in gossip. I was followed. There’s a confrontation scene in the opera about it. I crossed town to be with my lover and didn’t come out formally until I moved out of the house and left the community. The community shunned me to the point where I began grocery shopping on Saturdays to avoid people. I had been the first- and third-grade teacher at their Chabad day school, and I lost those relationships. Now I’ve reconciled with many of them.
What impact did the publication of “Uncovered” have?
It caused tension with some of my religious kids. They were OK with our differences as long as it was private. Putting it in print, that radical freedom of speech was a departure for them. I really seek to heal that — we have, to some extent. Being an artist is an act of radical free speech. Artists are dangerous people. If I had it to do over again, I would talk it through with my children in advance. I didn’t know to prepare them for it, and I don’t know if it would have helped.
Writing it, I had to delve into memories and keep renewing that story. I became a person living both my past and present. It moved me forward. It led into the next project, “Not From Here: The Song of America,” this awareness of the past and how it forms us.
What do you want viewers to take away from “Uncovered” the opera?
I want my work to break down religious walls. I want people to find through this work that these issues that are looked as abstract by movements are personal and individual, whether it’s abortion, sexuality or religious choice. It is within us, or between us and God.
“Uncovered” runs at the HERE Arts Center, 145 Sixth Ave. Wednesday-Friday, Nov. 16-18, 8:30 p.m.; Saturday, Nov. 19, 4:00 p.m.; Saturday, Nov. 19, 8:30 p.m. $35. Get ticket information here.
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50 years after the Dirty War, Argentinians remember the Jews who ‘disappeared’
(JTA) — BUENOS AIRES — As Argentina marks the 50th anniversary of the 1976 military coup, a lesser-known aspect of the dictatorship is gaining attention: the disproportionate number of Jews among the disappeared.
Estimates suggest that as many as 1,900 Jews were abducted, tortured and murdered by the military junta during the six-year Dirty War, when many sources say 30,000 people were disappeared. Depending on the source, Jews represented 5% to 8% of the total, even though Jews made up less than 1% of Argentina’s population at the time.
That grim history is being explored in educational initiatives by Argentina’s Jewish community, aimed at younger generations and focused on understanding how the dictatorship operated and the disproportionate suffering it inflicted on Jews.
“The Jews were subjected to a particular form of treatment that resulted in greater brutality on the part of the repressive forces,” according to a new curriculum released by the education department of AMIA, the Jewish community center in Buenos Aires. “The experience of Jewish Argentines who were victims of state terrorism was marked by a strong antisemitic imprint among many members of the task forces.”
The AMIA project includes meetings between Jewish youth and relatives of the Jewish “disappeared,” as well as visits to memorial sites. Some 1,000 students are expected to take part this month.
A parallel digital project, Eduiot (“Testimonies”), documents the stories of Jewish victims of the military dictatorship and includes meetings between relatives of the disappeared and high school students.
The materials rely on personal testimonies to explain the human impact of the dictatorship and to put individual stories in the broader historical context.
Eduiot includes the story of Fernando Ruben Brodsky, a 22-year-old student who disappeared in 1979, including accounts from relatives who continue to seek answers. His mother, Sarah Brodsky, shares accounts of her son, a psychology student and kindergarten teacher who was abducted from his home on Aug. 8 and never seen again.
The testimonials relate how security forces subjected Jews to antisemitic abuse when they were kidnapped or detained, including Nazi language and symbols and “special” interrogations reserved for Jews.
The anniversary comes amid renewed debate over how Argentina interprets the dictatorship. President Javier Milei’s government has called for a broader account that also includes victims of left-wing guerrilla violence, which some suggest is a way to minimize the crimes of the dictatorship. Milei and other voices close to the government have also questioned the 30,000-victim figure, promoting a lower number (often 9,000).
Under the junta, the military and state security forces targeted suspected left-wing sympathizers, including students, unionists, journalists and activists.
In 1979, Jewish advocacy groups such as the Anti‑Defamation League expressed grave concern over the disappearances, focusing on the Jewish victims, and Jewish families in Argentina and abroad helped compile lists of the missing. According to an ADL official at the time, “Jews are not specifically targeted as Jews. However, the security agents tend to be suspicious of Jews.”
The best-known Jewish target of the state was journalist Jacobo Timerman, who published a left-leaning newspaper, La Opinion. In 1977, the generals who ruled Argentina shut down the paper and imprisoned Timerman. Among other things, Timerman was accused of masterminding a plot to establish a Jewish homeland in the remote Patagonia region of southern Argentina.
He survived, and in his 1981 memoir, “Prisoner Without a Name, Cell Without a Number,” he recounted how he was subjected to torture during his 2 1/2 years in confinement.
According to Eduiot, Jewish advocacy for the disappeared “proved effective in bringing early attention to human rights violations.” The U.S. Congress launched investigations, and in a 1978 article in Le Monde, novelist and Holocaust survivor Marek Halter compared the persecution of Argentine Jews to Nazi-era atrocities.
The Eduiot site includes photographs and audiovisual material, and features the accounts of parents, siblings, cousins, nephews and nieces of Jews persecuted and disappeared under the dictatorship.
“Because every testimony matters and holds great value,” according to its website. “Because these dark episodes of our history must never be repeated, and because we want each of the disappeared to have a space of remembrance on this site, helping families sustain their memory and uphold the call for justice.”
The post 50 years after the Dirty War, Argentinians remember the Jews who ‘disappeared’ appeared first on The Forward.
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Fortnite tops ADL’s new ‘leaderboard’ ranking video games on antisemitism safeguards
(JTA) — The online video game Fortnite tops the Anti-Defamation League’s “leaderboard” ranking online video game companies on their efforts to curb antisemitism and extremism on their platforms.
The Online Gaming Leaderboard, which the antisemitism watchdog billed as the “first comprehensive public evaluation” of how online multiplayer games address antisemitism, ranked 10 popular online games based on safety features, moderation, player protections and written policies meant to address antisemitism and hate.
Fortnite was followed at the top of the rankings by Grand Theft Auto Online, Call of Duty and Minecraft. Games labeled as having “limited protection” by the ADL included Counter-Strike 2 and PUBG: Battlegrounds.
Madden NFL, Valorant, Clash Royale and Roblox, a collaborative computer gaming platform for children as young as 7, were ranked as having “moderate protection.”
“Without strong safeguards, these platforms can become breeding grounds for harassment and hateful activity that harms players directly, normalizes hateful ideologies and damages trust,” Jonathan Greenblatt, the CEO of the ADL, said in a statement Wednesday. “This leaderboard provides the transparency that parents, gamers and the industry need to understand where companies are succeeding and where urgent improvements are necessary.”
The leaderboard’s release coincided with a landmark Los Angeles jury verdict finding Meta and YouTube liable for harming a young user through addictive design features.
In the virtual worlds of online gaming, players have posted abusive messages in chats, created antisemitic imagery and even given themselves bigoted usernames.
While Fortnite ranked first, the popular online game has also previously faced scrutiny over allegations that it enabled antisemitic content. Last September, it disabled a character dance feature after users said its gestures resembled a swastika.
Roblox, which has long faced criticism over content moderation, has also been the subject of controversy, including in 2022 when it removed a user-created simulation of a Nazi gas chamber. In the wake of the Oct. 7 attacks in 2023, the Israeli government also urged users to report pro-Palestinian activity in the game that it said included antisemitic content.
The post Fortnite tops ADL’s new ‘leaderboard’ ranking video games on antisemitism safeguards appeared first on The Forward.
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Iran Posts AI Video Showing Missile Striking Statue of Liberty
An Israeli air defense system intercepts a ballistic missile barrage launched from Iran to central Israel during the missile attack, February 27, 2026. Photo: Eli Basri / SOPA Images via Reuters Connect
Iran on Tuesday released an AI-generated video depicting a missile striking the Statue of Liberty in New York Harbor, a global symbol of American freedom and democracy, in one of the regime’s latest propaganda efforts to influence public perception abroad.
Shared by Iranian state broadcaster IRIB as well as a Telegram channel affiliated with the Islamic Revolutionary Guard Corps (IRGC), the minute-long video ends with the slogan “One vengeance for all.”
IRGC Official Telegram Channel Releases AI Video Depicting Iranian Ballistic Missile Strike on United States, Hitting New York City and Toppling Statue of Liberty Shown as Idol of Baal Holding Babylonian Talmud pic.twitter.com/JhgNgHW2Zz
— MEMRI (@MEMRIReports) March 25, 2026
The video was also circulated by Russian state outlet RT, in what appears to be a stark and symbolic threat against the United States.
‘ONE VENGEANCE FOR ALL’ — Iran ‘bombs’ the Statue of Liberty WITH THE HEAD OF BAAL pic.twitter.com/6tPH15fqkZ
— RT (@RT_com) March 25, 2026
Since the start of the US-Israel war with Iran, which began on Feb. 28, Iranian officials have ramped up their propaganda and disinformation efforts, trying to portray Washington and Jerusalem as responsible for decades of regional conflict while seeking to influence left-leaning Americans to mobilize domestic opposition to the war.
This latest widely circulated video presents a striking sequence portraying the United States as the world’s enemy, drawing on imagery from the dispossession of Native Americans and the atomic bombings of Japan to the Vietnam War and more recent Middle Eastern conflicts to craft a sweeping narrative of American aggression.
The clip also features footage alluding to a child on Jeffrey Epstein’s private island — a recurring theme in Iran’s messaging used to suggest that US President Donald Trump launched the current war to distract the public from the Epstein scandal, in which the late financier was convicted of running a sex-trafficking ring involving underage girls and, allegedly, various influential figures.
Later in the video, AI-generated figures of Iran’s former Supreme Leader Ayatollah Ali Khamenei and the late Iranian Major General Qassem Soleimani are shown gazing skyward. Khamenei was killed in an Israeli airstrike on Feb. 28, and Soleimani was killed in a US drone strike in 2020.
The final sequence of the video depicts a missile in Iranian colors striking the Statue of Liberty in New York Harbor, whose head has been replaced with that of Baal, a false god from the Bible, while the statue holds the Talmud, a key collection of Jewish religious teachings and laws.
This video is the latest example of AI-generated propaganda released since the start of the war with Iran.
Last week, Chinese state television CCTV released a separate AI-generated clip illustrating Beijing’s perspective on the Strait of Hormuz crisis, featuring Persian cats in martial arts combat and an eagle-headed human representing the United States.
Experts note that Russian dissemination of Tehran’s video reflects a broader coordinated effort to use visual propaganda to challenge US foreign policy and influence global perceptions amid rising regional tensions.
The latest video came as the US and Iran began engaging in diplomacy over a possible resolution to the war, although Tehran has reportedly responded negatively to Washington’s proposal.
