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A ‘historic’ day in Israel ends with a political compromise — and big questions about the future
(JTA) — Like hundreds of thousands of her fellow Israelis, Kelly Breakstone Roth’s instinct on Sunday was to take to the streets.
The only wrinkle: She and her family have been in Brooklyn for the last two years, part of the diaspora of hundreds of thousands of Israelis living abroad. They couldn’t just walk out the door of their apartment and join the sweeping nationwide protest that ignited after Prime Minister Benjamin Netanyahu fired his defense minister, who had called for a pause on proposed changes to Israel’s judiciary.
So they bought one-way plane tickets, set to take off at 2 a.m. on Monday and land in Israel that evening. “It was a very spontaneous decision,” Breakstone Roth, an entrepreneur, told the Jewish Telegraphic Agency on Sunday evening, as she ran errands to prepare her family of five for a trip of indeterminate length. “But the sensation that we have to be there has been building up for quite a bit now.”
She likened the experience to that of Israeli military reservists who receive an emergency call-up notice, known in Israeli jargon as a “tzav shmoneh,” Hebrew for “order eight.”
“This is a tzav shmoneh moment for anybody who wants there to be a Jewish and democratic state,” she said.
By the time Breakstone Roth landed in Tel Aviv Monday evening, conditions in Israel had shifted dramatically. Late-night protests on Sunday that shut down a main highway and riveted Jews the world over had been dispersed, but protesters convened again on Monday in Jerusalem, where the parliament was waiting to hear whether it would vote on a key piece of the judiciary legislation. The country’s labor unions had called a general strike, and everything from universities to McDonald’s franchises to some departures at the Tel Aviv airport had shut down.
The Breakstone Roth family poses with protest signs in New York City’s John F. Kennedy International Airport en route to Israel, March 27, 2023. (Courtesy of Kelly Breakstone Roth)
Meanwhile, Netanyahu had spent Sunday night negotiating with his coalition partners, trying to keep their government together despite a mounting sense that proceeding immediately with its signature legislation could plunge Israel into unprecedented turmoil — possibly even civil war. By the evening, even the justice minister who threatened to quit if Netanyahu delayed the vote said he would respect a decision to pause — one that Netanyahu made official only as night fell.
Netanyahu did not say what he had promised his partners to sign off on the pause, but a far-right minister said he had exacted permission to launch a civilian police corps.
Earlier, breaking his public silence, the prime minister had tweeted, “I call on all the demonstrators in Jerusalem, on the right and the left, to behave responsibly and not to act violently. We are brotherly people.”
Big questions loomed: What would happen when right-wing supporters of the judiciary reform — including a notoriously racist and combative group of fans from the Beitar Jerusalem soccer club — heeded a call to take to the streets, too? Would a delay satisfy protesters who have spent a dozen weeks articulating deep-seated grievances that, in many cases, go far beyond the particular reforms? Would Netanyahu and his coalition offer any meaningful concessions before resuming the legislative process in the future? What would be the cost of the promises he offered his most extreme partners in exchange for their acquiescence?
The answers to those questions will help determine what kind of country Israel will be after this crisis ends, whenever that is. But on Sunday night and Monday, the protesters and those watching them could be forgiven for taking a moment to bask in the sense that history was being made.
Thousands of Israeli right-wing protesters rally in support of the Israeli government’s judicial overhaul bills outside of the Israeli parliament, the Knesset, in Jerusalem, March 27, 2023. (Gili Yaari/Flash90)
“What we witness in Israel is a historical revolution in the style of French, Russian, Iranian revolutions and the collapse of the Soviet Union,” tweeted Yossi Melman, a journalist who has covered military affairs for multiple Israeli newspapers.
“A historic night. Each of us will remember where we were tonight,” tweeted the journalist and political analyst Anshel Pfeffer. “And whoever was not in the streets will say that they were.”
The head of the country’s labor union, the Histadrut, also used the word “historic” to describe the general strike he was supporting.
Ahmad Tibi, an Arab lawmaker, tweeted in language drenched in history. He posted in Hebrew transliteration a slogan associated with the 2011 Arab Spring: “The people want to bring down the regime.”
It’s not at all clear that the Israelis who protested on Sunday and Monday will ultimately be satisfied. Revolutions don’t always succeed, as the Arab Spring and countless other examples in history make clear. Many of the social and demographic forces that brought Israel to this moment haven’t changed. Netanyahu has survived political crisis after political crisis before.
In addition, while a substantial majority of Israelis oppose the specific judicial reform legislation that is on the table now, many still say they believe some changes are merited. Israel’s far right, in particular, still views a disempowered Supreme Court as essential to achieving its vision of expanded Jewish settlement and control in the West Bank.
Supporters of the judicial overhaul were framing the stakes as historic, too, but casting the demonstrations as a threat to democracy. It is “inconceivable that the minority will force its opinion with violence and the creation of anarchy in the streets,” declared 17 leading religious Zionist rabbis in a joint statement calling on the government to push forward with the legislation on Monday.
Yet for Monday, at least, the politically diverse anti-government coalition that has solidified over the last three months could exult in the power of the people. And at a time when some liberal Israelis are so alarmed by the country’s political direction that they are packing up and moving away, the Breakstone Roths were coming home.
“This is a critical time in Israel’s history,” Breakstone Roth said before boarding. “In terms of our daughters, we felt it was really important for them to know that we’re doing everything that we possibly can to try to make an impact.”
She said she hoped to hear upon landing that Netanyahu was pulling the legislation, if only temporarily — then turned to realpolitik. “Hopefully If he does say it, he intends it, and … we’ll be able to say that the demonstrations were a success,” she said. “And if he’s just fooling, trying to do some sort of maneuver, then it’s going to be ignited once again.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
