Uncategorized
A Holocaust survivor and her family saw ‘Leopoldstadt.’ The Broadway play told their story.
(New York Jewish Week) — On a Wednesday evening last month, three generations of a Jewish family made their way to their seats at the Longacre Theater to see “Leopoldstadt,” Tom Stoppard’s epic Broadway play about the tragedies that befall an extended Jewish family in the first half of the 20th century in Vienna.
The date of the family gathering was a significant one: Nov. 9, the 84th anniversary of the Nazi pogroms known as Kristallnacht. And in the audience was Fini Konstat, 96, who lived in the once thriving Jewish neighborhood after which the play is named, and witnessed the horrors it portrays first-hand. Alongside her were her daughter and her son-in-law, Renee and James Akers, and her oldest great-grandchild, Lexi Levin, 23.
When Konstat was a child, she lived in a “nice apartment” in Leopoldstadt. But exactly 84 years to the day of their theater date, “I was running with my father, seeing all the Jewish stores with all their windows broken,” she told Levin in a short video her great-granddaughter filmed before the curtain rose.
“It’s such a blessing for me to be here with you,” Levin said to her great-grandmother in response. “Ninety-six years old, survived a pandemic, at a Broadway show in New York City.”
Left: Fini as a child on the balcony of her apartment in Leopoldstadt. Right: Fini with her three children in front of the very same building, pictured in 2015. (Courtesy)
Since the beginning of its Broadway run in mid-September, “Leopoldstadt,” with its depiction of a prosperous Viennese family on the brink of destruction, has moved audiences to tears and inspired deep reflections on the Holocaust. Based on the celebrated playwright’s own family history — of which he was barely aware while growing up in England — it has provided a stark counterpoint to news about rising antisemitism and the celebrities who have been purveying it.
But for Konstat, the play was much more personal. “When I heard the word ‘Leopoldstadt,’ this alone gave me lots of thrills and memories,” Konstat, who is known in her family as Mimi, told the New York Jewish Week in accented English. She recalled how Levin, who recently moved to the city, invited her to fly to New York to see one of Broadway’s hottest tickets.
“Leopoldstadt,” she repeated, her voice breaking. “The second district. That’s where we lived.”
At the end of Stoppard’s five-act play, audiences learn that most of the Jewish characters had perished under the Nazis — of the four generations in the show, just three cousins survive to carry on the family’s legacy.
For Konstat too, she and her parents were among the very few in their extended family to survive the Holocaust. “Almost all of them went to Auschwitz or other camps,” Konstat said. “My mother was a twin and only the twins remained alive. [My mother’s] five other siblings and my grandmother perished.”
L-R: Renee Akers, James Akers, Lexi Levin and Fini Konstat at the Longacre Theater to see Tom Stoppard’s ‘Leopoldstadt on Broadway,’ Nov. 9, 2022. (Courtesy)
In a Zoom conversation held over Thanksgiving weekend, Konstat, surrounded by two of her daughters, two of her granddaughters and three of her great-granddaughters, shared what the play meant to her — and how her family has restored what she lost.
In the months after Kristallnacht in 1938, Konstat and her parents hid in a neighbor’s apartment; Konstat recalls hiding under the duvet when German soldiers showed up. Eventually the family fled to Turkey, and then to India, before settling down in Mexico City. There, the teenage Fini met her husband David, also a survivor who escaped Poland. The two of them began to write the rest of their story — starting with the birth of the first of their three children in 1948.
Unlike many Holocaust survivors, Fini and David Konstat were open about their experiences during the war, instilling a sense of pride and duty to remember in their children — something that eventually extended to their grandchildren and great-grandchildren.
“They were proud to speak about how they survived this,” said the Konstats’ middle child, Renee Konstat Akers. “Their life was an odyssey. They had the courage to do things that you would never think were possible. We grew up grateful knowing how our family survived in that incredible way.”
Each child moved to different places as they grew up and got married. Manuel, the oldest, stayed in Mexico. Renee married an American and moved to the Midwest, and Denise, the youngest, to Houston. Each became deeply involved in their Jewish communities, sending their children (Konstat’s grandchildren) to Jewish day schools, celebrating Jewish holidays and participating in synagogue life.
“The word ‘miracle’ really does not feel like an understatement in this scenario,” said Sherry Levin, one of Konstat’s grandchildren. “When we think about what it took for my grandmother and grandfather to survive and how they were able to intersect in Mexico, and such an amazing multi-generational family has come to fruition, it feels miraculous.”
Pictured here on their 40th anniversary, Fini and her husband David met in Mexico City after both had fled Europe. They were married 54 years before David died in 2001. (Courtesy)
Reviews of the show have ranged from rhapsodic to resistant, with some critics suggesting the play is simplistic and obvious in its story-telling or that it is less a well-crafted play than a well-meaning lesson on the Holocaust.
But just as the Merz family clashes and argues about everything from antisemitism to intermarriage to socialism in “Leopoldstadt,” each generation of the Konstat family that saw “Leopoldstadt” that night came away with something different — a reaction influenced by their age, their Jewish identity, their nationality and their relationship with their family.
For Konstat, the arc of “Leopoldstadt” was so familiar that it hardly stirred her. “It was just very happy watching it and enjoying it and enjoying my children with me, “ she told the New York Jewish Week. “I didn’t think about anybody else.”
Akers, too, felt an intense familiarity with the story, and, perhaps toughened by her own family history, didn’t experience an intense emotional reaction. Her own parents’ lives gave Akers a sense of purpose in her life — for example, in the 1990s, she was passionate about helping resettle Jews fleeing the former Soviet Union. With her own children, she instilled in them a strong sense of Jewish purpose in their work, their education and their family.
“I was a sandwich in between seeing my mother and my granddaughter,” she said of her “Leopoldstadt” experience. “I was emotional thinking of my mom who went through it, but I was more emotional about seeing my granddaughter be so moved. It really hit her at her core.”
Indeed, it was the youngest member of the family present that night who was most shaken by the play.
“It really felt like a gift to my family and to me, specifically, to be able to see what Mimi’s life looked like before the war,” Lexi Levin said, surmising that, as a fourth-generation survivor, she is among the first in her family to be able to start processing the loss on a grander scale.
“For the first time in my life, I really felt the magnitude of her loss,” she added. “I’ve known her story and I’ve been inspired by her story to be involved with my own Jewish causes, but I have never been able to access and truly empathize with her grief and what it meant that she lost the entire family she had before this one that she created.”
Turning to her great-grandmother, as if trying to make her understand the exact precision of the show, Levin explained, “It’s a play about generations and the family was large and then it was small.”
“You made it large again,” she said, referring to the generations of family that had assembled — in the Broadway theater and again over Thanksgiving weekend. “Look at this room.”
Pictured on her 90th birthday in 2017, Fini Konstat now has three children, ten grandchildren and twenty great-grandchildren. (Courtesy)
There was a coda for the family after the curtain went down. The day after the show, the family wanted to see the 1907 “Portrait of Adele Bloch-Bauer I,” one of Gustav Klimt’s most famous paintings, which currently hangs at the Neue Galerie on the Upper East Side. A version of the portrait’s true story — how a painting of a socialite from a prominent Viennese Jewish family was looted by the Nazis and the family’s efforts to get it back — features in the plot of “Leopoldstadt.”
The gallery, however, was closed on the only day the family could visit. After a call to the management at the gallery, which showcases the German and Austrian art collections of Jewish philanthropist Ronald S. Lauder, the gallery’s director arranged a private tour.
“It felt like we were in a puzzle and everything was finally coming together,” said Akers. “It was an emotional, emotional time.”
When the week was over and the emotions were spent, Konstat and the Akers returned home with a reignited passion for their family story. But there was yet another twist: In addition to the whirlwind trip Levin planned for her grandparents and for Mimi, she had been undergoing the laborious process of applying for Austrian citizenship. Six members in Konstat’s large family have undertaken the process over the last two years.
“Part of the motivation was knowing Mimi’s story, and knowing that she survived because her mother had citizenship in Turkey,” Levin said. “That story was just inspirational to me, knowing that dual citizenship was what saved our family.” She convinced her brother and mother to apply for Austrian citizenship as well.
The day after her grandmother and great-grandmother left New York, Levin called them with news from her small apartment in Manhattan: An Austrian passport had arrived in the mail. The curtain was rising on another act.
Konstat was surprised at how interested her family was in getting Austrian citizenship. “I feel very good,” she said. “I’m very happy.”
“Does it make you emotional?” Levin asked her during the Zoom call with the New York Jewish Week.
“It does — of course it does. I used to love Austria,” she said. “I was sad to leave. I was disappointed. We never thought of coming back. I was happy to be able to escape. Thank God we made it out of hell.”
—
The post A Holocaust survivor and her family saw ‘Leopoldstadt.’ The Broadway play told their story. appeared first on Jewish Telegraphic Agency.
Uncategorized
Belgian Police Detain Former EU Foreign Policy Chief Mogherini in Fraud Probe
European Union VIce Presiden and High Representative for Foreign Affairs and Security Policy Federica Mogherini (L) is seen during a talk with Vietnam’s Deputy Prime Minister and Foreign Minister Pham Binh Minh in Hanoi, Vietnam, Aug. 5, 2019. Photo: REUTERS/Kham
Belgian police on Tuesday detained former European Union foreign policy chief Federica Mogherini and a current senior EU diplomat as part of a fraud investigation that included raids at several sites, three sources familiar with the probe said.
The European Public Prosecutor’s Office (EPPO) said the investigation focused on “suspected fraud related to EU-funded training for junior diplomats.” It involved searches at the EU‘s diplomatic service in Brussels, at the College of Europe – an elite university in Bruges that educates many EU officials – and at the houses of suspects.
Mogherini and senior diplomat Stefano Sannino, both Italian nationals, are well known in Brussels diplomatic circles and news of their detentions sent shockwaves through the EU community in Brussels.
Mogherini was the EU‘s high representative for foreign and security policy and head of its diplomatic service from 2014 to 2019. She became rector of the College of Europe in 2020.
TENDER OF TRAINING PROGRAMME PROBED
Sannino previously served as the most senior civil servant in the diplomatic service between 2021 and 2024 and is now director general of the European Commission’s department for the Middle East, North Africa, and the Gulf.
The EPPO said in a statement that three people had been detained but withheld identities, citing the ongoing investigation. Neither Mogherini nor Sannino could be reached for comment.
The prosecutor’s office said its investigation centered on the establishment of the European Union Diplomatic Academy – a nine-month training program for junior diplomats, which was awarded to the College of Europe in 2021-2022 by the EU diplomatic service following a tender procedure.
It said there were “strong suspicions” that confidential information was shared during the process with one of the candidates participating in the tender.
“Prior to the searches, the EPPO requested the lifting of the immunity of several suspects, which was granted,” the statement said. “All persons are presumed innocent until proven guilty by the competent Belgian courts of law.”
A spokesperson for the EU diplomatic service confirmed police visited its offices on Tuesday as part of an investigation into activities that took place before the current foreign policy chief Kaja Kallas took office.
The diplomatic service is “fully cooperating with the authorities,” added the spokesperson, Anitta Hipper. “Since it’s an ongoing investigation, we will not be able to say more.”
The College of Europe said in a statement it would “fully cooperate with the authorities in the interest of transparency and respect for the investigative process.”
“The college remains committed to the highest standards of integrity, fairness, and compliance — both in academic and administrative matters,” it said.
Uncategorized
Pope Urges Middle East to Reject ‘Horror of War’ at End of First Overseas Trip
Pope Leo XIV waves to the crowd during a Holy Mass at the Waterfront, during his first apostolic journey, in Beirut, Lebanon, Dec. 2, 2025. Photo: REUTERS/Mohamed Azakir
Pope Leo bade farewell to Lebanon on Tuesday with a fervent appeal to leaders across the Middle East to listen to their people’s cries for peace and to change course away from the “horror of war.”
The first US pope wrapped up his first overseas trip as Catholic leader by addressing 150,000 people at a Mass on Beirut’s historic waterfront, where he pleaded for Lebanon to address years of conflict, political crises, and economic misery.
Leo said the region as a whole needed new approaches to overcome political, social, and religious divisions.
“The path of mutual hostility and destruction in the horror of war has been traveled too long, with the deplorable results that are before everyone’s eyes,” Leo said. “We need to change course. We need to educate our hearts for peace!”
‘MAY THE ATTACKS CEASE’
Leo has been visiting Lebanon for three days on the second leg of an overseas trip that started in Turkey, in which he has pleaded for peace in the Middle East and warned that humanity’s future was at risk from the world’s proliferating conflicts.
The pope, a relative unknown on the world stage before his election to the papacy in May, has been closely watched as he made his first speeches overseas and interacted for the first time with people outside mainly Catholic Italy.
In Lebanon, he urged the heads of religious sects to unite to heal the country and pressed political leaders to persevere with peace efforts after last year’s devastating war between Israel and Iran-backed Hezbollah, and continued Israeli strikes.
He also asked the international community “to spare no effort in promoting processes of dialogue and reconciliation” and asked those with “political and social authority” to “listen to the cry of your peoples who are calling for peace.”
In remarks at Beirut’s airport moments before taking off for Rome, Leo made his first apparent reference to Israeli strikes, saying he had been unable to visit Lebanon’s south because it is “currently experiencing a state of conflict and uncertainty.”
“May the attacks and hostilities cease,” he pleaded. “We must recognize that armed struggle brings no benefit.”
Lebanese President Joseph Aoun asked Leo to keep Lebanon in his prayers, saying: “We have heard your message. And we will continue to embody it.”
‘PAIN AFTER PAIN’
Crowds had gathered at the waterfront hours before the start of Tuesday’s Mass. They waved Vatican and Lebanese flags as Leo toured in an enclosed popemobile, offering blessings as some in the crowd used umbrellas to guard against a strong Mediterranean sun.
Maroun al-Mallah, a 21-year-old student of landscape engineering, arrived at the site of Leo’s Mass before dawn to volunteer and said the visit could be a reset for Lebanon.
“It was lovely to know there was a sign of hope coming back to Lebanon,” Mallah told Reuters.
“Even in university, we just think what could come next. It’s just pain after pain after pain … especially after the third biggest explosion happened” at the port, he said.
Earlier on Tuesday, Leo visited a psychiatric hospital run by Franciscan nuns and prayed near rubble at the Beirut port, where a 2020 chemical explosion shredded parts of Beirut.
The blast killed more than 200 people and caused billions of dollars in damage, but an investigation into the cause has been stymied and no one has been held to account.
Leo laid a wreath of flowers at a memorial there and greeted about 60 blast survivors and relatives of the victims from different religions holding photos of their lost loved ones.
He gave each a rosary in a pouch bearing his coat of arms. One woman sobbed as she greeted Leo and asked if she could give him a hug. He nodded, and they embraced.
Cecile Roukoz, who lost her brother in the blast, said Leo “will raise his voice for justice, and we need justice for all the victims.”
Lebanon, which has the largest proportion of Christians in the Middle East, has been rocked by the spillover of the Gaza conflict as Israel and Lebanese terrorist group Hezbollah went to war, culminating in a devastating Israeli offensive.
The country, which hosts 1 million Syrian and Palestinian refugees, is also struggling to overcome a severe economic crisis after decades of profligate spending sent the economy into a tailspin in late 2019.
Uncategorized
The Hardest Thing in Philanthropy Is Saying ‘No’
When people ask what the hardest thing about working in philanthropy is, they expect to hear about challenges related to raising money or dealing with difficult donors or recipients in various situations.
In actuality, the answer is significantly more painful: The hardest thing in philanthropy is saying “no.”
We know when there is money available and when there isn’t. At the end of the day, someone needs to make decisions.
I recently looked into the origin of the word philanthropy. The word is derived from an ancient Greek word “philos,” which refers to love, and “anthropos,” which refers to people. Basically, philanthropy literally translates to the love of humanity.
Note that there is no mention of money or donations in this definition. This shows something profound: the basic necessity of philanthropy is having a genuine desire to help other people. Money is simply a tool.
Imagine two cases that come up on the same day: One person needs an urgent financial grant for food. The second person requests support for studies that will allow him to earn a decent living and become independent, helping him stand on his own two feet. The budget is only able to help one of them. Which would you choose?
What needs to be considered: Is it better to give someone a fish, or teach them how to fish? I believe that it’s better to invest in someone who will be able to stand on their own two feet tomorrow and potentially even help others in the future. True, we have to say “no” to someone else, but that’s part of the decision.
I’ve been working in fundraising for more than 40 years in the United States, Canada, and Israel. The money we transfer is not ours — it’s the money of other people who have trusted us. We are the faithful messengers, which means we must ask: What will the effects of this money be?
It’s also a matter of professional responsibility. Every dollar is scrutinized — is the organization legitimate? Does it comply with tax laws on both sides? Just a month ago, I had to explain to a donor that donations to military causes do not meet the definition of charity under US tax law. That’s the kind of guidance an intermediary organization should give — even when it means saying “no.”
At our foundation, we work as a bridge between donors in North America and nonprofits in Israel. A donor in Toronto or New York wants to help in Israel, but they need someone on the ground to check and verify their potential projects. True philanthropy begins with loving people, but continues with the understanding that you can’t help everyone. And when the moment comes to say “no” — and it always will — you have to remember that it’s part of the mission. Because if we say “yes” to everyone, it would prevent us from helping anyone.
Chaim Katz is the founder and CEO of the Ne’eman Foundation, which helps Israeli non-profits receive donations from North America.

