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A Holocaust survivor and her family saw ‘Leopoldstadt.’ The Broadway play told their story.
(New York Jewish Week) — On a Wednesday evening last month, three generations of a Jewish family made their way to their seats at the Longacre Theater to see “Leopoldstadt,” Tom Stoppard’s epic Broadway play about the tragedies that befall an extended Jewish family in the first half of the 20th century in Vienna.
The date of the family gathering was a significant one: Nov. 9, the 84th anniversary of the Nazi pogroms known as Kristallnacht. And in the audience was Fini Konstat, 96, who lived in the once thriving Jewish neighborhood after which the play is named, and witnessed the horrors it portrays first-hand. Alongside her were her daughter and her son-in-law, Renee and James Akers, and her oldest great-grandchild, Lexi Levin, 23.
When Konstat was a child, she lived in a “nice apartment” in Leopoldstadt. But exactly 84 years to the day of their theater date, “I was running with my father, seeing all the Jewish stores with all their windows broken,” she told Levin in a short video her great-granddaughter filmed before the curtain rose.
“It’s such a blessing for me to be here with you,” Levin said to her great-grandmother in response. “Ninety-six years old, survived a pandemic, at a Broadway show in New York City.”
Left: Fini as a child on the balcony of her apartment in Leopoldstadt. Right: Fini with her three children in front of the very same building, pictured in 2015. (Courtesy)
Since the beginning of its Broadway run in mid-September, “Leopoldstadt,” with its depiction of a prosperous Viennese family on the brink of destruction, has moved audiences to tears and inspired deep reflections on the Holocaust. Based on the celebrated playwright’s own family history — of which he was barely aware while growing up in England — it has provided a stark counterpoint to news about rising antisemitism and the celebrities who have been purveying it.
But for Konstat, the play was much more personal. “When I heard the word ‘Leopoldstadt,’ this alone gave me lots of thrills and memories,” Konstat, who is known in her family as Mimi, told the New York Jewish Week in accented English. She recalled how Levin, who recently moved to the city, invited her to fly to New York to see one of Broadway’s hottest tickets.
“Leopoldstadt,” she repeated, her voice breaking. “The second district. That’s where we lived.”
At the end of Stoppard’s five-act play, audiences learn that most of the Jewish characters had perished under the Nazis — of the four generations in the show, just three cousins survive to carry on the family’s legacy.
For Konstat too, she and her parents were among the very few in their extended family to survive the Holocaust. “Almost all of them went to Auschwitz or other camps,” Konstat said. “My mother was a twin and only the twins remained alive. [My mother’s] five other siblings and my grandmother perished.”
L-R: Renee Akers, James Akers, Lexi Levin and Fini Konstat at the Longacre Theater to see Tom Stoppard’s ‘Leopoldstadt on Broadway,’ Nov. 9, 2022. (Courtesy)
In a Zoom conversation held over Thanksgiving weekend, Konstat, surrounded by two of her daughters, two of her granddaughters and three of her great-granddaughters, shared what the play meant to her — and how her family has restored what she lost.
In the months after Kristallnacht in 1938, Konstat and her parents hid in a neighbor’s apartment; Konstat recalls hiding under the duvet when German soldiers showed up. Eventually the family fled to Turkey, and then to India, before settling down in Mexico City. There, the teenage Fini met her husband David, also a survivor who escaped Poland. The two of them began to write the rest of their story — starting with the birth of the first of their three children in 1948.
Unlike many Holocaust survivors, Fini and David Konstat were open about their experiences during the war, instilling a sense of pride and duty to remember in their children — something that eventually extended to their grandchildren and great-grandchildren.
“They were proud to speak about how they survived this,” said the Konstats’ middle child, Renee Konstat Akers. “Their life was an odyssey. They had the courage to do things that you would never think were possible. We grew up grateful knowing how our family survived in that incredible way.”
Each child moved to different places as they grew up and got married. Manuel, the oldest, stayed in Mexico. Renee married an American and moved to the Midwest, and Denise, the youngest, to Houston. Each became deeply involved in their Jewish communities, sending their children (Konstat’s grandchildren) to Jewish day schools, celebrating Jewish holidays and participating in synagogue life.
“The word ‘miracle’ really does not feel like an understatement in this scenario,” said Sherry Levin, one of Konstat’s grandchildren. “When we think about what it took for my grandmother and grandfather to survive and how they were able to intersect in Mexico, and such an amazing multi-generational family has come to fruition, it feels miraculous.”
Pictured here on their 40th anniversary, Fini and her husband David met in Mexico City after both had fled Europe. They were married 54 years before David died in 2001. (Courtesy)
Reviews of the show have ranged from rhapsodic to resistant, with some critics suggesting the play is simplistic and obvious in its story-telling or that it is less a well-crafted play than a well-meaning lesson on the Holocaust.
But just as the Merz family clashes and argues about everything from antisemitism to intermarriage to socialism in “Leopoldstadt,” each generation of the Konstat family that saw “Leopoldstadt” that night came away with something different — a reaction influenced by their age, their Jewish identity, their nationality and their relationship with their family.
For Konstat, the arc of “Leopoldstadt” was so familiar that it hardly stirred her. “It was just very happy watching it and enjoying it and enjoying my children with me, “ she told the New York Jewish Week. “I didn’t think about anybody else.”
Akers, too, felt an intense familiarity with the story, and, perhaps toughened by her own family history, didn’t experience an intense emotional reaction. Her own parents’ lives gave Akers a sense of purpose in her life — for example, in the 1990s, she was passionate about helping resettle Jews fleeing the former Soviet Union. With her own children, she instilled in them a strong sense of Jewish purpose in their work, their education and their family.
“I was a sandwich in between seeing my mother and my granddaughter,” she said of her “Leopoldstadt” experience. “I was emotional thinking of my mom who went through it, but I was more emotional about seeing my granddaughter be so moved. It really hit her at her core.”
Indeed, it was the youngest member of the family present that night who was most shaken by the play.
“It really felt like a gift to my family and to me, specifically, to be able to see what Mimi’s life looked like before the war,” Lexi Levin said, surmising that, as a fourth-generation survivor, she is among the first in her family to be able to start processing the loss on a grander scale.
“For the first time in my life, I really felt the magnitude of her loss,” she added. “I’ve known her story and I’ve been inspired by her story to be involved with my own Jewish causes, but I have never been able to access and truly empathize with her grief and what it meant that she lost the entire family she had before this one that she created.”
Turning to her great-grandmother, as if trying to make her understand the exact precision of the show, Levin explained, “It’s a play about generations and the family was large and then it was small.”
“You made it large again,” she said, referring to the generations of family that had assembled — in the Broadway theater and again over Thanksgiving weekend. “Look at this room.”
Pictured on her 90th birthday in 2017, Fini Konstat now has three children, ten grandchildren and twenty great-grandchildren. (Courtesy)
There was a coda for the family after the curtain went down. The day after the show, the family wanted to see the 1907 “Portrait of Adele Bloch-Bauer I,” one of Gustav Klimt’s most famous paintings, which currently hangs at the Neue Galerie on the Upper East Side. A version of the portrait’s true story — how a painting of a socialite from a prominent Viennese Jewish family was looted by the Nazis and the family’s efforts to get it back — features in the plot of “Leopoldstadt.”
The gallery, however, was closed on the only day the family could visit. After a call to the management at the gallery, which showcases the German and Austrian art collections of Jewish philanthropist Ronald S. Lauder, the gallery’s director arranged a private tour.
“It felt like we were in a puzzle and everything was finally coming together,” said Akers. “It was an emotional, emotional time.”
When the week was over and the emotions were spent, Konstat and the Akers returned home with a reignited passion for their family story. But there was yet another twist: In addition to the whirlwind trip Levin planned for her grandparents and for Mimi, she had been undergoing the laborious process of applying for Austrian citizenship. Six members in Konstat’s large family have undertaken the process over the last two years.
“Part of the motivation was knowing Mimi’s story, and knowing that she survived because her mother had citizenship in Turkey,” Levin said. “That story was just inspirational to me, knowing that dual citizenship was what saved our family.” She convinced her brother and mother to apply for Austrian citizenship as well.
The day after her grandmother and great-grandmother left New York, Levin called them with news from her small apartment in Manhattan: An Austrian passport had arrived in the mail. The curtain was rising on another act.
Konstat was surprised at how interested her family was in getting Austrian citizenship. “I feel very good,” she said. “I’m very happy.”
“Does it make you emotional?” Levin asked her during the Zoom call with the New York Jewish Week.
“It does — of course it does. I used to love Austria,” she said. “I was sad to leave. I was disappointed. We never thought of coming back. I was happy to be able to escape. Thank God we made it out of hell.”
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Man charged in a Jewish journalist’s death vandalized a Jewish business days before
The unsolved murder of a Jewish man in a public park, a synagogue desecrated with motor oil and feces, a bagel shop splattered with dirt, and the sudden and tragic death of a Jewish journalist.
Those incidents within a few miles of each other in a heavily Jewish neighborhood of Queens have put the Jewish community in that borough on alert since May. Ronnie Perry, who works at Benny’s Brick Oven Kosher Pizza in the neighborhood, said he can’t help but see a pattern.
“You know what the common denominator is, right?” Perry said.
Though investigators have not determined the motives in each case, prosecutors on Monday charged the same man who allegedly caused the death of the journalist with a hate crime for allegedly vandalizing the bagel shop.
“I was beyond horrified,” said Rachel Sales, daughter of the killed journalist, Cara Trager. “The fact that this guy did a hate crime … days before means that he could have been apprehended before my mom was killed.”
Perry, whose pizzeria is just a block from the vandalized bagel shop, told the Forward that the string of troubling incidents have rattled the community, and there’s not a lot visibly Jewish businesses like his can do to bolster security.
Nily Rozic, the Jewish state Assembly member who represents the Queens district where many of those attacks took place, said the incidents are more than just property damage or isolated violence.
“It really makes people feel like they’re being targeted as a community,” she said.
Last week, prosecutors charged Dawood Faisal, 22, with a hate crime for destroying property at Bagels & Co, a bagel shop on the corner of a major thoroughfare in Fresh Meadows that advertises itself as kosher in neon lights and displays Israeli flags. On two separate occasions in May, Faisal allegedly knocked over multiple plant stands outside the shop and, in one instance, hurled dirt at the outside wall of the store.
In May, Faisal was arraigned on charges of manslaughter for the death of Trager, a Queens-based journalist who was also active in her Jewish community. Faisal allegedly sped over 75 mph through two red lights and collided with two cars, propelling one into a crosswalk where it struck Trager and her husband, Michael, who survived.
Prosecutors have not presented any evidence that Trager was specifically targeted by Faisal, and authorities are not investigating the crash as a hate crime, according to a spokesperson for District Attorney Melinda Katz.
But even before the vandalism charge, Michael Trager told the Jewish Telegraphic Agency that he believed that Faisal had been “looking to do damage in a heavily Jewish area.”
Sales told the Forward her mom was passionate about fighting antisemitism, and the two often discussed the uptick in anti-Jewish hate crimes — including the bagel shop’s vandalism days before Cara Trager’s death on May 29.
“This is a tragedy for the entire Jewish community to understand, and beyond the Jewish community, this is a tragedy for New Yorkers, for Americans, to see that hate crimes don’t end at vandalism. People could die,” Sales said. “My mom died.”
Just a week before the car crash, Albert Itzkowitz, a local rabbi and former kosher bakery owner, was shot and killed while visiting Kissena Park in Queens. Police are investigating the incident as a murder but have not identified any suspects.
His family is calling for the killing to be investigated as a hate crime.
“Daddy was visibly Jewish. He was targeted in broad daylight. He was killed in a public park where he should have been safe,” his daughter, Leah Livshitz, said at a press conference in June. “His family deserves answers. The Jewish community deserves answers.”
Then in July, two Orthodox congregations in Queens were desecrated with feces and motor oil. Police are also investigating that vandalism as a hate crime.
Rozic, the first and only Israeli-born New York state Assembly member, said even as investigations are ongoing, she understands the incidents as “interconnected” and has heard from Jewish constituents who feel afraid.
“Context is important,” Rozic said. “When incidents like this are followed by additional violence, it compounds the fear and the trauma of the community.”
Anti-Jewish hate crimes have increased by 8.5% in New York City this year — with 205 reported versus 189 for the same period last year, according to data from the NYPD.
Mayor Zohran Mamdani, who previously represented a Queens district in the statehouse, has noted his administration’s 800% increased investment in the office of hate crime prevention. But in recent weeks, he has faced backlash from some Jewish New Yorkers after he released a video referring to Israeli Prime Minister Benjamin Netanyahu as a “war criminal” and calling on New Yorkers to protest the Israeli leader’s planned visit to the United Nations in September. Mamdani has defended his comments on Netanyahu as “critiques of a political leader, not of people of a specific faith.”
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He stumbled upon Leonard Bernstein’s stubble on his way to finding a ‘Lost Mozart’
David Israel needed an electric razor, so he borrowed Leonard Bernstein’s.
It was the early ‘90s and Israel was about to make his first trip overseas as a representative of the Bernstein estate at the London Symphony Orchestra. He knew that European outlets had a different voltage and so he phoned up the maestro’s daughter Jamie to ask if he could use the one at the Dakota, where Israel worked as an editor, preparing the definitive scores for Mass, West Side Story and On the Town after Bernstein’s death in 1990.
“I took a red eye, so I’m there in the morning, and I was going to shave,” Israel told me in a video call from his home in Malibu. “All of Lenny’s gray stubble comes falling out into the sink. And I thought, ‘Well, if I get a piece of Scotch tape, I could save this, and we could clone him at some point.’ And so I did.”
Israel, who has composed music for Paul Taylor and Twyla Tharp, knew he had a story to tell about his picaresque early days in the world of classical music. His second novel, The Lost Mozart is a kunstleroman that borrows quite a bit from life and, like the stubbly attempt to revive Leonard Bernstein, is about an effort to bring genius back to life.
The story follows Noah Wideman, like Israel a graduate of the Hartt School of Music in Hartford, Connecticut, who stumbles on a fragment of an unfinished Mozart string quartet. An unprecedented 627th composition from a life that lasted only 35 years.
Together with a crew of older men — a legendary classical music radio announcer, his partner and their collector friend in possession of the titular sketch — Noah works to finish what Amadeus started.
Noah, a gifted pasticheur, is primed for the task and, due to an early job at ASCAP, where he surreptitiously recorded the music playing at strip clubs that failed to pay their annual licensing fee, his skills as a detective.
Completing the work of one of the greatest musical geniuses is an act of chutzpah, something Israel knows something about. His own lost Mozart moment came shortly after college, when he made a play for the legacy of another great.
He knew Bernstein socially through the dean of the Hartt School, and chose the college in part because he knew the maestro often came to visit. Israel was scheduled to have dinner with him in 1990, but Bernstein died a month earlier. Israel produced a memorial concert and, on March 13, 1991, was at a party where he ran into Bernstein’s former assistant, who ran the publishing arm of his estate.
“We were just chit-chatting in the kitchen after this concert at this party, and he said, ‘What are you going to do when you graduate?’” Israel recalled. “And I said, ‘ I’m going to work for you,’ and that’s how the job came to be.”
Israel immersed himself in Bernstein’s scores and correspondence, in much the same way Noah dives into the Mozart archive. Bernstein was an idol, but Israel reveres Mozart, and picked him as a subject over Bach or Beethoven in part because of how prolific he was.
“The reason why I felt like this was good material for a novel is because by 2023, which is when I was writing the book, it seemed like the only way you could experience new Mozart was through fiction,” Israel said.
Not anymore. In June, just a couple of months before Israel’s pub date, a curator at France’s National Library found a notebook with sketches from the 22-year-old Mozart, who was in Paris to audition as a court musician at Versailles.
There’s more to the story, Israel said, including Wolfgang’s oft-overlooked older sister Maria Anna, a composer and musician in her own right who got top billing in the siblings’ early tours through the courts of Europe.
The sequel, Israel tells me, will feature her as another “lost Mozart,” and draw from Israel’s own time working on Bernstein’s archive, including his impromptu jam session with Yo-Yo Ma.
“It’s one of the funniest scenes in the first few chapters,” Israel promises. He can’t yet say more about what happens at the Dakota. Readers will have to discover those lost movements for themselves.
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Michigan’s Senate race has become a referendum on Israel — and the future of the Democratic Party
Tuesday’s primary contest for an open U.S. Senate seat in Michigan has become a proxy fight over the Gaza war and a referendum on Israel supporters’ influence in Democratic politics. Democratic voters will decide whether to nominate Dr. Abdul El-Sayed, who is leading in the polls after assailing his opponent as beholden to the campaign fundraising group AIPAC, or Rep. Haley Stevens, a reliable supporter of Israel who has condemned what she called “inflammatory rhetoric” from El-Sayed.
Following a string of primary victories by insurgent Democrats who made condemning Israel central to their campaigns — from New York to New Jersey, Pennsylvania and Colorado — the outcome will become the clearest test yet of whether the vocally anti-Israel progressive movement may come to define the Democratic Party.
Recent polls show El-Sayed with growing momentum, leading Stevens by as much as 16 points.
Michigan, home to one of the country’s largest Arab-American communities, was already a national hot spot for voter pushback on pro-Israel politics as the birthplace of the 2024 “uncommitted” movement that protested President Joe Biden’s support for Israel’s war in Gaza by submitting blank ballots in the presidential primary.
It also has an influential Jewish community that has become deeply invested in the race — and with some El-Sayed supporters among them.
Tuesday’s winner will have to prevail in the November general election, and success is not guaranteed: While Democrats are a majority of registered voters in Michigan, Republican President Donald Trump won the state in 2016 and 2024.
With Democrats counting on winning Michigan as they aim to retake the Senate, the questions looming over Tuesday’s primary aren’t just about the party’s direction on Israel — they’re also about whether running against Israel is a winning message in a swing state.
Democrats are facing a difficult path to winning Senate control even as polls show growing dissatisfaction with the Republican agenda.
A look at three possible scenarios shows the high stakes of the race for the Democratic Party and the place of Israel in U.S. politics:
An El-Sayed victory
An Emerson College survey of 700 voters shows El-Sayed leading Stevens by 16 points, despite more than $60 million of outside spending attacking him. AIPAC’s super PAC, United Democracy Project, has spent $30.6 million backing Stevens, according to recent FEC filings. AIPAC also raised several million dollars for Stevens by directing its donors to online portals that funnel money directly to the candidate’s campaign. All in all, the Michigan contest is AIPAC’s largest investment this election cycle.
If El-Sayed wins, he would become the first Muslim nominated by a major party for the U.S. Senate and would immediately become one of the most prominent figures on the Democratic left. It would echo the victory of Zohran Mamdani in last year’s mayoral race as the city’s first Muslim mayor and the most prominent democratic socialist in office, with Jews divided between fierce opposition and fiery support.
But the immediate political meaning would be about AIPAC.
The progressive frontrunner has transformed AIPAC’s investment in the race into a centerpiece of his campaign message. Backed by Sen. Bernie Sanders of Vermont, El-Sayed used AIPAC as a political foil and a symbol of everything he says is wrong with Democratic politics: super PAC money, billionaire influence and demands for unconditional support for Israel. A poll of Michigan voters conducted by Data for Progress in April found that 64% of likely Democratic primary voters would be less inclined to support a candidate backed by AIPAC.
At a recent virtual town hall hosted by Progressive Democrats of America, El-Sayed compared his possible victory to David defeating Goliath. “AIPAC, if you’re listening, burn your money, come back and burn it again in the general,” he said. “I’m happy to burn your money for you, and then we can get onto the business of governing and asking whether or not our foreign policy ought to be dictated to us by the interests of a foreign government.”
An El-Sayed win would mark a reversal from AIPAC’s last confrontation with Stevens’ opponents in Michigan. In 2022, Stevens defeated Jewish Rep. Andy Levin by 20 points in a rare incumbent-versus-incumbent House primary after redistricting. Levin argued that the group was trying to punish him for criticizing Israeli policy and supporting Palestinian rights. AIPAC celebrated Levin’s defeat as proof that even a Jewish incumbent could not survive after crossing the organization. (Levin is supporting El-Sayed.)
It would also create immediate questions about how El-Sayed would operate in Washington.
Would he support Sen. Chuck Schumer, the highest-ranking Jewish elected official in American history and one of Stevens’ most powerful allies, as Democratic leader if Democrats win the majority? And would he give Senate progressives new leverage over key votes on Israel?
What if El-Sayed loses the general election?
For Democrats worried about electability, the primary is only the first test.
The winner will face former Republican Rep. Mike Rogers, who narrowly lost Michigan’s 2024 Senate election and is now running with a largely unified Republican Party behind him.
Michigan remains one of the country’s key battlegrounds. President Donald Trump carried it in 2016, lost it in 2020 and won it again in 2024. Sen. Elissa Slotkin, a moderate Democrat who was an intelligence analyst in the CIA and served three tours in Iraq, won her race even as Trump carried the state.
Recent polls found Rogers leading El-Sayed by single digits.
Some Michigan Jewish Democrats are already considering whether they could support El-Sayed, vote for the Republican, or leave their ballot blank in November. Jewish voters make up just 1.4% of the electorate in the state.
Stevens has sharpened those concerns in the final days of the campaign. She accused El-Sayed of blaming “all of your problems on Jewish Americans,” warning that his rhetoric would lead to defeat in the face-off with Rogers. El-Sayed, who has courted Jewish voters without moderating his views on Israel, rejected accusations of antisemitism.
“I love and revere Judaism and the Jewish people,” he said.
A November loss would have consequences far beyond Michigan.
Democrats are already facing an uphill battle for Senate control after the collapse of Graham Platner in the competitive Maine Senate race.
Losing the seat being vacated by Sen. Gary Peters would further divide Democrats. Party leaders would almost certainly blame El-Sayed’s ideology, his vocal opposition to Israel and the progressive groups that elevated him for losing a swing state. AIPAC, meanwhile, would claim vindication despite losing the primary.
Speaking with reporters on Sunday, El-Sayed said he’s confident Democratic voters will rally behind his candidacy as they reckon with what is at stake.
What if Stevens survives?
A Stevens victory would offer a very different lesson.
It would show that experience, establishment support and a strong general-election argument can still overcome anger about AIPAC, even in the state where the uncommitted movement began. Even a narrow victory would preserve AIPAC’s reputation as one of the most effective forces in Democratic primaries.
But it would say more about Stevens and her personality. She first entered Congress in the 2018 Democratic wave, capturing a Republican-held suburban district. She then survived redistricting and defeated Levin in the bruising 2022 primary.
Stevens has the backing of Gov. Gretchen Whitmer, Schumer and much of Michigan’s Democratic establishment. And she leads Rogers in a November matchup.
By Wednesday morning, Democrats will know who won Michigan. It may take until November or even longer to know whether Tuesday’s vote marked the beginning of a new era in Democratic politics or another chapter in the party’s divide over Israel. Nonetheless, Democratic leaders still have to reunite a coalition fractured over Gaza and manage a growing progressive wing in the House.
The fight extends down the ballot
The Senate contest is not the only Michigan race testing the strength of the progressive left.
In Detroit’s 13th Congressional District, state Rep. Donavan McKinney, a member of the Democratic Socialists of America, is challenging incumbent Rep. Shri Thanedar with the support of Justice Democrats. The group, which helped launch Alexandria Ocasio-Cortez and other members of the Squad, made McKinney its first congressional endorsement in four years.
In Michigan’s 7th District, former climate activist William Lawrence is running against two centrist Democrats in the primary, making an end to all U.S. military aid to Israel a key part of his campaign. The seat was previously held by Slotkin.
On a state level, Abbas Alawieh, one of the leaders of the uncommitted movement in Michigan, is running for a seat in the state legislature in a Dearborn-area district with a large Arab and Muslim population. In a sign of his growing profile, Alawieh recently met with former Vice President Kamala Harris.
AIPAC and the debate over Israel is also spilling into a neighboring state Senate race. Pro-Israel donors are spending heavily to back Justin Onwenu against former State Rep. Abraham Aiyash, an outspoken critic of Israel’s war in Gaza.
It has also reached the University of Michigan’s Board of Regents. Michigan Democrats nominated Amir Makled, an attorney who represented pro-Palestinian protesters, after he defeated incumbent Regent Jordan Acker at the party convention. Makled faces scrutiny for past Hezbollah praise and antisemitic posts. Republican regent candidates Lena Epstein and Michael Schostak, both Jewish, have campaigned on antisemitism and campus safety. That race will be decided in November.
The post Michigan’s Senate race has become a referendum on Israel — and the future of the Democratic Party appeared first on The Forward.
