When Saul Rubinek walks on stage in “Playing Shylock,” he’s not only playing Shakespeare’s infamous Jew — he’s playing himself. Or rather, a version of himself: a Jewish actor furious that his production of “The Merchant of Venice” has just been canceled for being too controversial.

That conceit — a play about a play that’s been shut down, starring an actor playing a version of himself — is the brainchild of Canadian playwright Mark Leiren-Young, who wrote an earlier one-man show called “Shylock” three decades ago. During the pandemic, in collaboration with Rubinek, Leiren-Young reimagined the play, which opens Thursday at Brooklyn’s Polonsky Shakespeare Center after a critically acclaimed Toronto run.

“My character was ready to come on stage for three minutes,” Rubinek said in a joint interview with the playwright. “Saul Rubinek — the character — just wants to tell the audience that ‘Merchant’ has been canceled and they’ll get a refund. But he can’t leave the stage. He keeps talking. It’s all supposed to feel improvised — but 99.9 % is scripted.”

Over the next 100 minutes, Rubinek, a longtime character actor perhaps best known as Daphne’s mensch-y boyfriend Donny on the 1990s sitcom “Frazier,” delivers a primer on the history of Shakespeare’s most controversial play, a polemic against cancel culture and a meditation on Jewish identity and artistic heresy in the charged years after Oct. 7.

As Shylock — the Jewish moneylender who is scorned and humiliated by the Christian merchant to whom he lends 3,000 ducats under extraordinary terms — Rubinek, 77, wears the velvet kippah, tzitzit and long black coat of a modern-day haredi Jew. He recites some of Shylock’s best-known soliloquies — including “Hath not a Jew eyes,” an appeal to his tormentors’, and the audience’s, conscience — in an Eastern European accent. 

Rubinek said he was imagining how his own father, a Holocaust survivor and one-time Yiddish actor who once dreamed of performing “Merchant,” might have played Shylock. 

“That gave me the key to Shylock,” said Rubinek, who was born in a displaced persons camp in Germany after World War II, before his family immigrated to Canada. “I’m not really playing Shakespeare’s Jew. I’m playing how I imagine my father would have played him.”

That patrimony only fuels the outrage of the Rubinek character (henceforth called “Saul”) now that an unspecified social media campaign has intimidated the producers into shutting down the production. 

The fictional cancellation echoes real-world controversies: In 2014, the Metropolitan Opera cancelled the international simulcast (although not the live performances) of John Adams’s “The Death of Klinghoffer,” about the 1985 hijacking of the passenger liner Achille Lauro by the Palestinian Liberation Front 2014. The producers’ cited concerns that the production could be used to fuel antisemitism. 

Just last year, a Canadian theater cancelled a showing of “The Runner,” a play about an Orthodox man who piously collects body parts after terrorist attacks. The theater explained: “Given the current conflict in the Middle East, this is not the time for a play which may further tensions among our community.”

Jewish activists and the family of Klinghoffer, who was killed in the hijacking, put pressure on the Met; it’s not clear which members of the “community” sought to cancel “The Runner.” Similarly, “Playing Shylock” leaves vague who exactly objected to a new “Merchant,” although there’s a strong suggestion it was over-sensitive Jewish interests. Saul describes a grilling he got at “the Jewish community center,” where a Jewish moderator suggests that a play that centers an antisemitic archetype may be too “toxic” to perform. 

Saul reacts with fury. “This? This play? With what’s happening? Right here? In this city?” he thunders. “Where you can’t go into a synagogue without passing armed guards — the real danger to ‘well-being’ is ‘Merchant’?” 

Responding to a comically diplomatic press release from the theater saying it would be inappropriate to stage “Merchant” at “this time of rising antisemitism,” Saul scoffs. 

“Has there ever been a time when antisemitism was not rising?” he says. “When, when was this magical time? Before or after Moses parted the Red Sea?”

Rubinek insists that “Playing Shylock” isn’t just another shot at woke culture, or a version of the dubious complaint by comedians that they can’t joke freely onstage without risking cancellation, or a dig at right-wing politicians and pundits who police what can and can’t be said about the assassination of Charlie Kirk. 

“The show isn’t about the left or the right,” Rubinek said. “It’s not Fox News or woke protesters. ‘Merchant’ could have been canceled in 1936, in 1947, in 2016 — it’s always been a lightning rod. The question is, why do we keep trying to silence the art instead of confronting what makes us uncomfortable?”

When the show isn’t defending artistic freedom, it is probing Jewish identity. Saul complains about the number of gentile actors who have played Shylock, from Laurence Oliver to Al Pacino to Patrick Stewart, suggesting that Jewish actors have been overlooked in a misguided effort to downplay the character’s Jewishness. (Although, to be fair, the Jewish actor Henry Goodman was lauded for his turn as Shylock in a 1999 National Theatre production of “Merchant” that came to Broadway, and the Jewish actress Tracy-Ann Oberman starred as Shylock on London’s West End in 2022. Dustin Hoffman played the role in a 1989 London production that transferred to Broadway the following year.) 

“In the play, I say I’m committing a kind of heresy,” Rubinek said. “By making Shylock visibly Jewish at a time of rising antisemitism, I’m accused of inciting hatred. But I think it’s the opposite — it’s reclaiming a Jewish story that’s been distorted for centuries.”

“You want to know why actors still do this play?” asked Saul Rubinek, shown on stage at at Brooklyn’s Polonsky Shakespeare Center. “Because Shylock is the first three-dimensional Jewish character in all of literature.” (Dahlia Katz)

For Leiren-Young, the collaboration offered a way to explore a lifelong fascination with censorship and identity. “It’s not just about who’s allowed to stage what,” he said. “It’s about who gets to tell their own story — and whether we still believe in the artist’s right to risk being misunderstood.”

Since the Oct. 7 attacks and the ensuing war in Gaza, Rubinek admits, staging a play about Jewish representation feels fraught. Yet the production, he said, seeks to hold both left- and right-wing audiences “in the same room, breathing together.”

“I’ve had people who see things completely differently — politically, emotionally — come up after and say they felt seen,” he said. “Because the play doesn’t lecture. It includes you in the fiction. You become part of the story.”

Ultimately, the play is a rousing defense of “Merchant,” allowing Rubinek to show off his acting chops — both in Shakespeare’s original language and in Yiddish. Rubinek has little patience for those — a roll call that includes the Jewish critic Harold Bloom and the British actress Judy Dench — who call “The Merchant of Venice” irredeemably antisemitic. Instead, he said, the play demands that audiences see a stereotype as a human being. 

“You want to know why actors still do this play?” he asked. “Because Shylock is the first three-dimensional Jewish character in all of literature. Five scenes, and he’s haunted actors for 400 years. Why? Because he’s real.”

“Playing Shylock,” now in previews, opens Oct. 23 and runs through Dec. 7  at Polonsky Shakespeare Center, home of Theatre for a New Audience (262 Ashland Place, Brooklyn). 

—
The post Saul Rubinek’s new one-man show asks, Is there ever a right time to play Shylock?  appeared first on Jewish Telegraphic Agency.

Paul Ingrassia has pulled out of contention for a top legal role in the Trump administration after losing key Republican support over revelations of private texts in which he declared, “I have a Nazi streak.”

Ingrassia had faced criticism over his links to the avowed white supremacist Nick Fuentes and the antisemitic influencer Andrew Tate since his nomination in May. But the January 2024 texts, first reported by Politico this week, showed that he personally had used a slur against Black people, called for the abolition of the Martin Luther King Jr. federal holiday and expressed an affinity for Nazism.

Late Tuesday, Ingrassia announced that he would not appear in the Senate as planned on Thursday — though he indicated that he would keep his current lower-level role.

“I will be withdrawing myself from Thursday’s HSGAC hearing to lead the Office of Special Counsel because unfortunately I do not have enough Republican votes at this time,” Ingrassia tweeted. “I appreciate the overwhelming support that I have received throughout this process and will continue to serve President Trump and this administration to Make America Great Again!”

Four Republican senators, including Senate Majority Leader John Thune, publicly expressed opposition to Ingrassia’s nomination after the revelation of the private texts this week, which included both racist and antisemitic content.

“I’m not supporting him,” Florida Sen. Rick Scott told reporters on Monday. “I can’t imagine how anybody can be antisemitic in this country. It’s wrong.”

An attorney for Ingrassia did not confirm the texts’ authenticity to Politico but said they appeared to be jokes. A participant on the chain said they were not treated as jokes at the time and the Nazi comment in particular — “I do have a Nazi streak in me from time to time, I will admit it” — had drawn pushback from others on the chat.

The texts’ revelation comes just after Politico exposed private chats among state-level leaders of the Young Republicans in which multiple members expressed racist and antisemitic views, including the sentiment, “I love Hitler.” Several participants in that chat have lost their jobs, and Republican leaders in two states have dissolved their state youth organizations as a result. Vice President J.D. Vance said the texts represented youthful mistakes and that he was not worried about pro-Hitler views among young Republicans.

—
The post Trump nominee who said he had a ‘Nazi streak’ forced out before Senate confirmation hearing appeared first on Jewish Telegraphic Agency.

(JTA) — As the ceasefire between Israel and Hamas enters its second week, prominent Jews from around the world who have criticized Israel throughout the war have now signed onto a letter urging global leaders to ensure that the deal results in a “new era of peace and justice for all.”

The letter, which was addressed to António Guterres, the secretary-general of the United Nations, and world leaders, also demands that Israel be held to account for “grievous violations of international law.”

“It was international pressure that helped to secure this ceasefire, and it must be sustained to guarantee that it endures. The ceasefire must be the beginning, not the end,” the letter says. “The risk of reverting to a political reality of indifference to occupation and permanent conflict is too great. This same pressure must be continued to deliver a new era of peace and justice for all—Palestinians and Israelis alike.”

The letter, titled “Jews Demand Action,” was released Wednesday as Vice President J.D. Vance visits Israel, amid signs casting doubt on the durability of the ceasefire deal.

It was signed by a host of prominent Jewish celebrities and public figures, many of whom have been outspoken in their criticism of Israel since the beginning of its two-year war in Gaza.

They include Israeli conductor Ilan Volkov, Emmy Award-winning actors Ilana Glazer and Hannah Einbinder, Canadian trauma guru Gabor Maté, and Oscar winners Jonathan Glazer and Yuval Avraham, who co-directed the documentary “No Other Land.”

The initiating signatories included American author and editor-at-large of Jewish Currents Peter Beinart; former Knesset speaker Avraham Burg; former Israeli negotiator Daniel Levy; Libby Lenkinski, the vice president for public engagement of the New Israel Fund; British activist Em Hilton, and former Belgian member of parliament Simone Susskind.

“We launched this initiative because the deeds of Israel’s government in Gaza have been an affront to collective Jewish consciousness worldwide,” Burg said in a statement. “Pressure from people mobilizing across the world, which led to leaders taking a stand, helped produce a ceasefire. Now international pressure must be sustained to end this cycle of violence and oppression once and for all.”

The letter also urges “businesses, labor unions, civil society” and the United Nations’ member states to take four steps: comply with decisions of the International Court of Justice and International Criminal Court (which issued an arrest warrant for Israeli Prime Minister Benjamin Netanyahu last year), impose sanctions and arms embargoes on Israel, ensure humanitarian aid reaches Gaza and “refute false accusations of antisemitism.”

“We shall not rest until this ceasefire carries forward into an end of occupation and apartheid,” the letter continued. “We write in the hope that this initiative further emboldens a moment of renewed Jewish commitment to act with conscience and compassion. We vow to work urgently to achieve equality, justice, and freedom for Palestinians and Israelis.”

The post Prominent Jewish figures call for sanctions on Israel: ‘The ceasefire must be the beginning, not the end.’ appeared first on The Forward.