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A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film
(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.
He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.
Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars.
“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”
These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.
“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”
Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.
Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events.
Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)
This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.”
But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)
Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.
When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.
In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say, ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis.
When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust.
German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)
Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.
“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”
He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”
Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer.
He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”
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France Continues to See Surge in Antisemitism, New Government Data Shows, Amid Rampant Hostility Toward Jews
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
Antisemitism in France remained at alarmingly high levels last year, with 1,320 incidents recorded nationwide, as Jews and Israelis faced several targeted attacks amid a relentlessly hostile climate despite heightened security measures, according to a newly published data.
On Thursday, the French Interior Ministry released its annual report on anti-religious acts, revealing a troubling rise in antisemitic incidents documented in a joint dataset compiled with the Jewish Community Protection Service.
Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases, the newly released report warns that antisemitism remains “historically high,” with more than 3.5 attacks occurring every day.
Over the past 25 years, antisemitic acts “have never been as numerous as in the past three years,” the report says, noting a dramatic spike following the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Les chiffres de l’antisémitisme en France en 2025 : un enracinement de la haine antijuive.
Le ministère de l’Intérieur a publié, ce jeudi 12 février 2026, les chiffres des actes antireligieux en France pour l’année 2025. Les données chiffrées concernant les actes antisémites… pic.twitter.com/PQXQfNwsqT
— CRIF (@Le_CRIF) February 12, 2026
Even though Jews make up less than 1 percent of France’s population, they accounted for 53 percent of all religiously motivated crimes last year.
Between 2022 and 2025, antisemitic attacks across France quadrupled, leaving the Jewish community more exposed than ever.
The most recent figure of total antisemitic incidents represents a 21 percent decline from 2023’s record high of 1,676 incidents, but a 203 percent increase from the 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.
According to French officials, this latest report, which is based on documented cases and official complaints, still underestimates the true scope of the problem, largely due to widespread underreporting.
The first six months of 2025 alone saw more than 640 antisemitic incidents, a 27.5 percent decline from the same period in 2024, but a 112.5 percent increase compared to the first half of 2023, before the start of the war in Gaza.
The report also reveals a surge in physical attacks, totaling 126 incidents last year, with a striking 67.4 percent of all antisemitic acts aimed at people.
Of all recorded incidents, 30.5 percent of antisemitic outrages took place in private settings and 13.1 percent in educational institutions, but the true extent is likely higher, as these numbers do not account for school-related antisemitism reported by the French Ministry of National Education.
The latest data further indicates that anti-Israel rhetoric is fueling antisemitism, with one-third of incidents explicitly referencing Palestine or the war in Gaza.
The French government’s newly released figures come as the local Jewish community continues to face a growing climate of hostility, despite official efforts to increase security and curb the rise in anti-Jewish hatred.
In a shocking second antisemitic attack in less than a week, a 13-year-old boy in Paris was brutally beaten Monday by a knife-wielding assailant.
On his way to a synagogue in Paris’s 18th arrondissement, the schoolboy was physically attacked by a group of five individuals who beat him, pressed a knife to his throat, called him a “dirty Jew,” and stole his belongings, the French news outlet Le Parisien reported.
According to the Paris prosecutor’s office, the victim was walking to a synagogue, clutching his kippah in his hand rather than wearing it for fear of being recognized, when five attackers confronted him. The group then stole his AirPods, sneakers, and coat, and forced him to empty his pockets.
The boy also told authorities that he was shoved, punched in the face, and threatened with a knife to his throat before his attackers stole his belongings, shouting antisemitic remarks throughout the assault.
In a separate incident over the weekend, three Jewish men wearing kippahs were physically threatened with a knife and forced to flee after leaving their Shabbat services near the Trocadéro in southwest Paris’s 16th arrondissement, European Jewish Press reported.
As the victims were leaving a nearby synagogue and walking through the neighborhood, they noticed a man staring at them. The assailant then approached the group and repeatedly asked, “Are you Jews? Are you Israelis?”
When one of them replied “yes,” the man pulled a knife from his pocket and began threatening the group. The victims immediately ran and found police officers nearby. None of the victims were injured.
Last week, a Jewish primary school in eastern Paris was vandalized, with windows smashed and security equipment damaged, prompting a criminal investigation and renewed outrage among local Jewish leaders as targeted antisemitic attacks continued to escalate.
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Antisemitism bills head to NYC Council Committee to Combat Hate
The New York City Council committee is moving forward with a series of bills aimed at addressing the rise in antisemitism, including a controversial proposal that would limit protests outside houses of worship.
The newly created Committee to Combat Hate is set to hold a hearing later this month on seven related bills introduced last month by Council Speaker Julie Menin, who is Jewish. The measures include a proposal to establish a 100-foot buffer zone outside synagogues and educational centers, increased funding for security measures, expanded education on online harassment, and improved reporting of antisemitic incidents.
Antisemitic incidents continue to account for a majority of reported hate crimes in New York City. According to the New York City Police Department, antisemitic incidents made up 57% of all hate crimes reported in 2025. The trend has continued into the new year, with more than half of all hate crimes reported in January targeting Jews or Jewish institutions, NYPD data showed.
Menin, who is the first Jew to lead the city’s legislative body, said last month that the council would vote on her five-point plan to combat antisemitism at Thursday’s meeting, hoping to pass it on an “aggressive and fast timetable.” A council spokesperson said the timetable has since been modified to align with the Feb. 25 committee hearing. After that hearing, the Speaker will decide when the bills go to the full council for a vote.
The panel is chaired by Councilmember Yusef Salaam, who is Muslim and has spoken about the need to confront antisemitism alongside Islamophobia. “When antisemitism rises, Islamophobia often follows,” Salam said at a news conference when the speaker announced her plan. “When Islamophobia is tolerated, antisemitism finds new grounds to grow.”
Before she became speaker, Menin privately promised Inna Vernikov, a Republican from Brooklyn, to create a subcommittee dedicated to combating antisemitism. Instead, she formed a task force, co-chaired by Vernikov and Eric Dinowitz, a Democrat from the Bronx and chair of the seven-member Jewish Caucus. The appointment of Vernikov drew criticism for her incendiary remarks on social media about Mayor Zohran Mamdani and the Democratic Party’s approach to antisemitism.
Mamdani, a strident Israel critic who faces scrutiny from mainstream Jewish organizations over his response to antisemitism and pro-Palestinian protests, said he broadly supports the package introduced by Menin but expressed reservations about the legality of the proposed 100-foot buffer zone around synagogues and other houses of worship. “I wouldn’t sign any legislation that we find to be outside of the bounds of the law,” he said.
On Wednesday, during a budget hearing at the state Legislature, Mamdani was questioned again about his response to antisemitic rhetoric, including the slogan “globalize the intifada,” that has been chanted at protests against the war in Gaza. “I strongly discourage the language, and I have not used the language,” Mamdani said.
Progressive groups that support Mamdani, including Jews For Racial & Economic Justice, Jewish Voice for Peace and IfNotNow, called on council members to reject the buffer zone bill. “When houses of worship host non-religious political events, they are making a choice with the knowledge that they might be protested for doing so,” the groups said.
Mamdani has faced criticism twice for his response to protests outside synagogues hosting events about real estate investment in Israel. On Jan. 8, protesters outside a Queens synagogue featured chants of “Say it loud, say it clear, we support Hamas here.” Though Mamdani quickly condemned the language, he had to follow up later to denounce Hamas.
Just after Mamdani’s election in November, he issued a mixed response to a demonstration outside Manhattan’s Park East Synagogue that featured anti-Israel and antisemitic slogans. He initially questioned the use of a sacred place for an event promoting migration to Israel. He later clarified his statement and said he would consider legislation limiting protests outside synagogues.
Critics said the response, which took nearly a day, was slow and undercut Mamdani’s repeated pledges to protect Jewish New Yorkers, and raised fresh questions about what kind of mayor he intends to be. New York City is home to the largest concentration of Jews in the United States.
The post Antisemitism bills head to NYC Council Committee to Combat Hate appeared first on The Forward.
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James Van Der Beek, ‘Dawson’s Creek’ star, had longstanding ties to Israel
(JTA) — James Van Der Beek, the beloved star of the 1990s television show “Dawson’s Creek” who married his wife in Tel Aviv in 2010, has died.
Van Der Beek died on Wednesday at 48, following a years-long battle with colorectal cancer.
“Our beloved James David Van Der Beek passed peacefully this morning,” his family wrote on Instagram Wednesday. “He met his final days with courage, faith, and grace. There is much to share regarding his wishes, love for humanity, and the sacredness of time. Those days will come. For now we ask for peaceful privacy as we grieve our loving husband, father, son, brother, and friend.”
Van Der Beek’s breakout role, playing 15-year-old Dawson Leery in the hit teen drama “Dawson’s Creek” in 1998, earned him widespread acclaim and cemented him as a teenage heartthrob of the early 2000s.
Van Der Beek, who was not Jewish, met his wife, Kimberly Brook, in 2009 while traveling in Tel Aviv at a restaurant on Bograshov Beach.
In August 2010, the pair returned to Israel where they were married at the Kabbalah Center in Tel Aviv and toured around the country during their honeymoon.
In a post on Instagram in 2021, Van Der Beek recalled his time in Israel and Hebron, a city in the West Bank, detailing shouts of “Mazel Tov” from Israelis as well as the arrest of their tour guide by Israeli police.
“This is by no means a complete picture of the situation, and I won’t pretend to understand the geopolitical complexities fueling this conflict…,” wrote Van Der Beek. “But there’s a lot of humanity on both sides of that razor wire, and whatever ‘solution’ fails to recognize that… isn’t a solution.”
Van Der Beek is survived by his wife and their six children, Olivia, Joshua, Annabel, Emilia, Gwendolyn and Jeremiah.
Among the close friends and associates who mourned Van Deer Beek after his death were “Golda” director Guy Nattiv and Becky Tahel, an Israeli-American creative whose career in Hollywood began as a babysitter to the Van Der Beeks’ young children.
“Looking back at so many moments, so many evenings that became sacred because you were in them,” Nattiv posted on Instagram. “Birthdays, Jewish holidays, crowded tables, loud laughter, NFL games and concerts. James, you weren’t just present in our lives you were woven into them. Every piece of you lives inside our hearts now.”
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