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A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film

(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.

He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.

Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars. 

“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”

These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.

“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”

Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.

Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events. 

Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)

This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.” 

But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)

Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.

When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.

In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say,  ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis. 

When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust. 

German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)

Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.

“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”

He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”

Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer. 

He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”


The post A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film appeared first on Jewish Telegraphic Agency.

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Viktor Orbán may fall. Netanyahu should be next

At first glance, Hungary may seem like a small central European country with limited relevance to Israel. But political trends can cross borders, and a shift in one society might herald something broader.

The defeat that polls are predicting for Prime Minister Viktor Orbán, a towering icon of the global populist right, could spell trouble for Israeli Prime Minister Benjamin Netanyahu as well.

For 16 years, Orbán has been widely seen as the most successful architect — indeed the prophet — of illiberal democracy, devising a system that preserves elections but systematically tilts the playing field, turning a country’s leader into a seemingly elected authoritarian.

Since returning to power in 2010 — like Netanyahu, Orbán also served a term starting in the 1990s — Orbán’s party, Fidesz, has rewritten constitutional rules, weakened the judiciary, neutered institutional checks, cultivated a loyal media ecosystem, and fused political power with economic patronage.

Orbán has also pumped out an obsessive narrative whereby the Hungarian nation is in danger from progressives, cosmopolitan Europeans, migrants and Muslims — dangers that, naturally, only Orbán can see clearly and fight well. The meta-narrative, bizarre in currently peaceful Europe, is one of constant crisis, of nerves ever on edge.

And it has worked wonders, yielding something that looks like democracy while functioning as autocracy.

Until now.

If Orbán loses this weekend’s election, his defeat will send a message across the world and particularly to Israel, where Netanyahu has carefully followed his model.

Populist systems thrive on polarization. They convert politics into a series of existential battles — identity, culture, survival. In such an environment, challengers who attempt to outbid the populist in ideological intensity often fail. They reinforce the terrain on which the incumbent is strongest.

Orbán’s defeat would show that what can prove more effective is something quieter: a shift away from ideological maximalism toward questions of competence, propriety and everyday governance.

An almost-perfect system

When perfected, the opposition in the kind of system Orbán pioneered has an almost impossible time returning to power. Admirers around the world have looked to Hungary not for its economic model or foreign policy, but for a blueprint for how a modern elected leader can entrench himself so deeply that removal through the ballot box becomes nearly impossible.

For years, Orbán’s system appeared invincible. He was reelected in 2014, 2018, and even in 2022, amid inflation and economic strain, and facing a rare unified opposition. He succeeded in amplifying a narrow majority in the last election into almost a two-thirds majority in parliament through districting and electoral “reforms” which he had put in place during his previous terms.

The lesson drawn by many observers — supporters and critics alike — was that once entrenched, such leaders do not lose, since the system becomes self-reinforcing. But now that certainty has begun to fray.

Israelis will recognize the contours of that story.

Over the past decade or so, as Netanyahu began to face serious legal trouble that has since landed him in court on bribery and other charges, his mania for holding on to power went into overdrive — and he adopted the Orbán playbook with precision.

Israelis have witnessed sustained attacks on the judiciary; efforts to restructure the balance of power; the delegitimization of legal and media institutions; and a politics increasingly organized around permanent cultural and existential conflict. During the last vote, in 2022, Netanyahu largely hid his intention to drag the country in this direction; should he win again, this will be interpreted as a mandate. The “Orbánization” will go into overdrive.

Israel has not yet become Hungary: its institutions remain more pluralistic, its media more combative, its political system more fragmented. But the direction of travel is clear.

How the system fails

In early 2024, a controversial Orbán-engineered presidential pardon — linked to a figure associated with a child abuse case — punctured his carefully cultivated image of moral authority and care for traditional values. It was simply, for many, too much.

Into that breach stepped challenger Peter Magyar, who is not a traditional opposition figure, which is a key point. Magyar comes not from Hungary’s fragmented liberal camp, but rather from within Orbán’s own orbit. A former insider of Orbán’s Fidesz party, Magyar understands the machinery. His political movement, the Tisza Party, rose with remarkable speed, transforming into a credible electoral force within months. It currently has a growing lead in the polls.

Perhaps the most important aspect of Magyar’s rise is how he has campaigned. Previous Hungarian opposition efforts focused heavily on abstract democratic principles, including rule of law, institutional checks and media freedom. These are vital issues. But against Orbán’s emotionally charged narratives or sovereignty and national survival, they failed to mobilize a broad electorate.

Magyar instead has traveled extensively, visiting hundreds of towns and villages, engaging with practical grievances: failing public services, rising costs and bureaucratic dysfunction. The implication is that Orbán has hubristically lost touch. Magyar’s message has been almost technocratic in tone: He wants, he says, to make the state function again for ordinary citizens with regular concerns.

If Orbán were to lose, it would be, in effect, because Magyar is a centrist with practical, citizen-focused ideas — sidestepping entirely the identity issues that Orbán peddles.

The lesson for Israel

Magyar cannot easily be dismissed as alien or threatening by Orbán’s base. For Israelis contemplating a post-Netanyahu future, this is instructive.

For years, one of Netanyahu’s greatest political strengths has been his ability to frame opponents as fundamentally “other” — as disconnected from national priorities, or as representatives of a different, even suspect, ideological camp. A challenger who reframes the conversation — toward competence, integrity and the basic functioning of the state — may find a different kind of opening.

Hungary and Israel are not the same; the dangers Netanyahu weaponizes politically are vastly more acute. But he and Orbán represent something that has been widespread around the world: a rebellion against the establishment, and a message that says an elected government can do close to anything it wants in the name of “the people.”

It is a proposition that exists at the most vulgar democratic baseline: that of majority rule. It cares little for the niceties of liberal democracy: checks and balances, rule of law, minority rights, equality under the law, guaranteed protections and individual freedoms.

Orbán’s genius, eagerly embraced and copied by Netanyahu, has been to convince enough people that majority rule is basically all that matters. Majority rule is critical when one is attacking the establishment, the elites, the intellectuals, the journalists, the professors, the experts, and the judges who preside at one’s trial.

If Orbán loses on Sunday, it could bode ill for Netanyahu in the Israeli election that must be held by October, and good for a world that desperately needs to return to a more nuanced understanding of how government is supposed to work. It would suggest that the fever that sustains Orbán and Netanyahu alike has started to break.

The post Viktor Orbán may fall. Netanyahu should be next appeared first on The Forward.

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Hungary is poised to topple an authoritarian leader. American Jews have something to learn

An aspiring authoritarian, who has spent more than a decade shaping his country through a political project of popularist grievance and personal enrichment, may soon meet his electoral end.

That elected leader is not President Donald Trump, but Hungarian Prime Minister Viktor Orbán, who has ruled Hungary consecutively since 2010 (and who previously served as prime minister between 1998 and 2002). Hungarians will go to the polls on April 12, and Orbán’s Fidesz party is polling well behind the conservative, pro-European Tisza. That Trump, who is closely allied with Orbán, this week dispatched Vice President JD Vance to Budapest to campaign for Orbán may not be enough. (While there, Vance baselessly claimed EU interference in Hungary’s elections, turning back to the same old Trump playbook.)

There is much that Americans can learn from the Hungarian experience of years spent under the governance of someone accused of dismantling rule of law, a person whose inner circle has grown rich during his time in office. But American Jews in particular should pay attention. Because Orbán’s administration has used antisemitism as a political tool throughout his time in power, and is desperately turning to this hatred once again on its way, possibly, out the electoral door.

Examining the different purposes for which Orbán has employed antisemitism is instructive. The essential lesson: Antisemitism deployed by powerful people is often an attempt to evade accountability for their own bad actions.

The Orbán administration has tried to rewrite history so as to paint Hungary as a perpetual victim or victor — never a country responsible for misdeeds like, say, allying with Nazi Germany prior to being occupied by it. Orbán, like other politicians interested in historical revisionism, has tried to make adherence to his specific retelling of Hungarian history synonymous with being a true Hungarian. Anyone who challenges his vision is, in it, an enemy of the state.

For no one has that been more true than Hungarian-born Jewish billionaire philanthropist George Soros. In past elections, Orbán has inflated Soros to the status of a political adversary, campaigning against a spectral version of him instead of his actual political opponents. This approach, rife with antisemitic dog whistles, has been alarmingly effective.

“We are fighting an enemy that is different from us. Not open, but hiding; not straightforward but crafty; not honest but base; not national but international; does not believe in working but speculates with money; does not have its own homeland but feels it owns the whole world,” he said of Soros in the 2018 campaign, invoking any number of longstanding antisemitic tropes.

When Orbán’s authoritarian efforts extended to cracking down on liberal institutions and civil society, he turned again to antisemitism in the form of Soros conspiracy theories.

Under attack by Orbán, Central European University, the university that Soros founded, has mostly been pushed out of its original home of Budapest. When the Hungarian government passed legislation to criminalize helping those who wanted to claim asylum in the country, it was called “Stop Soros” legislation. NGOs in Hungary have long been smeared for receiving money from Soros’ Open Society Foundations, accused of being proxies through which Soros is “targeting” Hungary.

Recently, Orbán has pivoted, making Ukrainian President Volodymyr Zelenskyy the new scapegoat of his antisemitic conspiracy theories.

He has charged that support for Ukraine is expensive and even dangerous, and pushed the idea that Orbán and Fidesz are all that prevents such support from leading Hungary to disaster. Orbán and Fidesz have erected billboards showing Zelenskyy smirking with an outstretched hand, in a pose reminiscent of the antisemitic “happy merchant” meme. Perhaps most tellingly and menacingly, Fidesz has put up posters with Zelenskyy’s face, blazoned with nearly the same words that, almost a decade ago, accompanied campaign posters with Soros’s visage on them: “Let’s not let Zelenskyy have the last laugh.”

As Hungarians are asking what, exactly, the last decade and a half of autocracy have accomplished for them, their governing party appears to be suggesting that it is the only thing standing between them and the machinations of a nefarious Jew. Antisemitism can be many things, but in Hungary, again and again, it has been an attempt to trick citizens out of asking what good Orbán’s government has done for them.

This playbook has clear resonances in that deployed by Trump.

When threatened, Trump and his allies repeatedly turn to blaming Soros. They have used the idea of Soros as a sort of universal bogeyman to try to explain away Trump’s felony charges and to justify violence against citizens protesting ICE. The Department of Justice has tried to find ways to push for prosecutions of Soros and his allies, on far-fetched charges possibly including material support of terrorism.

What Orbán and Trump have both bet on is that dog whistling about all-powerful Jews will distract enough voters from noticing while they help themselves to their country’s rights and riches. If Orbán is defeated on Sunday, his loss will send an essential message to Americans: that strategy can only sustain a leader for so long.

Flailing about and sowing the seeds of antisemitic conspiracies cannot change the stubborn fact that neither Soros nor Zelenskyy is in charge in Hungary: Orbán is. Hungarians seem to see, now, that all that talk about Soros didn’t make their lives any better. Neither will going after Zelenskyy.

We can hope Hungarians remember that as they go to the polls. We, American Jews, should remind others, and ourselves, of it here, too. We often focus on trying to communicate that antisemitism is hateful and unfair toward American Jews. Perhaps, in addition, we should try to point out that Trump’s antisemitism, like Orbán’s, is not only hateful, but a hateful deflection.

The post Hungary is poised to topple an authoritarian leader. American Jews have something to learn appeared first on The Forward.

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Israel Expels Spain From US-Backed Gaza Coordination Center as Diplomatic Rift Deepens

Spanish Prime Minister Pedro Sanchez speaks during a press conference after attending a special summit of European Union leaders to discuss transatlantic relations, in Brussels, Belgium, Jan. 23, 2026. Photo: REUTERS/Yves Herman

Israel has expelled Spain from the United States’ Civil-Military Coordination Center (CMCC) in Kiryat Gat, a hub established to coordinate humanitarian operations in the Gaza Strip, marking a sharp escalation in an already deteriorating diplomatic rift between the two countries.

On Friday, Israeli Prime Minister Benjamin Netanyahu announced Spain’s expulsion from the CMCC, framing the move as a response to Madrid’s increasingly anti-Israel stance and what he described as continued hostility toward the Jewish state.

“Spain has defamed our heroes, the soldiers of the [Israel Defense Forces], the soldiers of the most moral army in the world,” Netanyahu said during a press conference. “Anyone who attacks the State of Israel instead of the terrorist regimes … will not be our partner in the future of the region.” 

“I am not willing to tolerate this hypocrisy and this hostility,” the Israeli leader continued. “I do not intend to allow any country to wage a diplomatic war against us without paying an immediate price for it.”

In a press release, Israeli Foreign Minister Gideon Saar confirmed that the United States had been informed ahead of time, adding that the decision followed Spain’s serious harm to the interests of both Jerusalem and Washington.

The Spanish government has also been informed of the decision, though it has yet to issue any public statement or official response.

“Spain’s obsessive anti-Israel bias under [Prime Minister Pedro Sanchez]’s leadership is so egregious that it has lost all capability to serve a constructive role in implementing US President Donald Trump’s peace plan and the center operating under it,” the top Israeli diplomat wrote in a post on X. 

Established in October 2025 as part of US Central Command, the CMCC was set up to coordinate and manage the flow of humanitarian, logistical, and security assistance from the international community into Gaza under Trump’s peace plan for the enclave.

Since the start of the war in Gaza, and increasingly amid the war with Iran and broader regional escalation, Spain has launched a fierce anti-Israel campaign aimed at undermining and isolating the Jewish state on the international stage.

Earlier this week, Sánchez publicly condemned Israeli strikes in Lebanon and the widening regional escalation tied to the Iran conflict, renewing calls for the European Union to suspend its association agreement with Israel and urging an end to “impunity for [Israel’s] criminal actions.”

The Spanish leader also accused Netanyahu of breaching basic humanitarian norms, saying his “contempt for life and international law is intolerable.”

Spanish Foreign Minister José Manuel Albares has also publicly condemned Israel’s military campaign, describing the conflict as “the greatest assault on the civilization built upon the humanist ideals of reason, peace, understanding, and universal law over the abuse of power, brute force, and arbitrariness.”

In a phone call with his Spanish counterpart on Friday, Iranian Foreign Minister Abbas Araghchi praised Spain’s “principled and honorable” stance on what he called “US-Israeli aggression against Iran,” urging countries to take a firmer stand against what he described as war crimes.

“Spain’s valuable stances in defending international law and human values ​​have been noted and praised by the Iranian nation and the international community, and will never be forgotten,” the top Iranian diplomat said. 

Even though Spain welcomed the recently announced US–Iran ceasefire, Albares said, “Madrid will not applaud those who set the world on fire just because they show up with a bucket to put out that fire.”

As part of its broader anti-Israel campaign, Spain had recently closed its airspace to aircraft involved in what officials described as a “reckless and illegal confrontation” – another move welcomed by Iran’s Islamist government.

In one of its most controversial recent moves, Madrid also announced this weej the reopening of its embassy in Tehran.

According to data from Spain’s Ministry of Trade reported by Servimedia, the Spanish government exported more than €1.3 million worth of dual-use materials to Iran in 2024 and the first half of 2025, including explosive components, laboratory reagents, and specialized control software.

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