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A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film
(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.
He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.
Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars.
“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”
These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.
“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”
Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.
Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events.
Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)
This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.”
But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)
Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.
When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.
In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say, ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis.
When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust.
German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)
Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.
“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”
He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”
Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer.
He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”
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France’s National Assembly Advances Bill to Combat Modern-Day Antisemitism
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
France’s lower house of parliament has advanced legislation targeting what it describes as “renewed forms of antisemitism,” including anti-Zionism and Holocaust minimization, drawing applause from Jewish leaders and sharp criticism from opponents who claim it could undermine free expression.
On Tuesday, the National Assembly’s Law Committee narrowly approved, by an 18-16 vote, a bill — introduced by Jewish MP Caroline Yadan — aimed at combating modern-day antisemitism and Israel-hatred amid growing hostility toward Jews and Israelis across France.
“Strong and decisive measures to send a clear message to our fellow citizens: France unconditionally protects everyone on its soil, guided by the force of the law, steadfast principles, and loyalty to its history,” Yadan wrote in a post on X.
Fière et émue de l’ADOPTION
, aujourd’hui en Commission des lois, de ma proposition de loi visant à lutter contre les formes renouvelées de l’antisémitisme.
Renforcement du délit d’apologie du terrorisme ;
— Caroline Yadan (@CarolineYADAN) January 20, 2026
With support coming largely from the governing majority and the far right and opposition from the left, the bill is now set to advance to the full assembly for further debate.
The new legislation seeks to strengthen existing law by punishing both explicit and implicit praise of antisemitism, equating praise of perpetrators with praise of antisemitic acts, and treating the downplaying or trivializing of terrorism as a form of support.
It would also reinforce laws against glorifying terrorism, establish a new offense for inciting the destruction of a state, and crack down on the trivialization and denial of the Holocaust.
“Today, anti-Jewish hatred in our country is fueled by an obsessive hatred of Israel, which is regularly delegitimized in its existence and criminalized,” Yadan said. This hatred, she continued, is “disguised under the mask of progressivism and human rights.”
“Antisemitism is never an isolated phenomenon,” the French lawmaker said. “It is always a warning. It is the first symptom of a violence that, sooner or later, spreads, expands, and strikes more broadly.”
“When it flourishes, it is our collective responsibility that falters. That is why we must act,” she added.
Debate over the bill comes as France continues to experience a historic surge in antisemitic incidents across the country following the Palestinian terrorist group Hamas’s Oct. 7, 2023, invasion of and massacre across southern Israel.
Yonathan Arfi, president of the Representative Council of Jewish Institutions of France (CRIF) — the main representative body of French Jews — welcomed the legislation, highlighting the importance of safeguarding freedom of expression while ensuring that hate speech threatening public safety is properly regulated.
“CRIF welcomes this initial adoption and underscores the importance of fighting hatred and discrimination within the Republic, whether antisemitic, racist, or in any other form,” the statement read
On the other hand, opponents of the bill warn that it could threaten free speech by blurring the distinction between antisemitism and legitimate criticism of Israel, potentially criminalizing ambiguous statements, irony, slogans, or political commentary.
“Turning public speech on the Israeli-Palestinian conflict into a penalized arena risks deepening divisions rather than easing them,” Socialist MP Marietta Karamanli said during the parliamentary debate.
La France Insoumise MP Gabrielle Cathala, representing the far-left political party, also opposed the legislation, arguing that it does little to effectively combat antisemitism.
“It does not protect Jews. It protects a policy – that of the State of Israel and its criminal leaders – a policy of apartheid, a colonial enterprise, and genocide of the Palestinian people,” she said.
According to experts and civil rights groups, anti-Israel animus has motivated an increasingly significant percentage of antisemitic incidents, especially following Hamas’s Oct. 7 atrocities, which resulted in the biggest single-day massacre of Jews since the Holocaust.
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US Congressional Challenger Says Incumbent Ritchie Torres ‘Bought, Controlled’ by Zionists
Jose Vega, a candidate for US Congress in New York’s 15th District, giving an interview. Photo: Screenshot
Jose Vega, a self-described journalist vying to unseat US Rep. Ritchie Torres (D-NY), claimed in a new campaign video that the incumbent was “bought and controlled” by Zionists while appearing alongside an anti-Israel social media personality.
On Tuesday, a video circulated around social media featuring Vega, who is running for US Congress as a Democrat/Independent, speaking with anti-Zionist pundit Erik Warsaw. The video featured images juxtaposing “Zio Rich Neighborhoods” and “Everyone Else Neighborhoods.”
“Zio” is an antisemitic slur brought into prominence by former Ku Klux Klan leader David Duke. While the term, derived from “Zionist,” has generally been deployed by white supremacists and other far-right extremists, it has more recently been used as well by anti-Israel activists on the progressive far left to refer to Jews in a derogatory manner.
“The Bronx is one of the poorest districts in America, but also has some of the richest Zionists millionaires in America, too,” Warsaw said in the video, standing next to Vega.
Nodding in agreement, Vega added, “Rich people like to live in areas where they can buy the politicians easily, like Ritchie Torres, who is bought and controlled by Zionist influencers and millionaires who all live in Riverdale.”
Riverdale, a leafy and affluent neighborhood nestled in the northwest portion of the Bronx, maintains a significant Jewish population. Vega implied that Torres only won because of low voter turnout from the heavily black and Latino areas of New York’s 15th Congressional District.
Torres responded to the video by lambasting his opponent and noting that Warsaw has praised podcaster Nick Fuentes, an avowed antisemite and Holocaust denier.
“My opposition sees antisemitism not as a tragedy but as a strategy,” Torres posted on X.
“One of my opponents appears in a despicably antisemitic video with Erik Warsaw, who once lionized Nick Fuentes — a notorious Holocaust denier — as a ‘hero.’ In that video, my opponent demonizes the Jewish residents,” the congressman continued.
My opposition sees antisemitism not as a tragedy but as a strategy.
One of my opponents appears in a despicably antisemitic video with Erik Warsaw, who once lionized Nick Fuentes—a notorious Holocaust denier—as a “hero.” In that video, my opponent demonizes the Jewish residents… pic.twitter.com/KVZ9CCPGyU
— Ritchie Torres (@RitchieTorres) January 21, 2026
Warsaw’s Instagram account features an array of videos making broadside attacks against Israel and invoking various antisemitic narratives. In one video, Warsaw promoted the “red ribbon campaign” — a direct parallel to the Israeli yellow ribbon campaign calling for the release of hostages kidnapped by Hamas — which accused the Jewish state of harboring 9,100 Palestinian “hostages” in prison. In another interview with political activist Diane Sare, Warsaw asked about the legitimacy of dual citizenship. In that clip, Warsaw sequenced a series of images accusing Israeli-Americans of having “dual loyalty,” invoking an antisemitic trope.
Vega, a progressive political organizer, entered the race in hopes of toppling Torres, an outspoken defender of Israel. Vega has thus far aligned himself with the far-left, anti-Israel arm of the Democratic party. On his social media profiles, Vega displays a Palestinian flag emoji next to his name.
Vega defines himself as an anti-establishment insurgent, seeking to upend the foreign policy status quo in Congress. On his website, Vega bemoans previous US foreign policy ventures in the Middle East, arguing that American intervention has made the region worse off. He claims that the plight of Gaza, which he has declared a so-called “genocide,” an extension of failed and immoral US foreign policy.
“The genocide taking place in the Gaza Strip and the West Bank is perhaps the most satanic manifestation of our foreign policy today, which regards Palestinians as just another roadblock to attaining strategic dominance in an area,” he wrote.
Torres, 37, a Bronx native who is both Afro-Latino and openly gay, has not shied away from supporting Israel. He has long framed his support for the Jewish state as part of a broader belief in liberal democracy and human rights and is known in Washington as one of the few progressive Democrats willing to challenge the party’s left flank on Middle East issues.
Beyond the Middle East, allies of Torres argue that since his election in 2020, he has secured federal funding for affordable housing, local infrastructure, and small-business relief while being instrumental in directing pandemic recovery aid to neighborhoods hardest hit by COVID-19.
New York’s 15th District, encompassing much of the South Bronx, remains overwhelmingly Democratic and majority black and Hispanic. The congressional district, one of the poorest in the nation, has a child poverty rate of 37 percent, according to the US Census Bureau, the highest in the country.
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YouTuber Ms. Rachel Apologizes for ‘Accidentally’ Liking Instagram Comment Calling to ‘Free America From Jews’
Ms. Rachel. Photo: Wiki Commons.
Children’s educator and YouTuber Ms. Rachel admitted on Wednesday that she “accidentally” liked an antisemitic comment on Instagram that called for America to be “free from the Jews.”
The YouTube star, who creates toddler learning videos, apologized for the apparent mistake after a social media user privately messaged her on Instagram and pointed out that Ms. Rachel liked the antisemitic comment left on one of her posts. The private message promoted Ms. Rachel, 43, to issue a public apology in a video that she posted Wednesday on Instagram for her 4.8 million followers.
The YouTuber, whose real name is Rachel Griffin Accurso, explained that she thought she deleted the hateful comment but accidentally hit “like and hide” instead. The avid critic of Israel, who has shared online posts accusing the Jewish state of “genocide” and has 18.6 million subscribers on her YouTube channel, got emotional in an Instagram video while explaining what happened.
“I thought I deleted a comment, and I accidentally hit ‘like’ and hide,’” she said in an Instagram video. “I don’t know how or why. I’ve accidentally liked comments before. It happens. I’m a human who makes mistakes. I would never agree with an antisemitic thing like the comment. We have Jewish family, a lot of my friends are Jewish. I delete antisemitic comments.”
The issue reportedly began when Ms. Rachel shared a statement from her notes app on Instagram that read “Free Palestine, Free Sudan, Free Congo, Free Iran.” A social media user who replied to the post wrote, “Free America from the Jews” and the comment garnered four likes including from Ms. Rachel, according to screenshots cited by the New York Post.
The children’s YouTube star insisted she was “so broken over” the incident.
“I feel like we can’t be human anymore online,” she complained in the video. “And I’m so sorry for the confusion it caused. I’m so sorry if anyone thought that I would ever agree with something horrible and antisemitic like that. I don’t.”
“I want to say that it’s OK to be human and it’s OK to make mistakes and I’m old, so I am not as good with touching things online, I guess. I have liked things by accident before,” she added. “Everyone who knows me knows I would never like that.”
In an earlier Instagram post about the incident, Ms. Rachel wrote that “people are allowed to make mistakes” and that she was “super sorry for any confusion it caused.”
“I delete antisemitism ANY time I see it. I am against all forms of hate including antisemitism against the Jewish people,” she added.
The watchdog group StopAntisemitism.org has previously accused Ms. Rachel of spreading Hamas propaganda and false information about Israel’s military actions in the Gaza Strip during the Israel-Hamas war.
Ms. Rachel lives in New York City and her husband is Broadway music director and composer Aron Accurso.