Uncategorized
A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film
(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.
He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.
Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars.
“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”
These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.
“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”
Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.
Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events.
Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)
This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.”
But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)
Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.
When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.
In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say, ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis.
When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust.
German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)
Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.
“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”
He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”
Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer.
He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”
—
The post A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film appeared first on Jewish Telegraphic Agency.
Uncategorized
Don’t dismiss Israel’s most rage-baiting minister as fringe
As Israel drifts toward another election campaign, National Security Minister Itamar Ben-Gvir this week offered voters — and the world — a grotesque glimpse of where a large branch of Israeli politics is heading.
Touring a detention facility holding activists from a Gaza-bound flotilla intercepted by Israel, Ben-Gvir waved a large Israeli flag before rows of bound detainees forced to kneel, mocked them as cameras rolled, and declared Israel was “in charge here.”
The images sparked domestic and international outrage. European governments summoned Israeli ambassadors. U.S. Ambassador Mike Huckabee, a staunch supporter of the Israeli right, charged on X that “Ben-Gvir betrayed” the “dignity of his nation.” Even Prime Minister Benjamin Netanyahu, in a rare move, publicly rebuked his own minister.
That rebuke should not be taken as a signal that Ben-Gvir may fade in power. Because while many Israelis still prefer to think of the controversy-courting minister as a fringe embarrassment attached awkwardly to an otherwise respectable nationalist movement, he is the true face of the Israeli right today.
A week ago, Ben-Gvir ascended the Temple Mount in Jerusalem — one of his many violations of longstanding norms governing the holy site — as tens of thousands of ultranationalist Israelis marched through the Old City in an annual celebration of its 1967 capture, many chanting “Death to Arabs.” The rabble rouser — whose multiple convictions include support for terrorist groups — recently celebrated his 50th birthday with two cakes adorned with nooses, a nod to the death penalty legislation for terrorists that he played a major role in getting passed. No surprise: The law is worded in a way that makes clear it is aimed at Palestinians only. Legislators allied with his camp wore noose-shaped lapel pins while promoting it.
This madness is not some accidental byproduct of the right-wing movement Netanyahu has led for decades, but its natural consequence.
For years, the mainstream nationalist camp, with Netanyahu as its most prominent figure, has sold Israelis an illusion: Israel can permanently control the West Bank — and perhaps Gaza, once more, as well — while forever suppressing Palestinian national aspirations, and still somehow remain both democratic and fully accepted by the democratic world.
The terminology changes: “managing the conflict,” “security control,” “economic peace.” But the underlying proposition remains the same. And it is a fantasy.
A country that indefinitely controls millions of disenfranchised people — where almost half the population does not have the right to vote — does not remain a true democracy. A state ruling another nation forever does not remain democratic either, even if elections formally continue among the population allowed to vote.
There are now roughly 15 million people living between the Jordan River and the Mediterranean Sea. About half are Jews, and half are Arabs. That demographic reality sits at the center of every serious discussion about Israel’s future. Yet much of the Israeli right pretends this reality barely exists, and ignores the increasingly brazen Jewish terrorism and the illegal seizing of outposts in the West Bank. Netanyahu himself speaks the language of caution, realism and statecraft, striving to reassure centrists and foreign governments alike that Israel remains fundamentally part of the democratic West.
Not Ben-Gvir.
Ben-Gvir speaks for those on the right who see only two possibilities when it comes to Palestinians: permanent Israeli domination without equality, enforced by as much violence as needed — or expulsion. Officially, much of the far-right prefers the former; once the cameras stop rolling, almost all of them predict the latter.
I was speaking to one prominent right-winger the other day, and asked what they had in mind for the Palestinians in the West Bank and Gaza. “Those who don’t want to destroy Israel can stay,” they said.
Obviously, that definition might include none of them, I noted. “Then get the trucks,” was the reply.
That wasn’t moral, I said. The reply: “Is it moral to force my children to fight forever?”
Ben-Gvir’s outrageous behavior is meant to appeal to people with this mindset. And it’s working. Polls show his Otzma Yehudit party expected to get perhaps 13 seats in the next Knesset — more than double their current six.
Moreover, Netanyahu’s Likud party itself has undergone a gradual shift to the right, with many of its Knesset members starting to sound little different from Ben-Gvir. That is why Ben-Gvir was able to ram through the disgraceful bill mandating the death penalty for terrorists.
This political calamity was not unexpected. The occupation of the West Bank, like unchecked power everywhere, was always bound to corrode political culture over time. The sleight of hand of non-annexation is growing old — in part because of Ben-Gvir’s influence, the number of settlements is expanding rapidly — and much of the Israeli right, consumed by hubris, wants to rip off the mask. Ben-Gvir is the most authentic expression of that transformation.
That is the dark reality hanging over the coming election, and the flotilla episode revealed the zeitgeist in its purest form. Israel already had complete control over the activists. They posed no meaningful threat. The performance was about domination, a theatrical display for a domestic political audience increasingly drawn to the aesthetics of vengeance and submission.
Challenged on Israel Radio about the wisdom of such a stunt at a time when Israel is facing a crisis in global public opinion, Yitzhak Kroizer, a Knesset member from Ben-Gvir’s party, offered this: “We’re done bowing our heads and apologizing.” He said the flotilla members were terrorists themselves for wishing to harm Israel, and that there is “great public support for an uncompromising stand.”
He’s right on that last point. Israel faces genuine enemies and genuine trauma. Hamas massacred civilians on Oct. 7, 2023. Hezbollah and Iran openly seek confrontation. Israelis have every reason to fear for their security.
But those realities still leave unanswered a central strategic question: What kind of country emerges from such prolonged conflict?
Ben-Gvir has given us one unsettling answer.
In 1995, a teenage Ben-Gvir famously brandished the hood ornament ripped from Prime Minister Yitzhak Rabin’s car and declared on Israeli television: “We got to his car, and we’ll get to him too.” Weeks later, assassin Yigal Amir did just that, and murdered Rabin.
Today, the target in Ben-Gvir’s sights isn’t Israel’s leader, but instead all of Israeli democracy.
The post Don’t dismiss Israel’s most rage-baiting minister as fringe appeared first on The Forward.
Uncategorized
Gaza and Israel go unmentioned in Democrats’ 2024 election autopsy report
(JTA) — Gaza and Israel go unmentioned in the Democrats’ 190-page autopsy of Kamala Harris’ 2024 presidential election loss that the Democratic National Committee released to CNN on Thursday.
Critics of the Biden administration’s support for Israel during the war in Gaza that began on Oct. 7, 2023, have alleged that the party was suppressing its internal findings about the election, which returned President Donald Trump to office, because it would show that Biden’s stance was deeply unpopular.
Axios reported in February that the top Democrats who worked on the report concluded that Harris “lost significant support because of the Biden administration’s approach to the war in Gaza.”
If that’s the case, it’s not reflected in the document that CNN published on Thursday morning. Portions of the document were not included, however, with notes saying that the executive summary and conclusion had not been shared by the authors.
The report points to 10 different “strategic implications” for Democrats, including that “anti-Trump sentiment has limits,” male voters “require direct engagement,” and that voter demographics are not enough to determine which candidate they’ll prefer.
CNN reported that the document was written by Democratic strategist Paul Rivera and annotated by the DNC. The DNC released the document following questions raised by CNN, the network reported.
DNC Chairman Ken Martin told CNN that the report was not yet ready to be publicly released, but concluded that withholding it would create a larger distraction than releasing an incomplete version. “I sincerely apologize,” he said.
“For full transparency, I am releasing the report as we received it, in its entirety, unedited and unabridged,” Martin said. “It does not meet my standards, and it won’t meet your standards, but I am doing this because people need to be able to trust the Democratic Party and trust our word.”
Halie Soifer, CEO of the Jewish Democratic Council of America, said she’d expected to see analysis related to Gaza and Israel in the report.
“As soon as it arrived in my inbox I immediately searched for the word ‘Gaza’ expecting there to be an entire section focused on this issue,” Soifer said in an interview. “So I was surprised that, in fact, there was nothing — on Gaza, Israel, Jewish voters, non-Jewish voters, it was just nothing.”
Though rumors had swirled about the role that Gaza played in the autopsy, Soifer said she heard from a DNC official that there was “never” a section focusing on the issue, “at least not in writing in this report.”
Meanwhile, the Institute for Middle East Understanding, a pro-Palestinian nonprofit, called on Martin to release “the information that the author of the autopsy told us clearly and unambiguously, which is that DNC officials’ review of their own data found Biden’s support to be a net-negative for Democrats in 2024.”
Rivera, the report’s author, met with the IMEU and told them that the war in Gaza hurt Democrats in the 2024 election, according to reporting by Axios.
Soifer said the JDCA was not contacted by Rivera, and did not meet with him.
The pro-Israel lobbying group Democratic Majority for Israel also said it had not met with Rivera. “Our current leadership has not met with the author and hasn’t been contacted,” communications chair Rachel Rosen told JTA.
While Soifer was surprised by the report’s omission of Gaza and Israel, DMFI took it as a sign that support for Israel does not have a detrimental effect on Democrats’ chances in elections.
“We need to learn the lessons of 2024 so we can be successful in 2026, 2028 and beyond,” said Brian Romick, DMFI’s president.
“What is clear — autopsy or not — is a majority of Americans, including Democrats, support the U.S.-Israel relationship, and that support was not the reason Vice President Harris lost the election,” he said.
A DMFI staffer pointed to polling from last fall showing that a majority of Democrats support the U.S.-Israel relationship.
And Soifer pointed to a poll published Friday by the Jewish Voters Resource Center, a nonpartisan firm, that found that more than two-thirds of Jewish voters plan to vote for Democrats this November — suggesting that Israel was not significantly moving votes in one of the demographics most likely to be invested in the issue.
“The poll also demonstrated that the top issue driving the Jewish vote in 2026 – just as it was in 2024 – is the future of democracy, followed by the cost of living. While 70% of Jewish voters have an emotional attachment to Israel, 55% opposed Israel’s conduct of the war in Gaza,” she said. “There is little evidence that the war in Gaza has impacted the Jewish American vote.”
A spokesperson for the Republican Jewish Coalition pointed to the episode as an example of infighting among Democrats.
“The Democrats are tearing themselves apart as they appease the ascendant far-left extremists in their party, from Maine to Pennsylvania,” wrote Sam Markstein, alluding to candidates Graham Platner and Chris Rabb.
“It’s bad policy and it’s bad politics. The GOP is the only party where it’s safe to be proudly Jewish and pro-Israel,” Markstein wrote. “Republicans are righteously taking on the tough fights and winning, while Democrats continue to whistle past the political graveyard.”
The post Gaza and Israel go unmentioned in Democrats’ 2024 election autopsy report appeared first on The Forward.
Uncategorized
Argentine official who investigated death of AMIA prosecutor charged with covering up evidence
(JTA) — The former prosecutor who led the investigation into a mysterious 2015 death that unnerved Argentina’s Jewish community has been charged with concealing evidence in the case.
Viviana Fein was indicted on May 12 on charges of “aggravated concealment” over her handling of the investigation into the death of Alberto Nisman, a special prosecutor appointed to investigate the 1994 bombing of the AMIA Jewish community center in Buenos Aires that killed 85 people.
On Jan. 18, 2015, Nisman was found dead in his Buenos Aires apartment with a bullet hole above his right ear, having been shot at point-blank range. His body was discovered hours before he was scheduled to present evidence before Argentinian lawmakers accusing then-President Cristina Fernández de Kirchner and other senior officials of allegedly covering up Iran’s role in the AMIA attack.
At the time, Fein declared Nisman’s death a suicide, but in May 2016 she slightly amended her view saying that he may have been forced to kill himself. Then, in 2017, forensic investigators issued a report stating that Nisman was assassinated. Jewish institutions have also maintained that he was murdered.
Under the Argentine Penal Code, a person charged with aggravated concealment must not have actively participated in the original crime but joined in the aftermath, and Judge Julián Ercolini ruled that Fein allegedly failed to properly preserve the crime scene at Nisman’s apartment.
According to court filings, dozens of people entered and exited the apartment without proper controls, potentially contaminating evidence and compromising the investigation.
The controversy surrounding the handling of the original crime scene has persisted for years. Judicial investigations and expert reports described the apartment as chaotic in the hours after Nisman’s death, with allegations that evidence may have been mishandled or destroyed.
Fein, who could face up to three years in prison if found guilty, has denied any wrongdoing. A week prior to her indictment, her attorney, Lucio Simonetti demanded the charges be dropped, stating that in the case of a cover up, “There must necessarily be a connection between the perpetrator of the underlying crime and the person covering it up, since it is absurd to assume that someone would cover up for a complete stranger.”
He added that the ruling “says nothing about any prior relationship existing between my client and the individuals who allegedly took part in the supposed murder of Natalio Alberto Nisman.’”
The prosecution comes as Argentina’s government takes a newly aggressive stance against Iran and Hezbollah, which are widely understood to have planned the bombing. Since Javier Milei, a conservative supporter of Israel, was elected in 2023, the country has officially declared Iran and Hezbollah responsible for the AMIA attack and another attack two years earlier on the Israeli embassy; designated Iran’s Revolutionary Guard a terrorist organization; and decided to pursue a trial in absentia for suspects implicated in the case.
The post Argentine official who investigated death of AMIA prosecutor charged with covering up evidence appeared first on The Forward.