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A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film
(JTA) — The film producer Daniel Dreifuss has only one surviving photo of a distant relative: his grandfather’s cousin, who fought for Germany in World War I and died in combat two days before the war’s end.
He has a few more photos of his grandfather, who also wore the German uniform in WWI — only to be rounded up by the Nazis two decades later during Kristallnacht and thrown into a concentration camp, as even the Jews who had fought for their country were not safe from its campaign of race extermination.
Dreifuss, who was raised in Brazil after his surviving ancestors fled the war to Uruguay, held up these weathered black-and-white photos to his Zoom camera as he spoke to the Jewish Telegraphic Agency from his home in Los Angeles. One shows his grandfather’s cousin in his military uniform, the other shows his grandparents posing together, between the wars.
“Twenty years later, your country, that you just gave your health for and your cousin for and your family for, sends you to a camp,” he said. “It’s a lot of trauma to have to go through in one lifetime.”
These family stories echoed through Dreifuss’ mind when he first read the script for a proposed modern take on “All Quiet on the Western Front,” the classic 1928 novel about the German army’s hellish experiences during World War I. Nearly a century later, author Erich Maria Remarque’s descriptions of trench warfare and of the utter lack of heroism, valor or patriotism felt by its soldier protagonists resonated with Dreifuss.
“I said, ‘I know these people,’” he recalled. “Not because they are some distant relatives that I’ve heard of, but because I am the grandson of one of those kids who were in the film.”
Dreifuss’ parents met at a Jewish youth group in Rio de Janeiro in the 1960s. “My father was my mother’s madrich,” he recalled, using the Hebrew word for a youth group counselor. After they were later married, they moved to Israel partially to avoid Brazil’s military dictatorship and became left-wing political activists. They left Israel just before the Yom Kippur War and relocated to Scotland, where Dreifuss was born, before returning to Brazil to raise him.
Dreifuss had his bar mitzvah in the city of Belo Horizonte before later moving to Rio, which has a much larger Jewish community. “My family was never at all religious, but culturally Jewish,” he said, recalling Passover celebrations and gefilte fish recipes. He did not have many Jewish friends growing up, but his Brazilian friends were interested in Judaism and would attend his family’s Jewish events.
Daniel Dreifuss, a producer of Netflix’s “All Quiet on the Western Front,” holds up a photo of his grandfather Max Dreifuss from 1919, recovering from his German military service in WWI. Max was sent to a concentration camp once the Nazis took power. (Courtesy of Daniel Dreifuss)
This global upbringing is reflected in Dreifuss’ interest in international film. It took a decade for him to mount his remake of “All Quiet,” which was eventually set up with a German production company and released by Netflix this past fall amid another endless military conflict in Europe. No one, he said, wanted to fund a resolutely anti-war film that refused to glorify its combatants, a film that was “never a hero’s journey, not the story of someone who came, you know, beat 1,000 people with their bare hands, triumphs and looks down on top of a hill at the end with some sweeping score.”
But that journey has been validated by the film’s impressive Oscar total, which surprised industry observers. At the nomination ceremony last month, “All Quiet” received nine total nods, the second most of any film this year, including for best picture — which the novel’s original 1930 Hollywood adaptation, directed by Jewish filmmaker Lewis Milestone, won. (This year’s Academy Awards will be held March 12.)
Considering the Nazis had once led a campaign of book burning against the source material and terrorized German movie theaters that showed the original movie adaptation, accusing it of being a “Judenfilm,” Dreifuss sees the new film’s success as a historical victory, too. “I love that my name will be associated with a story that was deemed degenerate by that regime,” he said.
When he was first presented with an early draft of the new “All Quiet” script, in 2013, Dreifuss was coming off of the success of another international historical film he had produced. “No,” a 1980s-set Chilean political drama, starred Gael Garcia Bernal as an ad executive tasked with convincing his country to vote the dictator Augusto Pinochet out of office. The film netted Chile’s first-ever Oscar nomination for international feature film, although Dreifuss himself is not Chilean.
In researching “No,” Dreifuss said, the film’s team had trouble finding Chileans who would admit to having cast their real-life vote in Pinochet’s favor — even though 40% of the population did so. “We couldn’t find one single person who supported him,” he recalled. “At some point, years later, no one wanted to say, ‘I supported it, I voted, I was on that side.’” He saw a parallel to the history of geopolitics in the run-up to WWII, when many Western countries — including his family’s adopted homeland of Brazil — were initially sympathetic to the Nazis.
When Hollywood studios turned down the proposed remake of “All Quiet,” forcing Dreifuss to turn to European financing, he saw an opportunity to mount the first-ever German adaptation of the property, which would allow the film to open up a “historical perspective” on how the aftermath of WWI led to the rise of the Nazis and the Holocaust.
German filmmaker Edward Berger, who also helmed several episodes of the espionage miniseries “Deutschland 83,” stepped into the director’s chair, and he also has a co-writing credit. German star Daniel Brühl, who has played many historical villains to the Jewish people in films ranging from “7 Days in Entebbe” to “The Zookeeper’s Wife,” took a key supporting role as the lead negotiator for the armistice agreements — the sole figure in the movie trying to find a peaceful resolution for his country. (The historical figure Brühl portrays, Matthias Erzberger, was vilified as a traitor by the German right and assassinated in 1921 by antisemitic nationalist radicals who were precursors to the Nazis.)
Though there are no explicitly Jewish characters in the film, Dreifuss believes it still speaks to the fate that would soon await Europe’s Jews.
“We know what followed in the decade in Germany,” he said. “So we could bring that to the film in subtle ways.”
He pointed to the armistice plotline that foreshadows how the Treaty of Versailles left Germany in a deeply disadvantaged position, creating an opportunity for Hitler’s brand of national populism. There are also scenes in which thoughtless German generals, driven by nationalistic fervor and wounded pride, send entire squadrons to their deaths mere minutes before the armistice is set to take effect. In one sequence, the film’s lead, the soldier Paul (Felix Kammerer), steals a goose from a French farming family of non-combatants and says: “It’s a hatred of the other, of not understanding, of being raised to have an enemy.”
Dreifuss is dipping into a different chapter of world Jewish history with his next project: a Showtime miniseries produced with the co-creators of the Israeli Netflix series “Fauda” that explores CIA operations in the Middle East and is partially set during the Lebanon War in which Israel had a heavy, and oft-criticized, military presence. The series will air this summer.
He has also been pitched a host of WWI and WWII-related projects in the wake of the success of “All Quiet.” But, he joked, “I would love for people to not only think of me as the war guy, or as the dictator guy.”
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The post A Jewish producer of ‘All Quiet On The Western Front’ sees his family history in the Oscar-nominated Netflix film appeared first on Jewish Telegraphic Agency.
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Nvidia in Advanced Talks to Buy Israel’s AI21 Labs for Up to $3 Billion, Report Says
A smartphone with a displayed NVIDIA logo is placed on a computer motherboard in this illustration taken March 6, 2023. Photo: REUTERS/Dado Ruvic/Illustration
Nvidia is in advanced talks to buy Israel-based AI startup AI21 Labs for as much as $3 billion, the Calcalist financial daily reported on Tuesday.
Nvidia declined to comment, while AI21 was not immediately available to comment.
A 2023 funding round valued AI21 at $1.4 billion. Nvidia and Alphabet’s Google participated in that funding.
AI21, founded in 2017 by Amnon Shashua and two others, is among a clutch of AI startups that have benefited from a boom in artificial intelligence, attracting strong interest from venture capital firms and other investors.
Shashua is also the founder and CEO of Mobileye, a developer of self-driving car technologies.
Calcalist said AI21 has long been up for sale and talks with Nvidia have advanced significantly in recent weeks. It noted that Nvidia‘s primary interest in AI21 appears to be its workforce of roughly 200 employees, most of whom hold advanced academic degrees and “possess rare expertise in artificial intelligence development.”
Calcalist said the deal to buy AI21 is estimated at between $2 billion and $3 billion.
Nvidia, which has become the most valuable company in history at more than $4 trillion, is planning a large expansion in Israel with a new R&D campus of up to 10,000 employees in Kiryat Tivon, just south of the port city of Haifa – Israel’s third-largest city.
Nvidia CEO Jensen Huang has described Israel as the company’s “second home.”
Nvidia has said that when completed, the campus will include up to 160,000 square meters (1.7 million square feet) of office space, parks and common areas across 90 dunams (22 acres), inspired by Nvidia‘s Santa Clara, California, headquarters. Nvidia expects construction to begin in 2027, with initial occupancy planned for 2031.
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How The New York Times Used Selective West Bank Data to Shape a False Moral Verdict
The New York Times building in New York City. Photo: Wikimedia Commons
The New York Times’ recent interactive project on the West Bank avoids incendiary terminology. It does not accuse Israel of ethnic cleansing outright. Yet the impression it leaves readers with is unmistakable: a story of systematic dispossession, driven by Israeli settlers and tolerated by the state.
That conclusion is not argued directly. It is constructed indirectly, through selective facts, emotional imagery, and critical omissions.
The article portrays a daily reality of Palestinian villagers under siege by armed settlers, shielded by Israeli soldiers, and backed by state institutions. The tone is stark and accusatory. But the apparent coherence of this narrative depends on three elements that are completely biased.
1/
The New York Times doesn’t use the phrase “ethnic cleansing” in its West Bank project.It doesn’t have to.
Selective imagery, distorted data & erased Palestinian terrorism lead to one conclusion: Israel is driving Palestinians off their land.
That claim is false.
pic.twitter.com/a4boarQwVq
— HonestReporting (@HonestReporting) December 22, 2025
Casualty Statistics
The first is the use of casualty statistics. The Times relies extensively on data from the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA) to demonstrate a dramatic rise in settler violence.
What readers are not told is how those numbers are assembled. UNOCHA does not consistently distinguish between civilians and terrorists killed while carrying out attacks. Palestinians who die while attempting stabbings, shootings, or vehicular assaults, are frequently recorded simply as casualties.
This methodology matters. It collapses perpetrators and victims into the same category and inflates the appearance of civilian harm. When such figures are presented without explanation, they create a misleading picture of violence divorced from context. The New York Times adopts these numbers uncritically, allowing a flawed dataset to underpin its central claim.
Ignoring Palestinian Terrorism
Second, the article ignores Palestinian terrorism. Over the past year, according to Israel Security Agency data, thousands of attacks have targeted Israelis in the West Bank, ranging from shootings and stabbings to Molotov cocktails and explosive devices. Many were intercepted before civilians were harmed. This sustained campaign is essential to understanding Israeli military operations and security measures. Yet it appears only faintly, if at all, in the article.
HonestReporting visualization based on B’Tselem data of Palestinians killed by Israeli forces from October 7, 2023, to October 31, 2025.
The absence extends further. Palestinians killed during Israeli counterterror operations are frequently affiliated with armed groups such as Hamas or Islamic Jihad, particularly in hotspots like Jenin and Nablus. These affiliations are rarely acknowledged. Readers are left with an image of indiscriminate force rather than targeted security activity.
Visual Storytelling
The third biased element in the article is the visual storytelling, which reinforces the narrative.
Images of demolished homes and emptied landscapes suggest deliberate displacement. But the legal framework governing much of the territory is barely explained.
Many demolitions occur in Area C, which, under internationally recognized agreements, falls under Israeli civil and security authority. Construction there requires permits. Unauthorized structures, whether Palestinian or Israeli, are subject to enforcement. By omitting this context, regulation is reframed as expulsion.
The article also implies that Israeli institutions tolerate or even enable extremist settler violence. This claim overlooks documented realities.
Israeli political and military leaders have repeatedly condemned such acts, warning that they undermine security and divert resources. Extremist settlers have been arrested, prosecuted, and in some cases have violently clashed with Israeli soldiers themselves. Internal accountability exists, but it is erased from the story.
Criticism of Israeli policy is legitimate and necessary. But journalism carries an obligation to present complexity honestly. When context is stripped away, when flawed data is treated as fact, and when terrorism is sidelined, reporting stops informing and starts directing. The New York Times’ project offers readers a powerful story, but not a complete one. And when narrative takes precedence over evidence, the public is misled.
HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Israel, Greece, and Cyprus: In Search of New Synergies
Israeli Prime Minister Benjamin Netanyahu (center), Cyprus President Nikos Christodoulides (left), and Greek Prime Minister Kyriakos Mitsotakis hold a joint press conference after a trilateral meeting at the Citadel of David Hotel in Jerusalem, Dec. 22, 2025. Photo: ABIR SULTAN/Pool via REUTERS
The 10 trilateral summit of Israel, Greece and Cyprus, which took place in Jerusalem on December 22, showcased the continuing commitment of the three countries to the expansion of their collaboration. Prime Minister Benjamin Netanyahu hosted his Greek counterpart Kyriakos Mitsotakis and Cypriot President Nikos Christodoulides in an effort to revitalize the trilateral mechanism. The ninth trilateral summit took place on September 4, 2023 in Nicosia, and the regional order has changed a great deal in the two years since. Israel responded to the terrorist invasion of October 7, 2023 by engaging in wars on multiple Middle East fronts, including a 12-day war with Iran. Despite the multidimensional and complex character of all these conflicts, Israel managed to show its power and resilience.
Both Greece and Cyprus continued to value their strategic partnership with Israel even as the Jewish State was being roundly condemned and vilified. Unlike the EU member states that chose to condemn Israel for the war in Gaza, Athens and Nicosia took a mild and balanced approach. Premier Mitsotakis has been able to prioritize what he perceives as Greece’s national interests and fend off criticism from other parties. Nikos Androulakis, the leader of the main opposition PASOK party, did not hold back in his excoriation of Israel in the context of the war in Gaza, inaccurately using the terms “ethnic cleansing” and “genocide” to describe Israel’s conduct during the war and denying that both terms in fact apply to Hamas’s assault on Israel, as well as to its ongoing plans for that country. On October 16, 2025, Androulakis called Netanyahu a “butcher” and demanded that Mitsotakis apologize for aligning Greece’s interests with those of Israel. Similarly, the parliamentary spokesperson of PASOK, Dimitris Mantzos, spoke of a “live-streamed genocide” and wondered “what strategic partnership might endure the pain of this bloodshed.”
Interestingly, it was the former leader of PASOK, George Papandreou, who laid the foundations for the Greek-Israeli friendship while serving as prime minister in 2010.
During the Israel-Iran war of June 2025, Greece and Cyprus served as hubs for Israeli civilians unable to return to their country. Planes belonging to Israeli airlines were stationed at Greek and Cypriot airports, and the aircraft serving Prime Minister Netanyahu and President Isaac Herzog departed for Athens after Operation Rising Lion was launched on June 13. When the conflict ended, the Greek and Cypriot authorities coordinated with the Israeli government to implement Operation Safe Return to facilitate the repatriation of Israelis. Former Knesset member Gadeer Kamal-Mreeh praised Greece and Cyprus in a Jerusalem Post commentary in which he argued that the two countries had stepped up to help Israel – with actions, not just with words – at a time of serious crisis.
In the sphere of defense, Greece and Cyprus have looked favorably towards the Israeli market for years. Greece is now finalizing an agreement with Israel to purchase 36 PULS rocket artillery systems for $757.84 million. The Greek Parliament and the Government Council for National Security have approved the budget for the purchase, according to a press release from Elbit, the PULS manufacturer. Cyprus reportedly deployed Israel Aerospace Industries’ Barak MX air defense system last September and is eyeing new military deals with Israel to equip its National Guard. In addition to the arms transactions, Jerusalem, Athens and Nicosia are expected to conduct joint drills in 2026. In the past, Greek-Israeli exercises in the area between Israel and the island of Crete have allowed Israeli pilots to engage in bombing exercises and to rehearse the kind of aerial refueling necessary to cover a distance equal to that separating Israel from Iran’s Natanz nuclear enrichment facility.
Israel, Greece and Cyprus are all apprehensive about Turkish tactics in the Middle East and the Eastern Mediterranean, a common concern that facilitates dialogue. Jerusalem is of course primarily concerned about Ankara’s attitude toward Hamas and presence in Syria, while Athens and Nicosia are more focused on Ankara’s policies in the Aegean and the Eastern Mediterranean as well as on the Cyprus question. Israel, Greece and Cyprus support the India-Middle East-Europe Economic Corridor (IMEC), which bypasses Turkey, though IMEC will inevitably have limitations. The Turkish market is too big to be ignored, and the Corridor is still lacking tangible investments.
Energy also brings the three countries closer. Last November, Israeli Energy and Infrastructure Minister Eli Cohen put the idea of the East Med pipeline back on the table. Cohen made the comment on the sidelines of a ‘3+1’ Energy Ministerial Meeting in Athens that was also attended by US Energy Secretary Chris Wright. Although the East Med pipeline project remains expensive and technically difficult, attention is being directed towards a connecting of Israeli gas fields and LNG facilities in Cyprus. Israel is keen on selling its natural gas to Cyprus. The Energean company, which is drilling in Israeli waters, has proposed the construction of a subsea pipeline from its Floating Production Storage and Offloading (FPSO) to Cyfield’s planned power generation facility in Cyprus. According to Reuters, the cost will be around $400 million, while the capacity of the new pipeline will be 1 billion cubic meters a year. Theoretically, Israel, Greece and Cyprus remain committed to the Great Sea Interconnector project, but the Cypriot government seems to be having second thoughts about its viability. Athens and Nicosia have openly disagreed on this matter over the past few weeks.
Last but not least, Israel, Greece, and Cyprus are expected to improve coordination in accessing EU Horizon programs and other external funding sources. When the European Commission proposed, in July 2025, to partially suspend Israel’s integration into the European Innovation Council, Greece and Cyprus were among the EU member states to oppose the idea.
The trilateral Jerusalem summit welcomed the Cypriot presidency of the Council of the EU for the first semester of 2026, and Greece will hold the EU presidency in the second semester of 2027. The next two years should be a good opportunity to recalibrate EU-Israel relations under the aegis of Cyprus and Greece as well as to intensify the European fight against antisemitism.
Dr. George N. Tzogopoulos is a BESA contributor, a lecturer at the European Institute of Nice (CIFE) and at the Democritus University of Thrace, and a Senior Fellow at the Hellenic Foundation for European and Foreign Policy. A version of this article was originally published by The BESA Center.