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A new dance club in Williamsburg is bringing Tel Aviv party culture to Brooklyn
(New York Jewish Week) — On a recent Saturday at Silo, a new dance club in Williamsburg, Brooklyn, an aerialist was dangling above the crowd, doing flips on a hula hoop in front of hundreds of people, while hypnotic house music boomed through the venue’s world-class sound system. It was 1 a.m. and the party was just getting started.
Alex Neuhausen, a 39-year-old Jewish musician-turned-club owner, told the New York Jewish Week that this experience of starting the night well past most people’s bedtimes is inspired by Tel Aviv, the beachside Israeli city famous for its club culture.
“In Tel Aviv, they all get dinner with their family and everyone hangs out at 10 or 11, and then you hang out before the club until 2 or 3, and then you go to the club,” Neuhausen said. “They keep super-late hours. You turn the entire night into an experience. We want to do that.”
Some of the biggest night club venues in Brooklyn can hold thousands of people. Silo, by contrast, holds only 500, which carries a more intimate feel. The club is located on the eastern fringes of Williamsburg inside an repurposed airplane hangar, and its high ceiling provides an open, airy atmosphere to what would otherwise feel like a tightly packed room.
An aerialist performs while hanging above the crowd at Silo in Brooklyn. (Courtesy/Annie Forrest)
The team behind Silo is “mostly Jewish,” Neuhausen said, including co-founder Lily Wolfson, the booking consultant, the sound team and the lighting engineers. Neuhausen’s girlfriend, Ariel Lasevoli, who is the club’s director of performance and production, is half-Jewish. A massive two-sided mural, which separates the main club room from the bar area, was created by the Israeli artist Yoshi.
The striking mural is a piece that seems to change after a guest consumes a few drinks while the music plays. The mural portrays a seemingly endless array of black smoke or fire — gray clouds with some white streaks of electricity in the middle of it — but Neuhausen said it is open to interpretation.
“The front represents chaos,” Neuhausen said about the mural, which stretches 15 feet tall and 24 feet wide. “The show room side is a mix of organic patterns, fractals and flowers, but it never quite resolves into anything if you look closely. It’s like a Rorschach [test]; the viewer gives it meaning.”
The Tel Aviv club scene is only one of Silo’s Jewish inspirations: Neuhausen said his interest in dance music goes back to a young age, when he went to his cousins’ bar and bat mitzvahs in the Washington, D.C. area, where he grew up.
“What’s really striking about going to a bar mitzvah is that everyone dances,” Neuhausen said. “It’s the entire family, from the old folks to everyone. It’s just this joyous occasion. American white bread culture doesn’t have a lot of these elements.”
If a bar mitzvah party is a familial, albeit sometimes corny celebration that involves dancing with your loved ones, then it shares a great deal with the ethos of Silo — namely, to provide a place to party all night long while maintaining a welcoming feeling. It’s the antithesis of the exclusive environment that characterizes many high-end Manhattan and Brooklyn nightclubs, which often come with judgmental door policies and an intense, cooler-than-thou attitude.
At Silo on a Saturday earlier this month, the vibe was almost the complete opposite. The security guard cracked jokes with those waiting in line while checking IDs, and Neuhausen himself took our coats as we walked through the door. The attendees were not just Instagram models; college students, queer folks dressed in drag and 50-somethings were also in the mix. It wasn’t a sold out show, but there were nearly 400 people in the room, and almost everyone was focused on the music.
House music — which combines four-on-the-floor drum beats with R&B vocals and other layers — is Silo’s main focus, a style of music that originated at Black LGBTQ clubs in Chicago and Detroit in the 1980s. It’s a history that, Neuhausen said, shares commonalities with the Jewish people.
“These marginalized communities, maybe almost in spite of the oppression, generate great art,” Neuhausen said. “Jews have a lot in common with that shared cultural experience of oppression.”
At Silo in Brooklyn, the club takes inspiration from Tel Aviv’s party culture. (Courtesy/Annie Forrest)
Neuhausen’s father is Jewish, but not “devout about practicing,” he said. “We only went to synagogue a couple of times but I picked up a lot of cultural Jewish identity from him,” he added. “Whenever I see my extended family, it’s much more Jewish.”
In 2012, Neuhausen formed a band with Wolfson and they moved from San Francisco to New York, where Neuhausen took up residence in a garage in Williamsburg. Eventually, he turned the space into a makeshift venue for performances that included bands, comedians, aerialists and eventually DJs.
By 2017, Neuahusen and Wolfson’s parties were growing, so they opened up a commercial space called “Secret Loft” in Manhattan, which held only 80 people. It’s where, over the next five years, Neuhausen learned how to perfect the art of throwing parties — and where he assembled the team that would later go on to build Silo.
“It did really well immediately,” Neuhausen said. “We thought this was a thing we could actually do for a living. That was really the dream.”
Those parties ultimately became too big for the space. Wanting to be closer to the booming club scene in Brooklyn, the team eventually opened Silo, which is located next to the established megaclub Avant Gardner.
At Silo, the goal is to create a space that’s welcoming for all. “Last weekend, we had the DJs on the floor, on a little bit of an elevated platform,” Neuhausen said. “They were surrounded by people on all sides — everybody is facing inwards. It’s very different from a concert, it feels more like a community event.” During the week, the venue also hosts DJ workshops.
Neuhausen added that the booking team is “two women and a gay guy,” and the goal is to bring women DJs and people of color into the club. Neuhausen noted that, despite its origins, “there tends to be a lot of white guys” within some sub-genres of house music.
“We are booking more eclectic artists than a lot of venues,” he said. “We’re not about making people feel uncool. We’re not elitist. We book elite level talent, but we want everyone to see it.”
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The post A new dance club in Williamsburg is bringing Tel Aviv party culture to Brooklyn appeared first on Jewish Telegraphic Agency.
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Hamas Uses Sydney Terror Attack to Reaffirm Its Doctrine of Killing Jews Worldwide
A Palestinian man points a weapon in the air after it was announced that Israel and Hamas agreed on the first phase of a Gaza ceasefire, in the central Gaza Strip, October 9. Photo: REUTERS/Mahmoud Issa
Following Sunday’s terror attack in Sydney where Muslim terrorists murdered at least 15 people and wounded 29 others, Hamas’ official television channel, Al-Aqsa TV, published a post seeking to legitimize the killing of one of the victims, Rabbi Eli Schlanger.
The post emphasized that Rabbi Schlanger had traveled to Israel in October 2023 and met with Israeli soldiers to show support following Hamas’ Oct. 7 massacre. Al-Aqsa TV published photos of the rabbi with Israeli soldiers, portraying this act of solidarity as evidence that he had “assisted” Israel in what Hamas calls a “war of annihilation.”
Posted text:“Pictures published on the pages of settlers of Rabbi Eli Schlanger, an emissary of the Chabad Movement who was killed [on Dec. 14, 2025] in an attack on a Jewish [Hanukkah] celebration in Sydney at a time when he was meeting with soldiers from the occupation [i.e., Israeli] army in order to assist them in the war of annihilation.”
[Al-Aqsa TV (Hamas), Telegram channel, Dec. 14, 2025]
Under this framework, Hamas portrays a Jewish religious leader attending a holiday celebration in Australia as a legitimate target because he once expressed solidarity with Israelis after October 7.
Hamas, however, does not need a military connection, political activity, or personal responsibility to legitimize the killing of Jews by Muslims.
The claim that Rabbi Eli Schlanger met with Israeli soldiers is merely a post-hoc rationalization, designed to disguise Hamas’ core belief that Jews must be killed because they are guilty of the crime of being Jews.
In one of its music videos calling for Palestinians to murder Jews, Hamas published this poster with the words: “Killing Jews is worship that draws us close to Allah:”
This principle is also enshrined explicitly in its charter — and it defines how Hamas views Jewish civilians and acts of terror against Jews everywhere.
Article 7 of the Hamas Charter presents this as a divine command, quoting an Islamic hadith:
The time (of Resurrection) will not come until Muslims will fight the Jews; until the Jews hide behind rocks and trees, which will cry: ‘O Muslim! There is a Jew hiding behind me—come and kill him!’
[Sahih Muslim, Book 041, Number 6985]
This is not a call to fight Israelis. It is not a reference to soldiers. The target is Jews as Jews, wherever they are.
What happened in Sydney was a direct application of Hamas’ ideology.
Ephraim D. Tepler is a contributor to Palestinian Media Watch (PMW). Itamar Marcus is the Founder and Director of PMW, where a version of this article first appeared.
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Australian authorities confirm that Bondi Beach attackers were affiliated with Islamic State terror group
(JTA) — The father-and-son duo who killed 15 people during an attack on a Hanukkah celebration in Sydney on Sunday were motivated by “Islamic State ideology,” Australian authorities have confirmed.
Australian media had reported on Monday that the country’s intelligence service had previously investigated Naveed Akram, the son, over his ties to members of an Islamic State cell in Sydney.
On Tuesday, officials confirmed the account and revealed that both Naveed Akram and his father Sajid spent most of November in a region of the Philippines where the Islamic State maintains a stronghold. Officials believe the pair received military training there, though they would not say whether the trip had alarmed security officials at the time.
“It would appear that there is evidence that this was inspired by a terrorist organization, by ISIS,” Australian Prime Minister Anthony Albanese said at a press conference on Tuesday. He confirmed that Islamic State flags had been found in Naveed Akram’s car, abandoned at the scene of the shooting.
The revelations complicate the narrative that emerged immediately after the attack connecting it to Australia’s recent pro-Palestinian protest movement, which has at times featured antisemitic displays and attacks on Jewish sites.
But the Islamic State and Hamas, the leading Palestinian liberation organization whose attack on Israel on Oct. 7, 2023, triggered the war in Gaza, have historically been at odds, with the Sunni Islamic State openly viewing Hamas as insufficiently Islamic and an avatar of Iran and Shia Islam.
The Islamic State is a decades-old terrorist group that for a time acted as al-Qaeda’s affiliate and promotes Islamic fundamentalism; its enemy, broadly speaking, is the West and its targets have ranged from Christian churches to concerts to public festivities. Last year, an Islamic State-inspired operative killed 14 people at a New Year’s street party in New Orleans, and the group claimed credit for an attack on a Moscow concert hall that killed more than 140.
Hamas, on the other hand, sought to impose some strictures of Islamic law in Gaza, which it has controlled, but allows a far more permissive religious and cultural environment. Its express goal is the elimination of Israel, and attacks staged by its affiliates abroad, typically supported by Iranian cells, have tended to target Jewish and Israeli sites — as has been the case in Australia, which recently expelled the Iranian ambassador over his country’s alleged ties to a string of attacks on synagogues.
In the immediate aftermath of the Oct. 7 attack, the Israeli government promoted an equivalency between the two groups, citing their similarly brutal tactics. But some experts in terror movements balked at the comparison.
“The Islamic State literally views Hamas as apostates and IS supporters have been pillaging Hamas online since Saturday bc they are tools of Shia Iran and also don’t actually implement sharia [Islamic law] according to IS’s interpretations,” Aaron Zelin, a senior fellow Washington Institute for Near East Policy, tweeted at the time.
But two years of war in Gaza that activated pro-Palestinian sentiment in many places around the world may have shifted the distinctions between the movements, according to terrorism experts, who also say the Islamic State has become more decentralized over time.
Rommel Banlaoi, a political scientist focused on terrorism in the Philippines, told the New York Times this week that a December 2023 attack on a Catholic mass there had marked a turning point for the group.
“Before, the focus was on creating an Islamic state,” Banlaoi said. “Now it has transformed to helping Muslims, Palestinians displaced by the Middle East violence.”
In part, the shift may reflect an opportunistic approach to the masses of people activated online in support of the Palestinian cause. A “Worldwide Threat Assessment” prepared by the U.S. Defense Intelligence Agency in May said the Islamic State and al-Qaeda were showing signs of trying to capitalize on a new audience.
“Both groups continue to reference Israeli operations in Gaza to galvanize their global networks, recruit new members, generate revenue, and enable or inspire attacks against U.S., Israeli, Jewish, and European interests worldwide,” the report said.
An unnamed “senior Arab security official” told the Washington Post in the wake of the Bondi Beach attack that online activism tied to the Islamic State had surged during the war in Gaza. “They are exploiting the emotional outrage of Muslims and use reports of [Muslim] women and children being killed or allegedly starved as tools of recruitment,” the security official said.
Counterterrorism experts also believe that an increased focus on threats related directly to the war in Gaza could have undercut those trying to monitor and stop the Islamic State. Brett Holmgren, then a top counterterrorism official in the Biden administration, for example, said at an event hosted by the Center for Strategic and International Studies last year that the Islamic State was regrouping “as governments shifted attention and resources to the conflict in Gaza.”
The Islamic State has not claimed responsibility for the Bondi Beach attack, which was immediately condemned by the governments of Arab states that are supportive of the Palestinian cause. Authorities have not said whether the attackers left any record of their intentions or motivation beyond the Islamic State flags found in their car.
The post Australian authorities confirm that Bondi Beach attackers were affiliated with Islamic State terror group appeared first on The Forward.
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New footage emerges of Jewish man trying to disarm Bondi Beach shooters before massacre
(JTA) — An elderly Jewish man sought to stop the Bondi Beach Hanukkah attackers and was their first victim, according to dramatic dashcam footage that emerged on Tuesday.
Boris Gurman, 69, came upon the attackers as they exited their car and confronted them, according to the footage, which first appeared on Chinese social media after being posted by a Sydney resident and has been verified by Australian media as well as his family.
The grainy footage shows Gurman appearing to have been able to take hold of one gun before the attacker retrieves another weapon and shoots him. The footage shows Gurman, wearing a purple shirt, being thrown to the ground during the confrontation with the attackers, whom authorities have identified as Sajid and Naveed Akram.
Boris Gurman’s wife Sofia, 61, was also murdered at the outset of the attack, which ultimately killed 15 people who had gathered for a Chabad Hanukkah celebration on the beach.
The couple, immigrants to Australia, had been married for nearly 35 years and had retired from their jobs as a mechanic and postal worker.
“In the moments before their passing, Boris — with Sofia courageously beside him — attempted to intervene to protect others,” said a statement accompanying a crowdfunding campaign to benefit their family, including son Alex. “This act of bravery and selflessness reflects exactly who they were: people who instinctively chose to help, even at great personal risk. While nothing can lessen the pain of this loss, we feel immense pride in their courage and humanity.”
The footage adds new details to what is known about the massacre, which unfolded over more than 10 minutes on Sunday evening, the first night of Hanukkah.
A different man who tried and failed to stop the shooting by tackling and disarming one of the shooters, Ahmed al Ahmed, has been hailed for his heroism and had more than $1.3 million raised on his behalf, including from Jewish donors from around the world.
Meanwhile the daughter of Reuven Morrison, a Jewish man killed in the massacre, said he had been the one caught on camera throwing bricks at the shooter after al Ahmed’s intervention.
“If there was one way for him to go on this earth, it would be fighting a terrorist,” Sheina Gutnick told CBS News about her father. “There was no other way he would be taken from us. He went down fighting, protecting the people he loved most.”
The post New footage emerges of Jewish man trying to disarm Bondi Beach shooters before massacre appeared first on The Forward.