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A new mural in Nolita celebrates a Holocaust rescuer
(New York Jewish Week) — In the heavily trafficked neighborhood of Nolita, a larger-than-life mural has popped up on the corner of Spring St. and Elizabeth St. Bright orange and pink paint spell out the words “Saved 3,000 Jewish Lives” next to a black and white portrait of Holocaust rescuer Tibor Baranski.
The mural, an art piece designed to combat hate and spark conversation, is the brainchild of “Artists 4 Israel,” a non-profit organization that aims to “prevent the spread of antisemitic and anti-Israel bigotry by helping to heal communities that have been affected by hate through art,” according to its CEO and co-founder Craig Dershowitz.
“Our rallying cry is art over hate,” Dershowitz said. Baranski’s portrait, painted by Fernando “SKI” Romero, a renowned graffiti artist based in Queens, is part of the organization’s “Righteous Among the Nations Global Mural Project.” It aims to establish a network of murals painted in cities around the world that feature other “Righteous Among the Nations” members who helped save Jews during the Holocaust.
“His story was beautiful and it really touched me,” Romero, who is Dominican, said of Baranski, who collaborated with Artists 4 Israel on deciding whom to feature in the New York mural. “The want to paint something came very easily with something so selfless.”
The Baranski mural in Nolita is the third installment of the mural project; eventually there will be 10 murals around the world, said Dershowitz. Each subject is given a mural in their home state or country where they aided Jews: In Portugal, a mural of Aristides de Sousa Mendes, a diplomat who helped arrange passports for Jews has become a popular tour bus stop. In Greece, a mural of Mayor Loukas Karrer and Archbishop Dimitrios Chrysostomos led to national media coverage.
Though Baranski was Hungarian, he lived in Buffalo, New York for nearly six decades and felt at home in New York, which is why the Artists 4 Israel chose him for the mural in Manhattan.
In 1944, Baranski was 22 and studying to become a Catholic priest in Slovakia when the Russian Army invaded and he was forced to return to Budapest, where he grew up.
He never returned to the seminary, and abandoned his dream of becoming a priest. Instead, he dedicated the next years of his life to orchestrating the escape of more than 3,000 Hungarian Jews from the Holocaust.
After arriving in Budapest, Baranski headed to the Vatican embassy residence of the Papal Nuncio Angelo Rotta, where a long line of people were requesting help. The Vatican embassies in Switzerland, Sweden, Spain and Portugal were some of the only places where Jews and other refugees were able to secure letters of protection and necessary documents to leave their countries.
Carol Romeo, who said her family survived the Holocaust, pauses to touch the mural of Holocaust rescuer Tibor Baranski created by Fernando “SKI” Romero, a Dominican-American artist born and raised in Queens. “I never knew he existed,” she said of Baranski. “And he lived here in New York. Everyone should know his story.” (CAM and Artists4Israel)
Pretending to be a priest, Baranski managed to arrange a meeting with Rotta, where he secured documents for a Jewish family he knew. As the story goes, Rotta soon recruited Baranski to help organize protection letters, baptismal certificates and immigration certificates for Jews trying to escape Hungary. He also helped coordinate food and housing for the escapees. Over the next two months, Baranski saved 3,000 Jewish lives, according to official records — though his sons have said he believes the number was closer to 15,000.
After the war, Baranski was imprisoned by the Soviet army for five years for his anti-communist beliefs. He became a freedom fighter during the Hungarian Revolution of 1956 before moving to Rome to start a refugee camp with his wife Katalin.
Eventually the couple moved to Canada and then settled in Buffalo, where they were active members of the community and raised their three children, Tibor Jr., Kati and Peter.
Baranski, who died in 2019, was recognized by Yad Vashem as a Righteous Among the Nations in 1979, and was appointed by President Jimmy Carter to the U.S. Holocaust Memorial Council.
In an obituary in the New York Jewish Week, writer and close friend of Baranski’s Steve Lipman recalls an anecdote Baranski often repeated: “’Why do you, a Christian, help Jews?’ Uncle Tibor told me the Nazis asked him. ‘You are either silly or an idiot,’ he would answer. ‘It is because I am a Christian that I help the Jews.’”
For Dershowitz, who is based in Los Angeles, one of the goals of the murals — and his organization at large — is fighting antisemitism through education about Israel and the Holocaust. By making the art public and accessible, Dershowitz hopes people of all backgrounds will enjoy the art, and learn from it.
“These murals are very much for everyone to enjoy,” he said. “For the most part, they’re not geared towards the Jewish community as much as they’re geared towards a younger demographic, regardless of their religion or cultural heritage.”
Since its foundation in 2009, Artists 4 Israel’s principal mission has been to bring diverse groups of graffiti, street and mural artists to Israel to create projects that “benefit people in a direct, on-the-ground way,” such as painting murals in hospitals, bomb shelters and army bases. The organization has worked with more than 5,000 professional and amateur artists from 32 countries around the world, according to its website.
“When [the artists] come back [from Israel], they’re able to talk about the country and they’re able to speak about the Jewish people and be a window into the reality of Israel in the Middle East to their millions of followers,” Dershowitz explained.
In 2020, when COVID-19 arrived and international travel halted, the organization switched gears and started bringing their advocacy to cities around the world with the “Righteous Among the Nations” project.
For the artist Romero, the work has been especially gratifying. The 44 year-old artist has been involved with Artists 4 Israel since its inception and has visited Israel three times, painting murals for battered women’s shelters, community shelters and army bases.
“I’m creating art with purpose, which is beautiful. I’m also creating a dialogue. There’s a conversation,” Romero said. “This is one of those murals that touches home and it makes you really feel good. It is art that just separates itself from a lot of the noise out there.”
Painted over the course of two days, the mural will remain on the downtown corner for the next nine months.
At the unveiling party last month, which included a performance by singer Neshama Carlebach and blessings led by Rabbi Menachem Creditor, Baranski’s son Tibor Jr. retold his father’s story and emphasized the strong Catholic faith that guided him.
“Tibor Baranski was the merger of intellect and faith,” said his son, who drove from Buffalo for the event. “My father’s deeply held belief in God was uncompromising. It was the core driver in his saving thousands of innocent Jewish lives in 1944 in Nazi-occupied Hungary.”
“I will quote my father since his words captured the essence of our Catholic faith and what this mural that Fernando painted commemorating him represents: ‘Love each other, love each other sincerely. God is love. Love destroys hatred,’” he added.
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The post A new mural in Nolita celebrates a Holocaust rescuer appeared first on Jewish Telegraphic Agency.
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When ‘Context’ Becomes Complicity — The Language That Incited the Bondi Beach Massacre
People walk at the scene of a shooting incident at Bondi Beach, Sydney, Australia, December 14, 2025. Photo: REUTERS/Kirsty Needham
On Sunday, a Chabad Hanukkah candle-lighting at Bondi Beach was turned into a massacre. At least 16 people are dead. Witnesses report that the terrorists shouted “Allahu Akbar” between bursts of gunfire. What should have been a moment of communal joy became a scene of mass murder, carried out in full view of a society that has spent years purposefully ignoring antisemitic incitement and terror attacks that led to this moment.
Around the same time, elsewhere in Australia, the same moral failure surfaced again. On a Melbourne tram, an Australian woman verbally accosted a rabbi and his two children, aged eight and 14, telling them to “go to the gas chambers.” She was carrying a bag bearing the PLO flag. A Jewish father and his children were told, in public, to imagine their extermination.
And that was after “protesters” in Sydney chanted “gas the Jews” — with absolutely no consequences.
“Go to the gas chambers.” There is no metaphor here. No policy critique. No political argument hiding behind rhetoric. There is only genocidal hatred, delivered calmly and directly.
And yet anyone familiar with the pattern already knows what comes next. Not moral clarity, but “context.” Not unambiguous condemnation, but explanation.
We will be told about anger, about trauma, about spillover from Israel’s war with Hamas. We are reminded that emotions are high, tensions are inflamed, and nothing can be viewed in isolation.
This is not analysis. It is evasion.
This is the anti-Zionism exception.
In any other context, this kind of mass murder would end the conversation. No editor would ask what provoked it. No official would suggest it must be understood through global politics. No journalist would hesitate to call the racism exactly what it is. And don’t forget that before the State of Israel was created, one third of the entire global Jewish population was murdered for their religion. But now we’re going to be told that this is only happening because of Israel.
When the targets are Jews, and when the hatred can be draped in the language or symbols of the Palestinian cause, the rules change. Antisemitism becomes negotiable. Murderous language becomes expressive speech. The victims become abstractions.
This is why anti-Zionism has become the dominant framework through which antisemitism is excused in the modern West. Zionism is the belief that Jews, like any other people, have the right to collective self-determination and national survival through sovereignty in part of their indigenous and historical homeland. To deny that right uniquely to Jews — while granting it to every other people — is not a policy disagreement. It is a moral inversion that recasts Jewish survival itself as illegitimate.
For years, Australia, like much of the democratic West, has tolerated rhetoric that would be unthinkable if directed at any other group.
Crowds have chanted “gas the Jews” and many other murderous slogans with no consequence. Universities have hosted speakers who portray Jewish sovereignty as a unique moral crime. Media outlets have repeatedly softened or obscured antisemitic incidents — like burning synagogues — treating them as political reactions rather than as hatred with a long and documented history.
Law enforcement responses have been hesitant and inconsistent, often focused on crowd control instead of stopping incitement.
In England, Jews wearing yarmulkes and Stars of David have been arrested for “provocation,” while standing before crowds chanting “Globalize the Intifada,” “Hamas, Hamas, Jews to the Gas,” and “Khaybar, Khaybar ya Yahud” — an explicit invocation of the massacre of Jews in seventh-century Arabia.
This matters because antisemitism does not operate like other hatreds. It has always depended on permission structures. It advances not only through violence, but through ideas that render violence against Jews intelligible, justifiable, and even necessary to those inclined to act.
When genocidal slogans are tolerated in public space, when Jewish identity is reframed as provocation, when Jewish self-determination is condemned as uniquely evil, and when hatred is endlessly contextualized rather than condemned, the distance between speech and action collapses.
What happened at Bondi Beach was 100% predictable. A slogan shouted yesterday becomes gunfire today. The targets were not symbols or states or abstractions. They were Jews lighting candles.
The media plays a central role in this process, whether it admits it or not. Language is softened. Headlines are hedged. Victims are pushed to the margins of their own stories. A massacre becomes an “incident.” A threat of extermination becomes “heated rhetoric.” Jewish presence itself is recast as a political act that invites response.
This is how a Hanukkah celebration becomes a “flashpoint.” This is how a rabbi and his children become “part of a broader conflict.” This is how Jews going about their lives in Sydney, London, or New York are quietly reassigned responsibility for the hatred directed at them.
Some will insist that Bondi Beach and the Melbourne tram were isolated events. They never are. Antisemitism has never announced itself first with bullets. It begins with the libels societies allow to circulate. It begins when calls for violence against Jews — “Globalize the Intifada,” “Hamas, Hamas, Jews to the Gas” — are treated as political opinions rather than warnings.
A culture that cannot draw a red line at “go to the gas chambers” has already erased the line entirely.
Bondi Beach was not unforeseeable. It was foretold — in slogans excused, in threats contextualized, in hatred endlessly rebranded as politics. The massacre did not appear without warning. It appeared after years of permission.
Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, antisemitism, and Jewish history and serves on the board of Herut North America.
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The Maccabees taught us persistence and hope – even when the light flickers, as it has this Hanukkah
The first time I lit a Hanukkah candle as a Jew wasn’t at a synagogue or around a large family table. It was in a tiny apartment kitchen with my then-fiancé, Reid. I didn’t yet know the blessings by heart or if I belonged. But when that first shamash, the special “helper” candle used to light the Hanukkah menorah, flickered to life, something in me shifted. I knew I had reached a place where curiosity wasn’t a problem to be solved, it was a doorway.
Lighting the candles with Reid and our two children as we process the horrifying news from Sydney, Australia, I find myself thinking back to that first candle and to a tradition that empowers us through learning and debate, where hard questions are not avoided or feared but welcomed, even in times of great heartbreak and adversity. In a moment when so much pushes us apart and so many try to make us afraid, those values draw us together and give us strength.
Hanukkah itself is a story of a community striving to stay whole in the face of profound forces of division. The Maccabees stood against a regime that attempted to erase Jewish practice by banning observance, desecrating the Temple, and punishing the very acts that defined Jewish life. The victory we celebrate is the enduring resilience of Jewish identity, a small, committed people, deeply diverse in their own ways, coming together around a shared purpose to reclaim the right to live authentically.
When the Temple was rededicated, they relit the ner tamid, the eternal flame, with only a day’s worth of consecrated oil. The miracle, tradition teaches, is that the flame lasted eight days until new oil could be secured. But perhaps the greater miracle is that they lit the flame at all, despite their fear, the uncertainty, and the enormity of the moment. Even in the darkest times, our light shines brightest when we choose to light it together.
My journey to becoming Jewish was many years in the making. I was raised Catholic in the church my mother grew up in. I was a curious child, always pressing to understand the world around me. After the sudden death of my father at nine, I craved answers to life’s toughest questions and felt increasingly out of place in a setting where questions were treated as a lack of faith. In Judaism, I found a spiritual home that teaches that questions are holy, learning is lifelong, truth is revealed through wrestling with ideas, and our sacred bonds to each other are strengthened through debate.
I still remember the moment I first learned this about Judaism. More than a decade before my conversion, Reid and I sat on a lumpy sofa in a University of Chicago lounge debating life’s mysteries the way only college students can. After I had shared my frustrations about organized religion, Reid explained that in his experience, Judaism didn’t fear disagreement, but welcomed it. It was a tradition built on commentary layered over commentary, where even the margins of our texts are alive with centuries of Jews arguing, interpreting, questioning, refining, and expanding on the ideas that came before them.
As I continue to grow into my Jewish identity, it becomes ever more clear that the Jewish community is not a monolith. We span countless traditions, cultures, and perspectives. Our disagreements are real, deeply felt, and sometimes painful. But disagreement is not the opposite of unity. Judaism gives us the tools to lean into complexity without letting it tear us apart.
At this difficult moment we are living in, that seems a daunting task. Antisemitism is surging in ways both familiar and surprising, and Jews are being targeted simply for being Jewish. Millenia-old tropes are finding new life in the ugliest corners of the internet and on our sidewalks, with online conspiracy-theories fueling real-world violence. This bigotry is often smuggled into mainstream discourse using criticism of the State of Israel as a Trojan Horse, with the intention of pitting Jews against each other.
We must reject this attempt to co-opt political disagreements by those who wish to destroy us and remember that for many American Jews, Israel represents shared history, culture, and the enduring light of Jewish peoplehood – the very light that antisemites have long tried to extinguish.
The goal of antisemitism is, as it has always been, to divide us, isolate us, and snuff out our light. Hanukkah reminds us that our story did not end in the ancient world. From Jerusalem to Sydney to New York, we are still here, still connected, still carrying that light forward, and the miracle the Maccabees fought for endures in Jewish survival and the promise of a Jewish future. Hanukkah teaches that when Jewish people, by birth and by choice alike, stand together in shared purpose, bound together as B’nei Israel, we can overcome even the greatest darkness.
Unity does not mean uniformity. It means choosing one another, especially when the world feels fractured and we, as Jews, are under attack. It means committing to our shared future even as we debate the path to get there. It means recognizing that our strength has always come from community, learning, and a willingness to keep asking the hard questions together.
This is the model I strive to follow as a public servant: to lead with curiosity, to listen across differences, to protect our sacred spaces, and to build bridges through education and shared understanding.
As someone who chose this tradition because of its capacity for honesty, complexity, and hope, I urge us to take the lesson of the Maccabees to heart and keep the light shining – for ourselves, for each other, and for the generations who will inherit the world we shape today.
The post The Maccabees taught us persistence and hope – even when the light flickers, as it has this Hanukkah appeared first on The Forward.
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Will Anything Change After Bondi — and How Will the Story End?
A man lights a candle as police officers stand guard following the attack on a Jewish holiday celebration at Sydney’s Bondi Beach, in Sydney, Australia, December 15, 2025. REUTERS/Flavio Brancaleone
Jews arrived in Australia with the First Fleet in 1788. That is the Australian equivalent of the Mayflower, albeit with convicts.
From their earliest days, Australian Jews integrated into national life visibly, with patriotism and confidence. They built their shuls without apology, established businesses without resentment, and raised families with great pride.
They were disproportionately represented in the military, academia, medicine, and commerce. They embraced their Australian identity fully, while remaining true to their Jewish faith and seeing no contradiction between the two.
Australia was once a country that understood how integration worked. Newcomers were welcome, but they were expected to participate in a shared civic culture. Loyalty, contribution, and respect for Australian society were not considered controversial demands — they were the price of admission. For more than two centuries, Australian Jews lived by that bargain.
This is why the massacre at Bondi Beach during a public Hanukkah celebration seems like more than an act of terror. It feels like a betrayal. Holocaust survivor Alex Kleytman, 92, shielded his wife of 57 years in the crowd before dying. That is the Jewish-Aussie spirit that symbolized this community.
Hanukkah is, by design, a public holiday. It commemorates a minority preserving its identity while remaining part of a broader civilization. Light is placed deliberately in the public square. Faith without withdrawal. Cultural continuity without separatism. That is the message of Hanukkah.
That such a celebration was targeted in one of Australia’s most iconic public spaces is not incidental. It was an attack on a place and a community that exemplified successful integration during a festival that celebrates cohesion and tolerance.
Speaking to Australian Jews over the past two years, a new theme has emerged — not only of fear, but abandonment. The country they love increasingly hesitates to defend them, is embarrassed by its own culture, and is unwilling to confront hateful belief systems it has imported.
This is not an immigration crisis. It is a governance crisis.
Great countries are built by immigrants. The Greeks, Romans, and Americans all understood that growth comes from outsiders who want to become insiders. But instead of importing entrepreneurs, innovators, and builders, we have incubated an endless supply of cultural resentment. A nation cannot transmit to its citizens what it no longer values. Assimilation requires national pride and confidence in one’s own civilizational values.
Deterrence is dismissed for fear of “sending the wrong signal.” Enforcement is denounced as cruelty. Borders are discussed endlessly but defended reluctantly. Politicians still perform the language of control, but with the conviction of actors reciting lines they no longer believe.
Western governments have not failed to implement their will. They have abandoned the idea that they are entitled to have a will in the first place. The result is a system engineered for failure while absolving those responsible for it. Illegal entry is rewarded. Removal is treated as a scandal. Integration becomes optional.
What emerges is grievance without gratitude, and hate without consequence. Flags become suspect. History is reduced to a catalogue of sins. Elites perform ritualized shame as a marker of sophistication. A country that cannot defend its own identity cannot plausibly ask newcomers to adopt it.
Bondi was not a random eruption of violence. It was the predictable outcome of a system that encouraged hate, refused to do anything about years of incitement and terror attacks on Jews, and will likely change nothing after this attack.
The bitter irony is that the community that proved integration was possible is now among the first to feel the consequences of a society that has stopped insisting on it.
Nations do not decline in a single dramatic moment. They erode through a thousand small capitulations; each defended as compassion.
Bondi was not an aberration. It was a warning. The only question is whether the warning arrived too late. The story of Hanukkah ends with our salvation and spiritual redemption; how will this story end?
Philip Gross is a Manhattan-born, London-based business executive and writer. He explores issues of Jewish identity, faith, and contemporary society through the lens of both the American and British experience.
