Connect with us

Uncategorized

A new portrait collection showcases 90 Holocaust survivors who lived long and full lives

(JTA) — Werner Reich had his opening line ready when he sat down for B.A. Van Sise to take his portrait.

“Before I could say anything, he said, ‘Everybody comes to me and they want me to talk about the Holocaust. What am I supposed to say? I went to Auschwitz. It was lousy,’” Van Sise said, recalling that Reich’s comment felt like a joke, not a lament.

But instead of dwelling on the horrors of the Nazi concentration camp, the two men spoke about magic, a refuge for Reich as a Jewish teenager trying to survive. The resulting portrait shows a man in his 90s wearing retro glasses, a cloud of smoke floating a few inches above his open palm, in a picture vibrating with life and with enchantment.

Van Sise’s portrait of Reich is the first in “Invited to Life: Finding Hope After the Holocaust,” his new portrait collection of 90 Holocaust survivors. The accompanying text acknowledges Reich’s experience at Auschwitz, but it focuses more on Reich’s life after the war and his long career in magic — striking a balance that Van Sise says is core to his project.

“This is not something that people are inclined to talk about because it’s not always bombastic. It’s not the part that you sell movie tickets to,” Van Sise said. “You can make, and people have, a hundred movies about Jewish people being imprisoned, tortured, and enslaved. Why doesn’t anybody talk about them thriving afterwards?”

Holocaust survivor and hiking enthusiast Sam Silberberg poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

Van Sise is far from the first photographer to capture the faces of survivors in the decades following the end of the Second World War. Famed portrait photographers Martin Schoeller and Mark Seliger, both known for their iconic celebrity portraiture — Schoeller for his uniform, stylized close-ups and Seliger as a magazine photographer who also recently photographed Jerry Seinfeld in a fashion shoot — have also set their cameras in front of Holocaust survivors. Countless other photographers have done the same. But what Van Sise says is sometimes missing from survivor photography is a focus on the postwar lives, many of them joyous, that the subjects have experienced over the last 70-plus years.

“I suspect that one person might see these folks and see victims,” Van Sise said. “And I see them as survivors.”

Holocaust survivor and Park East Synagogue Rabbi Arthur Schneier poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

“Invited to Life” was inspired by a 2015 photo assignment Van Sise took on for the Village Voice. Motivated by the anti-immigrant, anti-refugee rhetoric of then-candidate for president Donald Trump, he realized that a particularly cohesive cohort of refugees to come to the United States had arrived more than 75 years ago, at the end of the Second World War, and a photographic retrospective on their lives in America could be a valuable project. He reached out to the Museum of Jewish Heritage in New York to be put in touch with a dozen survivors for the story. He ended up taking more than 30 portraits. When the alternative newsweekly ceased publication in 2017 (it was revived in 2021) before he could publish the photos, the museum invited Van Sise to turn the portraits into a solo exhibition, in what became the museum’s first-ever public art installation.

Then the pandemic arrived, and like many photographers whose everyday work required travel, Van Sise was out of a job.

“It had never been a marquee project for me,” said Van Sise, who is Jewish but has no familial connection to the Holocaust. “I kept coming back and thinking about them, and about the fact that these people had been through the worst there ever was, the worst that ever has been, the worst there ever might even be.”

Holocaust survivor and painter Fred Terna poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

Van Sise spent the better part of 2020 driving around the United States, getting COVID swabs every three days so he could safely photograph 140 elderly survivors, 90 of whom ended up in the book. (He was insistent with his publisher that the final number of portraits in the book be a multiple of 18, the Jewish numerical symbol for “life”.)

The photos are all in black and white, but beyond that, they are as diverse as Sise’s subjects. Some incorporate backgrounds, some are solo portraits; some are serious, some are silly; some include children, grandchildren, husbands, wives, props; some are in profile, and some are shot straight on. The subjects are Nobel Prize-winning chemists and homemakers; pilots and psychologists; haberdashers and teachers; famed rabbis and partisans-turned-conmen.

All of them, Sise says, were photographed with a sense of generosity.

“A person who wants to be critical of me — which is fair — might say that I’m overly charitable,” Van Sise says of his own work, acknowledging that no photographer can avoid bias completely while behind the camera. (It didn’t help that many of the survivors he photographed were eager to feed him cookies, as he frequently recalls.)

In the nearly three years since Van Sise began photographing the subjects of his book, the reality of working with more than 100 elderly people set in. Several of the survivors, including Holocaust educator René Slotkin, Budapest-born legal secretary Kathy Griesz and Reich died before they got the chance to hold a copy of the book in their hands, much to Van Sise’s dismay.

“As a writer, you carry them with you,” he said. “So for me, there were a few where I got pretty rattled.”

Holocaust survivor and educator René Slotkin poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

The photographs reflect acknowledgment by all involved that the survivors in the pictures are all nearing the ends of their lives. Many of his subjects chose to include their children, grandchildren, or great-grandchildren in their portraits, and the photographer was intentional in closing the book with a portrait of Irving Roth, a longtime Holocaust educator, with his 3-year-old great-granddaughter Addie sitting on his lap. In the text, Roth remarks on the origins of his Hebrew name, Shmuel Meir, which came from his great-grandfather and imagines what life will be like for Addie when she turns 103, and what she will remember of him.

Roth passed away in February 2021 at age 91.

“Those stories don’t end in 1945,” Van Sise said. “These people have lived for, now, 77 years since and have done plenty with that time. And that’s worth exploring, because that’s the part they have control over.”

Reflecting on different styles of Holocaust survivor portraiture at a discussion at the Museum of Jewish Heritage, the original home of Van Sise’s portraits, German photographer Martin Schoeller remarked on his own preference for images of older faces.

Holocaust survivor and educator Irving Roth and great-granddaughter Addie pose together for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)

“They have more life in them. You see the wrinkles and you feel that there’s more to discover in the face, in an old face. So they almost feel like they’re telling the story of the suffering of the Holocaust more visually, because they’re older faces,” Schoeller said.

“But then, it’s been 75 years since the end of the war,” he added. “So these people have lived 75 years; so to say, ‘Now I see the horror in this old man’s face’ feels a little bit — I don’t know if that’s really true. I leave it up to the people looking at the pictures.”


The post A new portrait collection showcases 90 Holocaust survivors who lived long and full lives appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

This Toronto street corner has been a site of anti-Zionist activism for months. Police just opened a hate crime investigation.

The Toronto Police Service hate crimes unit is investigating teacher Abbas Hamze for remarks about “Zionists.” Canadian Jewish groups, including the Jewish Federations of Canada’s advocacy arm and B’nai Brith Canada, have called his speech, which went viral online, “blatant antisemitism.”

Hamze’s remarks invoked antisemitic tropes, accusing “Zionists” of performing “black magic” as well as raping and killing children. He spoke at the intersection of Bathurst and Sheppard, in the heavily Jewish Toronto neighborhood of Bathurst Manor – Clanton Park.

According to his LinkedIn, Hamze works as an instructor at several Canadian colleges in the area, including the University of Niagara Falls and Georgian College. He does not specify what he teaches.

Hamze could not be reached for comment. The University of Niagara Falls and Georgian College did not respond to requests to comment, and the Toronto Police declined a request for comment.

UNF issued a statement addressing Hamze’s remarks, distancing the university from the instructor’s statements and stating that they have “zero tolerance for discrimination, hate, harassment, or any conduct that threatens the dignity and well-being of others.” They announced that they are “launching an internal investigation” into the matter.

In his speech, Hamze claimed that “British colonizers have planted this cancerous, false Zionist state of Israel … right in the heart of Islam.”

Later — wearing a keffiyeh and reading from his phone into a megaphone emblazoned with the Lebanese flag — the instructor repeated numerous antisemitic conspiracy theories, including the debunked idea that Jews have caused or deserved centuries of persecution.

“The Zionists have never had a country of their own because of their mischief,” Hamze said. “They are the most kicked-out people in the world who are making black magic and horrible things.”

He went on to say that Jewish corruption is “crystal clear in Epstein Island where they have the Jewish leaders from all around the world.” He accused “Zionists” of having “raped, and killed, and ate children at the same time.”

Finally, he unfoundedly blamed the actions of President Donald Trump on “Zionists” who “blackmail” and “control” people.

“That’s why you can see now a guy like Trump who caused this genocide in Gaza kidnaps the presidents of Venezuala, kills the supreme leader of Iran Imam Ali Khamenei, may God sanctify his soul,” he said. “This is because of them, the terrorist Zionists.”

It appears that people became aware of Hamze’s remarks after Casey Babb, an Israel and International Relations scholar, posted a video of him on X.

In a joint statement, Canadian Jewish groups described Hamze’s claims as “antisemitic blood libels that have been used for centuries to justify hatred and violence against Jews.”

The statement says that the intersection where Hamze spoke, Bathurst and Sheppard, has long been a site of “antisemitic harassment, intimidation and provocation, too often under the guise of anti-Zionism,” and called on Toronto’s police department to investigate the incident.

“Allowing this behaviour to go unchecked is to normalize antisemitism as an everyday feature of life in this city,” it stated.

The city’s police have opened an investigation. However, online, some said that Hamze had been speaking at the street corner for months without police intervention.

In Canada, public incitement of hatred is considered a criminal offense. The Canadian criminal code says that “communicating statements in any public place” that “incites hatred against any identifiable group where such incitement is likely to lead to a breach of the peace” is a breach of law, resulting in up to two years in prison.

The post This Toronto street corner has been a site of anti-Zionist activism for months. Police just opened a hate crime investigation. appeared first on The Forward.

Continue Reading

Uncategorized

West Elm’s Russ & Daughters merch did something their in-house line could never

Figuring out one’s Judaica vibe can be a challenging endeavor for those of us who don’t have tastes in line with the colorful stained glass or embossed silver aesthetics that tend to dominate the category. Newer designers have introduced some minimalist options, but that’s also not really for me.

But for those of us with a tendency toward the whimsical or kitsch, furniture retailer West Elm is coming to the rescue with two new collections, geared toward the High Holidays and Hanukkah.

There’s a Russ & Daughters collaboration of blue-and-white ceramics, featuring serving platters with handpainted designs such as a fish or latkes, trinket trays with pickles and more fish, simple Delft-colored dinnerware and napkins with little cutlery printed in the corners.

And, separately, in an apparent attempt to capitalize on the Jewish market, West Elm also released a set of their own plates, bowls and tea towels printed with colorful “deli favorites” — pickles, brisket, hamentaschen, black-and-white cookies, and the like.

The concepts are pretty similar; both lean into the idea of decorating plates with food objects that may or may not be the food you actually put on them.

I do admittedly already have a large blue-and-white platter with a fish painted on it that I find charmingly eclectic, and just as suitable for serving foods that are not of the oceanic persuasion as it is for foods that are indeed from the briny deep. So I’m not inherently opposed to the concept. But I don’t feel as good about the in-house West Elm Jewish designs, like a bowl with a sort of mushy depiction of matzo balls at the bottom. Imagine eating anything else out of that. Honestly, imagine eating matzo ball soup out of it. It seems disorienting.

Everyone’s tastes vary, and if you want to eat a salad off of a plate with a colorful brisket sandwich painted on it, be my guest. But I think the Russ & Daughters offering is the better of the options. For the most part, the collection stays on the artful side of kitsch largely thanks to the simplicity of the designs and the color scheme. And, more importantly, the internal logic seems actually Jewish. The pieces are useful — perhaps with the exception of the latke platter — for multiple Jewish occasions. The matchbox with a challah on it may feel a bit random at first glance but it does conjure an image of lighting candles on Shabbat, and there are matching candle holders. The art kind of evokes Marc Chagall.

The West Elm deli hits sets on the other hand — which are separate from their collab with the iconic Lower East Side deli — feel as though they’re screaming their Jewishness. The tea towel mixes together hamentaschen and sufganiyot (or possibly a bagel, it’s hard to tell) on the same piece of cloth, despite the fact that these desserts correspond to different holidays. The drawings are cute, but the overall effect is frantic, like someone dumped every Jewish food they could name onto the same page and sent it off to the printers. It’s giving Target Rosh Hashanah decorations — the sort that have a menorah alongside the apples and honey.

A few years ago, Crate and Barrel had Jewish lifestyle influencer Rebecca Lowin curate a Hanukkah display, but it was done using items the store already carried in white, blue and silver; only the menorah was specifically Jewish. Now, a similar home decor store is creating entire lines catering specifically to Jewish holidays and culture. That’s a sign of an increased mainstream embrace of Jewish culture, and that’s a good thing — it wasn’t so long ago that it wasn’t possible to find much public recognition of the existence of the High Holidays, and every attempt featured a hanukkiah with the wrong number of branches or a loaf of challah for Passover. Today, if Jews want twee merchandise — and no judgment — there’s plenty. There are even Hanukkah gnomes, if your taste runs to that.

But there’s still a dearth of decor that feels elegant and thoughtful, instead of try-hard. Decor that feels actually rooted in Jewishness, instead of like a Jewish gloss on something that’s really for another holiday. The Russ and Daughters collaboration is rooted in actual Jewish history. Even if you don’t like a fish motif as much as me, that’s a step in the right direction.

The post West Elm’s Russ & Daughters merch did something their in-house line could never appeared first on The Forward.

Continue Reading

Uncategorized

Sephardic and Mizrahi groups accuse New York Magazine of erasing Middle Eastern Jews. The editor-in-chief agreed to a meeting.

As editors of New York Magazine dug in their heels this week, defending the magazine’s viral “Habibi City” package published earlier this month, 14 Sephardic and Mizrahi Jewish organizations delivered an open letter on Monday night, accusing the magazine of erasing Middle Eastern Jews from its coverage.

On Tuesday, Editor-in-chief David Haskell invited them to meet in September, saying he wants the magazine’s coverage to reflect the multitude of perspectives in the region.

In addition to asking for a meeting, co-signers of the letter, convened by JIMENA (Jews Indigenous to the Middle East and North Africa), asked the magazine to acknowledge what they call the package’s exclusionary framing and provide more representative coverage of Sephardic and Mizrahi Jews going forward.

The dispute centers on the magazine’s August issue about the city’s burgeoning Southwest Asian and North African cultural scene known as SWANA. The package explores restaurants, cafes, cultural collectives and dance parties, tracing much of their growth to the war in Gaza that followed theHamas-led attacks on Israel on Oct. 7, 2023.

“Out of that resistance,” the magazine writes, “a cultural ecosystem started to bloom.”

This week, the magazine published a statement standing by its use of the term genocide to describe Israel’s actions in Gaza, adding that “accusations of antisemitic intent were in fact obfuscating an overwhelming ­scholarly consensus, and that its use would be allowed in our pages.”

The open letter did not address the use of that term. Instead, it addressed the article’s framing.

The package describes membership in SWANA community in political terms.

“To be in SWANA community,” one article says, means “embracing a set of shared beliefs: that Palestinians deserve human rights. That what happened in Gaza in the aftermath of October 7 constitutes a genocide. That social justice and social welfare override capitalist concerns.”

The same article describes the place of Israelis within SWANA culture as “complicated,” in part because of the term’s “political framework.”

It also says SWANA New Yorkers “face xenophobia, Islamophobia and Zionism” in the city — language that drew particular ire from the coalition and online critics.

According to the letter, New York Magazine’s framing turns SWANA from a geographic and cultural identity into an ideological one, excluding many of New York’s Jews from the Middle East and North Africa unless they reject Israel — the country where many of their families found refuge after fleeing persecution and discrimination elsewhere in the region.

“A Mizrahi Jew whose grandparents were born in the region, expelled from their country of origin, and who carries the region in her language, liturgy, and kitchen belongs only upon disavowal of the movement through which her family survived,” the letter reads.

As the letter puts it, for a great majority of Sephardic and Mizrahi Jews to be represented “as we actually are” means representing them as Zionists.

The letter also faults the package for invoking Oct. 7 repeatedly without acknowledging the atrocities committed that day and erasing the region’s non-Muslim populations.

“When we read ‘Habibi City,’ we immediately saw that this wasn’t something one organization should answer alone,” Sarah Levin, JIMENA’s executive director told the Forward. “The feature made claims about who belongs in contemporary Middle Eastern and North African and ‘SWANA’ communities in NYC, so the response needed to come from the breadth of the communities being written out.”

After she read the package, she began contacting other Sephardic and Mizrahi organizations about writing an open letter. Within four days, all 14 organizations had signed on.

“Iranian, Iraqi, Syrian, North African and Sephardic communal organizations almost never act in concert, and they’ve united around one argument,” Levin said.

Signatories include the American Sephardi Federation, the Iranian American Jewish Federation of New York and the Jewish Community Relations Council of New York.

Levin said the groups had little difficulty reaching consensus. “When the argument is, ‘We exist, and we will not be defined out of our own region,’ there isn’t much for our communities to debate.”

What concerned Levin most, she said, was the size of New York Magazine‘s audience and cultural reach. The Pulitzer Prize-winning bi-weekly magazine boasts reaching 1.8 million readers each week.

“When a magazine that shapes American culture tells millions of readers that belonging to the Middle East requires renouncing Zionism, that is not a small thing,” Levin said. “That is why we responded the way we did.”

The post Sephardic and Mizrahi groups accuse New York Magazine of erasing Middle Eastern Jews. The editor-in-chief agreed to a meeting. appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News