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A new portrait collection showcases 90 Holocaust survivors who lived long and full lives
(JTA) — Werner Reich had his opening line ready when he sat down for B.A. Van Sise to take his portrait.
“Before I could say anything, he said, ‘Everybody comes to me and they want me to talk about the Holocaust. What am I supposed to say? I went to Auschwitz. It was lousy,’” Van Sise said, recalling that Reich’s comment felt like a joke, not a lament.
But instead of dwelling on the horrors of the Nazi concentration camp, the two men spoke about magic, a refuge for Reich as a Jewish teenager trying to survive. The resulting portrait shows a man in his 90s wearing retro glasses, a cloud of smoke floating a few inches above his open palm, in a picture vibrating with life and with enchantment.
Van Sise’s portrait of Reich is the first in “Invited to Life: Finding Hope After the Holocaust,” his new portrait collection of 90 Holocaust survivors. The accompanying text acknowledges Reich’s experience at Auschwitz, but it focuses more on Reich’s life after the war and his long career in magic — striking a balance that Van Sise says is core to his project.
“This is not something that people are inclined to talk about because it’s not always bombastic. It’s not the part that you sell movie tickets to,” Van Sise said. “You can make, and people have, a hundred movies about Jewish people being imprisoned, tortured, and enslaved. Why doesn’t anybody talk about them thriving afterwards?”
Holocaust survivor and hiking enthusiast Sam Silberberg poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)
Van Sise is far from the first photographer to capture the faces of survivors in the decades following the end of the Second World War. Famed portrait photographers Martin Schoeller and Mark Seliger, both known for their iconic celebrity portraiture — Schoeller for his uniform, stylized close-ups and Seliger as a magazine photographer who also recently photographed Jerry Seinfeld in a fashion shoot — have also set their cameras in front of Holocaust survivors. Countless other photographers have done the same. But what Van Sise says is sometimes missing from survivor photography is a focus on the postwar lives, many of them joyous, that the subjects have experienced over the last 70-plus years.
“I suspect that one person might see these folks and see victims,” Van Sise said. “And I see them as survivors.”
Holocaust survivor and Park East Synagogue Rabbi Arthur Schneier poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)
“Invited to Life” was inspired by a 2015 photo assignment Van Sise took on for the Village Voice. Motivated by the anti-immigrant, anti-refugee rhetoric of then-candidate for president Donald Trump, he realized that a particularly cohesive cohort of refugees to come to the United States had arrived more than 75 years ago, at the end of the Second World War, and a photographic retrospective on their lives in America could be a valuable project. He reached out to the Museum of Jewish Heritage in New York to be put in touch with a dozen survivors for the story. He ended up taking more than 30 portraits. When the alternative newsweekly ceased publication in 2017 (it was revived in 2021) before he could publish the photos, the museum invited Van Sise to turn the portraits into a solo exhibition, in what became the museum’s first-ever public art installation.
Then the pandemic arrived, and like many photographers whose everyday work required travel, Van Sise was out of a job.
“It had never been a marquee project for me,” said Van Sise, who is Jewish but has no familial connection to the Holocaust. “I kept coming back and thinking about them, and about the fact that these people had been through the worst there ever was, the worst that ever has been, the worst there ever might even be.”
Holocaust survivor and painter Fred Terna poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)
Van Sise spent the better part of 2020 driving around the United States, getting COVID swabs every three days so he could safely photograph 140 elderly survivors, 90 of whom ended up in the book. (He was insistent with his publisher that the final number of portraits in the book be a multiple of 18, the Jewish numerical symbol for “life”.)
The photos are all in black and white, but beyond that, they are as diverse as Sise’s subjects. Some incorporate backgrounds, some are solo portraits; some are serious, some are silly; some include children, grandchildren, husbands, wives, props; some are in profile, and some are shot straight on. The subjects are Nobel Prize-winning chemists and homemakers; pilots and psychologists; haberdashers and teachers; famed rabbis and partisans-turned-conmen.
All of them, Sise says, were photographed with a sense of generosity.
“A person who wants to be critical of me — which is fair — might say that I’m overly charitable,” Van Sise says of his own work, acknowledging that no photographer can avoid bias completely while behind the camera. (It didn’t help that many of the survivors he photographed were eager to feed him cookies, as he frequently recalls.)
In the nearly three years since Van Sise began photographing the subjects of his book, the reality of working with more than 100 elderly people set in. Several of the survivors, including Holocaust educator René Slotkin, Budapest-born legal secretary Kathy Griesz and Reich died before they got the chance to hold a copy of the book in their hands, much to Van Sise’s dismay.
“As a writer, you carry them with you,” he said. “So for me, there were a few where I got pretty rattled.”
Holocaust survivor and educator René Slotkin poses for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)
The photographs reflect acknowledgment by all involved that the survivors in the pictures are all nearing the ends of their lives. Many of his subjects chose to include their children, grandchildren, or great-grandchildren in their portraits, and the photographer was intentional in closing the book with a portrait of Irving Roth, a longtime Holocaust educator, with his 3-year-old great-granddaughter Addie sitting on his lap. In the text, Roth remarks on the origins of his Hebrew name, Shmuel Meir, which came from his great-grandfather and imagines what life will be like for Addie when she turns 103, and what she will remember of him.
Roth passed away in February 2021 at age 91.
“Those stories don’t end in 1945,” Van Sise said. “These people have lived for, now, 77 years since and have done plenty with that time. And that’s worth exploring, because that’s the part they have control over.”
Reflecting on different styles of Holocaust survivor portraiture at a discussion at the Museum of Jewish Heritage, the original home of Van Sise’s portraits, German photographer Martin Schoeller remarked on his own preference for images of older faces.
Holocaust survivor and educator Irving Roth and great-granddaughter Addie pose together for “Invited to Life”. (Courtesy of B.A. Van Sise / Design by Grace Yagel)
“They have more life in them. You see the wrinkles and you feel that there’s more to discover in the face, in an old face. So they almost feel like they’re telling the story of the suffering of the Holocaust more visually, because they’re older faces,” Schoeller said.
“But then, it’s been 75 years since the end of the war,” he added. “So these people have lived 75 years; so to say, ‘Now I see the horror in this old man’s face’ feels a little bit — I don’t know if that’s really true. I leave it up to the people looking at the pictures.”
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The post A new portrait collection showcases 90 Holocaust survivors who lived long and full lives appeared first on Jewish Telegraphic Agency.
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Trump Says US Will Intervene if Iran Kills Protesters Amid Regime Crackdown: ‘Locked and Loaded’
US President Donald Trump attends a press conference, as he makes an announcement about the Navy’s “Golden Fleet” at Mar-a-lago in Palm Beach, Florida, US, Dec. 22, 2025. Photo: REUTERS/Jessica Koscielniak
US President Donald Trump threatened on Friday to come to the aid of protesters in Iran if security forces fire on them, days into unrest that has left several dead and posed the biggest internal threat to Iranian authorities in years.
“If Iran shoots and violently kills peaceful protesters, which is their custom, the United States of America will come to their rescue, he said in a social media post. “We are locked and loaded and ready to go.”
The United States bombed Iranian nuclear facilities in June, joining an Israeli air campaign that targeted Tehran’s atomic program and military leadership.
Responding to Trump’s comments, top Iranian official Ali Larijani warned that US interference in domestic Iranian issues would amount to a destabilization of the entire Middle East. Iran backs proxy terrorist forces in Gaza, Iraq, Yemen, and Lebanon, among other places.
“Trump must realize that US intervention in this internal matter will lead to destabilizing the entire region and destroying American interests,” Larijani posted on X. “The American people must know that Trump is the one who started this adventure, and they should pay attention to the safety of their soldiers.”
Ali Shamkhani, a senior adviser to Iranian Supreme Leader Ayatollah Ali Khamenei, similarly warned on social media that Iran’s national security was a “red line, not material for adventurist tweets.”
“Every hand of intervention that approaches Iranian security under any pretext will be cut off with a regrettable response before it arrives,” he posted.
The comments came as a local official in western Iran where several deaths were reported was cited by state media as warning that any unrest or illegal gatherings would be met “decisively and without leniency,” raising the likelihood of escalation.
TRUMP COMMENTS
This week’s protests, sparked by soaring inflation and other economic hardships, are so far smaller than some previous bouts of unrest in Iran but have spread across the country, with deadly confrontations between demonstrators and security forces focused in western provinces.
State-affiliated media and rights groups have reported at least six deaths since Wednesday, including one man who authorities said was a member of the Basij paramilitary affiliated with the elite Revolutionary Guards.
The Islamic Republic’s clerical leadership has seen off repeated eruptions of unrest in recent decades, often quelling protests with heavy security measures and mass arrests. But economic problems may leave authorities more vulnerable now.
This week’s protests are the biggest since nationwide demonstrations triggered by the death of a young woman in custody in 2022 paralyzed Iran for weeks, with rights groups reporting hundreds killed.
Trump did not specify what sort of action the US could take in support of the protests.
Washington has long imposed broad financial sanctions on Tehran, in particular since Trump’s first term when, in 2018, he pulled the US out of Iran‘s nuclear deal with world powers and declared a “maximum pressure” campaign against Tehran.
US presidents have been wary of engaging militarily in Iran, but in June, Trump ordered airstrikes against Iranian nuclear facilities. Trump at the time ruled out sending any ground force into the Islamic Republic.
GUNSHOTS, PROTEST CHANTS
Video verified by Reuters showed dozens of people gathered in front of a burning police station overnight, as gunshots sporadically rang out and people shouted “shameless, shameless” at the authorities.
In the southern city of Zahedan, where Iran‘s Baluch minority predominates, the human rights news group Hengaw reported that protesters had chanted slogans including “Death to the dictator.”
Hengaw has reported 29 arrests so far over the unrest, mostly in the west, and including 14 members of Iran‘s Kurdish minority.
State television also reported the arrest of an unspecified number of people in another western city, Kermanshah, accused of manufacturing petrol bombs and homemade pistols.
The deaths acknowledged by official or semi-official Iranian media have been in the small western cities of Lordegan and Kuhdasht. Hengaw also reported that a man was killed in Fars province in central Iran, though state news sites denied this.
Reuters could not verify all the reports of unrest, arrests or deaths.
MAXIMUM US PRESSURE
Trump spoke a few days after he met Israeli Prime Minister Benjamin Netanyahu, a longtime advocate of military action against Iran, and warned of fresh strikes if Tehran resumed nuclear or ballistic work.
A spokesperson for the US State Department said Washington would “continue to put maximum pressure on the regime” in Iran, accusing Iranian authorities of “squandering billions on terrorist proxies and nuclear weapons research.”
The Israeli and US strikes in June last year have cranked up the pressure on Iranian authorities, as have the ousting of Syria’s Bashar al-Assad, a close Tehran ally, and the Israeli pounding of its main regional partner, Lebanon’s Hezbollah.
Iran continues to support groups in Iraq that have previously fired rockets at US forces in the country, as well as the Houthi group that controls much of northern Yemen.
IRAN‘S PRESIDENT ACKNOWLEDGES FAILINGS
During the latest unrest, Iran‘s elected President Masoud Pezeshkian has struck a conciliatory tone, pledging dialogue with protest leaders over the cost-of-living crisis, even as rights groups said security forces had fired on demonstrators.
Speaking on Thursday, before Trump threatened US action, Pezeshkian acknowledged that failings by the authorities were behind the crisis.
“We are to blame … Do not look for America or anyone else to blame. We must serve properly so that people are satisfied with us … It is us who have to find a solution to these problems,” he said.
Pezeshkian’s government is trying a program of economic liberalization, but one of its measures, deregulating some currency exchange, has contributed to a sharp decline in the value of Iran‘s rial on the unofficial market.
The sliding currency has compounded inflation, which has hovered above 36% since March even by official estimates, in an economy battered by Western sanctions.
Conservative cleric Ayatollah Ahmad Alamolhoda said protests over the economy were legitimate, but warned demonstrators they “should not be used as a pretext by the enemy to incite sedition.”
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Yemen’s Southern Separatists Call for Path to Independence Amid Fighting Over Key Region
A flag of the UAE-backed separatist Southern Transitional Council (STC) flutters on a military patrol truck, at the site of a rally by STC supporters in Aden, Yemen, Jan. 1, 2026. Photo: REUTERS/Fawaz Salman
Yemen’s southern separatist movement said on Friday it aimed to hold a referendum on independence from the north in two years, following its seizure of swathes of the country last month in a move that triggered a major feud between Gulf powers.
Southern Transitional Council leader Aidarous al-Zubaidi called on the international community to sponsor talks between concerned parties in the south and north on a path and mechanisms that “guarantee rights of the people of the south.”
The announcement comes as the Saudi-backed internationally recognized government moved to recapture the crucial region of Hadramout from the STC, which is backed by the United Arab Emirates.
RIFT BETWEEN SAUDI ARABIA AND UAE
The STC’s sudden seizure of swathes of southern and eastern Yemen from the government in early December revealed a bitter rift between Saudi Arabia and the UAE and caused a major fracture in the coalition fighting the Iran-backed Houthi movement, which holds Yemen’s capital Sanaa and the heavily populated northwest.
Earlier on Friday, the Hadramout governor under the internationally recognized government said he had launched a “peaceful” operation to restore control over the area.
Saudi airstrikes hit an airport in Hadramout, according to a spokesperson for the province’s tribes, and the governor said his forces had taken control of the most important military base in the area.
Oil-producing Hadramout borders Saudi Arabia and many prominent Saudis trace their origins to the province, lending it cultural and historical significance for the kingdom. Its capture by the STC last month was regarded by the Saudis as a threat.
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What’s funny about living next to a Nazi?
This article contains spoilers for the film My Neighbor Adolf.
In the oddball fiction film My Neighbor Adolf, a Holocaust survivor living in 1960s South America believes his new neighbor is Adolf Hitler; in fact he’s so sure, he sets out to prove it. As he researches and compares notes, we learn a lot about Hitler — his aversion to drinking and smoking, his short temper, his love for chess. Yet somehow, the film has little to say about the Holocaust itself.
The film, directed by Leon Prudovsky, opens in 1934; title cards tell us, vaguely, that we are in Eastern Europe, but savvy audiences will be able to recognize it is Poland from the language. There, our protagonist, Marek Polsky (David Hayman), is a champion chess player with a big loving family. Then, the film flashes forward to 1960; now, he lives alone in South America — exactly where is unclear — the sole survivor of his family.
The film’s writers have an aversion to specifics. Most of Marek’s experience during the war is obscured, with the exception of a few small hints. When he’s in the shower, a number tattooed on his arm is visible. He asks his neighbor Hermann Herzog (Udo Kier) to keep his dog — a German Shepherd, of course — under control, because, he says, “I don’t like dogs,” an allusion to guard dogs in concentration camps. That’s about it.
Not all Holocaust films go into graphic details about the horrors their characters experienced. But they generally provide enough basic details to give the story some substance, like what camps they were at, when they were separated from their family, how they ended up in their new country or what kinds of emotional scars they now bear. My Neighbor Adolf skips all of this, making the Holocaust more of a rushed plot point than a source of emotional depth. Even Marek’s Jewish identity feels sidelined; it’s primarily limited to his visits to the Israeli embassy — where he is trying to convince officials that Hermann is Hitler — his penchant for homemade pickles and a few books he owns in Hebrew.
Still, whatever unspecified horror Marek went through in the Holocaust, it made him bitter and paranoid. He decides Hermann must be Hitler after seeing the man’s eyes, which he usually hides behind sunglasses; Marek believes he met Hitler at a 1934 chess tournament and tells the Israeli embassy he could never forget those eyes. While doing intensive research on Hitler — including buying a copy of Mein Kampf — Marek also notes that Hermann shares other qualities with Hitler, such as being left-handed and enjoying painting.
In order to get closer to Hermann and prove he is Hitler, Marek strikes up a friendship with his neighbor. In a series of events that feel more fitting for a buddy comedy than a film about Hitler, the two play chess, share pickles and even spy on an undressing woman together (coincidentally). For the sake of finding the truth, it makes sense that Marek would be willing to play a chess game or two with the person he believes is responsible for the Holocaust. But it seems improbable that it would go as far as sharing heartwarming conversations.
The film’s eventual big reveal is as underdeveloped as the rest of the film: Hermann tells Marek that he was forced to be a Hitler impersonator and now makes money from Nazi fanatics around the world. But he doesn’t quite explain how or to what end. Did the Nazi government force him? Did a non-governmental Nazi fan club see a way to market Hitler?
If the premise wasn’t already confusing enough, Hermann also reveals it was actually him, not Hitler, at Marek’s long-ago chess tournament. Is the film suggesting Hitler died before 1945, and a body double was used to keep the Reich alive? Or was Hermann just a stand-in for Hitler at events the Fuhrer didn’t want to actually attend?
Either way, this implies Hermann was cooperating with the Nazis. Yet for some reason, this revelation seems to win Marek over. Though at the beginning of the film Marek mutters “Bloody Krauts” under his breath multiple times every time he sees his neighbor, even before suspecting he is Hitler, by the end, Marek has become fond of Hermann, even going so far as to warn him that the Israeli Embassy is sending officials to his house.
It seems as though the movie wants us to think that, in the end, both men are victims of the Third Reich in their own ways. They have more in common than they have differences. It’s a lesson in empathy and humanity.
Except for one problem: Hermann is an antisemite.
In what is apparently meant to be a heartwarming moment, he tells Marek: “You may be a Jew, Mr. Polsky, but you are a good neighbor.” But, of course, this indicates that Hermann shares the prejudices that led to the slaughter of Marek’s family. Yes, he’s not the Fuhrer, but how much does that actually matter when the ideology is the same? Even Hitler had Jewish friends — that doesn’t negate his actions. Perhaps Hermann is meant to be the embodiment of the culpability of every German, that they all could be Hitler no matter how congenial they are. But even if that’s the case, it’s unclear how Marek, after losing his whole family due to the culpability of everyday citizens, is able to ignore the man’s prejudices and continue the friendship.
The expectation that Marek would ignore Hermann’s antisemitism trivializes the harm such beliefs can cause. An antisemite that likes homemade pickles is still an antisemite.
My Neighbor Adolf opens in theaters on January 9.
The post What’s funny about living next to a Nazi? appeared first on The Forward.