Connect with us

Uncategorized

A picture book about a heroine of Holocaust memory and 2 fantasy novels top year’s Sydney Taylor Jewish children’s book awards

(JTA) — An illustrated book about an inspiring Holocaust survivor and two works of fantasy featuring dybbuks and Jewish demons have won this year’s top prizes in Jewish children’s literature.

The Sydney Taylor Book Awards are awarded annually to outstanding works of Jewish literature for children, as part of the American Library Association’s youth media awards and in conjunction with the Association of Jewish Libraries.

This year, the top winner in the picture book category was ““The Tower of Life: How Yaffa Eliach Rebuilt Her Town in Stories and Photographs” by Chana Stiefel, illustrated by Susan Gal. “Aviva vs. the Dybbuk” by Mari Lowe won in the middle-grade level. And “When the Angels Left the Old Country,” the debut novel by Sacha Lamb, garnered the young adult award.

Named in memory of Sydney Taylor, the author of the “All-of-a-Kind-Family” series that is being made into a TV show, the prestigious award “recognizes books that exemplify high literary standards while authentically portraying the Jewish experience,” according to the award committee announcement. 

As chair of the Sydney Taylor award committee for the past three years, Martha Simpson sees a growing diversity in Jewish children’s books. This year, they considered an array of new titles that portray global Jewish life, others that feature neurodiverse characters and LGBTQ kids and more set in Orthodox communities, she wrote in an email.

“There are many different ways to live a Jewish life,” Simpson said. “It’s wonderful that these stories are finally being written and published so that readers can see themselves and also learn about other experiences.”

The top picture book tells the story of Yaffa Eliach, who survived the Holocaust in hiding with her family after being expelled from their hometown of Eishyshok, a Polish shtetl (now in Lithuania) where she had helped in her grandmother’s bustling photography studio taking portraits of the Jewish villagers.

After immigrating to the U.S. and becoming a historian, Eliach set about a globetrotting journey to thousands of photographs and remembrances from Eishyshok’s Jewish families. Her ambitious project is now a centerpiece of the core exhibit at the U.S. Holocaust Memorial Museum in Washington, D.C. She died in 2016.

The Tower of Faces at the United States Holocaust Museum in Washington, D.C. (Wikimedia Commons)

Gal, a previous Sydney Taylor winner and past recipient of the National Jewish book award, brings Eliach’s story to life through her richly colored illustrations interspersed with photographs of Eliach.

Lowe’s “Aviva vs. the Dybbuk” is a suspenseful coming-of-age novel about an introspective 11-year-old girl that opens a window into daily life in a tight-knit Orthodox Jewish community in New York. After the traumatic accidental death of her father, Aviva and her increasingly reclusive mother move into a small apartment above the old mikveh, the ritual bathing house where Aviva’s mother becomes the caretaker. A supernatural, troublemaking dyybuk, whom only Aviva can see, becomes Aviva’s confidant. The tale of resilience deals with grief, memory, the ups and downs of teen friendship, acts of antisemitic violence and the healing power of love and community. 

A demon named Little Ash and an angel named Uriel are the compelling otherworldly characters at center stage of “When the Angels Left the Old Country,” Lamb’s lyrically penned historical fantasy. As the page-turning drama unfolds, the pair of unlikely, centuries-old Talmud study partners, who take on human-like form, set out from their small Pale of Settlement shtetl and head to New York City on a quest to find the village baker’s missing daughter.

In their journey, they confront the perils faced by Jewish immigrants — a deceitful rabbi, probing Ellis Island officials, exploitative sweatshop bosses and the pushes and pulls of Jewish assimilation. Lamb, a 2018 Lambda Literary Fellow in young adult fiction, paints a richly textured tale of pathos and wit, filled with Jewish culture that explores gender identity and the bonds of friendship.

“Angels” took home two other ALA prizes, including the Stonewall book award for LGBTQ works for young readers.

In addition to the top winners, the Sydney Taylor committee named nine books as silver medalists and nine notable titles of Jewish content. Winners will be honored in June at the AJL’s digital conference. https://jewishlibraries.org/2023-digital-conference.

Other books with Jewish characters and themes also garnered several ALA awards including, “The Life and Crimes of Hoodie Rosen,” by Isaac Blum, which won the William C. Morris young adult debut award; and “Just a Girl: A True Story of World War II” by Lia Levi, illustrated by Jeff Mason, which won the Batchelder prize, adapted for young readers, and translated from its original in Italian.

Jewish children’s books recently recognized by the Jewish Book Council’s National Jewish book awards were “The Very Best Sukkah: A Story from Uganda” by Shoshana Nambi, illustrated by Moran Yogev, and the middle-grade novel “The Prince of Steel Pier” by Stacy Nockowitz.

Last week, the Association of Jewish Libraries announced separately that Omer Friedlander won the organization’s fiction prize for “The Man Who Sold Air in the Holy Land,” a collection of short stories set in Israel.


The post A picture book about a heroine of Holocaust memory and 2 fantasy novels top year’s Sydney Taylor Jewish children’s book awards appeared first on Jewish Telegraphic Agency.

Continue Reading

Uncategorized

Far-right win in German regional race sends shockwaves through Europe

(JTA) —

A victory for Germany’s far-right party in an eastern federal state has reverberated across the globe, exposing the widening rifts between alarmed centrist leaders and insurgent nationalist movements in Europe.

The Alternative for Germany (AfD) party won 43.8% of the vote in an election in Saxony-Anhalt on Sunday, crushing the center-right Christian Democratic Union (CDU), German Chancellor Friedrich Merz’s party, which held 17.2% support, according to preliminary figures.

The AfD is now heading toward 39 seats in Saxony-Anhalt’s 83-seat state parliament. It’s expected to fall 3 seats short of an outright majority, leaving open the question of whether it can form Germany’s first far-right state government since World War II. The party has proposed a sweeping nationalist agenda that includes deporting immigrants, defunding “anti-German art” and teaching children less about the country’s Nazi past.

Merz told reporters in Berlin on Monday he was “deeply shocked” and “unsettled” by the results, which he said rippled through the rest of the country and the world. He added that it was impossible for Germany to “go back to business as usual” after so many voters in Saxony-Anhalt chose a party that “questions the democratic institutions in our country.”

The results dealt the CDU its “most severe defeat” in decades, conceded Merz, who leads the party once headed by former German Chancellor Angela Merkel.

Merz said that he was searching for answers to “why far-right populism and far-right extremism was able to rise in such a rapid manner,” suggesting that his party may have underestimated the “fears of our population” amid economic crises and rapid technological change. He said that minorities in Saxony-Anhalt would be particularly vulnerable under an AfD government, but noted that the state would still have obligations to follow federal law, including regarding immigration policy.

Merz also directed his message to the rest of Europe, saying that Germany had a “special responsibility because of its history” to keep its political order “deeply anchored in Europe.”

Despite the scale of the CDU’s defeat in Saxony-Anhalt, Merz ruled out stepping down, saying, “Giving up is not an option.”

Though Saxony-Anhalt is one of Germany’s smallest regions, home to some 1.7 million voters, its election results quickly sent shockwaves through other European countries whose leaders, like Merz, are fighting to fend off far-right, anti-immigrant parties in national elections next year.

French Europe Minister Benjamin Haddad called the AfD’s regional win a “grave moment in Europe” and said that “nationalism and xenophobia will never be a solution.”

“We cannot forget our history,” said Haddad, an ally of centrist President Emmanuel Macron. “That is the meaning of the choices made by France and Germany.”

France’s government faces its own fears of a right-wing populist wave. Marine Le Pen, the head of the far-right National Rally, has dwarfed all other candidates in polls heading into France’s presidential election in 2027, when term limits force Macron to step down.

Across the Channel, British Chief Secretary to the Treasury Emma Reynolds said in an interview on Times Radio that the U.K.’s Labour government “will not be reaching out to a right-wing populist party.” She added that she put the AfD in “the same political bracket” as Reform UK, the far-right party that surged in local elections earlier this year.

Polish Prime Minister Donald Tusk also condemned the AfD’s victory. The far-right party has alarmed Poland, Ukraine’s neighbor, with its pro-Russia stance, as it seeks to halt Germany’s military aid to Ukraine and sanctions against Russia.

“In Poland, only idiots or traitors can rejoice at the triumph of the AfD in Germany,” said Tusk.

Meanwhile, the AfD was cheered by nationalist, anti-immigration party leaders in Spain, Portugal and the Netherlands, all of whom have sought to capitalize on economic and social grievances similar to those that contributed to the AfD’s victory Sunday.

Santiago Abascal, the head of Spain’s far-right Vox party, called the result “a great hope for Germany and for Europe.”

André Ventura, the founder of Portugal’s far-right Chega party, said that “the Germans too are opening their eyes against illegal and uncontrolled immigration, corruption, and the capture of our freedom and identity.”

And in the Netherlands, the AfD received a “Congratulations” from the far-right Party for Freedom’s leader, Geert Wilders.

While President Donald Trump has yet to officially respond to the Saxony-Anhalt election, he posted a screenshot of the results without comment on his Truth Social account Sunday night.

Trump’s post was shared by Kirill Dmitriev, a Russian presidential envoy and businessman, who said the AfD scored a “historic win” that would “put migration under control.”

Elon Musk, the billionaire and former Trump adviser who campaigned for the AfD last year, gave his support to the national party leader Alice Weidel on X, which he owns, writing “Well done” in German.

Ulrich Siegmund, the AfD’s candidate in Saxony-Anhalt who hopes to become the state premier, responded by praising Musk.

“Thank you, @elonmusk, for your support and for your clear and highly important perspective on the political developments of our time — including here in Germany,” he wrote.

The post Far-right win in German regional race sends shockwaves through Europe appeared first on The Forward.

Continue Reading

Uncategorized

In new ‘Fauda’ season, the aftershocks of Oct. 7, without a thought for Gaza

When Fauda Season 4 ended an eternity and a devastating war ago, our hero was at death’s door, reciting both the central prayer of Judaism, the Shema, and the Muslim Fatiha.

It was a cliffhanger with monumental implications for Doron Kavillio (Lior Raz), an Israeli Jew who spent his days undercover as a Muslim Arab — an identity crisis long in coming.  Zoom out and you can see the doomed duality of Israel and Palestine, Jew and Muslim, connected in a cycle of death and more alike than they may seem.

Season 5 begins bilingually, with Hebrew and Arab definitions of the Arabic word Tha’r, blood revenge, “restoring violated honor or avenging injustice.” This concept is now the point of commonality — not how men pray, but how they seek revenge.

Welcome to a post-Oct. 7 Israel. Doron is in therapy, struggling to recall eight missing hours of his life on the day of Hamas’ attack on the Gaza envelope.

Comrades have left the country — Steve (Doron Ben-David) is protecting oligarchs in London, Sagi and Nurit are in Australia. Eli (Yaakov Zada-Daniel) is now Orthodox, living in a settlement and reeling from the murder of his wife and stepchildren at his now-torched kibbutz. When a Bedouin friend, Salem (Bian Anteer) who lost his son in the raid on Eli’s home, approaches him with a tip on the Nukhba fighter responsible, they depart for Marseille to answer the call of Tha’r.

It would hardly be Fauda if this act of vengeance didn’t give way to a much larger plot. Marseille is the staging ground for Saeed el Hatib (French-Algerian actor Hakim Djaziri),  “the Sinwar of Europe,” who is recruiting sympathetic, white continentals for a fresh massacre in Israel.

Fauda has always made some viewers uncomfortable. Massively entertaining, bingeable to those of us who stream it in the Netflix aftermarket, its existence was premised on ongoing injustices in the West Bank and Gaza and the violence that bursts through their borders. (The BDS movement labelled it a “war-crimes glorifying” series;” Haaretz called it “morally dubious.”)

And yet as late as the last season it contained very real criticism of Israel’s conduct, including its costly campaigns to recover captured soldiers and the torture used to extract information on their whereabouts. The show always alluded to real operations — Cast Lead, Brother’s Keeper — in dialogue. But because it can’t merely mention an attack as raw and monumental as Oct. 7, and because it has no desire to question the response to it, it chooses to recreate its savagery.

Episodes 7 and 8, flashbacks to that day, are front-loaded with a trigger warning and a disclaimer that you can skip them and still be able to follow the main plot.

It’s hard for me to recommend those episodes. If not exactly atrocity porn, their central, race-against-time set piece is too anchored in recent events and constructed too much like an action movie. It feels in a sense exploitative, even if intended as a tribute. (To give them credit, both Lior Raz and his co-creator Avi Issacharoff, who said they “wrote from their trauma,” were on the ground helping the south of the country evacuate in the aftermath.)

The new season starts with the promise of complexity. It opens on a grieving Muslim father and shifts to a milksop accountant who worked for Hamas, seemingly tortured by Eli in a blind rage for a crime he didn’t commit. Could an excessive devotion to Tha’r, a tribal code of retribution, be the diagnosis of the show’s creators of Israeli society at this moment?

If it is, it’s not a critical one. The villains are the villains, and, most revealingly, they now number people with no connection to the conflict.

Hakim Djaziri as Saeed Al-Khatib, whose recruits include many white Europeans. Photo by Netflix © 2026

Hatib’s enlistment of white Europeans for a mass-casualty terror attack services a trite narrative of postcolonial guilt finding an outlet in the pro-Palestinian cause. It works on another level too: This fighting force is squaring off against Doron’s corps of Mizrahi Jews, whose mere presence dismantles the lie that Israelis are themselves all white colonizers, and that Israel and the European empire of yore are in any way analogous.

When, back at mission control, the counterterrorists speak of “suspicious-looking Europeans” who are “in their 30s,” the derision for this type of fellow traveller is palpable. Their standard bearer, Mélanie Laurent, formerly Tarantino’s “face of Jewish vengeance,” plays Anne, a blonde, “high middle-class Catholic French woman” who straps up with C-4, a keffiyeh ever-draped around her neck. Through her, and in a quite literal way, the show suggests the Western love affair with Palestinians — which in this season’s logic means Hamas — is misguided.

All the while, we never see Gaza, where much of Season 3 was set, with some among its population humanized. We never reckon with the destruction there. We hear about it, and a kind of lip service is paid to the crime of collective punishment — the sort that we hear at the end of almost every season — but it’s secondary to storytelling as elegy and justification. One could just have easily placed the Hebrew word Zachor before that first cold open: Remember what they did to us.

At one point, after a shootout with more blood spatter than I ever recall seeing on the show, Doron empties his clip into an enemy with the words “this is for October 7.” Seconds later, in a Shin Bet command room his handler Gabi (Itzik Cohen, whose between-seasons weight gain is a running joke) quips, a la Danny Glover in Lethal Weapon, “I’m too old for this.”

He’s not the only one.

In the past week I’ve chatted with some folks older than me — they don’t know each other and are largely to my right on Israel — who don’t relish the thought of another season. Not just because they don’t want to watch Oct. 7 reenacted, but because following the exploits of Israeli security agents has vastly different optics after the Hamas-Israel war, unprecedented settler violence and National Security Minister Itamar Ben-Gvir’s recently-stated ideal scenario of killing “30 or 40” Palestinians in Gaza each night.

This may well be the privilege of the diaspora, but the fatigue points to a shift in attitude that’s worth paying attention to. If these horrors are out of sight, out of mind this season, they’re top of mind to many who are watching — and many others who might have once tuned in.

The post In new ‘Fauda’ season, the aftershocks of Oct. 7, without a thought for Gaza appeared first on The Forward.

Continue Reading

Uncategorized

Armed attacker arrested after lunging at Ohio Jewish gubernatorial candidate Amy Acton

(JTA) — Ohio gubernatorial candidate Amy Acton, a Jewish Democrat, was unharmed following an attack by an armed individual at the sprawling Canfield Fair on Sunday.

Police arrested 38-year-old Patrick Havas, who had pushed his way through a crowd in a Democratic Party fairgrounds tent where she was speaking, the Mahoning County Sheriff’s Office announced on Sunday evening.

“While attending the Canfield Fair, an armed individual lunged at Dr. Acton, injuring multiple people,” Addie Bullock, communications director for the Acton campaign, said in a statement.

“This kind of violence has no place in Ohio,” Bullock added. “Dr. Acton will always stand up to the chaos, hate and vitriol that pits us against one another.”

Acton, who would be Ohio’s first Jewish governor if elected, is a former director of the Ohio Department of Health and completed residencies in both pediatrics and preventative medicine.

Republican Vivek Ramaswamy, Acton’s opponent in the upcoming election,  released a statement condemning the attack on Sunday. His communications director, Connie Luck, stressed that “candidates should be able to meet with voters without having to worry about threats or violence.”

“What happened today is completely unacceptable and has no place in politics, and we hope that no one was hurt,” she added.

Havas had at first entered the fairgrounds tent and began recording Acton’s speech on his cell phone, but when he began pushing, Ohio State Highway Patrol troopers confronted him, according to the sheriff’s office. During the confrontation, two people were knocked to the ground and Havas was taken into custody by Canfield Fair police.

Following Havas’s arrest, police said they found two handguns and a set of brass knuckles in his possession, although no weapons were ever brandished or removed from their holsters.

Detectives on Sunday night added that they’d be continuing the investigation and would be filing charges after consulting with the Mahoning County Prosecutor.

The Canfield Fair, established in 1846, describes itself as the third-largest county fair nationwide. The fairgrounds, located about 75 miles southeast of Cleveland, sits on 353 acres of land and houses more than 60 buildings.

This article originally appeared on JTA.org.

The post Armed attacker arrested after lunging at Ohio Jewish gubernatorial candidate Amy Acton appeared first on The Forward.

Continue Reading

Copyright © 2017 - 2023 Jewish Post & News