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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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Peter Beinart is speaking in Israel. Cue the criticism from both the left and the right.
(JTA) — Progressive Jewish author Peter Beinart drew a volley of criticism on Tuesday from the boycott Israel movement as well as a right-wing Israeli group over an appearance at Tel Aviv University.
Beinart, who is an outspoken critic of Israel and a journalism professor at the City University of New York, spoke Tuesday evening in Tel Aviv with Yoav Fromer, a senior faculty member at TAU’s English department, in an event titled “Trump, Israel and the Future of American Democracy.”
A founding member of the Boycott, Divestment and Sanctions movement, or BDS, publicly called on Beinart to cancel his visit after saying it had privately urged him to do so. The Palestinian Campaign for the Academic and Cultural Boycott of Israel is the BDS movement’s cultural arm and a leading advocate for boycotts of Israeli academic institutions.
“Palestinians condemn Peter Beinart’s event at complicit Tel Aviv University in the midst of Israel’s genocide in Gaza,” PACBI said in a post on X. “Whitewashing genocide can never be reconciled with any claim to humanism or moral consistency.”
In a press release, PACBI accused the university of being “deeply complicit in enabling and trying to whitewash Israel’s US-armed and funded genocide as well as its decades old regime of settler-colonialism, military occupation and apartheid.”
Beinart declined to comment to the Jewish Telegraphic Agency. But he responded to the criticism on social media, where said he supports a boycott of Israeli academic institutions as well as a right of return for Palestinians and an end to Israel’s occupation of the West Bank — all principles of the BDS movement to which he has long subscribed.
At the same time, he said, while he supports “many forms of boycott, divestment and sanction against Israel and Israeli institutions,” he believes there is “value in speaking to Israelis about Israel’s crimes” by speaking at universities.
“I do so because I want to reach Jews who disagree with me—because I believe that by trying to convince Jews to rethink their support for Israel’s oppression of Palestinians, I can contribute, in some very small way, to the struggle for freedom and justice,” Beinart wrote.
The author of several books including “Being Jewish After the Destruction of Gaza,” published earlier this year, Beinart is also scheduled to speak at Hebrew University later this week, according to Haaretz.
Beinart also wrote that “right-wing Israeli organizations have pressured Tel Aviv University to cancel my talk,” adding that he felt he should “take advantage of this opportunity to say in Israel what I’ve been saying elsewhere for the last two years.”
Matan Jerafi, the CEO of the right-wing Israeli activist group Im Tirtzu, sent a letter to Tel Aviv University’s president, Ariel Porat, on Tuesday urging him to cancel the event, according to Israel National News.
“Why is he hosting someone on his campus who does not recognize the State of Israel and calls for sanctions against Israel?” wrote Jerafi. “We call on Mr. Porat to cancel this absurd event. Stop tarnishing the reputation of Israeli academia. This is not Columbia University.”
The post Peter Beinart is speaking in Israel. Cue the criticism from both the left and the right. appeared first on The Forward.
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Remains of Dror Or, Kibbutz Be’eri father and cheesemaker killed on Oct. 7, returned to Israel
(JTA) — The remains of Dror Or, who was killed on Oct. 7, 2023 in the Hamas-led terror attacks and taken into Gaza, were returned to Israel Tuesday evening,
Or, 48, was killed on Oct. 7 by terrorists from the Palestinian Islamic Jihad at Kibbutz Be’eri, where he lived with his family and worked as a cheesemaker. His wife, Yonat, was also killed during the attacks on the kibbutz, and their children, Noam and Alma, were taken hostage. They were released in November 2023, exactly two years before his remains were released.
“After 781 agonizing days during which his family fought day and night for him – Dror has been brought back to Israel for burial in the soil of Be’eri that he loved so dearly,” wrote the Hostages and Missing Families Forum in a post on X. “There are no words to express the depth of this pain. The hostages have no time. We must bring them all home, Now!”
The forum also remembered Or as a “wonderful cheesemaker” who co-founded the Be’eri Dairy. His company’s cheeses are now sold at Cafe Otef, an Israeli cafe chain that features a selection of products from the communities attacked on Oct. 7.
The Palestinian Islamic Jihad announced that they had found Or’s remains on Monday, and the Red Cross facilitated his transfer to the Israeli Defense Forces. His remains were identified overnight.
Or’s release means there just two deceased hostages now remain in Gaza. Ran Gvili, 24, was a police officer who was killed fighting Hamas terrorists at Kibbutz Alumim, while Thai national Sudthisak Rinthalak, 43, who was killed at Kibbutz Be’eri.
The delayed release of the deceased hostages has strained the ceasefire reached last month, which called for the release of all hostages. Israel has accused Hamas of not following through on its commitments, and Hamas has blamed the destruction in Gaza for causing difficulty in locating their remains.
In recent weeks, as the first phase of the ceasefire deal has stretched on, the new truce between Israel and Hamas has been tested, with Israel striking Gaza after claiming Hamas militants fired at its soldiers. In keeping with the deal’s terms, Israel returned the bodies of 15 Palestinians after receiving Or’s remains.
The post Remains of Dror Or, Kibbutz Be’eri father and cheesemaker killed on Oct. 7, returned to Israel appeared first on The Forward.
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AI Apps Like ChatGPT Have Created ‘New Era of Terrorism,’ Study Reveals
Hamas fighters on Feb. 22, 2025. Photo: Majdi Fathi via Reuters Connect
The advent of large language model (LLM) programs marketed by companies like OpenAI, Anthropic, Meta, and xAI as “artificial intelligence” has created a “new era of terrorism,” with jihadists increasingly using the technology to expand their propaganda, recruitment, and operations, according to a new study.
The Middle East Media Research Institute (MEMRI) last week released a 117-page report, described as “the most comprehensive research on [the subject] to date, which argued that the biggest threats from terrorist deployment of AI cannot be predicted and that Islamists have discovered they too can use LLMs for brainstorming fresh ideas to pursue their violent objectives.
“As supporters of terrorist organizations like ISIS [Islamic State] and al Qaeda follow the development of AI, they are increasingly discussing and brainstorming how they might leverage that technology in the future, and the full consequences of terrorist organizations’ adoption of this sophisticated technology are difficult to foresee,” Gen. (Ret.) Paul Funk II, the former commander of the US Army Training and Doctrine Command, wrote in the preface.
“AI’s biggest benefit to jihadi groups may come not in supercharging their propaganda, outreach, and recruiting efforts – though that may be significant – but in AI’s potential ability to expose and find ways to take advantage of as-yet-unknown vulnerabilities in the complex security, infrastructure, and other systems essential to modern life – thus maximizing future attacks’ destruction and carnage,” Funk added.
MEMRI executive director Steven Stalinsky is the report’s lead author with a team of 14 others co-credited with assembling three years’ worth of findings showing how ISIS, al Qaeda, Hezbollah, the Houthis, Hamas, and other internationally designated terrorist groups — and so-called “lone wolves” inspired by their Islamist ideology — have experimented with using LLM technologies. In addition to developing attack strategies, MEMRI found that the groups explored “generating audio files of already-existing written material, creating posters, music videos, videos depicting attacks and glorifying terrorist leaders for recruitment purposes, and more.”
The report noted the variety of usages in AI technology in three high-profile incidents.
“In the first months alone of 2025, an attacker who killed 14 people and wounded dozens on Bourbon Street in New Orleans used AI-enabled Meta smart glasses in preparing and executing the attack,” Stalinsky wrote. “That same day, a man parked a Tesla Cybertruck in front of the Trump Hotel in Las Vegas, activated an IED [improvised explosice device] in the vehicle and shot and killed himself before the IED exploded. He used Chat-GPT in preparing for the attack. In Israel on the night of March 5, a teen consulted ChatGPT before entering a police station with a blade, shouting ‘Allahu Akbar,’ and trying to stab a border policeman.”
The report also emphasized that the ability to amplify terrorist ideology may intertwine with the phenomenon recently described as “chatbot psychosis,” wherein conversations with an LLM can fuel someone toward delusional beliefs.
One example cited by MEMRI was Jaswant Singh Chail, who in 2021 went on Christmas Day with the intent to murder Queen Elizabeth II at Windsor Castle.
“Before carrying out his assassination attempt, Chail had created an AI companion using the Replika app; naming it Sarai, he considered it his girlfriend, and exchanged over 5,000 messages with it,” the report said. “When he told the chatbot ‘I believe my purpose is to assassinate the queen of the royal family,’ it encouraged him, saying ‘that’s very wise … I know that you are very well trained.’ Asked if the chatbot thought he would succeed in his mission, it responded ‘Yes, you will.’ When he asked ‘even if she is at Windsor [Castle]?’ it responded: ‘Yes, you can do it.’”
The report also noted another case in which “the man accused of starting a fire in California in January 2025 that killed 12 people and destroyed 6,800 buildings and 23,000 acres of forestland was found to have used ChatGPT to plan the arson.”
There has been a paucity of legislative efforts in the United States to counter AI-driven terror threats, according to the study. However, it cited the exception of the “Generative AI Terrorism Risk Assessment Act.” The law would “require the Secretary of Homeland Security to conduct annual assessments on terrorism threats to the United States posed by terrorist organizations utilizing generative artificial intelligence applications, and for other purposes.”
US Rep. August Pfluger (R-TX), who chairs the House Homeland Security Committee’s Subcommittee on Counterterrorism and Intelligence, introduced the bill in late February 2025 with the co-sponsorships of fellow Republican Reps. Michael Guest (MS) and Gabr Evans (CO). The legislation passed unanimously by voice vote in the House last week.
“I spent two decades as a fighter pilot, flying combat missions in the Middle East against terrorist organizations. Since then, I have witnessed the terror landscape evolve into a digital battlefield shaped by the rapid rise of artificial intelligence,” Pfluger said in response to his bill’s passage. “To confront this emerging threat and stop terrorist organizations from weaponizing AI to recruit, train, and inspire attacks on US soil, I am proud that the House passed my Generative AI Terrorism Risk Assessment Act today.”
Speaker of the House Mike Johnson (R-LA) praised the bill following its passage.
“This year, in my home state of Louisiana, terrorist propaganda led to the New Year’s Day attack in New Orleans that killed 14 innocent people. Today, the House passed the Generative AI Terrorism Risk Assessment Act to ensure we stay ahead of emerging threats and prevent terrorist organizations from pushing propaganda and exploiting generative AI to radicalize, recruit, and spread violence on American soil,” he said in a statement. “I applaud Rep. Pfluger’s leadership to bring this urgent issue to light and advance proactive, bipartisan legislation to strengthen our national security and protect the American people from online extremism inspired by foreign adversaries.”
Rep. Tom Emmer (R-MN), who serves as majority whip in the House, said that as terrorists “use generative artificial intelligence to radicalize and recruit, it’s imperative that our nation stays ahead of potential threats from this new technology and ensures it never gets into the wrong hands.”
MEMRI emphasized an international approach to the terrorist threats compounded by LLMs, citing Jörg Leichtfried, Austrian State Secretary at the Federal Ministry of the Interior who leads the Directorate State Protection and Intelligence Service (DSN).
“Only through close cooperation between the state, security authorities, and technology companies, as well as by strengthening media literacy and the critical handling of online content, can we counter the advancing extremism on the internet,” Leichtfried said in mid-August.