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A Rube Goldberg machine comes to life — literally — in a new dance piece
(New York Jewish Week) — Are we humans all parts of a meticulously crafted machine? Or are we independent beings, chaotically disrupting one another’s trajectories through time and space? Is there a difference between intentional and unintentional impact? Does it matter whether our movements are prompted by internal or external forces?
These are just some of the questions that surfaced as I watched footage of “Rube G. — the Consequence of Action,” a new work by acclaimed New York-based choreographer and dancer Jody Oberfelder. The piece — at once whimsical and thoughtful — explores the mechanical motions inherent in a classic “Rube Goldberg machine” (a chain-reaction contraption that typically involves levers swinging, cogs twirling, bits and bobs knocking each other on predetermined courses) as expressed through the human form.
Over four years in the making, the piece will make its debut March 4 at the Agnes Varis Performing Arts Center in Lower Manhattan. It will be performed for three consecutive weekends, culminating in a gala event on March 19.
The genesis of this 50-minute piece began four years ago, when musician Frank London of The Klezmatics was organizing an event celebrating 15 Jewish thinkers and creators — from philosopher Hannah Arendt to composer Morton Feldman — at the New York Public Library. Oberfelder, a director, choreographer and filmmaker dedicated to site-specific works that “expand how one experiences dance,” was invited to create a piece inspired by the work of Rube Goldberg (1883-1970), the Jewish cartoonist who drew his eponymous machines starting with Collier’s Weekly magazine in 1929. According to the Rube Goldberg Institute for Innovation and Creativity, these machines “solve simple problems in the most ridiculously inefficient way possible.” A classic example is the “Self Operating Napkin,” which wipes an eater’s face by using a combination of strings, counterweights and even a scythe.
Oberfelder was intrigued and, initially, a bit surprised by the assignment. “[Frank] said, ‘God, you’re Rube Goldberg! This is perfect for you!’ But it wasn’t until I started going deeply into research that I realized [he was right],” Oberfelder told the New York Jewish Week.
Oberfeld has had a long and illustrious career: She’s danced with and for the likes of composer Meredith Monk and choreographer Sally Silvers, and has traveled the world as a performer, guest choreographer and lecturer, from the University of Hawaii to London’s Victoria and Albert Museum. Still, this new prompt captivated her. “I realized we’ve been living the Rube Goldberg life all along,” she said, referencing the ways in which people are all tied together, an intricate array of human cogs. Soon, she was hooked on the ideas behind Goldberg’s fanciful genius.
An iconic Rube Goldberg cartoon, the “Self Operating Napkin,” was featured on a U.S. postal stamp honoring the cartoonist. (Rube Goldberg Inc.)
The resulting piece for the NYPL event was, according to Oberfelder, “a four-minute blast” that explores this idea. “We were running through the audience,” she told me, remembering that first dive into the world of order and chaos that is Goldberg’s philosophy. “[It seems like] a whole lot of something for nothing. But it is something — the joy of the moment to moment, while a marble is rolling down a slide, knowing that it [was there] and it worked.”
After that initial performance, Oberfelder wanted to explore more but, of course, the pandemic soon swept away any performance plans. Inventive as ever, she took the ideas she’d workshopped for London and created a second iteration: a film that combined over 300 clips of dancers responding to prompts like “spin” and “pop up.” Dancers and laypeople the world over, despite the social isolation, came together into a global Rube Goldberg machine.
Eventually, as COVID-19 restrictions lifted and the world began to open up, she took her new understanding of the themes and translated the film into a site-specific work that showed at Roulette, a Brooklyn theater, in 2021. That work was really the proto version of this newest take. It had the playfulness, the fun, the tumbling, the twirling. It wasn’t quite there, though. Not yet.
The piece explores big questions, including, as Oberfeld said: “What would a Rube Goldberg machine look like if it was performed by humans?” (Courtesy)
With “Rube G. — the Consequence of Action,” Oberfelder digs even deeper into her big idea — that everything we do is both influenced by others and influences others in both predictable and unforeseeable ways. To her, this idea has a philosophical connection to Judaism: “Everything here on earth happens and [it’s our lot] to live it to the fullest,” she said, adding that “the way in which we help each other along” is part of a Jewish ethos.
In the current iteration, four performers (including, briefly, Oberfelder herself) move in the space with a curious mix of clumsy and graceful motions. They are the machine — pushing, pulling, whirling in tandem — but their gestures seem, at times, independently determined. Are we all simply reacting to the actions of our peers? I wondered, as I watched one dancer dribble another one across the space like a basketball. Or do we have a choice in the matter?
While the dancers on stage explore the relationship one human has with another, a wild card, in the form of improvised audience participation, is added to the mix. Viewers who attend a performance of “Rube G. — the Consequence of Action,” may, at times, be called to interact with and define the direction of the piece. This element of the unknown will be folded into a meticulously planned piece which, like a Goldberg Machine, has a zillion moving parts that all seem random but somehow fall perfectly into place.
“During COVID, I got to a point where I was really analyzing the nature of performance and what I missed about it,” Oberfelder said. “What I felt was lacking was the effervescence of people coming together with different ideas to present something new…. I’ve tried to create an environment where we’re all here.” To Oberfelder, “all of us” includes the audience — and maybe people everywhere, too.
“It’s sort of like singing in the shower,” she added. “It’s nice, and it’s a great release. But actually, I would like these vibrations to go past my bathroom walls.” To that end, she’s brought her work to a simple space (“it’s just a big white box studio with very simple lighting”) and is welcoming audience members into the dance. As a result, each performance will be one-of-a-kind.
“What would a Rube Goldberg machine look like if it was performed by humans?” Oberfelder wondered aloud when we spoke, mulling over the various possible iterations. Now is our chance to find out.
“Rube G. — the Consequence of Action,” will be performed at The Agnes Varis Performing Arts Center, inside the Gibney Dance Center, at 280 Broadway on March 4-5, March 11-12 and March 18 at 7:30 p.m. A gala performance will be held on March 19 at 6:30 p.m. and will include post-performance food, drinks and a live auction. For tickets (from $15) and info, click here.
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The post A Rube Goldberg machine comes to life — literally — in a new dance piece appeared first on Jewish Telegraphic Agency.
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Al Jazeera Forum Platforms Terrorist Leaders and Their Sympathizers
The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon
At the 17th annual Al Jazeera Forum in Doha, Qatar, familiar faces took the stage to discuss the aftermath of October 7 and its broader regional and global implications. These figures are familiar not for their credibility, but because the lineup included terrorist leaders and their sympathizers.
Upon entrance to the forum, an “in memoriam” lined the halls filled with faces of Al Jazeera journalists who died during the Israel-Hamas war.
Eitan Fischberger, who first exposed the terror-filled line up of speakers at the conference, found that five of these so-called journalists are also familiar faces. These “journalists” didn’t become well-known for trustworthy and accurate reporting, but rather because all five of them had well-established ties with terrorist organizations such as Hamas in the Gaza Strip.
Five. The answer is five Al Jazeera terrorists
https://t.co/2MjtM3MW9V pic.twitter.com/PQzULPF5zF
— Eitan Fischberger (@EFischberger) February 6, 2026
Hamas terrorist leader Khaled Meshaal and Iranian Foreign Minister Abbas Araghchi were two of the biggest attractions at the event. UN Special Rapporteur Francesca Albanese, sanctioned by the US for her pro-terror rhetoric, also took part in a session via video call.
Despite the mass slaughter of Iranian civilians, the focus of every speaker at the conference was laser-focused on Israel. This was not accidental. After all, Abbas Araghchi, who, given his position in the Iranian regime, has stood by as thousands of Iranian citizens were murdered, was given a spotlight.
From that platform, Araghchi blamed Israel for regional instability, saying that “Israel’s expansionist project requires that neighboring countries be weakened” and amounts to the “enforcement of permanent inequality.”
For this, he called for Israel to be “punished.” The irony would be laughable if it weren’t so grotesque. A senior official of a regime that jails dissidents, executes protesters, and bankrolls terrorist proxies across the region stood before an audience and positioned himself as a moral authority on justice and stability.
Iran’s FM Abbas Araghchi slammed the double standard allowing Israel to expand its military while others in the region are asked to reduce their defensive capabilities.
Araghchi spoke at the Al Jazeera Forum in Doha, an event focusing on geopolitical shifts in the Middle East. pic.twitter.com/sRQ8khI5D4
— Al Jazeera English (@AJEnglish) February 7, 2026
Predictably, in Hamas terrorist leader Khaled Meshaal’s session, he similarly dodged any blame for the ensuing war. What he did was suggest that “the flood” — the operation name chosen for the October 7 massacre — successfully brought the Palestinian cause back to global consciousness. He specifically praised the outrage seen on university campuses and across social media, treating international unrest as a strategic victory.
Naturally, as a terrorist leader, Meshaal deflected the requirement for Hamas to disarm, saying “criminalizing the resistance” is not something it can accept. As long as Israel exists, Hamas will not disarm.
It is the most recent example of Hamas leaders being explicit in their absolute unwillingness to adhere to the ceasefire agreement to which they signed.
Beyond actual terrorists, terrorist sympathizer Francesca Albanese was invited to speak, joining a session abroad via video. Unsurprisingly, her words echoed those of the terrorist leaders listed above, as she spoke of Israel as the “common enemy” of the world.
It is dangerous enough that a UN Rapporteur shared a platform at the same conference as terrorists. That her language is barely distinguishable from that of designated terrorists should probably come as little surprise given Albanese’s previous actions.
Humanity has a “common enemy” in Israel, Francesca Albanese tells Qatar’s Al Jazeera forum pic.twitter.com/l1wXNiS7yP
— Hillel Neuer (@HillelNeuer) February 8, 2026
Mustafa Barghouti, who has similarly expressed support for Palestinian terrorism in the past, discussed how the Palestinian will could not be broken, and how the fact that people stayed in Gaza throughout the war displayed the “failure of Israel” despite the “genocide.” In reality, this only goes to show that Palestinian civilians were never the target of Israel, which fought tirelessly to root out Hamas and other terrorists, while doing its utmost to avoid harming civilians.
Mustafa Barghouti, secretary-general of the Palestinian National Initiative, said that the steadfastness of Palestinians in Gaza despite genocide, shows ‘the failure of Israel’.
Barghouti is at the Al Jazeera Forum, an event focusing on geopolitical shifts in the Middle East. pic.twitter.com/X9Fjex3kWc
— Al Jazeera English (@AJEnglish) February 7, 2026
Al Jazeera’s support for terrorism is not new. What makes this moment particularly alarming is the scale of its influence on the world, and how it brings terrorists and their sympathizers onto a stage in light of global events. This was not a conference about the future of the Middle East. It was an echo chamber where terrorism got the platform.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Erdogan’s Atomic Ambition: Why Turkey Is the Middle East’s Next Proliferation Crisis
Riot police walk outside the Istanbul provincial office of the main opposition Republican People’s Party (CHP), as CHP supporters gather near the office, after a recent court ruling that ousted the CHP’s Istanbul provincial leadership, in Istanbul, Turkey, Sept. 8, 2025. Photo: REUTERS/Dilara Acikgoz
As the global community remains transfixed by the diplomatic theater in Oman, a more ominous atomic shadow is lengthening across the Eastern Mediterranean.
While Western envoys chase a “nuclear framework” with a defiant Iran, Recep Tayyip Erdogan is quietly executing a multi-decade roadmap to transform Turkey into the region’s next nuclear-threshold state.
We are witnessing the birth of a sophisticated, NATO-embedded “Iran 2.0” — yet the international community continues to treat Ankara as a standard ally rather than the primary proliferation risk it has become.
Unit 1 of the Akkuyu Nuclear Power Plant stands at 99 percent completion. While marketed as a civilian energy panacea, Akkuyu represents a strategic Trojan Horse of unprecedented proportions. It is the world’s first “Build-Own-Operate” nuclear project, entirely financed and controlled by Russia’s Rosatom. This arrangement has not only granted the Kremlin a permanent nuclear anchor on NATO’s southern flank, but has also provided the Turkish state with the technical laboratory necessary to master the full nuclear fuel cycle under the guise of commercial cooperation.
The most alarming development in Turkey’s nuclear trajectory is not found in its power reactors, but in its naval shipyards. By officially prioritizing the “NUKDEN” initiative — Turkey’s nuclear-powered submarine program — Erdogan has discovered the ultimate legal loophole for domestic uranium enrichment. Under the Nuclear Non-Proliferation Treaty, “peaceful” enrichment remains a contentious grey area, but the production of highly enriched uranium for naval propulsion is a recognized military necessity that bypasses many traditional civilian safeguards.
By pursuing a nuclear navy, Ankara is signaling its intent to stockpile the very fissile material required for a warhead, all while maintaining a veneer of maritime sovereignty. This is a tactical evolution of the “Iran Model.” Where Tehran chose a path of open defiance, Ankara is choosing a path of “Legalist Proliferation,” using its status as a naval power to justify a fuel cycle that would otherwise trigger immediate international sanctions.
This “Stealth Proliferation” is backed by a massive, nine-billion-dollar cash injection from Moscow, ensuring that the infrastructure for this “naval requirement” is built with the highest Russian expertise.
A nuclear reactor is merely a forge; its true threat is realized only when paired with a delivery system. In June 2025, Erdogan issued a decree to massively expand Turkey’s production of medium- and long-range missiles. This was not a random military upgrade. When paired with the 2026 commissioning of Akkuyu, the picture becomes clear: Turkey is building the two halves of a nuclear deterrent in parallel.
The “Araghchi Doctrine” currently being debated in Doha — Iran’s refusal to negotiate on its own missile program — finds a mirror image in Ankara’s “National Missile Program.” Erdogan has been vocal in his disdain for the “nuclear OPEC,” arguing that it is unfair for some nations to possess nuclear-tipped missiles while others are barred from the club. By developing indigenous missile technology capable of reaching any capital in the Middle East or Europe, Turkey is ensuring that once its “breakout” occurs, the delivery mechanism will already be in place, tested, and ready.
For too long, Turkey has been granted what can only be described as a “NATO Pass.” Washington has consistently hesitated to enforce the Countering America’s Adversaries Through Sanctions Act with the necessary vigor, fearing the loss of the Incirlik airbase or a total rupture in the alliance. This hesitation has been read in Ankara as a green light. Erdogan views the international order not as a set of rules to follow, but as a set of constraints to be dismantled.
The strategic reality is that Turkey is no longer content to sit under the American nuclear umbrella. It seeks to build its own, potentially in a trilateral partnership with Saudi Arabia and Pakistan. This “Islamic Nuclear Axis” would combine Turkish high-tech delivery systems, Saudi capital, and Pakistani technical blueprints to create a new center of gravity that is entirely independent of Western control.
Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx
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Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit
(JTA) — Iran has erected a map showing Israeli targets for potential strikes in a prominent propaganda spot as another week dawns with uncertainty over whether it will face a U.S. attack.
The map went up over the weekend in Tehran’s Palestine Square, a frequent site for billboards meant to broadcast the Islamic Republic’s bravado when it comes to Israel and the United States. It includes the words “You start, we finish!”
It comes as President Donald Trump continues to weigh military intervention against Iran and as Israeli Prime Minister Benjamin Netanyahu plans to visit the White House to press for his demands in Trump’s negotiations with Iran.
“Prime Minister Benjamin Netanyahu is expected to meet with US President Donald Trump this Wednesday in Washington, and will discuss with him the negotiations with Iran,” Netanyahu’s office said in a statement on Saturday. “The Prime Minister believes any negotiations must include limitations on ballistic missiles and a halting of the support for the Iranian axis.”
A will-he-or-won’t-he air has pervaded for weeks as Trump has considered different strategies for dealing with Iran, which has said it would view both U.S. and Israeli targets as legitimate if the United States strikes to curb its nuclear ambitions, less than a year after the last U.S. attack on Iranian sites, which came during a war between Iran and Israel.
On Friday, Jared Kushner, Trump’s son-in-law and Middle East advisor, and Steve Witkoff, his Middle East envoy, met directly with Iran’s foreign minister in Oman. The foreign minister, Abbas Araqchi, said the talks had gotten off to a “good start” but that Iran was willing to negotiate only about the nuclear program, not the missiles that concern Israel.
Trump, too, told reporters that there had been “very good talks” that indicated that Iran was prepared to make more concessions than it had offered in the past. Still, he said, “They know that if they don’t make a deal the consequences are very steep.”
The next day, Kushner and Witkoff also visited a U.S. naval carrier that has been moved to the region as part of what Trump has called an “armada” that would enable U.S. military action in the event that Trump decides it is needed. Netanyahu has moved up his planned White House visit — which will be his fourth since Trump retook office last year — to advocate for Israel’s interests in the negotiations. It was at a previous visit, last April, that Trump disclosed for the first time that the United States had opened direct talks with Iran. Just over two months later, Trump joined Israel’s campaign against Iran with a bombing attack that came a day after he said he had not decided whether to strike.
The post Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit appeared first on The Forward.