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Actor Danny Burstein dishes on his latest Jewish role on Broadway

(New York Jewish Week) – In “Pictures from Home,” a new Broadway play, a photographer takes on a nearly 10-year project to chronicle the lives of his aging parents. As the son snaps pictures and interrogates his parents in their Southern California home, the three offer very different versions of their shared past and spar about the very meaning of “truth.”

“Loads of emotions came up during the show,” said Broadway veteran Danny Burstein, who plays the son, Larry. “Larry’s desire and passion to know more and to not just look at others critically but himself critically as well is inspiring to me. It’s a beautiful story.” 

Written by Sharr White and directed by Bartlett Sherr, the play is based on the 1992 photo-memoir by Larry Sultan, an acclaimed photographer who died in 2009. Nathan Lane plays the father, Irving, a Brooklyn-born Jew who struggled as a salesman but eventually became a vice president at Schick, the razor company. Acclaimed British actress Zoë Wanamaker plays the mom, a real estate agent who sometimes feels underappreciated as a breadwinner following Irving’s early (or was it forced?) retirement. Irving, raised in part in a Jewish orphanage, bitterly recalls the antisemitism he faced – and swallowed – on his way up the shaky ladder of success. 

And father and son clash not only over the project, but Larry’s career. Irv can’t quite understand how his son actually makes a living as a photographer and asks: “Where’s the rigor?”

Throughout the play, real recordings, home videos and the blown-up photos of his parents that appeared in Sultan’s photo-memoir are projected on the set behind the actors.

Burstein, 58, was nominated for a Tony Award for his portrayal of Tevye in the most recent Broadway production of “Fiddler on the Roof.”  A week after the opening of “Pictures,” he spoke to the New York Jewish Week about the Jewishness of the show and how it has impacted him so far. 

This interview has been lightly edited for length and clarity. 

Danny Burstein, who plays photographer Larry Sultan, won the 2020 Tony Award for Best Featured Actor in a Musical for his role at Harold Zilder in “Moulin Rouge!” (Courtesy)

New York Jewish Week: The concept of the show is a bit challenging to describe — it’s a play based on a memoir based on a series of photographs. How would you describe what the play is about?

Danny Burstein: It’s based on the beautiful book by the same title, which has incredible pictures in it but also contains the memoir of his time with his parents. It’s all a bit convoluted, but it comes together in a beautiful way. A play has not been told in this particular way before and it is quite unique. So it’s different, and you have to let people know that it is different from anything they’ve ever seen before, as far as the storytelling goes. It is a story of family and it’s also the story of the creation of art — sometimes it’s quiet, sometimes it’s passionate and volatile. Sometimes it’s extremely funny. It’s all those things when you’re making a piece of art.

You “feel all the feels” in other words. That’s the beautiful thing about the play. Larry winds up discovering things about himself and about his history and his parents.

Were you familiar with Larry’s work before the show or did playing him bring you closer to who he was?

I was not familiar with his work at all before the play, but at the same time now I feel very, very connected to the work and to who he was. One of the things that I’m very grateful for is that Larry’s [widow], Kelly, provided us with some of the actual tapes and recordings of conversations with his parents, so I got to listen to them actually talking. It was all of a sudden a very different kind of animal. 

It’s dramatized for our show and there was sometimes volatility, but mostly it was a lot of the two of them just sitting down and loving one another and chatting and reminiscing and hearing their origin stories, like how the family got to California from Brooklyn. It’s really a beautiful story and there’s a lot of love in the family. I also love Larry’s artistic pursuits and his artistic sensibility in finding several different meanings in one picture, maybe hundreds of meanings. He believed each person subjectively finds their own meaning in a piece of art and I love that about him.

Nathan Lane (Irving Sultan) and Danny Burstein (Larry Sultan) in “Pictures From Home.” (Julieta Cervantes)

How do you think the family’s Jewishness impacted the way they interacted with the world and with each other?

It [their Jewishness] absolutely affects the way they exist in the world. I always think of [Larry’s] artistic journey as being very Talmudic — it seems to me that he’s constantly asking questions and trying to get to the heart of the matter. That’s fundamentally Jewish. That practice of always questioning, and bringing that questioning not just to religion but to everyday life and to art is also fundamentally Jewish. I don’t want to make it sound like only Jews are exceptional intellectually, but that that level of intellectual pursuit is part of the Jewish culture.

So Larry’s Jewishness certainly informed his intellectual and artistic pursuits. How do you think your Jewish background informed the way you approached this character and characters you’ve played in the past? 

I was raised in a certain way: to question things. I can see a lot of my own relationship with my own father in the relationship between Larry and Irv. I’m sure I drove my father crazy. When I told my parents I wanted to be an actor, they were not dismissive of it. They didn’t say, “you’re wasting your life,” but they weren’t exactly supportive, either. They remained very neutral and said: “If this is what you want to do, then you’re going to have to work your ass off in order to make your dream come true.” So it wasn’t so much about the pursuit of financial success, the way Irv says, but it was about them worrying whether I could actually make a living at it and survive. 

I guess it’s the same kind of fear that any parent would have. My younger son is a musician and my older son is a first [assistant director] on films. Those are not exactly the kinds of things you’re going to go into to make a lot of money. They’re pursuits of passion. I guess I felt the same way, I was worried for them. But knowing my own journey and knowing my father’s journey, who wanted to be a writer — he studied with Philip Roth at the University of Iowa — and then decided to leave all that to to pursue a career in ancient Greek philosophy. So I guess he understood, too, the way I did. I guess it all comes full circle. So, I did not run up against the kind of wall that Larry ran up against, where basically Irv would call him a loser, as he does in the show, because he was not more of a financial success.

Pictures from Home is currently playing at Studio 54 (254 W. 54th St.) through April 30, 2023. Tickets and informationh here.


The post Actor Danny Burstein dishes on his latest Jewish role on Broadway appeared first on Jewish Telegraphic Agency.

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Australian authorities confirm that Bondi Beach attackers were affiliated with Islamic State terror group

(JTA) — The father-and-son duo who killed 15 people during an attack on a Hanukkah celebration in Sydney on Sunday were motivated by “Islamic State ideology,” Australian authorities have confirmed.

Australian media had reported on Monday that the country’s intelligence service had previously investigated Naveed Akram, the son, over his ties to members of an Islamic State cell in Sydney.

On Tuesday, officials confirmed the account and revealed that both Naveed Akram and his father Sajid spent most of November in a region of the Philippines where the Islamic State maintains a stronghold. Officials believe the pair received military training there, though they would not say whether the trip had alarmed security officials at the time.

“It would appear that there is evidence that this was inspired by a terrorist organization, by ISIS,” Australian Prime Minister Anthony Albanese said at a press conference on Tuesday. He confirmed that Islamic State flags had been found in Naveed Akram’s car, abandoned at the scene of the shooting.

The revelations complicate the narrative that emerged immediately after the attack connecting it to Australia’s recent pro-Palestinian protest movement, which has at times featured antisemitic displays and attacks on Jewish sites.

But the Islamic State and Hamas, the leading Palestinian liberation organization whose attack on Israel on Oct. 7, 2023, triggered the war in Gaza, have historically been at odds, with the Sunni Islamic State openly viewing Hamas as insufficiently Islamic and an avatar of Iran and Shia Islam.

The Islamic State is a decades-old terrorist group that for a time acted as al-Qaeda’s affiliate and promotes Islamic fundamentalism; its enemy, broadly speaking, is the West and its targets have ranged from Christian churches to concerts to public festivities. Last year, an Islamic State-inspired operative killed 14 people at a New Year’s street party in New Orleans, and the group claimed credit for an attack on a Moscow concert hall that killed more than 140.

Hamas, on the other hand, sought to impose some strictures of Islamic law in Gaza, which it has controlled, but allows a far more permissive religious and cultural environment. Its express goal is the elimination of Israel, and attacks staged by its affiliates abroad, typically supported by Iranian cells, have tended to target Jewish and Israeli sites — as has been the case in Australia, which recently expelled the Iranian ambassador over his country’s alleged ties to a string of attacks on synagogues.

In the immediate aftermath of the Oct. 7 attack, the Israeli government promoted an equivalency between the two groups, citing their similarly brutal tactics. But some experts in terror movements balked at the comparison.

“The Islamic State literally views Hamas as apostates and IS supporters have been pillaging Hamas online since Saturday bc they are tools of Shia Iran and also don’t actually implement sharia [Islamic law] according to IS’s interpretations,” Aaron Zelin, a senior fellow Washington Institute for Near East Policy, tweeted at the time.

But two years of war in Gaza that activated pro-Palestinian sentiment in many places around the world may have shifted the distinctions between the movements, according to terrorism experts, who also say the Islamic State has become more decentralized over time.

Rommel Banlaoi, a political scientist focused on terrorism in the Philippines, told the New York Times this week that a December 2023 attack on a Catholic mass there had marked a turning point for the group.

“Before, the focus was on creating an Islamic state,” Banlaoi said. “Now it has transformed to helping Muslims, Palestinians displaced by the Middle East violence.”

In part, the shift may reflect an opportunistic approach to the masses of people activated online in support of the Palestinian cause. A “Worldwide Threat Assessment” prepared by the U.S. Defense Intelligence Agency in May said the Islamic State and al-Qaeda were showing signs of trying to capitalize on a new audience.

“Both groups continue to reference Israeli operations in Gaza to galvanize their global networks, recruit new members, generate revenue, and enable or inspire attacks against U.S., Israeli, Jewish, and European interests worldwide,” the report said.

An unnamed “senior Arab security official” told the Washington Post in the wake of the Bondi Beach attack that online activism tied to the Islamic State had surged during the war in Gaza. “They are exploiting the emotional outrage of Muslims and use reports of [Muslim] women and children being killed or allegedly starved as tools of recruitment,” the security official said.

Counterterrorism experts also believe that an increased focus on threats related directly to the war in Gaza could have undercut those trying to monitor and stop the Islamic State. Brett Holmgren, then a top counterterrorism official in the Biden administration, for example, said at an event hosted by the Center for Strategic and International Studies last year that the Islamic State was regrouping “as governments shifted attention and resources to the conflict in Gaza.”

The Islamic State has not claimed responsibility for the Bondi Beach attack, which was immediately condemned by the governments of Arab states that are supportive of the Palestinian cause. Authorities have not said whether the attackers left any record of their intentions or motivation beyond the Islamic State flags found in their car.

The post Australian authorities confirm that Bondi Beach attackers were affiliated with Islamic State terror group appeared first on The Forward.

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New footage emerges of Jewish man trying to disarm Bondi Beach shooters before massacre

(JTA) — An elderly Jewish man sought to stop the Bondi Beach Hanukkah attackers and was their first victim, according to dramatic dashcam footage that emerged on Tuesday.

Boris Gurman, 69, came upon the attackers as they exited their car and confronted them, according to the footage, which first appeared on Chinese social media after being posted by a Sydney resident and has been verified by Australian media as well as his family.

The grainy footage shows Gurman appearing to have been able to take hold of one gun before the attacker retrieves another weapon and shoots him. The footage shows Gurman, wearing a purple shirt, being thrown to the ground during the confrontation with the attackers, whom authorities have identified as Sajid and Naveed Akram.

Boris Gurman’s wife Sofia, 61, was also murdered at the outset of the attack, which ultimately killed 15 people who had gathered for a Chabad Hanukkah celebration on the beach.

The couple, immigrants to Australia, had been married for nearly 35 years and had retired from their jobs as a mechanic and postal worker.

“In the moments before their passing, Boris — with Sofia courageously beside him — attempted to intervene to protect others,” said a statement accompanying a crowdfunding campaign to benefit their family, including son Alex. “This act of bravery and selflessness reflects exactly who they were: people who instinctively chose to help, even at great personal risk. While nothing can lessen the pain of this loss, we feel immense pride in their courage and humanity.”

The footage adds new details to what is known about the massacre, which unfolded over more than 10 minutes on Sunday evening, the first night of Hanukkah.

A different man who tried and failed to stop the shooting by tackling and disarming one of the shooters, Ahmed al Ahmed, has been hailed for his heroism and had more than $1.3 million raised on his behalf, including from Jewish donors from around the world.

Meanwhile the daughter of Reuven Morrison, a Jewish man killed in the massacre, said he had been the one caught on camera throwing bricks at the shooter after al Ahmed’s intervention.

“If there was one way for him to go on this earth, it would be fighting a terrorist,” Sheina Gutnick told CBS News about her father. “There was no other way he would be taken from us. He went down fighting, protecting the people he loved most.”

The post New footage emerges of Jewish man trying to disarm Bondi Beach shooters before massacre appeared first on The Forward.

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Why Sydney’s Hanukkah attack was not a surprise to hate researchers

At least 15 people – including a ten-year-old child – are dead after two men opened fire on a crowd of people celebrating the Jewish holiday of Hanukkah on Sunday in a public park at Sydney’s Bondi Beach. Many more are injured.

I am horrified. But as a researcher who studies hate and extremist violence, I am sadly not surprised.

The Jewish community has been a top target for terrorist ideologies and groups for a long time. Many people working in this field have been expecting a serious attack on Australian soil.

Much remains unclear about the Bondi terrorist attacks and it’s too early to speculate about these gunmen specifically. The investigation is ongoing.

But what about antisemitic sentiment more broadly?

Our research – which is in the early stages and yet to be peer reviewed – has recorded a significant and worrying increase in antisemitic sentiment after October 7.

Our research

We have been training AI models to track online sentiment in social media targeting Australian communities, including Jewish people.

That means working with humans – including extremism experts and people in the Jewish community – to label content. This is to teach our model if the content it is encountering is hateful or not.

Based on definitions adopted by the Jewish community, we distinguished between two main types of antisemitism: “old” antisemitism and “new” antisemitism.

“Old” antisemitism targets Jews as Jews. It draws on entrenched myths and stereotypes that portray them as alien, dangerous, or morally corrupt.

“New” antisemitism shifts the focus from individual Jews to the state of Israel. It blames Jews collectively for Israel’s actions.

Many in the Jewish community see this as a modern continuation of historical antisemitism. Critics (both within and outside the Jewish community) contend it risks conflating legitimate opposition to Israeli policies with antisemitism.

Central to this debate is whether anti-Israel sentiment represents a continuation of age-old prejudices or a political response to the Israeli-Palestinian conflict.

In our research, we tracked both “old” and “new” antisemitism.

A sharp increase

We found that both increased sharply after October 7.

For example, we studied posts on X (formerly Twitter) geolocated in Australia before and after October 7. We wanted to understand the size of the rise in antisemitism.

We found that “old” antisemitism rose from an average of 34 tweets a month in the year before October 7 to 2,021 in the following year.

“New” antisemitism increased even more, rising from an average of 505 a month in the year before October 7 to 21,724 in the year after.

Some examples of “old” antisemitism are explicit, such as calls to “get rid of all Jews” or “kill all Jews”.

Others are more indirect, including minimising or denying the Holocaust. Examples include posts claiming that “if the Holocaust of 6 million Jews were true, Israel could not exist today” or that the Nazis had only a minimal impact on the Jewish population.

Other forms of hate rely on conspiracy theories, such as claims that “Jews are paying to destroy Australia”.

However, the vast majority of the content our models identified as antisemitic fell into the category of “new” antisemitism. This included content that blamed the Jewish community for events in Israel, such as calling all Australian Jews “baby killers” or “Zionazi fu–wits”, regardless of their personal political views and opinions about the Israeli government and its actions.

(All examples here are drawn from real content, but the wording has been slightly modified to anonymise them and prevent identification of the original authors).

In other words, we have seen an overall escalation of hostilities against Jews online.

More extreme and explicit calls for violence rarely appear on mainstream platforms. They tend to circulate on fringe social media, such as Telegram.

On X, we have seen a collision of mainstream discourse and fringe discourse, due to the lack of moderation.

But antisemitism doesn’t always involve slurs, meaning it can also happen in mainstream platforms. Especially after the election of Trump and the relaxation in moderation practices of Meta, we have also seen it on Instagram. This includes Instagram posts published after the Bondi attack.

Could more have been done?

Certainly the Jewish community, I am sure, will feel not enough was done.

Jillian Segal, Australia’s first government-appointed special envoy for combating antisemitism, released her plan for addressing the issue back in July.

As I wrote at the time, the recommendations fell into three main categories:

  1. preventing violence and crime, including improved coordination between agencies, and new policies aimed at stopping dangerous individuals from entering Australia
  2. strengthening protections against hate speech, by regulating all forms of hate, including antisemitism, and increasing oversight of platform policies and algorithms
  3. promoting antisemitism-free media, education and cultural spaces, through journalist training, education programs, and conditions on public funding for organisations that promote or fail to address antisemitism.

The government had said it will consider the recommendations. Segal has now said government messaging combating antisemitism has “not been sufficient”.

Some might argue addressing points two and three could have helped prevent the Bondi attack. A common assumption is that a climate of widespread antisemitism can embolden violence.

The reality, however, is that this is hard to establish. People who commit terrorist acts – whether they self radicalize or are recruited by terrorist organizations – do not necessarily respond to changes in broader public sentiment.

That said, there is obvious value in prevention work aimed at reducing hostility and antisemitic attitudes, even while small networks or individuals committed to violent terrorism may still exist.

Preventing terrorist violence of this scale relies primarily on effective law enforcement. This requires adequate resourcing and a clear legislative framework.

Education and broader cultural change matter. In short term, however, they are less likely to be as effective at preventing acts of terrorism as measures such as firearm regulation, monitoring extremist networks, and disrupting plots before they turn into action.The Conversation

This article is republished from The Conversation under a Creative Commons license. Read the original article.

The post Why Sydney’s Hanukkah attack was not a surprise to hate researchers appeared first on The Forward.

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