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Actor Danny Burstein dishes on his latest Jewish role on Broadway
(New York Jewish Week) – In “Pictures from Home,” a new Broadway play, a photographer takes on a nearly 10-year project to chronicle the lives of his aging parents. As the son snaps pictures and interrogates his parents in their Southern California home, the three offer very different versions of their shared past and spar about the very meaning of “truth.”
“Loads of emotions came up during the show,” said Broadway veteran Danny Burstein, who plays the son, Larry. “Larry’s desire and passion to know more and to not just look at others critically but himself critically as well is inspiring to me. It’s a beautiful story.”
Written by Sharr White and directed by Bartlett Sherr, the play is based on the 1992 photo-memoir by Larry Sultan, an acclaimed photographer who died in 2009. Nathan Lane plays the father, Irving, a Brooklyn-born Jew who struggled as a salesman but eventually became a vice president at Schick, the razor company. Acclaimed British actress Zoë Wanamaker plays the mom, a real estate agent who sometimes feels underappreciated as a breadwinner following Irving’s early (or was it forced?) retirement. Irving, raised in part in a Jewish orphanage, bitterly recalls the antisemitism he faced – and swallowed – on his way up the shaky ladder of success.
And father and son clash not only over the project, but Larry’s career. Irv can’t quite understand how his son actually makes a living as a photographer and asks: “Where’s the rigor?”
Throughout the play, real recordings, home videos and the blown-up photos of his parents that appeared in Sultan’s photo-memoir are projected on the set behind the actors.
Burstein, 58, was nominated for a Tony Award for his portrayal of Tevye in the most recent Broadway production of “Fiddler on the Roof.” A week after the opening of “Pictures,” he spoke to the New York Jewish Week about the Jewishness of the show and how it has impacted him so far.
This interview has been lightly edited for length and clarity.
Danny Burstein, who plays photographer Larry Sultan, won the 2020 Tony Award for Best Featured Actor in a Musical for his role at Harold Zilder in “Moulin Rouge!” (Courtesy)
New York Jewish Week: The concept of the show is a bit challenging to describe — it’s a play based on a memoir based on a series of photographs. How would you describe what the play is about?
Danny Burstein: It’s based on the beautiful book by the same title, which has incredible pictures in it but also contains the memoir of his time with his parents. It’s all a bit convoluted, but it comes together in a beautiful way. A play has not been told in this particular way before and it is quite unique. So it’s different, and you have to let people know that it is different from anything they’ve ever seen before, as far as the storytelling goes. It is a story of family and it’s also the story of the creation of art — sometimes it’s quiet, sometimes it’s passionate and volatile. Sometimes it’s extremely funny. It’s all those things when you’re making a piece of art.
You “feel all the feels” in other words. That’s the beautiful thing about the play. Larry winds up discovering things about himself and about his history and his parents.
Were you familiar with Larry’s work before the show or did playing him bring you closer to who he was?
I was not familiar with his work at all before the play, but at the same time now I feel very, very connected to the work and to who he was. One of the things that I’m very grateful for is that Larry’s [widow], Kelly, provided us with some of the actual tapes and recordings of conversations with his parents, so I got to listen to them actually talking. It was all of a sudden a very different kind of animal.
It’s dramatized for our show and there was sometimes volatility, but mostly it was a lot of the two of them just sitting down and loving one another and chatting and reminiscing and hearing their origin stories, like how the family got to California from Brooklyn. It’s really a beautiful story and there’s a lot of love in the family. I also love Larry’s artistic pursuits and his artistic sensibility in finding several different meanings in one picture, maybe hundreds of meanings. He believed each person subjectively finds their own meaning in a piece of art and I love that about him.
Nathan Lane (Irving Sultan) and Danny Burstein (Larry Sultan) in “Pictures From Home.” (Julieta Cervantes)
How do you think the family’s Jewishness impacted the way they interacted with the world and with each other?
It [their Jewishness] absolutely affects the way they exist in the world. I always think of [Larry’s] artistic journey as being very Talmudic — it seems to me that he’s constantly asking questions and trying to get to the heart of the matter. That’s fundamentally Jewish. That practice of always questioning, and bringing that questioning not just to religion but to everyday life and to art is also fundamentally Jewish. I don’t want to make it sound like only Jews are exceptional intellectually, but that that level of intellectual pursuit is part of the Jewish culture.
So Larry’s Jewishness certainly informed his intellectual and artistic pursuits. How do you think your Jewish background informed the way you approached this character and characters you’ve played in the past?
I was raised in a certain way: to question things. I can see a lot of my own relationship with my own father in the relationship between Larry and Irv. I’m sure I drove my father crazy. When I told my parents I wanted to be an actor, they were not dismissive of it. They didn’t say, “you’re wasting your life,” but they weren’t exactly supportive, either. They remained very neutral and said: “If this is what you want to do, then you’re going to have to work your ass off in order to make your dream come true.” So it wasn’t so much about the pursuit of financial success, the way Irv says, but it was about them worrying whether I could actually make a living at it and survive.
I guess it’s the same kind of fear that any parent would have. My younger son is a musician and my older son is a first [assistant director] on films. Those are not exactly the kinds of things you’re going to go into to make a lot of money. They’re pursuits of passion. I guess I felt the same way, I was worried for them. But knowing my own journey and knowing my father’s journey, who wanted to be a writer — he studied with Philip Roth at the University of Iowa — and then decided to leave all that to to pursue a career in ancient Greek philosophy. So I guess he understood, too, the way I did. I guess it all comes full circle. So, I did not run up against the kind of wall that Larry ran up against, where basically Irv would call him a loser, as he does in the show, because he was not more of a financial success.
Pictures from Home is currently playing at Studio 54 (254 W. 54th St.) through April 30, 2023. Tickets and informationh here.
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The post Actor Danny Burstein dishes on his latest Jewish role on Broadway appeared first on Jewish Telegraphic Agency.
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Sovereignty Is the Soul of Democracy
A general view shows the plenum at the Knesset, Israel’s parliament, in Jerusalem. Photo: REUTERS/Ronen Zvulun
Democracy is often invoked as a slogan, yet rarely defined with precision. It is more than elections and campaign rallies. A true democracy rests on institutions that limit power, protect minorities, and uphold the rule of law even when it is politically inconvenient. A democracy requires an independent judiciary, a free press, and leaders who understand that their authority is temporary and constrained by law. Above all, democracy requires sovereignty: a nation must be free to govern itself.
By all of these standards, Israel stands as one of the most dynamic democracies in the world.
Israel’s parliamentary system is frequently misunderstood, particularly by observers accustomed to the American two party structure. Unlike the United States, Israel’s multi-party parliamentary democracy allows a wide range of political voices to enter the Knesset.
Coalition governments are formed through negotiation and compromise. This system may appear fragmented to outsiders, but in truth, it reflects a deeper level of representation. Communities that would be marginalized in a two-party structure can influence national policy. Power is dispersed rather than concentrated.
That dispersion of power is a democratic strength.
It also explains why Israel’s institutions continue to work, even amid intense political debate. The country has seen repeated elections, coalition collapses, and fierce public protests. Yet the army remains under civilian control. The courts continue their work. The press operates freely. These are not signs of instability. They are signs of democratic strength.
The legal proceedings involving Prime Minister Benjamin Netanyahu offer a powerful illustration. Whatever one’s political view of Netanyahu, the fact that a sitting prime minister can face prosecution demonstrates the independence of Israel’s judiciary. In much of the Middle East, leaders are untouchable. In Israel, no one is above the law. The trial proceeds through established legal channels, with the defense and prosecution presenting their arguments before judges bound by statute.
President Trump recently urged Israeli President Isaac Herzog to pardon Netanyahu. President Herzog responded appropriately. He emphasized that he is the president of Israel and that any pardon request would be considered only after legal proceedings conclude, in accordance with the law. That response was not defiance. It was democratic clarity.
Sovereignty is not a rhetorical flourish. It is the bedrock of self government. Critics frequently scrutinize Israel’s democracy, often holding it to standards not applied elsewhere in the region. Yet Israel remains the only state in the Middle East where self government actually happens — where civil society is vibrant, protest is protected, and the media is relentless.
Democracy is not the absence of controversy. It is the presence of functioning institutions capable of withstanding controversy.
Israel’s strength lies not only in its military or technological achievements but in its commitment to law and accountable governance.
Sovereignty is not negotiable. It is the soul of democracy itself.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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Tucker Carlson Did Not Even Leave the Airport During Quick Israel Visit to Interview Mike Huckabee
Tucker Carlson speaks at Indiana University in Bloomington, Indiana, Oct. 21, 2025. Photo: Gage Skidmore/ZUMA Press Wire via Reuters Connect
Controversial podcaster Tucker Carlson spent only a few hours in Israel on Wednesday to interview US Ambassador Mike Huckabee and chose not to leave the Ben Gurion Airport complex before flying out of the Jewish state, of which he has been strident critic.
Carlson landed at the airport on a private flight, did not leave the premises while interviewing Huckabee, and then immediately returned to Europe, Israel’s Channel 14 reported.
Sources also confirmed to the Jerusalem Post that the visit went as planned: short and confined to Ben Gurion Airport with Carlson arriving and leaving on private flights.
Channel 14 correspondent Libby Alon noted on the social media platform X that Carlson opted not to spend time any time in the country “despite all the invitations from the Christian community in Israel.”
Carlson, who describes himself as an ardent Christian, has falsely accused Israel, whose Christian population is growing and well educated, of persecuting Christians. Critics have noted that the far-right media personality has seemingly devoted more time on his podcast to targeting Israel over its treatment of Christians than to other parts of the world, such as Nigeria, where Christians are being murdered and otherwise persecuted in large numbers.
On Wednesday, Carlson posted a “Greetings from Israel” message on X which included a photo of himself with his left arm over the shoulder of an unnamed man, both standing in front of fluttering Israeli flags.
Greetings from Israel. pic.twitter.com/1uBWvqBNST
— Tucker Carlson (@TuckerCarlson) February 18, 2026
Online disagreements between Carlson and Huckabee over allegations of Israel mistreating Christians had prompted the quick trip.
On Feb. 4, Carlson published a nearly 90-minute podcast on X, titled “Christian Persecution,” which he promoted by asking, “How does the US-funded Israeli government treat Christians in the Holy Land? We asked some. Listen carefully to their accounts. This will shock you.” He interviewed Anglican Archbishop of Jerusalem Hosam Naoum and Saad Mouasher, a Christian businessman in Jordan who serves as the chairman of Jordan Ahli Bank.
Carlson then highlighted such segments in his discussions as “The Christian Hospital in Gaza That Was Bombed Eight Times by Israel,” “How Many People Have Been Killed in Gaza?” “How Are Christians Treated in Israel?” “How Much Has Jewish Extremism Increased in Jerusalem?” “Why Israel Makes It Difficult for Christians to Visit Holy Sites,” and “Why Christians Are Safer in Jordan Than Israel.”
Huckabee shared Carlson’s X posting that day and responded on top of it: “Hey @TuckerCarlson instead of talking ABOUT me, why don’t you come talk TO me? You seem to be generating a lot of heat about the Middle East. Why be afraid of the light?”
Answering back, Carlson shared Huckabee’s post and wrote, “Thanks for this. I’d love to. We’ll reach out to your office today to set up an interview. Much appreciated.”
Carlson’s apparent eagerness to escape Israel contrasts with his enthusiasm for countries which he celebrates rather than criticizes. On Feb. 8, 2024, for example, Carlson published a more than two-hour episode featuring an interview with Russia’s President Vladimir Putin, the authoritarian leader whose invasion to conquer Ukraine has now resulted in nearly 600,000 Ukrainian casualties and 1.2 million Russian soldiers’ deaths. According to reports, Carlson conducted the interview on Feb. 6 after arriving on Feb. 3.
Qatar received an enthusiastic endorsement last year from Carlson. On Dec. 7, Carlson interviewed Qatar Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani at the Doha Forum, where he revealed his plans to purchase a home in the desert monarchy known for its longstanding support of the Muslim Brotherhood and Hamas.
“I have been criticized as being a tool of Qatar, and I just want to say, which you already know, I have never taken anything from your country and don’t plan to. I am, however, tomorrow buying a place in Qatar,” he said.
On Feb. 11, Carlson published an interview with Ron Paul, the former Texas congressman, paleo-libertarian advocate, presidential candidate, and longtime opponent of Israel who previously said that “Palestinians are virtually in a concentration camp.”
A study released in December by the Jewish People Policy Institute (JPPI) analyzed podcast transcripts from Carlson and fellow far-right podcast host Candace Owens, finding that both had increased their content targeting Israel in 2025.
The researchers identified April as the turning point for Carlson’s refocusing on Israel, and that “the share of negative content about Israel rose sharply from 48.9% in the previous six-month period to 70.3% over the last six months.”
Some of Carlson’s decisions last year which drew the most attention included his promotion of Nick Fuentes, the white supremacist podcaster who has praised Adolf Hitler, celebrated Hamas, and advocated rape. This provoked a revolt at the Heritage Foundation with multiple resignations after its president, Kevin Roberts, defended Carlson.
Carlson also got in on the game started by Owens of blaming Israel for the assassination of Charlie Kirk, while throwing in some traditional collective blame against Jews for the crucifixion of Jesus.
In a Jan. 30 interview with podcast host Piers Morgan, Jeremy Boreing, the co-founder and former co-CEO of The Daily Wire, explained the distinction he saw between Owens — who he had previously hired — and Carlson.
“I’d be careful not to conflate Candace Owens — who is sort of the queen of the Grift Industrial Complex — with Tucker Carlson, who — like him or leave him — is engaged in an actual political project,” Boreing said. “As far as I can tell, Tucker is trying to create a new American majority out of a sort of amalgamation of left-wing economic populism on the one hand and right-wing social populism on the other.”
Describing the scope of the two podcasters’ apparent ambitions, Boreing called Carlson “actively engaged behind the scenes at the White House and staffing decisions,” stating that “he wields his influence to try to effectuate a political end.”
In a Jan. 28 interview on the “Triggernometry” podcast, Boreing expanded on the point, saying that Carlson “is part of a small cohort of people” including the likes of Fuentes, former US Rep. Marjorie Taylor Greene, and Steve Bannon, who formerly advised US President Donald Trump, in pursuing a “political project” to reshape the American political right.
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Madrid Museum Launches Investigation After Jewish Women Harassed, Kicked Out
Illustrative: Anti-Israel activists held a rally ahead of the game between Maccabi Tel Aviv and Real Madrid for the Turkish Airlines Euroleague, in front of the Palacio de los Deportes (Movistar Arena) in Madrid, Jan. 8, 2026. Photo: David Canales / SOPA Images via Reuters Connect
A national art museum in Madrid has launched an investigation after three elderly Jewish women — including a Holocaust survivor — who were verbally harassed over their openly displayed Jewish symbols were subsequently forced to leave, fueling criticism that the institution sided with the perpetrators rather than protecting the victims.
On Tuesday, a spokesperson for the Museum Reina Sofía told multiple news outlets that the institution would “immediately launch an independent and transparent internal investigation to clarify what happened,” formally confirming the opening of a probe as scrutiny over the incident intensified.
“The museum wishes to unequivocally express its commitment to equality, religious freedom, and zero tolerance for any type of violence or discrimination related to antisemitism,” the statement read. “The museum’s staff is highly qualified in fundamental rights, conflict management, and the prevention of any type of discrimination.”
“Once again, we would like to highlight the importance that Jewish artists, patrons, and benefactors have had for the institution and its collection, especially in the avant-garde, without whose selfless collaboration the museum as we know it today would be inconceivable,” it continued. “For all these reasons, we will not rest until the unfortunate events that have taken place are clarified.”
Footage of the incident was circulated on social media.
Nobody expects the Spanish Inquisition in 2026, but watch Spain’s shame, as three elderly tourists, including a Holocaust survivor, are harassed & kicked out of Madrid’s state run Reina Sofia museum over Jewish symbols. Staff said visitors were ‘disturbed’ by their presence and… pic.twitter.com/XdAlSlfKzd
— Saul Sadka (@Saul_Sadka) February 16, 2026
First reported by the Spanish news outlet Okdiario, the three women were visiting the museum in central Madrid last Saturday when other visitors spotted them wearing a Star of David necklace and carrying a small Israeli flag.
At that point, a group of people started attacking them verbally, shouting antisemitic insults, and calling them “crazy child killers.”
Rather than intervening against the instigators, museum officials expelled the Israeli women, telling them to leave because “some visitors were disturbed that they are Jewish.”
A security guard also told the group to hide their Jewish symbols, insisting they could not be displayed inside the museum.
Even though one of them pointed out that Spanish law allows people to wear religious symbols and carry national flags in public institutions, they were still forcibly removed from the building despite not breaking any rules.
The Action and Communication on the Middle East (ACOM) group, a leading pro-Israel organization in Spain, announced Monday it will pursue legal action against the Museum Reina Sofía “for discrimination and possible promotion of hatred from a public institution.”
“The legal action will be directed both at the institution and its top official, the museum director, Manuel Segade,” ACOM wrote in a post on X, adding that the museum’s actions reflect “a persistent pattern of using political agendas, engaging in discrimination, and promoting narratives of hate against the State of Israel and the Jewish-Israeli community from a publicly funded institution.”
“A public institution should never be used as a platform for sectarian activism,” the statement continued.
As a state-affiliated cultural institution under Spain’s Culture Ministry, the Reina Sofía is internationally recognized as one of the country’s leading contemporary art museums.
In the past, the museum has also faced criticism for hosting anti-Israel demonstrations and presenting an exhibition titled “From the River to the Sea,” a popular slogan among pro-Palestinian activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea.
Like most countries across Europe and the broader Western world, Spain has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Still, Spain stands out as one of the most extreme cases, with experts warning that antisemitic violence and anti-Zionist rhetoric have moved beyond a social phenomenon to, in many instances, being state-promoted and legitimized as a political tool.
In particular, Spanish Prime Minister Pedro Sánchez and several members of his left-wing party have come under mounting criticism from some of the country’s political and Jewish leaders, who accuse them of fueling antisemitic hostility.