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Actor Danny Burstein dishes on his latest Jewish role on Broadway
(New York Jewish Week) – In “Pictures from Home,” a new Broadway play, a photographer takes on a nearly 10-year project to chronicle the lives of his aging parents. As the son snaps pictures and interrogates his parents in their Southern California home, the three offer very different versions of their shared past and spar about the very meaning of “truth.”
“Loads of emotions came up during the show,” said Broadway veteran Danny Burstein, who plays the son, Larry. “Larry’s desire and passion to know more and to not just look at others critically but himself critically as well is inspiring to me. It’s a beautiful story.”
Written by Sharr White and directed by Bartlett Sherr, the play is based on the 1992 photo-memoir by Larry Sultan, an acclaimed photographer who died in 2009. Nathan Lane plays the father, Irving, a Brooklyn-born Jew who struggled as a salesman but eventually became a vice president at Schick, the razor company. Acclaimed British actress Zoë Wanamaker plays the mom, a real estate agent who sometimes feels underappreciated as a breadwinner following Irving’s early (or was it forced?) retirement. Irving, raised in part in a Jewish orphanage, bitterly recalls the antisemitism he faced – and swallowed – on his way up the shaky ladder of success.
And father and son clash not only over the project, but Larry’s career. Irv can’t quite understand how his son actually makes a living as a photographer and asks: “Where’s the rigor?”
Throughout the play, real recordings, home videos and the blown-up photos of his parents that appeared in Sultan’s photo-memoir are projected on the set behind the actors.
Burstein, 58, was nominated for a Tony Award for his portrayal of Tevye in the most recent Broadway production of “Fiddler on the Roof.” A week after the opening of “Pictures,” he spoke to the New York Jewish Week about the Jewishness of the show and how it has impacted him so far.
This interview has been lightly edited for length and clarity.
Danny Burstein, who plays photographer Larry Sultan, won the 2020 Tony Award for Best Featured Actor in a Musical for his role at Harold Zilder in “Moulin Rouge!” (Courtesy)
New York Jewish Week: The concept of the show is a bit challenging to describe — it’s a play based on a memoir based on a series of photographs. How would you describe what the play is about?
Danny Burstein: It’s based on the beautiful book by the same title, which has incredible pictures in it but also contains the memoir of his time with his parents. It’s all a bit convoluted, but it comes together in a beautiful way. A play has not been told in this particular way before and it is quite unique. So it’s different, and you have to let people know that it is different from anything they’ve ever seen before, as far as the storytelling goes. It is a story of family and it’s also the story of the creation of art — sometimes it’s quiet, sometimes it’s passionate and volatile. Sometimes it’s extremely funny. It’s all those things when you’re making a piece of art.
You “feel all the feels” in other words. That’s the beautiful thing about the play. Larry winds up discovering things about himself and about his history and his parents.
Were you familiar with Larry’s work before the show or did playing him bring you closer to who he was?
I was not familiar with his work at all before the play, but at the same time now I feel very, very connected to the work and to who he was. One of the things that I’m very grateful for is that Larry’s [widow], Kelly, provided us with some of the actual tapes and recordings of conversations with his parents, so I got to listen to them actually talking. It was all of a sudden a very different kind of animal.
It’s dramatized for our show and there was sometimes volatility, but mostly it was a lot of the two of them just sitting down and loving one another and chatting and reminiscing and hearing their origin stories, like how the family got to California from Brooklyn. It’s really a beautiful story and there’s a lot of love in the family. I also love Larry’s artistic pursuits and his artistic sensibility in finding several different meanings in one picture, maybe hundreds of meanings. He believed each person subjectively finds their own meaning in a piece of art and I love that about him.
Nathan Lane (Irving Sultan) and Danny Burstein (Larry Sultan) in “Pictures From Home.” (Julieta Cervantes)
How do you think the family’s Jewishness impacted the way they interacted with the world and with each other?
It [their Jewishness] absolutely affects the way they exist in the world. I always think of [Larry’s] artistic journey as being very Talmudic — it seems to me that he’s constantly asking questions and trying to get to the heart of the matter. That’s fundamentally Jewish. That practice of always questioning, and bringing that questioning not just to religion but to everyday life and to art is also fundamentally Jewish. I don’t want to make it sound like only Jews are exceptional intellectually, but that that level of intellectual pursuit is part of the Jewish culture.
So Larry’s Jewishness certainly informed his intellectual and artistic pursuits. How do you think your Jewish background informed the way you approached this character and characters you’ve played in the past?
I was raised in a certain way: to question things. I can see a lot of my own relationship with my own father in the relationship between Larry and Irv. I’m sure I drove my father crazy. When I told my parents I wanted to be an actor, they were not dismissive of it. They didn’t say, “you’re wasting your life,” but they weren’t exactly supportive, either. They remained very neutral and said: “If this is what you want to do, then you’re going to have to work your ass off in order to make your dream come true.” So it wasn’t so much about the pursuit of financial success, the way Irv says, but it was about them worrying whether I could actually make a living at it and survive.
I guess it’s the same kind of fear that any parent would have. My younger son is a musician and my older son is a first [assistant director] on films. Those are not exactly the kinds of things you’re going to go into to make a lot of money. They’re pursuits of passion. I guess I felt the same way, I was worried for them. But knowing my own journey and knowing my father’s journey, who wanted to be a writer — he studied with Philip Roth at the University of Iowa — and then decided to leave all that to to pursue a career in ancient Greek philosophy. So I guess he understood, too, the way I did. I guess it all comes full circle. So, I did not run up against the kind of wall that Larry ran up against, where basically Irv would call him a loser, as he does in the show, because he was not more of a financial success.
Pictures from Home is currently playing at Studio 54 (254 W. 54th St.) through April 30, 2023. Tickets and informationh here.
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The post Actor Danny Burstein dishes on his latest Jewish role on Broadway appeared first on Jewish Telegraphic Agency.
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Global Leaders React to the Killing of Iran’s Khamenei
A woman holds a poster with the picture of Iran’s Supreme Leader Ayatollah Ali Khamenei as people gather after Khamenei was killed in Israeli and U.S. strikes on Saturday, in Tehran, Iran, March 1, 2026. Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iran’s Supreme Leader Ayatollah Ali Khamenei was killed in US and Israeli strikes, state media confirmed as another wave of attacks hit the country on Sunday.
Below is international reaction to his death.
PAKISTAN PRIME MINISTER SHEHBAZ SHARIF
“Pakistan also expresses concern over violation of the norms of international law. It is an age-old convention that the heads of state/government should not be targeted.”
IRANIAN PRESIDENT MASOUD PEZESHKIAN
“The martyrdom of the Supreme Leader at the hands of Israel and the criminal America was a great disaster for our country… America and Israel should know that it will bring them nothing but embarrassment.”
EUROPEAN COMMISSIONER URSULA VON DER LEYEN
“With Khamenei gone, there is renewed hope for the people of Iran. We must ensure that the future is theirs to claim and shape. At the same time, this moment carries a real risk of instability that could push the region into a spiral of violence.”
ITALIAN FOREIGN MINISTER ANTONIO TAJANI
“For the moment, Iran is in a transitional phase, and it remains to be seen how long it will last and what impact the war will have. What is certain is that a leader who had guided Iran for decades is gone, and that is bound to have consequences — including the loss of Khamenei’s personal authority over the population.”
FRENCH GOVERNMENT SPOKESPERSON MAUD BREGEON
“He was responsible for the deaths of thousands of civilians in his country and in the region, so one can only welcome his disappearance. It is now up to the Iranian people to choose their own destiny.”
EUROPEAN UNION FOREIGN POLICY CHIEF KAJA KALLAS
“The death of Ali Khamenei is a defining moment in Iran’s history. What comes next is uncertain. But there is now an open path to a different Iran, one that its people may have greater freedom to shape.”
RUSSIAN PRESIDENT VLADIMIR PUTIN
“Please accept my deep condolences in connection with the murder of the Supreme Leader of the Islamic Republic of Iran, Seyed Ali Khamenei, and members of his family, committed in cynical violation of all norms of human morality and international law.”
SWEDISH FOREIGN MINISTER MARIA STENERGARD
“Ayatollah Ali Khamenei has been confirmed dead. This could open a window of opportunities. But there are still many uncertainties remaining.
“Iran’s future must belong to the people. But the road there is long. The risk of a spiral of violence in the Middle East remains great.”
INDONESIA’S ULEMA MUSLIM CLERICAL COUNCIL
“The Indonesian Ulema Council (MUI) expressed its deepest condolences for the death of Iran’s Supreme Leader, Ali Khamenei, as a result of the Israeli-American attack on February 28.
“The United States, which is playing a central role in managing the Palestinian conflict through the BoP (Board of Peace), faces a major question: is this strategy truly aimed at a just peace, or is it actually strengthening an unequal security architecture and burying Palestinian independence? Therefore, the MUI urges the Indonesian government to revoke its membership from the BoP.”
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Israel and US Used Anthropic’s Claude and CIA Intelligence in Timing Iran Strike
CEO of Anthropic Dario Amodei, addresses the gathering at the AI Impact Summit, in New Delhi, India, February 19, 2026. REUTERS/Bhawika Chhabra
i24 News – Israel and the United States used an artificial intelligence system and detailed CIA intelligence to help plan and time their joint strike on Iranian leadership in Tehran, according to reports in the Wall Street Journal and the New York Times. The operation targeted a rare gathering of senior Iranian officials and was adjusted to coincide with a Saturday morning meeting at a government compound in central Tehran.
The Wall Street Journal reported that the attack was carried out with the assistance of “Claude,” an artificial intelligence tool developed by the company Anthropic, just hours after the federal administration announced it was terminating its contract with the firm and labeling it a “security threat.” According to the report, sources familiar with the matter said military headquarters around the world, including United States Central Command in the Middle East, are using Claude “for intelligence assessments, target identification, and battle scenario simulations.” CENTCOM declined to comment on the specific systems being used in the operation.
In a separate account, the New York Times said the CIA had been tracking Supreme Leader Ayatollah Ali Khamenei “for months, gaining more confidence about his locations and his patterns,” according to people familiar with the operation. The agency then learned that a meeting of top Iranian officials would take place on Saturday morning at a leadership compound in the heart of Tehran and that Khamenei would be present at the site.
Officials with knowledge of the decisions told the Times that the United States and Israel decided to adjust the timing of their attack “in part to take advantage of the new intelligence.” The information provided a “window of opportunity” for the two countries to achieve “a critical and early victory: the elimination of top Iranian officials and the killing of Ayatollah Khamenei,” the report said. The CIA passed its intelligence, described as offering “high fidelity” on Khamenei’s position, to Israel, according to people briefed on the operation.
Those sources, who spoke on condition of anonymity due to the sensitivity of the intelligence and military planning, said Israel used the American intelligence alongside its own to execute an operation it had been preparing for months, focused on the targeted killing of senior officials in the Iranian regime. According to the reports, the governments of the United States and Israel had originally planned to launch the attack at night but shifted to a daylight strike after learning of the leadership gathering in Tehran.
The Times said senior figures in Iran’s security establishment attended the meeting, including Revolutionary Guard commander Mohammad Pakpour, Defense Minister Aziz Nasirzadeh, military council head Ali Shamkhani, Revolutionary Guard Aerospace Force commander Seyed Majid Mousavi, Deputy Intelligence Minister Mohammad Shirazi, and other top officials. An Israeli security official, quoted by the Times, said the operation “was carried out simultaneously at several sites in Tehran, including at the meeting point of the Iranian political‑security leadership,” and added that despite Iranian preparations for war, Israel had achieved a “tactical surprise” in striking the compound.
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Abu Dhabi Complex Housing Embassies Damaged as Retaliatory Strikes Widen in Gulf
Smoke billows from Zayed port after an Iranian attack, following United States and Israel strikes on Iran, in Abu Dhabi, United Arab Emirates, March 1, 2026. Picture taken with phone. REUTERS/Abdelhadi Ramahi
Debris from an intercepted drone damaged an Abu Dhabi complex housing the Israeli embassy and several other international missions, causing minor injuries to a woman and her child, Abu Dhabi’s state media office said on Sunday.
Debris from the drone fell against the facade of the Etihad Towers complex after an interception that caused loud sounds heard across the emirate, the media office said.
After the US and Israel launched strikes on Iran on Saturday, Iran said it would target US bases in the region. But it has also hit a range of civilian and commercial areas across Gulf cities, widening the conflict’s impact on key regional aviation and trade hubs.
As retaliatory strikes widened on Sunday they reverberated across Gulf Arab states, with loud blasts heard in Dubai and the Qatari capital Doha and with Oman being hit for the first time.
PORTS TARGETED
In Dubai, two people were injured after shrapnel from drones fell over two houses when they were intercepted, a Dubai state media office statement said.
Dubai’s international airport, its landmark Burj Al Arab hotel and man-made Palm Jumeirah Island all suffered damage overnight, as did Abu Dhabi’s international airport.
Thick black plumes of smoke continued to rise from the Jebel Ali port area, where one of the berths caught fire on Sunday because of debris from an intercepted missile.
In neighboring Oman, which was spared retaliation on Saturday, Duqm commercial port was targeted by two drones, wounding one worker, the state news agency said.
Dubai is the biggest tourism and trade hub in the Middle East and its airport is one of the world’s busiest travel hubs.
Qatar’s interior ministry said on Sunday that it was responding to a limited fire in an industrial zone after debris fell from an intercepted missile.