(New York Jewish Week) – In “Pictures from Home,” a new Broadway play, a photographer takes on a nearly 10-year project to chronicle the lives of his aging parents. As the son snaps pictures and interrogates his parents in their Southern California home, the three offer very different versions of their shared past and spar about the very meaning of “truth.”
“Loads of emotions came up during the show,” said Broadway veteran Danny Burstein, who plays the son, Larry. “Larry’s desire and passion to know more and to not just look at others critically but himself critically as well is inspiring to me. It’s a beautiful story.”
Written by Sharr White and directed by Bartlett Sherr, the play is based on the 1992 photo-memoir by Larry Sultan, an acclaimed photographer who died in 2009. Nathan Lane plays the father, Irving, a Brooklyn-born Jew who struggled as a salesman but eventually became a vice president at Schick, the razor company. Acclaimed British actress Zoë Wanamaker plays the mom, a real estate agent who sometimes feels underappreciated as a breadwinner following Irving’s early (or was it forced?) retirement. Irving, raised in part in a Jewish orphanage, bitterly recalls the antisemitism he faced – and swallowed – on his way up the shaky ladder of success.
And father and son clash not only over the project, but Larry’s career. Irv can’t quite understand how his son actually makes a living as a photographer and asks: “Where’s the rigor?”
Throughout the play, real recordings, home videos and the blown-up photos of his parents that appeared in Sultan’s photo-memoir are projected on the set behind the actors.
Burstein, 58, was nominated for a Tony Award for his portrayal of Tevye in the most recent Broadway production of “Fiddler on the Roof.” A week after the opening of “Pictures,” he spoke to the New York Jewish Week about the Jewishness of the show and how it has impacted him so far.
This interview has been lightly edited for length and clarity.
Danny Burstein, who plays photographer Larry Sultan, won the 2020 Tony Award for Best Featured Actor in a Musical for his role at Harold Zilder in “Moulin Rouge!” (Courtesy)
New York Jewish Week: The concept of the show is a bit challenging to describe — it’s a play based on a memoir based on a series of photographs. How would you describe what the play is about?
Danny Burstein: It’s based on the beautiful book by the same title, which has incredible pictures in it but also contains the memoir of his time with his parents. It’s all a bit convoluted, but it comes together in a beautiful way. A play has not been told in this particular way before and it is quite unique. So it’s different, and you have to let people know that it is different from anything they’ve ever seen before, as far as the storytelling goes. It is a story of family and it’s also the story of the creation of art — sometimes it’s quiet, sometimes it’s passionate and volatile. Sometimes it’s extremely funny. It’s all those things when you’re making a piece of art.
You “feel all the feels” in other words. That’s the beautiful thing about the play. Larry winds up discovering things about himself and about his history and his parents.
Were you familiar with Larry’s work before the show or did playing him bring you closer to who he was?
I was not familiar with his work at all before the play, but at the same time now I feel very, very connected to the work and to who he was. One of the things that I’m very grateful for is that Larry’s [widow], Kelly, provided us with some of the actual tapes and recordings of conversations with his parents, so I got to listen to them actually talking. It was all of a sudden a very different kind of animal.
It’s dramatized for our show and there was sometimes volatility, but mostly it was a lot of the two of them just sitting down and loving one another and chatting and reminiscing and hearing their origin stories, like how the family got to California from Brooklyn. It’s really a beautiful story and there’s a lot of love in the family. I also love Larry’s artistic pursuits and his artistic sensibility in finding several different meanings in one picture, maybe hundreds of meanings. He believed each person subjectively finds their own meaning in a piece of art and I love that about him.
Nathan Lane (Irving Sultan) and Danny Burstein (Larry Sultan) in “Pictures From Home.” (Julieta Cervantes)
How do you think the family’s Jewishness impacted the way they interacted with the world and with each other?
It [their Jewishness] absolutely affects the way they exist in the world. I always think of [Larry’s] artistic journey as being very Talmudic — it seems to me that he’s constantly asking questions and trying to get to the heart of the matter. That’s fundamentally Jewish. That practice of always questioning, and bringing that questioning not just to religion but to everyday life and to art is also fundamentally Jewish. I don’t want to make it sound like only Jews are exceptional intellectually, but that that level of intellectual pursuit is part of the Jewish culture.
So Larry’s Jewishness certainly informed his intellectual and artistic pursuits. How do you think your Jewish background informed the way you approached this character and characters you’ve played in the past?
I was raised in a certain way: to question things. I can see a lot of my own relationship with my own father in the relationship between Larry and Irv. I’m sure I drove my father crazy. When I told my parents I wanted to be an actor, they were not dismissive of it. They didn’t say, “you’re wasting your life,” but they weren’t exactly supportive, either. They remained very neutral and said: “If this is what you want to do, then you’re going to have to work your ass off in order to make your dream come true.” So it wasn’t so much about the pursuit of financial success, the way Irv says, but it was about them worrying whether I could actually make a living at it and survive.
I guess it’s the same kind of fear that any parent would have. My younger son is a musician and my older son is a first [assistant director] on films. Those are not exactly the kinds of things you’re going to go into to make a lot of money. They’re pursuits of passion. I guess I felt the same way, I was worried for them. But knowing my own journey and knowing my father’s journey, who wanted to be a writer — he studied with Philip Roth at the University of Iowa — and then decided to leave all that to to pursue a career in ancient Greek philosophy. So I guess he understood, too, the way I did. I guess it all comes full circle. So, I did not run up against the kind of wall that Larry ran up against, where basically Irv would call him a loser, as he does in the show, because he was not more of a financial success.
Pictures from Home is currently playing at Studio 54 (254 W. 54th St.) through April 30, 2023. Tickets and informationh here.
—
The post Actor Danny Burstein dishes on his latest Jewish role on Broadway appeared first on Jewish Telegraphic Agency.
Dueling pro-Israel and anti-Israel demonstrations at McGill University in Montreal, Canada; May 2, 2024. Photo: ZUMA Press Wire via Reuters Connect
McGill University’s law school in Montreal, Canada lost the chair of its advisory board on Sunday, when he resigned from the position over what he described in a letter notifying the administration of his decision as an “escalating pattern of hostility toward Jewish students, faculty, and alumni.”
The immediate cause, wrote Jonathan Amiel, was the Law Students Association’s passing an academic boycott of Israel through a student referendum held on Saturday. If adopted as university policy, the measure would shutter partnerships with Israeli institutions, bar individual Israelis or known Zionists from holding teaching positions, and allow professors to refuse writing letters of recommendation for students applying to study abroad in Israel.
A majority, 57 percent, of students who participated in the referendum voted to approve it, with 67 percent of the student body casting ballots, indicating high turnout. It accused Israel of being an “apartheid” state and of perpetrating a “genocide” against the Palestinians, despite that the Palestinian Bureau of Statistics reports that the Palestinian population has “doubled about ten times since” Israel’s founding in 1948.
While a Jewish student is challenging the vote in court, as reported by the Montreal Gazette, its approval by the student body has, according to activists, left an impression on the Jewish community there while achieving a reverberant political victory for the student anti-Zionist movement.
“We are deeply concerned by the ongoing developments within student governance at McGill University Faculty of Law,” the Center for Israel and Jewish Affairs (CIJA), a Canadian Jewish advocacy group, said in a statement.
According to Amiel, last week’s endorsement of a boycott of the world’s lone Jewish state was part of a broader, troubling trend.
“The referendum is not an isolated event,” Amiel wrote in his resignation letter, which he since made available for public viewing. “An institution once defined by intellectual rigor and principled debate has, in too many instances, become an environment where being Jewish, identifying as a Zionist, or maintaining any association with the State of Israel carries professional and personal risk.”
He added, “This includes the normalization and, at times, glorification, of events marking acts of mass violence, the obstruction of students’ access to classrooms and university facilities, and the use of academic platforms to legitimize or advance extremist ideologies.”
Amiel also charged that the institution failed to discipline “conduct involving harassment or intimidation.”
McGill University was one of hundreds of schools where anti-Zionists organized to celebrate Hamas’s Oct. 7, 2023, massacre, in which the terrorist group’s fighters slaughtered, kidnapped, and raped Israeli civilians during their invasion of the Jewish state.
Their activities culminated in an anti-Israel encampment which spanned across four months and did not disband until long after the end of the 2023-2024 academic year. While McGill officials took steps to limit the freedom of action of the group which staged the demonstration, such as bringing the issue before a court and denouncing the “obvious antisemitism” of its members, Amiel’s letter suggests that the university has not done nearly enough to combat anti-Jewish harassment and discrimination on campus.
“The defining feature of this period has been an absence of decisive leadership at moments when clarity and resolve were required,” Amiel continued. “In that absence, direction has effectively been ceded to actors whose objectives are fundamentally misaligned with the university’s core academic mission.”
McGill University has denounced the outcome of the referendum, with president Deep Saini saying, “The effects here are antisemitic, and that plain fact must guide McGill’s response.”
Amiel’s resignation comes amid an ongoing crisis of pervasive antisemitism on campuses across the Western world.
Earlier this month, the Union of Jewish Students (UJS) released survey results showing that Jewish campus life in Great Britain is rapidly deteriorating. The group found that 47 percent of Jewish students report having heard their classmates justify the Oct. 7 massacre in which Hamas slaughtered civilians and committed mass rape; 23 percent have witnessed Jewish students persecuted over their identity; as many as 36 percent have either lost friends in this new milieu or know someone who has; and a shocking 40 percent report “having changed their journey through campus” to avoid anti-Zionist protests occurring every week at some universities.
Some of the report’s most concerning findings focused on anti-Jewish sentiments expressed by non-Jewish students. Twenty percent said they prefer not be roommates with a Jewish person, while a quarter of students surveyed believe that arguing that “Zionists control the media/government” does not constitute antisemitism. Responding to a separate question, 16 percent expressed approval of saying outright that “Jews control the media/government.”
“This report demonstrates that antisemitism on campus is not isolated but normalized,” Union of Jewish Students president Louis Danker said in a statement. “No Jewish student should have to face social ostracism, abusive language, or physical violence — there is a right to protest but not harass. If we are serious about combating extremism in Britain, we have to start on campus, where half of students have seen glorification of Hamas or Hezbollah. Concerned sentiments and piecemeal progress are not enough.”
The issue is no less severe in the US.
In February, the American Jewish Committee (AJC) and Hillel International reported that a striking 42 percent of Jewish students reported experiencing antisemitism during their time on campus. Of that group, 55 percent said they felt that being Jewish at a campus event threatened their safety. Meanwhile, 34 percent of Jewish students avoid being detected as Jews, hiding their Jewish identity due to fear of antisemitism.
According to the data, 38 percent of Jewish students said they decline to utter pro-Israel viewpoints on campus, including in class, for fear of being targeted by anti-Zionists. The rate of self-censorship is significantly higher for Jewish students who have already been subjected to antisemitism, registering at 68 percent.
“No Jewish student should have to hide their identity out of fear of antisemitism, yet that’s the reality for too many students today,” Hillel International chief executive officer Adam Lehman said in a statement released with the survey results. “Our work on the ground every day is focused on changing that reality by creating environments where all Jewish students can find welcoming communities and can fully and proudly express their Jewish identities without fear or concern.”
Follow Dion J. Pierre @DionJPierre.
Eden Golan, Israel’s representative at the Eurovision Song Contest, reacts during a press conference following the official unveiling of Israel’s song submission, in Tel Aviv, Israel, March 10, 2024. Photo: REUTERS/Carlos Garcia Rawlins
Eden Golan, who represented Israel in the 2024 Eurovision Song Contest, talked in a new interview about still experiencing anxiety, fear, and nightmares of threats against her life two years after the competition ended.
“I’m always afraid. I look in every direction like a security guard,” the 22-year-old Israeli singer said in an interview published on Friday in the “7 Nights” supplement of Yedioth Ahronoth. “I’ve had recurring anxiety since Eurovision: I walk into a place, a restaurant, or a show, and someone shoots me from behind. I have recurring nightmares of people chasing me and killing me. But I’m learning to live with it. No one will silence me anymore.”
Golan told Yedioth Ahronoth that she also still faces antisemitism almost everywhere she goes.
“Quite a few of my performances abroad had protests,” she explained. “In Switzerland they threw red paint at the entrance to the venue, supposedly to say the blood is on our hands. There was one protest with signs against [Israeli Prime Minister] Bibi [Netanyahu] and against me. After all the threats I received, there’s definitely fear for my life, but what could be worse than what I went through at Eurovision?”
Golan participated in the 2024 Eurovision in Malmo, Sweden, with the song “Hurricane” and finished in fifth place. The song was originally titled “October Rain,” but the name and its original lyrics were disqualified by the European Broadcasting Union (EBU), which organizes the Eurovision competition, for being too political since it referenced the deadly Oct. 7, 2023, Hamas terrorist attack in southern Israel.
Golan made it to the top five of the competition even after being booed on stage by anti-Israel audience members, facing death threats, and having a Eurovision jury member refuse to give her points because of his personal feelings against Israel’s military actions during its war against Hamas in Gaza.
Golan has also said she had to conceal her identity outside her hotel room in Malmo during the Eurovision contest because of the threats she received from anti-Israel activists, who were angry about the Jewish state’s participation in the international competition. At the time, the deputy director general of the EBU condemned the harassment that participating singers had experienced.
Noam Bettan is Israel’s representative in the 2026 Eurovision Song Contest, which will take place in Vienna, Austria, in May. He is competing with a trilingual song titled “Michelle.”
A map showing the Strait of Hormuz is seen in this illustration taken June 22, 2025. Photo: REUTERS/Dado Ruvic/Illustration
In the war between Iran and the joint force of the US and Israel, the Islamic Republic’s strongest tactic is to obstruct shipping in its coastal Strait of Hormuz.
The regime has strangled the world’s supply of oil and natural gas by attacking several commercial vessels as they transited the Persian Gulf channel. Some of Iran’s naval weapons have killed members of the ships’ crews.
As a political matter, Iran hopes that creating a global energy crisis will generate opposition to the US-Israeli military campaign. But as a legal matter, Iran’s targeting of civilian ships is a flagrant violation of international law.
Article 16(4) of the 1958 Geneva Convention on the Territorial Sea prohibits “the suspension of the innocent passage of foreign ships through straits” such as the Strait of Hormuz. Iran signed the 1958 document, as well as an updated version of the treaty, the 1982 United Nations Convention for the Law of the Sea.
The regime never “ratified” either treaty because it did not incorporate the international laws into its domestic law. That means Iran never became a formal party to the two pacts. However, the “innocent passage” framework of at least the 1958 convention is considered legally binding on Iran through customary international law, a consequence of widespread maritime practice.
The United Nations Security Council applied the principle of innocent passage during the Iran-Iraq War of the 1980s. The council rebuked both combatants for firing on commercial oil tankers in the Persian Gulf.
In the current war, the UN Security Council likewise chided Iran’s lethal interference with civilian shipping in the Strait of Hormuz. A coalition of 22 countries including two Arab Gulf states recently signed a joint statement that condemned Iran’s violent closure of the strait and warned of “appropriate efforts” to reopen it. A US military contingent is now headed to the strait, presumably to clear the key coastal terrain.
Iran attempts to evade its maritime obligations with two legal arguments.
First, it asserts self-styled “maritime claims,” in which every commercial ship’s right of innocent passage through the Strait of Hormuz is subject to the regime’s “prior approval.” Iran accordingly grants safe passage to vessels from “friendly” states like China and Pakistan but not ships that could “benefit the aggressors.”
Assuming an additional power of prior approval, Iran has threatened to impose toll charges on ships passing through the waterway. International maritime organizations such as the United Kingdom Maritime Operations Center have confirmed that Iran’s self-serving legal concoction is unfounded. In fact, most of the shipping lanes in the strait run through the territorial waters of Oman, which lie beyond Iran’s legal reach.
Iran alternately contends that its anti-shipping terrorism in the strait is a “tool of pressure” to combat the US and Israel, implying a right of military self-defense. But the laws of naval warfare do not permit attacks on ordinary civilian vessels as a means of self-defense.
Finding Iran in breach of maritime law is easy. Enforcing the law is another matter.
The International Court of Justice cannot assert jurisdiction over a state without that state’s consent. The International Criminal Court lacks authority over Iran because the state never signed the court’s enabling treaty. The Security Council could vote on Bahrain’s proposed March 23, 2026, resolution authorizing “all necessary means” to reopen the Strait of Hormuz. But the measure would probably be vetoed by Russia and/or China, states that oppose the use of force against Iran.
At stake is nothing less than freedom of navigation, which is vital to global trade and security. If Iran can paralyze the Strait of Hormuz, other nations may block similar chokepoints such as the Strait of Taiwan, the Turkish Straits, the Panama Canal, or the Suez Canal. The resulting chaos could render maritime law a dead letter.
It may be difficult for American-Israeli warfare to release Iran’s illegal grip on the Strait of Hormuz. Nevertheless, military action may be the only way to restore the rule of law in the waterway and deter future maritime aggressions.
Joel M. Margolis is the legal commentator of the American Association of Jewish Lawyers and Jurists, US Affiliate of the International Association of Jewish Lawyers and Jurists. He is the author of The Israeli-Palestinian Legal War.