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Actor Danny Burstein dishes on his latest Jewish role on Broadway

(New York Jewish Week) – In “Pictures from Home,” a new Broadway play, a photographer takes on a nearly 10-year project to chronicle the lives of his aging parents. As the son snaps pictures and interrogates his parents in their Southern California home, the three offer very different versions of their shared past and spar about the very meaning of “truth.”

“Loads of emotions came up during the show,” said Broadway veteran Danny Burstein, who plays the son, Larry. “Larry’s desire and passion to know more and to not just look at others critically but himself critically as well is inspiring to me. It’s a beautiful story.” 

Written by Sharr White and directed by Bartlett Sherr, the play is based on the 1992 photo-memoir by Larry Sultan, an acclaimed photographer who died in 2009. Nathan Lane plays the father, Irving, a Brooklyn-born Jew who struggled as a salesman but eventually became a vice president at Schick, the razor company. Acclaimed British actress Zoë Wanamaker plays the mom, a real estate agent who sometimes feels underappreciated as a breadwinner following Irving’s early (or was it forced?) retirement. Irving, raised in part in a Jewish orphanage, bitterly recalls the antisemitism he faced – and swallowed – on his way up the shaky ladder of success. 

And father and son clash not only over the project, but Larry’s career. Irv can’t quite understand how his son actually makes a living as a photographer and asks: “Where’s the rigor?”

Throughout the play, real recordings, home videos and the blown-up photos of his parents that appeared in Sultan’s photo-memoir are projected on the set behind the actors.

Burstein, 58, was nominated for a Tony Award for his portrayal of Tevye in the most recent Broadway production of “Fiddler on the Roof.”  A week after the opening of “Pictures,” he spoke to the New York Jewish Week about the Jewishness of the show and how it has impacted him so far. 

This interview has been lightly edited for length and clarity. 

Danny Burstein, who plays photographer Larry Sultan, won the 2020 Tony Award for Best Featured Actor in a Musical for his role at Harold Zilder in “Moulin Rouge!” (Courtesy)

New York Jewish Week: The concept of the show is a bit challenging to describe — it’s a play based on a memoir based on a series of photographs. How would you describe what the play is about?

Danny Burstein: It’s based on the beautiful book by the same title, which has incredible pictures in it but also contains the memoir of his time with his parents. It’s all a bit convoluted, but it comes together in a beautiful way. A play has not been told in this particular way before and it is quite unique. So it’s different, and you have to let people know that it is different from anything they’ve ever seen before, as far as the storytelling goes. It is a story of family and it’s also the story of the creation of art — sometimes it’s quiet, sometimes it’s passionate and volatile. Sometimes it’s extremely funny. It’s all those things when you’re making a piece of art.

You “feel all the feels” in other words. That’s the beautiful thing about the play. Larry winds up discovering things about himself and about his history and his parents.

Were you familiar with Larry’s work before the show or did playing him bring you closer to who he was?

I was not familiar with his work at all before the play, but at the same time now I feel very, very connected to the work and to who he was. One of the things that I’m very grateful for is that Larry’s [widow], Kelly, provided us with some of the actual tapes and recordings of conversations with his parents, so I got to listen to them actually talking. It was all of a sudden a very different kind of animal. 

It’s dramatized for our show and there was sometimes volatility, but mostly it was a lot of the two of them just sitting down and loving one another and chatting and reminiscing and hearing their origin stories, like how the family got to California from Brooklyn. It’s really a beautiful story and there’s a lot of love in the family. I also love Larry’s artistic pursuits and his artistic sensibility in finding several different meanings in one picture, maybe hundreds of meanings. He believed each person subjectively finds their own meaning in a piece of art and I love that about him.

Nathan Lane (Irving Sultan) and Danny Burstein (Larry Sultan) in “Pictures From Home.” (Julieta Cervantes)

How do you think the family’s Jewishness impacted the way they interacted with the world and with each other?

It [their Jewishness] absolutely affects the way they exist in the world. I always think of [Larry’s] artistic journey as being very Talmudic — it seems to me that he’s constantly asking questions and trying to get to the heart of the matter. That’s fundamentally Jewish. That practice of always questioning, and bringing that questioning not just to religion but to everyday life and to art is also fundamentally Jewish. I don’t want to make it sound like only Jews are exceptional intellectually, but that that level of intellectual pursuit is part of the Jewish culture.

So Larry’s Jewishness certainly informed his intellectual and artistic pursuits. How do you think your Jewish background informed the way you approached this character and characters you’ve played in the past? 

I was raised in a certain way: to question things. I can see a lot of my own relationship with my own father in the relationship between Larry and Irv. I’m sure I drove my father crazy. When I told my parents I wanted to be an actor, they were not dismissive of it. They didn’t say, “you’re wasting your life,” but they weren’t exactly supportive, either. They remained very neutral and said: “If this is what you want to do, then you’re going to have to work your ass off in order to make your dream come true.” So it wasn’t so much about the pursuit of financial success, the way Irv says, but it was about them worrying whether I could actually make a living at it and survive. 

I guess it’s the same kind of fear that any parent would have. My younger son is a musician and my older son is a first [assistant director] on films. Those are not exactly the kinds of things you’re going to go into to make a lot of money. They’re pursuits of passion. I guess I felt the same way, I was worried for them. But knowing my own journey and knowing my father’s journey, who wanted to be a writer — he studied with Philip Roth at the University of Iowa — and then decided to leave all that to to pursue a career in ancient Greek philosophy. So I guess he understood, too, the way I did. I guess it all comes full circle. So, I did not run up against the kind of wall that Larry ran up against, where basically Irv would call him a loser, as he does in the show, because he was not more of a financial success.

Pictures from Home is currently playing at Studio 54 (254 W. 54th St.) through April 30, 2023. Tickets and informationh here.


The post Actor Danny Burstein dishes on his latest Jewish role on Broadway appeared first on Jewish Telegraphic Agency.

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Civil war’s nothing new for Jews. How do we survive this one?

I’ve perhaps arrived early to an older man’s fixation: Civil War. Not the American one. (At least not the one that took place in the 19th Century.)

This week I returned to Westeros for House of the Dragon Season 3, in which various platinum-haired nobles born of incest fight for a throne made of swords with lizards that breathe fire. I chased it with the Public Theater’s fine production of Shakespeare’s Henry VI plays, in which branches of the same family pledge their allegiance to a white or red rose corresponding to their preferred ruler of England.

Before I saw any of that, I was in the Berkshires to see S. Asher Gelman’s play The Zionists, about a Jewish house divided by (what else): Israel. In that play, there was no kingdom to inherit, but our common inheritance as Jews is a tendency to disagree that, if not approached with mutual respect, can yield disastrous results.

Jewish tradition has its own version of these stories: Last week’s parshah was Korach, in which Moses faces rebellion — and the rebels face the fate of being swallowed by the ground and dragged down to Sheol.

A while later in Tanakh time, the House of David and Saul had their factions. Then the sons of David, and on and on.

Jewish civil war, as chronicled by Josephus and other historians, most recently Barry Strauss, was perhaps at its most bitter circa 63 BCE, when the Romans intervened in a succession dispute between the Hasmoneans (leading to the end of the dynasty and the beginning of Judea as a Roman client state) and 70 CE, when rival factions among the Zealots, confronting the common foe of Rome, couldn’t put their differences aside long enough to quell the siege of Jerusalem.

In the Talmud account, it is baseless hatred between two men that sets the temple ablaze.

Recently I spoke with the historian Laura Arnold Leibman. We were discussing early American Jewry, which — surprise — was split on whether to support the Patriots fighting for independence or remain loyal to the British Crown.

Reviewing this more recent history, she remembered teaching a course on antiquity and telling the story of First Century Jerusalem.

“One of my non-Jewish students said, ‘This is so fascinating to hear that there were these different sects of Jews and that they disagreed with each other. Is it like that today?’” Leibman told me. The student, she said, had “clearly never been to a bar mitzvah.”

In Game of Thrones, Shakespeare and the Bible, internecine fighting ends — that is, when it doesn’t begin — when someone dies. Someone is crowned and gets to write the favorable history.

Looking at American Jewry today, we are relitigating the past and revisiting old arguments.

Bundism in the key of anti-Zionism is hot again — though critics say its ideas were tested and failed to the tune of millions of dead Jews between Hitler and Stalin. Supporters of Zionism cite scripture for our claim to the land, archaeology to establish our continued presence or a massacre of Jews that predated an attack on Arabs to point to who’s to blame for ongoing violence.

Given a turbulent present, we too often retreat into familiar narratives, so locked into our views that we shut out perspectives that might challenge us. The history of Am Israel, really a family story, teaches that when we close ourselves off to dissent, we face a kind of doom.

Leibman told me another story that signals a different approach.

After the Revolutionary War, Moses Seixas, the lay leader of the Jewish community in Newport, Rhode Island, paid an early morning visit to his brother-in-law Hiam Levy, accompanied by the local sheriff. Levy was a Tory, and Seixas came to confiscate his belongings for the Revolutionary government.

This all had the makings of a family feud, but researching her book Messianism, Secrecy and Mysticism, Leibman found a letter Levy wrote to Moses, conveying his safe arrival in Amsterdam and thanking him for his support getting him set up financially there.

“They may have had political differences,” Leibman said, “but those kin connections trumped other sorts of problems.”

In this, there’s a model to be emulated.

The post Civil war’s nothing new for Jews. How do we survive this one? appeared first on The Forward.

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Israel presses on with settler-fueled archaeology expansion, crippling Palestinian communities

JERICHO, WEST BANK — Israel’s ultranationalist government and its backers are undertaking a major drive to develop and expand archeological sites in the occupied West Bank, with leaders stressing that it is incumbent upon Jewish citizens to connect to their history and heritage.

“He who doesn’t understand the importance of an archeological site for the preservation of the nation doesn’t understand where his future is going,” Israel Ganz, head of the Yesha Council representing more than 500,000 settlers, told the Forward in an interview on Sunday.

Funding to accelerate the push emerged in May, when the cabinet allocated 250 million shekels (approximately $86 million) to preserve, upgrade and make accessible heritage sites that show ancestral Jewish presence in Judea and Samaria — lands the settler movement contends Jews are entitled to claim.

Prime Minister Benjamin Netanyahu, linking the drive to Israel entering the 60th year since its victory in the Six Day War, told the cabinet that the funds are an investment “in preserving our past in order to secure our future, strengthen our hold on the Land of Israel and pass on to future generations the heritage, identity and historical truth of our people.”

But Palestinians and left-wing Israeli groups see this as not an innocent educational drive, but rather an intensification of efforts to displace Palestinians and annex the territory.

The archeology drive, reflected in robust budgeting and ambitious planning, including of new roads and wide expropriations of Palestinian land around sites, is moving ahead despite Netanyahu’s decision early this month not to advance a bill creating a separate antiquities authority for the West Bank, both supporters and opponents of the push say. That decision, reportedly to avert international diplomatic fallout, does not affect the allocation of funds. And Ganz notes the Judea and Samaria authority can still be created in the future.

“For sure now we are seeing the largest-scale effort ever to use archeology for annexation,” said Alon Arad, director of the organization Emek Shaveh, a left-wing group watchdogging the use of archeology by settlers as a tool for expansion. The momentum stems from plans made when the coalition took power in 2022 now coming to fruition, and a sense among right-wing parties that promoting Jewish heritage is a way to impress voters for upcoming elections, he added.

Whether this is in Israel’s interest or not is in the eye of the beholder. The flagship site of the archeology drive, the Hasmonean Palaces near Jericho, reflects all that is wrong with Israel’s harsh rule over Palestinians, critics say: settler violence, violation of international law, dispossession of helpless people and a hierarchy in which Israelis have all the rights and Palestinians none.

Digging as a tool

When the Forward visited the site recently, its most striking ruins were those of Palestinian Bedouin homes, 13 of which were destroyed by a settler bulldozer driver during a day-long raid on Feb. 10 by an estimated 50 settlers according to witnesses. Haaretz reported that at least 15 homes were destroyed.

Only 200 meters from the excavations, families are living inside the ruins of their homes. Among them is Ali Kaabnah, his wife Najiba and six children, staying in a house missing one side and with a large hole in the bedroom.

It is half a house, looking as if the driver had been interrupted in the middle of his task. Somehow a refrigerator survived, still plugged in.

Ali Kaabnah and family’s house, rendered nearly uninhabitable by a settler bulldozer. Courtesy of Emek Shaveh

“The house doesn’t have supports, it is without pillars. If there is a tremor it will collapse,”  Kaabnah said. His and other families have no other place to go and remained even though settlers struck again in late April and last week warned him to leave, he said. “I do not sleep because we do shifts to see if settlers are coming,” he said.

Kaabnah said that he had repeatedly called Israeli police during the bulldozing raid but they did not come. The Israel police did not respond to an inquiry from the Forward about the incident.

Ali’s brother, Yusuf, said he had to be taken to hospital with head injuries during the first attack.  and that settlers severely beat his wife, Shikha, 46, during the second attack, resulting in her being treated at a hospital in Nablus. His son Aliyan, 20, was “beaten with clubs without mercy” and his youngest son, 11-year-old Ali, was also attacked, he said: “Until now he screams at night in terror that ‘they are coming.’”

Ali Kaabnah Courtesy of Ali Kaabnah

Arad views the settler violence as a state-backed method, along with demolition of homes on the grounds they were built without permits, to drive Palestinians away from the area of the site. The IDF denies siding with settlers and says troops are expected to detain Israeli citizens perpetrating violent acts.

Violence is not the only threatening aspect of the archeology uptick for Palestinians. Land expropriations around sites, which include swaths well beyond the antiquities themselves, are pulling the territory from underneath the Palestinians’ feet, critics say. In the last half year, there have been three land expropriations around sites, the largest at Sebastia in the northern West Bank; plans for roads on land seized from Palestinians to enable easier access, and forays by settlers to establish a presence or control of sites on Palestinian property.

Dror Etkes, a veteran monitor of Israeli policies in the West Bank, says the Sebastia expropriation — said by the government as intended to develop the site for visits by the public — includes the vast majority of the olive groves of the Palestinian village of Sebastia. Emek Shaveh says the expropriation separates the village from antiquities, breaking an ancient attachment central to the identity of locals and harming them economically.

“The goal of Israel’s colonial project is to dispossess and settle,” said Etkes, who heads the West Bank land monitoring group Kerem Navot. “Archeology provides an effective way of doing this.”

Ganz and Heritage Minister Amichai Eliyahu — who famously raised the idea in November 2023  of dropping a nuclear bomb on Gaza — are particularly enthusiastic about developing the Hasmonean palaces site. Harkening back to the days of Joshua, Eliyahu terms the Jericho vicinity “the gateway to the land of Israel.”

He does not appear to view the settler violence at the site as a problem. In a social media post released the day of the bulldozer raid, he declared that “in every place where there is building on Jewish heritage, we will destroy it.” Speaking from the site, he promised a mass infusion of funds to achieve the perceived revival of its past glory.

Claims of vandalism

At present the Hasmonean Palaces site looks unimpressive, lacking signage, explanations or a path. Only some of the antiquities are roped off. But Ganz describes the site as being on a par with Israel’s most important ones. “I can’t say what the breadth of the site is but it certainly doesn’t fall short of Masada,” Ganz said.

According to the IDF body dealing with civilian affairs in the West Bank, called the civil administration, the site is “of great importance to Jewish heritage as well as to the architecture of the early Roman period.”

“It was built as a winter palace for the Hasmoneans in the first century BCE and served the Hasmonean dynasty for approximately 200 years,” the civil administration wrote in a statement. Subsequently during the reign of Herod there was also significant construction including a fortified palace, a bridge and a sunken garden, it added.

Ganz says the site needs to be safeguarded from what he claims is deliberate and systematic destruction by the Palestinian Authority, which he alleges has targeted it and other sites in a bid to erase evidence of Jewish ties to the land. The Civil Administration statement also cited vandalism as a major problem, though it did not specify involvement of the Palestinian Authority.

Palestinian Authority assistant deputy minister of tourism and antiquities Jehad Yasin said in remarks to the Forward that allegations of PA culpability aim to enable Israel to take over West Bank sites. “We haven’t done that. We do our best to keep our sites and if someone does something it doesn’t mean you have the right to take this site,” he said.

Yasin stressed that for an occupying power to expand sites and carry out anything other than salvage excavations violates international law. Referring to the Israeli plans at the site near Jericho, he said: “They don’t have the right to make an archeological park or an excavation. It’s a Palestinian site.”

Arad agrees Hasmonean Palaces is an important site but stresses that this in no way justifies harming Palestinians.

Ganz’s vision for the site includes new excavations, touching up finds to preserve them and steps to “absorb the public.” A new access road is seen as essential for tourism,  and he wants to see a convenience store along with state-of-the-art scanning capability enabling visitors to explore information about the site.

The land for the road has already been seized by military order from Palestinians, Etkes said, adding that when it is paved it will take less than a half hour to drive from Jerusalem to the site. What’s more, according to Etkes an illegal outpost overlooking the site and situated next to an army intelligence base is on the way to becoming a full-fledged settlement.

Arad says all of this amounts to Israel turning the site into a “touristic settlement,” something he stresses has been done previously on a large scale at the popular City of David site in occupied East Jerusalem.

“You change the identity so that from a village on the outskirts of Jericho it becomes a palace of a dynasty. You don’t need actual settlers there, it’s enough to build an access road, put up a fence and whatever comes with tourist development-a kiosk, a parking lot, someone to guard it.” Arad said.

The goal, in his view, is to woo the public to the settler view that the West Bank is part of Israel. “You start bringing in tourists and it’s a normalizing process for people to go inside the West Bank and return to Haifa or wherever they are from,” he said. “They go in and out and it was fun for them and you create the idea that this is part of Israel.”

As for the possibility of there being an Arab presence at the Hasmonean Palaces site, Ganz said: “If they don’t harm the site they will be allowed gladly. But if, God forbid, there are security incidents or harm to the site, then they can’t be there.”

Ganz stressed that the homes at the site needed to be destroyed for being illegally built, but that the demolition should have been done by the state and not what he depicted as a lone deviant. “No one is permitted to take the law into their own hands,” he said.

Etkes predicts that based on the experience of other sites, local Palestinians face an extremely bleak future. He termed the sight of Palestinians living in what is left of their houses “one of the worst things I have ever seen in the West Bank.”

But that is by no means the end of the harm Israel will cause to Palestinian civilians in the vicinity of the archeological site, he said. “We will see an area completely disconnected from its surroundings,” said Etkes. “Palestinians won’t be able to enter the area. Two roads [for Israelis] will lead to this area. Settlers will be very violent, it will be very restricted for the Palestinians, construction in the area [by Palestinians] will be completely banned, the construction that already exists is without a permit and a large part of it will be demolished by Israeli authorities.”

He declared: “It will be another national park that will tell one story — the story the Israeli radical right wants you to hear.”

The post Israel presses on with settler-fueled archaeology expansion, crippling Palestinian communities appeared first on The Forward.

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The eternal summer question that no rabbi can answer: Will I finally hit a home run this year?

I was six or seven years old when I first dared to dream of hitting a home run. Nixon was president. Kissinger was National Security Adviser. Le Duc Tho chain-smoked at the Paris Peace Conferences where they argued for three months over the shape of the negotiating table.

I was one of the dusty dumpy boys of summer; short and overweight, I occasionally tapped or blooped the ball into the shallow outfield for a single. In my life I remember only two doubles over five decades. Nothing like the moonshots the big boys slapped into the upper atmosphere.

Sometimes I played second base, but more often I was deposited and abandoned into the Siberia of right field. Once, when I was a young adult in the UJA softball game at Heckscher Diamond in Central Park, a high-pop sailed into the outfield, nothing fancy. The orb floated daintily into my glove at the warning track. Somehow, I threw a strike to third base and nabbed the runner trying to advance on the fly. It was a rare moment of triumph.

All was right with heaven and earth at that moment, in fact with the entire solar system. It was as though I had mastered the entire Mishna in the morning and had a date with Ann-Margret later in the evening.

But most of the games were a grind. Long afternoons in the dust bowls of Queens, the sandlots of the Rockaways. Forgotten stretches of overgrown weeds between concrete and cobblestone. Chainlink backstops with holes a wild boar could poke through. Beyond the overpass of the Van Wyck and the Whitestone Expressways, a dagger dug through central Queens conceived by the community-defiler, Robert Moses in the form of Flushing Meadows Park.

Sunburnt and with solemn resolve, I muttered pleas and hopes to the baseball gods with no real hope of improvement. Thus years would pass. How I loved the game, but it would not love me back — at least not in the way I wanted it to.

The author steps up to the plate. Courtesy of Simon Feuerman

I would go up to take the bat. Which should I use? Wooden, aluminum? The shorter one with the bigger snout and barrel? The longer but skinnier one? “You want to use a lighter bat,” someone would invariably say. It made no difference. I would take a weak hack and hope for the best.

My father bought me am $8 pitcher’s glove with Fritz Peterson’s signature on it. Then, I got a bat with Roy White’s signature from a giveaway on Bat Day at Yankee Stadium — June 4, 1972. It was white and wooden with a long heavy barrel. This would do it — my own bat.

Yet I held it limply at the baseball diamond. “You’re not doing it right,” someone would invariably tell me.

I came to the baseball field for absolution, for redemption, but there was none to be had. I felt hollow, even desperate. I appealed to the only man who I knew would not reject me: my late father.

Yet, my father, though I was the apple of his eye, considered baseball to be something childish. He thought I should immerse myself in the sacred texts — the only thing that would ever really pay off. Why would anyone want to play ball?

My father saw childhood itself as an illness. If he could not cure it with his strict and clear instruction and imprecations from the rabbis, it would surely pass on its own by the time I was 13.

My mother and sisters were indifferent to my baseball agony; it was something they consigned to “the mens’ world.” They couldn’t tell a baseball from a candled egg or a guinea hen.

I knew the problem was far deeper than just strength or technique. I could see the ball (I almost never struck out) so why couldn’t I hit it with force? I would go up to the batter’s box full of doubt, but excitement too. Maybe this time it would be different.

More years of weak swings and fading dreams. I was not strong. And when I reached my full height, I was 5’3”. One needed strength, but one l also needed technique. I studied the swings of the great baseball players. They seemed to take a cut from their upper shoulders and wrap a swing with even more strength coming from their glutes and hips. Perhaps only gentiles had these kinds of shoulders and hips. Oh, the mysteries of the universe…

A Freudian dilemma

When I first started playing, I was younger than everyone. Decades later on the baseball diamonds of Passaic, I am older than everyone by decades. But with age comes wisdom.

I practiced swinging hard, but I always held back, as though a full swing was un-Jewish, a sin. A full swing takes a certain, shall we say aggression? Forgive me for sounding a bit basic, but what did this swing really mean? Was this all about my father? I was afraid to take a swing; did that mean I was afraid to take a swing at dad? Only fathers can swing, but even though I was now a father and grandfather, I did not feel I could swing. I held something back.

Maybe this seems too Freudian, but in order to hold on to my father, even after he went on to the next world, I had to do poorly.

If I wanted to hit a home run, I had to let him go.

A new father

About ten years back, when I was 50, I hired a trainer, Moshe Klyman, a Jewish Greek god from Underground Gym in Tenafly. He is an anachronism from the time of the Maccabees. He can lift 630 lbs five times in a row. This modern day Samson, two decades and some younger than me, said, “you can do it.”

I believed him, at least a little. The man knows everything there is to know about the human body (and I know everything there is to know about the mind — hey, I thought, this partnership could work. ) I am convinced that on the day of creation six thousand years ago and then some, God Himself consulted with him on how to construct the first human.

The author hits the weight room. Courtesy of Alter Yisroel Shimon Feuerman

A few months ago, he had me deadlift 405 lbs, almost three times my weight. If that weren’t enough he had me do 200 pull-ups 50 at a time.

“Age is irrelevant,” he said. “You and I are going places.”

As I kept working with Moshe, I got better at the game. Not a home run, though, never even close. A base hit or two, once in a while a satisfying crack at the bat.

Until now.

After years of jumping, lifting, pressing, pulling (and puking) my body began to take on a different identity, separate from my history. I may have been 62 but now I was ready for the Marines.

This past Sunday, I took a full cut, a real swing at the ball. No pulling back. I waited for my pitch and uncoiled. To my great surprise, the ball was corked, launched. It was high, it was far; it landed at the left field fence, missing a home run by just a few feet.

The left fielder, a terrific athlete, was caught flat-footed. I watched the ball fly over his head. The team was dismayed. Was this Yisrael at bat? What kind of juice was he on?

As the ball sailed farther than I ever believed, 47 years of humiliation seemed to melt away. I headed for a triple.

Maybe this summer, I will finally hit my first home run.

The post The eternal summer question that no rabbi can answer: Will I finally hit a home run this year? appeared first on The Forward.

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