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Antisemitism is the focus at a Jewish American Heritage Month event at the White House
WASHINGTON (JTA) — In songs and in speeches, an event at the White House marking Jewish American Heritage Month celebrated the presence of Jews in America since colonial times — and fretted about threats to American Jewry today.
“For some reason it’s come roaring back in the last several years,” President Biden told a crowd of Jewish supporters in the White House’s East Room on Tuesday evening. “Reports have shown that antisemitic incidents are at a record high in our history — a record high in the United States.”
The emphasis on antisemitism was evident even in the entertainment — which featured a selection of songs from “Parade,” a Broadway musical about the 1915 lynching of a Jewish man. That theme was a departure from past White House Jewish American Heritage Month events, which focused on Jewish accomplishments and spotlighted legendary Jewish athletes, scientists, artists and performers.
Biden says he was shaped as a child by his father’s fury with the United States for not doing enough to stop the Holocaust. On Tuesday, he spoke again of how he was spurred to run for president in 2020 after the deadly Neo-Nazi march in Charlottesville, Virginia three years earlier — and former President Donald Trump’s equivocation when he was asked to condemn the marchers.
“That’s when I knew… our work was not done,” he said, turning to address a delegation of Jewish Democratic lawmakers who were attending the event, and who have pressed for a more aggressive response to antisemitism. “Hate never goes away.”
This was the first Jewish American Heritage Month event at the White House since 2016. Trump’s administration paid less attention to the commemoration, which was enshrined in a law passed with bipartisan support in 2006. Biden’s hopes of staging an event were delayed in the past couple of years by the coronavirus pandemic.
Describing current antisemitism, Biden referred not just to attacks from the far right, but to attacks on visibly Orthodox Jews, which have proliferated in the northeast, and to the threat some Jewish students describe on campuses. He listed incidents including “violent attacks on synagogues and Jewish businesses, Jewish institutions under armed guards, Jews who wear religious attire beaten down in the street, Jewish students harassed and excluded from college campuses, swastikas on cars and cemeteries and in schools.”
Biden’s emphasis on a broader understanding of antisemitism, beyond the far right, came after a number of Jewish groups met in December with Doug Emhoff, the Jewish Second Gentleman, and asked him and other top officials to consider a more holistic approach to the problem.
A task force led by Emhoff, who also spoke at the event on Wednesday, is expected to release a strategy to counter antisemitism in the next few weeks.
Biden, in his remarks, said the strategy “includes over 100 meaningful actions that government agencies are going to take to counter antisemitism.” He did not detail any of those actions, except to say that the strategy would increase understanding of antisemitism and Jewish heritage, provide security for Jewish communities, reverse the normalization of antisemitism and build coalitions.
“It also includes calls to action for Congress, state and local governments, technology, and other companies, civil society, faith leaders to counter antisemitism,” he said.
A backgrounder to the event sent to reporters focused entirely on antisemitism, listing five actions Biden had taken to combat the phenomenon, including signing a bill to combat hate crimes and increasing funding for security at vulnerable institutions.
There were lighter elements to the event, including recognition of the services Jews have provided to the United States over the centuries, and a rendition of “Hava Nagila” by the Marine Band. Israeli-American chef Michael Solomonov, whom Biden recognized, prepared Moroccan cigars, smoked sable on challah and something called “fairy tale eggplant,” a variety of the nightshade vegetable.
“Our special guest shall ensure that today is both delicious and glatt kosher,” Biden said, to surprised laughter, as Solomonov took a bow.
Still, even the entertainment referred to what Biden called the “stain” of antisemitism threading through American history. Ben Platt and Micaela Diamond performed songs from “Parade,” which they are starring in. Its subject matter is the 1915 lynching of Leo Frank, a Jew in Georgia falsely accused of murder.
Platt and Diamond had to rush back to New York in time for an 8 p.m. show, but beforehand, Platt praised the musical’s composer, Jason Robert Brown, who accompanied them on piano. Brown, Platt said, “is really telling you an important Jewish story.”
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”