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Antisemitism is the focus at a Jewish American Heritage Month event at the White House
WASHINGTON (JTA) — In songs and in speeches, an event at the White House marking Jewish American Heritage Month celebrated the presence of Jews in America since colonial times — and fretted about threats to American Jewry today.
“For some reason it’s come roaring back in the last several years,” President Biden told a crowd of Jewish supporters in the White House’s East Room on Tuesday evening. “Reports have shown that antisemitic incidents are at a record high in our history — a record high in the United States.”
The emphasis on antisemitism was evident even in the entertainment — which featured a selection of songs from “Parade,” a Broadway musical about the 1915 lynching of a Jewish man. That theme was a departure from past White House Jewish American Heritage Month events, which focused on Jewish accomplishments and spotlighted legendary Jewish athletes, scientists, artists and performers.
Biden says he was shaped as a child by his father’s fury with the United States for not doing enough to stop the Holocaust. On Tuesday, he spoke again of how he was spurred to run for president in 2020 after the deadly Neo-Nazi march in Charlottesville, Virginia three years earlier — and former President Donald Trump’s equivocation when he was asked to condemn the marchers.
“That’s when I knew… our work was not done,” he said, turning to address a delegation of Jewish Democratic lawmakers who were attending the event, and who have pressed for a more aggressive response to antisemitism. “Hate never goes away.”
This was the first Jewish American Heritage Month event at the White House since 2016. Trump’s administration paid less attention to the commemoration, which was enshrined in a law passed with bipartisan support in 2006. Biden’s hopes of staging an event were delayed in the past couple of years by the coronavirus pandemic.
Describing current antisemitism, Biden referred not just to attacks from the far right, but to attacks on visibly Orthodox Jews, which have proliferated in the northeast, and to the threat some Jewish students describe on campuses. He listed incidents including “violent attacks on synagogues and Jewish businesses, Jewish institutions under armed guards, Jews who wear religious attire beaten down in the street, Jewish students harassed and excluded from college campuses, swastikas on cars and cemeteries and in schools.”
Biden’s emphasis on a broader understanding of antisemitism, beyond the far right, came after a number of Jewish groups met in December with Doug Emhoff, the Jewish Second Gentleman, and asked him and other top officials to consider a more holistic approach to the problem.
A task force led by Emhoff, who also spoke at the event on Wednesday, is expected to release a strategy to counter antisemitism in the next few weeks.
Biden, in his remarks, said the strategy “includes over 100 meaningful actions that government agencies are going to take to counter antisemitism.” He did not detail any of those actions, except to say that the strategy would increase understanding of antisemitism and Jewish heritage, provide security for Jewish communities, reverse the normalization of antisemitism and build coalitions.
“It also includes calls to action for Congress, state and local governments, technology, and other companies, civil society, faith leaders to counter antisemitism,” he said.
A backgrounder to the event sent to reporters focused entirely on antisemitism, listing five actions Biden had taken to combat the phenomenon, including signing a bill to combat hate crimes and increasing funding for security at vulnerable institutions.
There were lighter elements to the event, including recognition of the services Jews have provided to the United States over the centuries, and a rendition of “Hava Nagila” by the Marine Band. Israeli-American chef Michael Solomonov, whom Biden recognized, prepared Moroccan cigars, smoked sable on challah and something called “fairy tale eggplant,” a variety of the nightshade vegetable.
“Our special guest shall ensure that today is both delicious and glatt kosher,” Biden said, to surprised laughter, as Solomonov took a bow.
Still, even the entertainment referred to what Biden called the “stain” of antisemitism threading through American history. Ben Platt and Micaela Diamond performed songs from “Parade,” which they are starring in. Its subject matter is the 1915 lynching of Leo Frank, a Jew in Georgia falsely accused of murder.
Platt and Diamond had to rush back to New York in time for an 8 p.m. show, but beforehand, Platt praised the musical’s composer, Jason Robert Brown, who accompanied them on piano. Brown, Platt said, “is really telling you an important Jewish story.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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