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Art, Protests, and Being Proud to Be Jewish
Demonstrators take their “Emergency Rally: Stand with Palestinians Under Siege in Gaza” out of Harvard University and onto the streets of Harvard Square, amid the ongoing conflict between Israel and the Palestinian Islamist group Hamas, in Cambridge, Massachusetts, U.S., October 14, 2023. Photo: REUTERS/Brian Snyder
On Oct. 8, Israeli artist Zoya Cherkassky, not knowing what was coming next in the Jewish State, took her 8-year-old daughter and fled to Berlin. Zoya, 47, who was born in Kyiv and emigrated to Israel in 1991, also took her art supplies. Creating art was how she processed tragedy.
The early images of the atrocities at Kibbutz Be’eri made Cherkassky think of “Guernica,” Picasso’s 1937 painting of the Basque town after the Nazi Luftwaffe bombed it. Picasso vividly portrayed the horror of inhumanity. Cherkassky began to draw her emotions and quickly produced 12 works that just as vividly show the shock, fear, and brutality of Oct. 7.
A family of ashen, burned bodies look at us in horror, hands pressed against gaping mouths, silently screaming. An elderly couple, hands bound behind their backs, embrace as blood and flames surround them. A mother holds her baby son close as she stares in disbelief at a mass of dead bodies.
“Museums exist to be custodians of world cultural heritage, and this kind of savagery and barbarism is the antithesis of that,” James Snyder, the new director of the Jewish Museum in New York City, said. “We need to speak out against them and do what we can to educate and engage.”
Snyder, who had worked with Cherkassky during his tenure at the Israel Museum, quickly installed her drawings in an all-black room, called “7 October 2023.” For most of us, this was entirely appropriate — in fact, I would love to see more work by Israeli artists. But for the art world, whose hostility toward Israel is renowned, this was considered a “colonial” move.
On the evening of Feb. 12, I went to the museum to hear Snyder interview Cherkassky. The event was packed. We had all gone through security, as every Jewish institution implemented after 9/11. But metal detectors don’t scan for pro-Hamas “disrupters,” and at three points throughout the evening, these disrupters screamed the usual epithets at Cherkassky. I’m sure everyone there did the same mental calculation: Metal detectors were present, so they couldn’t be armed. But none of us could be sure.
That made Snyder’s response all the more interesting. “Thank you for the dialogue,” he calmly told them, as security escorted them out. “This all helps counter polarization.” Cherkassky chose a different tactic: She cursed at the protestors. After another set was forced to leave, Cherkassky said: “I am very happy that there are privileged young people from privileged countries that can know how everybody in the world should act.”
After the third set, a young GenZer behind me screamed out: “This isn’t dialogue; this is antisemitism.” Shockingly, many in the audience screamed at her to “Shut up!”
The Jewish Museum is to the north of Temple Emanu-El, the site of the Kissinger memorial protests that led to white leftists throwing water in the faces of an elderly couple. There was no public condemnation of the protesters from the synagogue.
All of which begs the question: How should Jewish institutions respond to Oct. 7 and the daily, violent riots that have followed?
Last week, I went down to the Museum of Jewish Heritage to hear a panel discuss film clips from Feb. 20, 1939, when 20,000 pro-Nazi Americans filled Madison Square Garden. The footage is terrifying, especially when a Jewish man bravely jumps on the stage and is thoroughly beaten.
The panel made direct parallels to today’s alt-right — Charles Lindbergh became the leading voice of the America First Committee, an isolationist group of 800,000 that was against America entering World War II — and discussed the limits of freedom of speech. But despite the fact that thousands of “Globalize the Intifada” rioters filled Times Square on Oct 8, before Israel began to respond, the museum purposefully avoided any references to what New Yorkers are now living with on a daily basis.
How could a museum dedicated to the memory of the Holocaust hold an event that intentionally ignored the largest massacre of Jews since the Holocaust? Toward the end, the moderator even expressed shock that people were “conflating Israel and Jews.”
It turned out to be a prophetic statement, but not in the way he intended. At roughly the same time, a young Jewish dentist was murdered by a Muslim man in San Diego, which has been alleged to be a hate crime. Just like in the 1930s, Jews’ desire to conform — to distance themselves from their heritage — isn’t going to save them.
Many American Jews have a lot to learn from Israelis — not just about the necessity of fighting back, but that our 3,000-year connection to our homeland is integral to who we are. We’re beginning to see it from GenZers who are being bullied on campuses. They’re testifying before Congress about the antisemitic violence on campuses, and making videos inspiring other Jewish students to stand up for themselves.
Perhaps some of this was meant to be a lesson to those who still haven’t fully processed what being Jewish — ethnically Judean — means. And how allowing your soul to fully grasp that feeling can bring a type of strength, bravery, and resilience that no one can touch. For more secular Jews, Israeli artists, who understand all of this intuitively, may be the best teachers.
Karen Lehrman Bloch is editor in chief of White Rose Magazine. A version of this article was originally published by The Jewish Journal.
The post Art, Protests, and Being Proud to Be Jewish first appeared on Algemeiner.com.
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Treasure Trove spotlights a menorah designed in the early years of the State of Israel
This laurel branch Hanukkah menorah, designed by artist Maurice Ascalon (1913-2003), won first prize at the 1950 Tel Aviv Design Competition. Between 2,000 and 4,000 of these were made by the Pal-Bell factory in Israel, and they were sold not only in Israel but in select department stores around the world, including Macy’s in New York and Harrods in London.
The shape of the oil containers resembles ancient Roman lamps, while the large pitcher is a reference to the single jug of oil that lasted for eight days that is at the heart of the Hanukkah story.
These hanukkiyot were manufactured out of cast bronze with a green patina that was created using reactive chemicals, a process developed by Ascalon, resulting in an antique verdigris look.
Ascalon, who was born in Hungary and originally named Moshe Klein, immigrated to Palestine in 1934 after training in Brussels and Milan. He started the Pal-Bell Company in the late 1930s for the production of ritual and secular decorative items. “Pal” is short for Palestine and “Bell” is short for bellezza, Italian for beauty and an allusion to his time in Milan where the artist learned and perfected his sculpting skills. During Israel’s War of Independence in 1948, Ascalon designed munitions for the Israeli army and, at the request of the Israeli government, retrofitted his factory to produce arms for the war effort.
Ascalon closed Pal-Bell and moved to the United States in 1956, where he taught sculpture at the University of Judaism in Los Angeles and opened Ascalon Studios, which produces large-scale sculptures for public spaces and houses of worship.
The studio, which is now run by Ascalon’s son David and his grandson Eric, was retooled during the COVID pandemic to manufacture safety boxes that allowed health-care workers to assist a patient on a ventilator while minimizing exposure.
Treasure Trove wishes you a happy Hanukkah , which starts on Dec. 25. This year, as Peter, Paul and Mary sang, “Light one candle for the terrible sacrifice, justice and freedom demand. Don’t let the light go out!”
The post Treasure Trove spotlights a menorah designed in the early years of the State of Israel appeared first on The Canadian Jewish News.
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Germany: 5 Killed, Scores Wounded after Saudi Man Plows Car Into Christmas crowd
Magdeburg Christmas market, December 21, 2024. Photo: REUTERS/Christian Mang
i24 News – A suspected terrorist plowed a vehicle into a crowd at a Christmas market in the German city of Magdeburg, west of the capital Berlin, killing at least five and injuring dozens more.
Local police confirmed that the suspect was a Saudi national born in 1974 and acting alone.
German Chancellor Olaf Scholz expressed his concern about the incident, saying that “reports from Magdeburg suggest something bad. My thoughts are with the victims and their families.”
Police declined to give casualty numbers, confirming only a large-scale operation at the market, where people had gathered to celebrate in the days leading up to the Christmas holidays.
The post Germany: 5 Killed, Scores Wounded after Saudi Man Plows Car Into Christmas crowd first appeared on Algemeiner.com.
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Syria’s New Rulers Name HTS Commander as Defense Minister
A person waves a flag adopted by the new Syrian rulers, as people gather during a celebration called by Hayat Tahrir al-Sham (HTS) near the Umayyad Mosque, after the ousting of Syria’s Bashar al-Assad, in Damascus, Syria, Photo: December 20, 2024. REUTERS/Ammar Awad/File Photo
Syria’s new rulers have appointed Murhaf Abu Qasra, a leading figure in the insurgency which toppled Bashar al-Assad, as defense minister in the interim government, an official source said on Saturday.
Abu Qasra, who is also known by the nom de guerre Abu Hassan 600, is a senior figure in the Islamist Hayat Tahrir al-Sham (HTS) group which led the campaign that ousted Assad this month. He led numerous military operations during Syria’s revolution, the source said.
Syria’s de facto leader Ahmed al-Sharaa discussed “the form of the military institution in the new Syria” during a meeting with armed factions on Saturday, state news agency SANA reported.
Abu Qasra during the meeting sat next to Sharaa, also known by the nom de guerre Abu Mohammed al-Golani, photos published by SANA showed.
Prime Minister Mohammed al-Bashir said this week that the defense ministry would be restructured using former rebel factions and officers who defected from Assad’s army.
Bashir, who formerly led an HTS-affiliated administration in the northwestern province of Idlib, has said he will lead a three-month transitional government. The new administration has not declared plans for what will happen after that.
Earlier on Saturday, the ruling General Command named Asaad Hassan al-Shibani as foreign minister, SANA said. A source in the new administration told Reuters that this step “comes in response to the aspirations of the Syrian people to establish international relations that bring peace and stability.”
Shibani, a 37-year-old graduate of Damascus University, previously led the political department of the rebels’ Idlib government, the General Command said.
Sharaa’s group was part of al Qaeda until he broke ties in 2016. It had been confined to Idlib for years until going on the offensive in late November, sweeping through the cities of western Syria and into Damascus as the army melted away.
Sharaa has met with a number of international envoys this week. He has said his primary focus is on reconstruction and achieving economic development and that he is not interested in engaging in any new conflicts.
Syrian rebels seized control of Damascus on Dec. 8, forcing Assad to flee after more than 13 years of civil war and ending his family’s decades-long rule.
Washington designated Sharaa a terrorist in 2013, saying al Qaeda in Iraq had tasked him with overthrowing Assad’s rule and establishing Islamic sharia law in Syria. US officials said on Friday that Washington would remove a $10 million bounty on his head.
The war has killed hundreds of thousands of people, caused one of the biggest refugee crises of modern times and left cities bombed to rubble and the economy hollowed out by global sanctions.
The post Syria’s New Rulers Name HTS Commander as Defense Minister first appeared on Algemeiner.com.
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