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Aruba’s new rabbi comes out of retirement to lead a congregation in ‘paradise’
ORANJESTAD, Aruba (JTA) — One of Alberto Zeilicovich’s first duties as a Conservative rabbi was to officiate the funeral of a 20-year-old congregant, murdered by a drug cartel while enjoying a night out with his friends at a disco.
It was the late 1980s in Medellin, Colombia, and Zeilicovich had entered the pulpit at the height of the Colombian drug wars and the reign of notorious kingpin Pablo Escobar. Two years later, he would bury another member of the congregation murdered by the cartel.
“We felt fear,” Zeilicovich, who goes by Baruch, said about his six years in Medellin. “The president of the congregation told me you cannot walk on Shabbos to the synagogue. ‘You should come with a car.’ I asked, ‘Are you afraid someone is going to kidnap me?’ He said, ‘No, I am afraid somebody will kill you.’”
To give him a break, a congregant sent Zeilicovich on a trip to Aruba and Curacao, islands where, he recalled, he could “unplug a little bit from a situation that was very dangerous.”
That 1990 trip would ultimately result in the other bookend of his career: Zeilicovich recently came out of retirement to begin a three-year contract as the rabbi of Beth Israel Synagogue, a small synagogue on the Dutch island of Aruba in the southern Caribbean Sea. He had visited the island at least once a year for the past 32 years.
Temple Beth Israel, a Conservative-style synagogue in Oranjestad, Aruba, was consecrated in 1962. (Dan Fellner)
“First, the people are very friendly,” he says of Aruba, which has a population of about 100,000 and is officially called a “constituent country” of the Kingdom of the Netherlands. “Second, it’s a very safe place. And third, the island is a paradise. Everything is so beautiful.”
The synagogue, located in the island’s capital city of Oranjestad, is not affiliated with any movement of Judaism but operates in the style of the egalitarian Conservative movement. It is just a block from one of Aruba’s signature white-sand beaches and a five-minute drive to Eagle Beach, perhaps its most famous.
While Zeilicovich no longer needs armed security guards to accompany him to synagogue as he did in Medellin, he still brings to the pulpit the difficult life lessons he learned during those tumultuous years in Colombia.
“Being in Medellin made me realize how a rabbi should teach the congregation about what are the most important things in life,” he says. “That shaped me in understanding what the role of a rabbi should be — a facilitator for everybody to be a better Jew, a better person.”
Zeilicovich, who speaks five languages, was born and raised in Buenos Aires, Argentina, where he experienced antisemitism and life under an oppressive military regime. He studied at a rabbinical seminary in Buenos Aires before completing his ordination at the Schechter Institute of Jewish Studies in Jerusalem.
Following his six years in Medellin, Zeilicovich moved to a synagogue in Bogota, the capital city of Colombia, before rabbinical stints in Puerto Rico, Texas and most recently New Jersey, where he announced his retirement from Temple Beth Sholom in Fair Lawn in late 2020.
Zeilicovich and his wife Graciela had moved to Israel when he got a phone call from Daniel Kripper, a friend and fellow Argentine who was retiring as the rabbi of Aruba’s Beth Israel.
“He called me and said, ‘Baruch, what are you doing in Israel?’ I said I’m going to the beach. He said, ‘Why don’t you come to the beach in Aruba where you can have a congregation again?’ And I said, ‘Why not?’”
According to Richenella Wever, a member of the Beth Israel board, Zeilicovich has been a good fit with the synagogue’s diverse congregation. “His way of thinking, teaching and his ability to connect the Torah with daily life is amazing,” she said.
Jewish life in Aruba dates back to the 16th century, when immigrants arrived from the Netherlands and Portugal. In 1754, Moses Solomon Levie Maduro, who came from a prominent Portuguese Jewish family in Curacao, settled in Aruba, where he founded the Aruba branch of the Dutch West Indies Company. Maduro paved the way for more immigrants but the island’s Jewish population has always remained small. It’s now about 100.
In 1956, the Dutch Kingdom officially recognized the Jewish community of Aruba; Beth Israel was consecrated six years later. The synagogue calls itself a “Conservative egalitarian temple keeping Sephardic and Ashkenazic traditions.” In addition to Beth Israel, there is a Chabad chapter on the island that opened in 2013.
With a membership of just 50 local families and a few dozen overseas residents, Beth Israel has limited resources. A Dutch law stipulating that the salaries of clergy in Holland’s overseas territories be paid by the government helps the synagogue remain solvent.
“This is really unique,” says Zeilicovich. “You can be a minister of an evangelical church, a Roman Catholic priest, an imam from a mosque or a rabbi from a synagogue — the government pays the salary.
“When I want to brag about myself, I say I am an employee of the Crown of Holland,” he added with a laugh.
Zeilicovich says the Aruban government has been highly supportive of the Jewish community, even erecting a life-sized bronze statue in 2010 of Anne Frank in Queen Wilhelmina Park in downtown Oranjestad.
A bronze statue of Anne Frank stands in the Queen Wilhelmina Park in downtown Oranjestad, Aruba, at left; at right, a T-shirt for sale in the Beth Israel gift shop in Aruba reads “Bon Bini,” meaning “welcome” in Papiamento, the local language. (Dan Fellner)
“That means they have respect for the Jewish community,” he says. “And they are very sympathetic with us about the Holocaust.”
Zeilicovich says a typical Friday night Shabbat service attracts about 20 people, about one-third of whom are tourists. Some arrive on the many cruise ships that dock just a mile away from the synagogue; others stay at condos or at one of Aruba’s posh resorts.
If there aren’t enough worshippers for a prayer quorum of 10 on Saturday mornings, a Torah study group meets instead. The synagogue’s small sanctuary can hold 60 worshippers, and is normally full for the High Holidays of Rosh Hashanah and Yom Kippur each fall.
“We are a friendly, welcoming congregation,” Zeilicovich says. “We are family — mishpocha. When you come here, we try to make you feel that way.”
Indeed, a popular item in the synagogue’s small gift shop is a T-shirt imprinted with the words “Bon Bini Shalom.” Bon Bini means “welcome” in Papiamento, the Portuguese-based Creole language spoken in the Dutch Caribbean.
Zeilicovich says one of his priorities as the new rabbi is to improve the synagogue’s marketing efforts and revamp its website. He adds that Aruba’s Jewish community often is overshadowed by Curacao, its Dutch neighbor to the east that is home to the oldest synagogue in continuous use in the Americas.
“We are behind in marketing,” he said. “And we understand we are missing a huge opportunity.”
For now, Zeilicovich is enjoying his time in Aruba and can’t help but marvel at how his life has changed since his days as a rabbi in Medellin when just getting from his home to the synagogue was a dangerous ordeal.
“I think about that and look to heaven and say, ‘God, thank you.’”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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