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As Boston dedicates a massive monument to Martin Luther King, local Jews march in solidarity
BOSTON (JTA) – A month after Rev Martin Luther King, Jr. and Rabbi Abraham Joshua Heschel stood on the front line of the 1965 march from Selma, Alabama, to demand voting rights for African Americans, another march unfolded in Boston.
There, on April 23, 1965, King led more than 20,000 people on a march from Roxbury, the city’s historic Black neighborhood, to the Boston Common. They stretched for nearly a mile, in a historic moment for Boston and its Black community.
Now, in honor of both King’s birthday and the 50th anniversary of Heschel’s death, Boston Common is home to marchers again. On Friday, Jewish Bostonians and allies walked in a procession from the nearby Central Reform Temple to the park for the city’s dedication of a new monument of King and his wife and civil rights partner Coretta Scott King.
“We thought this would be a wonderful moment to rekindle the alliance between the African American Civil Rights community and the Jewish community,” Rabbi Michael Shire, the synagogue’s rabbi and a faculty member at Hebrew College told the Jewish Telegraphic Agency in a phone conversation a few days before the event.
King had professional and personal ties to the city he came to call his second home. He had earned his PhD in theology at Boston University. It was also the place where King first met and courted Coretta Scott, who was earning her master’s degree at the New England Conservatory of Music.
The Embrace, a massive sculpture and public memorial designed by renowned artist Hank Willis Thomas, honors the couple’s legacy and the role this city played in their lives. Unveiled Friday, the 20-foot-high bronze sculpture evokes the Kings in a hug that was inspired by a photograph taken in 1964, soon after the announcement that King had been chosen for the Nobel Peace Prize.
The Embrace is the largest American-made bronze sculpture in the country, according to Imari K. Paris Jeffries, executive director of Embrace Boston, the nonprofit leading the memorial.
“It is Boston’s Statue of Liberty,” he told WBUR.
The procession, which drew about 100 people, was meant to evoke the bond between the two giants of faith and the ties between the Black and Jewish communities represented by the Selma march, when Heschel famously carried a Torah scroll.
Rain cleared enough for the Boston Jews to carry a Torah of their own, which was rolled to this week’s portion, the beginning of the Book of Exodus. “It is a story of freedom and liberation,” Shire said before the procession. “As we march today, we will think about how that story is ever present in all of our lives.”
Jill Silverstein, a synagogue board member who cofounded its racial justice committee following the murder of George Floyd in 2020, said the committee members studied slavery and racism today, and engaged in self-reflection, said Silverstein, who watched the monument’s progress from her home nearby and called it “exquisite and different.” She said the march on Friday, which the synagogue group discussed with Embrace Boston leaders, is a first step in taking action as partners with others to combat racism.
“It‘s a rekindling of our commitment to racial justice, equity and equality,” Silverstein said.
The march comes at a moment of challenge. Antisemitic incidents and sentiments are on the rise, according to watchdog groups; Boston has been home to several in recent years, including the stabbing of a rabbi in 2021 that ignited shows of solidarity within the Jewish community. What’s more, several recent episodes have challenged Black-Jewish relations, including an extended antisemitic outburst by rapper Kanye West and the promotion of an antisemitic film by NBA star Kyrie Irving.
Emmanuel Church, an Episcopal congregation where the synagogue is located, and Congregation Mishkan Tefila, a Conservative synagogue in Brookline, were early partners for the event that the two synagogues intend as the first step to deepen their work with Black churches on pressing issues of racial and economic justice.
“In this atmosphere of antisemitism and racism, Blacks and Jews need to speak loudly in support of each other and against hatred and prejudice,” said Rabbi Marcia Plumb of Mishkan Tefilah in an email. (Plumb and Shire are married to each other.)
Among others who marched was Rabbi Jim Morgan, who leads congregations at both Harvard Hillel and for residents of Hebrew Senior Life communities, which sent a handful of residents to the event.
“There are people in my community who had taken part in the civil rights movement in the 1960s,” Morgan said.
Other cosponsors include the American Jewish Committee New England; the Jewish Community Relations Council of Greater Boston; Jewish Alliance for Law and Social Action; the Miller Center at Hebrew College and Center Communities of Brookline, residences of Hebrew Senior Life.
On Friday evening, Reverend Liz Walker, co-chair of the Embrace Boston committee and the pastor of Roxbury Presbyterian Church, will speak at Central Reform’s Friday night Shabbat service,
“The moment is almost beyond words … because of what the Kings meant here in Boston,” Walker, one of Boston’s most prominent Black clergy members, told JTA by phone. She said she planned to speak about how, at a time of divisiveness and polarization, a memorial “that speaks of love, unity, courage and justice” stands out.
Describing King and Heschel as prophetic voices, Walker said, “Those relationships [between faith leaders and the community] are more vital than ever and have to be lifted up because they are going to guide the world through this kind of minefield of negativity and animosity.”
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The post As Boston dedicates a massive monument to Martin Luther King, local Jews march in solidarity appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”