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Behind the scenes of Justin Jones’ viral ‘tikkun olam’ encounter with Jewish teens in DC

(JTA) — Sam Rosen and Noah Segal were sitting with their friends on the steps of the Executive Office Building in Washington, D.C., on Monday when they spotted one of America’s most talked-about politicians.

Justin Jones, a Democratic lawmaker in Tennessee whom Republicans kicked out of the state’s legislature in retaliation for a gun-violence protest, was walking by in his signature white suit.

“I remember me and my friend looking at him and being like, ‘Is that him? Is that really one of the Tennessee Three?’” Rosen recalled on Wednesday from his home in Dallas. “To me, he’s kind of the face of upholding democracy right now, so it was very cool to see that.”

Jones waved at their group, this year’s crop of Bronfman Fellows, a prestigious leadership program that aims to empower Jewish teens. That initiated an encounter steeped in Jewish lingo that went viral after a liberal news outlet in Tennessee shared a video on social media.

“Can I shake your hand?” Segal, a high school senior from Ardsley, New York, asked Jones. Several of the other teens introduced themselves, too, and one explained that they were all Jewish teens from across North America.

“This is a Jewish program?” Jones asked after giving a brief pep talk about getting more young people involved in politics, drawing an affirmative response.

“Tikkun olam,” Jones ventured, seemingly testing whether he had correctly named the Hebrew term meaning “repair the world” that has come to signify social justice in progressive circles.

“Yes,” the teens replied in unison, many of their faces lighting up with excitement. “We just talked about that!” Rosen said, with apparent delight. After chatting with the group for a few more minutes, Jones said he had to head off for a White House meeting with President Joe Biden — but he took the time first to pose for a picture with the group.

For many of the people who saw and shared the video, produced and posted Tuesday by the Tennessee Holler news site, the exchange offered an example of cross-cultural solidarity at a time of polarization. The video has been seen well over 2 million times on Twitter and more on other platforms.

“It seems like it resonated because it was a genuine, uplifting moment that showed how impactful it can be to have young leaders showing other young people the way forward — and because it crossed lines. Racial lines. Religious lines. Geographic lines. It shows how essential it is to come together,” Justin Kanew, Tennessee Holler’s founder and editor, told JTA. (The site was the first to report that a Tennessee school board had banned the Holocaust novel “Maus” last year.)

Kanew added: “Also: Justin Jones is the real deal. Sincere, and inspirational. So that helps.”

Jones burst onto the national scene last month when he and another Tennessee lawmaker were ejected from the state legislature after staging a protest over the Republican-led body’s inaction after a school shooting in Nashville. Both men are Black; a third lawmaker who protested is a white woman and she was not ejected. The racial disparity in the lawmakers’ treatment drew widespread criticism, even after local elected officials in Nashville and Memphis reversed the ejections.

The saga has made Jones into a folk hero among progressives, as well as an inspiration to those who want to see young adults — he is 27 – play an active role in shaping the country.

“Thank you for being a role model for the young,” Dan Libenson, the head of a Jewish education philanthropy who teaches in the Bronfman program, tells Jones in the video.

WATCH: “Thank you for being a role model for the young.”

As the #TennesseeThree arrived at the White House a group of Jewish students from across were there on a tour, and they were thrilled to meet @brotherjones_. #TikkunOlam pic.twitter.com/vii89sTsIp

— The Tennessee Holler (@TheTNHoller) April 25, 2023

Libenson told JTA that it had taken the group a moment to realize that the man in the white suit was in fact Jones, as the group had been sequestered at a Jewish retreat center in Maryland and had not heard about Jones’ visit, or about the backlash from some conservatives against it.

“As you can see from the video, as soon as it registered, we all rushed down to greet him,” Libenson told JTA in an email. “It’s clear that Gen Z has been traumatized by the mass shootings that seem to happen every day, and I think many of the fellows see Justin Jones as a hero for not taking no for an answer with regard to the safety of young people like them.”

Said Segal, “The whole seminar theme was vision and the future, so it was random and funky and cool to see someone who is right there making a change.” About Jones’ invocation of tikkun olam, he said, “I was impressed with him before that and impressed with him after that.”

The Bronfman Fellows program is not partisan, and participants hold a wide range of political views, according to Becky Voorwinde, the group’s CEO. But she noted that applicants for the fellowship must write about a contemporary issue that matters to them, and many choose gun violence. “It cuts across political viewpoints,” she said. “They grew up after Sandy Hook. This is their reality.”

Asked whether the issue was one he thought a lot about, Rosen answered, “How can it not be?”

He went on, “It’s not like it’s one awful shooting a year. It’s every day. It seems like it’s only a matter of time before it’s me. It’s not something that controls my entire life, but it’s always in the back of my mind.”

What the Bronfman Youth Fellows’ group photo with Tennessee Rep. Justin Jones looked like from the vantage point of where they’d been sitting before they spotted the prominent lawmaker. (Courtesy of Becky Voorwinde)

Segal said that he, too, viewed the threat of gun violence, alongside climate change, as one of the widest problems facing young people. In fact, he said, for part of a final project in the fellowship, he’d facilitated a discussion about what it means to fight antisemitism for a generation surrounded by mass shootings.

The Washington trip was a closing activity for the cohort of Bronfman Fellows, who first spent five weeks together last summer before getting together throughout the year virtually and in person. Before running into Jones, the group had been meeting with four Jewish White House staffers; afterward, they broke into small teams to meet with past fellows working in a wide array of jobs in the area.

The day before the viral encounter, the group visited a haredi Orthodox yeshiva in Baltimore. There, too, tikkun olam came up in discussion — but the head of the yeshiva seemed to dismiss it as a meaningful framework for Jewish life compared to the commandments of traditional Jewish law.

Rosen, who belongs to a Reform synagogue in Dallas and is headed to Brandeis University in the fall, pushed back.

“I said, ‘Rabbi, this is an obligation that we all uphold in our community. It’s a core value of Judaism and who I am,’” he recounted. “To me, that’s why it was so cool that Justin Jones said that.”

The entire encounter with Jones, Rosen said, felt authentic and empowering. And that feeling, Kanew said, could be contagious.

“Everything we need to save this country from descending into a dark place was right there in that exchange,” Kanew said. “And the beauty of it is everything that moment represents will inevitably come to fruition if people stay engaged and keep fighting for it. So it’s an incredibly hopeful moment, and hope is what people are looking for right now.”


The post Behind the scenes of Justin Jones’ viral ‘tikkun olam’ encounter with Jewish teens in DC appeared first on Jewish Telegraphic Agency.

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US, Israel Said to Plan New Iran Strikes as Tehran Pounds UAE

People walk past a billboard with a graphic design about the Strait of Hormuz on a building, amid a ceasefire between US and Iran, in Tehran, Iran, April 27, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

Israel and the US are coordinating plans for another round of strikes on Iranian targets, CNN reported Tuesday, as Iran kept up its attacks on the United Arab Emirates for a second straight day and amid reports that the Gulf state’s defense increasingly appeared to be drawing on Israeli support. 

CNN cited an Israeli source as saying that the plans, largely drawn up before the ceasefire with Iran began in April, include strikes on Iran’s energy infrastructure and targeted killings of senior officials.

“The intention would be to carry out a short campaign aimed at pressuring Iran into further concessions in negotiations,” the source said, adding that any decision to resume the war would be made by US President Donald Trump.

CNN also reported that an Israeli-operated Iron Dome battery intercepted an Iranian missile over the UAE on Monday, the first known use of the system to defend a Gulf state. The system had been secretly deployed there at the start of the war, according to the report, along with Israel Defense Forces (IDF) soldiers sent to operate the system. 

The system has so far intercepted dozens of Iranian missiles in the UAE, according to Israeli officials cited in a separate report by Axios.

The UAE said Iran fired 12 ballistic missiles, three cruise missiles, and four drones at the country on Monday. And then, according to Emirati officials, Iran launched additional missiles and drones on Tuesday. The UAE’s Foreign Ministry called the attacks a “serious escalation” and a “direct threat” to national security, adding that the UAE reserves its “full and legitimate right” to respond. 

Another report by the London-based Iran International said that Iranian President Masoud Pezeshkian was furious over the escalation and warned military commanders of the regime’s Islamic Revolutionary Guard Corps (IRGC) that the “completely irresponsible” attacks risked dragging Iran back into full-scale war.

He also described the IRGC’s handling of tensions with regional states as “madness,” the report said, citing sources close to the matter, and warned that the consequences could be irreversible.

The New York Times reported last week that senior IRGC commanders were increasingly driving decision-making in Tehran, with Iran’s new supreme leader, Ayatollah Mojtaba Khamenei, unable to command the system with the authority once wielded by his father. The report added to mounting rumors over Khamenei’s health and capacity, and to growing confusion over who is ultimately directing Iran’s military and political response.

Iranian state media, citing an unnamed military official, said that the strikes on the UAE were unintentional and “the result of the US military’s adventurism to create passage for illegal ship transit” through the Strait of Hormuz, a narrow waterway between the Persian Gulf and the Gulf of Oman through which about one-fifth of the world’s trade in oil and liquefied natural gas flows.

Adm. Brad Cooper, the head of US Central Command, on Monday said American forces had cleared a mine-free route through the strait, which Iran shut in response to the US-Israeli strikes, and were escorting civilian vessels when Tehran launched cruise missiles, drones, and small boats at ships under US protection.

US military helicopters destroyed six of the boats, Cooper told reporters, saying “each and every” threat had been defeated.

Beyond mounting escorted transits for commercial vessels, the US has countered Iran’s shutdown of the waterway by blockading Iranian ports, a move that has further crippled the country’s already ailing economy and pushed it to the brink of collapse.

Iran’s Revolutionary Guards issued a new warning Tuesday, saying any vessel that does not use the route approved by Tehran through the Strait of Hormuz would face retaliation.

“We warn all vessels planning to transit the Strait of Hormuz that the only safe passage is the corridor previously announced by Iran. Any diversion of ships to other routes is dangerous and will result in a firm response from the Iranian Revolutionary Guards navy,” the Guards said in a statement carried by state television.

IDF Chief of Staff Lt. Gen. Eyal Zamir on Tuesday said the military was “closely monitoring developments in the Gulf” and is “prepared to respond with force against any attempt to harm Israel.”

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Brooklyn Nets Forward Michael Porter Jr. Defends Deni Avdija Against Hate for Representing Israel

Mar 2, 2025; Cleveland, Ohio, USA; Portland Trail Blazers forward Deni Avdija (8) drives to the basket against Cleveland Cavaliers guard Ty Jerome (2) and forward Dean Wade (32) during the second half at Rocket Arena. Photot: Ken Blaze-Imagn Images via Reuters Connect

Brooklyn Nets forward Michael Porter Jr. defended fellow NBA player and Trail Blazers forward Deni Avdija against the hate he receives for representing his home country of Israel.

Porter Jr. recently made an appearance on a live stream with YouTuber N3on and mentioned that Avdija is a player who gets to the free-throw line often. N3on then commented that Avdija “gets a lot of hate,” referring to hate messages on social media, even though “he’s a good player.” When Porter asked the streamer if Avdija is criticized because he is Jewish, N3on replied yes.

“Really? What are people mad about?” Porter asked.

“Because he wore a flag or something,” N3on replied, referring to Avdija’s public display of pride for Israel, such as wearing a jersey featuring an Israeli flag or draping himself in an Israeli flag on the court.

“It’s so weird,” Porter said in response. “Do people not want others to represent their country? What do they expect from him?”

Avdija, who is set to become a free agent in 2028, is the first Israeli to be named an NBA All-Star and last month became the first Israeli to reach and win an NBA Playoff game. Unfortunately, the Portland Trail Blazers ended their 2025-26 season last week with a 114-95 loss to the San Antonio Spurs in the first round of the 2026 playoffs.

Earlier the year, Avdija spoke to The Athletic about the hate that he receives as an NBA player from Israel.

“I obviously stand for my country, because that’s where I’m from. It’s frustrating to see all the hate,” he said. “Like, I have a good game or get All-Star votes, and all the comments [on social media] are people connecting me to politics. Like, why can’t I just be a good basketball player? Why does it matter if I’m from Israel, or wherever in the world, or what my race is? Just respect me as a basketball player.”

“You don’t have to love what I stand for or how I look, but if I’m a good player, give props,” Avdija added. “All this hate … for no reason, like I’m deciding things in the world … I’m from there, and I respect my country, and I stand behind it. I’m a proud Israeli because that’s where I grew up. I wouldn’t be where I am today if it weren’t for Israel and the support the people and fans gave me. But all the extra stuff around it? It’s just unnecessary.”

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Mike Stoller and Iris Rainer Dart talk ‘Beaches’ and reviving their Yiddish musical

A Peanuts poster in the background of our video call reminds Iris Rainer Dart of her brief time starring in a musical.

“I was the understudy for Judy Kaye in the L.A. company of You’re A Good Man, Charlie Brown,” recalled Dart, 82, the author of the bestselling novel Beaches and the book and lyrics for the new Broadway musical based on it. “She wanted to go home for Thanksgiving, and so they let me go on one time to see if I could do it. And then for Thanksgiving, I had a peanut butter and jelly sandwich and then went on as Lucy!”

After that, it was curtains. “That’s my distinguished acting career,” Dart said. “Boy, am I glad it gave me up!”

But Dart never gave up on musicals, which she started writing as an undergrad at Carnegie Mellon with an up-and-coming composer named Stephen Schwartz. She worked as a writer for Sonny and Cher’s variety show, and used Cher as a partial model for the character of Cee Cee Bloom, the brassy diva whose friendship with the more refined Bertie White is the center of Beaches. (There’s a bit of Dart in Bloom, too — namely the Jewishness.) Years later, after Garry Marshall directed the 1988 film version of Beaches, Bette Midler, who gave life to Cee Cee on screen, asked Dart to write a new vehicle for her.

Searching for subject matter, Dart remembered her stint as a replacement teacher at her daughter’s Jewish school in her largely Judenrein neck of California. She felt unprepared to take over — “The understudy doesn’t know the lines” — but she got mailers from Jewish institutions to develop her lesson plans. One was a catalog of Yiddish films.

Growing up in Pittsburgh with Yiddish-speaking immigrant parents, she didn’t need subtitles to watch them. Inspired, she wrote what would become The People in the Picture, a memory play of Yiddish theater and the Holocaust.

Midler wouldn’t go on to star in the show, which debuted on Broadway in 2011 with Donna Murphy, but she made the shidduch between Dart and Mike Stoller, the legendary songsmith who, with lyricist Jerry Leiber, penned “Hound Dog,” “Jailhouse Rock,” “Yakety Yak” and, yes, a tune called “Charlie Brown” for the Coasters.

When it came time to adapt Beaches, a story built in part around backstage drama, and an enduring friendship that grows out of it, Dart reconnected with Stoller after working with a different composer on a previous run of the show.

Stoller, 93, has had his music feature in many Broadway musicals — mostly of the jukebox variety, long after they had already been hit records. He says he approaches crafting an original score differently, writing for characters rather than an artist like Elvis. With Beaches he set out to write a “musical-musical,” that was traditional and book-driven. In the case of both Beaches and People in the Picture, there’s a heaping helping of Yiddishkeit.

One line that has audiences rolling in the aisles comes when Cee Cee (played by Jessica Vosk) pays a visit to her friend Bertie (Kelli Barrett), whose mother is dying at a Catholic hospital. She tells the nuns “my mother used to point you out to me on the street and say, ‘At least they married a Jewish guy.’”

Stoller spent some of his early years living in the converted basement of his grandparents’ house in Bell End, Queens. His grandmother spoke Yiddish, Russian, Polish and English with a Cockney accent.

“She left Bialystok and moved to Whitechapel in London on her way to America,” Stoller explained.

Stoller never had a bar mitzvah, and learned his father didn’t either. It was only when the family moved to California that Stoller learned his dad, A.L. Stoller’s, full name.

“I was thrilled to find out that his name was really ‘Abraham Lincoln Stoler,’” Stoller recalled. “In a way, it sounded Black, and I was working primarily with African American people when I started writing along with Jerry, and those were the singers that inspired us, and so I felt additional pride in his name.”

The People in the Picture brought Stoller to tears. Beaches, which (spoilers for a 41-year-old story) ends with Bertie’s untimely death, has audiences cracking up before they reach for a Kleenex.

The one song Stoller didn’t compose for the show is “The Wind Beneath My Wings,” which became a standard from the film. But beyond that, the story stays truer to Dart’s novel than the movie did.

“I always knew, because I wasn’t writing it, that it would not be the story that I wanted to tell,” said Dart of the film version. “The story I wanted to tell was in the book and in this musical.”

In the meantime, Stoller and Dart want to bring back People in the Picture. Dart said she has a new draft ready to go.

“I’m hoping that maybe we can get Jeff Goldblum, who says he loves Yiddish,” Dart said. “He’s from Pittsburgh also, and I think his father, Dr. Goldblum, may have been the doctor to my family, to my mother. Because there were two Dr Goldblums, and one of them was an eye doctor, and my mother was always trying to fix him up with my cousin.”

“Need I say more?” Dart asked.

The post Mike Stoller and Iris Rainer Dart talk ‘Beaches’ and reviving their Yiddish musical appeared first on The Forward.

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