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Blinken: US will judge Israeli government on its policies, not its politicians
WASHINGTON (JTA) — The Biden administration will base its relationship to Israel’s incoming government on the actions it takes, not the people installed in positions of power, U.S. Secretary of State Antony Blinken said during a speech Sunday.
Blinken’s speech, to the conference of the liberal Jewish Middle East policy group J Street, was notable because it offered the first official response to deepening questions about how the White House would work with a Israeli government that includes far-right parties. Until now, sources close to the administration had suggested that the White House could decline to meet with those parties’ leaders.
Blinken said the Biden administration would “continue to unequivocally oppose any acts that undermine the prospects of a two-state solution, including, but not limited to, settlement expansion; moves toward annexation of the West Bank; disruption to the historic status quo at holy sites; demolitions and evictions; and incitement to violence.”
The speech drew criticism from some J Street followers for stopping short of dealing firmly with an incoming Israeli government that they feel is taking aim at some of Israel’s core democratic principles.
“I had zero expectations for Blinken’s speech. And he couldn’t even meet those,” said Richard Goldwasser, a former J Street board member from Chicago, on Twitter. “Pablum on Xanax.”
The theme of J Street’s conference this year was battling anti-democratic forces in Israel and in the United States. Jeremy Ben-Ami, in his opening speech Saturday night, unveiled the group’s new motto, “Pro Israel, pro-peace, pro democracy”; the “pro-democracy” element was new. Ben-Ami drew a contrast with J Street’s main rival, the American Israel Public Affairs Committee.
AIPAC drew liberal Jewish criticism after its launch last year of political action committees that back an array of candidates, ranging from progressive to far right. It has also declined to comment on the likely inclusion in Netanyahu’s government of far right extremists, including Itamar Ben-Gvir, a disciple of the late racist rabbi Meir Kahane.
“So rather than focusing on defeating the white nationalists and the election deniers, with whom most of Jewish America has nothing in common, they instead are spending tens of millions of dollars to defeat liberal and progressive candidates who may or may not have once in their lives uttered a critical word about Israeli policy,” Ben-Ami said. “Organizations that failed to call out the Ben-Gvirs and the [Bezalel] Smotriches of Israel while endorsing the Jim Jordans, the Andy Biggs, the Scott Perrys here in the U.S. do not speak for us.”
Perry of Pennsylvania, Biggs of Arizona and Jordan of Ohio have all to varying degrees endorsed the election lies by President Donald Trump that spurred the deadly Jan. 6, 2021, insurrection at the U.S. Capitol.
J Street’s conference was focused on democracy in the United States at times to the exclusion of the issue that founded the organization in 2008, Israeli-Palestinian peace. In a 30-minute keynote speech Saturday night, Rep. Jamie Raskin, a Jewish Democratic congressman from Maryland known for his constitutional expertise, barely mentioned Israel.
“I know that you know what it means to be pro-Israel and pro-peace,” Raskin said. “And I want to just discuss for my time with you tonight what it means to be a pro-democracy American in 2022 in a rather frightful world where so many people have turned to propaganda and conspiracy theory and disinformation and fanaticism and authoritarianism.” He was interrupted multiple times by applause.
AIPAC mocked J Street for its absence of conventional pro-Israel content. “Not a word of praise for Israel,” the organization said in a tweet attached to a photo of Ben-Ami speaking at the conference. “Not a single recognition of Israel’s achievements or value. Not a single embrace of the Israeli people.”
Noa, the Israeli singer-songwriter, also appeared on Saturday night, singing songs that had been penned by Palestinian-Israelis. She likened the relationship of the Jewish Diaspora to Israel to that of a mother to a daughter, saying that mothers need to look out for the children, whatever tensions may arise.
“The Jewish people needs to help the maturing child,” she said, reflecting a theme that it repeated itself throughout the conference: that a voice like J Street was especially needed at a time of crisis in its democracy. “The worst thing we could do is walk away,” said Rabbi Jill Jacobs, the director of T’ruah, a rabbinic human rights group.
Blinken did speak about the Israeli-Palestinian conflict, reflecting the pessimistic mood in the room but saying that he believed progress could still be achieved.
“I know that many people are disillusioned,” he said. “Many people are frustrated. We’ve been trying to get to a two-state solution for decades, and yet it seems that we’ve only gotten further away from that goal. But we cannot afford to give up hope. We cannot succumb to cynicism. We cannot give in to apathy. It’s precisely when times are difficult — when peace seems even further from reach — that we’ve simply got to work harder, that we must continue to pursue whatever openings we can to show that progress is still possible.”
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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