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Comedians defend Israel the best way they know how: Make ’em laugh

(JTA) — In his viral video on social media after the Hamas attack on Israel, comedian Daniel-Ryan Spaulding riffs on the imagined reactions of an intolerably “woke” activist.

“If there was a Hamas terrorist attack at a queer rave in Brooklyn or Berlin, there’d probably be a purple-haired girl in the center of the massacre watching all her friends being brutally murdered [switches to a high-pitched voice]: ‘It’s OK, guys, resistance is justified when people are occupied! It’s Israel’s fault!’”

He continues: “Her best friend’s being burned alive and mutilated. [He switches to character’s voice] ‘It’s okay, McKayla, take one for the team!’ She’d probably take a knife and start stabbing herself. [He mimics stabbing himself] ‘I’m fighting apartheid!’”

Funny? To some. Provocative, certainly. Spaulding’s video has been viewed 9 million times.

With the war on Gaza, hostages still in captivity, antisemitism raging around the world and on U.S. college campuses, there doesn’t seem much to laugh about. But many people like Spaulding are using humor to push back against what they see as a propaganda war against Israel and Jews.

After the attack, “I saw friends of mine posting ‘Palestinians have the right to defend themselves,’” said Spaulding, 38, a Canadian who is not Jewish but had just performed in Tel Aviv. He thought his friends didn’t understand what really happened on Oct. 7.

“I had been visiting Israel for so long I forgot how antisemitic people were and how much they hated Israel,” he said. He wanted to say something, and finally posted his first comedic video defending Jews and Israel.

“Comedians are social critics: We have the ability through humor to expose hypocrisy, to make people think about things in a certain way,” he said. “Doing the right thing doesn’t come at the right time. You have to be brave, there might be a risk and consequences.”

“Comedians are social critics,” says Daniel-Ryan Spaulding, a Canadian comic who had just performed in Tel Aviv when Hamas launched its Oct. 7 attack. (Courtesy)

Some comedians already in the Jewish space are devoting content to current affairs. On social media, Alex Edelman, star of Broadway’s “Just For Us,” spoofed Hamas’ call for a global Day of Rage: “Yesterday was the day of resistance, today is the day of rage, tomorrow you rest, because you’re tired from all the rage, and then Sunday’s pizza, and then Monday you’re back to rage! And Tuesday’s obviously tacos.”

@alexedelman♬ original sound – Alex Edelman

He followed that video with one advising Jews to pick a “gentile” name for when things get really bad, by combining the name of a president and a small city. (Edelman’s gentile name is Thomas Albany III, “but my friends call me Tug,” he jokes.)

Jews use humor in times of trouble in a lot of different ways, said Jeremy Dauber, professor of Yiddish, literature and culture at Columbia University and the author of “Jewish Comedy: A Serious History.” “There are theories that humor helps to provide a sense of resilience — to help endure and psychologically manage stressful situations,” he said.

Joking about a situation might provide audiences some comfort, or a sense of control over something “that they know is all too well beyond their power to control,” Dauber said, noting that comedy also may be used to cut opponents down to size.

That seems to be the purpose of many humorous viral TikToks by Israelis. In Israel, it seems like every soldier, comedian, actress or cute kid is making reels to amuse, inspire or distract Israelis.

“Pardon my French, but listen to me good: the minute you crawl out of your hiding place I will break your unibrow. You are ruining my quality of life, I won’t put up with this anymore!” says Moshe Korsia, an Israeli singer now serving in the reserves, in a Hebrew reel directed at Hamas. In the video, he wears his uniform and makes coffee, his signature move.

Korsia posts multiple videos a day. He has 200,000 followers on TikTok and 250,000 on Instagram, and his videos regularly get over 100,000 views.

@moshekorsiaתתפללו לרפואתה ♬ צליל מקורי – Moshe Korsia

Israeli comedian Adir Miller even joked about soldiers acting out on social media, during a recent performance for troops in the field. “I have a little problem with the soldiers on the internet,” said Miller. “Politicians tell the soldiers, ‘You guys are lions, leopards, foxes,’ but I go on TikTok and I see all the soldiers [imitates a soldier singing and dancing to a trivial Israeli pop song]. What is up with this? Stop it! Do you see Hamas doing this?”

Actress Meital Avni (4.1 million views on TikTok) has lately used her platform to call out what she sees as hypocrisy on the part of the media and Israel’s critics. She too mocked the BBC, which apologized Wednesday for reporting that the Israeli military was targeting medical teams and at Gaza’s Al-Shifa Hospital.”Oops, you did it again,” she sang, quoting a Britney Spears song. “You gave a fake report/it was a mistake…”

Humor as a response to the trauma of Oct. 7 and the war that has followed is not for everyone, though. “I’ve always relied on humor to overcome hardship, even to gain strength from it,” said Hadas Bueno, a therapist who helps children in Israel process their emotions. “After such a horrendous disaster I didn’t think it would be possible to consider using humor.”

But she changed her mind when she saw a comedy sketch on Israel’s popular satire show “Eretz Nehederet” (“It’s a Wonderful Life”). In it, a character based on Rachel Edri, the real-life woman who offered cookies to the Hamas terrorists who broke into her home in Ofakim, is now leading Israel’s military.

“As Jews, we know how to use sarcastic and commendable humor better than anyone else because history has taught us that we must learn to laugh even when it’s tough to continue, survive, and be strong,” said Bueno.

“Eretz Nehederet” writer Itay Reicher, who helped pen the Rachel skit, has been with the show for 17 of the 20 years it has been on the air.

“We’ve been writing the show through three-and-a-half wars — I think the new thing is that it gets a wider audience,” said Reicher, who also wrote two viral English-language sketches: the BBC “news” spoof where newscaster “Harry Whiteguilt” shows a video of the hospital bombing from “Hamas, the most credible not terrorist organization in the world,” and the “Welcome to Columbia Untisemity” skit, where a pink-haired student says “everyone is welcome, LGBTQ-H” — noting the H is for Hamas.

Reicher said the parody of pro-Palestinian activism on American college campuses hit a chord on both sides of the debate. “We’re very passionate about the woke ultra-left progressive students in colleges ripping down posters of children torn from their beds, and I think we knew it was resonating when people disliked it. It unsettled them,” he said. “It put a mirror in front of them.” The video has gotten 17 million views on Twitter alone.

Spaulding, the Canadian comic, also put out a reel about anti-Israel activists tearing down posters depicting the Israelis taken hostage by Hamas. He calls them out, “in your little Yassir Arafat scarves doing your little Jihad Jane cosplay … I’m a gay guy, I’m going down with the Jews.”

Does Spaulding — who appears in his off-Broadway show “Power Gay” at Red Eye NY on Nov. 19 and 24 — think that his videos will reach anyone outside the bubble of Israel supporters?

“I don’t know if I’m changing minds,” he said. “But at least I’m trying.”

—
The post Comedians defend Israel the best way they know how: Make ’em laugh appeared first on Jewish Telegraphic Agency.

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The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post The BBC Documentary That Paints Every Israeli as an Extremist first appeared on Algemeiner.com.

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Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

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Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

The post Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage first appeared on Algemeiner.com.

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