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Congressman-elect with fabricated resume also lied about having Nazi refugee grandparents
(JTA) — When The New York Times reported earlier this week that virtually the entire resume of George Santos, recently elected as a Republican congressman from Long Island, appeared to be a fabrication, it left untouched one detail: his claim to Jewish heritage.
On his website, Santos said his maternal grandparents were refugees from the Nazis when they arrived in Brazil. He also said that he counted as his own his mother’s “Jewish background beliefs” as well as his father’s Catholicism.
The Jewish Telegraphic Agency reported on Monday that Santos’ claim that his mother was Jewish had no evidence and was suspicious given her name, common among Brazilian Catholics, and her online obituary, which did not mention any Jewish identity.
“I asked him about this. He identifies as Jewish,” the head of the Republican Jewish Coalition, which had been feting Santos as one of two new Republican Jews in Congress, told JTA at the time.
Now, the Forward has identified records indicating that Santos’ grandparents had not in fact fled Ukraine or the Nazis in Belgium. Santos’ claim to be the descendant of refugees of anti-Jewish persecution, it appears, is also a lie.
Both of Santos’ maternal grandparents were born in Brazil, according to the records identified by the Forward, which also obtained a 1954 Brazilian newspaper article reporting that his great-grandfather immigrated from Belgium in 1884. The great-grandfather was listed in church records on the occasion of his daughter’s marriage in 1928, according to the Forward, which obtained a photograph of the family in Brazil that appears to be from the early 20th century.
Jewish Insider, meanwhile, obtained records from a Brazilian national civil identification database further undermining Santos’ story. And CNN scrutinized multiple databases about people persecuted by the Nazis and found no record of Santos’ family.
“There’s no sign of Jewish and/or Ukrainian heritage and no indication of name changes along the way,” Megan Smolenyak, a professional genealogist, told CNN after researching Santos’ family history.
Robert Zimmerman, the Democrat who conceded to Santos after losing by 8 points, told the Forward that Santos’ apparent fabrications about his Jewish heritage was especially galling, even amid a string of apparently false claims about his career, education and even address.
“That he would actually lie about the Holocaust to try to promote himself, it’s not offensive — it’s sick and obscene,” Zimmerman told the Forward. “It’s one of the most vile things you can do, to actually use one of the world’s greatest tragedies, the death of 6 million, as a political stunt.”
There are many reasons why someone might lie about being Jewish. Some people falsely claim Jewish identity out of a desire to identify with those who are oppressed. There can also be opportunistic reasons, to derive benefits available to Jews. And a small group of people simply lie a lot, about all kinds of matters, according to researchers who found that 5% of people report telling half of all lies. (That finding was recently reported in a New York Times article about the former chief of the National Yiddish Theatre Folksbiene, who resigned from a subsequent role after his own fabricated resume was exposed.)
Santos has not offered any insights about what drove his many apparent lies, which troubled some but were not reported in full until after his election. He did not respond to JTA’s efforts to reach him through multiple pathways on Monday and has not commented publicly since.
But it is clear that laying claim to a Jewish identity could easily have been seen as a selling point in New York’s Third Congressional District, home to a large and growing Orthodox Jewish population. Zimmerman is Jewish.
For now, the Republican Jewish Coalition, which hosted Santos at a Hanukkah party the night before the New York Times story broke, has adjusted its earlier nonchalance about Santos’ background.
The group “is aware of the claims being made against Congressman-elect George Santos, and we have reached out to his office directly to ascertain whether they are true,” CEO Matt Brooks said in a statement Wednesday. “These allegations, if true, are deeply troubling. Given their seriousness, the Congressman-elect owes the public an explanation, and we look forward to hearing it.”
Meanwhile, scrutiny of Santos’ claims is continuing, with new information calling into question his self-identification as having been openly gay for more than a decade. The Daily Beast broke the news Thursday that Santos had not disclosed a marriage to a woman that ended in divorce in 2019, and said it had been unable to find a marriage record for the man Santos says is his husband.
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The post Congressman-elect with fabricated resume also lied about having Nazi refugee grandparents appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”