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Congressman-elect with fabricated resume also lied about having Nazi refugee grandparents
(JTA) — When The New York Times reported earlier this week that virtually the entire resume of George Santos, recently elected as a Republican congressman from Long Island, appeared to be a fabrication, it left untouched one detail: his claim to Jewish heritage.
On his website, Santos said his maternal grandparents were refugees from the Nazis when they arrived in Brazil. He also said that he counted as his own his mother’s “Jewish background beliefs” as well as his father’s Catholicism.
The Jewish Telegraphic Agency reported on Monday that Santos’ claim that his mother was Jewish had no evidence and was suspicious given her name, common among Brazilian Catholics, and her online obituary, which did not mention any Jewish identity.
“I asked him about this. He identifies as Jewish,” the head of the Republican Jewish Coalition, which had been feting Santos as one of two new Republican Jews in Congress, told JTA at the time.
Now, the Forward has identified records indicating that Santos’ grandparents had not in fact fled Ukraine or the Nazis in Belgium. Santos’ claim to be the descendant of refugees of anti-Jewish persecution, it appears, is also a lie.
Both of Santos’ maternal grandparents were born in Brazil, according to the records identified by the Forward, which also obtained a 1954 Brazilian newspaper article reporting that his great-grandfather immigrated from Belgium in 1884. The great-grandfather was listed in church records on the occasion of his daughter’s marriage in 1928, according to the Forward, which obtained a photograph of the family in Brazil that appears to be from the early 20th century.
Jewish Insider, meanwhile, obtained records from a Brazilian national civil identification database further undermining Santos’ story. And CNN scrutinized multiple databases about people persecuted by the Nazis and found no record of Santos’ family.
“There’s no sign of Jewish and/or Ukrainian heritage and no indication of name changes along the way,” Megan Smolenyak, a professional genealogist, told CNN after researching Santos’ family history.
Robert Zimmerman, the Democrat who conceded to Santos after losing by 8 points, told the Forward that Santos’ apparent fabrications about his Jewish heritage was especially galling, even amid a string of apparently false claims about his career, education and even address.
“That he would actually lie about the Holocaust to try to promote himself, it’s not offensive — it’s sick and obscene,” Zimmerman told the Forward. “It’s one of the most vile things you can do, to actually use one of the world’s greatest tragedies, the death of 6 million, as a political stunt.”
There are many reasons why someone might lie about being Jewish. Some people falsely claim Jewish identity out of a desire to identify with those who are oppressed. There can also be opportunistic reasons, to derive benefits available to Jews. And a small group of people simply lie a lot, about all kinds of matters, according to researchers who found that 5% of people report telling half of all lies. (That finding was recently reported in a New York Times article about the former chief of the National Yiddish Theatre Folksbiene, who resigned from a subsequent role after his own fabricated resume was exposed.)
Santos has not offered any insights about what drove his many apparent lies, which troubled some but were not reported in full until after his election. He did not respond to JTA’s efforts to reach him through multiple pathways on Monday and has not commented publicly since.
But it is clear that laying claim to a Jewish identity could easily have been seen as a selling point in New York’s Third Congressional District, home to a large and growing Orthodox Jewish population. Zimmerman is Jewish.
For now, the Republican Jewish Coalition, which hosted Santos at a Hanukkah party the night before the New York Times story broke, has adjusted its earlier nonchalance about Santos’ background.
The group “is aware of the claims being made against Congressman-elect George Santos, and we have reached out to his office directly to ascertain whether they are true,” CEO Matt Brooks said in a statement Wednesday. “These allegations, if true, are deeply troubling. Given their seriousness, the Congressman-elect owes the public an explanation, and we look forward to hearing it.”
Meanwhile, scrutiny of Santos’ claims is continuing, with new information calling into question his self-identification as having been openly gay for more than a decade. The Daily Beast broke the news Thursday that Santos had not disclosed a marriage to a woman that ended in divorce in 2019, and said it had been unable to find a marriage record for the man Santos says is his husband.
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The post Congressman-elect with fabricated resume also lied about having Nazi refugee grandparents appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
