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Disney+ series ‘A Small Light’ tells the Anne Frank story from the perspective of the woman who hid her
(JTA) — The short life of Anne Frank has inspired generations of filmmakers and television producers. The list of past productions range from “The Diary of Anne Frank” (1959), whose director George Stevens witnessed Nazi occupation as a U.S. army officer, to the Academy Award-winning documentary “Anne Frank Remembered” — featuring the only known footage of Anne — to the Emmy Award-winning dramatized miniseries “Anne Frank: The Whole Story” (2001).
On Monday night, viewers will get another TV version. But “A Small Light,” an eight-episode series premiering on National Geographic and streaming Tuesday on Disney+, tells the story from a new perspective: through the eyes of the woman who hid the Frank family.
Miep Gies was an independent 24-year-old with a busy social calendar and a dance club membership when she began working for Anne Frank’s father Otto in 1933 at Opekta, his successful jam business in Amsterdam. As Jews were rounded up and deported from the Netherlands in 1942, her Jewish boss asked if she would be willing to hide his family in an annex above the office, and she did not hesitate.
“A Small Light” stars Bel Powley as Gies, Joe Cole as her husband Jan Gies and Liev Schreiber as Otto Frank. It’s named for a quote from the real Gies, who once said that she did not like to be called a hero because “even an ordinary secretary or a housewife or a teenager can turn on a small light in a dark room.”
That metaphor had literal meaning for the Frank family and four others in the secret annex, who spent two years in a dark 450-square-foot space behind a hinged bookcase. Gies, her husband and four other employees of Otto Frank secretly kept eight Jews alive while running his business downstairs. Gies brought them food and library books, using black market ration cards and visiting several different grocers to avoid suspicion. Anne Frank said in her diary, “Miep is just like a pack mule, she fetches and carries so much.”
In the series, the “dark room” is seen less than Gies’ frenzied bicycle trips across Amsterdam, as she tries to sustain the appearance of a normal life. Her secret pushes her away from friends and family, while her marriage strains under the weight of ever-looming disaster. The creators of “A Small Light” sought to recreate a hero as a modern, flawed, at times even annoying person.
“She’s not some kind of saint,” executive producer Joan Rater told the Jewish Telegraphic Agency. “She had moods, she had a new marriage, she wanted to hang out with friends. She wanted to take a day off and she couldn’t.”
“I think everyone can relate to Miep,” said Powley, an English-Jewish actress known for starring in several British shows and in American films such as “The King of Staten Island.” “She was just an ordinary person in extraordinary circumstances.”
Although “A Small Light” is rife with tense scenes and suspense, the producers fashioned it with young audiences in mind. The show conspicuously avoids the explicit violence and horror typically expected of its subject matter, leaving out concentration camps and murders. Rater and co-creator Tony Phelan wanted children like their own to watch the series. While they were writing it, their daughter was the same age as Anne was when she was writing her diary.
Some young viewers have seen Anne’s story being swept up in literary purges across U.S. school districts, as part of the debate over what should be taught in American classrooms. Earlier this month, a Florida high school removed an illustrated adaptation of her diary after determining that references to her sexuality were “not age appropriate.” The same edition was previously yanked from a Texas school district, although it was reinstituted after public outcry. Meanwhile, a Tennessee school board banned “Maus,” Art Spiegelman’s Pulitzer Prize-winning graphic novel about his father’s experience in the Holocaust, after objections over curse words and nudity last year.
The name “Anne Frank” has long been synonymous with Holocaust education as her diary remains one of the world’s most-read books, with translations in over 70 languages. But the “relatable” rescuer presents another appealing way to teach children about one of the most wretched chapters in human history, said Brad Prager, a professor of German and film studies at the University of Missouri.
“It is the message that people like to hear,” Prager told the JTA. “If you ask a fourth-grader why we watch TV and movies — well, this is so that you can learn to do the right things, or you can learn that in certain circumstances anyone can be a hero.”
Liev Schreiber plays Otto Frank and Amira Casar plays Edith Frank in “A Small Light.” (National Geographic for Disney/Dusan Martincek)
A broader lens on the Netherlands during World War II is less palatable. The Germans and their Dutch collaborators implemented a highly effective system of persecution: Between 1942 and 1944, about 107,000 Dutch Jews were deported primarily to Auschwitz and Sobibor, then murdered. Only 5,200 of them survived.
Although Gies did everything she could to save the Jews in her care, the unwritten ending to Anne’s diary is well-known. Three days after her last entry in August 1944, Dutch police officers led by SS officer Karl Josef Silberbauer raided the annex. Gies escaped arrest by observing that she and Silberbauer shared a hometown.
“My luck was that the police officer in charge came from Vienna, the same town where I was born,” she said in a 1997 interview with Scholastic. “I noticed this from his accent. So, when he came to interrogate me, I jumped up and said, as cheerfully as I could, ‘You are from Vienna? I am from Vienna too.’ And, although he got very angry initially, it made him obviously decide not to arrest me.”
In a valiant last-ditch effort, Gies walked into the German police office the next day and attempted to buy her friends’ freedom. She was unsuccessful.
Gies found Anne’s notebooks and papers strewn on the annex floor. Without reading them, she gathered and tucked the writings into a drawer, hoping to return them to their owner. Germany had all but lost the war already, with Allied troops less than 250 miles from Amsterdam.
The Franks were packed on the last train ever to leave the Westerbork transit camp for the Auschwitz extermination camp. Otto was separated from his wife Edith and daughters Anne and Margot on the Auschwitz platform. In October, the girls were transported to Bergen-Belsen, and Edith succumbed to starvation in January 1945. Her daughters died of typhus a month later, when Anne was 15 years old.
Some studies have suggested that knowledge about the Holocaust is diminishing. In 2020, the Claims Conference found that 63% of Millenial and Gen Z Americans (ages 18-39) did not know that six million Jews were murdered in the Holocaust. More than 10% did not recall ever hearing about the Holocaust, while 11% believed that Jews caused it. Another Claims Conference survey reported that despite living in the country where Anne hid from the Nazis, a majority of Dutch people did not know the Holocaust took place there.
“In a time that antisemitism is on the rise and there are more displaced people in the world than there ever have been before, it couldn’t be a better time to re-explore this part of history, but through the lens of this ordinary young woman,” said Powley.
While “A Small Light” celebrates the power of the individual, the fate of Anne Frank also represents the failure of the whole world, said Prager. By centering Gies’ perspective, he said, the series risks making Anne a peripheral character in her own brutally aborted story.
“When you decenter Anne Frank, one thing is that you lose the Jewish perspective on the persecution,” he said.
Otto Frank, the sole survivor from the annex, appeared at Jan and Miep Gies’ doorstep after the war and ended up living with them for over seven years. In July 1945, Gies watched as he received the notice that his children were dead.
“He took it in his hands and suddenly he became eerily quiet,” Gies said in an interview for the Anne Frank House. “You cannot explain it, it was a silence that speaks. I looked up. He was white as a sheet. And he handed me the letter.”
Gies read the piece of paper, stood up and opened her desk drawer. “I took all the diaries, with all the separate sheets and everything and handed them over to Mr. Frank,” she said.
She told him, “This is your daughter Anne’s legacy.”
In 2010, Gies died at 100 years old. Every year on Aug. 4 — the day the Franks were arrested — she stayed at home, drew her curtains and did not answer the phone or doorbell.
Powley believes the show’s angle gives a fresh perspective on “your mom’s dusty copy of Anne Frank’s diary.” She approached the role of Gies with a heavy sense of responsibility.
“I feel a deeper connection to this story than I have with other projects,” she said. “This offer came to me on Holocaust Memorial Day and it immediately had that special feeling to it. My grandma, the Jewish matriarch of my family, died during COVID. I feel that she would be proud.”
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NYPD commissioner Jessica Tisch apologizes for allowing ‘turmoil’ outside synagogue
(JTA) — Days after pro-Palestinian protesters shouted chants including “Globalize the Intifada” and “Death to the IDF” outside an Upper East Side synagogue, NYPD Commissioner Jessica Tisch, who is Jewish, apologized to the congregation during Shabbat services.
Tisch told congregants it was the police department’s duty “to ensure that people could easily enter and leave shul.”
“That is where we fell short,” Tisch said, according to reports from the service. “And for that, I apologize to this congregation.”
The apology from Tisch, who said police allowed “turmoil” to take place outside a synagogue on Wednesday night, was far apart in its tone from the statement issued by Mayor-elect Zohran Mamdani’s team, which “discouraged” the language at the protest, while suggesting that the event was a misuse of a “sacred space.”
The protest occurred outside Park East Synagogue, a prominent Orthodox congregation, while it hosted an event promoting migration to Israel. The protest drew allegations of antisemitism from Jewish leaders and major Jewish organizations, as well as elected officials like Gov. Kathy Hochul and Mayor Eric Adams.
But some also criticized the police response, saying they allowed the confrontation to unfold.
“What I find most disturbing is that the police, who knew about this protest a day in advance, did not arrange for the protesters to be moved to either Third or Lexington Avenues,” said Rabbi Marc Schneier, whose father is the longtime senior rabbi at Park East Synagogue, the day after the protest. “Instead, they allowed the protesters to be right in front of the synagogue, which put members of the community at risk.”
Tisch acknowledged on Saturday that police should have set up a “frozen zone” at the synagogue’s entrance; because one was not set up, she said, “the space right outside your steps was chaotic.” Pens with barricades were set up for both the pro-Palestinian protesters and pro-Israel counter-protesters, though the former group “headed for the building entrance before ultimately pulling back to their pen,” a police source told the New York Daily News.
Tisch said that the protesters were protected by a First Amendment right to protest, even near a house of worship, and said “the NYPD must uphold that right.”
“They have the right to say things that are incredibly painful to hear. I understand that pain, deeply and personally,” Tisch said.
But, Tisch continued, police could have done more to shield attendees of the event.
“You deserved an NYPD posture that recognized the sensitivity of this location, the climate we’re living in, and the heightened fear within our community,” she said. “Instead, you had turmoil.”
At the conclusion of her remarks, Tisch was reportedly met with a standing ovation, as well as kudos from New England Patriots owner Robert Kraft, who was in attendance. Kraft is the founder of the Blue Square Alliance against Hate, formerly called the Foundation to Combat Antisemitism.
While Tisch conceded the police could have done more, the congregation’s senior rabbi, Arthur Schneier, who is a Holocaust survivor, told the New York Post that he was grateful for the presence of the NYPD.
“Thank God in the United States, the police are protecting us against the hate-mongers,” Schneier said, contrasting their presence to the police’s cooperation during Kristallnacht.
Tisch’s appearance at Park East came less than a week after she accepted the offer from Mamdani to stay on as police commissioner, which some Jewish leaders viewed as a reassuring sign at a time when anti-Jewish hate crimes are rising. The move to keep Tisch also drew praise from Donald Trump when he met Mamdani at the White House on Friday.
But while Tisch drew the congregation’s applause with her apology, her future boss’ response to the protest was criticized by a number of Jewish leaders and organizations.
“The Mayor-elect has discouraged the language used at last night’s protest and will continue to do so,” Mamdani’s press secretary said in a statement.
She went on, “He believes every New Yorker should be free to enter a house of worship without intimidation, and that these sacred spaces should not be used to promote activities in violation of international law.”
Following the response from Mamdani’s team, UJA-Federation of New York sent a statement reading that “Every leader must denounce this heinous language,” while Mark Treyger, CEO of the Jewish Community Relations Council, said that it is “not a violation of any law, international or otherwise, for Jews to gather in a synagogue or immigrate to Israel.”
The event at Park East was organized by Nefesh B’Nefesh, a nonprofit that facilitates immigration to Israel for North American Jews. It does not assign immigrants to particular communities, but has showcased West Bank settlements — which most of the world, though not Israel or the United States, considers illegal under international law — in events and on its website as possible destinations for new immigrants.
Tisch’s current boss, Adams, visited Park East Synagogue Monday morning where he met with Arthur Schneier.
“We don’t back down in the face of hate — we show up,” wrote Adams, who returned on Sunday from a trip to Israel and Uzbekistan.
The post NYPD commissioner Jessica Tisch apologizes for allowing ‘turmoil’ outside synagogue appeared first on The Forward.
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Eurovision announces new voting measures following allegations of Israeli interference
(JTA) — The organizers of the Eurovision Song Contest have revised this year’s voting rules after broadcasters from several countries accused Israel of interfering in last year’s audience poll.
The new guidelines, which were announced Friday, reduce the number of votes allotted to each fan from 20 to 10, split fan votes with input from a professional jury and discourage promotional campaigns by third parties, according to Eurovision.
“No broadcaster or artist may now directly engage with or support campaigns by third parties — including governments or their agencies — that could distort the vote,” Eurovision director Martin Green wrote in a statement.
The European Broadcasting Union, which runs Eurovision, also pledged to “expand the contest’s advanced security systems” and monitor fraudulent activity.
While the announcement of the new voting guidelines did not mention Israel, it appeared to have been spurred by outcry following last year’s competition, where Israel’s Yuval Raphael took second place after winning a notable lead from the audience vote. Social media posts had exhorted supporters of Israel around the world to vote as many times as possible.
Following her win, the public broadcasters from Spain, Ireland, Belgium, Iceland and Finland called on the European Broadcasting Union to conduct an audit of its audience voting system, with some alluding to Israel manipulating the vote. (Green rejected the allegations of Israeli influence at the time.)
Several European countries, including the Netherlands, Slovenia, Iceland, Ireland and Spain, also announced in September that they would or may boycott the competition if Israel is allowed to participate.
Following the announcements, the European Broadcast Union announced it would allow member countries to vote on Israel’s participation, but changed its plans following the U.S.-brokered ceasefire in Gaza last month. The broadcasting union plans to discuss Israel’s participation at its December meeting.
The chancellor of Austria, which is set to host this year’s competition, has also reportedly pressured its public broadcaster not to host the competition if Israel is barred.
“I truly hope that this robust package of measures provides assurance for artists, broadcasters and fans alike,” said Green of the new voting guidelines. “Above all I hope it allows for the Contest to acknowledge the sometimes-difficult world in which we live but resist attempts to turn our stage into a place of geopolitical division.”
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With stories from Jews across the globe, this graphic anthology wants to expand how we see Jewishness
When photographer Julian Voloj heard about the first Jewish Comic Con in Brooklyn, he knew he had to meet its creator, Fabrice Sapolsky. Voloj, who was born in Germany to Colombian parents, had previously authored a number of graphic novels, including Ghetto Brother, the story of former gang leader Benji Melendez, a Puerto-Rican Jew. Voloj and Sapolsky connected at the 2016 convention and realized they shared a vision: a comic that would depict diverse Jewish stories.
Sapolsky, who is French-American with Ashkenazi and Sephardic roots, had been a comic creator for many years, including for Marvel and DC.
“He had this network of illustrators,” Voloj said. “I had the network of ethnically, racially diverse Jews.”
Voloj serves as the executive director for Be’Chol Lashon, an organization dedicated to highlighting Jewish diversity through community events and art. In November 2023, with the organization’s support, Voloj and Sapolsky created a sampler of their imagined anthology Hyphen: Jewish Stories in Our Own Words featuring three stories about Jews who did not fit the archetypal image of what a Jew should be, whether that be because of their racial identity, ethnic identity, or LGBTQ+ identity.
After sharing the Hyphen preview at synagogues and Jewish community centers, Voloj and Sapolsky secured funding to create the official anthology which contains 12 stories — including their own.
Some of the subjects wrote their stories, but others worked with Voloj to figure out what they wanted their section to be.
Haftam’s story of escaping war in Ethiopia starts with an explanation of the holiday of Sigd, which takes place 50 days after the end of Yom Kippur and marks another day of repentance for Ethiopian Jews. Natan’s chapter about battling his unibrow includes a crash course on the Bukharian Jewish language. The section on Eddna, a Jewish woman from Mumbai who eventually immigrates to Israel, provides history on Jews in India.
“You not only get a personal narrative, but also a broader story,” Voloj said.
Although some don’t accept the validity of all the ways Hyphen presents Jewishness, Voloj sees the wide variety of Jewish practice on display in Hyphen as part of what makes Judaism special.
“The terminology for me is always [to] say it’s Jewish communities,” Voloj said. “There’s not something like the Jewish community. So even if you have two Hasids, they might not agree on anything. If you’re a Satmar or if you’re Chabad, I mean, there’s very different philosophies.”
Voloj said that there has also been a lot of excitement and emotional responses to Hyphen.
“I feel like what people can relate to, it’s personal stories. So one story is about a woman that grew up in India, but she’s also like a single mom,” Voloj said. “Her son moves to Israel, and she decided to just follow him. So it’s like basically a story about motherhood,”
The fact that Hyphen is a comic has also helped to broaden its appeal.
“It’s such an American thing and such an intergenerational thing,” Voloj said. “We had the JCC events, there were some people who were over 60. And there the youngest persons were under 10.”
Because they had limited space and wanted each chapter to represent a different identity, a lot of stories didn’t make it into the anthology. Voloj hopes that in the future, they can continue the series.
“At the end of the book, we have photos of the main storytellers. So you can actually see these are all real people,” said Voloj. “And that gives it a nice note like, ‘Oh, yeah, these are like all the different faces of Judaism, and they all look different.’”
“I think that’s a beautiful thing to show. And I feel like it’s a great way to build bridges.”
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