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Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor
(New York Jewish Week) — Bob Gottlieb, who as editor-in-chief of Simon & Schuster, Alfred A. Knopf and The New Yorker ushered into print some of the 20th-century’s most accomplished writers — Nora Ephron, Toni Morrison, Salman Rushdie, John Cheever and Ray Bradbury, to name a few — believes editing is a service job, one that should go unnoticed by the reader.
And yet, it is the relationship between editor and writer that his daughter Lizzie Gottlieb, a documentary filmmaker, explores in her latest film, “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb,” which premiered at the Tribeca Film Festival in 2022 and is now screening at theaters across the country.
Lizzie’s documentary sets out to explore the sometimes tense but ultimately caring relationship between her father, Bob, and one of his longest running authors, Robert Caro, who over the course of 50 years has produced “only” five major books: “The Power Broker,” a classic biography of urban planner Robert Moses, and four volumes of “The Years of Lyndon B. Johnson.”
Jews born and raised in Manhattan, Caro and Gottlieb have worked together since Gottlieb helped cut 350,000 words out of the first draft of “The Power Broker,” bringing it down to a book that ultimately ran 1,338 pages when it was published in 1974.
The thing they squabble over most often? Semicolons, still. Or, maybe, Caro’s overuse of the word “looms.”
The film, seven years in the making, takes on the ways Moses shaped New York City, the mysteries of LBJ’s political power, the sausage-making of bestselling books and the idiosyncrasies of two workaholics. It is also a story of two now elderly men — Caro is 87, Gottlieb is 91 — in what Bob Gottlieb calls an “actuarial” contest to finish Caro’s highly anticipated fifth volume of his Johnson biography.
“My dad and I are very close. We’re in constant contact with each other. If something funny happens, I call my dad. If something sad or confusing happens, I’ll call him. We’re just in each other’s lives all the time, so I didn’t feel that there was a secret I needed to uncover or something unexamined in our relationship,” said director Lizzie Gottlieb, who also teaches documentary filmmaking at the New York Film Academy.
“But the one thing I really knew nothing about in his life was his relationship with Bob Caro,” she said. “Because it was so different from anything else, and it was so kind of private. So really, the whole movie is the process of me understanding something that I didn’t understand before.”
The New York Jewish Week recently caught up with Gottlieb to talk about the making of the film, what it was like growing up in a high-profile family and how Jewishness impacts the work of the two men.
This interview has been lightly edited for length and clarity.
Lizzie Gottlieb is a documentary filmmaker who previously directed “Today’s Man” (2008) and “Romeo Romeo” (2012).
New York Jewish Week: You’ve been working on this movie for seven years. When did you realize you needed to make this movie and how did it get from start to finish?
For a long time, people would say to me, “You should make a film about your father.” I have an incredible father. He’s done a lot of great things. He’s interesting and funny. But I just thought, a film whose message is “look how great my dad is” is not a movie that anybody wants to see.
And then my father was given some award and Bob Caro was presenting the award. Bob Caro gave a speech about working with my dad over what was then 45 years. He talked about how he needs him, and he respects him and how they’re so productive. Then he started talking about their arguments. Somebody in the audience asked what they fought about and he said, “We have very different feelings about the semicolon.” Everybody erupted into laughs and it just hit me like a bolt of lightning. I thought, “This is the movie, this is the story.”
I wanted a story that had forward momentum and had something big at stake. A film about two men in their 60s who had done a lot of great stuff is not that interesting. But a film about two men who are hovering around 90 and are still in it, and engaged in their work, who have a dedication and passion and are in a race against time to finish their life’s work, felt really, really compelling to me.
People say, “Are you sure you should be wasting [Caro’s] time with a movie? He needs to be writing.” My producer Jen Small said we should put on the poster, “No Lyndon Johnson books were harmed in the making of this film.”
Do you think you had a perspective that made you the best person to try and talk about their relationship and document it, or was it challenging to make the leap of them being willing to open up to you?
There was definitely a pursuit of them. I called my father and I was like, “I have the best idea ever. I’m going to make a film about you and Robert Caro.” He said, “No way. Absolutely not. Never. It would not be good for our relationship.”
I just kept pestering and pestering and pestering him. Finally, he said I could call Bob Caro but he would say no and of course Bob Caro did initially say no. Then he said that he’d seen another film of mine and I could come and speak to him. Eventually, Caro said, “I’ve never seen a film about a writer and an editor, and I think this could be meaningful. I don’t think anyone’s ever seen this before.” So he let me start, but he had this kind of hilarious condition, which was that he didn’t want to ever appear in the same room as my father. That seemed funny and a little maddening and sort of endearing. It also seemed like an irresistible challenge to try to make a buddy film where they don’t appear in the same room as each other. A woman came to a screening recently and she said, “It’s a love story, and they don’t get together until the last scene.”
They both say that somehow the making of this movie has brought them closer together and that they have developed a real friendship after 50 years. Maybe just having to articulate what their relationship has meant to each other has made them appreciate it more.
What was it like to grow up in your household, with your father as this major editor and your mother (actress Maria Tucci) on Broadway?
I grew up in a really incredible household. My mother’s an actress, my father’s a publisher and editor. Our house was this kind of vibrant, boisterous household that was always filled with eccentric, incredible people — actors and writers. My dad’s writers would come for dinner and then my mother would go off and do a play on Broadway and then come back at midnight and make another dinner. It was incredible. So I feel that both of their work was kind of integrated into our life and into our family. All of his writers were really like family members, except for Bob Caro, who never came over and who I never met. I think that there’s something particular and peculiar about their relationship that they needed to stay apart and only come together over work. I guess that was something that intrigued me and that’s part of why I wanted to make the movie.
“Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” (Courtesy Tribeca Film Festival)
The Jewishness in the film is a bit more implicit, though you discuss it when talking about their upbringings. How do you think their Jewish identities have impacted their work?
I don’t want to presume to speak for either of them about their Jewishness. I know they both very strongly identify as New York Jews, which probably means something slightly different to each of them, but I think it’s essential to their definitions of themselves. Their humor may be particularly Jewish as well. David Remnick uses a word at the end of the movie, where he says Caro needs to have “sitzfleisch” in order to finish the book. It’s this Yiddish [and German] word that means the ability to sit for long, long periods of time and apply yourself to something. I think that that is something that these two guys have: It’s almost a Talmudic focus on their craft, and without that they wouldn’t be who they are. So to the extent that that’s a Jewish quality, I think that’s essential to their being, to their achievements. There’s something like a Talmudic scholar in going over all these things, the industriousness and the empathy as well, this sort of looking at a thing from all sides and dedicating yourself to this pursuit.
Bonus question: You briefly show the various eccentric collections your dad has, including plastic handbags and kitschy Israeli record albums from the ’60s and ’70s. What is that about?
Yes, he has a lot of collections. He also has a collection of macramé owls. There are many that are not in the movie. Maybe that’s a Talmudic thing as well, like a deep dive into whatever it is that is interesting to him. He says that every subject gets more interesting the deeper you get into it. When something strikes him as charming or funny or curious, he goes all the way with it. My mother doesn’t love them. There’s a little bit of a power struggle there, but he wins. You grow up with something and you don’t really think about it. But I knew I had to find a way to put this in the movie. People kept saying it’s irrelevant, it’s to the side, but I knew I had to because it’s so weird and says so much about him.
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Netanyahu to meet Trump with Iran, Gaza and Saudi Arabia on the line
(JTA) — Prime Minister Benjamin Netanyahu is set to meet with U.S. President Donald Trump Tuesday, as the American leader is weighing whether to expand his bombing campaign against Iran or to find a diplomatic resolution regarding the Straits of Hormouz and the Islamic Republic’s nuclear program.
Israel fears that Trump is going to negotiate a premature end to the war without eliminating Iran’s capacity to develop nuclear weapons in the future. Trump has persistently insisted that Iran can’t possess nuclear weapons, but the war and the economic upheaval it has spurred has contributed to Trump’s approval rating hitting record lows in his second term. The poor marks are ringing alarm bells for Republicans ahead of midterm elections that could return Democrats to leadership in at least one chamber of Congress.
Netanyahu and Trump are also at odds over other issues, however, including the recent U.S.-Saudi nuclear deal, the pending sale of F-35 advance fighter jets to Turkey and the extent of Israel’s troop presence in Gaza, Lebanon and Syria.
Netanyahu is coming to the United States to attend the funeral for Republican Sen. Lindsey Graham of South Carolina, who remained one of Israel’s most unyielding advocates even as its popularity plummeted and was one of the most important Trump associates in pressing for the Iran war. Former Israeli Prime Minister Yair Lapid, now the opposition leader, will also be at the service at Washington’s National Cathedral on Tuesday.
But while in Washington, Netanyahu will seek to close the widening gaps between himself and Trump over Middle East strategy. In a video statement he released before Monday‘s departure, Netanyahu said, “I am embarking on this mission with one clear goal – to ensure the security, strength and future of our dear State of Israel.”
“We will discuss all the issues on the agenda, first and foremost, Iran,” he said. “Naturally, our goal is to safeguard our security and also to expand the circle of peace around us.”
During the trip, Netanyahu said he would also pay his final respect to Graham, “one of the greatest friends the State of Israel has ever known.”
Israelis are acutely aware of the emerging differences between the allies. “It will not be an easy visit,” former IDF intelligence chief Amos Yadlin told Israel Radio on Monday morning. “There is no doubt that Netanyahu wants the United States to return to war.”
Trump himself spoke on Monday of the discord between himself and Netanyahu, even as he lauded Netanyahu, while speaking to reporters aboard Air Force One, stating that Netanahu had been “great” and that “we did very well together.”
On the plane Trump was quizzed about U.S. plans to sell advanced F-35 fighter jets to Turkey, which Netanyahu has publicly opposed. “Turkey has been a great ally for me,” Trump told reporters, stressing, “No one tells me what we should be selling or not.” He acknowledged that Turkey “is not a big fan” of Israel and Netanyahu.
When it comes to the Saudi civilian nuclear power program that the Trump administration recently completed, Israel has been more circumspect. But it has deep concerns about an agreement that allows for plants with the capacity to enrich uranium. Assisting in the building of those plants had been one of the key incentives former President Joe Biden had used as a means to sway Saudi Arabia to normalize ties with Israel and join the Abraham Accords between Israel and several other Muslim countries.
Trump has since said that U.S. support for a Saudi civilian nuclear program would be contingent on normalization with Israel and that the plants would not be allowed to enrich uranium. But on Monday, he told reporters aboard Air Force One that he hadn’t spoken with Saudi Arabia about the Abraham Accords. Tuesday’s meeting is the first face-to-face encounter between Trump and Netanyahu since the announcement.
The closer Netanyahu appears to Trump and the center of U.S. decision making, the better it is for him domestically ahead of Israel’s Oct. 27 election. Trump has in his second term met with Netanyahu more than any other leader. This will be their eighth such conversation, and the fifth time he has hosted the Israeli leader in the White House.
Tight ties with Netanyahu also plays well for Trump with his evangelical base ahead of the U.S. mid-terms in November, but they run the risk of further alienating the larger American public that opposes the conflict.
Netanyahu’s influence in America had diminished, in part because of how unpopular the war has become in the United States and the role he played spurring it on.
“This is not the same Netanyahu of 2025 or even of February 2026. He is greeted with suspicion,” Yadlin said of the reception he expects for the prime minister in the United States.
Netanyahu last visited Washington in February, where he successfully advocated for the joint Israeli-U.S. military aerial bombing campaign against Iran launched on the 28th of that month.
Tehran retaliated by closing the Strait of Hormuz, the waterway through which 20% of the world’s oil supply is shipped. That step caused crude oil prices to spike in the first quarter of 2026 from $61 a barrel to $118, according to the U.S. Energy Information Administration.
Iran allowed the strait to reopen in a limited way after an April ceasefire that was followed by a Memorandum of Understanding with the U.S. in June. The agreement fell apart in early July, with the parties resuming attacks – but without any Israeli military involvement. The United States bombed Iran for 13 consecutive nights, ending on Thursday, even as talks with the Islamic Republic continued.
The United States and Israel in February were initially aligned around their joint goal of destroying Iran’s nuclear and ballistic missile program, with Netanyahu also focused on the collapse of the Islamic Republic.
Over the weekend, Trump stressed that the war was still about eliminating Iran’s nuclear program. Last week he spoke about specifically hitting the nuclear facility at Pickaxe mountain.
In an interview with NBC News’ “Meet the Press” on Sunday, U.S. Ambassador to the United Nations Mike Waltz said the United States was “keeping all options on the table,” but was giving space for talks.
He dismissed media reports that lack of military supplies was part of Trump’s motivation to pause its bombing campaign, stating that the United States had everything it needed militarily.
Waltz warned Iran not to ignore American military threats. Early Monday morning, Trump published a short AI video in which his likeness planted an American flag on an Iranian oil tanker, with a slogan that stated, “it’s our oil tanker now.”
Later in the day, the president told reporters on Air Force One that he was having “good talks” with the Iranians, “so we will see what happens. I think there is a good chance something could happen. If it does, good. If it doesn’t, we go back to doing what we were doing two days ago.”
Yadlin told Israel Radio that at the end of the day, “What interests President Trump is the reopening of the Strait of Hormuz.”
The war might have begun in February with a focus on the Iranian regime and its nuclear program, but it will end, Yadlin predicted, with the reopening of the strait and some kind of diplomatic achievement with regard to Iran’s nuclear weapons program.
Israel has watched the U.S.-Iran reengagement warily from the sidelines.
Sima Shine, an Iran expert at the Tel Aviv-based International Institute of Strategic Studies, said that until now, neither Washington nor Tehran had wanted Israel’s involvement in the resumed fighting, fearing that such a step would “widen the scope of the war.”
Maintaining its status as a bilateral conflict makes it easier to return to negotiations, she told the Jewish Telegraphic Agency.
The United States can better control the battlefield without Israel, which would have its own military agenda and objectives, Shine said. Israel can only enter the war if it is attacked by Iran or invited to do so by the United States, she added.
In an interview with Fox News on Sunday, Netanyahu warned of a forceful response should Iran attack Israel.
Iran has to end its nuclear program, he stressed, saying that the military strikes so far have set the program back but have not eliminated it.
A nuclear-armed Iran is a danger to Israel, the region, the United States and the world, he said, adding, “President Trump and I are both committed to prevent this danger.”
This article originally appeared on JTA.org.
The post Netanyahu to meet Trump with Iran, Gaza and Saudi Arabia on the line appeared first on The Forward.
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In Detroit, pro-Israel Senate candidate Haley Stevens meets a pro-Palestinan El-Sayed supporter
(JTA) — DETROIT — Hours before a big debate showdown with her primary rival, U.S. Rep. Haley Stevens began a routine campaign stop Monday seemingly comfortably in her element.
The Michigan candidate for U.S. Senate walked into The Roost, a cafe and wine shop in the Woodbridge neighborhood, chatting up her record on small businesses with the owner, Jeff Tatum. She gamely made herself a cappuccino, exclaiming with glee that the store used Dial soap like her father’s business had.
She also made a play for party unity. Asked by the Jewish Telegraphic Agency about Jewish Democratic donors who have indicated they would fundraise for Republican candidate Mike Rogers if Stevens lost the primary, she responded, “I’m on the Democratic team. I’m on the Beat Mike Rogers team.”
But things went off-script for Stevens when she sat down with Jai Singletary, director of a local neighborhood improvement association — who revealed, midway through their conversation, that he had already cast his early voting primary ballot for her opponent, former county health director Abdul El-Sayed.
What’s more, Singletary made it clear to Stevens that the candidates’ respective stances on aid to Israel were the deciding factor for him.
“Genocide isn’t a Palestinian issue. We’ve all got to care about this,” Singletary told Stevens, a pro-Israel centrist who has received nearly $30 million in outside spending from the American Israel Public Affairs Committee to date in her primary — the organization’s largest-ever investment in a single race, according to CBS News. He believes, he said, that “our country is directly responsible for peace not being achieved.”
The director of Woodbridge Neighborhood Development and local soccer coach added, “We’ve got to have the money stay here. I don’t think we should be giving any more aid to the State of Israel while they’re committing the atrocities they’re committing in widespread collective punishment.”
The interaction spotlighted two of the biggest questions hanging over Michigan’s closely watched and hard-fought Democratic Senate primary: To what degree are the state’s voters factoring Israel into their decisions, and does the pro-Palestinian sentiment driving El-Sayed’s campaign cross racial lines — including in the Black communities where Stevens has long maintained strong relationships?
Many of the Jews in Michigan who form a major base of support for Stevens have made clear their distrust of El-Sayed, who has questioned whether Israel should exist as a Jewish state. Meanwhile, the state has a large Arab and Muslim voting bloc, and voters here helped propel a 2024 Democratic revolt over Israel’s war in Gaza that helped lead to the party’s current civil war. But the situation is less clear with voters from other groups.
El-Sayed and the insurgent progressive movement he represents have sought to make Israel central to the race and have tried to turn Stevens’ AIPAC support into her biggest liability. But the Stevens campaign has made the calculation that most of the state’s voters — including Detroit’s majority-Black population, with whom she has enjoyed good relations in the past — would rather talk about other things.
Not so, according to Singletary, who is Black. In his own Detroit community, he told JTA, Israel was an important issue.
“It’s connected,” he said, comparing the Israeli-Palestinian state of affairs to Apartheid-era South Africa, adding, “$3.3 billion to the state of Israel, and that’s money that could be helping out here. I think people are now seeing the links.” He told reporters that, though he does not have Palestinian family himself, his own vote was “100% exclusive” based on Israel.
After the campaign left, Singletary told JTA that he had no affiliation with the El-Sayed campaign and had stopped by on an invitation from the store’s owner. He said he would not vote for Rogers in the general election even if Stevens wins and came because he hoped to develop a connection with her in the event she became the nominee.
The issue of whether backers of either candidate across the yawning policy divide would continue to vote for a Democrat in the general if their preferred choice loses has become an emerging question. Last week, Democratic U.S. Rep. Hillary Scholten of Michigan, a Stevens backer, refused to commit to voting for El-Sayed if he wins the primary. Scholten cited the candidate’s campaigning with left-wing streamer Hasan Piker, who has repeatedly said he would “vote” for Hamas over Israel. Her objection, she said, was to his comment that “America deserved 9/11.”
“Abdul El-Sayed is taking us in a direction we don’t want to go as a party,” Scholten told CNN host Jake Tapper.
Stevens’ campaign is also touting her backing from a growing number of establishment Democrats, including, on Friday, Michigan Gov. Gretchen Whitmer. She and El-Sayed face off Monday evening in their final televised debate before the Aug. 4 primary.
Speaking to Singletary, Stevens smiled and nodded. She name-dropped a Palestinian supporter of hers, and mentioned legislation targeting China that she’s worked on with “my colleague Ro Khanna” — the staunchly pro-Palestinian Democratic congressman from California, who has endorsed El-Sayed. She added that she believes in a two-state solution and has been attacked “by name” by Israeli Prime Minister Benjamin Netanyahu.
She also turned to her staff and excitedly indicated to Singletary: “He voted for Abdul in the primary, and he came here to talk to me.”
This article originally appeared on JTA.org.
The post In Detroit, pro-Israel Senate candidate Haley Stevens meets a pro-Palestinan El-Sayed supporter appeared first on The Forward.
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‘If you’re ever confused: I stand with the Jews’ Boy George sings in new pro-Israel song
(JTA) — The British pop icon Boy George has gone to bat for Israel and its supporters multiple times in recent months, rejecting boycott calls and expressing solidarity after antisemitic violence. Now, he has released a single in the same key.
“We Will Dance Again” defends Israel’s military response in Gaza, criticizes musicians and activists who have publicly supported the Palestinian cause and declares, “If you’re ever confused: I stand with the Jews.”
The song borrows its title from the slogan of survivors of the Nova music festival, where Hamas terrorists killed 378 young people and kidnapped dozens more as part of the Oct. 7, 2023, invasion of southern Israel. The slogan has become a symbol of resilience in the aftermath of Oct. 7.
The singer released the reggae-inspired track, titled “Od Nirkod” in Hebrew, on his social media accounts on Monday with a single hashtag: #Shalom.
“You say genocide, I say war / When you’re attacked, that’s what the army’s for,” the song opens. Later, Boy George sings, “You never mention Oct. 7,” in a criticism of those he sings have “selective memory” about atrocities deserving their reprobation. The song ends by repeating the opening lyrics in Hebrew.
Although Boy George is not Jewish, he has become increasingly vocal when it comes to supporting Jewish communities in the wake of Oct. 7.
#Shalom pic.twitter.com/0BfHIrThzO
— Boy George (@BoyGeorge) July 26, 2026
He rejected calls to boycott this year’s Eurovision Song Contest over Israel’s participation, saying he would not “turn my back” on his Jewish friends. The singer participated this year representing San Marino, in a counterpoint to artists and countries that pulled out rather than compete alongside Israel.
Boy George had a long relationship with Jon Moss, the Jewish drummer who with him launched Culture Club, the New Wave band that dominated much of the 1980s with its melodic soul infused music and its outlandish styles. Boy George then often wore a tunic with “Culture Club” in Hebrew translation.
Following an antisemitic stabbing in London’s heavily Orthodox Golders Green neighborhood earlier this year, where the singer happened to be at the time, he said Jewish people should know “we support them.”
Boy George’s new song has drawn appreciation from pro-Israel voices. Stop the Hate UK, a British Jewish anti-antisemitism campaign, called Boy George a supporter of “Jewish joy” and thanked him publicly for standing with the Jewish community.
And the official Nova Music Festival account on Instagram responded to Boy George’s post announcing the song with a simple comment: “We will dance again.”
This article originally appeared on JTA.org.
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