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Documentary explores the ‘Talmudic’ relationship between writer Robert Caro and his famous longtime editor
(New York Jewish Week) — Bob Gottlieb, who as editor-in-chief of Simon & Schuster, Alfred A. Knopf and The New Yorker ushered into print some of the 20th-century’s most accomplished writers — Nora Ephron, Toni Morrison, Salman Rushdie, John Cheever and Ray Bradbury, to name a few — believes editing is a service job, one that should go unnoticed by the reader.
And yet, it is the relationship between editor and writer that his daughter Lizzie Gottlieb, a documentary filmmaker, explores in her latest film, “Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb,” which premiered at the Tribeca Film Festival in 2022 and is now screening at theaters across the country.
Lizzie’s documentary sets out to explore the sometimes tense but ultimately caring relationship between her father, Bob, and one of his longest running authors, Robert Caro, who over the course of 50 years has produced “only” five major books: “The Power Broker,” a classic biography of urban planner Robert Moses, and four volumes of “The Years of Lyndon B. Johnson.”
Jews born and raised in Manhattan, Caro and Gottlieb have worked together since Gottlieb helped cut 350,000 words out of the first draft of “The Power Broker,” bringing it down to a book that ultimately ran 1,338 pages when it was published in 1974.
The thing they squabble over most often? Semicolons, still. Or, maybe, Caro’s overuse of the word “looms.”
The film, seven years in the making, takes on the ways Moses shaped New York City, the mysteries of LBJ’s political power, the sausage-making of bestselling books and the idiosyncrasies of two workaholics. It is also a story of two now elderly men — Caro is 87, Gottlieb is 91 — in what Bob Gottlieb calls an “actuarial” contest to finish Caro’s highly anticipated fifth volume of his Johnson biography.
“My dad and I are very close. We’re in constant contact with each other. If something funny happens, I call my dad. If something sad or confusing happens, I’ll call him. We’re just in each other’s lives all the time, so I didn’t feel that there was a secret I needed to uncover or something unexamined in our relationship,” said director Lizzie Gottlieb, who also teaches documentary filmmaking at the New York Film Academy.
“But the one thing I really knew nothing about in his life was his relationship with Bob Caro,” she said. “Because it was so different from anything else, and it was so kind of private. So really, the whole movie is the process of me understanding something that I didn’t understand before.”
The New York Jewish Week recently caught up with Gottlieb to talk about the making of the film, what it was like growing up in a high-profile family and how Jewishness impacts the work of the two men.
This interview has been lightly edited for length and clarity.
Lizzie Gottlieb is a documentary filmmaker who previously directed “Today’s Man” (2008) and “Romeo Romeo” (2012).
New York Jewish Week: You’ve been working on this movie for seven years. When did you realize you needed to make this movie and how did it get from start to finish?
For a long time, people would say to me, “You should make a film about your father.” I have an incredible father. He’s done a lot of great things. He’s interesting and funny. But I just thought, a film whose message is “look how great my dad is” is not a movie that anybody wants to see.
And then my father was given some award and Bob Caro was presenting the award. Bob Caro gave a speech about working with my dad over what was then 45 years. He talked about how he needs him, and he respects him and how they’re so productive. Then he started talking about their arguments. Somebody in the audience asked what they fought about and he said, “We have very different feelings about the semicolon.” Everybody erupted into laughs and it just hit me like a bolt of lightning. I thought, “This is the movie, this is the story.”
I wanted a story that had forward momentum and had something big at stake. A film about two men in their 60s who had done a lot of great stuff is not that interesting. But a film about two men who are hovering around 90 and are still in it, and engaged in their work, who have a dedication and passion and are in a race against time to finish their life’s work, felt really, really compelling to me.
People say, “Are you sure you should be wasting [Caro’s] time with a movie? He needs to be writing.” My producer Jen Small said we should put on the poster, “No Lyndon Johnson books were harmed in the making of this film.”
Do you think you had a perspective that made you the best person to try and talk about their relationship and document it, or was it challenging to make the leap of them being willing to open up to you?
There was definitely a pursuit of them. I called my father and I was like, “I have the best idea ever. I’m going to make a film about you and Robert Caro.” He said, “No way. Absolutely not. Never. It would not be good for our relationship.”
I just kept pestering and pestering and pestering him. Finally, he said I could call Bob Caro but he would say no and of course Bob Caro did initially say no. Then he said that he’d seen another film of mine and I could come and speak to him. Eventually, Caro said, “I’ve never seen a film about a writer and an editor, and I think this could be meaningful. I don’t think anyone’s ever seen this before.” So he let me start, but he had this kind of hilarious condition, which was that he didn’t want to ever appear in the same room as my father. That seemed funny and a little maddening and sort of endearing. It also seemed like an irresistible challenge to try to make a buddy film where they don’t appear in the same room as each other. A woman came to a screening recently and she said, “It’s a love story, and they don’t get together until the last scene.”
They both say that somehow the making of this movie has brought them closer together and that they have developed a real friendship after 50 years. Maybe just having to articulate what their relationship has meant to each other has made them appreciate it more.
What was it like to grow up in your household, with your father as this major editor and your mother (actress Maria Tucci) on Broadway?
I grew up in a really incredible household. My mother’s an actress, my father’s a publisher and editor. Our house was this kind of vibrant, boisterous household that was always filled with eccentric, incredible people — actors and writers. My dad’s writers would come for dinner and then my mother would go off and do a play on Broadway and then come back at midnight and make another dinner. It was incredible. So I feel that both of their work was kind of integrated into our life and into our family. All of his writers were really like family members, except for Bob Caro, who never came over and who I never met. I think that there’s something particular and peculiar about their relationship that they needed to stay apart and only come together over work. I guess that was something that intrigued me and that’s part of why I wanted to make the movie.
“Turn Every Page: The Adventures of Robert Caro and Robert Gottlieb” (Courtesy Tribeca Film Festival)
The Jewishness in the film is a bit more implicit, though you discuss it when talking about their upbringings. How do you think their Jewish identities have impacted their work?
I don’t want to presume to speak for either of them about their Jewishness. I know they both very strongly identify as New York Jews, which probably means something slightly different to each of them, but I think it’s essential to their definitions of themselves. Their humor may be particularly Jewish as well. David Remnick uses a word at the end of the movie, where he says Caro needs to have “sitzfleisch” in order to finish the book. It’s this Yiddish [and German] word that means the ability to sit for long, long periods of time and apply yourself to something. I think that that is something that these two guys have: It’s almost a Talmudic focus on their craft, and without that they wouldn’t be who they are. So to the extent that that’s a Jewish quality, I think that’s essential to their being, to their achievements. There’s something like a Talmudic scholar in going over all these things, the industriousness and the empathy as well, this sort of looking at a thing from all sides and dedicating yourself to this pursuit.
Bonus question: You briefly show the various eccentric collections your dad has, including plastic handbags and kitschy Israeli record albums from the ’60s and ’70s. What is that about?
Yes, he has a lot of collections. He also has a collection of macramé owls. There are many that are not in the movie. Maybe that’s a Talmudic thing as well, like a deep dive into whatever it is that is interesting to him. He says that every subject gets more interesting the deeper you get into it. When something strikes him as charming or funny or curious, he goes all the way with it. My mother doesn’t love them. There’s a little bit of a power struggle there, but he wins. You grow up with something and you don’t really think about it. But I knew I had to find a way to put this in the movie. People kept saying it’s irrelevant, it’s to the side, but I knew I had to because it’s so weird and says so much about him.
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Israel bars YouTuber Tyler Oliveira from entering country, citing ‘harassment of Jews’ on social media
(JTA) — Israel’s Diaspora affairs minister, Amichai Chikli, confirmed on Monday that right-wing YouTube provocateur Tyler Oliveira had been barred from entering Israel, accusing him of coming to the country with the “aim of spreading hatred.”
Amid reports that Oliveira had been rebuffed at Ben Gurion Airport, Chikli resurrected a weeks-old post from the YouTuber asking, “You guys think Israel will let me into the country?” and replied with a blunt, one-word answer: “No.”
Oliveira has drawn allegations of antisemitism in recent months over videos in which he claimed to expose widespread fraud in Kiryas Joel, a Hasidic enclave in upstate New York, and Lakewood, a heavily Orthodox town in New Jersey.
The videos, which each garnered over 9 million views, drew outcry from Jewish leaders who accused Oliveira of trafficking in antisemitic stereotypes and mischaracterizing Jewish communities as hotbeds of corruption.
On Friday, Oliveira sat for an interview with the conservative influencer Tucker Carlson, who himself claimed in February that he had been “detained” after arriving at an Israeli airport to conduct an interview with U.S. Ambassador to Israel Mike Huckabee. Both Huckabee and Israel denied Carlson’s allegation.
In a statement to Israel National News, the Ministry of Diaspora Affairs and Combating Antisemitism said the decision to bar Oliveira stemmed from his activity that “goes beyond legitimate freedom of expression” and includes “inciting statements against Jews and the dissemination of content with antisemitic characteristics.”
The far-right Jewish activist Laura Loomer posted a series of tweets on Monday that she said included comments from Chikli. The Israeli minister retweeted one of them, signaling his endorsement.
“I’m proud to have denied entry to Israel today to an unfortunate YouTuber who is using the harassment of Jews as a way to get clout on social media,” Loomer said Chikli told her. He added, “If you come to Israel with the intent on inciting violence and hatred against Jewish people, you will not be allowed entry into our country.”
Israel has previously banned other foreign activists and public figures from entering the country over their support for the boycott Israel movement, including European Union lawmakers Lynn Boylan and Rima Hassan last year as well as U.S. Reps. Rashida Tlaib and Ilhan Omar in 2019.
The post Israel bars YouTuber Tyler Oliveira from entering country, citing ‘harassment of Jews’ on social media appeared first on The Forward.
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Hochul makes play for Orthodox voters with tuition relief and synagogue buffer zones
New York Gov. Kathy Hochul is making an early play for Jewish voters ahead in her reelection bid, coupling a major initiative to help families pay for yeshivas with tough-on-antisemitism legislation.
The moves aid Orthodox Jewish voting blocs — before her Republican challenger, Bruce Blakeman, gains traction.
A recent Siena University poll of 804 voters found Hochul leading Blakeman statewide by 16 points, 49% to 33%. But among the smaller sample of 65 Jewish voters, the race was far tighter, with Hochul leading just 46% to 41%.
Central to Hochul’s outreach was her announcement last week, during a private meeting with Orthodox leaders, that New York will opt into President Donald Trump’s new federal school-choice tax credit program. Known as the Education Freedom Tax Credit, it allows taxpayers to receive up to a $1,700 federal tax credit for donations to scholarship-granting organizations, which can then fund tuition assistance and other educational expenses.
A spokesperson for the governor confirmed that Hochul is supportive of the program as part of a broader commitment to helping families afford nonpublic education. Emma Wallner, the spokesperson, added that the administration is reviewing the federal program to ensure there are no “poison pills that could harm New York’s education system.”
For Orthodox voters, tuition relief has long ranked alongside Israel and antisemitism as a political priority. In 2014, former Gov. Andrew Cuomo made a last-minute effort to court the community by pledging to expand a state tuition assistance program to cover yeshivas as “a matter of justice.” Cuomo ultimately won 70% of the vote in Borough Park, one of the largest Orthodox strongholds. That proposal later failed in the state legislature.
Hochul and her allies remain mindful of the results of the 2022 governor’s race, when former Rep. Lee Zeldin came within five percentage points of defeating her. Zeldin, who is Jewish, was powered by strong Orthodox support.
That memory looms large as Hochul prepares for a likely matchup against Bruce Blakeman, the first Jewish executive of Nassau County, who has positioned himself as a tough-on-crime conservative focused on antisemitism and support for Israel.
Blakeman has so far struggled to gain broader traction statewide and has yet to build deep relationships within the Orthodox political infrastructure in Brooklyn and Rockland County. Orthodox voting blocs, a traditionally Republican-leaning constituency, have repeatedly backed incumbents and even Democrats when communal priorities align.
A spokesperson for the Blakeman campaign did not immediately respond to questions from the Forward about whether the Republican candidate supports the tuition-relief initiative or plans to offer a proposal of his own.
Addressing rising antisemitism
Blakeman, who met with Trump at the White House last week to discuss his candidacy, could further face a challenge presenting himself as a stronger protector of the estimated 1.8 million Jews across the state amid rising antisemitism.
Hochul, who endorsed New York City Mayor Zohran Mamdani last year after remaining neutral during the Democratic primary, has been seen by some in the Jewish community as a counterweight within the Democratic Party to the mayor, whose handling of antisemitism and criticism of Israel has left many Jewish voters uneasy.
The Democratic incumbent has publicly opposed several key Mamdani priorities, like universal free buses and a millionaire tax, and has also distanced herself from Mamdani on Israel and pro-Palestinian protests on campus.
Hochul is moving fast on that front, too.
Last week, she announced a tentative budget deal that includes a measure to create a 25-foot buffer zone to protect houses of worship statewide from protest. “We’ve seen demonstrations targeting faith communities outside synagogues, mosques and churches,” Hochul told reporters. This is not free expression, this is harassment, and it has no place in the state of New York.” The measure would go further than a more limited enactment passed by the New York City Council requiring safety plans for protests near houses of worship, which Mamdani allowed to become law without his signature.
Hochul has also proposed an additional $35 million in security funding for vulnerable institutions, bringing total state spending on such protection to $131 million since she took office.
The legislation remains unresolved in Albany. Assembly Speaker Carl Heastie told reporters Thursday there was “no deal” yet on the broader state budget package. Some Jewish lawmakers have also criticized the proposed 25-foot buffer zone as too narrow, arguing it should be expanded to at least 100 feet, similar to protections already in place around polling sites.
Blakeman told the Forward last week that he would push to expand the buffer zone if elected governor. “I think 25 feet is too close,” he said.
David Greenfield, a former New York City Council member who introduced Hochul to Orthodox leaders when she became the lieutenant governor candidate in 2014 and boosted her in 2022, said that Hochul is “cementing her status as the best friend the Jewish community has had in Albany in decades” by pushing this agenda. “At a moment when Jewish New Yorkers are looking for leaders who will actually show up for them, Hochul keeps showing up,” said Greenfield, now head of the Met Council charity organization.
Blakeman’s play
Blakeman has also made fighting antisemitism a central theme of his campaign. On Sunday, Blakeman addressed a rally held by Zionist groups in Queens, after swastikas were found spray-painted on synagogues and homes in Forest Hills and Rego Park. “We have to make sure that every antisemite knows that we will not back down, that we will stand up to it,” he said in his remarks. Speaking to the New York Post, Blakeman also called Mamdani “un-American” and “antisemitic.”
Last week, Blakeman held a press conference in Brighton Beach, a Brooklyn neighborhood with a significant Russian-speaking Jewish population, calling for the cancellation of a planned concert by Yulduz Usmonova, an Uzbek singer accused of making antisemitic statements. “Never again will we tolerate antisemitism or attacks on the Jewish people anywhere in the world, and especially here in Brooklyn, with this huge Jewish community of which my wife Segal was a member of,” Blakeman said.
The battle for the Jewish vote traditionally unfolds later in the season, closer to the High Holidays season, when voters pay more attention to the election. But Hochu’s recent moves signal she is not waiting until the fall to lock up support from a swing and reliable voting bloc.
The post Hochul makes play for Orthodox voters with tuition relief and synagogue buffer zones appeared first on The Forward.
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‘Antisemitism Crisis in America’: Swastika Graffiti Again Appears Across New York City Boro
Swastikas graffitied in Forest Park in Queens, New York City over the weekend. Photo: Screenshot.
Antisemitic vandals in Queens, New York City are painting the town Nazi red, having added over the weekend two new incidents of swastika graffiti to a spree of hate crimes targeting Jewish institutions and homes across the borough.
As seen in photographs shared on social media, the unknown suspects graffitied some eleven swastikas at Highland Park and Forest Park for locals to discover on Monday — just one week after perpetrating the same crime at four Jewish owned properties in Rego Park and Forest Hills.
“This is yet another hateful incident meant to intimidate Jewish New Yorkers and divide our city,” New York City Council speaker of the house Julie Menin said in a statement posted on the X social media platform. “We want to be clear: we cannot and will not accept this as normal.”
The vandalism wave came just as the New York City Police Department (NYPD) announced that an ongoing surge in antisemitic hate crimes in the metropolis, which is home to the largest Jewish population outside of Israel, continues unabated.
According to newly released data the agency published on Monday, Jews were targeted in 60 percent of all confirmed hate crimes last month, despite making up just 10 percent of the city’s population.
In April, the police confirmed 30 antisemitic incidents out of 50 total hate crimes in the city. As for all reported/suspected hate crimes, 38 out of the total of 65 targeted Jews.
The NYPD had previously reported suspected, but unconfirmed, hate crime incidents. In February, the police began reporting confirmed incidents instead. And then after receiving scrutiny, the department began reporting both suspected and confirmed hate crimes in March.
Regardless of the methodology, the majority of all hate crimes in New York City this year have targeted Jews, especially the Orthodox community, continuing a surge in antisemitism that has swept the city after the start of the Israel-Hamas war in Gaza in October 2023.
In just eight days between the end of October and the beginning of November 2024, for example, three Hasidim, including children, were brutally assaulted in the Crown Heights section of Brooklyn. In one instance, an Orthodox man was accosted by two assailants, one masked, who “chased and beat him” after he refused to surrender his cellphone in compliance with what appeared to have been an attempted robbery. In another incident, an African American male smacked a 13-year-old Jewish boy who was commuting to school on his bike in the heavily Jewish neighborhood. Less than a week earlier, an assailant slashed a visibly Jewish man in the face as he was walking in Brooklyn.
In November, just days after the election of Zohran Mamdani as mayor of New York City, hundreds of people amassed outside a prominent synagogue and clamored for violence against Jews.
The change in New York City’s climate since Mamdani’s election is palpable, Jewish advocacy groups have said. On his first day in office in January, Mamdani voided the city government’s adoption of the IHRA definition, lifted the ban on contracts with companies boycotting Israel, and modified key provisions of an executive order directing law enforcement to monitor anti-Israel protests held near synagogues.
“Mayor Mamdani pledged to build an inclusive New York and combat all forms of hate, including antisemitism,” a coalition of leading Jewish groups said in a statement addressing the changes enacted by the new administration. “But when the new administration hit reset on many of Mayor Adams’ executive orders, it reversed … significant protections against antisemitism.”
Mayor Mamdani has denounced the swastika graffiti as a “deliberate act of antisemitic hatred” and said that he has assigned the NYPD’s Hate Crimes Task Force to investigate it.
Follow Dion J. Pierre @DionJPierre.