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Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon

(JTA) — Before becoming one of the most iconic vocal performers of her time, appearing in Broadway shows such as “Rent” and “Wicked” and voicing Queen Elsa in “Frozen,” Idina Menzel got her start singing as a teenager on the wedding and bar and bat mitzvah circuit near where she grew up on Long Island and other parts of the New York area.

“It was everything to me, formatively,” Menzel told JTA in an interview, of her early singing experiences. “I believe… that that had a lot to do with my education in music and genres, but also as a performer. I was so young when I did it… I would lie about my age, I would be 15 or 16 years old and I’d dress all mature and go in in high heels. I would usually be the only woman in a group of six guys.” 

In the new documentary “Idina Menzel: Which Way to the Stage,” which had its world premiere in mid-November at the DOC NYC film festival and lands on Disney+ on Friday, Menzel discusses those experiences, even returning to the main venue where she used to perform at weddings and bar mitzvahs (the Inn at Fox Hollow in Woodbury, New York). The film also shows Menzel in Pittsburgh in the immediate aftermath of the Tree of Life massacre and shows her sharing her thoughts on it as a Jewish person. 

The film, directed by Anne McCabe, follows Menzel’s 2018 arena tour, along with Josh Groban, which culminated in Menzel fulfilling her lifelong dream of headlining Madison Square Garden. It combines concerts with intimate behind-the-scenes moments, as well as archival footage from Menzel’s early life and throughout her career. 

“When I heard that the tour was going to culminate at Madison Square Garden, I realized that it was a dream come true — it was a place that I’d always wanted to play, growing up on Long Island, and living in New York City, at NYU and beyond that,” Menzel said. “The fact that I was going to be playing there was a big deal, and I wanted to film it, no matter what I did with the footage, I know I just wanted to document it for myself, so I could take that in and really just appreciate the moment.” 

As is often the case with documentaries, the film evolved a bit from its original purpose. 

The film follows Menzel during a 2018 tour. (Eric Maldin/Walkman Productions Inc.)

“In the process of filming it… it revealed itself in a different way. It became not just a tour documentary going city to city, but more about motherhood, and how we balance trying to pursue our passion and our dreams and also being there for our family,” she said. “That was a welcome surprise in the process.” 

The documentary shows Menzel with her then-preteen son — from her previous marriage to Taye Diggs — and her husband, actor Aaron Lohr, while going through the process of in vitro fertilization. 

The tour that the film follows arrived in Pittsburgh about two weeks after the 2018 Tree of Life synagogue massacre, and Menzel is shown singing the “Rent” number “No Day But Today” to a crowd at Pittsburgh’s PPG Paints Arena. (Menzel more recently wrote and performed a song called “A Tree of Life,” which was featured in the closing credits of a recent HBO documentary about the tragedy and its aftermath.)

In that part of the film, Menzel wears a shirt with a Jewish star that says “Stronger Than Hate.” 

“That show was all about tolerance,” Menzel says of “Rent” in the film, while on stage in Pittsburgh. “It was about love, it was about community… I’m sitting here in this beautiful city, a Jewish girl from Long Island. I thought about how we light candles in the Jewish religion, sort of choosing light over darkness, choosing love over bigotry.” 

“That particular concert is now tragically defined but what had happened in Pittsburgh, and I felt like I couldn’t ignore that, and I felt like that song was the right song for the moment, and that there was any way I could use my music to help heel then I wanted to do it,” she told JTA. 

The documentary also looks back at Menzel’s entire career, from breaking through in the original production of “Rent” in the mid-1990s (the “which way to the stage” subtitle, as “Rent”-heads will know, is a reference to what was Menzel’s very first line in that musical), to an ill-fated run at a pop career, to her second big musical smash, “Wicked,” which landed on Broadway in 2003. Viewers also get the story of the “Frozen” phenomenon and its Menzel-performed torch song “Let it Go,” as well as other notable episodes — such as the time John Travolta mispronounced her name at the Oscars in 2014. (Menzel finds the whole thing hilarious.) 

The COVID-19 pandemic was not the only obstacle in getting the documentary, which was mostly filmed four years ago, to the finish line. Menzel said in a post-screening Q&A at DOC NYC that because the documentary ended up on Disney+ and she is the voice of Queen Elsa, some curse words had to be taken out, as did a scene where she clutches a bottle of wine. 

“I lost the funding at one point, and so I bought [the film] back,” Menzel said. “I wanted to find people that really believed in it and were going to creatively do right by it. I gambled on myself, which I try to do, and try to make a point of it. I’m just so happy that it’s come to fruition.” 

The singer has spoken often about her admiration for another prominent Jewish singer and actress, Barbra Streisand. In her JTA interview, she praised the way Streisand “embraces her Judaism.” In the film, Menzel sings “Don’t Rain on My Parade” from “Funny Girl, the 1968 movie version that starred Streisand. 

“I love her because she’s her. There’s no one else like her, and always aspired to be her unique true self. She didn’t change herself for anyone else. I also feel like, from a vocalist’s perspective, her talent is insurmountable. The way she sings, it feels like it’s just coming directly from her soul, it feels effortless. The way she tells the story through her singing, that I don’t think anyone else has.” 

Menzel’s career is about to come full circle, with another bar/bat mitzvah-related performance: she is set to co-star in “You Are So Not Invited to My Bat Mitzvah,” a Netflix movie adapted from the young adult novel by Fiona Rosenbloom and directed by Sammi Cohen. The film will reunite Menzel with Adam Sandler, who played her husband in 2019’s “Uncut Gems” and will do so again in the new movie. (Menzel also brought up her character’s bat mitzvah in that very Jewish-themed film by the Safdie brothers.)

“We were much more dysfunctional in that movie,” Menzel said of “Uncut Gems”. 

“You Are So Not Invited to My Bat Mitzvah” does not have a release date but is expected to arrive sometime in 2023. For now, she’s reveling in the documentary. 

“It was just such a joy because I got to look back on it… I got to see myself as a little girl again,” Menzel said. “How I always believed in myself, even more so than maybe I do now. There was no one who was going to tell me that I wasn’t going to live my dream one day. I believed that I had something to offer the world, and so it was really emotional for me to see.” 


The post Documentary traces Idina Menzel’s rise from bat mitzvah performer to Broadway icon appeared first on Jewish Telegraphic Agency.

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Israel Remembered the Shoah; Fatah Glorified a Palestinian Mass Murderer

Palestinian Authority President Mahmoud Abbas attends the World Economic Forum (WEF) in Riyadh, Saudi Arabia, April 28, 2024. Photo: REUTERS/Hamad I Mohammed

Earlier this week, Israel remembered the six million Jews murdered by the Nazis in the Holocaust, along with those who valiantly fought the Nazis.

Israel learned from the Holocaust that we must always remain vigilant, and this remains an absolute survival directive, living as we do next to the Palestinian Authority (PA), which, like the Nazis, celebrates the murder of Jews and Israelis.

One of the terrorists released by Israel in exchange for Israeli hostages in last year’s Hamas extortion deal was a Palestinian terrorist who murdered 12 people. He was expelled to Egypt, where he died from an illness last week. The mass murderer is now being eulogized by Palestinian Authority and Fatah officials as exemplifying the values cherished by all Palestinians.

The terrorist, Riyad Al-Amour, was no exception.

The PA honored the terrorist with a “mourning tent” — which was visited by top officials, including Fatah Central Committee Secretary Jibril Rajoub.

Click to play

Official PA TV reporter: “The Fatah Movement, the Ramallah and El-Bireh District, the [PA-funded] Prisoners’ Club, the [PLO] Commission of Prisoners’ [Affairs] … set up a mourning tent for Martyr and released prisoner deported to Egypt Riyad Al-Amour, who died as a Martyr…”

Fatah Central Committee Secretary Jibril Rajoub: “The most sacred thing in the eyes of the Palestinians is those who sacrificed their lives and their freedom – our Martyrs.”

[Official PA TV News, April 9, 2026]

Fatah issued an official statement revering the terrorist as “an example of sacrifice, courage, and perseverance” who was imprisoned by Israel since he “did not hesitate to fulfill his national duty.” [emphasis added]

Posted text: “Fatah announces with sorrow the death of released deported prisoner Riyad Al-Amour…
Al-Amour died while being distanced from his homeland, after a path of struggle in which he constituted an example of sacrifice, courage, and perseverance.

Martyr Al-Amour joined Fatah in his youth and added that he did not hesitate to fulfill his national duty against the occupation until he was imprisoned in the occupation’s prisons, where he spent 23 years.

Fatah expressed its sincere condolences to the family…

High-level Fatah officials also mourned the terrorist on social media:

Posted text:“Fatah Central Committee members Abbas Zaki and Tawfiq Tirawi expressed their condolences over the death of released prisoner Riyad Al-Amour during a visit to the mourners’ house in Bethlehem.

The delegation expressed its deep sorrow over the death as a Martyr of Al-Amour, and emphasized that the sacrifice of the prisoners [i.e., terrorists] will remain present in the hearts of our people and that the struggle for freedom and independence must continue.”

[Fatah Central Committee member Abbas Zaki, Facebook page, April 5, 2026]

The family of Al-Amour — a “Pay-for-Slay” millionaire — will now have to wait and see if they will qualify for continued payments as family members of a “Martyr killed resisting the occupation,” since many PA officials also libeled Israel as being responsible for his death.

The Palestinian salute to Al-Amour is shameless, but as we have seen time and time again, for the PA and its leadership, terrorism is never something to be embarrassed about or part of one’s past to run away from.

On the contrary, in the PA’s “terrocracy,” the more you kill, the greater the respect you are given in life — and in death.

An additional homage to Al-Amour was made by Fatah’s “Shabiba” youth movement:

Click to play

Fatah Deputy Chairman and Fatah Central Committee member Mahmoud Al-Aloul: “These Martyrs, Rashida [Mughrabi], and Riyad [Al-Amour], are among the patient ones fighting for their people, seeking freedom and independence for this Palestinian people.” …

Fatah Shabiba Youth Movement Nablus District Coordinator Rawhi Oudeh: “The message is a message of loyalty to their sacrifices, and a message of loyalty to keep their wills, and it is also a message that if Rashida and Riyad have departed in body, they will remain as a path, an idea, and an essence in the eyes, hearts, and conscience of the Fatah youth.”

[Official PA TV News, April 4, 2026]

Itamar Marcus is the Founder and Director of Palestinian Media Watch (PMW). Ahron Shapiro is a contributor to PMW, where a version of this article first appeared.

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Proposed Antisemitism Laws in France, Italy Stir Free Speech Debate

Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect

French and Italian lawmakers are due to vote on new laws defining antisemitism, proposed in the wake of a surge in anti-Jewish incidents but which critics say could be used to censor criticism of Israel.

The French law, which is scheduled to be debated on Thursday, proposes to sanction “implicitly” justifying terrorism, calling for the destruction of a state recognized by France, and comparisons of Israel to the Nazis.

The Italian bill, if adopted, would make Italy the first country to write into law the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which lists certain criticisms of Israel as examples of antisemitism.

DEFINING ANTISEMITISM IN LAW

Proponents of the laws point to the historic rise in antisemitism after Israel began its military campaign in Gaza following the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

Critics – including some rights groups, academics, and left-wing politicians – say that they will censor legitimate activism for Palestinian rights and contribute to conflating Jews with the state of Israel.

“The [IHRA] definition confuses what is permitted speech  and that is criticism of Israel as a state – with what is prohibited speech, which is antisemitism and racial and religious incitement to violence,” UN special rapporteur on free speech Irene Khan said.

The French law, ​which references the IHRA definition without fully adopting it, contained vague language, she added.

The Italian bill was approved by a large majority in the Upper House last month and is expected to ​begin its passage through the Lower House on Thursday. The French law has lost some political backing following a petition on the French parliamentary website signed by more than 700,000 people.

SHARP RISE IN INCIDENTS SINCE OCT. 7 MASSACRE

In Italy over two years from 2023, antisemitism rose by 100 percent to a record 963 incidents in 2025, according to the Italian Antisemitism Observatory. By comparison, there were 877 recorded incidents in 2024, preceded by 453 such outrages in 2023 and just 241 in 2022.

In France, antisemitism remained at alarmingly high levels last year, with 1,320 incidents recorded nationwide, according to the French Interior Ministry. Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases and 2023’s record high of 1,676 incidents, the ministry warned that antisemitism remained “historically high.” There were 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.

France’s human rights commission, the CNCDH, ​has said that antisemitic acts in France regularly peak in relation to operations carried out by the Israeli army.

The commission, which was not consulted for the law, wrote to MPs and the prime ‌minister in ⁠January to warn of the dangers of conflating “the hatred of Jews and the hatred of the state of Israel.”

Responding to this warning, Caroline Yadan, the French MP proposing the law, said that her text aimed to tackle “new forms of antisemitism” and that the “essentialization that Jews equal Israel exists in today’s society.”

The Israel-Hamas war has led to a wave of anti-Israel, pro-Hamas demonstrations around the world, which Israel and its supporters say are antisemitic.

Protesters say their criticism of Israel and its actions in Gaza should not be conflated with ​antisemitism.

Livia Ottolenghi, representative of the Union of ​Jewish Communities in Italy, said the new ⁠law was necessary and did not prevent criticism of Israel.

“In Italy, we do not live well,” she said. “Our children have bars on their school windows; when they go out, they must be escorted.”

IHRA DEFINITION OF ANTISEMITISM

The IHRA working definition of antisemitism has been adopted by 45 countries as ​a guide but has not previously been written into law anywhere.

IHRA — an intergovernmental organization comprising dozens of countries — adopted the “working definition” of antisemitism in 2016. Since then, the definition has been widely accepted by Jewish groups and lawmakers across the political spectrum, and it is now used by hundreds of governing institutions, including the US State Department, European Union, and United Nations. Law enforcement also uses it as a tool for matters such as hate-crime investigations and sentencing.

According to the definition, antisemitism “is a certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.”

It provides 11 specific, contemporary examples of antisemitism in public life, the media, schools, the workplace, and in the religious sphere. Beyond classic antisemitic behavior associated with the likes of the medieval period and Nazi Germany, the examples include denial of the Holocaust and newer forms of antisemitism targeting Israel such as demonizing the Jewish state, denying its right to exist, and holding it to standards not expected of any other democratic state.

The Council of Europe Human Rights Commissioner Michael O’Flaherty said he viewed ​the IHRA definition as a ⁠useful tool but was concerned about its application, especially in Germany.

“To somehow attribute responsibility for the actions of a government to the Jewish community in Europe is totally unacceptable, and indeed, it does raise the specter of antisemitism,” he said. “But to somehow conflate any criticism of Israel with antisemitism is ridiculous.”

Sarya Kabbani, a French-Syrian woman, was put on trial under existing laws ⁠on antisemitism over ​carrying banners that drew parallels between Israeli politicians and Nazi Germany at a protest in Paris in December 2023. ​The 67-year-old, whose husband is Jewish, was later acquitted by a court.

“It is freedom of expression to be able to say that Israel is committing war crimes, is committing genocide, is carrying out ethnic cleansing, is occupying,” said the ​activist, who will join demonstrations against the French law this week.

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The Era of Pointing Fingers Is Over: Jews Must Unite

Jewish Americans and supporters of Israel gather at the National Mall in Washington, DC on Nov. 14, 2023 for the “March for Israel” rally. Photo: Dion J. Pierre/The Algemeiner

For decades, the American Jewish community operated under an incorrect assumption: we were strong enough to remain siloed. The center-left focused on their spaces, the center-right on theirs, and both sides believed they could combat rising Jew hatred within their own ideological bubbles.

We lived with a false sense of security, believing that our internal divisions were a luxury we could afford.

October 7, 2023, shattered that illusion forever and ushered in a sense of recalibration.

As Jonathan Greenblatt, CEO of the ADL, eloquently put it: “The time for pointing fingers is over.” He rightly diagnosed that those on the right must fight Jew-hatred on the extreme right, and those on the left must fight it on the left.

Implicit in his remarks was a telling recognition that we must all face: the Jewish people are not strong enough to stand divided. We must find common ground, or we will be overwhelmed by the tides of hate rising from every direction.

For the last two and a half years, I have been involved with a movement called Impact. Our mission is simple but vital: to organize individuals into a cohesive greater community capable of reacting — and pro-acting — to events as they unfold in the United States.

While we began with a focus on social media, the reality of the post-October 7 world has forced a crystallization of our goals. We are organizing both online and offline, because the “good fight” is now being waged on every front: from TikTok comments to letter-writing campaigns, and from political advocacy to physical presence.

The logic of organization is one of simple math. Imagine 10,000 individuals each posting their own grievances on social media; the impact is nearly impossible to quantify. But imagine those same 10,000 people acting in concert or even 50,000 people –amplifying a specific message, supporting a courageous micro-influencer, or flooding a representative’s inbox. That is meaningful power.

This isn’t just about the goal of moving the needle; it’s about the empowerment of the people involved. On the road to impact we attain empowerment. When we move from being passive vessels for receiving news to active participants in shaping the narrative, we transform as individuals as well as a community. By liking a post, signing a petition, or showing up at a rally, a person transitions from a concerned citizen to an “unknowing activist.” We are building a community where activism is the default, not the exception.

However, this strength is predicated on a shared definition of who “we” are. True leadership requires representation, and representation requires a base that shares fundamental values. In this era of recalibration, we must be sober about one thing: Jewish unity does not mean including those who actively support our enemies. While they may have been born Jewish, those who deny the basic right of Israel to exist as a democratic Jewish state have placed themselves outside the communal tent.

To build a resilient future, we must rally around our common denominators. We must recognize that the person across the political aisle who shares our commitment to Jewish survival is a much closer ally than the ideological extremist who seeks our dismantling.

The era of the “siloed Jew” ended on October 7. Today, we must choose to be the “organized Jew.” We must utilize this moment to bridge the gaps between the center-left and the center-right. We are stronger together, not because it is a nice sentiment, but because it is a survival necessity. The time for finger-pointing is indeed over; the time for Impact has begun.

Daniel M. Rosen is the chairman and co-founder of IMPACT, a 501c3 dedicated to organizing individuals into communities to combat Jew hatred on social media and beyond. He is a regular contributor to The Jerusalem Post, JNS, Times of Israel, The Algemeiner, and other publications 

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