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Does anime have a Nazi problem? Some Jewish fans think so.

TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw. 

In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way. 

In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans. 

The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”

Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”

“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few. 

Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities. 

“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”

These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war

“​​Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”

But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices. 

“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”

hi

anime and manga have an antisemitism problem

good day

— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022

East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.

But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.

“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.

“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.

As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.” 

“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said. 

Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.

“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”

In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences. 

Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.

“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”

“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)

Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.

I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”

Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.

Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.

“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”

Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating.  Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.

“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.

“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels. 

In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.


The post Does anime have a Nazi problem? Some Jewish fans think so. appeared first on Jewish Telegraphic Agency.

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Tidbits: A huge Jewish dating event through AI and Chabad

Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:

דעם 9טן אויגוסט וועלן טויזנטער אומבאַפּאָרטע ייִדן איבער דער וועלט אָנשטעלן זייערע עקראַנען און רעדן נײַן מינוט לאַנג מיט אַ פֿרעמדן. בײַ אַ טייל פֿון זיי וועט דאָס אפֿשר, אָן זייער וויסן, זײַן דער ערשטער שמועס מיט זייער זיווג.

אַזוי האָפֿן טאַקע די אָרגאַניזירער פֿונעם ריזיקן ראַנדקע-געשעעניש, Met@Chabad, וואָס זיי זאָגן וועט זײַן די גרעסטע סינכראָניזירטע ייִדישע ראַנדקע־אונטערנעמונג אויף דער וועלט. אין איין נאַכט וועלן אומבאַפּאָרטע ייִדן פֿון מער ווי 30 לענדער און טויזנט קהילות — אַרײַנגערעכנט מעלבורן, בוענאָס־אײַרעס און ניו־יאָרק — צונויפֿגעפּאָרט ווערן מיט פֿינעף מענטשן, אַ דאַנק דער הילף פֿון „איי־אײַ“ און אויך דורך רבנים און רביצינס, וואָס קענען די באַטייליקטע פּערזענלעך. מיט יעדן פֿון די פֿינעף מענטשן וועט דער באַטייליקטער שמועסן נײַן מינוט לאַנג דורך ווידעאָ.

זינט 2021, ווען מע האָט אײַנגעפֿירט די יערלעכע ראַנדקע־אונטערנעמונג, זענען מער ווי 30 פּאָרלעך פֿאַרקנסט געוואָרן דורך דער סיסטעם, און כּמעט בײַ אַלע זענען די פּאָרלעך געווען פֿון אַנדערע שטעט און לענדער. מיט אַנדערע ווערטער, אָן דער אונטערנעמונג וואָלטן זיי זיך קיין מאָל נישט באַקענט.

די יערלעכע אונטערנעמונג איז אָרגאַניזירט געוואָרן צוליב אַ וואַקסנדיקן פֿענאָמען בײַ די חב״ד־שלוחים איבער דער וועלט. יונגע ייִדן וואָס קומען צו זיי אויף שבת־מאָלצײַטן אָדער כּדי זיך צו באַראַטן מיט זיי וועגן אַ קאַריערע אָדער צוליב אַ פּערזענלעכן ענין, האָבן אָפֿט אויך געבעטן הילף בײַם געפֿינען אַ שידוך. אָבער בײַ חב״ד איז פּשוט נישט געווען קיין „שדכנות־ביוראָ“.

נעמענדיק אין באַטראַכט וויפֿל אַמעריקאַנער ייִדן האָבן הײַנט חתונה מיט נישט־ייִדן האָבן די שלוחים שטאַרק געוואָלט העלפֿן די אומבאַפּאָרטע ייִדן וואָס זוכן אַ זיווג. לויטן „פּיו“־פֿאָרשצענטער, האָבן 72% נישט־אָרטאָדאָקסישע ייִדן זינט 2010 חתונה געהאַט מיט עמעצן וואָס איז נישט קיין ייִד. אָבער זינט דעם 7טן אָקטאָבער 2023 האָבן די שלוחים באַמערקט אַ נײַע טענדענץ: מער יונגע ייִדן זאָגן זיי, אַז זיי ווילן חתונה האָבן מיט ייִדן און זוכן הילף ווי צו דערציִען ייִדישע משפּחות.

כּדי זיך צו פֿאַרשרײַבן אויף דעם ראַנדקע־געשעעניש דעם 9טן אויגוסט גיט אַ קוועטש דאָ:

צו לייענען וועגן דעם אויף ענגליש גיט אַ קוועטש דאָ:

To read about this in English click here:

The post Tidbits: A huge Jewish dating event through AI and Chabad appeared first on The Forward.

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‘Do not boycott people who dislike us’: Netanyahu challenger Yair Lapid urges AIPAC and J Street to make support for Israel bipartisan again

Israeli Prime Minister Benjamin Netanyahu’s meeting in Washington, D.C. on Tuesday made headlines, but he is not the only Israeli official trying to make inroads in the nation’s capital this week.

Former Israeli Prime Minister Yair Lapid is also in town to get a head start on repairing the U.S.-Israel relationship. On Wednesday, Lapid, who is running on a joint slate with former Prime Minister Naftali Bennett to unseat Netanyahu in Israel’s October elections, met with a group of Democratic senators, including a handful who have voted in favor of restricting arms sales to Israel.

“I took advantage of the visit to convince them they were wrong, presenting them with facts on the ground,” Lapid wrote in a post on X translated from Hebrew. “Boycotting those who speak out against you is not the way. In the face of opposition in the Senate, you need to work hard, meticulously, to repair relations with both parties.”

Lapid and Bennett’s priorities are shared by many liberal Israelis who see the bipartisan foundation of the U.S.-Israel alliance falling apart and believe that replacing Netanyahu and winning back Democrats are both key to the survival of the Jewish state.

A recent poll found that nearly half of Americans believe the U.S. should enforce an International Criminal Court (ICC) arrest warrant for Netanyahu over his actions during Israel’s war in Gaza. Meanwhile, in April, more than three dozen Democratic senators voted in favor of a resolution introduced by Sen. Bernie Sanders of Vermont to block certain arms sales to Israel.

On Wednesday, Lapid met with some of those Democratic senators: Sen. Tim Kaine (D-Va.), Adam Schiff (D-Calif.), Alex Padilla (D-Calif.) Maggie Hassan (D-NH), John Hickenlooper (D-Colo.) Catherine Cortez Masto (D-Nev.), and Cory Booker (D-NJ), all of whom voted to restrict some U.S. arms sales to Israel. Also at the meeting were Sens. Jacky Rosen (D-Nev.) and Richard Blumenthal (D-Conn.), both of whom have staunchly backed U.S. military support for Israel.

Ahead of those meetings, Lapid outlined the opposition’s plan to bring Israel out of international isolation in a speech Monday evening at the Atlantic Council, an influential DC-based think tank.

First on the “to-do list,” as he called it, was to “restore Israel’s bipartisan standing in the United States” and “firmly encourage AIPAC and J Street to move away from partisanship, remind our friends that to be pro-Israeli is to be bipartisan, and build a broad coalition of support.”

“Do not boycott people who dislike us,” he added. “Insist on meeting them and presenting our case.”

AIPAC has long marketed itself as a bipartisan lobbying organization, though critics argue it has become increasingly aligned with Republicans in recent years. In late 2021, it launched a political action committee that has spent heavily in Democratic primaries against candidates whom it deemed unsupportive of Israel.

Meanwhile, J Street, founded in 2008, has long been closely aligned with Democratic lawmakers, often maintaining a critical position on Israeli policies and advocating for a two-state solution to the conflict.

At present, Lapid and Bennett’s joint party, called Together, is the second-strongest party running against Netanyahu in the polls. Gadi Eisenkot’s Yashar party is polling ahead of it — and, in some surveys, ahead of Netanyahu’s Likud party

Any coalition capable of ousting Netanyahu would likely require Together and Yashar to join forces, meaning Bennett, Lapid and Eisenkot would likely all hold very senior positions in a future government if they manage to build a coalition.

Lapid also pledged that a new government would “stay out of American politics” and “respect the American people and the leaders they have chosen on both sides of the aisle.”

“Elizabeth Warren, John Ossoff and Tim Kaine are not the enemy,” he said. “The Democratic Party is not the enemy. J.D. Vance is not the enemy.”

Vance has rattled the U.S. Israel relationship in recent weeks by belligerently defending a ceasefire agreement with Iran and lambasting the Netanyahu government. In addition to Kaine, Warren of Massachusetts and Ossoff of Georgia were among the senators in April who voted in favor of restricting arms sales.

The post ‘Do not boycott people who dislike us’: Netanyahu challenger Yair Lapid urges AIPAC and J Street to make support for Israel bipartisan again appeared first on The Forward.

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The most Jewish room in Fremont, Ohio, is in a county history museum

Beneath a mahogany staircase inside the Sandusky County Historical Society hangs a memorial plaque in a place both fitting and strange.

The sanctuary is gone. The Torah scrolls have long since been moved elsewhere. Military exhibits and county memorabilia fill the rooms. But the plaque remains, listing the dead of Temple Beth Israel, a congregation that closed more than four decades ago.

Across Ohio, when small-town synagogues closed, their history did not vanish all at once. Instead, it was scattered to neighboring congregations, local museums, regional archives and descendants who saved whatever they could. A siddur. A stained-glass window. A Star of David rescued before a building was demolished.

The story of Beth Israel’s plaque almost ended when someone proposed melting it down.

“That couldn’t be discarded,” said Dennis Newman, who grew up at the synagogue.

So he and his nephew drove to Sandusky, Ohio, to retrieve it from another closing congregation.

“It was really heavy,” he said.

Now it is back in Fremont, in the same building where Jewish families once gathered for Shabbat, Hebrew lessons, and holiday services, though most visitors do not know that when they walk in.

The building on Birchard Avenue still stands, a red-brick house set slightly back from the street. Inside, rooms that once held a wedding, Sunday school classes, and other scenes from synagogue life now house exhibits on Sandusky County’s past, including industrial history and local life. A Civil War battle flag serves as one centerpiece. The Jewish past is there too, a small exhibit Newman helped to create.

“Most people are surprised,” said Roy Wilhelm, a local volunteer with the historical society.

A congregation’s afterlife

Fremont is not unique. Throughout Ohio and the Midwest, other small-town congregations have closed, raising the same question: what becomes of the objects, records and stories they leave behind?

Toby Brief, executive director of the Columbus Jewish Historical Society, said her organization has increasingly become a repository for that afterlife. “The definition of Central Ohio has grown,” she said. In practice, she added, the society often functions as “much more of a regional archive between Cleveland and Cincinnati.”

That work, she said, is active rather than passive. “We find materials, we identify them.” Sometimes that means typed oral histories or photographs. Sometimes it means relationships with local historical societies. Sometimes it means preserving just one object from a vanished Jewish community. “We are always telling others not to forget to collect the artifacts,” Brief said.

One of those objects came from New Philadelphia, Ohio.

Like Beth Israel, the Tuscarawas County Jewish Center emerged in the 1930s, part of the same era when many small-town Jewish communities across Ohio were growing. The center was dedicated in 1937, two years after Beth Israel first gathered above a clothing store in Fremont. From its earliest days, the center also reached beyond its own members. At the dedication, the Rev. Frank Cody of First Presbyterian Church spoke. In 1938, when Joseph Wagner was installed as the center’s first rabbi, banquet guests included New Philadelphia’s mayor, Arthur Williams, along with the town’s chief of police and two Christian ministers.

But the ending in New Philadelphia was different. By 1967, the Jewish center had become inactive. The following year, the building was sold and razed to create a parking lot for employees of the local newspaper.

Almost nothing physical survived — just a Star of David rescued by a congregant before the building came down. Today it is preserved by the Columbus Jewish Historical Society.

“It is so simple,” Brief said. But “that star represents a synagogue, a Jewish center, it represents families.”

A home of their own

In Fremont, more remained. One artifact is the memorial plaque. But the building itself is an artifact, too.

For decades, Beth Israel sustained Jewish life in a town where Jews were always a small minority. At its peak in the late 1940s and 1950s, Fremont’s Jewish community numbered about 50 families. It was never large, but it had the elements of a full communal life: weekly services, a Sunday school, a Sisterhood, student rabbis traveling in from Cincinnati and New York, and ties to nearby towns like Tiffin, Fostoria, and Norwalk.

Before the congregation had a permanent home, it gathered in the mid-1930s in a rented room above a store on Front Street. On the day of its 1935 dedication, about 300 people crowded into the upstairs space. They sang “The Star-Spangled Banner” and “Hatikvah,” and the women of the newly formed auxiliary served a buffet luncheon.

A few years later, in 1942, the congregation purchased a former residence on Birchard Avenue and dedicated it as Temple Beth Israel. More than 200 people attended, including Amer Wrigley, the mayor of Fremont. Beth Israel now had a home of its own.

 

For the next two decades, Jewish life in Fremont settled into a modest but steady rhythm. The sanctuary seated about 65 people comfortably and filled for major holidays. Children attended Sunday school. The Sisterhood organized holiday events, charitable drives, and community programs. Church youth groups visited to learn about Judaism, and in 1948 Beth Israel hosted an interfaith Shabbat service that drew about 100 people. Local newspapers praised the congregation’s willingness to “cooperate with the other churches of the city and help make Fremont a leader in the pathways of better understanding.”

Jewish life extended beyond the synagogue, too. Families were tied to local businesses, including Joseph’s Department Store, and worked in medicine, jewelry, and scrap metal. The community was not large, but it was woven into the town.

Newman, who grew up in Fremont, remembers both the closeness and the isolation of that world. “I never knew another Jewish kid in Fremont,” he said. “Judaism was a lonely thing.”

“We were not deeply religious,” he said, “but deeply Jewish.”

By the 1960s, the patterns that had sustained small-town Jewish life in Fremont were thinning. Younger people moved away. Services, once weekly, became less frequent. Around 1967, Beth Israel discontinued its Sunday school, and the remaining children were sent to Sandusky or Toledo for Jewish education.

Still, the congregation persisted longer than some might have expected. In 1966, Beth Israel marked its diamond anniversary with a dinner at the Fremont Country Club attended by the mayor, a Catholic monsignor, and a Protestant minister — one more sign that even in decline, the synagogue understood itself as part of Fremont’s wider civic and religious life.

By the late 1970s, though, only about 15 families remained. Services continued once a month and on the High Holidays. In 1980, the trustees decided to close the congregation.

What remains

An exhibit about Temple Beth Israel is located under the staircase at the Sandusky County Historical Society in Ohio.
An exhibit about Temple Beth Israel is located under the staircase at the Sandusky County Historical Society in Ohio. Photo by Dennis Newman

But closure did not mean immediate disappearance.

Some members joined Oheb Shalom in Sandusky. Torah scrolls and other ritual items were transferred to other synagogues, where they could still be used. A portion of the proceeds from Beth Israel’s sale established a scholarship at Fremont Ross High School for “average students” planning to attend college — an expression of communal values that continued for decades before fading from local records in the 2010s. Small gatherings and holiday observances in Fremont continued in private homes into the 1990s.

Looking back on Oheb Shalom’s closing in 2023, Newman described it less as an end than a transition: “This is not goodbye, just goodbye to the building.”

What remains is often harder to see and more fragile: names on a yahrzeit plaque, ritual items forgotten in a closet, a story carried from one generation to the next.

Brief knows stories from across Ohio. Many people, she said, are surprised by how widespread Jewish life once was in the state’s smaller towns and by how little visible evidence of it remains. Sometimes there was a formal congregation. Sometimes only “one or two families.” But there was still “a presence.” In some places, that presence stretches back earlier than most people assume, into the 1840s, 1850s, and 1860s.

“They wanted to be with other Jews,” Brief said. “They wanted a sense of Jewish life.”

In Fremont, memory survives in other ways too. David Detwiler, who grew up in town decades after Beth Israel’s peak, is not Jewish, but he remembers where the synagogue stood. He remembers the Jewish section of Oakwood Cemetery near his elementary school, and the peculiarity, in retrospect, of childhood games unfolding beside graves.

“Looking back, it was odd to have kids playing next to the dead,” he said.

He knew only one Jew growing up, an educator and school administrator who handed him his high school diploma. But a Jewish presence still lingered in the town’s memory and institutions, even after the congregation was gone. His own church, First Presbyterian, stood a block north of the synagogue and closed in 2025.

“You don’t really remember what happened,” he said. “You remember how it made you feel.”

Fremont’s Jewish memory also survives in stories about businesses and local relationships. Christine Burns, whose family owns Burns Iron and Metal, said her grandfather bought a scrapyard from Marcus Michles, a Jewish entrepreneur whose brother, Joseph, was among the leading figures in Temple Beth Israel, including serving as its president. He did so by borrowing money from Jewish community members and later became friends with many of them.

Joe Cheek, who worked for Michles in the 1970s, remembered him as demanding but fair. “He did not expect you to do anything he would not do himself,” Cheek said.

These memories are not always precise. Names fade. Timelines blur. Details collapse into one another.

But they have not vanished.

Back on Birchard Avenue, the former synagogue is open only seasonally, from May through October, for limited hours. Visitors can walk through the building, pausing at exhibits and reading placards about Sandusky County’s past. Few realize what the house once held.

There is no longer a sanctuary in any recognizable sense. No weekly services. No children’s classes. No steady ritual rhythm drawing people through the doors.

And yet the names remain.

The plaque is back in Fremont now, in the lobby of the old synagogue, beneath the staircase. It does not restore the congregation, or make the building a synagogue again. But it keeps the dead from becoming anonymous and the community from disappearing without a trace.

That is how continuity is carried: by a historical society, by a regional archive, or by a man who sees the names from his childhood and decides they cannot be let go.

The post The most Jewish room in Fremont, Ohio, is in a county history museum appeared first on The Forward.

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