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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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How to stop worrying about the Democratic Socialists of America
The question of why three candidates endorsed by the Democratic Socialists of America bested more mainstream Democrats in congressional primaries in New York and Colorado last month is being answered by pundits, not pollsters.
There have been no exhaustive exit polls to explain why, in Colorado, Melat Kiros unseated incumbent Democrat Diana DeGette and New York voters chose Darializa Avila Chevalier and Claire Valdez — not to mention DSA victories in a slew of state races.
But there is an exhausting panic.
American Jews are worried that the often virulent anti-Israel positions these candidates take show that opposition to Israel is now a litmus test for political viability in the Democratic Party, that describing Israel as “genocidal” and “apartheid” is the ante for any blue candidate.
Given the nature of some of these races, it certainly looks that way. In Colorado, the policy differences between DeGette and Kiros were negligible. DeGette has one of the most progressive voting records in Congress. But she took AIPAC money and paid for it.
And her opponent Kiros wasn’t just critical of Israel’s government’s policies. She, like many other DSA candidates, blamed Israel for the Oct. 7 attacks. Avila Chevalier attended the Oct. 8, 2023, DSA-promoted rally that celebrated the attacks.
Meanwhile, the panic among mainstream Democrats is that primary voters are putting forth candidates who will get clobbered in general elections. In a May New York Times/Siena poll, 47% of Democrats said they want the party to move center, while 28% said the party should move to the left.
That means while DSA candidates may win in what some have called “cobalt blue,” or deeply Democratic districts, with a high number of young, white, educated voters, in crucial swing districts a DSA candidate will take the party down with them.
Israel, demonized
However the general election turns out, primary results show that among not all but a significant group of Democratic voters, two brands have become toxic: Israel and the Democratic Party.
Type “Gaza” into TikTok, scroll for five minutes, and it’s easy to understand at least one reason why. The carnage Israel has wrought in Gaza plays on a visceral loop on social media. Israel as the aggressive colonialist oppressor is a given in much of academia. And Israel’s own actions at the hands of its most right-wing government in history — well, not helpful.
DSA’s official platform on Israel — the first foreign policy position on its site — calls for an end to economic and military aid to Israel and “national sovereignty for the Palestinian people.”
Its best-known members, Bernie Sanders and Alexandria Ocasio-Cortez, have helped popularize the notion that funds spent by the U.S. to arm Israel could instead have been used to fund domestic programs, such as health care for all. On this point the DSA reflects the position of a plurality of American voters: Only 24% support maintaining current levels of aid, while 40% oppose it, according to an Economist/YouGov poll.
But other DSA candidates don’t criticize Israel; they demonize it, and they hesitate to condemn terror even when it attacks Americans. Kiros unapologetically appeared at a rally condemning Israel and refused to call the 2025 firebomb attack on peaceful Jewish marchers in Boulder an antisemitic act.
We are long past the post-Oct. 7 period when anti-Israel activists were challenged to condemn Hamas. For these candidates, pro-Palestinian means pro-Hamas.
“Militant anti-Zionism became a wedge that the group’s more radical activists used to drive away critics of authoritarianism on the left,” wrote Jonathan Chait in The Atlantic.
The other tarnished brand is the Democratic Party itself. At a time when President Donald Trump is sending ICE agents and troops into American cities, jacking tariffs, making billions of dollars in office and conducting full-scale wars without congressional approval, sitting Democrats look feckless. Even the most moderate Democrats — much less non-MAGA Republicans and independents — can see how Democrats have failed to build housing or address affordability. One way to punish the mainstream is to vote for the extremes.
The DSA’s Zionist founder
All of this is especially ironic considering the history of the DSA, whose founder, Michael Harrington, was both a Zionist and a pragmatic if radical political thinker.
Harrington founded the DSA in 1982 to create a movement for social change free from authoritarian pro-Stalinist groups. He was, in the words of the historian Arthur M. Schlesinger Sr., America’s “only responsible radical.”
And yes, the founder of the DSA identified as a Zionist.
In a 1975 interview with a Jewish journalist, Harrington, who died in 1989, said, “I support Israel as an internationalist. Israel is a democratic country whose people are passionately defending its self-determination.”
After the United Nations voted to condemn Zionism as racism, Harrington wrote, “If one preposterously charges that Zionism is racist, then so are all nationalisms which joined to condemn it at the U.N. And that is to drain the concept of racism of any serious meaning.”
Clearly, Harrington has left the building. After Sanders’ presidential campaign inspired a membership surge a decade ago, the current national DSA swelled with more radical membership, including from struggling far-left and communist groups.
“Having dismantled the guardrails that Harrington built to exclude communists,” wrote Chait, “the group established new guardrails to exclude anybody opposed to Israel’s destruction.”
DSA’s first iteration included Jewish activists who worked toward coexistence and a two-state solution, wrote Jo-Ann Mort, a DSA cofounder. Now, she wrote, “its socialism is more concerned with ‘anti-imperialism’ than the democratic socialism that inspired the founders.”
Extremism feeds extremism
The Jewish fears that a Zohran Mamdani mayoralty will lead to pogroms in Manhattan have not been realized. But after Ocasio-Cortez, another DSA candidate, drew the wrath of the group for initially supporting defensive weapons transfers to Israel, she has now come out against them.
One can imagine a DSA that struggle-sessions Sanders, the man most responsible for its revival, subjecting him to a humiliating show trial for being insufficiently anti-Israel. Far-fetched as that seems, it’s unclear how DSA will address the clear schism between its liberal Zionists and its increasingly hardcore anti-Israel wing.
Meanwhile, the ascendant DSA is a boon to Israel’s Prime Minister Benjamin Netanyahu, whose own brand of extremism thrives on creating an Israel-against-the-world mentality. On a visit to Israel last month, I found Israelis and the Israeli media obsessed with Mamdani. One woman told me she wouldn’t dare set foot in New York City as long as the putative leader of the DSA was still mayor. Extremism feeds extremism.
And if the DSA specter leads American Jews to think the Republican Party is a safe haven, think again.
Young Republican voters are shifting against Israel in the same way young Democrats are. And just this week, Tucker Carlson, a confidant of the vice president, the right’s most popular media personality and a vicious Israel critic, said, “I officially don’t care about Hamas.”
An Israel-less ‘Promise to America’
Democratic leaders have struggled with ways to recapture the young voters lured away by the DSA.
The group Promise to America, founded earlier this month, asks representatives and candidates to sign on to six “pledges” that seem focus-group-tested to appeal to 18- to 26-year-olds: free speech, “government that works,” fiscal discipline, fair capitalism, just national security and “national renewal.”
“Democrats that hold these values that do well in the party,” Felix Frisch, the group’s 20-year-old founding director, told me in a phone interview. Frisch, who took a leave of absence from the University of Chicago to run the organization, pointed out that two of the pledge’s signers — Rep. Tom Suozzi in New York and Rep. Adam Gray in California’s Central Valley — were the only two Democrats to flip a district that Trump won in the 2024 cycle.
How did he explain the DSA’s success?
“They’re a lot more organized,” he said. “The reason I got so fired up to do this was because we need some organization around our core principles.”
The website, I pointed out, doesn’t mention Israel, which for many young voters is a defining issue. Frisch suggested I speak to the pledge’s signers, which I took to mean: Where Democrats can win, it may be in spite of their support for Israel, not because of it.
Where the DSA lost
Aside from online pledges, what hope is there for moderate Democrats who don’t put Hamas or Israel-bashing first?
I didn’t have to look far for an answer. In my Los Angeles City Council district, CD 11, a charismatic and accomplished DSA candidate, Faizah Malik, challenged incumbent Traci Park. In the early June election, Malik got trounced, 64% to 35%, in a district that teems with the same progressive, white voters who backed winning DSA candidates elsewhere.
The difference? Since taking office in 2022, Park has greatly reduced homeless encampments and, according to the Los Angeles Times, “became the face” of recovery after the Palisades fires. She pushed to bring 2028 Olympic events, Hollywood film shoots like Baywatch, several large affordable housing projects and a much-needed marine mammal recovery station to the area. Nothing sexy — well, except the Baywatch reboot — but noticeable.
Malik didn’t mention Israel or Gaza in her campaign materials, and it’s unclear whether doing so would have helped or hurt her. She did have the backing of Engage Action, the Muslim American lobbying group that considers Israel an occupier of Palestinian lands since 1948.
Park won because her record gave the district’s 284,000 residents plenty of reasons to vote for her, embodying what The New York Times columnist Ezra Klein called “a liberalism that builds.”
The same, by the way, could be said about Brad Lander, a liberal Zionist who beat Rep. Dan Goldman by running to his left on Israel but parted ways with DSA after Oct. 7. While the Israel issue helped tank his opponent, it was Lander’s record of delivering for his constituents as a City Council member and then city comptroller — including pushing through affordable housing initiatives and paid sick leave — that accounted for much of his popularity.
There is as much to learn in where the DSA candidates lost as where they won. When Democrats stand up articulate, social-media-savvy candidates who can galvanize voters around effective solutions to the problems they care about — and then make those solutions happen — they win.
The post How to stop worrying about the Democratic Socialists of America appeared first on The Forward.
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AIPAC attacked a Democrat for funding ICE. Now it’s backing one who voted the same way.
AIPAC’s super PAC is spending big to boost Rep. Haley Stevens in Michigan’s Democratic Senate primary — over a record that includes the same ICE funding vote the group used to attack a different Democrat earlier this year.
Stevens is one of three leading candidates in the primary, running against progressive insurgent Abdul El-Sayed, who called the Israeli government “evil” like Hamas, and state Sen. Mallory McMorrow. A new 30-second ad from AIPAC’s super PAC, the United Democracy Project, praises Stevens for confronting Trump’s immigration policies — citing legislation she introduced to create an independent prosecutor for ICE misconduct, and her calls for then-Homeland Security Secretary Kristi Noem to resign.
The ad is part of a multimillion-dollar campaign to boost Stevens, a longtime AIPAC ally, whom the group helped elect in 2018 and reelect in 2022.
But the message is hard to square with AIPAC’s own record elsewhere. Earlier this year, the group spent more than $2 million attacking former Rep. Tom Malinowski in a New Jersey special election for voting to fund ICE as part of a bipartisan border bill. “We can’t trust Tom Malinowski to stand up to President Donald Trump,” that ad said. Stevens voted for the same funding bill. Last June, she also voted for a House resolution thanking ICE agents “for protecting the homeland.”
An AIPAC spokesperson and a UDP representative did not immediately respond to explain why the vote to fund ICE was presented as a liability in Malinowski’s race but not in Stevens’ case.
AIPAC has spent years cultivating ties to Trump-aligned Republicans, many of whom strongly support aggressive immigration enforcement.
The Israel-boosting organization’s brand has become increasingly controversial among mainstream Democrats in recent years. Congressional candidates, including some Jewish Democrats, have promised not to take contributions from AIPAC. Last month, New York City Mayor Zohran Mamdani used the word “monsters” to describe AIPAC at a rally for progressive candidates he backed, all of whom won their primaries.
In the Michigan race, shaping up as one of the starkest tests of the Democratic coalition and how the party navigates policy towards Israel in Congress, United Democracy Project has already spent $10.7 million backing Stevens, making the Michigan contest one of its largest Senate investments this election cycle. AIPAC also raised several million dollars for Stevens by directing its donors to online portals that funnel money directly to the candidate’s campaign, effectively erasing its fingerprints in public data.
McMorrow has the endorsement of J Street, the liberal Zionist advocacy group that supports a two-state solution. The Jewish Democratic Council of America issued a rare dual endorsement of Stevens and McMorrow.
El-Sayed, the progressive frontrunner, is increasingly trying to transform AIPAC’s investment in the race into a centerpiece of his campaign message. Backed by Sen. Bernie Sanders, El-Sayed has released videos accusing AIPAC of attempting to buy Democratic elections and police debate over Israel. In recent months, he has also reached out to Jewish voters while seeking to channel the energy of the 2024 Uncommitted movement, which protested the Biden administration’s support for Israel in the war against Hamas in Gaza. The state is home to the largest concentration of Arab Americans in the United States. Jewish voters make up just 1.4% of the electorate in the state.
Arno Rosenfeld and Hannah Feuer contributed to this article
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Adam Sandler officiates Taylor Swift-Travis Kelce wedding, fueling theories about singer’s Israel stance
(JTA) — A Jewish comedian who played one of cinema’s most notable Israeli characters took center stage — literally — at Taylor Swift’s wedding at Madison Square Garden on Friday.
Adam Sandler officiated the ceremony between Swift and Kansas City Chiefs tight end Travis Kelce, a spokesperson for Swift confirmed to media after the wedding.
The event included a wide range of Jewish attendees, including the Haim sisters, who recently attended a Knicks game with Swift; the writer and actor Lena Dunham; Joshua Kushner, the businessman whose brother Jared is a top Middle East advisor to President Donald Trump; and Kelce’s former teammate Mitchell Schwartz.
Sandler’s presence in particular fueled criticism from anti-Israel voices, who argued it was significant that someone who has described himself as “very pro-Israel” officiated the wedding. Sandler has discussed his friendship with Swift and Kelce publicly, saying that it developed through his daughters, who are Swift fans.
Swift has largely avoided wading into polarizing political issues, and her outlook on the Israeli-Palestinian conflict has been a source of confusion for many fans, who have struggled to interpret her silence on the topic at a time when many celebrities have publicly voiced support for Gaza. Her decision not to publicly criticize Israel is seen as having bolstered her popularity among Israelis. At the same time, some pro-Palestinian fans have decried her silence and protested at her concerts, while others have speculated that she is privately pro-Palestinian but has avoided speaking out for fear of alienating fans.
“For all the Swifties defending Taylor Swift regarding her silence on Palestine she had Adam Sandler … a well-known Zionist, officiate her wedding so I think we know where she stands now,” tweeted an account called Land Palestine that had nearly 2 million followers on Instagram before being suspended last year.
“They’re all Zionists, clearly, and no doubt about it,” tweeted the Oxford University student Kate Crawford, a prominent pro-Palestinian voice on X who identifies as partly Jewish.
Some pro-Israel voices joined in the speculation. “I wonder if she is publicly aligning herself with certain people for a soft launch of her views. If she were to say some pro-Israel or pro-Jewish things, I think it could go a long way amongst the younger generation,” wrote one user on Reddit’s “Jewish” forum, in a post that was deleted but yielded nearly 200 comments parsing Swift’s possible Israel attitudes. (Among the evidence offered for possible pro-Israel leanings: She and Kelce recently dined at a buzzy Israeli restaurant. But other commenters noted that Gigi Hadid, a Palestinian-American celebrity who has spread anti-Israel rhetoric, was also at the wedding.)
The chatter about the wedding and Israel swelled so much that the parody account Buzz Crave riffed off of it with a viral post proclaiming: “Taylor Swift and Travis Kelce have left the U.S. for Israel to start their honeymoon.”
Like Swift, Sandler is not among the celebrities to engage in activism on Israel or Gaza. In fact, Sandler — whose early hits included “The Hanukkah Song” — is not known to have visited Israel, after disclosing in a 2022 interview that he had never traveled to the country of one of his signature characters. He played Zohan Dvir, an Israeli soldier who prefers partying to war, in the 2008 comedy “You Don’t Mess With the Zohan.”
Sandler made the “very pro-Israel” comment in 2015 while criticizing artists who boycott Israel during an appearance on Howard Stern’s radio show. He has said little publicly about Israel since the immediate aftermath of Hamas’ Oct. 7, 2023, attack that began the war in Gaza, when he said his “heart is shattered” and signed onto an entertainment industry letter calling on then-President Joe Biden to help return the Israeli hostages taken by Hamas.
For some, the reaction to Sandler’s officiation added to a growing sense that no Jewish figure can escape being targeted by anti-Zionist activism. “You can stay silent. You can avoid politics. You can try not to get involved,” the pro-Israel influencer Ran Alkalay posted on Instagram. “For antisemites, none of that matters.”
For other Jewish voices commenting on the wedding, the guest list was immaterial. On Facebook, Rabbi David Glickman of Kansas City noted that Swift and Kelce had doled out $26 million in charitable gifts ahead of their nuptials.
“Jewish tradition says that a bride and groom have the ear of God on their wedding day — so the couple will say silent prayers for folks in need. I’m grateful your prayers weren’t only silent,” Glickman wrote. “You gave an example for all of us that personal celebration is made greater through tzedakah and generosity. Your charitable gifts are more impressive than a wedding at MSG — I hope it will get the same publicity.”
This article originally appeared on JTA.org.
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