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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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Mark Mellman, pollster who championed Democrats and Israel, dies
(JTA) — The talk was timed just ahead of the Ninth of Av, one of the most mournful dates in the Jewish year, so Mark Mellman came prepared with a drash — a Torah commentary — and delivered it to a rapt room.
That the room at the 2004 Democratic National Convention in Boston was packed with political operatives, not all of them Jewish, did not seem to matter to Mellman, the veteran pollster pro-Israel voice within the Democratic Party whose death was announced Friday by his family.
For Mellman, Jewish values and Democratic values went hand in hand. As soon as he heard the appreciative murmurs of “yashar koach” (roughly, “well done”) marking the end of his drash, he launched into an endorsement of party presidential nominee John Kerry.
“Mark possessed a profound understanding for American and Jewish history.” the Democratic Majority for Israel, the group he founded in 2019, said in a statement. “His unwavering commitment to Democratic values will continue to guide and inspire us.”
Mellman died after a long illness, his family said in announcing his funeral, which will take place on Sunday in Maryland. They did not give a cause of death or mention his age, although some sources indicate he was born in 1955.
Mellman joined his first political campaign in 1981, three years after graduating from Princeton and while he was a graduate student at Yale. He successfully managed the congressional campaign of Bruce Morrison, a Connecticut Democrat who unseated a Republican, Larry DeNardis, in the 1982 election.
The upset made Mellman’s reputation and, still in his 20s, he launched a career in Washington as a pollster and a consultant. His company was eventually known as The Mellman Group.
Within a couple of decades he was the go-to pollster, not just for Democrats but for a wide variety of firms, including the NBA’s Washington Wizards, United Airlines and both Pepsi and Coca-Cola.
He never let it get to his head: “The truth is we know damn little about what works in campaigns,” he wrote in The Hill, the insidery Washington newspaper, in 2006. “Most of what passes for evidence in this business is nothing more than dimly remembered anecdote or thinly disguised salesmanship.”
His self-deprecation came through after Kerry lost in 2004. Mellman was the campaign’s pollster.
“You can’t imagine how much time it takes to lie on the floor in a fetal position, it really takes a lot out of me,” he told a conference a week after the election.
Mellman made himself accessible to Jewish groups, frequently appearing at events organized by the Jewish Federations of North America and at the American Israel Public Affairs Committee, and often opposite a Republican counterpart.
The debate was always friendly, with the understanding on both sides that ensuring the full-throated participation of Jewish Americans in the political process outweighed partisan differences.
“I always respected him and the fact that he was committed to fighting the rise of antisemitism and anti-Zionism in the Democratic Party,” Matt Brooks, the CEO of the Republican Jewish Coalition, told JTA. “Mark put principle over politics. He and his voice will be missed.”
He was sought-after mentor to younger Jewish operatives. “When I started working in Jewish Dem politics and needed a poll, we looked to Mark. When I first spoke at a JCC, I spoke alongside Mark,” Halie Soifer, the CEO of the Jewish Democratic Council of America, said on X. “I learned from and appreciated Mark, and he’ll be deeply missed.”
William Daroff, now the CEO of the Conference of Presidents of Major American Jewish Organizations, recalled that Mellman’s mentorship crossed party lines, when Daroff was the RJC’s deputy director.
“During my own partisan youth, when I was loudly advocating for President George W. Bush and Mark was working just as energetically on the other side, he never treated me as an adversary,” Daroff told JTA. “He cared more about the Jewish community than about partisan labels and made a point of saying that pro-Israel voices in the GOP mattered.”
When Daroff a couple of years later sought to transition to nonpartisan work, applying for the top Washington job at JFNA, Mellman was one of his fiercest advocates.
“He backed me, he vouched for me, and he helped open doors that I could not have opened alone,” Daroff said. “Mark believed deeply in communal unity, and he acted on that belief.”
Mellman was one of the first to warn fellow Democrats that the obituarywas a trend, not an anomaly.
“It is a small problem that could get bigger,” he told The Forward in 2013. The numbers then of progressive Democrats holding negative views of Israel were not large, he said, “but you need to address problems when they are small.”
He was proved correct after the 2018 election, which swept into office four Democrats, known as “The Squad,” who made criticizing Israel their brand. A year later he launched DMFI.
“Our mission at Democratic Majority for Israel is to strengthen the pro-Israel tradition of the Democratic Party, fight for Democratic values and work within the progressive movement to advance policies that ensure a strong U.S.-Israel relationship,” Mellman said then.
DMFI occupied a unique place in the Democratic firmament: Other partisan groups tread lightly in countering adversaries within the party. Mellman and his group did not.
“We’ve got two words in our name that are important,” he told JTA in 2024, when DMFI helped lead the successful effort to oust New York Rep. Jamaal Bowman in a primary challenge. “One is ‘Israel.’ The other is ‘Democratic.’ We believe in the Democratic Party, we believe in a Democratic agenda. We find fault with Jamaal Bowman because he’s anti-Israel, but also because he’s not supportive of a Democratic agenda.”
It was a statement typical of Mellman, who was not afraid to smash taboos. He freely aligned himself with opponents to Israeli Prime Minister Benjamin Netanyahu, crossing a red line for many in the pro-Israel community, who prefer to stay out of Israeli politics. He consuklted with opposition leader Yair Lapid.
“He was one of the architects of the 2013 election success,” when Lapid’s party, Yesh Atid, barely a year old, earned 19 seats and a place in the governing coalition, “and of the campaign that led to us forming the government in 2021,” Lapid said on X.
“Mark embodied a love of the strong, successful, democratic Israel we believe in and worked tirelessly to secure the strategic relationship between Israel and the United States,” Lapid said. “His contribution to the Jewish people is far greater than most people will ever know.”
“A world class pollster and advocate for Israel, but a world class mensch, too,” Steve Rabinowitz, a longtime Washington PR maven told the Jewish Telegraphic Agency. “His loss is stunning.”
The post Mark Mellman, pollster who championed Democrats and Israel, dies appeared first on The Forward.
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Judy Chicago’s feminist art lands in Tel Aviv — igniting a boycott call and hard questions about Israel
(JTA) — TEL AVIV — Judy Chicago may not have been directly involved in organizing two new Tel Aviv exhibits of her work, but the question at the center of one of the shows could not be more relevant amid Israel’s war in Gaza: “What If Women Ruled the World?”
That’s the title of the Judy Chicago show that opened this fall at the Tel Aviv Museum of Art. It poses that question and other related ones, like “Would God Be Female?” and “Would There Be Violence?” on colorful art quilts. The questions are translated into Hebrew and Arabic, and visitors can record their responses.
“My motivation for bringing this project here, to a public space within the museum, was to shout in the loudest way we have at our disposal — where are the women who would end this war?” said Shahar Molcho, the exhibit curator, over the summer.
It’s a question that has echoed even after the ceasefire that began last month, as Israel’s male leaders have sparred over how to move forward and a new, all-male slate of leaders were chosen for Zionist institutions.
But some argued that the art exhibit should not go up. Just days before “What If Women Ruled the World?” was scheduled to open, a group of Israeli and Palestinian artists wrote to Chicago and her collaborator, artist Nadya Tolokonnikova, urging them to “not artwash the genocide and ongoing ethnic cleansing” in Gaza and the West Bank. The letter invoked Chicago’s feminism and said it would be hypocritical for her to display her work in Israel.
A second exhibit of Chicago’s artwork, on loan from a private collection and surveying the artist’s six-decade career, is on display at at Tel Aviv’s Nassima Landau Foundation through January 2026.
Chicago, 86, declined requests for comment from JTA and other news outlets. Tolokonnikova, a Russian musician and the founder of the feminist group Pussy Riot, told the online publication Hyperallergic that she agrees with the letter but has no control over where the project is shown.
The question of how the world would be different under women’s leadership frames the museum exhibit. But another question has dominated the discourse: Should international artists of Chicago’s stature be showing their work in Israel at all?
Molcho said she had anticipated backlash to the exhibit but was surprised that the condemnation came from Israeli artists, too, including those whose work is or has been on view at the museum, such as David Reeb and Guy Ben-Ner.
“Boycott is between Israel and the rest of the world, not amongst Israelis,” Ben-Ner, a signatory whose solo show at the museum ran through June 2023, told JTA.
The Israeli documentary filmmaker Barak Heymann had never heard of Judy Chicago but signed the letter opposing the exhibit. “Anyone who takes action with the intention to direct international attention at the genocide, and the demand to stop it now, will receive my automatic and almost blind support,” he said.
The Tel Aviv Museum of Art is situated just a few hundred feet from Hostage Square, the site of mass demonstrations during the two-year Israel–Hamas war. Molcho said that she and other museum leaders have frequently joined anti-war protests at their doorstep.
State funding accounts for just 2% of the museum budget, with over 45% coming from the Tel Aviv municipality, Tania Coen-Uzzielli, the museum’s director, said.
Coen-Uzzielli said she opposes efforts to boycott Israeli cultural institutions, noting, “If we silence critical voices, we’re just playing the same game being played by those running our country. We should be promoting criticism, dialogue, participation. Culture, at its essence, is about conversation.”
Several signatories said they were unaware that just last year, Chicago herself loaned two preparatory studies she created while working on her 1992 stained glass window, Rainbow Shabbat, to Israel’s Mishkan Museum of Art in Ein Harod, where they remain on display. Days after the Oct. 7, 2023, Hamas attack on Israel, Chicago posted a photo of Rainbow Shabbat on Instagram, writing, “As the panels state: Heal those broken souls who have no peace and lead us all from darkness to light.”
The artist was not directly involved in bringing “What If Women Ruled the World?” to the Tel Aviv Museum. The exhibit is the result of a collaboration between the museum and the New York-based art tech company DMINTI.
This is Tel Aviv Museum’s culminating installation following a year of women-centered solo exhibitions. Inspired by a series of handmade banners Chicago created with the luxury goods brand Christian Dior for a 2020 haute couture show, the museum show comprises 11 art quilts, each posing a different question, a recording booth where “all who share feminist values” are invited to answer the questions, and a film about Chicago’s trailblazing career.
The post Judy Chicago’s feminist art lands in Tel Aviv — igniting a boycott call and hard questions about Israel appeared first on The Forward.
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Mamdani Under Fire for Response to Mob Targeting New York City Synagogue
New York City mayor-elect Zohran Mamdani attends a press conference at the Unisphere in the Queens borough of New York City, US, Nov. 5, 2025. Photo: REUTERS/Kylie Cooper
New York City Mayor-elect Zohran Mamdani is facing intense criticism from Jewish leaders and pro-Israel advocates after issuing a statement that appeared to legitimize a gathering of demonstrators who called for violence against Jews outside a prominent synagogue on Wednesday night.
The protesters were harassing those attending an event being held by Nefesh B’nefesh, a Zionist organization that helps Jews immigrate to Israel, at Park East Synagogue in Manhattan.
“We don’t want no Zionists here!” the group of roughly 200 anti-Israel activists chanted in intervals while waving the Palestinian flag. “Resistance, you make us proud, take another settler out.”
One protester, addressing the crowd, reportedly proclaimed, “It is our duty to make them think twice before holding these events! We need to make them scared.”
Footage on social media also showed agitators chanting “death to the IDF,” referring to the Israel Defense Forces, as well as “globalize the intifada” and “intifada revolution.” Community figures described the scene as openly threatening and a stark escalation of anti-Jewish hostility in New York City.
Mamdani, who was elected the city’s next mayor earlier this month, issued a statement that “discouraged” the extreme rhetoric used by the protesters on Wednesday night but did not unequivocally condemn the harassment of Jews outside their own house of worship. Mamdani’s office notably also criticized the synagogue, with his team describing the event inside as a “violation of international law,” an allegation apparently referencing Israel’s settlement policies in the West Bank.
“The mayor-elect has discouraged the language used at last night’s protest and will continue to do so,” Mamdani spokesperson Dora Pekec said in a statement on Thursday. “He believes every New Yorker should be free to enter a house of worship without intimidation, and that these sacred spaces should not be used to promote activities in violation of international law.”
Jewish leaders reacted with disappointment, arguing that Mamdani effectively provided political justification for a protest that targeted Jews for participating in a mainstream, fully legal pro-Israel program. Critics said the state assemblymember’s framing implied that the synagogue’s event, not the threatening chants outside, was the real problem, a position they described as deeply irresponsible amid rising antisemitism in the city.
“Do they think this is clever? Telling Jews not to use synagogues to inform fellow Jews about how to move to Israel, which many Jews consider a commandment, because Jews living in Israel violates international law,” wrote Tal Fortgang of the Manhattan Institute.
Mark Goldfeder of the National Jewish Advocacy Center suggested that Mamdani is failing to secure the safety of all New Yorkers.
“You are already failing on your commitment to protect all New Yorkers. An event to celebrate aliyah is not a violation of international law; it is a protected First Amendment right,” he wrote, referencing the process by which Jews immigrate to Israel.
The World Jewish Congress said the protests “produced scenes early [sic] reminiscent of Kristallnacht,” the infamous Nazi pogroms of November 1938 that terrorized the German Jewish community.
New York Gov. Kathy Hochul (D), who endorsed Mamdani for mayor, strongly condemned the protests.
“No New Yorker should be intimidated or harassed at their house of worship,” Hochul posted. “What happened last night at [Park East Synagogue] was shameful and a blatant attack on the Jewish community.”
Pro-Israel advocates warned that Mamdani’s response normalizes intimidation of Jewish communities and shifts blame onto victims rather than confronting extremist activists. They also noted that support for making aliyah is a core part of Jewish communal life and expressed concern that an elected official would characterize such programming as grounds for protest, especially one marked by calls for violence.
The controversy has heightened tensions in New York’s Jewish community, with many observers calling Mamdani’s remarks a troubling signal that anti-Israel animus is increasingly being used to rationalize hostility toward Jewish religious spaces themselves.
Mamdani’s political ascendance comes amid a spike in anti-Jewish hate crimes within New York City.
The city has been ravaged by a surge in antisemitic incidents since Hamas’s Oct. 7, 2023, massacre across southern Israel. According to police data, Jews were targeted in the majority of hate crimes perpetrated in New York City last year. Meanwhile, pro-Hamas activists have held raucous — and sometimes violent — protests on the city’s college campuses, oftentimes causing Jewish students to fear for their safety.
Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
A recently released Sienna Research Institute poll revealed that a whopping 72 percent of Jewish New Yorkers believe that Mamdani will be “bad” for the city. A mere 18 percent hold a favorable view of Mamdani. Conversely, 67 percent view him unfavorably.