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Does anime have a Nazi problem? Some Jewish fans think so.

TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw. 

In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way. 

In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans. 

The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”

Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”

“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few. 

Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities. 

“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”

These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war

“​​Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”

But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices. 

“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”

hi

anime and manga have an antisemitism problem

good day

— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022

East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.

But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.

“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.

“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.

As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.” 

“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said. 

Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.

“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”

In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences. 

Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.

“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”

“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)

Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.

I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”

Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.

Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.

“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”

Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating.  Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.

“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.

“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels. 

In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.


The post Does anime have a Nazi problem? Some Jewish fans think so. appeared first on Jewish Telegraphic Agency.

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How a monument to a Jewish Confederate ended up in a storage unit, next to a vacuum cleaner

Behind an orange roll-up door at a self-storage facility in New Orleans, sits a vacuum cleaner, some lighting gear and a cardboard box.

Inside the box is a Confederate monument, one of the strangest Jewish heirlooms in America.

It is granite, four and a half feet tall, 1,600 pounds and shaped like a thick tombstone. It lies on its side on a crushed wooden pallet because it can no longer stand up. A third of it once sat underground, and when Charlotte, North Carolina, chipped it out of a sidewalk in the summer of 2020, the buried end came out ragged. It carries a few gouges where a protester swung a hammer. Until the city scrubbed it, it also carried three letters in black spray paint: BLM.

“There it sits to this day,” said Kenneth Hoffman, executive director of the Museum of the Southern Jewish Experience, half a mile away in New Orleans, “and possibly will sit forever.”

The stone is one of the last left standing — or, more precisely, lying down — from a century-long campaign in which American Jews built monuments across the South to Judah P. Benjamin, the Confederacy’s Jewish secretary of state, because, for a time, he represented their own acceptance in the South. The monument’s fall tells the story of what changed — not just about Benjamin, but about the Jews who once celebrated him.

Its journey from a Charlotte sidewalk to a New Orleans storage unit involves a Yiddish-speaking ex-convict, the United Daughters of the Confederacy, an antisemitic banker, two Polish-born rabbis, a dollar bill pulled from a stranger’s wallet, and a retired lawyer whose wife descends from the man who once hid Benjamin from the Union Army.

What nobody has figured out is what to do with it.

The brains of the Confederacy

Benjamin was a New Orleans lawyer, a sugar planter who owned 140 enslaved people, and a U.S. senator from Louisiana. When the South seceded, Confederate President Jefferson Davis made Benjamin attorney general, then secretary of war, then secretary of state. The two men worked side by side as much as 10 hours a day. Benjamin’s face was engraved on the Confederate $2 bill, likely the only paper money issued in America to feature a Jewish person.

He was known as “the brains of the Confederacy” — a phrase that started as an insult, the old canard of the Jewish puppet master, a way of pinning the Civil War’s loss on the one Jew in the cabinet. He married a Catholic woman, never joined a synagogue and was not a practicing Jew, but none of that mattered. A senator from Ohio sneered that Benjamin was an “Israelite with Egyptian principles.”

When the Confederacy collapsed, Benjamin ran. He disguised himself as a Frenchman who spoke no English, hid in a Florida swamp and slipped out to sea. He made it to London, reinvented himself as a barrister, and died wealthy and free in Paris in 1884, never having answered for any of his past.

That flight is why there are so few monuments to him. Davis went to prison. The generals surrendered and lived out their lives in the South. Benjamin escaped and never came back.

“Some considered Judah Benjamin a kind of traitor,” said Jonathan Sarna, the noted Brandeis University historian of American Jewry.

So the Lost Cause never fully claimed him. Southern Jews claimed him instead.

‘Judah P. Benjamin Nite’

The commemoration campaign that followed has been reconstructed largely by David Weinfeld, an assistant professor at Rowan University who is working on a book called Southern Jews and the Lost Cause. It was indifferent to geography.

Jewish war veterans presented a Benjamin portrait to Atlanta Mayor William Hartsfield in 1954 for the city’s collection of “Confederate Heroes and Statesmen.” Weinfeld found that Alabama’s B’nai B’rith opened its 1962 state convention with a dinner-dance called “Judah P. Benjamin Nite,” and offered to fund a monument at the state capitol honoring him as “a son of the Jewish people.”

Alabama didn’t have a strong connection to Benjamin, which was precisely the appeal there. He “provided a means for southern Jews to prove their southernness regardless of what former Confederate state they resided in,” writes Weinfeld.

David Weinfeld, an assistant professor at Rowan University, is writing a book called "Southern Jews and the Lost Cause."
David Weinfeld, an assistant professor at Rowan University, is writing a book called “Southern Jews and the Lost Cause.” Photo by Benyamin Cohen

Sarna puts the calculation more starkly. Jewish safety in the South depended on being counted as white, and Southern Jews understood the alternative.

“Why did they want to be white?” he asked. “Because the alternative was to be Black.”

The stakes weren’t abstract. In the years around those celebrations, synagogues across the South were bombed and set on fire, and rabbis who backed integration were punished for it. “There were people whose response was, ‘If we want to continue to be here in the South, this is the price we have to pay,’” Sarna said.

It was a bargain, mostly unspoken: stay loyal to the white South and you will be well treated. Many Southern Jews upheld their end of it. Plenty, Sarna said, “had prejudices not different from those of their non-Jewish counterparts.”

The United Daughters of the Confederacy embraced Benjamin right back. “They understood that celebrating a Jew made the Confederacy look tolerant,” Weinfeld told a room of scholars at the American Jewish Historical Society’s conference this June in Cleveland.

The Daughters chartered a Judah P. Benjamin chapter in Bradenton, Florida, in 1914, and after World War I began sponsoring Benjamin markers across the South.

In 1924, the Daughters bought Belle Chasse, Benjamin’s old Louisiana plantation, and a New Orleans rabbi spoke at the dedication, consecrating the house to “the impulse of patriotism.” The next year they bought the Gamble Plantation in Ellenton, Florida, where Benjamin is said to have hidden from Union troops, and gave it to the state. It remains a state park officially named the Judah P. Benjamin Confederate Memorial. With B’nai B’rith’s support, the UDC raised a monument in Sarasota in 1942 — pink Georgia marble, crowned with a bronze sundial — and another in Fayetteville in 1944.

The Sarasota dedication came six weeks after Pearl Harbor, and the Birmingham News found in it a wartime moral. Honoring Benjamin was fitting “especially so right now, when the United States is at war with totalitarian forces whose ringleader, Nazi Germany, proclaims and practices racial and religious intolerance,” the paper wrote. The monument was “in a way a part of the answer of the South, the land of the Confederacy, to Adolf Hitler’s assault upon those freedoms which Southerners and all Americans hold dear.”

It was a memorial to a slaveholding Confederate, offered as the South’s rebuttal to Hitler.

The Charlotte fiasco

In Charlotte, the arrangement broke down in public.

According to Weinfeld’s extensive research, the local UDC chapter was preparing to host the 1948 state convention and wanted a marker for the spot where Benjamin sheltered for a week in April 1865, in the home of a Jewish merchant named Abraham Weill. The chapter’s historian, Josephine Yarbrough, needed money. She wrote to Harry Golden.

Weinfeld has traced what happened next through Golden’s own account and contemporaneous records.

Golden was about the least Confederate man in North Carolina. Born in what is now Ukraine, raised on the Lower East Side, he had served federal prison time for mail fraud before reinventing himself in Charlotte as publisher of the one-man newspaper the Carolina Israelite.

Harry Golden reading a copy of his newspaper, the Carolina Israelite, in 1968.
Harry Golden reading a copy of his newspaper, the Carolina Israelite, in 1968. Photo by Bettmann/Getty Images

Golden would go on to become a best-selling humorist and an ally of Martin Luther King Jr. during the civil rights movement. But in 1948, he called Benjamin “one of the greatest Jews America has ever produced.” He signed up the city’s two synagogues, Temple Israel and Temple Beth El, which agreed to buy the granite and present it to the Daughters as a gift.

Then came the letter.

A non-Jewish New York banker with Charlotte in-laws warned UDC members across the state that the Daughters were being used for Jewish propaganda. Charlotte’s so-called good Jews, he wrote, were “good only because they are as yet unrevealed.”

That was all it took. The local Daughters voted to yank their name off the stone, then went to the city council to stop the marker from being erected. They argued it would block passengers boarding city buses. The state and national organizations overruled them, and both synagogues voted to press on.

On Oct. 1, 1948, police blocked off South Tryon Street for the unveiling. The mayor came. A Presbyterian minister delivered the keynote. And the Jewish blessings came from two rabbis — Aaron Tofield of Temple Israel and Philip Frankel of Temple Beth El — both born in Poland. Three years after the Holocaust ended, two immigrant rabbis from the old country stood on a Southern sidewalk and consecrated a monument to the Confederacy.

Hidden in plain sight

The stone did what stones do. It stood there.

Charlotte changed around it — the streetcars, then the skyscrapers, then the FedEx store it eventually fronted. The inscription was right there for anyone who bothered to crouch down and read it. You could ship a package, grab a coffee and walk right past a monument to the Confederate secretary of state.

Charlotte’s Jewish community never forgot, exactly. During her years in Beth El’s pulpit, which ran from 1998 to 2016, Rabbi Judith Schindler used the marker to teach the congregation’s teenagers about Jews in the Confederacy.

In August 2017, white supremacists marched in Charlottesville, Virginia, to protest the planned removal of a statue of Confederate General Robert E. Lee, and a counterprotester was killed. Soon after, Beth El’s board voted unanimously to push Charlotte to move the marker somewhere else — or find some other use for it. The answer was the same every time: North Carolina law barred removing Confederate monuments unless they were relocated somewhere equally prominent.

Then, in June 2020, artists painted a “Black Lives Matter” street mural along South Tryon, directly in front of the stone. The monument looked out over the M in “Matter.”

Days later, somebody spray-painted “BLM” across most of the granite and went at it with a hammer. The granite mostly won. “They probably whacked at it several times,” Hoffman said, “and it really only took out a few chips.”

On June 17 of that year, Temple Israel and Temple Beth El — the same two congregations that had paid for the stone in 1948 — wrote to Charlotte’s mayor, city council and city manager. This time, they demanded the monument be removed.

“We should neither celebrate the Confederacy nor honor the legacy of white supremacy,” they wrote. “The monument does not belong in a place of prominence within our city, just like German cities do not memorialize or erect statues to Nazis.”

A week later, Schindler and Mike Wirth, an artist in her congregation, placed a vinyl wraparound banner over the monument. On it was a quote from Emma Lazarus: “Until we are all free, we are none of us free.”

A rabbi and her congregant placed a vinyl wraparound banner over the monument shortly before it was removed in June 2020.
A rabbi and her congregant placed a vinyl wraparound banner over the monument shortly before it was removed in June 2020. Photo by Mike Wirth

City workers then pried the monument out of the sidewalk, “sort of to the relief of everyone,” Hoffman said. The city scrubbed off the spray paint, declared the marker damaged and put it in municipal storage.

Then, hundreds of miles away and north of the Mason-Dixon line, a retired lawyer read a book.

The dollar

Barrett Freedlander was reading a biography of Judah Benjamin when he hit a half-page passage about a monument in Charlotte. He was shocked. He was also, he realized, related to the story.

Freedlander, 84, is a retired Baltimore attorney. His wife, Laura, is the great-great-granddaughter of Abraham Weill — the merchant who sheltered Benjamin, and whose name is misspelled “Abram Weil” on the stone.

“The only reason I cared about it,” he said, “is because of the family connection.”

That connection runs deeper than Benjamin. Richmond was days from falling. Confederate President Davis, worried about the “disorganized bands of troops roving about the country,” put his wife and their four children on a southbound train — and handed her a pistol and “showed me how to load, aim and fire it,” Varina Davis wrote.

When they arrived in Charlotte, the rented house was packed up and nobody in town would help a family everyone assumed would be arrested.

Except one man.

“The agent, Mr. A. Weill, an Israelite, came to meet us there and gave us every assistance in his power,” Varina wrote in her memoir, “and when he found there were no conveniences for cooking, he sent our meals from his own house for several days, refusing, with many cordial words, any offer to reimburse him.”

Freedlander thinks he knows why the Confederate first lady reached for the word “Israelite,” and why a Jewish merchant was the only person in Charlotte willing to take in a family the rest of the city was shunning. “Only the persecuted would appreciate her issues,” he said.

The Weills prospered. Weill helped found the synagogue in Wilmington, North Carolina, where relatives still belong. His granddaughter Laura married Julius Cone, a Greensboro textile tycoon. The family fortune allowed sisters Claribel and Etta Cone to buy the Matisses and Picassos that are the crown of the Baltimore Museum of Art.

So when Freedlander learned the marker had disappeared into municipal storage, he started making calls. A staffer in the mayor’s office said the city had no use for it and was willing to let it go. But the manager of the warehouse where it sat called Freedlander back with a complication: the city couldn’t simply hand over public property. He was obligated to charge for it.

“How much?” Freedlander asked. One dollar. Freedlander offered to send a check. The man said not to bother and paid it himself, out of his own wallet.

Freedlander’s original idea was to put the monument in his own backyard. “My wife didn’t want it,” he said.

A friend mentioned the new Museum of the Southern Jewish Experience in New Orleans. Another friend of Freedlander’s, a Baltimore executive whose company hauls computer equipment around the country, priced out the job, got into four figures, then called back and said he’d do it for free. It was history, he said.

Monument vs. museum

The stone arrived in New Orleans via truck in November 2022. It was lowered onto the pavement outside the Museum of the Southern Jewish Experience’s offsite storage with a jack lift, and has not moved since.

Charlotte municipal workers cleaned graffiti off a monument to Judah P. Benjamin and then removed the entire stone from the ground.
Charlotte municipal workers cleaned graffiti off a monument to Judah P. Benjamin and then removed the entire stone from the ground. Courtesy of Museum of the Southern Jewish Experience

Hoffman’s first instinct had been to display it. The stone, he realized, tells three tales at once: the Civil War, when Benjamin rose to the Confederate cabinet; 1948, when the two Charlotte synagogues paid for a monument to him; and 2020, when it was defaced during the summer of Black Lives Matter protests.

Last October, when the Southern Jewish Historical Society held its conference in New Orleans, Hoffman and Weinfeld convened a roundtable of historians to figure out what to do with the monument. One idea floated that seemed to gain consensus was to display the marker alongside a light projection restoring the graffiti.

For now, the monument remains in storage. Hoffman said that if and when it goes up, it will be “with its full context. Not like it’s a historical marker.”

Samantha Baskind, an art historian at Cleveland State University, thinks the museum should not wait to display it.

“Yes, originally the statue commemorates Benjamin as a distinguished Jewish American and Confederate statesman,” she said. “But the fact that it was defaced during Black Lives Matter protests makes it acquire a second history. The graffiti isn’t merely vandalism in a conventional sense. It documents a moment when Americans were publicly reevaluating Confederate symbols.”

Which means the object now holds a double meaning: why Benjamin was honored in the 20th century, and why so many people rejected that honor in the 21st.

Baskind knows firsthand the cost of institutional flinching. In 2022, she curated an exhibition of 19th-century Jewish American artists for a gallery at Princeton, including work by Moses Jacob Ezekiel, a Jewish sculptor who spent part of his career producing Confederate monuments. Baskind, who wrote a book about Ezekiel, had written labels confronting Ezekiel’s Lost Cause loyalties head-on. Late in the process, the venue that was planning on showing the exhibition canceled it.

“It was almost devaluing what your students are capable of thinking about,” Baskind said. “And isn’t that what we do in an educational environment?”

Samantha Baskind is an art history professor at Cleveland State University.
Samantha Baskind is an art history professor at Cleveland State University. Photo by Benyamin Cohen

Her verdict on the Charlotte stone is unambiguous. The city should never have cleaned it. “I wouldn’t see it as damage. It’s part of the object’s history.” The graffiti “deserves interpretation and not concealment.”

And the question a museum ought to ask, she said, isn’t whether Benjamin was good or bad. “The more interesting question is: Why did different generations understand him so differently?”

Early in the 20th century, American Jews saw a success story. Today most see a man who helped run a slaveholding rebellion that waged war on other states. “Neither perspective should replace the other,” Baskind said. “A museum explains how and when those shifts occurred.”

Then she offered the distinction she believes the argument comes down to. “A monument exists to honor,” she said. “A museum or gallery exists to explain.”

Visitors to the Museum of the Southern Jewish Experience can still find Judah Benjamin there. He’s in a display case in an exhibit about Jews, slavery and the Civil War: two Confederate $2 bills bearing his portrait, one from 1862, one from 1864. Both are blank on the back.

The two Confederate $2 bills, featuring the portrait of Judah P. Benjamin, on display at the Museum of the Southern Jewish Experience in New Orleans.
The two Confederate $2 bills, featuring the portrait of Judah P. Benjamin, on display at the Museum of the Southern Jewish Experience in New Orleans. Courtesy of Museum of the Southern Jewish Experience

“Which tells you something about the financial solvency of the Confederacy,” Hoffman said. “Save money. Just print it on one side.”

Half a mile away, one of the last monuments American Jews built to the highest-ranking Jew in the Confederacy, and to the standing he seemed to promise them, lies in a cardboard box in the dark, its graffiti scrubbed, its chips intact, waiting for somebody to decide what it means.

Freedlander hopes to take a trip to Wilmington later this month with some of his grandchildren to visit family graves — including that of Abraham Weill, the man who helped a fleeing family when nobody else in town would, and got a monument he never asked for.

“I’m a bystander to all this,” Freedlander said. “I’m just the messenger. But I did want to preserve it.”

The post How a monument to a Jewish Confederate ended up in a storage unit, next to a vacuum cleaner appeared first on The Forward.

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Iran appoints AMIA bombing suspect to National Security Council

(JTA) —

For the second time this year, Iran has named a wanted suspect in the 1994 bombing of the AMIA Jewish community center in Buenos Aires to a top security role.

A spokesman for the Islamic Republic’s president, Masoud Pezeshkian, said Monday that Mohsen Rezaei had resigned as an adviser to the supreme leader, Ayatollah Mojtaba Khamenei, and would assume the role of secretary of Iran’s powerful Supreme National Security Council. Rezaei is a former commander of the Islamic Revolutionary Guards Corps.

Rezaei is wanted by Argentina and is subject to an Interpol Red Notice issued at Argentina’s request over his alleged role in the 1994 attack, which killed 85 people and remains the deadliest terrorist attack in Argentina’s history.

Earlier this year, Ahmad Vahidi, another suspect in the AMIA case and also the subject of an Interpol Red Notice, was appointed IRGC commander.

In a landmark ruling in 2024, an Argentine court held Iran and its proxy in Lebanon, Hezbollah, responsible for the bombing, setting the stage for international legal action.

In June 2025, Argentina’s federal judiciary ordered that 10 Iranian and Lebanese suspects accused in connection with the deadly 1994 AMIA bombing be tried in absentia. Rezaei and Vahidi are among them.

The eight other suspects accused by the late AMIA special prosecutor, Alberto Nisman, are: former Iranian Intelligence Minister Ali Fallahijan, former Iranian foreign minister Ali Akbar Velayati, former Iranian ambassador Hadi Soleimanpour, former Iranian cultural attache in Buenos Aires Mohsen Rabbani and former Iranian diplomat Ahmad Reza Asghari, as well as suspected Hezbollah operatives Salman Raouf Salman, Abdallah Salman and Hussein Mounir Mouzannar.

The post Iran appoints AMIA bombing suspect to National Security Council appeared first on The Forward.

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Israel and AIPAC on the ballot in the Minnesota Senate and U.S. House races

(JTA) — A pair of Democratic primaries in Minnesota on Tuesday are among a string of high-profile battles between progressive and moderate candidates, where Israel and the pro-Israel lobby serve as key wedge issues.

The state’s highest-profile race is the U.S. Senate primary between Rep. Angie Craig, who has been endorsed by the pro-Israel lobbying group AIPAC, and Lieutenant Gov. Peggy Flanagan, who says she would reject AIPAC’s money and accuses Israel of committing a genocide.

The most recent data gathered in late July through early August has Craig with a 2-percentage point lead, within the 5.3% margin of error. Another poll, conducted in late July by a group supporting Flanagan, shows her with a 14-point lead. The Democratic nominee, whether it be Flanagan or Craig, is expected to win the general election in November.

The race, and the candidates’ sparring over AIPAC, comes as the lobby and Israel under the leadership of Prime Minister Benjamin Netanyahu have become increasingly unpopular among Democratic voters. Israel is also an issue in the Democratic gubernatorial primary in neighboring Wisconsin taking place on Tuesday. 

Flanagan has referred to Craig as “AIPAC’s candidate” in the Senate race, which prompted Craig to distance herself from the group’s spending during a TV debate in June.

“AIPAC has not contributed at all, the PAC, to my Senate campaign,” said Craig, whose wife, Cheryl Greene, is Jewish. “Not one penny.”

Flanagan countered that, while AIPAC itself has not donated to Craig’s campaign, it has held fundraisers for the four-term congresswoman. AIPAC did not respond to a request for comment.

Just last week in Michigan’s Democratic Senate primary, progressive Abdul El-Sayed defeated the moderate Rep. Haley Stevens, whose AIPAC endorsement was the frequent target of opposition attacks.

Flanagan has drawn the support of American Priorities, a pro-Palestinian super PAC that aims to counter AIPAC. The group spent about $54,000 on ads boosting her candidacy, according to FEC filings.

Flanagan’s platform includes blocking offensive weapons sales to Israel — a position that all but seven Senate Democrats voted for in April — and advancing a two-state solution that “allows for a secure Israel and Palestinian self-determination.”

Craig, who also backs a two-state outcome, voted against the recent amendment proposed by Kentucky Rep. Thomas Massie that would have halted $3.3 billion in military aid to Israel.

In a statement explaining her vote, Craig panned Netanyahu and the war in Iran, but wrote that the amendment would endanger Israelis and American troops and allies in the region. After the vote, Flanagan wrote, “A vote to send $3.3 billion of taxpayer money to fund additional weapons of war to Benjamin Netanyahu is unconscionable. Enough.”

Craig has the endorsement of a number of Democrats in Congress and the Senate, including House Minority Leader Hakeem Jeffries. She is also endorsed by lobbying group Democratic Majority for Israel, former Democratic presidential contender Pete Buttigieg, and Minneapolis’ Jewish mayor, Jacob Frey, who rose to national prominence for his response to the deadly results of the deployment of immigrant enforcement officials in his city.

Flanagan has drawn endorsements from a swath of major progressive figures including Vermont Sen. Bernie Sanders, Massachusetts Sen. Elizabeth Warren, and outspoken pro-Palestinian Reps. Ro Khanna of California and Ilhan Omar of Minnesota. Flanagan is also endorsed by the state’s Democratic Party affiliate, the Democratic Farmer Labor Party.

On Sunday Sanders posted on X,”There is a reason why the super PACs and billionaires are flooding Minnesota with $20 million to defeat Peggy Flanagan. Same thing as Michigan. They do not want somebody in the Senate who will stand up for the working class.”

Spending by political action committees affiliated with AIPAC has also come to the fore in the Democratic primary race for the House seat that Craig is vacating.

The most moderate of the three leading candidates is State Sen. Matt Klein, who has expressed support for the U.S.-Israel relationship and is endorsed by DMFI. Last-minute spending by outside groups has sparked accusations that AIPAC is indirectly involved.

“AIPAC is coming after me,” said former Lakeville mayor Matt Little, one of Klein’s opponents, in a video.

Klein’s two opponents — Little and state Rep. Kaela Berg — both accuse Israel of committing a genocide, and have both speculated that AIPAC is behind some of the Klein spending.

Berg supports placing conditions on U.S. aid to Israel and halting weapons sales, and Little says the U.S. must end all military aid and weapons sales to the country. On the policy page of his campaign website, Little refers to Hamas’ Oct. 7 attack as “an act of wanton slaughter against innocent civilians” and says that people should condemn “the anti-Semitism that followed.”

Berg is listed as “primary approved” by the liberal Jewish Middle East advocacy group J Street, while Little has been boosted by American Priorities, which has spent about $64,000 in his favor. He is also endorsed by the DFL and Congressional Progressive Caucus leader Rep. Pramila Jayapal.

The latest polling in the district — conducted at the end of May by a group that favors Klein — found Little leading Klein with a 7-percentage point lead, and Berg trailing by another 3 points. 39 percent of voters were undecided, and Little and Klein were about even after voters received more information about the three candidates.

Craig has declined to endorse any of the candidates to replace her.

The post Israel and AIPAC on the ballot in the Minnesota Senate and U.S. House races appeared first on The Forward.

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