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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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Ohio State University Says It Could Not Stop Holocaust Denier Myron Gaines From Speaking on Campus
Podcaster and commentator Myron Gaines. Photo: Screenshot
The Ohio State University (OSU) has said it was legally powerless to prevent online influencer Myron Gaines — who regularly promotes Nazism, Holocaust denial, and other antisemitic conspiracy theories on his podcast — from speaking on campus late last month amid widespread criticism of its having conferred legitimacy to a man who is notorious for denigrating women, African Americans, and Jews.
“Last week, an external speaker was invited to campus by a registered student organization, and during the visit, a variety of viewpoints were expressed, both by the speaker and those who chose to attend,” the university said following the event, which reportedly saw Gaines greet his audience by pantomiming the Nazi salute.
When asked at the event by a Jewish attendee how many people he believed had been killed by the Holocaust, Gaines replied, “271,000 at best.” He also denied evidence that rape occurred during Hamas’s Oct. 7, 2023, massacre across southern Israel.
“Prior to the event, the university remind the host student organization of the expectations and guidelines within the university’s Freedom of Expression Policy … and Use of Outdoor Space policies,” the school added in its statement.
Gaines, whose real name is Amrou Fudl, has become increasingly affiliated with fellow podcaster Nicholas Fuentes’s so-called “groyper” movement, which rejects multiracial democracy, the US-Israel relationship, and liberalism as a political theory.
The “groypers,” a named derived from the evolution of the Pepe the Frog meme popularized by the far right, especially target Jews and the state of Israel most and have reprised antisemitic tropes and conspiracies to promote their agenda. A staple of their ideology is Holocaust denialism and revision, which is trafficked alongside false claims that Israel is committing a genocide of Palestinians.
Last year, Gaines was recorded on video calling a pregnant woman a “fat f**king Jew” while wearing a hoodie mocking Holocaust victims. The incident occurred outside of a Turning Point USA event in Phoenix, Arizona in December. He was wearing a hoodie depicting Sesame Street‘s Cookie Monster standing behind an oven. Above the image was text that read, “Let Em Cook.”
Gaines has been touring US college campuses to influence young minds as part of an initiative sponsored by Uncensored America, a nonprofit organization with ties to the far right.
“While the university is not legally permitted to prohibit free speech, including controversial speech, on its public grounds, appropriate steps were taken to preserve peace and ensure unrestricted travel on campus while it took place,” OSU said in its statement. “The university is also aware of the ways in which some instances of protected speech can personally impact various members of our community, and we remain committed to addressing these impacts when appropriate.”
Gaines’s appearance came amid a surge in right-wing antisemitism, especially among younger Americans.
In March, the University of Florida deactivated its College Republicans chapter following revelations that two of its leaders photographed themselves pantomiming the Nazi salute. Less than two weeks prior to that incident, The Miami Herald disclosed the existence of a virulently racist group chat in which conservative youth in Miami-Dade County, Florida exchanged antisemitic slurs while calling for the of murder African Americans.
Dariel Gonzalez, according to the Herald, was one of the chat’s most prolific contributors, bandying about comments regarding “color professors” and telling members that “You can f—k all the k—kes you want. Just don’t marry them and procreate.” Gonzalez, a former board member of Florida International University’s College Republicans, also reportedly promoted belief in “Agartha,” a Nazi utopia confected by Heinrich Himmler, while fantasizing about the possibility of engaging in onanism there. Some vile remarks drew the approbation of other chat members, many of whom are connected to Republican Party organizations across the state.
Recent polling shows that young Republicans have increasingly embraced antisemitism and conspiracy theories.
In February, for example, a survey by Irwin Mansdorf, a fellow at the Jerusalem Center for Security and Foreign Affairs, and Charles Jacobs, president of the Jewish Leadership Project, found that 45 percent of Republicans under the age of 44 said Jews pose a threat to the “American way of life.”
In December, the Manhattan Institute, a prominent US-based think tank, released a major poll showing that younger Republican voters are much less supportive of Israel and more likely to express antisemitic views than their older cohorts.
According to the data, 25 percent of Republicans under 50 openly express antisemitic views as opposed to just 4 percent over the age of 50. Startlingly, a substantial amount, 37 percent, of GOP voters indicate belief in Holocaust denialism. These figures are more pronounced among young men under 50, with a majority, 54 percent, agreeing that the Holocaust “was greatly exaggerated or did not happen as historians describe.” Among men over 50, 41 percent agree with the sentiment.
Follow Dion J. Pierre @DionJPierre.
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Good Intentions Without Humility Can Be Dangerous
Rabbi Joseph Shapotshnick. Photo: From the album Samuel Royde’s photos by Samuel Royde, Public domain, via Wikimedia Commons
“The road to Hell is paved with good intentions.” It’s one of those sayings we hear so often that it risks sounding trite. But history — and human nature — suggests that it may be one of the most important truths we ignore at our peril.
Because the people who cause the most damage are rarely those with bad intentions. They are the ones who believe, with complete sincerity, that they are doing something necessary — righteous, even — something only they have the courage to do.
In the early decades of the 20th century, in the crowded, combustible world of London’s East End, there lived a rabbi named Joseph Shapotshnick. He was not a marginal figure. Quite the opposite. Charismatic, energetic, creative, exceptionally talented, brilliantly articulate, and a serious scholar, after arriving in London in 1913, he quickly built a following among immigrant Jews who felt mistreated and overlooked by the communal establishment. He spoke their language — literally and figuratively — and positioned himself as their champion as they struggled to acclimate to the harsh realities of their new home.
And in many ways, he was their champion. Shapotshnick saw — and actively addressed — problems others preferred to ignore. He challenged entrenched institutions. He launched newspapers, organizations, and ambitious publishing projects. He believed Judaism needed to be accessible, dynamic, and responsive to the realities of modern life. These were not the instincts of a cynic. They were the instincts of someone who cared deeply — perhaps too deeply.
Because there was another layer. Behind the activism, behind the creativity, behind the undeniable passion, there was a pattern. Shapotshnick’s projects were grand — often breathtakingly so — but frequently untethered from practical reality.
His grand-sounding “Rabbinical Association” was, in essence, a one-man enterprise. His publishing ambitions stretched into the realm of the fantastical. Time and again, he demonstrated what can only be described as a profound inability to recognize the limits of his own authority and expertise. And then came the moment that would define him.
In the aftermath of the First World War, Jewish communities across Europe were grappling with a heartbreaking and complex crisis: agunot — women whose husbands had disappeared, possibly dead but possibly not, leaving them unable to remarry under Jewish law. It was a real and deeply painful problem, one that demanded not just compassion, but immense halachic skill and sensitivity to resolve.
And so, Shapotshnick stepped in. But he did not approach the issue as a careful halachic authority would — working case by case, building consensus, navigating the intricate web of precedent and responsibility. Instead, he sought something far more sweeping.
Shapotshnick envisioned systemic solutions — bold, far-reaching changes that would release every agunah, freeing them all to remarry. He issued rulings, claimed support from rabbinic colleagues he had barely — or never — consulted, publicized his conclusions, and positioned himself squarely at the center of the effort.
From his perspective, he was doing something heroic. After all, who could argue with the goal? Who wouldn’t want to alleviate suffering? Who wouldn’t want to free trapped women from impossible situations?
But that is precisely where the danger lay. Because what he failed to recognize was that, notwithstanding his good intentions, the very scale and sensitivity of the problem demanded restraint, not audacity. More than anything, it demanded a deep awareness of one’s own limitations.
Instead, what emerged was something else entirely: a man so convinced of the righteousness of his cause that he no longer saw the boundaries that should have governed his actions.
And then another layer began to surface — one far less noble. Alongside his passion for justice came an increasingly strident tone, particularly in his attacks on the leading rabbinic authorities of his day. Instead of engaging with them, debating them, or even deferring to their vastly greater experience, Shapotshnick dismissed them. Worse than that, he mocked them, positioning himself not merely as a challenger to the establishment, but as its superior.
What may have begun as a sincere attempt to solve a painful communal problem now revealed a deeper undercurrent: an ego that could not tolerate opposition, that interpreted disagreement as obstruction, and that saw itself as uniquely qualified to succeed where others had failed. In doing so, he didn’t just alienate the very people whose support he needed — he undermined the legitimacy of his own cause.
The tragedy is that his good intentions were real. But they were ultimately eclipsed by an inflated sense of self that turned a worthy cause into a personal crusade — and, in the process, weakened the very thing he was trying to achieve.
And of course, none of this was new. It is a pattern that has been repeated throughout history, and it already appears at the dawn of Jewish history, in Parshat Shemini. At the height of one of the most sacred moments in Jewish history — the inauguration of the Mishkan — two towering figures, Nadav and Avihu, the sons of Aharon, step forward to bring a special offering.
It was an act of devotion, an expression of spiritual longing. And then, in an instant, they are gone, felled in a moment of divine judgment. The Torah’s explanation is both simple and devastating: They offered a foreign fire, which they had not been commanded to bring.
It is one of the most perplexing episodes in the Torah. Nadav and Avihu were clearly great people, and the commentaries struggle to come to terms with their misstep. One opinion is that they acted in the presence of Moshe without consulting him, even though he was clearly their senior in wisdom and authority.
Their spiritual enthusiasm is not in doubt, but the underlying critique is simple: They allowed their inflated sense of themselves to override the boundaries that should have constrained them. They were drawing close to God, but entirely on their own terms — an example of ego overriding submission to a higher authority.
If you begin to believe your own PR — that your intentions are so pure, and your insights so refined, that the usual constraints no longer apply — you are already in dangerous territory. Because in that moment, good intentions turn into self-assertion. And self-assertion, in a sacred space, becomes hubris.
The tragedy of Nadav and Avihu is not a story of bad intentions. It is a story of good intentions untethered from humility. And that is precisely what makes it so unsettling — because it is so easy to see ourselves in it.
Rabbi Joseph Shapotshnick fell into that same trap. He cared deeply, and he acted boldly. But in doing so, he inserted himself into a space that demanded something else — not less passion, but more restraint. He was not lacking in courage; he was lacking in humility.
We should admire people who challenge systems and push boundaries — sometimes, that instinct is exactly what is needed. But there is a caveat: Never let ego overtake the process. The most dangerous moment is not when someone acts maliciously. It is when someone becomes so convinced of the purity of their intentions that they no longer consider the possibility that they might be wrong. That is when even the noblest cause becomes distorted. You have to know where you end, and the system begins — and understand that conviction is not a license to act without limits.
Joseph Shapotshnick wanted to fix a broken world. In that, he was not alone — and he was not wrong. But in the story of Nadav and Avihu, the Torah reminds us, in the most dramatic way possible, that wanting to do something good does not justify the way it is done. Good intentions matter. But without humility, they are not enough.
The author is a rabbi in Beverly Hills, California.
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I’m a Jewish candidate for New York comptroller. Our state must divest from Israel bonds
The New York state and local retirement fund owns $368 million in Israel bonds. Most state pension funds own none. And most New Yorkers have no idea that their tax-funded pension fund, as invested by State Comptroller Tom DiNapoli, helps finance Israeli Prime Minister Benjamin Netanyahu’s wars.
As an American Jew and as a candidate for New York state comptroller, I want to offer why I have committed, as part of my campaign, to divest this stake.
We have just finished observing Passover, our people’s essential story of freedom. It is also a story of reckoning. As we read through the book of Exodus, we learn that a walk that would normally have taken four weeks took 40 years as our ancestors wrestled with God and false idols, with each other and with themselves. Because liberation required reckoning — an entire generation of it — so the children of these refugees could understand that freedom comes not just with power but also responsibility.
This Passover gave us many reasons to reckon with our own power and responsibility.
Our country has been at war. Again. Our president has turned mask-wearing, rifle-wielding agents on our own people. Our politicians talk tough in echo chambers designed to echo louder and louder.
And as American Jews at this moment, many of us are also reckoning with Israel.
When I take on that reckoning, a word repeated ritually at our Seder comes to mind: “dayenu.” A word so sacred to me — meaning “it would have been enough for us” — that it is engraved on the Star of David I wear around my neck.
But it rang differently for me this year. Instead of hearing “dayenu” as an expression of gratitude for every single step of God’s deliverance, the word hit me like a piercing shofar blast, crying: “enough is enough!”
When is enough today?
Responding to the Hamas massacre of its civilians on Oct. 7, 2023, Israel said it would do what any country would do: defend itself and get its hostages back. But Netanyahu’s government has gone much further than that. It has unleashed overwhelming killing power, leaving tens of thousands of Palestinian civilians dead and millions more displaced and destitute. It has leveled a stretch of land the size of Brooklyn and Queens — dropping nearly as many bombs in that crowded space in the first week of fighting as fell during an entire year of the U.S. war in Afghanistan.
It has also sponsored a newly energized and brutal expansion of settlements in the West Bank; just this week, the government approved 34 new settlements. And it has now invaded Lebanon after joining the U.S. in a bombing war against Iran.
The images from the massacre and trauma perpetrated by Hamas haunt me. But the Jewish values I grew up with — like tikkun olam (repairing the world) and ha lachma anya (the Seder’s call to offer what we have to those whose needs are greater) — could never justify responding to this trauma with such overwhelming cruelty. We have witnessed blockades and starvation; the cutting off of medical supplies; and the murder and displacement of children and families.
New York state must not enable or be complicit in such human misery any longer.
Our current state comptroller, who has been in office since 2007, does not see it that way. He continues to use New Yorkers’ money to finance Netanyahu’s war machine. He purchased an additional $20 million in Israel bonds after Oct. 7, and chose not to sell them as Israel’s government ravaged Gaza. The present campaign, in which Democratic voters will be able to cast a primary vote against DiNapoli for the first time in 20 years, gives us the opportunity to make a different choice.
We can and must divest our public pension fund’s stake in financing Israel’s government, and from all other foreign governments. (New York state holds stakes in just three other countries: Saudi Arabia, Jordan and Canada, a degree of selectivity that suggests no coherent strategy). And we can do so now instead of waiting decades for these bonds to mature, as some of my opponents in this primary have proposed.
This makes financial and moral sense. The record amount of Israel debt DiNapoli has amassed — it currently makes up 80% of all foreign government debt owned by our pension fund — poses a concentration risk.
But concentration risk aside, there has to be a point when we reach our own limit, when we say enough is enough. If not, we lose what it means to be human. As humans, with God-given freedom and the responsibility that comes with it, we face the reality that the merciless policies of Netanyahu’s government represent a moral catastrophe, and New York state cannot continue to finance them.
The words of Exodus 23:9 leap off the page: “No stranger shall you oppress, for you know the stranger’s heart, since you were strangers in the land of Egypt.” This is our call, as Jews, to fight for the stranger wherever they may be.
If you have the power to do something about it, you do it. And if you don’t have the power, you fight for it.
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