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Does anime have a Nazi problem? Some Jewish fans think so.

TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw. 

In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way. 

In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans. 

The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”

Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”

“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few. 

Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities. 

“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”

These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war

“​​Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”

But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices. 

“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”

hi

anime and manga have an antisemitism problem

good day

— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022

East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.

But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.

“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.

“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.

As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.” 

“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said. 

Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.

“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”

In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences. 

Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.

“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”

“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)

Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.

I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”

Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.

Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.

“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”

Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating.  Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.

“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.

“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels. 

In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.


The post Does anime have a Nazi problem? Some Jewish fans think so. appeared first on Jewish Telegraphic Agency.

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NATO Alliance Considers End to Annual Summits

US President Donald Trump holds a bilateral meeting with NATO Secretary General Mark Rutte at the World Economic Forum (WEF) in Davos, Switzerland, Jan. 21, 2026. Photo: REUTERS/Jonathan Ernst

NATO is considering ending its recent practice of holding annual summits, six sources told Reuters, a move that could avoid a potentially tense encounter with US President Donald Trump in his final year in office.

Trump‘s administration has engaged repeatedly in scathing criticism of many of the US-led defense alliance‘s 31 other members, most recently berating some for not providing more assistance to US military operations against Iran.

The frequency of NATO summits has varied over the alliance‘s 77-year history but its leaders have met every summer since 2021 and will gather this year in the Turkish capital Ankara on July 7 and 8.

But some members are pushing to slow the tempo, a senior European official and five diplomats, all from NATO member countries, told Reuters.

NATO MEMBERS LOOKING FOR LESS DRAMA AND BETTER DECISIONS

One diplomat said the 2027 summit, to be held in Albania, would likely take place that autumn and NATO was considering not holding one at all in 2028 – the year of the US presidential election and Trump’s final full calendar year in office.

Another said some countries were pushing to hold summits every two years, adding that no decision had been taken and Secretary General Mark Rutte would have the final say.

The sources spoke on condition of anonymity to discuss internal NATO deliberations.

In response to a query from Reuters, a NATO official said: “NATO will continue to hold regular meetings of Heads of State and Government, and between summits NATO Allies will continue to consult, plan, and take decisions about our shared security.”

Two of the sources mentioned Trump as a factor but several said broader considerations were at play.

Some diplomats and analysts have long argued that annual summits create pressure for eye-catching results that distracts from longer-term planning.

“Better to have fewer summits than bad summits,” said one diplomat. “We have our work cut out for us anyway, we know what we have to do.”

Another said the quality of discussions and decisions was the true measure of alliance strength.

TRUMP CASTS LONG SHADOW OVER NATO MEETINGS

Phyllis Berry, nonresident senior fellow at the Atlantic Council, wrote: “Reducing high-profile summitry would allow NATO to get on with its business and dial down the drama that has marked many recent transatlantic encounters.”

In an article published on the think tank’s website last week, she noted that NATO held only eight summits during the decades of the Cold War. She described Trump’s first three NATO summits in his first term as “contentious events, dominated by his complaints about low allied defense spending.”

Last year’s summit in The Hague was also largely shaped by Trump’s demand that NATO members boost defense spending sharply to 5% of GDP – a target they accepted by agreeing to spend 3.5% on core defence and 1.5% on broader security-related investment. The mere fact that it ended without major drama was considered a success.

This year’s gathering also looks set to be tense.

After NATO allies refused to give him the support he was demanding in the Iran war, which he had begun without consulting or informing them, Trump openly questioned whether the US should stand by NATO’s mutual defense pact and said he was considering leaving the alliance. Months earlier, he had laid claim to Greenland, an autonomous territory belonging to fellow NATO member Denmark.

At the 2018 summit, Trump threatened to walk out in protest at other NATO allies’ low defense spending.

“Had he made good on his threat to leave in protest, we would have been left to pick up the pieces of a shattered NATO,” Jens Stoltenberg, NATO’s secretary general at the time, wrote in a memoir published last year.

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When a Jewish Icon Moves to Israel for Her Safety: A Warning Sign for the Netherlands

A view of the Concertgebouw building in Amsterdam, Netherlands on Aug. 26, 2024. Photo: Jakub Porzycki via Reuters Connect

The reported decision of Dutch singer Lenny Kuhr, a beloved cultural figure and winner of the 1969 Eurovision Song Contest, to relocate to Israel should prompt serious reflection across the Netherlands.

When a Jewish public figure feels compelled to leave because of hostility, intimidation, or fear, it is not merely a personal decision. It is a warning sign about the health of Dutch society.

For generations, the Netherlands has cultivated an international reputation for tolerance, openness, and civic decency. It is a nation admired for democratic values, free speech, and social stability. Yet no society is immune to the resurgence of antisemitism, and recent years have shown that the Dutch exception is not guaranteed.

Across Europe, Jews are reporting increased harassment, threats, vandalism, and social isolation. The Netherlands is one place where this is happening. What often begins as political hostility toward Israel can quickly spill over into open hostility toward Jews. Online abuse becomes street intimidation. Campus activism becomes exclusion. Political rhetoric becomes a license for prejudice.

This is especially dangerous because it often hides behind respectable language of “anti-Zionism,” “human rights,” or opposition to Israel. But usually, this goes much deeper and becomes (or reveals itself as) a hatred of Jews.

Dutch directness is often celebrated as a cultural virtue. But there is a profound difference between candor and cruelty. When “speaking plainly” becomes an excuse for abuse, society loses an essential moral boundary. Free expression must never become a shield for threats or dehumanization.

The same is true in politics. Consensus culture has many strengths, but it can also create hesitation in moments that require clarity. When antisemitism rises, leaders cannot afford ambiguity. They must name it, confront it, prosecute it, and isolate those who spread it.

Jewish citizens should never have to wonder whether their future is safer elsewhere. They should never need to hide symbols of identity, avoid public spaces, or explain away hatred as the cost of living in a pluralistic democracy.

The departure of a well-known Jewish Dutch figure should therefore be seen not as an isolated story, but as a national test. If even prominent, admired Jews feel unsafe, what message does that send to ordinary Jewish families, students, and elders?

The Netherlands still has time to choose a different path. It can reaffirm that antisemitism has no place in Dutch life. It can protect Jewish institutions, enforce existing laws, educate younger generations, and draw a bright line between legitimate political disagreement and hatred toward Jews.

If it fails, more Jews may conclude that their future lies elsewhere. And that would not only be a tragedy for Dutch Jewry. It would be a tragedy for the Netherlands itself.

Sabine Sterk is the CEO of the NGO Time To Stand Up For Israel.

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India and Israel Have the Same Response to Terrorism: Why Is Only One Treated Differently?

India’s prime minister, Shri Narendra Modi, addresses the gathering at the Indian Community Reception Event at the Singapore Expo in Singapore on November 24, 2015.

As Israel recently celebrated its Memorial and Independence days back to back, we were reminded that statehood comes at a cost, both on the battlefield and in ordinary moments shattered by terror.

One year ago in Pahalgam, India was confronted with that same reality — yet again.

Terrorists from across the border in Pakistan infiltrated Indian territory and killed 26 men in front of their wives and children. It was not an isolated act of violence, but a deliberate strike on civilians, designed to fracture trust and deepen fear.

I remember sitting in a café in Jerusalem when the news broke. My Israeli friends immediately understood what had happened. Their reaction was not just sympathy, but recognition. They knew instinctively why India would have to respond decisively. Israel understands India’s need for a zero-tolerance policy toward terrorism — because Israel has lived it for decades.

India’s response through Operation Sindoor reflected this shared reality. Addressing the nation, Prime Minister Narendra Modi framed it not merely as a military action, but as a national commitment to fighting terror. He made clear that every terrorist attack would be met with a decisive response, with no distinction between terrorists and their sponsors. His words captured the shift with unmistakable clarity: “Terror and talks cannot go together … water and blood cannot flow together.”

India’s response also reflected deepening defense cooperation with Israel, including the integration of Israeli-origin precision systems and air-defense technologies developed through years of strategic partnership.

One of the most consequential shifts triggered by Operation Sindoor was India’s suspension of key aspects of the Indus Waters Treaty after the Pahalgam attacks. India had previously shared hydrological data with Pakistan on river flows and water levels vital to its agriculture. Following the 2025 attacks, this cooperation was suspended.

This also aligns with Article 62 of the Vienna Convention on the Law of Treaties, which allows suspension under a “fundamental change in circumstances,” including sustained terrorism that undermines the basis of trust.

A parallel exists in Israel. Even amid conflict, it continues supplying water to Gaza. This mirrors India’s dilemma: how long can humanitarian resources remain separate from persistent security threats?

Beyond optics, the India–Israel partnership is most importantly an operational cooperation that saves lives and enables the dismantling of terror networks. Greater awareness of this reality is essential, as it is often overshadowed by simplified narratives that go unchallenged in global discourse. Terms such as “genocide,” “occupation,” or the casual labeling of democratically elected leaders like Narendra Modi or Benjamin Netanyahu as “terrorists” reflect this distortion.

What we have witnessed in the last 2.5 years is an information war, which is just as important as what happens on the battlefield.

Despite clear similarities between India and Israel in terms of threats and responses, global reactions differ sharply. Israel faces sustained criticism over the “Palestinian” issue, while India’s actions against Pakistan-based terrorism have drawn comparatively less sustained outrage.

As the prominent Muslim voice against antisemitism Soraya Deen has argued, the Palestinian cause has, in some contexts, taken on the role of a “sixth pillar of Islam,” capable of mobilizing mass sentiment across the world.

But another factor may also be at play: India has been effective in the information domain, communicating the operational success of Operation Sindoor with a focus on strategic outcomes rather than sensationalism, while simultaneously exposing Pakistan-based disinformation networks and strengthening public resilience through media literacy initiatives that help citizens identify and resist fake news. This is where Israel may need to look next. Intelligence and defense technology are no longer enough if they are not accompanied by clarity in communication.

India and Israel today stand on similar paths. Both face adversaries that exploit civilians, use human shields, and operate across borders. Both have security and response principles that emphasize surgical strikes, deterrence, and minimizing civilian harm. And both understand that this is not a battle they can fight alone. Greater intelligence sharing with allies in Europe and the United States, and a unified approach to countering terrorism — both physically and in the information domain — will be essential.

Because in the end, Modi’s words are not just a statement of policy, but a reflection of reality: water and blood cannot flow together. The real question is whether the world is willing to confront why those who fight it are judged by different standards.

Paushali Lass is an Indian-German intercultural and geopolitical consultant, who focuses on building bridges between Israel, India, and Germany.

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