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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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France issues arrest warrants against 2 right-wing French-Israeli activists for ‘complicity in genocide’
(JTA) — France has issued arrest warrants for two French-Israeli activists for “complicity in genocide,” a charge that stemmed from the pair allegedly blocking humanitarian aid from entering the Gaza Strip.
The arrest warrants were issued in July against Nili Kupfer-Naouri, the president of the organization Israel Is Forever, and Rachel Touitou, an activist with the organization Tsav 9, a right-wing Israeli group that was sanctioned by the United States in June 2024 for destroying humanitarian aid for Gaza.
The two have been charged with “complicity in genocide” and “public and direct incitement to genocide,” the French newspaper Le Monde reported on Monday. They are accused of trying to block humanitarian aid trucks from entering Gaza between January and November 2024 and in May 2025.
An array of activists, including military reservists and family members of some hostages, sought to block the aid trucks from entering Gaza on the theory that helping Gazans would alleviate pressure on Hamas.
In an interview with i24News, Kupfer-Naouri said, “I blocked trucks that were supplying Hamas. If I had to do it again, I would do it again.” (Israel accused Hamas of stealing aid shipments to Gaza during the conflict.)
The warrants are notable because they represent a success by advocacy organizations seeking to hold Israelis responsible for what they say are war crimes. The warrants stemmed from a complaint made last year by the Palestinian Center for Human Rights and the groups Al-Mezan and Al-Haq, which were all sanctioned by the United States in September for having “directly engaged in efforts by the International Criminal Court to investigate, arrest, detain, or prosecute Israeli nationals, without Israel’s consent.”
In a joint statement with the French Jewish Union for Peace, which joined the complaint, the groups called the arrest warrant against Kupfer-Naouri “a historic step forward in the fight against impunity.”
The warrants call for Kupfer-Naouri and Touitou, who were both born in France and live in Israel, to appear before an investigating judge, but not for their detention, according to the French news agency AFP.
Touitou condemned the arrest warrant in a post on X Monday.
“If peacefully demonstrating with an Israeli flag against a terrorist organization seizing humanitarian aid, diverting it, and reselling it at exorbitant prices to Gazans is a crime—then there’s no need to look down on the Mullahs, France is just like Iran!,” she wrote. “I will always fight to defend the truth, my people, and my country 🇮🇱.”
In an interview posted on X last month, Kupfer-Naouri called the investigation an “antisemitic delusion,” adding, “I will no longer be able to set foot in France because I have no intention of going to French jails, neither in police custody, nor anything else.”
Kupfer-Naouri said the investigation could set a “very dangerous precedent” for French-Israeli soldiers in the Israeli military who return home to France.
Some Israeli soldiers traveling abroad have faced war crime inquiries for their actions in Gaza. Over the summer, some Canadian IDF soldiers also reported that they feared returning home after the Royal Canadian Mounted Police announced it had opened an investigation into crimes committed by Canadians during the war in Gaza.
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Islamic State Terrorist Attack on Niger Airport Potentially More Deadly Than Government Revealed
Members of the Nigerien army walk near the motorcycles seized from the attackers, following an attack on Niamey International Airport, in Niamey, Niger, Jan. 29, 2026, in this screengrab from a video. Photo: ORTN/Reuters TV/Handout via REUTERSISIS
Islamic State’s attack on the airport in Niger‘s capital Niamey last week may have been more severe than the Nigerien government claimed, according to recent reports and a video released by a media outlet affiliated with the terrorist group.
More than 30 members of the Islamic State branch in the Sahel region targeted the Diori Hamani International Airport and Air Base 101 shortly after midnight on Thursday using guns, drones, and explosives. The jihadist group on Friday took credit for the assault in a short statement released online through its propaganda outlet, Amaq News Agency.
US forces had previously used the air base in Niamey — located six miles from the presidential palace — for maintaining drones until withdrawing in 2024 following the previous year’s coup d’état orchestrated by former Presidential Guard commander General Abdourahamane Tchiani, who now serves as the landlocked country’s 11th president.
Niger’s military and Russia’s Africa Corps mercenary group, which was also stationed at the base, said they combated the attack. Niger has so far reported four of its troops suffered injuries and there was little damage. The government said it killed 20 attackers and captured 11, at least one of whom was a French national, leading Nigerien authorities to blame France and the Economic Community of West African States (ECOWAS) for the attack.
“We remind the sponsors of those mercenaries, who are Emmanuel Macron [president of France], Patrice Talon [president of Benin], and Alassane Ouattara [president of the Ivory Coast], we have sufficiently heard them bark, and they should now in turn be prepared to hear us roar,” Tchiani said in a statement on national television.
While the government’s reason for ignoring Islamic State was not immediately clear, Niger has previously blamed its neighbors and former colonial ruler France for internal instability.
However, following its initial claim of responsibility, Islamic State published a 90-secoind video of the attack through Amaq News Agency, depicting far more damage than what Nigerien authorities claimed.
The video showed that some attackers came in on motorcycles and attacked aircraft hangars in Air Base 101, burning and shooting the planes. The video also presented a burning helicopter, and an additional statement from the terrorist group claimed the torching of a drone.
Local reports and accounts circulated on social media aligned with Islamic State’s account of greater damage, describing hits on civilian aircraft and a destroyed ammunition depot.
The base is a key military hub in the region, reportedly hosting a contested stockpile of uranium and the headquarters for the Niger-Burkina Faso-Mali Joint Force.
Caleb Weiss, an analyst who focuses on the spread of the Islamic State in Central Africa, reported in the Foundation for Defense of Democracy’s Long War Journal that unconfirmed social media reports reveal “a much higher death toll for both local Nigerien security forces and men from Russia’s Africa Corps who were also stationed at the airbase” — specifically, at least 24 Nigerien soldiers and three Russian mercenaries.
At the same time as the Niger attack, Islamic State’s West Africa Province perpetrated a similar strike in Nigeria’s Sabon Gari army base in Borno, leaving at least nine dead and more wounded.
The assaults came amid a surge of Islamic State terrorist activity across Africa, including the Sahel region, which stretches from the Horn of Africa to the Atlantic Ocean, just under the Sahara Desert. The Islamic State regional affiliate there has killed more than 120 people in the Tillabéri territory in September and also kidnapped an American in October.
“From Somalia to Nigeria, the problem set is connected. So, we’re trying to take it apart and then provide partners with the information they need,” the deputy commander of US Africa Command (AFRICOM), Lt. General John Brennan, said in January.
Terrorism in western Africa has exploded in recent years following three coups which have led their military leaders to create a confederacy aligned with Russia. Niger has joined with Burkina Faso and Mali to create the Association of Sahel States (AES), as an alternative to the ECOWAS. Reports have emerged of alleged atrocities committed by Russian mercenaries in Mali.
A November report from the Combating Terrorism Center at West Point revealed that Africa had become the global hot spot for terrorist killings. Analysts explained that “where once the global terror threat was concentrated in the Middle East and North Africa, today it is centered in the Sahel, specifically in the tri-border region between Burkina Faso, Mali, and Niger.”
The data showed that 86 percent of deaths caused by terrorism happened in 10 countries with 7 in Africa and 5 in the Sahel.
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In 92NY talk, Bret Stephens urges ‘dismantling’ ADL and investing more in Jewish identity
(JTA) — In a speech that described antisemites as an “axis of the perfidious, the despotic, the hypocritical, the cynical, the deranged and the incurably stupid,” Bret Stephens asserted that supporters of the Anti-Defamation League and other Jewish defense groups should largely abandon their current strategy for combating antisemitism and instead redirect their resources toward strengthening Jewish life itself.
Stephens, the conservative New York Times columnist and founder of the Jewish thought journal Sapir, said antisemitism is largely impervious to appeals to tolerance, reminders of Jewish and Israeli accomplishments, or mandatory Holocaust education.
Instead, he called for large-scale investment in Jewish day schools, cultural institutions, philanthropy, media, publishing and religious leadership, arguing that the infrastructure already exists but lacks sufficient scale and coordination.
“What we call the fight against antisemitism, which consumes tens of millions of dollars every year in Jewish philanthropy and has become an organizing principle across Jewish organizations, is a well-meaning, but mostly wasted effort,” Stephens said, delivering the annual “State of World Jewry” address at the 92nd Street Y in Manhattan on Sunday. “We should spend the money and focus our energy elsewhere.”
In an on-stage conversation after the talk, Stephens told Rabbi David Ingber, the Y’s senior director for Jewish life, that if it were up to him, he would “dismantle” the ADL, the leading Jewish group fighting antisemitism.
“That’s not how Jewish money should be spent,” Stephens told Ingber, acknowledging that the ADL’s CEO, Jonathan Greenblatt, was in the audience. “That’s not helping raise a generation of young Jews who are conscious of their Jewishness as something other than the fact that they saw ‘Schindler’s List’ and they visited the Holocaust Museum. That cannot be the locus of Jewish identity. If we’re going to survive, victimization cannot be at the heart of our identity.”
Reached the next day, Greenblatt said he considered Stephens a friend and described his thoughts on Jewish identity as “powerful and provocative,” but found Stephens’ critique of efforts to combat antisemitism “misguided.”
Greenblatt said the ADL’s functions include collecting data on hate crimes, training synagogues and other Jewish institutions in security and a Center on Extremism that gathers intelligence that has been used to “intercept and prevent plots from unfolding that literally could take the lives of people in our community.”
Greenblatt said he agreed on the value of investing in Jewish education and centering identity. “I profoundly agree that the best defense against antisemitism is a good offense, and yet you cannot deny the necessity of defense, that you will not have a strong Jewish community if you don’t have a safe Jewish community,” he told JTA. “You cannot have what Bret called a thriving Jewish people if they’re constantly under threat. So I just don’t agree that it’s a binary choice.”
Stephens’ remarks about the ADL come at a time when the organization has been under fire from the left and right. While many on the left object to its Israel advocacy and accuse it of cozying up to the Trump administration, right-wing critiques have included accusations that it has supported “woke” policies and that its advocacy has been ineffective in countering antisemitism on the far left and far right.
Asked about these critiques, Greenblatt said that the ADL, as one of the oldest anti-hate organizations in the country, has become a convenient target for partisans, inside and outside the Jewish community, who are frustrated by the persistence of bigotry and eager to discredit their ideological opposites. “I think this blame game is bad for America, and I think it’s lethal for our Jewish community,” he said.
The State of World Jewry speech has been a tradition at the influential New York cultural center since 1980, and has been given by, among others, Israeli diplomat Abba Eban, Nobel laureate Elie Wiesel and the French philosopher Bernard-Henri Lévy.
For the third year in a row it has been delivered by a prominent center-right pundit. Like Stephens, author and podcaster Dan Senor (2025) and journalist Bari Weiss (2024) suggested that the strongest response to a community reeling from antisemitism in the wake of the Oct. 7 attacks is for Jews to turn inward and invest in their own institutions rather than seeking inclusion or protection within broader coalitions.
Elsewhere, writers on the Jewish left, including Eric Alterman in the Forward and The New Republic and Michelle Goldberg of the New York Times, have focused on what they see as a gap between a conservative Jewish establishment and a liberal Jewish majority troubled by the extent of the war in Gaza. While condemning the Hamas attacks and antisemitism on the left and right, they argue that anti-Zionism is not necessarily antisemitism, and Jewish groups should prioritize liberal, democratic values over unconditional defense of Israel.
“I don’t think that we made an ideological choice,” Ingber told JTA, when asked about the recent lineup of speakers. “It’s where the center of gravity is at this moment. Voices like [Stephens’ and] Bari’s and Dan’s are seriously engaging with the complexity of this situation, and in some ways mirror a little bit of what’s happening more broadly in Israel” and beyond.
“I don’t think it means that we endorse their worldview, but it means that the Jewish community is benefitting from their platform,” he continued.
Stephens, who told Ingber that he was a “gadfly” on the typically liberal opinion pages of the New York Times, laid out four arguments in his talk: that the fight against antisemitism is largely ineffective; that antisemitism functions as a perverse compliment rooted in resentment; that Jews should stop trying to disprove hatred through achievement or moral suasion; and that Jewish survival depends on building independent institutions rather than seeking acceptance from broader society.
Stephens questioned whether decades of investment in education, advocacy and monitoring — the core strategies of organizations such as the ADL and campus advocacy groups — have produced measurable results, even as antisemitic beliefs and incidents have increased.
“Does anyone think the fight against antisemitism is working?” he asked.
As evidence, Stephens pointed to polling data showing that “one in five millennials and Gen Zs believe the Jews caused the Holocaust,” as well as the persistence of antisemitic rhetoric in media, politics and academia during a period when Jewish institutions are, he said, more engaged and better funded than ever.
In this, Stephens joined a number of observers who have been questioning the cost and effectiveness of efforts to combat antisemitism, which have surged in recent years.
“The mistake we make is this: We think that antisemitism stems fundamentally from missing or inaccurate information. We think that if people only had greater knowledge of the history of Jewish persecution, a fuller grasp of the facts of the Israeli-Arab conflict, a finer understanding of all the ways antisemitism manifests itself, a deeper appreciation of the Jewish contribution to America’s success and to human flourishing worldwide, that the hatred of us might dissipate or never start in the first place,” he said. “That thesis is wrong.”
Stephens framed antisemitism as a response to Jewish distinctiveness, which acts as a counterculture in authoritarian or conformist societies, and resentment, especially when Jewish communities flourish.
“They do not hate us because of our faults and failures,” Stephens said. “They hate us because of our virtues and successes.”
Stephens criticized what he described as a persistent Jewish impulse to seek validation through their contributions to the wider society — citing Jewish participation in progressive movements and Israeli peace initiatives as examples that failed to reduce hostility.
“Constantly seeking to prove ourselves worthy in order to win the world’s love is a fool’s errand,” he said.
That argument led to Stephens’ fourth and final point: that Jews should invest in building and expanding their own institutions rather than seeking inclusion or protection within broader coalitions.
Quoting composer Philip Glass, Stephens said, “If there’s no room at the table, build your own table.”
“We have superb Jewish day schools, but we need many more of them,” he said. “We have astounding and vibrant cultural institutions… We have extraordinary Jewish philanthropies, but they need to become a primary locus of Jewish giving.”
Just as Senor did in his 2025 talk at the Y, Stephens framed the current moment — marked by rising antisemitism and social alienation — as an opportunity for Jewish renewal and not merely a period of crisis. Referring to “Oct. 8 Jews,” a term he popularized after Hamas’ Oct. 7 attack on Israel, Stephens said he had come to rethink his own definition of traumatized Jews in more positive terms.
“What I should have said was that the ‘Oct. 8 Jew’ was the one who woke up trying to remember who he or she truly is,” he said.
Stephens’ conversation with Ingber was twice interrupted by hecklers, who were promptly escorted out by security. Before the talk, a group of demonstrators outside the venue waved Palestinian flags and chanted, “Free, free Palestine.” Ingber said demonstrators taunted him and others who attended the talk as they exited the building.
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