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Does anime have a Nazi problem? Some Jewish fans think so.

TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw. 

In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way. 

In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans. 

The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”

Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”

“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few. 

Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities. 

“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”

These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war

“​​Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”

But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices. 

“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”

hi

anime and manga have an antisemitism problem

good day

— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022

East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.

But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.

“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.

“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.

As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.” 

“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said. 

Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.

“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”

In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences. 

Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.

“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”

“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)

Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.

I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”

Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.

Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.

“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”

Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating.  Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.

“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.

“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels. 

In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.


The post Does anime have a Nazi problem? Some Jewish fans think so. appeared first on Jewish Telegraphic Agency.

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The latest victim of the culture war over Israel is a leftwing, lapsed Catholic Bible scholar

The flames of cultural boycott of all things Israeli, Zionist and/or Jewish continue to spread across the European continent.

Yesterday, leftwing Israeli filmmaker Nadav Lapid was prevented from serving on the jury at next month’s international film festival in Marseilles. Though Lapid has loudly denounced the “genocide” in Gaza, his crime — apart from being an Israeli who nevertheless lives and works in France — was that 10% of his most recent film Oui was financed by an Israeli source. (The irony is that the European Union, which Lapid first approached for the financing, refused on the grounds that the film was too anti-Israeli.)

Today, though, the latest victim is neither Israeli nor Jewish. Instead, he is a 76-year-old lapsed Catholic and equally lapsed leftwing extremist who also happens to be one of Italy’s most revered novelists, columnists and translators: Erri De Luca. Once again, it is not just hypocrisy that abounds in this affair, but also irony.

As a student during the anni di piombo, or “years of lead” — the grim period, stretching from the mid-1960s to late-1970s, when Italy was convulsed by political and social turmoil — De Luca became a leading figure in Lotta Continua, one of the militant ultra-leftwing groups. Upon quitting the movement, De Luca also quit the public scene, taking a series of blue-collar jobs, whether as plasterer or construction worker.

By the time De Luca reached his 40s, he also took to writing and has amassed an oeuvre of several dozen books that range across genres and have been translated into several languages; remarkably, he also taught himself ancient Hebrew in the 1980s, while working with a Catholic charity in Africa. It was there that De Luca began to read the one book he found in his room, a copy of the Bible. Fascinated, he acquired three different Hebrew-Italian dictionaries and began to translate the texts on his own. Forty years later, he continues this labor of love, recently publishing his own interpretation of Genesis.

Alessandro Carrera — a friend and colleague who is also a wildly prolific and prominent writer in Italy — told me that De Luca’s approach to the Hebrew Bible “follows Walter Benjamin’s suggestion to translate the Bible as literally as possible, yet without De Luca knowing Benjamin’s essay on translation.”  (When I asked Alessandro how he knew this, he replied “I know that because I asked him.”) But why his fascination with the Bible? De Luca told an interviewer for the French newspaper Libération  that he wanted to grasp “this language which had taken upon itself the weight of the first monotheistic religion.”

This attachment to the Bible, as unwavering as it is unideological, has had perverse and predictable consequences in our current era of sheer thoughtlessness.  Last month, De Luca gave a long interview in Rome to Omer Lachmanovtich, the editor-in-chief of the Israeli daily Israel Hayom. The occasion was his upcoming appearance at the International Writers’ Festival in Jerusalem. Over the course of the conversation, De Luca addressed the war in Gaza and the wasteland wrought by the Israeli military. Yet he refused to describe it as genocide. “Applying it to the war in Gaza is a historical and verbal distortion,” De Luca insisted. “What took place in Gaza is a brutal, modern war, in which the number of civilian casualties is enormous and horrifying because when fighting takes place inside a dense urban space, among schools and hospitals, the population will always pay the highest price.”

Of course, genocide scholars like Omer Bartov disagree, insisting the term is historically, semantically, and legally appropriate. Other critics take issue with De Luca’s understanding of the term “Zionist.”  It is difficult to argue with his observation that “in Italy, and in large parts of the West today, ‘Zionist’ is a curse and an insult thrown at you to mark the boundaries of what is beyond the pale.” But it is far easier to take exception to De Luca’s definition of Zionism as “the simplest and most basic recognition of the Jews’ right to a national home, to existential and necessary defense.” This claim, the Italian writer Cinzia Sciuto remarked, suggests that De Luca is referring “to a reality, a Zionism of the kibbutz, that disappeared decades ago.”

Nevertheless, De Luca holds fast to his conviction, declaring that “I will say it out loud, and I do not care about the price.” The price appears to be a creeping banishment from Italy’s cultural scene. Earlier this month, De Luca’s invitation to speak at a literary festival in Salerno this summer was withdrawn by its directors. My friend Alessandro, who criticized this decision, suggested the festival directors feared a boycott by other writers or disturbances in the audience. “I am quite sure that a lot of people were ready to boo him and maybe force him to leave the stage,” he added, “but I don’t think that anything worse was going to happen.”

No doubt. But perhaps something worse in a different register is happening — namely, losing sight of what De Luca insists upon seeing: the humanity of our fellow men and women. Reflecting on a recent two-week experience on a Médecins Sans Frontières ship darting from one raft to another, all sagging under the weight of refugees desperate for new lives, De Luca writes that the experience had branded him with a single image: “a rope ladder trolling in the void.”

It was on the final step of this ladder that, “one by one, I saw faces pop up, the people climbing from the edge of the abyss to their salvation. Those hundreds of faces: I don’t have the force to hold them back. I’ve simply had the absurd privilege of seeing them. From them I have left only the rope ladder they climbed, half-naked and shoeless, up its wooden rungs.” This experience taught De Luca, who is also a mountain climber, a deeper meaning of the verb “to climb,” one that no peak had ever taught him. It is this way of seeing the world that is paying an even steeper price than a writer’s banishment from a literary conference.

The post The latest victim of the culture war over Israel is a leftwing, lapsed Catholic Bible scholar appeared first on The Forward.

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Antisemitic incidents in Germany remained elevated in 2025, fueled by rise-in far-right cases

(JTA) — BERLIN — The number of annual antisemitic incidents in Germany remains at a high, with right-wing extremism surging, according to a report issued Wednesday by the country’s leading antisemitism watchdog.

An average of 24 antisemitic incidents per day were reported in Germany in 2025, totaling 8,725, about the same as in 2024, according to the report from the Federal Association of Departments for Research and Information on Antisemitism, a nonprofit that is known by its German acronym RIAS. The total has been consistently high since Hamas’ Oct. 7, 2023, attack on Israel, according to the group.

“These are not statistical outliers; it is the grim reality in Germany,” Josef Schuster, president of the Central Council of Jews in Germany, said at a press conference in Berlin announcing the annual tally.

The numbers reflect a concrete impact on Jews in Germany, said RIAS executive director Benjamin Steinitz, who coauthored the report with researcher Bianca Loy. They urged continued funding for programs to report incidents and additional help for victims.

Many documented cases occurred in everyday settings, RIAS reported: In Kehl, four members of the Jewish community were insulted and spat on outside a Jewish prayer room. In Hesse, a rabbi was shoved in a supermarket in front of his children and had his cell phone snatched from him. According to RIAS, the victims in these incidents were blamed for Israeli actions.

But it was incidents with a right-wing extremist background that shot up most, amounting to 807, up from 562 in 2024 – the highest figure since nationwide surveys began in 2020. They outnumbered incidents of a left-wing imperialist (501) and Islamist extremist (166) background.

Right-wing incidents included conspiracy theories, glorification of the Nazi regime, and calls for a repeat of the Holocaust. The incidents also have become more openly violent, researchers said.

For example, a right-wing extremist group in Mecklenburg-Western Pomerania shouted “Jews to the wall” on a bus, mocked the Holocaust and threatened refugees as well as passengers who intervened.

The release of the 2025 antisemitism tally came the same day as a new poll finding a best-ever standing among voters for the far-right party Alternative for Germany. The party’s rhetoric, which includes nativism and calling to move on from the shadow of the Holocaust, has ignited allegations of antisemitism from leading Jewish voices in Germany, even as the party and its defenders say its policies are ideal to keep Jews safe.

The RIAS report found that the internet continued to be a major platform for antisemitism: More than a quarter of all antisemitic incidents (2,314 incidents, or 27%) occurred online, including nearly 43% of documented threats, including death threats. It cited as an example messages received by a Jewish woman that included an image of a Zyklon B canister with the comment “Still in stock.” Zyklon B was the chemical the Nazis used to asphyxiate victims in gas chambers.

Four cases of extreme violence were reported, including a knife attack in February 2025 at the Memorial to the Murdered Jews of Europe in Berlin. The victim, who was Spanish, was saved by an emergency doctor. The perpetrator was sentenced to 13 years in prison in March.

In a recent interview with Deutsche Welle, Schuster said Jewish community members in major cities have told him they worry “about appearing in public as visibly Jewish — for instance, by wearing a kippah or a Star of David as jewelry.” He said the concern is not as acute in less populous areas.

RIAS — which subscribes to the International Holocaust Remembrance Alliance working definition of antisemitism — attributes more than two-thirds of the incidents (68%, or 5,916 cases) last year to Israel-related antisemitism.

Anti-Israel gatherings continued to be major hubs for antisemitic incidents, though the total number of such gatherings dropped slightly to 1,210 (from 1,358 the previous year), according to the report. There was also a drop in incidents at Islamic/Islamist gatherings, to 43 in 2025, down from 58 in 2024.

On the other hand, the number of incidents at gatherings had risen within left-wing extremist circles, from 131 in 2024 to 214 last year; and in the right-wing extremist camp, 96 incidents at gatherings were reported — nearly double that of 2024.

RIAS has rejected criticism by Diaspora Alliance, an international group that addresses antisemitism from a progressive stance, that its data overemphasizes Israel-related antisemitism and underestimates far-right incidents.

This article originally appeared on JTA.org.

The post Antisemitic incidents in Germany remained elevated in 2025, fueled by rise-in far-right cases appeared first on The Forward.

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The manosphere says women owe their husbands sex — Judaism says the opposite

The poll posted by writer Emily May on X asked: “Married women, have you ever said yes to sex because you didn’t want to deal with his moodiness if you said no?”

Over 5,000 people responded. The majority — 72% —  were men, despite the fact that the question was directed at married women. Manosphere influencers, including self-proclaimed misogynist and antisemite Andrew Tate, jumped in to use the post as a proof that women use sex to manipulate men, and generally denigrate any woman who turns a man down. Gendered ideas of marriage and sexual drive — that men need sex physically, that women want to “trap” men into marriage — percolate constantly in manosphere and incel circles, and May’s posts sent the internet into a predictable tizzy.

The question of sex within marriage — how often to have it, whether it requires consent, and whether women owe it to their husbands — has been a matter of debate for, arguably, centuries. Marital rape wasn’t outlawed in all 50 states until 1993. The U.S. imported British common law, in which, as 17th century English jurist Matthew Hale put it, a “husband cannot be guilty of a rape” because marriage means that “the wife hath given up herself in this kind to her husband which she cannot retract.” In short, a wife cannot turn down her husband.

Marital rape is illegal in the U.S. in the contemporary era, but the presumptions that women owe their husband sex have continued. And undergirding all of these assumptions in many of the discussions is a Christian idea of marriage and sex.

In Christian subreddits, people discuss the idea that, in marriage, the two become one flesh, and the women must submit to their husbands, concluding that this means the woman cannot refuse the man as her body belongs to him. They cite First Corinthians 7:4-5, which says a couple cannot “deprive” the other except by mutual agreement to abstain for prayer, and that the “wife’s body does not belong to her alone but also to her husband.”

It says the same of the husband’s body, though few commenters note this line. But in Judaism, this is in fact the main focus. While both religions agree that sex is a fundamental part of marriage, the emphasis in Judaism is not that the wife owes it to her husband. Instead, it’s that a husband owes it to his wife. Within limits.

The Talmud is very specific on those limits. First of all, there are the menstrual purity laws, which forbid sex during menstruation as well as for seven days after the bleeding has stopped, which means that for about two weeks out of the month, observant couples are forbidden from having sex.

More to the point of the current debate, the Talmud — in the Ketubot tractate, dealing with the laws of marriage — also speaks very explicitly to the realities of life: That people get tired, exhausted and aren’t in the mood for intimacy. Still, it says, there are limits on the excuses. And these relate to exactly how taxing one’s job and daily duties are.

The rules are as follows: A man who is unemployed must offer his wife sex every day, because there is nothing exhausting him. Workers or laborers must be available twice a week if they work in the city in which they live. Donkey drivers — e.g. those whose work requires traveling shorter distances — are obligated to offer once a week, while camel drivers, who must travel long distances, must return home and offer their wives sex at least once a month. Sailors must return home to do the same every six months. And students of the Torah may leave home to study for up to 30 days — but they must then spend a full month at home with their wife.

In each of these cases, the wife isn’t obligated to accept any offer of sex; in fact, the wife can give permission for her husband to be gone longer — perhaps to take a job in another city to support the family, which would result in less sex. But she can also demand he stay closer to home so he can fulfill his conjugal duties. Sex is her right, not her obligation.

Her pleasure is also the focus. Men are instructed to court their wives, not simply rush to sex — to learn from “the rooster, which first cajoles the hen and then mates with it.” In tractate Eruvim, a man is not only explicitly forbidden from having sex with his wife without her consent, but also from doing so in any way that causes her discomfort, emotional or physical — e.g. pushing for her consent or making her unhappy, or even having sex that isn’t pleasurable for her.

What is clear from all of the writing is that the presumption of the rabbis is that it is more likely that the man, for reasons of exhaustion or work or even another wife, might avoid having sex with a desiring woman. This isn’t to say that Jewish text is perfect in its conception of women; there are, of course, plenty of other problematic, less empowering ideas about women in Jewish text. A man has a right to divorce his wife, for example, for all kinds of reasons, including spoiling his dinner, while she cannot divorce him. Still, it’s fascinating that the Jewish approach to sex and gender turns the common gender expectations around sex in modern Western society upside-down.

Today, the dominant stereotypes presume men are horny and desirous at all times, and women are far less sexual. Those are not neutral ideas; just looking at the discourse raging online right now, it’s clear those presumptions drive a lot of misogynistic hate, like the idea that women would only use sex as a way to entrap men. People take these gendered beliefs about sex as though they’re unassailable truisms about the world.

But they’re clearly not; for millennia, Jewish culture has believed the opposite. The reality is nothing is so clearcut, and different people of any gender have different relationships to sex, and different libidos. The internet isn’t a great place for that kind of nuance, but maybe — just maybe — if people realized their conclusions aren’t as foundational, or as God-given, as they thought, they might reexamine their assumptions.

The post The manosphere says women owe their husbands sex — Judaism says the opposite appeared first on The Forward.

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