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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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The post Does anime have a Nazi problem? Some Jewish fans think so. appeared first on Jewish Telegraphic Agency.
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Democratic leader says GOP-led Congress boosted ICE funding while Jewish security is underfunded
House Democratic Leader Hakeem Jeffries used a Jewish gathering in New York on Sunday to spotlight what he described as an imbalance in federal priorities, building on outrage over the Trump administration’s violent crackdown in Minneapolis that resulted in two fatal shootings.
Jeffries criticized the Republican-controlled Congress for boosting immigration enforcement funding by billions while, he said, security funding for Jewish institutions continues to lag amid rising antisemitic threats. He said that in the One Big Beautiful Bill Act, which passed last July and included cuts to Medicaid, the Department of Homeland Security received an additional $191 billion, including $75 billion for ICE.
“If that can happen, then the least that we can do is ensure that this vital security grant program is funded by hundreds of millions of dollars more to keep the Jewish community and every other community safe,” Jeffries said.
The Nonprofit Security Grant Program, established by Congress in 2005 and administered by FEMA under the Department of Homeland Security, provides funding to nonprofits, including houses of worship, to strengthen security against potential attacks. Congress began significantly increasing funding in 2018 after a wave of synagogue attacks nationwide, bringing the program to $270 million today.
Major Jewish organizations are pushing to raise funding to $500 million amid rising antisemitic threats. Last year, the Trump administration briefly froze the program as part of broader agency cuts, and some groups have been reluctant to apply because applicants must affirm cooperation with federal immigration enforcement.
Jeffries said House Democrats strongly support an increase to $500 million annually to meet escalating security needs. “It’s got to be an American issue, because that is what combating antisemitism should be all about,” he said.
The breakfast, previously held at the offices of the UJA-Federation of New York, was held this year for the first time in the events hall at Park East Synagogue, which was the site of a pro-Palestinian protest last year that featured antisemitic slogans and posters.
Sunday’s program also included remarks from Senate Minority Leader Chuck Schumer, who told the audience that his support for Jewish security funding will only continue growing under his leadership, calling it his “baby.”
“As long as I’m in the Senate, this program will continue to grow from strength to strength, and we won’t let anyone attack it or undo it,” Schumer said.
Rep. Jerry Nadler, the co-chair of the Congressional Jewish Caucus who is retiring at the end of the year after 36 years in the House, also spoke at the event. Nadler, like several other Democrats in recent months, compared the actions of ICE agents to the Gestapo, Nazi Germany’s secret police. The comparison has drawn sharp criticism from Democrats, Republicans and Jewish leaders.
Support for Israel aid
Both Schumer and Jeffries vowed in their remarks to continue supporting U.S. military assistance to Israel, amid increasing calls within the party for sharper opposition to Israel. Polls show that Democratic voters are increasingly sympathetic to Palestinians. In July, a record 27 Senate Democrats, a majority of the caucus, supported a pair of resolutions calling for the blocking of weapons transfers to Israel.
“I think it’s the humane thing to do to ensure that Israel has a right to exist as a Jewish and democratic state and eternal homeland for the Jewish people,” Jeffries said. The House Minority Leader, who has cultivated close ties with Jewish leaders since his election in 2012, noted that he has visited Israel nine times. He recalled that on his recent trip, Israel’s ambassador to the U.S., Yechiel Leiter, joked that it might be time for Democrats to buy property in Jerusalem.
Schumer, the nation’s highest-ranking Jewish elected official, has seen his popularity decline and has faced calls to step down from his role as leader. On Sunday, he pledged that he “will always fight to give Israel what it needs to protect itself from the many who want to wipe Israel off the face of the map.”
The post Democratic leader says GOP-led Congress boosted ICE funding while Jewish security is underfunded appeared first on The Forward.
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Antisemitism speech sparks pushback from Jewish conservatives
(JTA) — When Orit Arfa read political theorist Yoram Hazony’s recent comments on antisemitism on the American right, she decided that her past admiration for him no longer justified staying silent about what she sees as a moral failure.
Arfa, who served until last month as a spokesperson for Hazony, responded Thursday with a deeply personal essay in Tablet magazine titled “Yoram Hazony’s 15 Minutes.” She wrote about her departure after four years from the Edmund Burke Foundation, the organization Hazony founded that is an institutional hub of the national conservatism movement. In her essay, she accused Hazony of erasing work she and others did under his leadership and of publicly faulting Jewish institutions for failures she says he knowingly helped create.
“I have known and admired Yoram for many years,” Arfa wrote, praising his scholarship and describing his 2015 book on the Book of Esther as one of the most influential works in her intellectual life. “It’s with a heavy heart, then, that I feel compelled to set the record straight.”
An Israeli conservative intellectual, Hazony is one of the architects of national conservatism, arguing for a politics grounded in nationalism, religion and tradition. His ideas have gained influence among Republican politicians, donors and movement strategists, particularly within the wing of the party associated with figures like Vice President JD Vance.
Hazony’s influence has placed him at the center of a growing dispute on the Jewish right, as the movement he helped shape confronts allegations of antisemitism in its orbit. Hazony has declined requests for an interview from the Jewish Telegraphic Agency in recent months.
Because of Hazony’s prominence, Arfa’s break with him has resonated well beyond their personal history, highlighting a broader debate among Jewish conservatives over how to confront antisemitism when it comes not from political opponents, but from figures embedded in the American right.
That debate was thrust into the open after Hazony’s keynote speech earlier this week at the Second International Conference on Combating Antisemitism in Jerusalem, where he forcefully condemned antisemitic rhetoric aired on the program of conservative media figure Tucker Carlson. Hazony described Carlson’s show as a “circus of aggressive anti-Jewish propaganda,” listing familiar antisemitic tropes aired by guests.
“These aren’t normal political messages, disagreeing with other members of the Trump coalition on legitimate policy issues,” Hazony said. “They’re abusive, wild slanders, and their repeated appearance on Tucker’s show has persuaded almost every Jew I know that the program’s purpose is to drive Jews—along with tens of millions of Zionist Christians—out of the Trump coalition and out of the Republican party.”
At the same time, Hazony argued that Jewish and Christian Zionist activists had failed to persuade Republican leaders to distance themselves from Carlson — not because Carlson was too powerful, but because critics had not presented their case professionally. He mocked the absence of a concise, evidence-based “15-minute explainer video” that could persuade conservatives unfamiliar with Carlson’s program, calling this a sign of “extreme incompetence” by what he labeled the “antisemitism-industrial complex.”
That claim became the focal point of Arfa’s response.
“The truth, as Yoram well knows, is that there is such a video,” she wrote. According to Arfa, she and other Edmund Burke Foundation staff members worked with Hazony to produce exactly such an explainer — a 14-minute, 57-second compilation of examples of antisemitic rhetoric aired on Carlson’s program.
Hazony, she said, chose not to make it public.
“He kept it unlisted in an obscure account,” Arfa wrote, adding that she was “flabbergasted” to hear Hazony publicly insist no such work existed. “It saddens me that he would diminish the work of his dedicated employees by erasing our efforts.”
A spokesperson for Hazony did not immediately respond to a request for comment.
The dispute over Hazony’s speech has become a proxy for a larger argument about responsibility and strategy. Hazony is urging Jews to focus on building alliances with what he describes as the dominant nationalist wing of the Republican Party, arguing that moralistic confrontations risk alienating potential allies and entrenching antisemitism.
“What would you find if you actually invested the time and effort, and opened those doors?” Hazony said in his speech. “Mostly, you’d discover that nationalist Republicans are not anti-Semites. That they are strongly committed to having Jews in their coalition. That they would like to have closer relations with the Jewish community. That many of them see Israel as an inspiration and wish America were more like Israel. In short, you’d discover that most of them are potential friends and allies.”
Critics counter that this approach shifts responsibility away from political leaders who tolerate antisemitism. Several commentators on the right have argued that treating antisemitism as a communications problem, rather than a moral red line, risks normalizing it.
Tablet, where Arfa’s essay was published, issued an unusually scathing response on social media, accusing Hazony of effectively blaming Jews for their own marginalization.
In a post on X directly responding to a Hazony, Tablet wrote, “Tucker Carlson could goose-step down Pennsylvania Avenue butt-naked with a swastika carved into his forehead and it would be the fault of ‘the anti-semitism industrial complex’ for not making the case ‘clear enough’ to ‘Republican nationalists.’”
Tablet’s post added, “The fault doesn’t lie with the Jews for being targeted by political arsonists. It lies with those people themselves, and with those who have given them political and intellectual cover, yourself included.”
The post went on to accuse Hazony of importing European-style ethnonationalist ideas into an American context defined by constitutional liberalism and religious pluralism, warning that such thinking risked alienating both Jews and the broader electorate.
Others focused less on ideology than on political accountability. Max Abrahms, a political scientist who studies extremism and political violence, argued that Hazony’s framing functioned as a defense of powerful allies who have declined to distance themselves from Carlson.“I interpret this as a defense for your political allies, especially J.D. Vance and Kevin Roberts who won’t ditch Tucker,” Abrahms wrote.
A broader critique came from Saul Sadka, a conservative writer and analyst, who accused Hazony of minimizing antisemitism in service of what he considered a marginal political project. Writing on X, Sadka argued that Hazony mischaracterized the Republican Party, overstated the influence of nationalist conservatives, and pressured Jews to align themselves with forces that, he said, are both electorally weak and tolerant of antisemitic rhetoric.
For her part, Arfa,wrote in Tablet that she’d prefer to stay out of the conversation now that’s stopped working for Hazony. Her focus is on studying to become a rabbi at the Abraham Geiger College in Potsdam, Germany, a seminary affiliated with Reform and liberal Judaism.
The post Antisemitism speech sparks pushback from Jewish conservatives appeared first on The Forward.
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What’s missing in our Jewish high schools
ווען איך בין געווען אַ קינד אין די 1960ער און 70ער יאָרן זענען געווען גאָר ווייניק טאָגשולן פֿאַר ייִדישע קינדער. האָבן ס׳רובֿ משפּחות געשיקט די קינדער אין די עפֿנטלעכע שולן, און ווי אַ צוגאָב — אין אַ תּלמוד־תּורה אָדער ייִדישער נאָכמיטאָג־שול צו קריגן אַ ביסל ייִדישע בילדונג.
הײַנט זענען אָבער דאָ אַ סך ייִדישע טאָגשולן, פֿון פּראָגרעסיווע ביז חרדישע. אין דעם אַרטיקל וועל איך זיך קאָנצעטרירן אויף די מאָדערן־אָרטאָדאָקסישע מיטלשולן, כאָטש מע וואָלט עס געקענט אויך ווענדן אויף אַלע שולן וואָס שטרעבן אײַנצופֿלאַנצן אין די תּלמידים אַ טיפֿע פֿאַרבינדונג מיט זייערע ייִדישע וואָרצלען.
אין 2013 האָט דער „פּיו‟־פֿאָרום פּובליקירט די רעזולטאַטן פֿון אַן אַרומנעמיקער שטודיע וועגן די אַמעריקאַנער ייִדן, וואָס האָט באַוויזן, שוואַרץ אויף ווײַס, עטלעכע בפֿירושע טענדענצן אין דער אַמעריקאַנער ייִדישער קהילה. איינס פֿון די געפֿינסן איז געווען דער ממשותדיקער וווּקס פֿון דער אָרטאָדאָקסישער באַפֿעלקערונג, בפֿרט אין ניו־יאָרק און ניו־דזשערזי.
איין סיבה פֿאַרן וווּקס, האָבן די פֿאָרשער משער געווען, איז ווײַל 48% אָרטאָדאָקסישע ייִדן האָבן פֿיר אָדער מער קינדער, בעת בלויז 9% אַנדערע ייִדישע עלטערן האָבן גרויסע משפּחות. אַ צווייטע סיבה: 98% אָרטאָדאָקסישע ייִדן האָבן אַ ייִדישן מאַן אָדער פֿרוי, בעת בײַ די קאָנסערוואַטיווע ייִדן האָבן 73% אַ ייִדישן זיווג, און בײַ רעפֿאָרם־ייִדן — 50%. אַ קינד וואָס ווערט דערצויגן בײַ צוויי ייִדישע עלטערן וועט געוויינטלעך זיך גיכער אידענטפֿיצירן ווי אַ ייִד איידער איינס בײַ וועמען איינער פֿון די עלטערן איז נישט קיין ייִד.
דער פּועל־יוצא פֿון דעם אַלץ איז אַז די ייִדישע טאָגשולן און מיטלשולן, בפֿרט די אָרטאָדאָקסישע, האָבן הײַנט מער תּלמידים ווי זיי האָבן ווען אַ מאָל געהאַט. עלטערן פֿון די פֿרומע שולן האָפֿן אַז דורכן שיקן די קינדער אַהין וועלן זייערע קינדער קריגן אַ געראָטענע ייִדישע בילדונג און במילא פֿאַרבלײַבן פֿרומע ייִדישע קינדער.
נישט תּמיד אַרבעט זיך עס אָבער אויס אַזוי. הינטער די קוליסן שושקען זיך די עלטערן, לערער און שול־דירעקטאָרן — גיכער בײַ די מאָדערן־אָרטאָדאָקסישע מיטלשולן איידער בײַ די חרדישע — וועגן אַן אָנגעווייטיקטן ענין: נישט געקוקט אויף זייערע גרעסטע באַמיִונגען, גייען געוויסע גראַדואַנטן פֿון די מיטלשולן „אַראָפּ פֿון דרך‟; דאָס הייסט — זיי היטן מער נישט קיין פֿרום לעבן.
ווען איך רעד וועגן דעם ענין מיט נישט־רעליגיעזע מענטשן, סײַ ייִדן סײַ נישט־ייִדן, וועלן זיי אָפֿט קוועטשן מיט די אַקסלען און זאָגן: „וואָס איז דאָ דער חידוש? מיר וווינען אין אַ פֿרײַער געזעלשאַפֿט, וווּ קינדער קענען אויסקלײַבן זייער אייגענעם לעבן־שטייגער. אויב דאָס קינד איז צופֿרידן מיטן לעבן וואָס ער האָט פֿאַר זיך אויסגעקליבן, דאַרפֿן די עלטערן אויך זײַן צופֿרידן.‟
ענטפֿער איך זיי, אַז ווען עלטערן גלייבן שטאַרק אין אַ געוויסער אידעאָלאָגיע, איז נאַטירלעך אַז זיי וועלן אַנטוישט ווערן אויב זייער קינד וואַרפֿן עס אָפּ. אַ מאַמע וואָס איז, למשל, זייער איבערגעגעבן צו געוויסע פּראָגרעסיווע אידעאַלן, וואָס מאַרשירט מיט אירע פֿרײַנד אויף פּאָליטישע דעמאָנסטראַציעס און ברענגט אַפֿילו מיט איר קינד — וועט זיכער אַנטוישט ווערן אויב דאָס קינד שליסט זיך שפּעטער אָן אין דער רעפּובליקאַנער פּאַרטיי. בײַ איר וואָלט דאָס אויך געהייסן אַז ער איז „אַראָפּ פֿון דרך‟.
די סיבות פֿאַר וואָס אַ קינד פֿון אַ פֿרומער היים וואָלט פֿאַרלאָזט אַזאַ לעבן־שטייגער זענען אָפֿט זייער קאָמפּליצירטע און אַ רעזולטאַט פֿון עטלעכע פֿאַקטאָרן. דורך מײַנע אייגענע שמועסן מיט מיטלשול־גראַדואַנטן האָב איך אַנטדעקט פֿיר מעגלעכע סיבות דערפֿאַר:
- נאָכן גראַדויִרן, פֿאָרט דער סטודענט אַוועק שטודירן אין אַ סעקולערן קאָלעדזש און דאָרט דערפֿילט ער אַז דאָס רעליגיעזע לעבן האַלט אים אָפּ פֿון זיך אויסלעבן ווי אַ פֿרײַער פֿויגל (ענלעך צום ייִנגל וואָס באַשרײַבט די דערשטיקנדיקע ליבשאַפֿט פֿון דער מאַמען אין איציק מאַנגערס ליד, „אויפֿן וועג שטייט אַ בוים‟).
- ער אָדער זי גלייבט נישט אין גאָט און זעט דערפֿאַר נישט קיין זינען אין היטן די מיצוות.
- ער אָדער זי האָט געליטן פֿון אַן אומגליקלעך משפּחה־לעבן און האָט דערפֿאַר נעגאַטיווע אַסאָציאַציעס מיט דער משפּחה, אַרײַנגערעכנט איר פֿרומקייט,
- ער אָדער זי איז „גיי‟ (האָט ליב דעם זעלבן מין) און פֿילט זיך אַרויסגעשלאָסן פֿונעם פֿרומען ציבור צוליב דער תּורהס פֿאַרווערן אַזוינע באַציִונגען.
שטעלט זיך די פֿראַגע: איז דאָ עפּעס וואָס די מיטלשולן וואָלטן געקענט טאָן פֿאַר יענע תּלמידים איידער זיי פֿאַרלאָזן דאָס רעליגיעזע לעבן? אויב מע האָט שוין אויסגעפּרוּווט אַלע קירובֿ־מיטלען און עס העלפֿט ווײַטער נישט, זאָל מען זיך פּשוט אונטערגעבן? איך האַלט אַז ניין. יעדעס קינד וואָס גראַדויִרט פֿון אַ ייִדישער מיטלשול, וואָלט געדאַרפֿט אַרויסקומען ווי אַ שטאָלצער ייִד, אַפֿילו אויב ער דריקט עס אויס אויף אַ נישט־רעליגיעזן אופֿן. און טאַקע דערפֿאַר דאַרפֿן די שולן אַנטוויקלען די ייִדישע אידענטיטעט פֿון די תּלמידים נישט בלויז אינעם רעליגיעזן זינען אָבער אויך אינעם נאַציאָנאַל־קולטורעלן.
איין אופֿן, וואָס ס׳רובֿ טאָגשולן טוען שוין, איז דורכן פֿאַרשטאַרקן די קינדערס אידענטיפֿיקאַציע מיט מדינת־ישׂראל. דאָס העלפֿט אויב דער בחור אָדער מיידל וועט שפּעטער טאַקע עולה זײַן. אין דער אמתן אָבער וועלן ס׳רובֿ תּלמידים זיך נישט באַזעצן אין ישׂראל, אַזוי אַז דאָס אַליין איז נישט קיין לייזונג.
וואָס מע דאַרף יאָ טאָן איז לערנען דעם תּלמיד די פֿילפֿאַרביקייט פֿון זײַן ייִדישן אָפּשטאַם, וואָס בײַ ס׳רובֿ ייִדן אין אַמעריקע איז דאָס אַ מזרח־אייראָפּעיִשער. אַחוץ די געוויינטלעכע ייִדישע לימודים ווי חומש, נבֿיאים און גמרא, דאַרף מען אויך אײַנפֿירן קורסן וואָס באַקענען די קינדער מיט דער רײַכקייט פֿון דער ייִדישער קולטור. ווען דער תּלמיד וועט זיך דערוויסן אַז ייִדישקייט נעמט אַרײַן נישט בלויז רעליגיע אָבער אויך די ייִדישע שפּראַך (ווײַל העברעיִש וועלן זיי זיך שוין במילא אויסלערנען), די געשיכטע, מאכלים און מוזיק פֿון אַמאָליקן ייִדישלאַנד, גיט עס אים אַ בעסערן פֿאַרשטאַנד פֿון וואָס עס הייסט צו זײַן אַ ייִד.
אַ צאָל מיטלשולן טוען דאָס שוין, אָבער בלויז אויפֿן שפּיץ מעסער. אינעם ענגליש־קלאַס, למשל, וועט דער לערער הייסן די תּלמידים לייענען אַן איבערזעצונג פֿון אַ באַשעוויס־דערציילונג. ליטעראַטור איז אָבער בלויז איין אַספּעקט פֿון קולטור. כּדי באמת אײַנצופֿלאַנצן אַן אינטערעס און ליבשאַפֿט צום עטניש־קולטורעלן אַספּעקט פֿון ייִדישקייט דאַרף מען אײַנפֿירן קורסן פֿון פֿאַרשיידענע מינים. למשל:
- אַ קלאַס וועגן דער געשיכטע פֿון די ייִדן אין מיזרח־אייראָפּע — און נישט בלויז וועגן דער ציוניסטישער באַוועגונג און דעם חורבן (דאָס לערנט מען שוין), נאָר וועגן די גרויסע אויפֿטוען במשך פֿון דער טויזנט־יאָריקער געשיכטע פֿון די ייִדן אין מיזרח־אייראָפּע: דער געבורט פֿון דער חסידישער באַוועגונג, די צעבליִונג פֿון דער ייִדישער און העברעיִשער ליטעראַטור, דער פּאָליטישער אַקטיוויזם פֿון די מזרח־אייראָפּעיִשע בונדיסטן, ציוניסטן און ייִדישיסטן, און ווי די ייִדן האָבן מיטגעבראַכט אָט די קולטור־ירושה קיין אַמעריקע.
- אַ קורס וועגן ייִדישן קינאָ, וווּ די קינדער קוקן אויף קלאַסישע ייִדישע פֿילמען ווי „דער דיבוק‟, „טבֿיה‟ און „ייִדל מיטן פֿידל‟ און דיסקוטירן סײַ דעם קולטור־היסטאָרישן קאָנטעקסט, סײַ די קונסט פֿונעם פֿילם.
- אַ קלאַס פֿון קלעזמער־מוזיק, און אַפֿילו אַ וואַרשטאַט וווּ די קינדער ברענגען זייערע אינסטרומענטן און לערנען זיך ווי אַליין צו שפּילן די אַלטע ייִדישע מעלאָדיעס (אָדער אַ קלאַס פֿון פֿאַרשידענע מינים ייִדישן פֿאָלקסמוזיק, אַרײַנגערעכנט די ספֿרדישע און תּימנער טראַדיציעס).
- אַ קאָכקלאַס וווּ די קינדער לערנען זיך אויס ווי צוצוגרייטן היימישע מזרח־אייראָפּעיִשע מאכלים ווי בלינצעס, קניידלעך און ראָגעלעך.
- ייִדיש־לעקציעס, ניצנדיק דעם אויסערגעוויינטלעכן קאָמפּיוטער־קורס, „ייִדיש פּאַפּ‟ וווּ קינדער לערנען זיך די שפּראַך דורך קוקן אויף די חנעוודיקע ייִדישע קאַרטונס פֿון נאָמי מיט איר ראָבאָט מאָבי— און וואָס איז, אַגבֿ, פֿרײַ פֿון אָפּצאָל.
געוויסע לערער און פּרינציפּאַלן וועלן טענהן, אַז צוליב דעם שוין געפּאַקטן לערנטאָג פֿון אַ ייִדישער מיטלשול (בפֿרט צוליב די אַוואַנסירטע סעקולערע לימודים וואָס די עלטערן פֿאָדערן כּדי זייערע קינדער זאָלן קענען אַרײַן אין די בעסטע אוניווערסיטעטן), איז פּשוט נישטאָ קיין צײַט צוצוגעבן אַזוינע קורסן. דאָס איז אָבער אַ תּירוץ פֿאַר די בענטשליכט. יעדער ווייסט אַז דאָס לערנען אַוואַנסירטע גמרא, למשל, איז נישט פֿאַר אַלעמען. אין דער זעלבער צײַט פֿונעם גמרא־קלאַס קען מען גיבן איינעם אָדער מער פֿון די קולטורקלאַסן ווי אַ ברירה.
דערצו קען מען אָפּהאַלטן די קלאַסן נאָך די געוויינטלעכע שול־שעהען. פּונקט ווי די מער אַטלעטישע תּלמידים גייען טרענירן אויף ספּאָרטמאַטשן, זאָלן תּלמידים מיט אַן אינטערעס צו קולטור זיך דערוויסן וועגן דער פֿילפֿאַרביקער קולטור־ירושה פֿונעם ייִדישן פֿאָלק און אַפֿילו גיין אויף שײַכותדיקע עקסקורסיעס צוזאַמען. די סטודענטן וואָס וווינען אין דער ניו־יאָרקער געגנט קענען, למשל, פֿאָרן צוזאַמען אין ייִדישן טעאַטער.
בקיצור, ווען מע פֿלאַנצט אײַן בײַ קינדער אַ ליבשאַפֿט צו זייער עטניש־קולטורעלן אָפּשטאַם, גיט עס זיי אַ געלעגנהייט צו בלײַבן שטאָלצע, גוט־אינפֿאָרמירטע ייִדן. נאָכן גראַדויִרן וועלן זיי קענען אויסדריקן זייער ייִדישע אידענטיטעט נישט בלויז דורך גיין אין שיל שבת און יום־טובֿ, נאָר דורכן ווײַטער זיך לערנען ייִדיש, זיך פֿאַרנעמען מיט אַקאַדעמישע פֿאָרשונגען פֿאַרבונדן מיט דער ייִדישער געשיכטע אָדער ליטעראַטור און גיין אויף ייִדישע קאָנצערטן, פֿעסטיוואַלן און קאָנפֿערענצן. דערבײַ וועלן אויך יענע קינדער, וואָס פֿאַרלאָזן דאָס רעליגיעזע לעבן, ווײַטער אָנהאַלטן אַ שטאַרקע פֿאַרבינדונג מיט ייִדן און ייִדישקייט און במילא וועלן זיי, כאָטש אינעם קולטורעלן זינען, קיין מאָל נישט אַראָפּ פֿון דרך.
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