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Does anime have a Nazi problem? Some Jewish fans think so.
TAIPEI (JTA) — When the Season 3 plot twist of “Attack on Titan” aired in 2019, viewers wasted no time in jumping online to discuss what they saw.
In the world of “Attack on Titan” — an extremely popular Japanese anime series now in its final season, which started in March and does not have a known end date — humanity has been trapped within a walled city on the island of Paradis, surrounded by Titans, grotesque giants who mindlessly eat any person who gets in their way.
In the third season, the Titans’ origins are revealed as a group called the Eldians, a group that made a deal with the devil to gain Titan powers with which they subjugated humanity for years. A group called the Marleyans later overthrew the Eldian empire and forced them into ghettoes, forcing them to wear armbands that identified their race with a symbol similar to the Star of David. Political prisoners were injected with a serum that turns them into the terrifying Titans.
The implications that a race meant to represent Jews had made “a deal with the devil” to achieve power were too much for some to bear. Fans debated the meaning on Twitter and Reddit as think pieces pointed to the show’s “fascist subtext” and possible antisemitism as ratings and viewership climbed. Some viewers defended the series as a condemnation of those ideas and a meditation on moral ambiguity, but others said the plot’s condemnation of fascism was too weak. The New Republic in 2020 called “Attack on Titan” “the alt-right’s favorite manga.”
Either way, in November 2021, the show’s production team announced it would cancel the sale of Eldian armbands — the ones Eldians were forced to wear in their ghettos — explaining that it was “an act without consideration to easily commercialize what was drawn as a symbol of racial discrimination and ethnic discrimination in the work.”
“Attack on Titan” is only the latest manga (a specific type of Japanese comic books or graphic novels) or anime (TV shows or movies animated in the manga style) series on the chopping block. As it continues to gain popularity outside of Japan’s borders, the Japanese animation medium as a whole has been hit with criticism for alleged glorification of antisemitism, fascism and militarism. The debate has been fueled by a stream of examples: the literal evil Jewish cabal in “Angel Cop,” (references to Jews were later removed in the English-language dubbed version), the Fuhrer villain in “Fullmetal Alchemist,” the Nazi occultism (in which Nazis channel the occult to carry out duties or crimes) in “Hellboy,” and the Nazi characters in “Hellsing” and “Jojo’s Bizarre Adventure” to name a few.
Western viewers are not the only ones taking issue. Fans of “Attack on Titan” in South Korea — which was subject to Japanese war atrocities during World War II that Japan continues to deny — have taken issue, too. Revelations from Hajime Isayama, the creator of the original “Attack on Titan” manga, that a character in the series was inspired by an Imperial Japanese army general who had committed war crimes against Koreans were met with heated discussion and later death threats from Korean fans online. Some also pointed to a private Twitter account believed to be run by Isayama that denies imperial Japan’s war atrocities.
“Ridiculous the lengths a fandom will go to downplay the blatant antisemitism in a series and protect and lie about the creator of said series,” wrote one Twitter user. “[Y]ou doing this and ignoring koreans and jewish people says a lot.”
These themes are so common in manga and anime that some independent researchers like Haru Mena (a pen name) have begun creating classifications for the many Nazi tropes that make regular appearances. Mena, a military researcher who lectures annually at the Anime Boston convention about World War II and Nazi imagery in anime and manga, says the phenomenon is a result of how Japan remembers its role in World War II — not as the aggressor, but as a victim of war.
“Japan does not want to be the bad guy. They love to have other people be the bad guy,” he said. “That’s why they’re using all these Nazi characters. We all agree Nazis are bad, war crimes are bad, no decent self-respecting nation would ever do [what they did].”
But many Jewish anime fans, like Reddit user Desiree (who did not offer her last name for privacy reasons), have taken issue with the way some anime and manga series portray Nazis while reducing the Holocaust to narrative devices.
“I think that most people who are telling these stories aren’t coming from an area where this would be as personally familiar,” she said. “There’s almost no resonance to it. Because they take away all these details they make it a big trope.”
hi
anime and manga have an antisemitism problem
good day
— Kay (he/they, she for friends only) (@Cayliana) February 19, 2022
East Asian interest in Nazi imagery has also bled over into the West in the form of news headlines in recent years — involving everything from Nazi-themed bars and parades to Nazi cosplay in Japan, Taiwan, Thailand and Korea.
But some experts say that repeated references to Nazi villains and World War II in manga and anime have more to do with Japanese history and culture than with antisemitism.
“There is a fascination with Nazism in Japan to some degree or another,” said Raz Greenberg, an Israel-based writer whose Ph.D. research examined Jewish influence on Japan’s “God of Comics,” Osamu Tezuka, an artist sometimes referred to as Japan’s equivalent to Walt Disney. In 1983, Tezuka released the first in a five-volume series called “Adolf,” a popular manga set in World War II-era Japan and Germany about three men with that name — a Japanese boy, a Jewish boy and Hitler.
“I think there’s something fascinating about Nazi aesthetic, certainly for countries that never actually participated in the war against the Nazis. But I don’t think it’s that different from, say, the way George Lucas made the Empire in the ‘Star Wars’ films very Nazi-like in its aesthetic,” Greenberg said.
As Greenberg notes, Western media is also full of Holocaust references — some more successful in its repudiation of Nazi ideology than others — like the numbered tattoos and recent use of a Lithuanian prison camp as a filming location in the Netflix hit show “Stranger Things.”
“What makes people angry is, people think when the Japanese approach it, they approach it without understanding. And it’s easier to think that they don’t understand it when you look at a show like ‘Attack on Titan,’” Greenberg said.
Liron Afriat, a Ph.D. candidate at the Hebrew University of Jerusalem’s Asian Sphere program and the founder of the Anime and Manga Association of Israel, said while shows like “Attack on Titan” reference the Holocaust and use World War II-era imagery, it’s likely that Western viewers are misinterpreting its intended parallels to Japanese politics. … particularly Japan’s past of aggressive and corrupt militarism and late former Prime Minister Shinzo Abe’s attempts to reinstate a non-defensive military.
“Western people are very eager to jump to conclusions when it comes to Asian media. This is something I see a lot in my work and it’s very frustrating,” she said. “There is a sense that because Japanese pop culture is so popular nowadays, it’s very easy to kind of dogpile on it and say it’s racist.”
In recent decades, anime series have been watched by hundreds of millions of people around the world, and the medium has gone from being seen in the West as a geeky niche genre to a mainstream phenomenon. Though show creators may be conscious about their references, some fans say the fascist and Jewish references, especially the more clear-cut ones — like the Jewish conspiracy in “Angel Cop” — have real-life consequences.
Many in the anime fan community today remember a 2010 incident at Anime Boston when a group of cosplayers dressed up as characters from “Hetalia: Axis Powers,” a series that anthropomorphized Axis and Ally countries, was photographed making Nazi salutes just around the corner from the city’s Holocaust memorial.
“It used to be like, I can go to an anime convention and they would be selling uniforms that were clearly meant to be Nazi uniforms, but sans the swastika,” Desiree said. “And then over time, I noticed conventions started banning that kind of thing.”
“JoJo’s Bizarre Adventure” features a Nazi character named Rudol von Stroheim. (Screenshot from YouTube)
Noah Oskow is the managing editor of the digital magazine Unseen Japan and a Jew who has lived in Japan for seven years. He recalled similar experiences at U.S. anime conventions.
“I think that it is problematic to portray Nazis and the Holocaust in the very frivolous way that it’s often portrayed,” he said. “Even in a place that is so far removed from Japan, that aesthetic of Nazis from manga or anime was seeping into somebody’s choices in a far-removed anime and manga event.”
Oskow says recent portrayals of Nazis and fascism in anime and manga lack the depth necessary to confront an issue like the Holocaust, but that some subtext in shows like “Attack on Titan” is likely missed by Western viewers since it is created for a Japanese audience.
Still, he says, as a Jew, there is a discomfort with these depictions, and the problems with simplifying themes like fascism and genocide should not be ignored just because the product came from Japan — particularly as stereotypes about Jews as having outsize influence remain common. In Japan, as in other East Asian nations such as South Korea, China and Taiwan, books and classes on how to become as smart and wealthy as Jews — believed to be among the most powerful people in media and finance — are not uncommon.
“In my years of discussing Jews with Japanese people…they really think of Jews as an ancient historical people or the people who were killed in the Holocaust unless they have some sort of conspiratorial idea. But most people have no conception of Jewish people,” Oskow said. “So when they’re portraying Jews in manga or anime or any sort of media, and when readers or viewers are engaging with that media, I just don’t think there’s this thought of how a Jewish person would perceive how they’re being portrayed.”
Jessica, a 29-year-old Jewish and Chinese anime fan from Vancouver who also requested her last name be left out of this article, said she deliberately chooses not to watch shows such as “Attack on Titan” and “Hetalia” because she finds the discussions about them among fans to be unproductive and frustrating. Desiree echoed Jessica’s experience of being ignored when raising the topic of antisemitism within the medium or within the fan community on platforms such as Reddit.
“I saw the reactions of other Jewish fans and, more importantly, saw the reaction of the goyish fans — the way ‘Hetalia’ fans did the sieg heil in front of a Holocaust memorial, the way that [‘Attack on Titan’] fans would swarm concerned Jewish fans in droves to tell them that they should perish in an oven, and I decided I didn’t want anything to do with anime that attracted that sort of fanbase,” Desiree said.
“Attack on Titan” returned to streaming services on March 4 with the first part of its final season. In the first episode, the protagonist Eren, whom audiences have followed for a decade, begins carrying out a global genocide known as “the rumbling” with the end goal of destroying all Titans for good and bringing peace. The end result is a wipeout of 80% of humanity, an act that Eren believes was the only path to freedom. He thinks humans must all suffer as a consequence of being born into the world — a nihilistic philosophy that can be found among the manifestos of school shooters and incels.
In the original manga series, Eren’s supporters on the island militarize in order to defend Eren’s violent act, chanting a slogan: “If you can fight you win, if you cannot fight you lose! Fight, fight!” The ending was seen as morally ambiguous and was not popular with fans, who mostly refuted it due to poor writing. Many hope that the anime series will go a different route in its final episodes, which have not yet been released or given future release dates.
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Israel Remembered the Shoah; Fatah Glorified a Palestinian Mass Murderer
Palestinian Authority President Mahmoud Abbas attends the World Economic Forum (WEF) in Riyadh, Saudi Arabia, April 28, 2024. Photo: REUTERS/Hamad I Mohammed
Earlier this week, Israel remembered the six million Jews murdered by the Nazis in the Holocaust, along with those who valiantly fought the Nazis.
Israel learned from the Holocaust that we must always remain vigilant, and this remains an absolute survival directive, living as we do next to the Palestinian Authority (PA), which, like the Nazis, celebrates the murder of Jews and Israelis.
One of the terrorists released by Israel in exchange for Israeli hostages in last year’s Hamas extortion deal was a Palestinian terrorist who murdered 12 people. He was expelled to Egypt, where he died from an illness last week. The mass murderer is now being eulogized by Palestinian Authority and Fatah officials as exemplifying the values cherished by all Palestinians.
The terrorist, Riyad Al-Amour, was no exception.
The PA honored the terrorist with a “mourning tent” — which was visited by top officials, including Fatah Central Committee Secretary Jibril Rajoub.
Official PA TV reporter: “The Fatah Movement, the Ramallah and El-Bireh District, the [PA-funded] Prisoners’ Club, the [PLO] Commission of Prisoners’ [Affairs] … set up a mourning tent for Martyr and released prisoner deported to Egypt Riyad Al-Amour, who died as a Martyr…”
Fatah Central Committee Secretary Jibril Rajoub: “The most sacred thing in the eyes of the Palestinians is those who sacrificed their lives and their freedom – our Martyrs.”
[Official PA TV News, April 9, 2026]
Fatah issued an official statement revering the terrorist as “an example of sacrifice, courage, and perseverance” who was imprisoned by Israel since he “did not hesitate to fulfill his national duty.” [emphasis added]
Posted text: “Fatah announces with sorrow the death of released deported prisoner Riyad Al-Amour…
Al-Amour died while being distanced from his homeland, after a path of struggle in which he constituted an example of sacrifice, courage, and perseverance.…
Martyr Al-Amour joined Fatah in his youth and added that he did not hesitate to fulfill his national duty against the occupation until he was imprisoned in the occupation’s prisons, where he spent 23 years.
Fatah expressed its sincere condolences to the family…
High-level Fatah officials also mourned the terrorist on social media:
Posted text:“Fatah Central Committee members Abbas Zaki and Tawfiq Tirawi expressed their condolences over the death of released prisoner Riyad Al-Amour during a visit to the mourners’ house in Bethlehem.
The delegation expressed its deep sorrow over the death as a Martyr of Al-Amour, and emphasized that the sacrifice of the prisoners [i.e., terrorists] will remain present in the hearts of our people and that the struggle for freedom and independence must continue.”
[Fatah Central Committee member Abbas Zaki, Facebook page, April 5, 2026]
The family of Al-Amour — a “Pay-for-Slay” millionaire — will now have to wait and see if they will qualify for continued payments as family members of a “Martyr killed resisting the occupation,” since many PA officials also libeled Israel as being responsible for his death.
The Palestinian salute to Al-Amour is shameless, but as we have seen time and time again, for the PA and its leadership, terrorism is never something to be embarrassed about or part of one’s past to run away from.
On the contrary, in the PA’s “terrocracy,” the more you kill, the greater the respect you are given in life — and in death.
An additional homage to Al-Amour was made by Fatah’s “Shabiba” youth movement:
Fatah Deputy Chairman and Fatah Central Committee member Mahmoud Al-Aloul: “These Martyrs, Rashida [Mughrabi], and Riyad [Al-Amour], are among the patient ones fighting for their people, seeking freedom and independence for this Palestinian people.” …
Fatah Shabiba Youth Movement Nablus District Coordinator Rawhi Oudeh: “The message is a message of loyalty to their sacrifices, and a message of loyalty to keep their wills, and it is also a message that if Rashida and Riyad have departed in body, they will remain as a path, an idea, and an essence in the eyes, hearts, and conscience of the Fatah youth.”
[Official PA TV News, April 4, 2026]
Itamar Marcus is the Founder and Director of Palestinian Media Watch (PMW). Ahron Shapiro is a contributor to PMW, where a version of this article first appeared.
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Proposed Antisemitism Laws in France, Italy Stir Free Speech Debate
Procession arrives at Place des Terreaux with a banner reading, “Against Antisemitism, for the Republic,” during the march against antisemitism, in Lyon, France, June 25, 2024. Photo: Romain Costaseca / Hans Lucas via Reuters Connect
French and Italian lawmakers are due to vote on new laws defining antisemitism, proposed in the wake of a surge in anti-Jewish incidents but which critics say could be used to censor criticism of Israel.
The French law, which is scheduled to be debated on Thursday, proposes to sanction “implicitly” justifying terrorism, calling for the destruction of a state recognized by France, and comparisons of Israel to the Nazis.
The Italian bill, if adopted, would make Italy the first country to write into law the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism, which lists certain criticisms of Israel as examples of antisemitism.
DEFINING ANTISEMITISM IN LAW
Proponents of the laws point to the historic rise in antisemitism after Israel began its military campaign in Gaza following the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Critics – including some rights groups, academics, and left-wing politicians – say that they will censor legitimate activism for Palestinian rights and contribute to conflating Jews with the state of Israel.
“The [IHRA] definition confuses what is permitted speech – and that is criticism of Israel as a state – with what is prohibited speech, which is antisemitism and racial and religious incitement to violence,” UN special rapporteur on free speech Irene Khan said.
The French law, which references the IHRA definition without fully adopting it, contained vague language, she added.
The Italian bill was approved by a large majority in the Upper House last month and is expected to begin its passage through the Lower House on Thursday. The French law has lost some political backing following a petition on the French parliamentary website signed by more than 700,000 people.
SHARP RISE IN INCIDENTS SINCE OCT. 7 MASSACRE
In Italy over two years from 2023, antisemitism rose by 100 percent to a record 963 incidents in 2025, according to the Italian Antisemitism Observatory. By comparison, there were 877 recorded incidents in 2024, preceded by 453 such outrages in 2023 and just 241 in 2022.
In France, antisemitism remained at alarmingly high levels last year, with 1,320 incidents recorded nationwide, according to the French Interior Ministry. Although the total number of antisemitic outrages in 2025 fell by 16 percent compared to 2024’s second highest ever total of 1,570 cases and 2023’s record high of 1,676 incidents, the ministry warned that antisemitism remained “historically high.” There were 436 antisemitic acts recorded in 2022, before the Oct. 7 atrocities.
France’s human rights commission, the CNCDH, has said that antisemitic acts in France regularly peak in relation to operations carried out by the Israeli army.
The commission, which was not consulted for the law, wrote to MPs and the prime minister in January to warn of the dangers of conflating “the hatred of Jews and the hatred of the state of Israel.”
Responding to this warning, Caroline Yadan, the French MP proposing the law, said that her text aimed to tackle “new forms of antisemitism” and that the “essentialization that Jews equal Israel exists in today’s society.”
The Israel-Hamas war has led to a wave of anti-Israel, pro-Hamas demonstrations around the world, which Israel and its supporters say are antisemitic.
Protesters say their criticism of Israel and its actions in Gaza should not be conflated with antisemitism.
Livia Ottolenghi, representative of the Union of Jewish Communities in Italy, said the new law was necessary and did not prevent criticism of Israel.
“In Italy, we do not live well,” she said. “Our children have bars on their school windows; when they go out, they must be escorted.”
IHRA DEFINITION OF ANTISEMITISM
The IHRA working definition of antisemitism has been adopted by 45 countries as a guide but has not previously been written into law anywhere.
IHRA — an intergovernmental organization comprising dozens of countries — adopted the “working definition” of antisemitism in 2016. Since then, the definition has been widely accepted by Jewish groups and lawmakers across the political spectrum, and it is now used by hundreds of governing institutions, including the US State Department, European Union, and United Nations. Law enforcement also uses it as a tool for matters such as hate-crime investigations and sentencing.
According to the definition, antisemitism “is a certain perception of Jews, which may be expressed as hatred toward Jews. Rhetorical and physical manifestations of antisemitism are directed toward Jewish or non-Jewish individuals and/or their property, toward Jewish community institutions and religious facilities.”
It provides 11 specific, contemporary examples of antisemitism in public life, the media, schools, the workplace, and in the religious sphere. Beyond classic antisemitic behavior associated with the likes of the medieval period and Nazi Germany, the examples include denial of the Holocaust and newer forms of antisemitism targeting Israel such as demonizing the Jewish state, denying its right to exist, and holding it to standards not expected of any other democratic state.
The Council of Europe Human Rights Commissioner Michael O’Flaherty said he viewed the IHRA definition as a useful tool but was concerned about its application, especially in Germany.
“To somehow attribute responsibility for the actions of a government to the Jewish community in Europe is totally unacceptable, and indeed, it does raise the specter of antisemitism,” he said. “But to somehow conflate any criticism of Israel with antisemitism is ridiculous.”
Sarya Kabbani, a French-Syrian woman, was put on trial under existing laws on antisemitism over carrying banners that drew parallels between Israeli politicians and Nazi Germany at a protest in Paris in December 2023. The 67-year-old, whose husband is Jewish, was later acquitted by a court.
“It is freedom of expression to be able to say that Israel is committing war crimes, is committing genocide, is carrying out ethnic cleansing, is occupying,” said the activist, who will join demonstrations against the French law this week.
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The Era of Pointing Fingers Is Over: Jews Must Unite
Jewish Americans and supporters of Israel gather at the National Mall in Washington, DC on Nov. 14, 2023 for the “March for Israel” rally. Photo: Dion J. Pierre/The Algemeiner
For decades, the American Jewish community operated under an incorrect assumption: we were strong enough to remain siloed. The center-left focused on their spaces, the center-right on theirs, and both sides believed they could combat rising Jew hatred within their own ideological bubbles.
We lived with a false sense of security, believing that our internal divisions were a luxury we could afford.
October 7, 2023, shattered that illusion forever and ushered in a sense of recalibration.
As Jonathan Greenblatt, CEO of the ADL, eloquently put it: “The time for pointing fingers is over.” He rightly diagnosed that those on the right must fight Jew-hatred on the extreme right, and those on the left must fight it on the left.
Implicit in his remarks was a telling recognition that we must all face: the Jewish people are not strong enough to stand divided. We must find common ground, or we will be overwhelmed by the tides of hate rising from every direction.
For the last two and a half years, I have been involved with a movement called Impact. Our mission is simple but vital: to organize individuals into a cohesive greater community capable of reacting — and pro-acting — to events as they unfold in the United States.
While we began with a focus on social media, the reality of the post-October 7 world has forced a crystallization of our goals. We are organizing both online and offline, because the “good fight” is now being waged on every front: from TikTok comments to letter-writing campaigns, and from political advocacy to physical presence.
The logic of organization is one of simple math. Imagine 10,000 individuals each posting their own grievances on social media; the impact is nearly impossible to quantify. But imagine those same 10,000 people acting in concert or even 50,000 people –amplifying a specific message, supporting a courageous micro-influencer, or flooding a representative’s inbox. That is meaningful power.
This isn’t just about the goal of moving the needle; it’s about the empowerment of the people involved. On the road to impact we attain empowerment. When we move from being passive vessels for receiving news to active participants in shaping the narrative, we transform as individuals as well as a community. By liking a post, signing a petition, or showing up at a rally, a person transitions from a concerned citizen to an “unknowing activist.” We are building a community where activism is the default, not the exception.
However, this strength is predicated on a shared definition of who “we” are. True leadership requires representation, and representation requires a base that shares fundamental values. In this era of recalibration, we must be sober about one thing: Jewish unity does not mean including those who actively support our enemies. While they may have been born Jewish, those who deny the basic right of Israel to exist as a democratic Jewish state have placed themselves outside the communal tent.
To build a resilient future, we must rally around our common denominators. We must recognize that the person across the political aisle who shares our commitment to Jewish survival is a much closer ally than the ideological extremist who seeks our dismantling.
The era of the “siloed Jew” ended on October 7. Today, we must choose to be the “organized Jew.” We must utilize this moment to bridge the gaps between the center-left and the center-right. We are stronger together, not because it is a nice sentiment, but because it is a survival necessity. The time for finger-pointing is indeed over; the time for Impact has begun.
Daniel M. Rosen is the chairman and co-founder of IMPACT, a 501c3 dedicated to organizing individuals into communities to combat Jew hatred on social media and beyond. He is a regular contributor to The Jerusalem Post, JNS, Times of Israel, The Algemeiner, and other publications


