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‘Emotional and intense’: Douglas Emhoff’s trip to Poland and Germany brings him back to his Jewish ancestral roots
BERLIN (JTA) — For second gentleman Douglas Emhoff, the final hours of a five-day working trip to Poland and Germany brought everything into focus.
It was here in the underground information center in Germany’s central Holocaust memorial that Emhoff sat down with several survivors, including two who had recently fled war-torn Ukraine.
Sitting in a small circle, they shared their stories. One of them “was saved in the Holocaust as a young baby, settled in Ukraine and then just had to flee again. And she was taken in by Germany,” Emhoff said in remarks immediately following the meeting. “It was a real emotional and intense way to finish the trip.”
The journey, which he undertook with Deborah Lipstadt, the U.S. special envoy to monitor and combat antisemitism, included visits to Krakow, Poland; to the nearby memorial and museum at Auschwitz-Birkenau; and to the Polish village of Emhoff’s ancestors, Gorlice.
It was all intended to feed into the design of a “national action plan against antisemitism” that Emhoff is working on with Lipstadt and others. The second gentleman has made combating Jew hatred his main focus since entering the White House, touring college campuses to talk on the subject and leading events with Jewish organizations.
But this trip, which began on Friday, aligning with International Holocaust Remembrance Day, took Emhoff’s efforts onto the international stage — and brought him back to his ancestral Jewish roots.
Emhoff’s two days in Berlin were a whirlwind. On Monday, he met with U.S. Ambassador to Germany Amy Gutmann, Germany’s commissioner of Jewish life Felix Klein and other leaders. On Tuesday, he and Lipstadt took part in an interfaith roundtable hosted by the Central Council of Jews in Germany, before visiting a historic synagogue in former East Berlin and meeting with members of the community. He also visited three Holocaust memorials in the city center: one dedicated to Sinti and Roma victims of the Nazis, another to homosexual victims, and finally Germany’s massive Memorial to the Murdered Jews of Europe.
From left, shown at a meeting in Berlin, Jan. 30, 2023: U.S. antisemitism monitor Deborah Lipstadt, Emhoff, U.S. Ambassador to Germany Amy Gutmann, Germany’s commissioner on Jewish life Felix Klein and Katharina von Schnurbein, the European Commission Coordinator on combating antisemitism and fostering Jewish life. (U.S. Embassy Berlin)
Speaking this morning to the small gathering of Muslims, Christians and Jews hosted at the Central Council headquarters, Emhoff said he could not help thinking of his grandparents, who had escaped persecution in Poland and settled in the United States.
“They found opportunity and freedom,” he said, “and now, 120 years later, their great-grandchild is the first Jewish spouse of a United States president or vice president, who is working to combat hate and antisemitism. That’s something isn’t it?” he said, as if pinching himself. “It’s a remarkable full circle.”
Abraham Lehrer, Central Council vice president, told the guests that interfaith relations between Jews and Christians are generally good, and that the groups have developed channels of communication “in case of heavy disputes.”
Relations with Muslims function well on the grassroots level, he said, “but it is quite difficult with heads of some organizations, because a lot of them still have connections to antisemitic or antidemocratic organizations.” Participants in the round table commented afterward on the “positive atmosphere.”
“I was very impressed by the young Muslim man [Burak Yilmaz], who is organizing trips for young Muslims to visit Auschwitz,” said Rabbi Szolt Balla, who serves a congregation in Leipzig and is rabbi for the German Armed Forces. “It was a very good and productive thing to meet in this circle,” he added
Emhoff told reporters the purpose of the trip was to share best practices and feed ideas into the “national action plan” that he is working on with Lipstadt, U.S. Ambassador at Large for International Religious Freedom Rashad Hussain and White House Liaison to the American Jewish community Shelley Greenspan.
“We are going to put our heads together and talk about what we learned and then put it into the pipeline so we can come out with the most effective national plan,” Emhoff told reporters after the day’s meetings. He added that he would be addressing the United Nations in early February.
Emhoff’s last official act here was his meeting with survivors. He changed his schedule “just in order to meet with them and listen to their stories,” said Rudiger Mahlo, Germany representative of the Conference for Jewish Material Claims Against Germany.
Sonja Tartakovska, who had survived a Nazi mass shooting operation in her village during World War II, told Emhoff how she had to flee Ukraine last year without a change of clothing. She is one of the Ukrainian Jews whom the Claims Conference brought to Germany last spring, said Mahlo, who took part in the meeting.
The fact that former Holocaust victims were now seeking refuge in Germany was not missed.
Emhoff speaks with 101-year-old Margot Friedländer during a meeting with Holocaust survivors in Berlin, Jan. 31, 2023. (U.S. Embassy Berlin)
“We have been talking about the Holocaust, talking about antisemitism, about violence and oppression and here in Europe all these years later these things are still happening through this unjust, unprovoked war,” Emhoff told reporters after the final meeting of the day.
From people like Tartakovska “you hear these stories of survival. A lot of it was a twist of fate, just some luck. A non-Jewish stranger deciding on a whim to do something, that then led to a life long-lived.”
“I was also struck: One woman” — German Holocaust survivor Margot Friedlaender — “was 101 years old. Imagine living with those memories for 80 years. Those are the kinds of things I take back with me,” Emhoff said.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”