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‘Emotional and intense’: Douglas Emhoff’s trip to Poland and Germany brings him back to his Jewish ancestral roots
BERLIN (JTA) — For second gentleman Douglas Emhoff, the final hours of a five-day working trip to Poland and Germany brought everything into focus.
It was here in the underground information center in Germany’s central Holocaust memorial that Emhoff sat down with several survivors, including two who had recently fled war-torn Ukraine.
Sitting in a small circle, they shared their stories. One of them “was saved in the Holocaust as a young baby, settled in Ukraine and then just had to flee again. And she was taken in by Germany,” Emhoff said in remarks immediately following the meeting. “It was a real emotional and intense way to finish the trip.”
The journey, which he undertook with Deborah Lipstadt, the U.S. special envoy to monitor and combat antisemitism, included visits to Krakow, Poland; to the nearby memorial and museum at Auschwitz-Birkenau; and to the Polish village of Emhoff’s ancestors, Gorlice.
It was all intended to feed into the design of a “national action plan against antisemitism” that Emhoff is working on with Lipstadt and others. The second gentleman has made combating Jew hatred his main focus since entering the White House, touring college campuses to talk on the subject and leading events with Jewish organizations.
But this trip, which began on Friday, aligning with International Holocaust Remembrance Day, took Emhoff’s efforts onto the international stage — and brought him back to his ancestral Jewish roots.
Emhoff’s two days in Berlin were a whirlwind. On Monday, he met with U.S. Ambassador to Germany Amy Gutmann, Germany’s commissioner of Jewish life Felix Klein and other leaders. On Tuesday, he and Lipstadt took part in an interfaith roundtable hosted by the Central Council of Jews in Germany, before visiting a historic synagogue in former East Berlin and meeting with members of the community. He also visited three Holocaust memorials in the city center: one dedicated to Sinti and Roma victims of the Nazis, another to homosexual victims, and finally Germany’s massive Memorial to the Murdered Jews of Europe.
From left, shown at a meeting in Berlin, Jan. 30, 2023: U.S. antisemitism monitor Deborah Lipstadt, Emhoff, U.S. Ambassador to Germany Amy Gutmann, Germany’s commissioner on Jewish life Felix Klein and Katharina von Schnurbein, the European Commission Coordinator on combating antisemitism and fostering Jewish life. (U.S. Embassy Berlin)
Speaking this morning to the small gathering of Muslims, Christians and Jews hosted at the Central Council headquarters, Emhoff said he could not help thinking of his grandparents, who had escaped persecution in Poland and settled in the United States.
“They found opportunity and freedom,” he said, “and now, 120 years later, their great-grandchild is the first Jewish spouse of a United States president or vice president, who is working to combat hate and antisemitism. That’s something isn’t it?” he said, as if pinching himself. “It’s a remarkable full circle.”
Abraham Lehrer, Central Council vice president, told the guests that interfaith relations between Jews and Christians are generally good, and that the groups have developed channels of communication “in case of heavy disputes.”
Relations with Muslims function well on the grassroots level, he said, “but it is quite difficult with heads of some organizations, because a lot of them still have connections to antisemitic or antidemocratic organizations.” Participants in the round table commented afterward on the “positive atmosphere.”
“I was very impressed by the young Muslim man [Burak Yilmaz], who is organizing trips for young Muslims to visit Auschwitz,” said Rabbi Szolt Balla, who serves a congregation in Leipzig and is rabbi for the German Armed Forces. “It was a very good and productive thing to meet in this circle,” he added
Emhoff told reporters the purpose of the trip was to share best practices and feed ideas into the “national action plan” that he is working on with Lipstadt, U.S. Ambassador at Large for International Religious Freedom Rashad Hussain and White House Liaison to the American Jewish community Shelley Greenspan.
“We are going to put our heads together and talk about what we learned and then put it into the pipeline so we can come out with the most effective national plan,” Emhoff told reporters after the day’s meetings. He added that he would be addressing the United Nations in early February.
Emhoff’s last official act here was his meeting with survivors. He changed his schedule “just in order to meet with them and listen to their stories,” said Rudiger Mahlo, Germany representative of the Conference for Jewish Material Claims Against Germany.
Sonja Tartakovska, who had survived a Nazi mass shooting operation in her village during World War II, told Emhoff how she had to flee Ukraine last year without a change of clothing. She is one of the Ukrainian Jews whom the Claims Conference brought to Germany last spring, said Mahlo, who took part in the meeting.
The fact that former Holocaust victims were now seeking refuge in Germany was not missed.
Emhoff speaks with 101-year-old Margot Friedländer during a meeting with Holocaust survivors in Berlin, Jan. 31, 2023. (U.S. Embassy Berlin)
“We have been talking about the Holocaust, talking about antisemitism, about violence and oppression and here in Europe all these years later these things are still happening through this unjust, unprovoked war,” Emhoff told reporters after the final meeting of the day.
From people like Tartakovska “you hear these stories of survival. A lot of it was a twist of fate, just some luck. A non-Jewish stranger deciding on a whim to do something, that then led to a life long-lived.”
“I was also struck: One woman” — German Holocaust survivor Margot Friedlaender — “was 101 years old. Imagine living with those memories for 80 years. Those are the kinds of things I take back with me,” Emhoff said.
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VIDEO: Memories of the Workmen’s Circle in Montreal
מער ווי הונדערט יאָר לאַנג האָט דער אַרבעטער־רינג געשפּילט אַ וויכטיקע ראָלע אין דעם ייִדישן לעבן פֿון מאָנטרעאָל. די אָרגאַניזאַציע איז געווען איינע פֿון די וויכטיקסטע וועלטלעכע ייִדישע כּוחות אין דער שטאָט און האָט אין משך פֿון לאַנגע יאָרן אַנטוויקלט אַ רײַך קולטור־ און געזעלשאַפֿטלעך לעבן.
אין דער רעקאָרדירונג וועט איר זיך באַקענען מיט שלום (סאָל) עדלשטיין, וואָס האָט אָנגעפֿירט דעם אַרבעטער־רינג אין מאָנטרעאָל אין אירע לעצטע יאָרן. מיטן שמועס פֿירט אָן אלי בענעדיקט פֿון דער ייִדיש־ליגע.
אין די ערשטע יאָרן פֿונעם 20סטן יאָרהונדערט זענען געווען אַ ריי אַרבעטער־רינג-„ברענטשעס“ איבער קאַנאַדע, וואָס האָבן געפֿירט אַ רײַכע קולטור־אַרבעט, אַרײַנגערעכנט שולן, טעאַטער־טרופּעס און כאָרן. במשך פֿון די יאָרן האָבן זיך די „ברענטשעס“ צו ביסלעך פֿאַרמאַכט, און די פֿאַרבליבענע אַקטיוויטעטן האָבן זיך צונויפֿגעקליבן אין איין הויז אין מאָנטרעאָל. אין דעם לעצטן יאָר האָט זיך אויך דאָס הויז פֿאַרמאַכט. אין דעם שמועס וועט שלום עדלשטיין דערציילן וועגן די „ברענטשעס“, וועגן דעם לעבן און די אויפֿטוען אין דעם הויז, און וועגן זײַנע אייגענע איבערלעבונגען דאָרט.
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Facebook suspends radio broadcaster’s account over video of Holocaust survivor
Facebook has abruptly banned a Jewish broadcasting executive in Minnesota after he posted a link to a video of a 104 year-old Holocaust survivor in Texas sharing his story, prompting the Minnesota Attorney General to intervene.
Joel Glaser, CEO of AMPERS, a group of community radio stations across Minnesota, received an email from Facebook last month informing him that his personal account had been suspended because it violated the platform’s “child sexual exploitation” policies.
Because Glaser also administers the account for an AMPERS radio series titled MN90: Minnesota History in 90 Seconds, Facebook also took down that account, which has more than 10,000 followers.
The video produced by an NBC affiliate in Dallas and shared by an ABC affiliate in the Twin Cities, featured a talk by Walter Levy, a survivor who fled Germany in the late 1930s and still tells his story about how his family survived Kristallnacht and struggled with whether to flee to then-British mandated Palestine or America. His family eventually joined relatives in Arkansas.
“How it got flagged as being child sexual exploitation is absolutely beyond me,” said Glaser, who unsuccessfully appealed.. “It did not give me the opportunity to explain anything, ask any questions, provide any screenshots, do anything at all.”
Facebook has said the case has been “flagged for the team” and is “looking into this.”
Glaser initially speculated that an antisemite, Holocaust-denier, or a bot operating on their behalf had flagged his post. But then he started leaning toward the notion that it was probably just artificial intelligence run amok.
“I guess Meta’s AI isn’t smart enough to differentiate between child sexual exploitation and a legitimate news story,” he said.
Because Glaser also oversees AMPERS’ news coverage, losing access to Facebook has made his job more difficult.
“I’m being hindered from doing that,” Glaser said. “They need to fix it.”
Experts say Glaser’s experience is not unusual, underscoring a need for significant work on content moderation systems, as well as transparent correction mechanisms. Without seeing Meta’s internal enforcement signals, it’s impossible to know why the system acted to suspend Glaser’s accounts.
On the morning of June 25 Glaser received an email from Facebook saying that his personal account was being suspended and he had 180 days to appeal. While the platform attributed the suspension to a violation of child sexual exploitation standards, it did not specify what content of Glaser’s had violated those standards. The video of Levy just happened to be his most recent post.
Glaser appealed right away, taking the required nine photographs of his face to prove it was him. Facebook denied the appeal that afternoon and permanently banned him with no opportunity for additional appeals.
Glaser contacted Minnesota’s Attorney General, a standard recourse for Facebook subscribers in a number of states who have
unfairly had their accounts suspended. Brian Evans, press secretary for Minnesota Attorney General Keith Ellison, told Glaser that the office has interceded with Meta previously regarding their “heavy-handed approach to account deactivation.”
The Attorney General’s Consumer Action team will work to get Glaser’s two accounts reactivated, he wrote.
“The Minnesota Attorney General’s Office has received numerous complaints from consumers about moderation decisions that appear to have been made in error by Facebook,” Evans said.
Minnesota State Rep. Ginny Klevorn, a Democrat who represents the suburbs northwest of Minneapolis, has also asked that the state party’s liaison to Meta look into the matter, noting that AMPERS is partially funded by the state of Minnesota.
“Why is a public service network that deals with factual historic events being banned?” she said. “I think they owe Joel some sort of explanation.”
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Artists are boycotting a show about Israel. The run’s already sold out
In the third act of Jonathan Spector’s Birthright, the character Izzy delivers the closest thing the play has to a thesis.
“I can go up on the bimah at my parents’ shul and I can say I am married to a woman, I can say I don’t keep kosher, I can say I don’t believe in God,” the character, a former J Street employee played by Molly Bernard, says. “The one thing that would get me kicked off the bimah, kicked out of the shul, kicked out of my family is if I say I am an anti-Zionist.”
There is an unspoken flipside to this equation: Just as Jewish communal life has instituted litmus tests, the pro-Palestine movement also has its dogma.
Jewish organizations once accepted all comers — gay, bacon-eating, atheist — Spector told me in an interview the day the show, tracking six members of a Birthright group over 18 years, opened at MCC Theatre. Recently, though, when it comes to the Jewish state, “there’s been a similar kind of shift away from tolerance from people on both sides of that divide.”
As if one needed more proof of Spector’s assertion, the group Theater Workers for a Ceasefire announced on Tuesday a call to boycott the production for “normalization,” even though the show is, at press time, sold out.
In an open letter, the organization outlines its concerns. “Normalization includes any plays, festivals, and other kinds of cultural activities that are based on the false premise of symmetry between oppressors and oppressed or which assume colonizers and colonized are equally responsible for the ‘Israel/Palestine conflict.’”
Birthright, they argue, meets this definition in its third act, when Izzy and Chaya (Zoë Winters), a former Obama staffer, debate the Gaza War in the aftermath of Oct. 7. “Chaya and Izzy perpetuate the fallacy that genocide has two equally legitimate sides,” the Theater Workers wrote. “The play does not challenge Chaya’s beliefs — it privileges them.”
But does it? We learn Chaya resigns from her job at the domestic nonprofit she founded over a pressure campaign by her staffers, who share an offensive text she sent via Instagram. The text: “Maybe they should spend a week in Gaza, and then come back and tell us if the rapes are real or not.”
In an Instagram carousel, Artists For Ceasefire describes this as “a text accusing Palestinians of being rapists.” This is a distortion, but reveals a familiar taboo in certain pro-Palestinian activism: the acknowledgment that Hamas and Palestinian Islamic Jihad committed sexual violence.
“Birthright emphasizes Chaya’s victimhood, whereby her own personal and professional losses in the wake of October 7th are greater than that of any Palestinian,” the letter continues. “Izzy is depicted as immoral for caring more about Palestinian strangers than her friend.”
This smacks of a bad faith reading. Once again we are in the realm of depiction not equalling endorsement. Cherries are being picked. That the play doesn’t “challenge” every argument, or “encourag[es] audiences to empathize with” an Israeli character’s “subjectivity” is seen as morally deleterious, rather than what it is: a play, with characters, not a debate, op-ed or struggle session.
As Spector told me, “plays contain ideas, but plays are about people.”
We needn’t wonder what Theater Workers for a Ceasefire would recommend as counter-programming: on Instagram they argued for an example in Seven Jewish Children by Caryl Churchill, a non-Jewish playwright. That play is more polemic than drama and runs on an engine of Holocaust inversion, which makes sense when you look at their Instagram post.
“Conventional drama demands we present contrasting viewpoints in the name of conflict,” the group concedes, “But how we write the conflict is not an ideological [sic] benign matter.”
The overriding interest is not art, but ideology. Not the mirror up to life, but of the funhouse variety that warps reality to an endless, echo chamber tunnel.
Eli Gelb, an actor in the show, acknowledged the boycott in an Instagram story, wrote “I’ve been outspoken as an antizionist Jew and I remain so. I believe in the show and will be continuing to perform in the production.” Molly Bernard’s Instagram stories Wednesday are of devastation in Gaza.
The letter makes clear “this would not be a boycott of MCC, nor of Jonathan Spector, but of this specific cultural product.” How can you boycott a run that, at press time, has no seats left to buy? Yield your tickets while ye may, someone will gladly snap them up.
In the play, a character, whose identity I won’t reveal due to spoilers, discusses an episode recounted in the Talmud, where a Super Bowl-sized crowd witnesses one priest stab another for the privilege of cleaning up ashes from a ritual sacrifice.
Rabbi Tzadok says all present were responsible for creating the conditions for the attack. But then the father of the stabbed priest retrieves the knife from his son’s back, and tells the crowd that, as he is not yet dead, the knife is still ritually pure. The onlookers cheer.
In the show, the story is cryptic, but speaks to Israel, where the ideal of the state has given way — perhaps irreversibly — to a culture of violence.
“This is how far they had fallen in this period,” the character says, “how far they had strayed, that they valued the laws of ritual purity over human life.” It’s an argument that would seem to align with Artists for Ceasefire, for whom the suffering in Gaza supersedes any gestures at complexity.
In their demands for a purity test, they may have missed it.
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