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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
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The post ‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator. appeared first on Jewish Telegraphic Agency.
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Human Rights Watch’s top Israel-Palestine staffer quits over shelved report criticizing Israel
(JTA) — The former executive director of Human Rights Watch is defending the group after two staffers quit over allegations that a report accusing Israel of a “crime against humanity” was blocked from publication.
Omar Shakir, the director of Human Rights Watch’s Israel-Palestine team, and assistant researcher Milena Ansari tendered their resignations after they said the organization refused to publish a report concluding that Israel’s denial of the “right of return” for Palestinian refugees amounted to a “crime against humanity.”
“I’ve resigned from @hrw after 10+ yrs—most as Israel/Palestine Director—after HRW’s new ED pulled a finalized report on the right of return for Palestinian refugees on eve of its release & blocked for weeks its publication in a principled way,” Shakir tweeted earlier in the week.
He linked to an article about the resignations in Jewish Currents. Shakir, who formerly worked as a legal fellow for the Center for Constitutional Rights, which has long engaged in pro-Palestinian legal advocacy, is on Jewish Currents’ advisory board.
In a resignation letter obtained by Jewish Currents, Shakir wrote, “I have lost my faith in the integrity of how we do our work and our commitment to principled reporting on the facts and application of the law.”
Multiple former Human Rights Watch staffers panned Shakir and his critique, including Ken Roth, the group’s former executive director and himself a vociferous critic of Israel. Roth’s replacement, Philippe Bolopion, was named in November.
“The new @HRW director was right to suspend a report using a novel & unsupported legal theory to contend that denying the right to return to a locale is a crime against humanity,” tweeted Roth, whose father was a Jewish refugee from Nazi Germany. “It had been rushed through the review process during a leadership transition.”
Danielle Haas, who served as the senior editor at Human Rights Watch from 2009 to 2023, criticized Shakir sharply in a post on X.
“‘Nourish a wolf,’ Aesop said, ‘and it will eat you.’ For years, @hrw tolerated, placated, excused, and incubated @OmarSShakir as BDSer-turned-Israel/Palestine director. Now it’s their turn to get the ideological mob treatment,” wrote Haas. “His old tricks used v. others, now turned v. them: petitions, division, politics. Appeasement always bites you in the end.”
Shakir served as the lead researcher and author of a 2021 Human Rights Watch report that argued that Israel’s treatment of Palestinians had crossed the threshold into apartheid. The report was widely criticized by Jewish groups at the time. In 2019, he was deported from Israel in accordance with a law that banned entry to foreigners who publicly call for boycotting the Jewish state or its settlements.
NGO Monitor, a Jerusalem-based pro-Israel advocacy group, wrote in a post on X that the internal dispute at Human Rights Watch served as “a reminder of what happens when an NGO promotes the most extreme activists to positions of influence.”
The episode is casting light on the issue of Palestinian refugees, who many pro-Palestinian advocates believe should be able to return to the homes and communities their families left in 1948. Such a right is widely seen as both out of step with international precedent and a tactic to undo a Jewish majority in Israel.
While Human Rights Watch has long supported a right of return for Palestinian refugees, Shakir told Jewish Currents that the group is more hesitant when applying that principle in practice.
“The one topic,” he said, “even at Human Rights Watch, for which there remains an unwillingness to apply the law and the facts in a principled way is the plight of refugees and their right to return to the homes that they were forced to flee.”
In a statement shared with Jewish Currents and the New York Times, Human Rights Watch stated that the report “raised complex and consequential issues” and its publication was “paused pending further analysis and research.”
“In our review process, we concluded that aspects of the research and the factual basis for our legal conclusions needed to be strengthened to meet Human Rights Watch’s high standards,” the group said.
The post Human Rights Watch’s top Israel-Palestine staffer quits over shelved report criticizing Israel appeared first on The Forward.
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The coffee capital of the world
צו הערן דעם אַרטיקל און אַנדערע אַרטיקלען דורכן פֿאָרווערטס־פּאָדקאַסט, גיט אַ קוועטש דאָ:
אין מײַנע יונגע יאָרן האָב איך געקוקט סײַ מיט ביטול, סײַ מיט רחמנות אויף די אַלע דערוואַקסענע, קאַווע־אַדיקטן, וואָס קענען ניט אויפֿשטיין אין דער פֿרי אָן אַ טעפּל, אָדער אַ גאַנצן טאָפּ קאַווע. דאָס הייסט, אויף איבער 80% אַמעריקאַנער. זעענדיק ווי דער טאַטע גיסט אָן אַ טערמאָס מיט קאַווע, ער זאָל האָבן מיט וואָס איבערצולעבן די נסיעה צו דער אַרבעט, האָב איך געשוווירן צו זיך אַליין, אַז איך וועל קיין מאָל ניט ווערן פֿאַרשקלאַפֿט פֿון דעם דאָזיקן אומווערדיקן געטראַנק.
אָבער די יוגנט איז פֿול מיט נאַרישע געדאַנקען, און נאָר די יאָרן ברענגען חכמה און פֿאַרשטאַנד. איצט דערמאָן איך זיך אין יענע אידילישע צײַטן און וווּנדער זיך, ווי אַזוי האָב איך אָן קאַווע אָנגעשריבן די אַלע אַרבעטן פֿאַר דער שול און געלייזט די אַלע מאַטעמאַטישע רעטענישן? הײַנט וואָלט איך די רעטענישן ניט געלייזט אַפֿילו מיט קאַווע. נאָר צום גליק, האָב איך אַנטדעקט, אַז די קאַווע איז ניט אַזאַ געפֿערלעכער סם־המוות, ווי איך האָב זיך דעמאָלט פֿאָרגעשטעלט.
פֿאַקטיש שאַדט די קאַווע ניט צום געזונט, פֿאַרקערט, זי היט אָפּ דעם טרינקער פֿון פֿאַרשיידענע קרענק, ווי ראַק און פּאַרקינסאָנס. זי פֿאַרשטאַרקט די מוסקלען, קלאָרט אויס דעם קאָפּ, און גיט צו מער ענערגיע און שוווּנג. ניטאָ קיין ספֿק, אַז אַ גרויסן חלק פֿונעם מענטשלעכן פּראָגרעס אין די לעצטע 400 יאָר האָבן מיר צו פֿאַרדאַנקען דער קאַווע, וואָס אָן איר וואָלטן אונדזערע דערפֿינדער אַנטשלאָפֿן געוואָרן אין מיטן דער אַרבעט און אפֿשר גאָרניט דערפֿונדן.
פּונקט אַזוי וויכטיק ווי די קאַווע אַליין, איז די קולטור אַרום דער קאַווע. אין יאָר 2011 האָט „אונעסקאָ“ אָנערקענט די ווינער קאַוועהויז־קולטור ווי אַ טייל פֿון דער „אוממאַטעריעלער קולטור־ירושה“ פֿון עסטרײַך, און דערמיט באַשטעטיקט ווין ווי די קאַווע־הויפּטשטאָט פֿון דער וועלט. דאָרט איז קאַווע ניט בלויז אַ געטראַנק, נאָר אַ גאַנצער לעבנס־שטייגער מיט אַ טראַדיציע פֿון הונדערטער יאָרן.
לויט דער לעגענדע איז דער ערשטער ווינער קאַפֿע אויפֿגעקומען נאָך אין „מלך סאָביעסקיס צײַטן“ — טאַקע אין 1683, ווען דער פּוילישער קעניג יאַן סאָביעסקי האָט באַפֿרײַט ווין פֿון דער טערקישער באַלאַגערונג. צווישן די זאַכן, וואָס די טערקישע אַרמיי האָט דאָרט איבערגעלאָזט, זײַנען געווען זעק מיט קאַווע־בעבלעך. סאָביעסקי האָט זיי איבערגעגעבן צו זײַנעם אַן אָפֿיציר, וואָס האָט דערנאָך געעפֿנט דעם ערשטן קאַפֿע.
די בליצײַט פֿונעם ווינער קאַפֿע איז אָבער געווען סוף 19טן, אָנהייב 20סטן יאָרהונדערט, ווען די שטאָט האָט געקאָכט מיט קאַוועהויז־ליטעראַטן און קינסטלער. זיי פֿלעגן באַשטעלן איין טעפּעלע קאַווע און זיצן איבער אים אַ גאַנצן טאָג, און דער דעמאָלטיקער קעלנער האָט זיי ניט געטשעפּעט. אין זײַנע זכרונות האָט דער פּראָזאַיִקער שטעפֿאַן צווײַג באַשריבן דעם קלאַסישן ווינער קאַפֿע אַזוי:
„ער שטעלט מיט זיך פֿאָר אַן אינטסיטוציע פֿון אַ ספּעציעלן סאָרט, וואָס מע קען זי ניט פֿאַרגלײַכן מיט קיין ענלעכער אין דער וועלט. דאָס איז טאַקע געווען אַ מין דעמאָקראַטישער קלוב, צוטריטלעך פֿאַר יעדן איינעם פֿאַר אַ ביליקן טעפּל קאַווע, וווּ יעדער גאַסט האָט געקענט פֿאַר אַ גראָשן זיצן שעהען לאַנג, שמועסן, שרײַבן, שפּילן אין קאָרטן, באַקומען זײַן פּאָסט און, דער עיקר, קאָנסומירן אָן אַ שיעור צײַטונגען און זשורנאַלן. יעדן טאָג זײַנען מיר געזעסן שעהען לאַנג, און האָבן גאָרנישט פֿאַרפֿעלט.“
זינט די 1990ער יאָרן איז די קאַוועהויז־קולטור צוריק אַרײַן אין דער מאָדע און די ווינער האָבן מזל, וואָס ניט ווייניק פֿון זייערע אַלטע קאַפֿעען זײַנען נאָך פֿאַראַן — כאָטש ווי ערטער ניט פֿאַר שרײַבער און קינסטלער, נאָר פֿאַר גבֿירים און טוריסטן. אין דער אַלטער קײַזערלעכער קאָנדיטערײַ „דעמעל“, למשל, מישן זיך די ריחות פֿון קאַווע און שאָקאָלאַד מיטן גלאַנץ פֿון שפּיגלען און גאָלדענע הענגלײַכטערס. אַז אַן אָרעמער שרײַבער וואָלט זיך דאָרט געזעצט צו דער אַרבעט, וואָלט ער ניט פֿאַרענדיקט אַפֿילו די ערשטע זײַט, ווײַל די ניט זייער העפֿלעכע קעלנערינס וואָלטן אים אַרויסגעטריבן.
צו דער ווינער קאַוועהויז־קולטור געהערט אויך אַ רײַך־אַנטוויקלטער קאַווע־וואָקאַבולאַר: באַליבט איז דער „מעלאַנזש“ — האַלב קאַווע, האַלב געשוימטע מילך; די „אײַזקאַווע“ — אַ דריטל קאַווע, אײַזקרעם און קרעם (זייער געשמאַק!); דער „פֿאַרלענגערטער“ — האַלב מאָקאַ (קאַווע מיט שאָקאָלאַד), האַלב הייס וואַסער. ווי אויך מער עקזאָטישע מינים: די „קאָזאַקן־קאַווע“ — אַ מאָקאַ, געמישט מיט צוקער, רויטווײַן און וואָדקע; דער „אָטעלאָ“ — אַן עספּרעסאָ מיט הייסן שאָקאָלאַד; און די „צאַרן־קאַווע“ — אַן עספּרעסאָ, באַדעקט מיטן פֿאַרצוקערטן געלכל פֿון אַן איי. דערצו קומט יעדע קאַווע מיט אַ גלעזל וואַסער און אַ קיכל אָדער ביסקוויט, וואָס מאַכט פֿונעם קאַווע-טרינקען אַ גאַנצע צערעמאָניע.
אין די לעצטע יאָרן איז די ווינער קאַוועהויז־קולטור נאָך „באַרײַכערט“ געוואָרן מיט אַן אַמעריקאַנער אימפּאָרט — די פֿירמע „סטאַרבאָקס“ האָט געעפֿנט אַ צענדליק פֿיליאַלן אין דער שטאָט. איינער אַזאַ קאַפֿע שטייט אַנטקעגן דער „הויפֿבורג“, דעם קײַזערלעכן פּאַלאַץ, וווּ עס האָט אין משך פֿון 600 יאָר רעזידירט די האַבסבורג־דינאַסטיע. דערווײַל זײַנען די ווינער אפֿשר צופֿרידן, וואָס זיי האָבן נאָר אַ צענדליק „סטאַרבאָקס“, און ניט 250, ווי ניו־יאָרק.
איין וויכטיקע זאַך האָב איך זיך געלערנט פֿון די ווינער: דרך־ארץ פֿאַר דער קאַווע. זי איז ניט סתּם אַן אַדיקציע, וואָס האָט פֿאַרשקלאַפֿט כּמעט די גאַנצע מענשהייט. זי איז אַן אַדיקציע מיט אַן אַריסטאָקראַטישער טראַדיציע און מיט אַ לאַנגער היסטאָריע פֿון קינסטלערישער שעפֿערישקייט. אַזוי דאַרף מען טראַכטן, ווען מע פֿילט אָן דעם טערמאָס מיט קאַווע אין דער פֿרי.
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Latest Epstein files release unleashes wave of antisemitic conspiracy theories on social media
(JTA) — A bank account named for an ancient god in Israel. A “synagogue of Satan.” References to “goyim” that hint at a Jewish-run global cabal. The mystery of Israeli Prime Minister Benjamin Netanyahu’s alleged visit to China.
These are among the latest antisemitic conspiracy theories to be born from the Jeffrey Epstein files, following the document dump that has occupied online commentators for days.
Since the financial advisor and sex trafficker’s arrest by federal authorities in July 2019 and death by suicide a month later, antisemitic conspiracy theories about him have circulated widely, often invoking his Jewish identity and connections with Jewish and Israeli leaders.
But the Justice Department’s newly released batch of Epstein files on Friday, which contained over 3 million pages of documents, has taken things to a new intensity.
“If you think Epstein was just some rich pedo, you’re missing the big picture,” wrote the X account Clandestine, which has more than 734,000 followers. “Epstein was part of the satanic global elite that pull the strings from the shadows. Epstein was a Deep State puppet master.”
Mike Rothschild, a writer who researches antisemitic conspiracy theories on the far right, said the amount of material available in the files made them fertile ground for misinterpretation and confirmation bias.
“Whatever your particular brand of conspiracy theory is, there’s something in the files for you,” Rothschild told the Jewish Telegraphic Agency. “One of the problems that we’re having is that there is so much information and there’s no filter for it.”
Among the real revelations in the documents are a variety of exchanges of relevance to the broader Jewish world. Those include revelations that various Jewish nonprofits had courted Epstein for donations even after his conviction, evidence of Epstein’s financial ties with several Orthodox yeshivas, and new details about his well-known relationship with former Israeli Prime Minister Ehud Barak.
Some of the emails also show Epstein referencing the High Holidays and deploying Jewish phrases like “goyim” in a disparaging manner.
“This is the way the jew make money.. and made a fortune in the past ten years„ selling short the shippping futures„ let the goyim deal in the real world,” wrote Epstein in a 2009 email to the cognitive psychologist and onetime Trump University executive Roger Schank.
In another email dated August 2010 to Jewish entertainment publicist Peggy Siegal, discussing a party guest list, Epstein wrote, “No, goyim in abundance- jpmorgan execs brilliant wasps.”
Some of the largest conspiracist personalities seized on the new document dump, claiming that it confirmed their longstanding beliefs about secret Jewish control.
“Remember the end of last year when I was called antisemitic for telling you this is the literal, religious worldview of many people in power?,” Candace Owens, right-wing commentator turned conspiracist, wrote in a post on X responding to a photo of an email where Epstein used the term. “Type in ‘goy’ or ‘goyim’ in the Epstein files and be sure to tag a Christian who needs to wake up and leave the Zionist cause.”
In an hour-long livestream titled “BAAL SO HARD: The Epstein Files,” Owens referred to Jews as “pagan gypsies” and repeated the neo-Nazi conspiracy that B’nai Brith was behind the “ritualistic murder” of Mary Phagan, whose killing sparked the antisemitic lynching of Leo Frank in 1915.
“The Epstein files create an opportunity for us to discuss this, to hear the way they speak about us behind closed doors exactly how Sigmund Freud spoke, it’s racist,” said Owens during the stream, which had reached 2 million views on YouTube Thursday. “I want to make it clear that this is for them a religious philosophy, a racist perspective that we are goyim, meaning cattle, that are meant to be herded and ruled over.”
On Sunday, Owens posted on X, “Yes, we are ruled by satanic pedophiles who work for Israel,” adding “This is the synagogue of Satan we are up against.”
It isn’t just leading antisemitic personalities but rank-and-file social media users who have sought to paint the data dump as an indictment of Jewish power.
“Normies: ‘let’s not jump to any antisemitic conclusions, we don’t know why Epstein did these terrible things.’ Epstein: ‘I love trafficking children, manipulating markets, and don’t believe goyim are human. Also this is all because I am Jewish,’” wrote an Eastern Orthodox Christianity influencer on X.
The Nexus Project, an antisemitism watchdog group, condemned the proliferation of antisemitic Epstein conspiracy theories in a series of posts on X, writing, “The Epstein files are real. The antisemitism they’re fueling is also real. And right now, the second part is getting almost no attention.”
“Jeffrey Epstein was a monster. His crimes were real. His victims deserve justice and are being revictimized right now by the DOJ,” the Nexus Project wrote. “Turning his private emails into proof of a Jewish conspiracy is pure antisemitism. And it is spreading faster than anyone is willing to say.”
Rothschild said he believed the files were “reinforcing stuff that these people already are pushing out.”
“If you are predisposed to believe Candace Owens’ theory that Israel is behind everything bad that’s ever happened, you’re going to find it in the Epstein files, even if it’s not there, because there’s so many mentions and there’s so much intrigue swirling around about it, because it’s just all this raw material you can kind of use it to make whatever you want,” said Rothschild.
New conspiracy theories also stemmed from an email exchange where Epstein requested money be wired to a bank account that some concluded was titled “Baal,” the name of an ancient Canaanite god.
“BREAKING: 🇺🇸 🇮🇱 EPSTEIN NAMED HIS BANK ACCOUNT BAAL,” wrote AdameMedia, a popular right wing X account that frequently posts conspiratorial content. “Baal is a demonic being that was worshipped in ancient israel by some hebrews before they converted to Judaism. Child sacrifice is a ritual of Baal worshippers, usually through burning, like lsraeI did to Gaza. Archaeological discoveries have found thousands of urns with cremated infant and small children remains. Now we have evidence of Epstein’s circle kiIIing and even eating children.” (Similar files say “bank name” where this one says “baal,” suggesting an error.)
Others across the ideological spectrum extended longstanding theories about Epstein’s ties to Israel.
On Friday, the right-wing anti-Israel personality Tucker Carlson hosted Cenk Uygur, the progressive co-creator of The Young Turks, for a podcast interview titled “Cenk Uygur: Epstein, JFK, 9-11, Israel’s Terrorism and the Consequences of Opposing It,” during which the pair claimed that Epstein was an agent of the Israeli intelligence agency Mossad. (In July, Carlson received pushback from former Israeli Prime Minister Naftali Bennett after he said Epstein worked for Mossad.)
“Jeffrey Epstein was much more powerful than we realized. He could set up a meeting with almost any world leader. He can get almost anyone into the White House. Again, Ehud Barak has trouble getting into the White House, Epstein makes a call, boom, he’s in the White House. Israeli spy stays over at Epstein’s house,” said Uygur. “There’s just no question about it. He is definitely intelligence and in every turn he’s looking to help one country and it’s Israel. American media says shut up.”
Left-wing Twitch streamer Hasan Piker also repeated the claim that Epstein was working for Israel in a post on X Sunday.
“Benjamin netenyahu [sic] is in the files and former pm ehud barak has such an extensive relationship w esptein [sic] they might as well call it the israel files what the fuck are you talking about,” wrote Piker in another post on X, responding to influencer Eyal Yakoby’s claims that Israeli Prime Minister Benjamin Netanyahu was not named in the files.
The DOJ’s Epstein database includes 659 search results for “Netanyahu,” but the vast majority of the documents that appear under the search include news articles forwarded to and from Epstein relating to the Israeli leader.
“Going by sort of the raw number of mentions in an email database is not helpful, because there’s no context for it,” said Rothschild. “If there’s 630 mentions of Netanyahu, but 100 of them are just forwarded articles, and 100 of them are people responding to Epstein saying how much they hate Netanyahu, that doesn’t mean anything. It just means that you have this number and people run with it, because people are taking these things and turning them into proof for whatever conspiracy they already believe in.”
On X, another conspiracy theory took hold after users claimed that an email sent from China to Epstein in April 2009 coincided with a trip by Netanyahu that same month. (The article cited said Netanyahu met with the Chinese foreign affairs minister in Jerusalem, not China.)
“Benjamin Netanyahu was in China and it seems likely that he was the man sending Jeffrey Epstein torture videos,” wrote Jake Shields, a far-right influencer and former MMA champion, in a post on X.
Other emails appeared to tie Epstein to Russia, leading to speculation that he had provided intelligence to the country and prompting calls for an investigation by the Polish prime minister.
Some conspiracy theorists online rejected the idea that Epstein might have been a Russian asset, instead suggesting it is a distraction being offered to take the heat off Israel.
“The memo went out, and the media is trying to say that Jeffrey Epstein worked for the KGB,” said the TikTok influencer “contraryian” in a video posted Tuesday that has amassed more than 30,000 likes. “He might have had multiple passports, but he talked to Israeli politicians, Jewish businessmen, and repeatedly invokes his Jewish identity.”
In response to a New York Post article about Epstein’s alleged Russian affiliations, one X user with 300,000 followers and a stream of antisemitic posts claimed that the coverage was evidence of a “Jewish controlled media.”
“Jeffrey Epstein- ‘I work for the Rothschilds, Israel, and world Jewry.’ Jew York Post- ‘Epstein probably worked for the Russians….,’” the post, read. “You don’t hate the Jewish controlled media enough.”
In a podcast episode Monday, Jewish conservative pundit Ben Shapiro, who has previously criticized conservative rivals for linking Epstein with Mossad, said there was not evidence in the files that Epstein was blackmailing people “on behalf of a foreign power or a cadre of powerful people who are attempting to shape global policy.”
Rothschild, the conspiracy theory expert, said everything he has seen reflects deep-seated antisemitic animus among conspiracy theorists.
“Antisemitism is huge in these circles, it always has been,” he said. “Whether it’s just outright attacks on Jews, or the sort of more crouched globalists, European bankers, you know, antisemitism is a huge part of that world.”
But he emphasized that not all claims about Epstein amount conspiracy theories — which is why the drumbeat of antisemitism can continue unabated.
“Jeffrey Epstein was part of a cabal. I mean, it’s not like the Elders of Zion sitting around in a dark room, you know, deciding on the fates of nations, but it’s pretty clear that Epstein was at the center of a gigantic conspiracy,” said Rothschild. “That’s not a theory. That has nothing to do with Judaism. It has everything to do with greed and perversion.”
The consequences, he said, are bad for the Jews and for everyone else.
“Anything that calcifies our politics and our discourse even more, I think is very dangerous,” Rothschild said. “Certainly there’s always going to be a danger that it falls disproportionately on the Jewish community. I think it’s probably making life difficult for actual survivors of trauma like this to get people to pay attention to them.”
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