Uncategorized
‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
—
The post ‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator. appeared first on Jewish Telegraphic Agency.
Uncategorized
Can this suburban kibbutz and civil rights trailblazer maintain its identity in the 21st Century?
POMONA, NY— The Skyview Acres Cooperative is located about 30 miles north of New York City. Think of it as a suburban kibbutz.
“One felt like they had many parents,” recalled Carol Bowman, a professor of education at Ramapo College who grew up in this close-knit housing development in leafy Rockland County. “When I was growing up I could just walk into any of the houses where I had friends.”
“It was just a giant united family,” said Jo Simons, a retired piano teacher whose parents taught music and organized community singing events at Skyview.
Skyview was created in the aftermath of World War II as an intentionally integrated community. Quakers figured prominently in its creation. The land for Skyview was purchased in January 1947 with loans totaling $16,500 from two Quakers, who were strangers to the founding families and to each other. The loans came with terms that could’ve come from the Hebrew Free Loan Society: They were interest-free and simply said, “Pay us back when you can.”
The founding families scraped together the rest of the $29,500 purchase price. Today, Skyview consists of 115 acres and about four dozen homes. Most of them have at least two acres of land.
About a third of the original 45 or 46 families at Skyview were Jewish, according to Naomi Kleinberg, a retired editor and children’s book author, whose parents were among the original families who cleared land to build homes, make roads and create a swimming pond here. Key residents who played pivotal roles in Skyview’s evolution as a progressive bastion and a caring community included Jo’s father, Edward Simons, who founded what is now the Rockland Conservatory of Music, and Irving Wolfe, a political organizer for whom the cooperative’s ball field is named.
At the community’s recent 80th anniversary celebration, Wally Glickman recited an original poem. Skyview, he wrote, is a “ magic island in suburbia.”
‘My father wanted nothing more than to live in the woods’
Jack and Lena Kleinberg were among four Jewish couples who came to Skyview together from the Lower East Side. Back in the city their social lives revolved around the University Settlement House on Eldridge Street.
They raised a son and three daughters at Skyview. The son, Joseph, remains in the family home where he makes a living as a beekeeper and vegetable farmer.
“My father wanted nothing more than to live in the woods,” Naomi Kleinberg told me.
Jack Kleinberg was a World War II veteran who considered himself an atheist but was “adamantly, proudly, belligerently Jewish,” she said.
His maternal uncle’s entire family perished in Poland during the Holocaust and Kleinberg resolved that his family would know how to defend itself, so he taught them how to shoot revolvers and rifles.
“My father said he would never allow his family to be led like sheep to the slaughter, like in Europe,” Naomi Kleinberg said.
Her parents grew up on the Lower East Side amidst much misery and poverty. That experience prompted her late mother, who was raised in an observant Sephardic household on Orchard Street, to work as a social justice activist. In the 1930’s, Lena Kleinberg campaigned on behalf of the Scottsboro Boys, the Black men wrongfully charged with the rape of white women in Alabama. During the 1940’s, Lena worked for the establishment of the Jewish state, volunteering with the American League for a Free Palestine. During the Cold War, she demonstrated at missile sites near Skyview and, in more recent years, stood vigil at a local abortion clinic, to counter anti-abortion protesters intimidating patients.
“All this involvement in social justice, making tikkun olam, it’s so Jewish,” Naomi told me.
‘Can you imagine how dangerous that was in the ’40’s?’
Although there were seders and Hanukkah parties held at the cooperative, Kleinberg remembers only two Skyview families who attended synagogue regularly.
The other families had “Jewish upbringings, Jewish identities,” Kleinberg said, “but not a Jewish existence.”
For the most part, religious tradition was supplanted by political activism. Skyview residents attended seminal civil rights marches in Washington, brought medicine to Cuba, demonstrated against the Vietnam War and went to Nicaragua to aid the Sandinista regime. To this day, residents demonstrate regularly against the Trump administration at an intersection in Nanuet that has long served as Rockland’s town square for political protest.
A handful of key political activists lived at Skyview during the 1960s. Among them were Conrad Lynn, the Black civil rights attorney who defended Black Panther leader H. Rap Brown and one of the Puerto Rican nationalists who carried out the attack on the U.S. House of Representatives in 1954; George Houser, a co-founder of both the Congress of Racial Equality and the American Committee on Africa; and Alfred Hassler, a Methodist minister who served as executive director of the Fellowship of Reconciliation, the interfaith peace and justice group. Lynn, Hassler and civil rights activist Bayard Rustin went on a freedom ride down south in 1947.
“They did that in the 40’s, not in the 60’s,” noted the poet Wally Glickman. “Can you imagine how dangerous that was in the 40’s?”
Skyview has also been home to some prominent entertainers, including Krishna Das, a globe-trotting Jewish performer of Hindu devotional music. The late Steven Hill, born Solomon Krakovsky, had starring roles in the TV shows Mission: Impossible and Law & Order. Hill left Skyview after becoming an observant Jew and moved to nearby Monsey. Eliot Asinof, who wrote for such classic western TV shows as Maverick and Wagon Train and authored the nonfiction account of the Chicago “Black Sox” World Series scandal in 1919, Eight Men Out, rented a home at Skyview during summers in the 1950’s and 60’s. And two founding members of the Grammy-nominated jazz fusion group Spyro Gyra currently live at Skyview.
But no one in showbiz had quite the run as Ed Simons, who was said to be the oldest working conductor in the country when he wielded a baton at the age of 100. The maestro’s career included performing in the military band that accompanied President Harry Truman to the Potsdam Peace Conference in the Summer of 1945 and conducting pit orchestras for eight Broadway musicals, including My Fair Lady.
Edmund Gordon, a Black psychologist who was one of the architects of the federal Head Start program, is still professionally active at the age of 105. He treads water in the indoor pool at his Skyview home.
Several people I spoke with offered the same quip to comment on the longevity of the cooperative’s residents: “There must be something in the water.”
‘I was the first Skyview baby’
Some of the children who lived at Skyview Acres inherited their parents’ political sympathies. In the 1950’s, several Skyview kids refused to recite the Pledge of Allegiance or participate in the “duck and cover” drills held during the Cold War to prepare students for a nuclear attack. In 1968, when Martin Luther King Jr.’s Poor People’s Campaign set up a tent city dubbed Resurrection City on the National Mall in Washington D.C., some teenagers at Skyview erected their own Insurrection City in the woods. And, no matter how liberal and left-leaning the cooperative’s grown-ups may have been, young people skinny dipping in Skyview’s man-made pond upset some of the adults.
Several people who grew up at Skyview and are now in their 70s or 80s, recall attending the “March on Washington for Jobs and Freedom” in 1963 where Martin Luther King, Jr. gave his famous “I Have a Dream” speech. Skyview’s roughly four dozen households filled two buses for the march. That year, Skyview block party attended by some 400 Rockland County residents raised money for the Southern Christian Leadership Conference (SCLC). The contribution elicited a signed thank-you letter from Dr. King, then SCLC’s president.
And many of the Skyview kids carried on the good works of their parents.
Two of Edmund Gordon’s children are tenured college professors. Ted Gordon teaches Black Studies at the University of Texas. Jessica Gordon Nembhard teaches political economy at John Jay College of Criminal Justice.
Then there is Laura Hassler, the daughter of Skyview co-founder Alfred Hassler, a conscientious objector during World War II and the man responsible for introducing Martin Luther King Jr. to the Vietnamese monk Thich Nnat Hanh in 1966, a connection credited with influencing King’s opposition to the Vietnam War.
“I was the first Skyview baby,” Laura Hassler told me during a phone interview. “I wear it with pride.“
Hassler started the Netherlands-based non-profit Musicians Without Borders. She recalled kids at school calling the Skyview students hippies and communists. One oral history of the cooperative recounted a local hardware store that refused to service Skyview because its residents were “commies.
Some of the Skyview residents had, in fact, been members of the Communist Party earlier in their lives. Conrad Lynn was active in the party during the 1920’s and 30’s. Irving Wolfe was also a member. Wolfe, whose Honda sedan bore a VIVA CHE license plate, defied the U.S. embargo against Cuba 16 times to bring humanitarian aid to the island. In the 1980’s, he served on a construction brigade in Nicaragua.
Ed Simons, the conductor, was suspected of communist sympathies and called before the House Un-American Activities Committee in 1958 where he was successfully represented by a lawyer from Local 802 of the American Federation of Musicians.
‘Still a genuine community’
Skyview is located about six miles north of the burgeoning ultra-Orthodox community of Monsey. New Square, another Haredi hamlet, is even closer. Those communities have a pressing need for more housing. Many current Skyview residents told me they are reluctant to speak publicly about the threat posed by new housing development, fearing that their efforts to limit development might be interpreted as antisemitism.
A number of Skyview residents have been active in the NAACP, which has been battling the East Ramapo school board run by Orthodox Jews who tend not to send their children to public schools. Test scores, graduation rates and other data indicate that the school district, once the best in New York State, is now among the worst, according to Oscar Cohen, a Jewish NAACP activist and retired school administrator who lives nearby. A 2026-2027 U.S. News & World Report ranking of high schools noted that Ramapo High School had proficiency rates in math and English of 18% and 44% respectively.
Skyview residents are particularly concerned about the future of a 75-acre forested parcel known as the Stryker property that borders Skyview to the south, according to Anna Friedberg, a lawyer who serves as president of the Skyview’s board. Friedberg noted that the property’s development could impact traffic in the area, as well as the local watershed, which includes a stream that feeds Skyview’s pond and the west branch of the Hackensack River, a source of water for Nyack and Northern New Jersey.
“There have been some plans by the town to suggest that they would develop that entire property,” she told me at the cooperative’s annual Winter Doldrums party in March. “There is a tremendous population boon in this area and so there’s significant pressure to find more housing for folks.”
The Stryker property was purchased with a public bond approved by residents of the Town of Ramapo that earmarked the land for open space and low-income, clustered housing for first responders. But the town subsequently commissioned a planning study that cited a religious campus as one potential use of the Stryker property. Michael Specht, the Ramapo town supervisor, wrote in an email, “There are no plans at this time to develop the Stryker property or use it as a religious campus.”
“I would take anything that the town says with a grain of salt,” said Bob Trostle, a retired builder who grew up in Skyview and now lives just outside its border. “We’ve learned that the hard way, especially concerning development planning, zoning, and things like that.”
In 2015, the Skyview Acres Land Trust was created to preserve the cooperative’s greenery. Membership in the trust is voluntary but once a homeowner joins, subsequent owners of that home can’t add more buildings to their property or clear-cut trees. The trust is headed by Paul Nagin, a longtime Skyview resident who now lives in Connecticut. Nagin not only continues to be involved in the land trust but is still active in the Spring Valley NAACP, which has been in court fighting the East Ramapo school district.
“As far as I’m concerned, the Stryker property is a sword of Damocles hanging over Skyview,” Nagin told me. “It’s going to be an ongoing issue for sure.”
Skyview is “a pretty blue dot in the middle of a reddish part of Rockland County,” according to Robin Shapiro, a Skyview resident who describes himself as a checkbook Democrat active in J Street. He sees the concerns over housing development in the area as “a special case of NIMBYism with an overlay of religion and politics.”
“I don’t think that you can explain the opposition to development plans as antisemitic,” he told me. “There are legitimate and long-standing concerns about preserving open space, water quality, traffic that you’d see in any community that was encountering very rapid growth from new folks of any kind.”
Will Skyview retain its unique political and communal character as its properties turn over? Will it continue to be the kind of place where Wally Glickman and his fellow Skyview poet Brian Kates post their poetry on trees along a pathway in the woods?
“This is still a genuine community. I don’t really see that ending,” said Kates, who won the Pulitzer Prize for editorial writing when he worked at the New York Daily News. “I think it’s something more than politics. It’s an ethos of people helping each other, of being kind to each other, a kind and caring community.”
The post Can this suburban kibbutz and civil rights trailblazer maintain its identity in the 21st Century? appeared first on The Forward.
Uncategorized
American music producer Justin Goldner at work on a Yiddish album
How many Yiddish rock stars do you know?
Maybe more than you think.
If you watched the Grammy Awards back in 2018, you might have seen one of them, Justin Goldner, accompany Ben Platt as he sang “Somewhere” from the Broadway musical West Side Story.
A multi-instrumentalist who plays guitar, bass, mandolin, ukulele, and lute, Goldner has worked with an all-star array of artists as a session musician and producer, including Bruce Springsteen, James Taylor, Ricky Martin and Macy Gray. Goldner also appeared on Broadway and in Madison Square Garden, performed with the New York Philharmonic Orchestra, and recorded music for Disney’s live-action Snow White.
Goldner is no stranger to the spotlight, but for his latest project, he stepped away from the roaring arenas of pop stardom to inhabit a more intimate space: a dive into Yiddish culture. His work in progress, Songs of Longing and Belonging (Vi shturem a benken in Yiddish), sets Yiddish poetry to music, creating tracks that sound refreshingly contemporary even as they plumb the Yiddish literary archives for inspiration.
By the end of the project — which is being supported by a fellowship from the Jewish Writers Institute — the songs will comprise an entire album. Goldner estimates the full album will appear next spring. For now, he has been releasing them one at a time on YouTube under his Yiddish moniker, Reb Tsudek.
Like many younger people interested in Yiddish today, Goldner didn’t grow up with the language. Although Judaism was part of his upbringing in suburban Philadelphia, it was not a central part of his identity. “I grew up in what I would imagine is a pretty typical Reform family,” Goldner said when I spoke with him. “I had a bar mitzvah. I went to Jewish summer camp. But in retrospect, my memory of my Jewish upbringing was a little bit like: ‘Here’s Judaism. Don’t get too close to it.’”
If he had anything resembling religious commitment, it was to music, specifically the guitar, an instrument he took up at 13. “Relatively quickly it became an all consuming pursuit,” he recalled. “In high school, I barely did anything else. I was a very obsessive listener and wanted to devour as much music as possible.” After graduating high school, he earned a degree in music from NYU.
Goldner said he began to think differently about his Jewish heritage when he saw how his friends related to their own cultural backgrounds. “The thing that sort of primed the pump for me was getting into Greek and Spanish and Arabic and other languages and cultures,” he said. “I just found that so engaging. I was really inspired by my friends and colleagues who come from these backgrounds and carry their culture and their heritage with them, but they’re not living in the past.”
That epiphany, combined with the experience of getting to know a great-aunt with dementia who increasingly reverted to her native Yiddish, led Goldner to purchase a copy of College Yiddish, the classic textbook by Uriel Weinreich. For many years, Yiddish was a linguistic passion that he nurtured privately. Now it has become central to the evolution of his musical career.
The Yiddish title of Goldner’s project — Vi shturem a benken — comes from “Dos lid fun a meydl” (The Song of a Girl), a poem by Anna Margolin, a 20th-century Yiddish poet who immigrated to the United States from Lithuania in 1906. Previously unfamiliar with her work, Goldner was drawn to the “intensity” of Margolin’s lyric, which he translated for me as “it rocks me like a storm, this yearning.”
“I feel like she, as a writer, leaps off the page,” Goldner told me. “The intensity of wanting to do something or be something and not even knowing what, but just feeling like you can’t hold yourself back.”
Featuring vocalists Temma Schaechter and Ben Abraham, Goldner’s version of “The Song of a Girl” reveals another facet of Songs of Longing and Belonging: its blending of heritage languages and diasporic experiences. Besides Yiddish and English, “The Song of a Girl” also includes lyrics in Indonesian, one of the languages spoken by Abraham’s parents.
Future songs will take a similar approach. For example, “Meyerkepl” ( Seashell), based on a poem by the Yiddish writer Yehoash, will include words by Cuban poet José Marti. “I’ve been fascinated by Cuban music for a very long time,” Goldner said. “My wife’s family is Cuban. I was struck by how this sense of exile, of diaspora, of being far away from something or someone that we construe as home, manifested with these two very different authors in very similar imagery.”
In taking up Yiddish as a medium of musical expression, Goldner joins a growing group of artists recording contemporary music in the language, including Daniel Kahn, whose Yiddish versions of classics by Bob Dylan, Leonard Cohen, and Tom Waits are ingenuous feats of translation; Isabel Frey, whose 2020 debut album Millennial Bundist repurposes Yiddish labor and protest anthems; and the Bashevis Singers, a Melbourne-based folk band who, like Goldner, frequently turn to Yiddish poetry as a source of musical inspiration.
Meanwhile, independent record labels like Borscht Beat are producing Yiddish music that runs the gamut from traditional to experimental.
This thriving world of Yiddish popular music reflects a larger cultural and linguistic renaissance in which Goldner is a passionate participant. He has attended the Yidish Vokh, an annual week-long retreat for Yiddish speakers in upstate New York, takes online Yiddish classes, and has even developed a Yiddish keyboard app, YidShrift, that aims to bring familiar features like autocorrect and autocomplete to modern Yiddish communication.
Beyond the Yiddish lyrics he sets to music, Goldner has incorporated his affinity for the language into Songs of Longing by including Yiddish interviews with some of his collaborators, emphasizing the currency of Yiddish as a medium of colloquial expression.
While Songs of Longing and Belonging is firmly rooted in Goldner’s engagement with Yiddish language and lyrics, he also believes that the texts he is drawing on speak to shared human experiences.
“I think that there is a longing for connection that is universal and that manifests itself through the concepts and stories of who we are,” he said. That longing often pushes people to ask themselves probing questions of identity like “Who are my people?” or “where is my home?”
“I don’t think that there are ever simple answers,” he said.
The post American music producer Justin Goldner at work on a Yiddish album appeared first on The Forward.
Uncategorized
Katie Zacharia’s brief White House stint included a rebuke from the Auschwitz Memorial
Katie Zacharia’s five-day stint as White House Press Secretary ended almost as soon as it began. But before she was fired on Friday, she managed to draw a rebuke from the Auschwitz-Birkenau State Museum.
The museum’s reprimand came in response to a claim Zacharia posted to X in November 2025, asserting that the abortion pill is “connected to the manufacturer of the deadly gas Zyklon B, used in the World War II concentration camps.”
The supposed connection? A company descended from the conglomerate involved in producing Zyklon B later owned the company that developed the abortion pill, Zacharia intimated in her post.
The official Auschwitz Memorial X account rebuked Zacharia on Monday, calling the argument “a misleading chain of guilt by association.”
Mifepristone, commonly known as the abortion pill, was first synthesized in 1980 — more than three decades after World War II’s end — by Georges Teutsch, a chemist at the French pharmaceutical company Roussel-Uclaf, based on an idea developed by Jewish endocrinologist Étienne-Émile Baulieu.
The tenuous connection to the poison gas used in concentration camps goes something like this: Zyklon B was distributed by a company called Degesch, which was partly owned by the German conglomerate I.G. Farben. After World War II, I.G. Farben was broken up into successor companies, including Hoechst AG, which in 1997 acquired a majority stake in the French company that developed mifepristone.
“A corporate relationship between companies separated by decades is presented as if it proved continuity of products, purposes, or chemical composition,” the Auschwitz Memorial wrote on X. “That is not historical analysis, but the selective combination of unrelated facts to produce a predetermined conclusion.”
Zacharia offered another version of the claim in a June 2025 podcast episode of We the People with Gates Garcia, saying that “the abortion pill has the same chemicals that they used in the exterminant (sic) camps in Nazi Germany.”
Suffice it to say, mifepristone, a steroidal progesterone blocker, is not the same as cyanide. Zacharia, the Auschwitz Memorial wrote, “confuses corporate history with chemical composition.”
After the overturning of Roe v Wade in 2022, anti-abortion activists have increasingly set their sights on banning the abortion pill nationwide. Prescribing, dispensing, or mailing mifepristone is currently banned in 13 states. In May, the Supreme Court blocked a lower court ruling that would have effectively ended mail delivery and telemedicine prescribing of mifepristone nationwide, including in states where abortion is legal.
Zacharia has framed her opposition to abortion as deeply personal. Zacharia said that, when she met her biological mother at 18, she learned she was “approximately 20, 30 minutes away from being aborted.” A Christian counselor, Zacharia said, convinced her mother to place her for adoption instead.
On the podcast, Zacharia also spoke about her work on the board of the White Rose Resistance, an anti-abortion advocacy group named for the Nazi resistance movement of the same name.
Groups including the International Holocaust Remembrance Alliance and the Anti-Defamation League have condemned comparisons between abortion and the Holocaust, arguing that they trivialize the Holocaust and exploit its victims’ memory for political ends.
Zacharia has also made Nazi comparisons in other contexts: According to CNN, in September 2022, she reposted a Truth Social post comparing then-President Joe Biden and anti-fascist protesters to Nazis. It included the hashtags #Antifa, #PedoHitler and #WrongSideOfHistory.
The White House Press Office did not respond to the Forward’s request for comment Friday morning, before Zacharia’s firing had been announced.
The post Katie Zacharia’s brief White House stint included a rebuke from the Auschwitz Memorial appeared first on The Forward.
