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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.
(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.
“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.
Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.
On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.
Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”
As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)
“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.
Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?
“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”
The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.
“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.
RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’
We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)
Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.
“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”
After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.
“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.
Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.
“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.
Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.
“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”
To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.
Lizzy Caplan plays Toby’s friend Libby. (FX Networks)
“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”
Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.
“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.
Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.
Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”
About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.
“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.
Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.
No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?
“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”
“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays.
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The post ‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator. appeared first on Jewish Telegraphic Agency.
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Civil war’s nothing new for Jews. How do we survive this one?
I’ve perhaps arrived early to an older man’s fixation: Civil War. Not the American one. (At least not the one that took place in the 19th Century.)
This week I returned to Westeros for House of the Dragon Season 3, in which various platinum-haired nobles born of incest fight for a throne made of swords with lizards that breathe fire. I chased it with the Public Theater’s fine production of Shakespeare’s Henry VI plays, in which branches of the same family pledge their allegiance to a white or red rose corresponding to their preferred ruler of England.
Before I saw any of that, I was in the Berkshires to see S. Asher Gelman’s play The Zionists, about a Jewish house divided by (what else): Israel. In that play, there was no kingdom to inherit, but our common inheritance as Jews is a tendency to disagree that, if not approached with mutual respect, can yield disastrous results.
Jewish tradition has its own version of these stories: Last week’s parshah was Korach, in which Moses faces rebellion — and the rebels face the fate of being swallowed by the ground and dragged down to Sheol.
A while later in Tanakh time, the House of David and Saul had their factions. Then the sons of David, and on and on.
Jewish civil war, as chronicled by Josephus and other historians, most recently Barry Strauss, was perhaps at its most bitter circa 63 BCE, when the Romans intervened in a succession dispute between the Hasmoneans (leading to the end of the dynasty and the beginning of Judea as a Roman client state) and 70 CE, when rival factions among the Zealots, confronting the common foe of Rome, couldn’t put their differences aside long enough to quell the siege of Jerusalem.
In the Talmud account, it is baseless hatred between two men that sets the temple ablaze.
Recently I spoke with the historian Laura Arnold Leibman. We were discussing early American Jewry, which — surprise — was split on whether to support the Patriots fighting for independence or remain loyal to the British Crown.
Reviewing this more recent history, she remembered teaching a course on antiquity and telling the story of First Century Jerusalem.
“One of my non-Jewish students said, ‘This is so fascinating to hear that there were these different sects of Jews and that they disagreed with each other. Is it like that today?’” Leibman told me. The student, she said, had “clearly never been to a bar mitzvah.”
In Game of Thrones, Shakespeare and the Bible, internecine fighting ends — that is, when it doesn’t begin — when someone dies. Someone is crowned and gets to write the favorable history.
Looking at American Jewry today, we are relitigating the past and revisiting old arguments.
Bundism in the key of anti-Zionism is hot again — though critics say its ideas were tested and failed to the tune of millions of dead Jews between Hitler and Stalin. Supporters of Zionism cite scripture for our claim to the land, archaeology to establish our continued presence or a massacre of Jews that predated an attack on Arabs to point to who’s to blame for ongoing violence.
Given a turbulent present, we too often retreat into familiar narratives, so locked into our views that we shut out perspectives that might challenge us. The history of Am Israel, really a family story, teaches that when we close ourselves off to dissent, we face a kind of doom.
Leibman told me another story that signals a different approach.
After the Revolutionary War, Moses Seixas, the lay leader of the Jewish community in Newport, Rhode Island, paid an early morning visit to his brother-in-law Hiam Levy, accompanied by the local sheriff. Levy was a Tory, and Seixas came to confiscate his belongings for the Revolutionary government.
This all had the makings of a family feud, but researching her book Messianism, Secrecy and Mysticism, Leibman found a letter Levy wrote to Moses, conveying his safe arrival in Amsterdam and thanking him for his support getting him set up financially there.
“They may have had political differences,” Leibman said, “but those kin connections trumped other sorts of problems.”
In this, there’s a model to be emulated.
The post Civil war’s nothing new for Jews. How do we survive this one? appeared first on The Forward.
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Israel presses on with settler-fueled archaeology expansion, crippling Palestinian communities
JERICHO, WEST BANK — Israel’s ultranationalist government and its backers are undertaking a major drive to develop and expand archeological sites in the occupied West Bank, with leaders stressing that it is incumbent upon Jewish citizens to connect to their history and heritage.
“He who doesn’t understand the importance of an archeological site for the preservation of the nation doesn’t understand where his future is going,” Israel Ganz, head of the Yesha Council representing more than 500,000 settlers, told the Forward in an interview on Sunday.
Funding to accelerate the push emerged in May, when the cabinet allocated 250 million shekels (approximately $86 million) to preserve, upgrade and make accessible heritage sites that show ancestral Jewish presence in Judea and Samaria — lands the settler movement contends Jews are entitled to claim.
Prime Minister Benjamin Netanyahu, linking the drive to Israel entering the 60th year since its victory in the Six Day War, told the cabinet that the funds are an investment “in preserving our past in order to secure our future, strengthen our hold on the Land of Israel and pass on to future generations the heritage, identity and historical truth of our people.”
But Palestinians and left-wing Israeli groups see this as not an innocent educational drive, but rather an intensification of efforts to displace Palestinians and annex the territory.
The archeology drive, reflected in robust budgeting and ambitious planning, including of new roads and wide expropriations of Palestinian land around sites, is moving ahead despite Netanyahu’s decision early this month not to advance a bill creating a separate antiquities authority for the West Bank, both supporters and opponents of the push say. That decision, reportedly to avert international diplomatic fallout, does not affect the allocation of funds. And Ganz notes the Judea and Samaria authority can still be created in the future.
“For sure now we are seeing the largest-scale effort ever to use archeology for annexation,” said Alon Arad, director of the organization Emek Shaveh, a left-wing group watchdogging the use of archeology by settlers as a tool for expansion. The momentum stems from plans made when the coalition took power in 2022 now coming to fruition, and a sense among right-wing parties that promoting Jewish heritage is a way to impress voters for upcoming elections, he added.
Whether this is in Israel’s interest or not is in the eye of the beholder. The flagship site of the archeology drive, the Hasmonean Palaces near Jericho, reflects all that is wrong with Israel’s harsh rule over Palestinians, critics say: settler violence, violation of international law, dispossession of helpless people and a hierarchy in which Israelis have all the rights and Palestinians none.
Digging as a tool
When the Forward visited the site recently, its most striking ruins were those of Palestinian Bedouin homes, 13 of which were destroyed by a settler bulldozer driver during a day-long raid on Feb. 10 by an estimated 50 settlers according to witnesses. Haaretz reported that at least 15 homes were destroyed.
Only 200 meters from the excavations, families are living inside the ruins of their homes. Among them is Ali Kaabnah, his wife Najiba and six children, staying in a house missing one side and with a large hole in the bedroom.
It is half a house, looking as if the driver had been interrupted in the middle of his task. Somehow a refrigerator survived, still plugged in.

“The house doesn’t have supports, it is without pillars. If there is a tremor it will collapse,” Kaabnah said. His and other families have no other place to go and remained even though settlers struck again in late April and last week warned him to leave, he said. “I do not sleep because we do shifts to see if settlers are coming,” he said.
Kaabnah said that he had repeatedly called Israeli police during the bulldozing raid but they did not come. The Israel police did not respond to an inquiry from the Forward about the incident.
Ali’s brother, Yusuf, said he had to be taken to hospital with head injuries during the first attack. and that settlers severely beat his wife, Shikha, 46, during the second attack, resulting in her being treated at a hospital in Nablus. His son Aliyan, 20, was “beaten with clubs without mercy” and his youngest son, 11-year-old Ali, was also attacked, he said: “Until now he screams at night in terror that ‘they are coming.’”

Arad views the settler violence as a state-backed method, along with demolition of homes on the grounds they were built without permits, to drive Palestinians away from the area of the site. The IDF denies siding with settlers and says troops are expected to detain Israeli citizens perpetrating violent acts.
Violence is not the only threatening aspect of the archeology uptick for Palestinians. Land expropriations around sites, which include swaths well beyond the antiquities themselves, are pulling the territory from underneath the Palestinians’ feet, critics say. In the last half year, there have been three land expropriations around sites, the largest at Sebastia in the northern West Bank; plans for roads on land seized from Palestinians to enable easier access, and forays by settlers to establish a presence or control of sites on Palestinian property.
Dror Etkes, a veteran monitor of Israeli policies in the West Bank, says the Sebastia expropriation — said by the government as intended to develop the site for visits by the public — includes the vast majority of the olive groves of the Palestinian village of Sebastia. Emek Shaveh says the expropriation separates the village from antiquities, breaking an ancient attachment central to the identity of locals and harming them economically.
“The goal of Israel’s colonial project is to dispossess and settle,” said Etkes, who heads the West Bank land monitoring group Kerem Navot. “Archeology provides an effective way of doing this.”
Ganz and Heritage Minister Amichai Eliyahu — who famously raised the idea in November 2023 of dropping a nuclear bomb on Gaza — are particularly enthusiastic about developing the Hasmonean palaces site. Harkening back to the days of Joshua, Eliyahu terms the Jericho vicinity “the gateway to the land of Israel.”
He does not appear to view the settler violence at the site as a problem. In a social media post released the day of the bulldozer raid, he declared that “in every place where there is building on Jewish heritage, we will destroy it.” Speaking from the site, he promised a mass infusion of funds to achieve the perceived revival of its past glory.
Claims of vandalism
At present the Hasmonean Palaces site looks unimpressive, lacking signage, explanations or a path. Only some of the antiquities are roped off. But Ganz describes the site as being on a par with Israel’s most important ones. “I can’t say what the breadth of the site is but it certainly doesn’t fall short of Masada,” Ganz said.
According to the IDF body dealing with civilian affairs in the West Bank, called the civil administration, the site is “of great importance to Jewish heritage as well as to the architecture of the early Roman period.”
“It was built as a winter palace for the Hasmoneans in the first century BCE and served the Hasmonean dynasty for approximately 200 years,” the civil administration wrote in a statement. Subsequently during the reign of Herod there was also significant construction including a fortified palace, a bridge and a sunken garden, it added.
Ganz says the site needs to be safeguarded from what he claims is deliberate and systematic destruction by the Palestinian Authority, which he alleges has targeted it and other sites in a bid to erase evidence of Jewish ties to the land. The Civil Administration statement also cited vandalism as a major problem, though it did not specify involvement of the Palestinian Authority.
Palestinian Authority assistant deputy minister of tourism and antiquities Jehad Yasin said in remarks to the Forward that allegations of PA culpability aim to enable Israel to take over West Bank sites. “We haven’t done that. We do our best to keep our sites and if someone does something it doesn’t mean you have the right to take this site,” he said.
Yasin stressed that for an occupying power to expand sites and carry out anything other than salvage excavations violates international law. Referring to the Israeli plans at the site near Jericho, he said: “They don’t have the right to make an archeological park or an excavation. It’s a Palestinian site.”
Arad agrees Hasmonean Palaces is an important site but stresses that this in no way justifies harming Palestinians.
Ganz’s vision for the site includes new excavations, touching up finds to preserve them and steps to “absorb the public.” A new access road is seen as essential for tourism, and he wants to see a convenience store along with state-of-the-art scanning capability enabling visitors to explore information about the site.
The land for the road has already been seized by military order from Palestinians, Etkes said, adding that when it is paved it will take less than a half hour to drive from Jerusalem to the site. What’s more, according to Etkes an illegal outpost overlooking the site and situated next to an army intelligence base is on the way to becoming a full-fledged settlement.
Arad says all of this amounts to Israel turning the site into a “touristic settlement,” something he stresses has been done previously on a large scale at the popular City of David site in occupied East Jerusalem.
“You change the identity so that from a village on the outskirts of Jericho it becomes a palace of a dynasty. You don’t need actual settlers there, it’s enough to build an access road, put up a fence and whatever comes with tourist development-a kiosk, a parking lot, someone to guard it.” Arad said.
The goal, in his view, is to woo the public to the settler view that the West Bank is part of Israel. “You start bringing in tourists and it’s a normalizing process for people to go inside the West Bank and return to Haifa or wherever they are from,” he said. “They go in and out and it was fun for them and you create the idea that this is part of Israel.”
As for the possibility of there being an Arab presence at the Hasmonean Palaces site, Ganz said: “If they don’t harm the site they will be allowed gladly. But if, God forbid, there are security incidents or harm to the site, then they can’t be there.”
Ganz stressed that the homes at the site needed to be destroyed for being illegally built, but that the demolition should have been done by the state and not what he depicted as a lone deviant. “No one is permitted to take the law into their own hands,” he said.
Etkes predicts that based on the experience of other sites, local Palestinians face an extremely bleak future. He termed the sight of Palestinians living in what is left of their houses “one of the worst things I have ever seen in the West Bank.”
But that is by no means the end of the harm Israel will cause to Palestinian civilians in the vicinity of the archeological site, he said. “We will see an area completely disconnected from its surroundings,” said Etkes. “Palestinians won’t be able to enter the area. Two roads [for Israelis] will lead to this area. Settlers will be very violent, it will be very restricted for the Palestinians, construction in the area [by Palestinians] will be completely banned, the construction that already exists is without a permit and a large part of it will be demolished by Israeli authorities.”
He declared: “It will be another national park that will tell one story — the story the Israeli radical right wants you to hear.”
The post Israel presses on with settler-fueled archaeology expansion, crippling Palestinian communities appeared first on The Forward.
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The eternal summer question that no rabbi can answer: Will I finally hit a home run this year?
I was six or seven years old when I first dared to dream of hitting a home run. Nixon was president. Kissinger was National Security Adviser. Le Duc Tho chain-smoked at the Paris Peace Conferences where they argued for three months over the shape of the negotiating table.
I was one of the dusty dumpy boys of summer; short and overweight, I occasionally tapped or blooped the ball into the shallow outfield for a single. In my life I remember only two doubles over five decades. Nothing like the moonshots the big boys slapped into the upper atmosphere.
Sometimes I played second base, but more often I was deposited and abandoned into the Siberia of right field. Once, when I was a young adult in the UJA softball game at Heckscher Diamond in Central Park, a high-pop sailed into the outfield, nothing fancy. The orb floated daintily into my glove at the warning track. Somehow, I threw a strike to third base and nabbed the runner trying to advance on the fly. It was a rare moment of triumph.
All was right with heaven and earth at that moment, in fact with the entire solar system. It was as though I had mastered the entire Mishna in the morning and had a date with Ann-Margret later in the evening.
But most of the games were a grind. Long afternoons in the dust bowls of Queens, the sandlots of the Rockaways. Forgotten stretches of overgrown weeds between concrete and cobblestone. Chainlink backstops with holes a wild boar could poke through. Beyond the overpass of the Van Wyck and the Whitestone Expressways, a dagger dug through central Queens conceived by the community-defiler, Robert Moses in the form of Flushing Meadows Park.
Sunburnt and with solemn resolve, I muttered pleas and hopes to the baseball gods with no real hope of improvement. Thus years would pass. How I loved the game, but it would not love me back — at least not in the way I wanted it to.

I would go up to take the bat. Which should I use? Wooden, aluminum? The shorter one with the bigger snout and barrel? The longer but skinnier one? “You want to use a lighter bat,” someone would invariably say. It made no difference. I would take a weak hack and hope for the best.
My father bought me am $8 pitcher’s glove with Fritz Peterson’s signature on it. Then, I got a bat with Roy White’s signature from a giveaway on Bat Day at Yankee Stadium — June 4, 1972. It was white and wooden with a long heavy barrel. This would do it — my own bat.
Yet I held it limply at the baseball diamond. “You’re not doing it right,” someone would invariably tell me.
I came to the baseball field for absolution, for redemption, but there was none to be had. I felt hollow, even desperate. I appealed to the only man who I knew would not reject me: my late father.
Yet, my father, though I was the apple of his eye, considered baseball to be something childish. He thought I should immerse myself in the sacred texts — the only thing that would ever really pay off. Why would anyone want to play ball?
My father saw childhood itself as an illness. If he could not cure it with his strict and clear instruction and imprecations from the rabbis, it would surely pass on its own by the time I was 13.
My mother and sisters were indifferent to my baseball agony; it was something they consigned to “the mens’ world.” They couldn’t tell a baseball from a candled egg or a guinea hen.
I knew the problem was far deeper than just strength or technique. I could see the ball (I almost never struck out) so why couldn’t I hit it with force? I would go up to the batter’s box full of doubt, but excitement too. Maybe this time it would be different.
More years of weak swings and fading dreams. I was not strong. And when I reached my full height, I was 5’3”. One needed strength, but one l also needed technique. I studied the swings of the great baseball players. They seemed to take a cut from their upper shoulders and wrap a swing with even more strength coming from their glutes and hips. Perhaps only gentiles had these kinds of shoulders and hips. Oh, the mysteries of the universe…
A Freudian dilemma
When I first started playing, I was younger than everyone. Decades later on the baseball diamonds of Passaic, I am older than everyone by decades. But with age comes wisdom.
I practiced swinging hard, but I always held back, as though a full swing was un-Jewish, a sin. A full swing takes a certain, shall we say aggression? Forgive me for sounding a bit basic, but what did this swing really mean? Was this all about my father? I was afraid to take a swing; did that mean I was afraid to take a swing at dad? Only fathers can swing, but even though I was now a father and grandfather, I did not feel I could swing. I held something back.
Maybe this seems too Freudian, but in order to hold on to my father, even after he went on to the next world, I had to do poorly.
If I wanted to hit a home run, I had to let him go.
A new father
About ten years back, when I was 50, I hired a trainer, Moshe Klyman, a Jewish Greek god from Underground Gym in Tenafly. He is an anachronism from the time of the Maccabees. He can lift 630 lbs five times in a row. This modern day Samson, two decades and some younger than me, said, “you can do it.”
I believed him, at least a little. The man knows everything there is to know about the human body (and I know everything there is to know about the mind — hey, I thought, this partnership could work. ) I am convinced that on the day of creation six thousand years ago and then some, God Himself consulted with him on how to construct the first human.

A few months ago, he had me deadlift 405 lbs, almost three times my weight. If that weren’t enough he had me do 200 pull-ups 50 at a time.
“Age is irrelevant,” he said. “You and I are going places.”
As I kept working with Moshe, I got better at the game. Not a home run, though, never even close. A base hit or two, once in a while a satisfying crack at the bat.
Until now.
After years of jumping, lifting, pressing, pulling (and puking) my body began to take on a different identity, separate from my history. I may have been 62 but now I was ready for the Marines.
This past Sunday, I took a full cut, a real swing at the ball. No pulling back. I waited for my pitch and uncoiled. To my great surprise, the ball was corked, launched. It was high, it was far; it landed at the left field fence, missing a home run by just a few feet.
The left fielder, a terrific athlete, was caught flat-footed. I watched the ball fly over his head. The team was dismayed. Was this Yisrael at bat? What kind of juice was he on?
As the ball sailed farther than I ever believed, 47 years of humiliation seemed to melt away. I headed for a triple.
Maybe this summer, I will finally hit my first home run.
The post The eternal summer question that no rabbi can answer: Will I finally hit a home run this year? appeared first on The Forward.

