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‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator.

(JTA) — From Taffy Brodesser-Akner’s point of view, her best-selling 2019 novel “Fleishman Is in Trouble” wasn’t all that Jewish. She’s a little perplexed by the deluge of press junket questions about its Jewish essence.

“It’s funny: I don’t think of it as a Jewish book. I know people do,” she said.

Brodesser-Akner, a journalist famous for her sharp celebrity profiles, is now the showrunner of the book’s star-studded TV adaptation, an 8-episode FX series that debuts on Hulu on Thursday. In the story, Toby Fleishman (played by Jesse Eisenberg) is a 41-year-old Jewish hepatologist who has recently divorced Rachel (Claire Danes), his ambitious, icy, blonde theater agent wife. Early on in the story, Rachel disappears in the middle of the night, leaving Toby with their two children and a truckload of resentment. Toby, who had a nebbishy and romantically insecure youth before marrying Rachel, is now drowning in the sexual bounty of dating apps.

On Zoom, Brodesser-Akner was speaking a few days after the show’s blowout bash at Carnegie Hall and Tavern on the Green, an iconic Central Park restaurant. “I’ve never been to an event like that. It was 600 people,” she said. It sounded like a scene that could have been plucked right from “Fleishman,” which is set on the extremely wealthy Upper East Side, and in which the responsibilities of marriage and parenthood are at odds with the ambitions and personal longings of its middle-aged characters.

Brodesser-Akner, 47, who was both adrenalized and a little frazzled, had to balance the premiere with parenting duties — she’s a mother of two boys, ages 15 and 12. “I’m still picking sequins from my teeth.”

As a writer, Brodesser-Akner likes to play with the power of subjectivity, and she built “Fleishman” on it. Though the story begins as Toby’s, it eventually morphs into a “Rashomon”-esque take on the divorce and what really went wrong in the Fleishmans’ marriage. The story is narrated by Libby (Lizzy Caplan), Toby’s friend from their year abroad in Israel. A former men’s magazine writer, Libby is now a lost and frustrated stay-at-home mom in suburban New Jersey (and a stand-in for Brodesser-Akner). Adam Brody steals scenes as Seth, an immature finance bro and another year-in-Israel friend with whom Toby reconnects after the divorce. (His presence is a homecoming of sorts for those of us who spent our tween years watching him play a different Seth in “The O.C.”)

“I don’t think of it as a Jewish book,” says Taffy Brodesser-Akner.

Brodesser-Akner pieced together the story’s Jewish elements: a doctor named Fleishman, a bat mitzvah, Friday night dinners, a year abroad in Israel, a few jokes about Jews being bad at home repairs (which is the subject of a very funny scene in episode six between Toby and Seth). There are a few insidery details that she fails to mention, like a fake Jewish sleepaway camp called Camp Marah, which sounds like the real Camp Ramah but roughly translates to “Camp Bitter” in Hebrew. Does all this add up to a “Jewish” story?

“I read ‘The Corrections’ by Jonathan Franzen, and it mentions Christmas I think 47 times. I read ‘Crossroads’ and it’s about the family of a youth minister. But neither of those is ever called a Christian book. This is called a Jewish book. I don’t object to it being called a Jewish book. But to me it’s mostly an American story. As a writer and as an observer of the culture, I think that calling this a Jewish book is proof of the answer to an old question: are Jews considered Americans? And the answer is no.” She threw in her characteristic meta analysis: “So now you have a very Jewish profile. How Jewish is that, Sarah?”

The self-aware comment is a good reminder that although her responses may be unguarded, she has not forgotten that she’s on the record. A name in New York media, Brodesser-Akner wrote for GQ and is now a staff writer for The New York Times Magazine, having profiled Gwyneth Paltrow, Ethan Hawke and Tom Hanks and written about the Joshua Cohen novel “The Netanyahus,” the television show “Thirtysomething” and much more. She inserts herself often into her writing, not to make it about herself, but to remind the reader that every profile is by nature filtered through the lens of the writer crafting it. Her writing is searing, self-deprecating — so raw it’s still bleeding and often quite funny.

“I wrote the book the way I would write a profile, just like I always do. But this man doesn’t exist,” she said.

RELATED: 5 Jewish places that inspired Taffy Brodesser-Akner’s ‘Fleishman Is in Trouble’

We had tried to meet in person near her home on the Upper West Side, but by the time she was available, I was in Tel Aviv, placing us along the Israel-New York axis on which “Fleishman” is set. When Toby suddenly calls Libby to tell her he’s getting divorced, he catapults her into memories of their early twenties in Jerusalem. Those thoughts make Libby miss the possibilities of her youth, the ones time has ruthlessly and inevitably extinguished. Eventually her longing for her past becomes so overwhelming that it threatens her marriage to her menschy and patient husband, played by Josh Radnor. (For more longing-for-younger-days while in Israel content, Brodesser-Akner wrote a Saveur essay about vegetable soup in Jerusalem — her Proustian madeleine. Interviewing Brodesser-Akner from my friend’s apartment in Tel Aviv, a city where I lived in my twenties, I found the theme of longing for the past hit almost too close to home.)

Part of the reason Brodesser-Akner doesn’t think the “Fleishman” story is all that Jewish is that she doesn’t feel all that Jewish — at least not relative to her mother and sisters, who are aligned with the Hasidic Chabad-Lubavitch movement and live within a few blocks of each other in Crown Heights, Brooklyn.

“I don’t think any writer has ever gotten it right,” she says of her Jewish background. “They say I was raised Orthodox. It’s interesting because it always makes me look like the black sheep in my family, when really they are. I’m exactly how I was raised to be until I was 12.”

After her mother, a secular Israeli, and her father, a Conservative Long Islander, divorced, her mother put Brodesser-Akner and her sisters in Jewish school. Some Jewish observance trickled back to her mother, who ended up going the Chabad route.

“My mom had never been inside a synagogue until the day she married my father. Now that is what we call ironic,” Brodesser-Akner said.

Brodesser-Akner’s two sisters followed, and her mother eventually remarried and had another child, the only sibling born into a religious household.

“The thing that made me a journalist was being raised in a home where, at age 12, I was relegated to observer. I had to learn how to understand other people’s points of view. And now that’s what I do,” she said.

Despite their religious differences — Brodesser-Akner attends an Orthodox synagogue but sends her children to an unaffiliated Jewish school and says she wakes up “every morning with new ideas” — the author is very close with her family, and her sisters were at the “Fleishman” premiere.

“They were at the premiere of my perverted sex show,” she joked with a laugh referring to the Hulu series, which features some sexual content as Toby explores the post-divorce New York dating scene. “They show up for me and I show up for them. I have my challenges with it, but I think their challenges must be greater. They never say this to me, but they must think that my life is comparatively…” She looked away thoughtfully, trying to find the right words. “They must think my lifestyle is comparatively less worthwhile. But we really love each other.”

To Brodesser-Akner, the most Jewish show on television is “The Patient,” which she calls “the best show I have seen in 100 years.” And that’s not because it (like “Fleishman”) is on FX. “I’m not that kind of interview!” she said.

Lizzy Caplan plays Toby’s friend Libby. (FX Networks)

“It’s the most Jewish show in all of the Jewish ways. It grapples with a Jewish prisoner; with the difference between a Conservative Jewish female cantor whose son becomes ultra-Orthodox — I’d never seen that on screen. It was kind of the only relatable Jewish matter I’ve ever seen. People ask me if I’ve watched ‘Shtisel.’ And I always say, I’m in the 47th season of an ultra-Orthodox family drama myself and not really interested!” She laughed. “But also I think of the other Jewish matters on television, which are adapted memoirs of people who were ultra-Orthodox and now aren’t. It’s like no one can imagine religious people being happy in their lives. And that’s really shocking to me. My family is very happy.”

Brodesser-Akner wound up with her dream cast: she had a list of five actors — Lizzy Caplan, Jesse Eisenberg, Claire Danes, Josh Radnor and Adam Brody — and no backup plan. She noted the fact that viewers have seen them grow up on screen as one reason they were right for the roles. For many, watching Caplan, Eisenberg and Brody sit across from each other in a diner will feel like a camp reunion, the fulfillment of a Jewish television fantasy they never knew they had.

“One thing that we were trying to get across is ‘how could it be that I am this old when I was once this young?’ And the fact that you have a memory of Claire from ‘My So-Called Life,’ or Jesse from ‘The Squid and the Whale’ — that does so much of the work of the show without writing a word,” Brodesser-Akner said.

Besides Danes (who plays the only main character with a non-Jewish parent, whom the book makes clear she resembles) the lead actors are all Jewish — a notable fact in a time when Jewish representation on screen, and who should be allowed to play Jewish characters, is the subject of continued debate.

Last month, New Yorker TV critic Emily Nussbaum, who is Jewish, tweeted, “There is a simple solution to the question of whether various non-Jewish actors are allowed to play Jews & that is to ask me.” Brodesser-Akner responded to the tweet, writing “[Non-Jew] Oscar Isaac in Scenes from a Marriage is the best ex-ortho I ever saw on screen!”

About casting Jewish actors, Brodesser-Akner noted a legal issue rarely mentioned in the representation debate: one can cast based on looks, but it’s illegal in the United States to cast based on religion. She took this very seriously.

“I spoke to [‘The Plot Against America’ director] David Simon about it and he said, ‘They’re actors. You let them act.’ And I agree with that. The question that I asked myself was who was perfect for it?” she said.

Even if Brodesser-Akner rejects the claim that “Fleishman” is a definitively Jewish story, wasn’t she consciously playing with some Philip Roth-inspired Jewish archetypes? Toby the nice Jewish doctor, the devoted, idealistic dad who’s also self-righteous, horny and insecure.

No, she insists she wasn’t. But also Philip Roth is so ingrained in her that who’s to say? And isn’t the question flawed in the first place?

“All I can say is that I am made out of Philip Roth. I’m so formed by his books. I actually would say that you have a bias in the asking of your question, in that you’re Jewish too. And you also are made out of Philip Roth books since you’re a writer. Again, that goes back to the same question as ‘are we American?’ To me, Toby is not ‘a Jewish guy.’ He’s just a guy! He’s the kind of guy I know! I was just trying to be myself.”

“Fleishman is in Trouble” premieres its first two episodes on Hulu on Nov. 17. It will release each of its six remaining episodes weekly on Thursdays. 

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The post ‘Fleishman is in Trouble’ hits FX Thursday. Just don’t call it a Jewish series, says its creator. appeared first on Jewish Telegraphic Agency.

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As The New York Times turns 175, the fight over its Israel coverage heats up again

(JTA) — For generations of American Jews, The New York Times has been more than a newspaper.

It has been the hometown paper of the largest Jewish community outside Israel, a daily guide to the city that became the cultural center of American Jewish life and, more broadly, a reflection of the aspirations of Jews who saw themselves as educated, cosmopolitan, culturally engaged and interested in the wider world.

And in the 175 years since the paper’s founding on Sept. 18, 1851, no issue has inflamed its Jewish readers like its coverage of Israel. This month, as the Times celebrities its 175th birthday with a series of special features, that argument has gotten new fuel.

On Sept. 23, the Florida state pension fund and a conservative think tank that includes shareholders in the Times sued the company, seeking internal records that they say could show whether its board has adequately overseen the newspaper’s coverage of Israel. The plaintiffs allege that repeated errors and other evidence point to a failure to enforce the paper’s own journalistic standards and reflect an anti-Israel bias in its coverage.

The Times called the suit meritless and politically motivated, saying it amounted to an attempt to pressure an independent news organization.

The lawsuit came days after the publication of a study by Edieal Pinker, a professor at Yale’s School of Management, which is also cited in the lawsuit. Pinker’s study attempts to put numbers behind a complaint made by supporters of Israel: that the Times’ coverage of the war that began with Hamas’ Oct. 7, 2023, attacks has minimized Israeli suffering and Hamas’ role in the conflict.

Pinker examined 1,559 Times articles published between Oct. 7, 2023, and June 7, 2024. He found what he described as a dominant narrative in which Israel was assigned “near-exclusive agency and responsibility” after the Hamas attack. Meanwhile, Israeli casualties after Oct. 7, Hamas fighter casualties and Palestinian violence received much less attention, he asserted. Personal accounts of Palestinian suffering, he assessed, appeared far more frequently than comparable accounts of Israeli trauma.

Pinker told me that he understands the enormous disparity in the number of Palestinians and Israelis killed in the war. But that, he argues, does not absolve the newspaper for a framing of the war that focuses on Palestinian suffering and downplays Israeli motivations for carrying on the fight.

The Times has rejected Pinker’s conclusions. In response to the study, a spokesperson said the newspaper had covered the war “with more rigor than virtually any other U.S. news organization” and that editors make “careful and deliberate choices” about language, framing, prominence and tone in pursuit of independent journalism.

The discourse around Pinker’s study and the lawsuit reflects the American Jewish community’s longtime obsession with the Times’ Israel coverage, as well as splits within American Jewry itself. A cottage industry of media watchdog groups, including CAMERA and HonestReporting, seeks to expose errors in Israel coverage by the Times and other outlets. They focus on stories or headlines that show Israel in a bad light — press criticism mixed with pro-Israel advocacy.

Left-leaning academics and journalists often accuse the critics of having their own biases and dismiss their methodology, suggesting they seek to hold Israel above scrutiny and fail to understand the role of an independent press.

Eric Alterman, an author and historian who has written extensively about the American media, wrote in his 2022 history of American Jews and Israel, “We Are Not One,” that if anything, the Times has taken a “consistent, if sometimes, subtle, pro-Israel slant.”

He cited frequent protests by pro-Palestinian media critics, who think the Times is biased toward Israel, as well as a series of Jewish editors and Jerusalem bureau chiefs who, while often critical of Israel, used terminology and framing that reflect Israel’s perspective. (The word “nakba,” the Palestinian term for Israel’s creation meaning “catastrophe,” did not appear in the paper until 1998.)

But Alterman makes a larger point that is about the audience as much as the newspaper. He believes many American Jews have grown up on the “myth” of Israeli infallibility and see criticism or bad news about Israel as inherently suspect and evidence of hostility toward Israel or Jews.

protester holds a sign reading "NYT feeds Anti-Semitism"
A protester holds a sign outside The New York Times offices, after the newspaper published a cartoon depicting Israeli Prime Minister Benjamin Netanyahu that many readers said was antisemitic, April 29, 2019. (Erik McGregor/LightRocket via Getty Images)

“People who grow up on this myth and who define their Jewish identities by their fealty to this myth … find it very painful, very hard to deal with negative coverage of Israel,” Alterman, a professor of English and journalism at Brooklyn College, said in an interview. “And so, as I report in my book, attacking the media for its coverage of Israel became a manifestation of many a Jewish identity.”

For the petitioners in the recent lawsuit —  the National Center for Public Policy Research think tank and the State Board of Administration of Florida, who as Times shareholders say they are entitled to inspect company books and records —  the question isn’t the Jewish identity of the critics, but what they see as the Times’ board’s failure to enforce the newspaper’s own journalistic standards.

The suit includes numerous examples. They point to the Times’ initial coverage of the October 2023 explosion at Gaza’s Al-Ahli Hospital, which attributed the blast to an Israeli airstrike before the paper acknowledged that it had relied too heavily on claims by Hamas. The suit also cites an October 2023 account of a Hamas attack on the Israeli city of Ofakim in which, according to the plaintiffs, editors twice changed references to the attackers from “terrorists” to “men,” which they say reflected a reluctance to use language that cast Hamas negatively.

And in one of the highest-profile accusations of media bias during the war, the plaintiffs point to a July 2025 story about a severely malnourished Palestinian boy. While the paper said the subject was “born a healthy child,” the suit argues that Times staff had access before publication to information indicating that the boy had a pre-existing medical condition. (The Times later issued a correction.)

“In the absence of any Board-level oversight,” according to the filing, “journalistic standards have been weaponized within the Company to serve the personal agendas of unchecked editors.”

At the center of this debate is not only what may be the most important single news source in the world, but one with complicated Jewish roots. Adolph Ochs, a Jewish newspaper publisher from Tennessee who was born to German immigrants, bought the struggling paper in 1896. His descendants have controlled it ever since. Och’s father-in-law was Rabbi Isaac Mayer Wise, a founder of Reform Judaism in America, and for decades the newspaper’s editorial line reflected Reform’s vocal anti-Zionism.

Ochs’ son-in-law, Arthur Hays Sulzberger, would become the paper’s publisher from 1935 to 1961. Any discussion of the Times’ relationship with the Jewish community is haunted by the paper’s failure, under Sulzberger’s watch, to rigorously cover the Holocaust as it happened.

When the paper did publish reports on the annihilation of the Jews, former Executive Editor Max Frankel wrote in an extraordinary, overdue mea culpa on the Times’ 150th anniversary, “they were mostly buried inside its gray and stolid pages, never featured, analyzed or rendered truly comprehensible.”

While Alterman describes Sulzberger as “an antisemite in his hiring practices and an anti-Zionist in his politics,” Laurel Leff, who wrote about the Times’ Holocaust history in her 2005 book “Buried by the Times,” is slightly more measured.

A June 20, 1899 New York Times article reported on the annual conference of the Federation of American Zionists held in Baltimore, Maryland. The newspaper’s owners at the time shared the anti-Zionist sentiments of many Reform Jewish leaders. (Wikimedia Commons)

While the Times reported extensively on Nazi persecution and mass murder, it often failed to make clear that Jews were the principal targets of the Nazi genocide. Leff, professor emeritus of journalism at Northeastern University, believes Sulzberger was worried about accusations that the Times would engage in special pleading on behalf of the Jews.

“He had a particular sensitivity about the Jewish issue because of his background,” Leff said in an interview. “Because he so much wanted the Times to not be viewed as a Jewish newspaper, and his editors and reporters knew that.”

That sensitivity didn’t only manifest in what stories were and weren’t put on the front page. When Abraham Rosenthal joined the paper as a cub reporter in 1941, his bosses assigned him the byline “A.M. Rosenthal” because the paper’s management felt his first name sounded too Jewish.

Still, whether chastened by the extent of the Holocaust or just swept up by the prevailing narrative of the day, the Times for many years treated the new state of Israel “as a struggling nation trying to thrive while surrounded by implacably hostile Arab Neighbors,” as former Times reporter Neil A. Lewis wrote in a 2012 paper for the Shorenstein Center on the Press, Politics and Public Policy.

“But, over various points beginning in the late 1960’s through the next dozen years, the narrative began to change to a second, more equivocal phase,” Lewis continues. “The template of the small nation as a David battling a Goliath composed of its enemies no longer fit after Israel prevailed handily in the 1967 War. And gradually, the situation of the Palestinian refugees began to emerge.”

After Rosenthal rose to executive editor in 1977, the first of five Jews to hold the post over the next four decades, he aligned the paper more closely with the majority of its Jewish readers: still secular, although more open to Jewish stories and Jewish hires. Rosenthal himself, after his mandatory retirement in 1986, transitioned to the opinion pages and wrote pugnacious columns defending Israel’s right-wing Likud Party leaders.

“Rosenthal had done more than any one individual to reconcile the Times to its Jewish identity,” Times alum Samuel Freedman wrote in an appreciation when Rosenthal died in 2006. Among other things, Rosenthal ended an “unspoken” policy blocking Jews from reporting on Israel.

Not that that shielded the Times from criticism: Thomas L. Friedman, who served as Jerusalem bureau chief from 1984 to 1988, would earn three Pulitzer Prizes for his Mideast coverage but still remained (and remains) a lightning rod for criticism of the paper’s coverage of Israel. (In 1989, a panel discussion featuring Friedman at the 92nd Street Y was interrupted by pro-Israel hecklers who scuffled with security guards. “I spent five years in Beirut. Who thought I’d meet my end at the 92nd Street Y?” Friedman, now a columnist, said from the stage.)

Coverage of the controversial first Lebanon War, by Friedman and others, kickstarted efforts by pro-Israel groups to monitor and criticize the media’s coverage of the region. CAMERA, the Committee for Accuracy in Middle East Reporting and Analysis, was founded in 1982 by Winifred Meyer in response to what she and other founders perceived as highly distorted, anti-Israel reporting on Israel’s military incursion. In his 1989 book, “From Beirut to Jerusalem,” Friedman himself criticized the foreign press corps in Lebanon for treating the Palestine Liberation Organization more charitably than it did Israel, the United States or their Lebanese allies.

At the same time, the newspaper increasingly came to embody another kind of American Jewish identity: intellectual, urbane, secular-minded, prosperous and engaged with the broader American and international culture. And as the rise of the internet took its toll on other daily newspapers, the Times’ influence only grew.

Max Frankel, shown in 1959 when he was working as the New York Times’ Moscow correspondent, was the second in what became a string of Jews to hold the title of executive editor. In 2001 he wrote an essay acknowledging the paper’s failure to report adequately on the Holocaust as it was happening. (Ben Martin/Getty Images)

Daniel Okrent, who refereed readers’ complaints as the Times’ public editor from December 2003 to May 2005, said coverage of Israel and the Palestinians is perhaps the most scrutinized topic in the newspaper, with both sides convinced the Times favors the other side. He and his colleagues would brace for a flood of letters after every mention of Israel, however benign.

“I think that the feelings on that issue are so intense that people can’t see beyond their own feelings,” Okrent said in an interview.

Ari Goldman, a religion reporter who spent 20 years at The New York Times starting in 1975, often bore the brunt of those feelings. An observant Jew, he said he was frequently approached in synagogue by someone asking, “How can you work for that antisemitic newspaper?”

“They’d come to shul and wave a piece of paper in my face, and I’d say, ‘where’s the rest of the paper?’” Goldman, a professor emeritus at the Columbia Journalism School, said in an interview. “If you look at the coverage in general, yes, you’ll find mistakes, and stories that seem like they have a negative bent. But there are many stories that balance that, and many stories that are favorable toward Israel and tell the story more sympathetically.”

Goldman insists that Times journalists work hard to get a story right, and that the paper will offer corrections when they don’t. He also sees the recent hire of Yair Rosenberg to a new religion beat focused on Jewish American life as a sign that management recognized a “gap in their coverage.”

Critics and defenders agree that the Times often sets the agenda for other news outlets — and for its readers. In her 2005 book “Stars of David,” journalist Abigail Pogrebin asked the Broadway composer Stephen Sondheim about his feelings for Israel. “My attitude toward Israel is the New York Times’ attitude toward Israel,” he replied. “Whatever they tell me is what I believe.”

It is this sort of influence that motivates the Times’ critics. While Pinker does not accuse the Times of bias, his study does raise the specter of an “agenda” on the paper’s part to sway public opinion. “I document several imbalances in the reporting of the war that could plausibly influence the opinions of a reader in a direction that is at odds with reality,” he writes in the study.

In an interview, Pinker said he sought to move the argument away from individual headlines and toward patterns.

“What I find is that there is very little coverage of what you might call suffering or the cost of war on the Israeli side, whereas there is an enormous amount of coverage of that on the Palestinian side,” he said.

Those newsroom choices, he said, diminish Hamas’ responsibility for the extent and continuation of the war. Although he didn’t compare the Times’ coverage of the war to that of other news outlets, he did suggest what an alternative “framing” of the conflict might be: “Oct. 7 demonstrated to the Israelis that they have an unacceptable threat in Gaza, and they cannot rest until they’ve eliminated this threat.”

Alterman rejects Pinker’s analysis as “almost comical,” saying it didn’t take into account the disparity between the 1,200 Israelis killed on Oct. 7 and the tens of thousands Palestinians killed in Gaza in the subsequent war. No news outlet, he said, is obliged to note the persistent trauma and anger felt by Israelis amid the near daily bombardment of Gaza and critical food shortages seen during the height of a war.

“There’s been an enormous amount of reporting on the emotional cost to Israelis and the financial cost to Israelis of the reaction to Oct. 7, but it’s just ridiculous to say that there should be as much reporting on the incident of one day as there have been” of daily military operations during a war that lasted for two years, said Alterman.

Alterman also said that the newspaper’s critics fail to account for the separation between the Times’ news departments and its opinion pages.

On the opinion side, regular critics of Israel far outnumber its consistent defenders. The former include Friedman, Ezra Klein and Michelle Goldberg, whose criticism often appears to be written from a place of sympathy with a former, more liberal Israel, and contributing opinion writers M. Gessen and Peter Beinart, who have both accused Israel of genocide. All five are Jews.

Thomas Friedman
Thomas Friedman speaking in New York City, Sept. 29, 2016. As Jerusalem bureau chief and later columnist for the Times, he often became a lightning rod for critics of the paper’s Israel coverage. (John Lamparski/Getty Images for Advertising Week New York)

Meanwhile, Bret Stephens follows in a tradition of right-leaning columnists, also Jewish, who consistently defended Israel, including Rosenthal, William Safire and David Brooks. David French and Russ Douthat, two conservative columnists, also tend to defend Israel when they write about the conflict. 

Earlier this year, when Nicholas Kristof wrote a column alleging sexual abuse of Palestinian detainees by Israeli security forces, critics suggested it hadn’t been put to the same journalistic scrutiny as a news story. Nonetheless, the Times defended the reporting, saying that details were fact-checked and corroborated where possible with witnesses and confidants.

Stephens, who rarely criticizes his employer in public, didn’t respond to Kristof’s column. But just nine days later, in a column cataloguing 25 years of what he described as inflammatory or unverified media narratives targeting Israel, he wrote what could be a manifesto for American Jewish critics of Israel coverage.

“The common thread in these and many other stories is that they all involve strenuous, if ultimately embarrassed, efforts to prove that Israelis deliberately seek to kill the innocent and maim the vulnerable, apparently for no other reason than gratuitous cruelty,” wrote Stephens. “This isn’t a matter of reporters’ impartially trying to expose wrongdoing wherever they find it — if that were the case, the errors wouldn’t invariably lean in the same ideological direction. It isn’t speaking truth to power. It’s feeding narratives to the credulous.”

For some Jews, the Times’ coverage of Israel, negative or not, is evidence of the newspaper doing precisely what a great journalism outlet ought to do: scrutinizing the powerful, including a government supported by the United States and deeply connected to American Jewish life.

For others, the same coverage is evidence that the paper has once again failed to understand the Jewish historical experience — particularly the experience of Jews who see Israel’s security as inseparable from their own.

What both sides share is a relationship with The New York Times that can feel both familial and obsessive.

“I think it’s a sense of ownership,” said Goldman, imagining the perception of so many of its Jewish readers: ”’I’m a New York Jew. This is my newspaper, and it should reflect me and my ideas.’”

This article originally appeared on JTA.org.

The post As The New York Times turns 175, the fight over its Israel coverage heats up again appeared first on The Forward.

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Texas wins case forcing Galveston school district to display Ten Commandments posters in classrooms

(JTA) — A Texas judge has ordered a Gulf Coast school district to display posters of the Ten Commandments in all classrooms, marking a victory for the state in a protracted series of legal battles over religious freedom in public education systems.

District Judge Jeth Jones ruled on Thursday that the Galveston Independent School District must comply within 10 days, while also scheduling a non-jury trial to resolve the case next June.

Texas Attorney General Ken Paxton, a Republican, had sued the school district last November after the school board voted against exhibiting the Protestant version of the Ten Commandments. Paxton’s petition argued that the board violated a June 2025 state law, SB10, which required the “conspicuous” display of Ten Commandment posters in all public school classrooms.

That law is at the heart of multiple lawsuits across the state, including one effort led by two rabbis who are seeking to bring a case to the U.S. Supreme Court. Along with non-Jewish clergy and parents, they are arguing that the mandatory inclusion of these texts in classrooms is unconstitutional and infringes upon religious freedom. Their case is separate from the Galveston case.

“These are religious documents,” Mara Nathan, the lead petitioner and senior rabbi at Temple Beth-El in San Antonio, told the Jewish Telegraphic Agency.

“They do not belong in a secular public school space,” she continued. “If people want to be in a school space where religious instruction is part of that, then they can choose to send their kids to parochial school.”

In their case, Nathan and more than two dozen parties are asking the U.S. Supreme Court to weigh in on the controversial Ten Commandments law. Their petition, filed in August, asks the court to protect the religious freedom of students by ensuring that families, rather than politicians, are able to determine what role religion plays in their children’s lives.

Joining Nathan in the case is Joshua Fixler, associate rabbi at Congregation Emanu El in Houston, as well as Jewish, Christian, Hindu, Baha’i, Unitarian Universalist and nonreligious families statewide. The defendants include a long list of school districts, such as the Alamo Heights Independent School District and the Houston Independent School District, where Nathan and Fixler send their children, respectively.

Their decision to petition the Supreme Court is the culmination of a lengthy legal process that began after Gov. Greg Abbott, a Republican, signed the SB10 bill into law in June 2025.

“When I heard about this law, I was really uncomfortable and outraged,” Nathan said. “When I found out there was an opportunity to speak up and be part of litigation to oppose it, I was like, ‘Please sign me up.’”

Fixler echoed these sentiments, with hopes of protecting children from “seeing this Protestant Christian text every day in every classroom, and having it shape their understanding of what religious freedom should look like in America.”

The Jewish and Protestant versions of the commandments differ in wording, order and emphasis, with the Jewish commandments beginning with God’s declaration that he brought the Israelites out of Egypt.

Nathan, Fixler and the other plaintiffs filed a federal lawsuit in July 2025 seeking to block the display at their children’s schools. The next month, they secured a brief victory in district court, when they won a preliminary injunction to block the displays.

Last October, Paxton issued a formal legal advisory to all Texas school districts, reiterating their obligation to exhibit the display. He warned that Texas would vigorously enforce the law, while acknowledging temporary exceptions for 11 school districts that were party to the litigation at the time.

The attorney general described the commandments as “a cornerstone of America’s moral and legal heritage,” stressing a need for “these timeless principles” in schools “now more than ever.”

The pendulum swung in Paxton’s favor in April 2026, when the U.S. Court of Appeals for the 5th District reversed the district court’s ruling. The judges, who sit on one of the most conservative federal appellate courts nationwide, determined that the law does not violate the First Amendment’s free exercise clause, which prohibits government from regulating religious beliefs.

They maintained that the SB 10 law “looks nothing like a historical religious establishment,” a bar that the judges said was set in a 2022 lawsuit. The Texas legislation, they wrote in the ruling, doesn’t “tell churches or synagogues or mosques what to believe or how to worship or whom to employ as priests, rabbis, or imams.”

“It punishes no one who rejects the Ten Commandments, no matter the reason,” they added.

Unwilling to concede defeat, Nathan and her colleagues in August asked the high court to review the case. Whether the Supreme Court will decide to take on the case is still uncertain, as four of its nine justices must agree to do so.

Fixler noted that the law requires posters of the commandments to be big enough to be read anywhere in the classroom and contain no other texts or context.

“I’m hearing from parents all over the state that their kids know that the state is elevating literally one religious tradition over all others,” he said, relating that although he prepared his kids for the displays, they “expressed a lot of anxiety” about needing “to see these words posted on the wall of their classroom.”

Fixler also expressed concern that the prominence of these posters could lead kids to ask “questions that some teachers aren’t going to want to answer,” such as, “What is adultery, and what does it mean to covet your neighbor’s wife?”

The families are represented by the American Civil Liberties Union of Texas, the national ACLU, Americans United for Separation of Church and State and the Freedom From Religion Foundation, with pro bono counsel from the Simpson Thacher & Bartlett law firm.

In their Supreme Court petition, the families accused the appeals court of defying a 1980 Supreme Court decision, Stone v. Graham, which they said “struck down a nearly identical Kentucky statute almost 50 years ago.” While the Texas appellate court had claimed that precedents set in a later case had superseded the Stone ruling, the families argued that the core principles of the Stone judgment were untouched by that later suit.

The forced display of the Protestant Ten Commandments in public school classrooms is not unique to Texas, although the Lone Star State case has emerged as one of the most prominent battlefields for the issue in recent months.

Other states that have required public schools to exhibit the Ten Commandments include Arkansas, Louisiana and Alabama, while Tennessee and North Dakota allow optional displays.

A group of complainants in Arkansas, including one Jewish family, is urging the U.S. Court of Appeals for the Eighth Circuit to block school districts from implementing a state law on the subject. Meanwhile, in Tennessee, the ACLU and other groups have sent letters seeking records relating to school district plans to begin displaying the Ten Commandments.

In Galveston, the school board president told local media on Thursday that the school district would comply with the order, as demanded in the November lawsuit. Alongside the filing, Paxton had declared that “there is no valid legal basis” to prevent schools from complying with the law, claiming that their refusal was rooted in “the misconception that a ‘separation of church and state’ phrase appears in the Constitution.”

“It does not,”  Paxton stated.

While Galveston is not party to Fixler and Nathan’s Supreme Court petition, the plaintiffs cited the year-long saga as evidence. The situation in Galveston, the petition argues, demonstrates that “injuries” to families who oppose the Ten Commandments displays “are actual or imminent,” a requirement to hear a case in federal courts.

The attorney general accused Galveston’s school board of voting “to flout SB 10” in its refusal “to display the Ten Commandments in accordance with State law.” At the time, he alleged that Galveston decided to “blatantly ignore the legislature,” while emphasizing that “America is a Christian nation.”

Notably, Fixler and Nathan’s Supreme Court petition flags the Galveston case in its appendix, even though the district is not party to the case. The situation in Galveston, the petition argues, shows that “injuries” to families “are actual or imminent.”

“I hope that the Supreme Court will take our case and rule in our favor,” Nathan said, affirming that any decision made here could set a precedent for similar cases nationwide.

“It would be really exciting to be written into history in a positive way, as part of a movement to really protect our religious freedom and separation between public school spaces and the private religious lives of people,” she added.

This article originally appeared on JTA.org.

The post Texas wins case forcing Galveston school district to display Ten Commandments posters in classrooms appeared first on The Forward.

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David Ellison appoints Israeli to lead merged Paramount-Warner studios

(JTA) — Jewish entertainment mogul David Ellison has appointed an Israeli businessman to help lead operations at the new company being created by his controversial merger of Paramount and Warner Bros. Discovery. The move came days after a settlement cleared the way for the combined mega-studio’s formation.

Ynon Kreiz, the Israeli-American former CEO of Mattel, is joining the company as Ellison’s co-CEO. The merged entity will be known simply as Skydance – the name of Ellison’s production company – which previously merged with Paramount, Ellison announced Friday.

“We have big goals for Skydance, and we intend to pursue them with passion, imagination and a willingness to take smart risks,” Ellison announced Friday in his inaugural post on the social network X.

The mogul’s entertainment and media ambitions have attracted considerable negative attention over the last few years — attention that, in some instances, has been directed at his pro-Israel beliefs and connections as the entertainment industry writ large has also weathered growing accusations of anti-Jewish bias.

Most recently, the actor Mark Ruffalo has drawn accusations of antisemitism – and some support – for suggesting that Ellison’s planned $110 billion merger would be a boon to Israel’s “apartheid system of oppression” via Oracle, the tech surveillance company owned by Ellison’s father Larry that does business in Israel.

Paramount under Ellison’s leadership has long shown signs of pro-Israel leanings. Last year the company was the only major American studio to issue a public rebuke of a petition to boycott Israeli film institutions, circulated by many big-name actors, while distributing multiple documentaries about Israelis in the shadow of the Oct. 7, 2023, Hamas attacks. Ellison also attracted scrutiny for appointing Bari Weiss, the Jewish and pro-Israel media innovator and pundit, as editor in chief of CBS News.

Weiss’s tenure at CBS has been marked by controversy, with mass walkouts of top talent and a ratings nosedive. Initial industry speculation that Ellison would ask her to also take the reins at Warner-owned CNN has been tamped down in recent days, with the Wall Street Journal and other outlets now reporting that Ellison has asked the news network’s CEO Mark Thompson to stay put for at least the next year.

Kreiz, the former Mattel CEO behind the smash-hit “Barbie” movie, has been known to support pro-Israel causes as well. In 2023, he attended a screening of footage of the Oct. 7 Hamas attacks organized by Israeli actress Gal Gadot at Los Angeles’s Museum of Tolerance. Outside, brawls broke out between pro- and anti-Israel demonstrators.

This article originally appeared on JTA.org.

The post David Ellison appoints Israeli to lead merged Paramount-Warner studios appeared first on The Forward.

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