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Food writer Alison Roman makes a comeback — and a brisket for Passover

(New York Jewish Week) — What first caught my eye about Jewish food writer Alison Roman was not any one recipe. Rather, it was a photo of her that was published in the New York Times in 2019: Roman was in her tiny Brooklyn kitchen, kneeling in front of her overstuffed and undersized refrigerator. She was wearing jeans and t-shirt — and her feet were bare and dirty. I simply loved the messiness, joy and imperfection of it all.

The photo accompanied a selection of Thanksgiving recipes written by the young and rising star, who was first introduced to the Times’ readership just over a year prior as an heir to Pierre Franey and his quick-to-prepare foods. Roman’s Thanksgiving menu included a dry-brined turkey, hand-torn sourdough bread stuffing with celery and leeks, leafy herb salad spiked with lemon zest, lemon juice and flaky sea salt. The recipes were a reflection of the author: approachable and decidedly not fussy.

That anti-perfect attitude is a hallmark of Roman’s style, and it’s certainly a theme of her latest cookbook, “Sweet Enough,” which comes out at the end of this month. It is her third (“Dining In” and “Nothing Fancy” preceded it) and, according to Variety, pre-publication it has already “shot to the top of bestseller lists.”

This new cookbook is devoted to desserts, although there are a handful of savory recipes, too.  Many of the recipes, like her Summer Pudding with Summer Fruit, her bowl of Salted Chocolate Pudding, and her raspberries and sour cream, do not have to be baked, nor do they require fancy know-how or special equipment. She even encourages readers to eat these treats straight from the bowl or the pot in which they were cooked.

Roman became an important part of the food conversation in this country in an impressively short amount of time. By the time she was hired full-time at the Times, at 32, she had had a meteoric rise at Bon Appetit magazine, where she moved from freelance recipe tester to senior food editor in four years. By then, she had already published her first cookbook and had a cookie recipe that went viral on Instagram.

Her fall from grace in May 2020 was even faster. In an interview for the online publication The New Consumer, she criticized two prominent women of color, Japanese organizing guru Marie Kondo and Asian-American model, cookbook author and prominent Twitter user Chrissy Teigen, for licensing their names and essentially “selling out.” In the ensuing weeks, the backlash online was swift and fierce, accusing her of everything from inappropriateness to racism. Amid the moment’s perfect storm  — the pandemic and the rapid rise of the Movement for Black Lives  — her column at the Times was suspended.

Six weeks later, on June 21, she founded a Substack newsletter, simply titled, “A Newsletter.” She now cranks that out weekly to 229,000 subscribers, and her YouTube channel, “Home Videos,” has some 213,000 subscribers. Looking back, Roman describes that post-interview time period as “challenging,” but, as she told the New York Jewish Week, “it led me to writing more and writing more for myself. And I think that’s a good thing.”

These days, Roman, 37, who describes herself as “half Jewish,” is about to embark on her book tour. Ahead of the release of “Sweet Enough,” she spoke to the New York Jewish Week about her favorite Jewish dishes, her food philosophy, and what she loves about Passover, which begins this year at sundown on Weds., April 5.

This interview has been lightly condensed and edited. 

New York Jewish Week: How did the idea for this book come to you?

Roman: I felt there was a need for a dessert book from the perspective of someone who was not a die-hard lover of baked goods or dessert — somewhere between indifferent and enthusiastic. I felt like there were probably others like me.

I embrace the fact that the desserts were not designed to be perfect and they don’t have to be. People accept the flaws of, say, a roast chicken, but if their cake is crooked it ruins their day.

I’m trying to normalize the fact that not everything will be perfect, and it’s OK.

You are from California. How has being in New York changed the way you cook?

Living in New York, I have an emphasis on accessibility. I don’t always have access to the best produce; when things are out of season it becomes more difficult. It makes my work stronger because you have to be resourceful. And since we don’t necessarily have cars in New York, I have to consider: How far do I have to schlep the groceries? Can I do this [dish] with fewer items?

You’ve said on the Jewish Food Society’s podcast that you made many Jewish friends in New York. You attended your first bar mitzvah here. Are you leaning more into Jewish recipes or foods since you are living in New York?

Not necessarily. I just did a new Passover menu, which will come out on March 30 in Passover Home Movies and in an accompanying newsletter. I think that the older I get the more I lean into hosting and doing Shabbat because it feels important to me.

Any Jewish foods that are favorites of yours?

Matzah ball soup is my favorite food of all time. Otherwise, most popular Jewish deli foods are something I gravitate towards, even before I realized they were “Jewish.” Latkes, and things like that. I like Jewish deli culture. And I liked that these foods, that my father and I love and enjoy, are connected to my father’s heritage, which is my heritage. It made me feel closer to it.

What is your favorite Passover dish?

I love my brisket. I don’t love brisket always but I think the one I make is fantastic. I like a really simple Passover menu. Braised meat. Crispy salad with lots of herbs and apples. Crispy potato — this year I made cheeseless gratin with olive oil, potatoes, salt and pepper. You are not grating potatoes or frying anything. It is not eggy like a kugel.

Part of why I like Passover is because, much like Thanksgiving, it’s a time of year when you know what you’re supposed to eat. You don’t have to give it a ton of thought.

Have the past three years, following your comments about Marie Kondo and Chrissy Teigen, changed you as a writer and a food person?

Yes and no. We are all different than we were three years ago. Whether it was time passing or the pandemic or whatever, I think everyone is a bit different. That time was challenging but it led me to writing more and writing more for myself. And I think that’s a good thing.

How would you frame your food philosophy?

“Unfussy” pretty much sums it up. I don’t believe in overthinking too much. The way I cook is very instinctual and very natural. I don’t try to manipulate anything into something it is not. I feel very intuitive.  It feels not performative. It feels very genuine to me.

Where did your aesthetic for rustic, carefree, approachable food come from?

I consider myself independent, and most things I do are born from myself and my own intuition. I think, like any person, you will be impacted and influenced by the world around you but ultimately you need to be authentically yourself.


The post Food writer Alison Roman makes a comeback — and a brisket for Passover appeared first on Jewish Telegraphic Agency.

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Trump to Meet Qatar’s Emir Al-Thani En Route to Malaysia

Qatar’s Emir Sheikh Tamim bin Hamad al-Thani speaks during a meeting with Saudi Crown Prince, Mohammed bin Salman, in Doha, Qatar, December 8, 2021. Saudi Press Agency/Handout via REUTERS

i24 NewsUS President Donald Trump will meet with Qatar’s Emir and prime minister on Air Force One during a refuel stop in Qatar en route to Malaysia for a regional summit, a White House official said on Saturday.

US Secretary of State Marco Rubio would join Trump in Qatar, the official added. The meeting is expected to be closed to press.

Qatar, a Major Non-NATO Ally and host of the largest American military base in the region, is also an ally and sponsor of Hamas, the jihadist Palestinian group sworn to Israel’s destruction that, on October 7, 2023, led the worst massacre of Jews since the Holocaust.

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Report: Hamas Terrorists Freed Under Ceasefire Deal Luxuriating in a 5-Star Cairo Resort

Hamas terrorists carry grenade launchers at the funeral of Marwan Issa, a senior Hamas deputy military commander who was killed in an Israeli airstrike during the conflict between Israel and Hamas, amid a ceasefire between Israel and Hamas, in the central Gaza Strip, Feb. 7, 2025. Photo: REUTERS/Ramadan Abed

i24 NewsUpward of 150 convicted Hamas terrorists released by Israel in exchange for hostages under a US-brokered ceasefire deal are staying in a luxury hotel in Cairo alongside unsuspecting Western tourists, the Daily Mail reported Saturday.

The group was among some 250 prisoners serving life sentences for deadly attacks against Israelis. Israel agreed to the swap to secure the return of the last 20 living hostages. The move was met with some opposition in Israel, including from those whose loved one were murdered by the terrorists.

The Daily Mail reported that 154 of the released terrorists are staying at the five-star Renaissance Cairo Mirage City Hotel, whose guests are booking rooms without being forewarned that convicted terrorists are also staying on the premises.

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Leonard Bernstein wrote a love song to the White House; now it’s an elegy

In 2017, Cynthia Erivo, clad in white like a bride, took the stage at Washington, D.C.’s Kennedy Center to perform “Take Care of This House.” It was opening night of the National Symphony Orchestra’s season, and Erivo was singing First Lady Abigail Adams’ solo from the little-known Leonard Bernstein and Alan Jay Lerner musical 1600 Pennsylvania Avenue.

That show, an ode to the first century of the White House’s existence, premiered in 1976, and has a rocky history: It closed on Broadway after only 20 performances, including previews. But the musical, while imperfect, was daring — a recounting of American history that featured a series of presidents, their first ladies, and their Black servants. Erivo sang in the first year of President Donald Trump’s first term. Then, having a Black actor on the Capitol’s most prominent stage sing the part of a white first lady — in a song that promises a Black servant he has a part in the American dream — felt like resistance.

Yes, the political tide might have been turning away from the heartfelt messaging of 1600 Pennsylvania Avenue, which suggested women and people of color were as central to American history as any white, male president. But in the world of culture, Erivo’s performance proclaimed, that kind of equal respect was still the true American dream.

Is it still?

Where Jacqueline Kennedy’s Garden, also known as the First Lady’s Garden, once bloomed, there is an expanse of yellow-brown dirt. The First Lady’s Office, shaped by Eleanor Roosevelt and Rosalynn Carter, is a heap of twisted metal. Where the corridors of power once linked the presidential operations of the West Wing to the visitor’s office — the point of public access to the public’s house — there is an expanse of scarred, dusty red brick, the innards of the house exposed.

Amid Trump’s demolition of the White House’s East Wing, the rubble where part of the most familiar facade in the country used to stand feels like a rebuttal to the simple exhortation Adams’ character expresses in “Take Care of this House.” “Keep it so clean,” she sings, “The glow can be seen / All over the land.”

Bernstein held a troubled but profound attachment to the vision of a United States that lived up to its founding promise of liberty and justice for all. That oft-broken pledge was a theme of West Side Story: “America,” with lyrics by Stephen Sondheim, is an unusually effective, and entertaining, argument both for and against maintaining hope in this country. Bernstein’s support for the civil rights movement was so well-known that it occasionally backfired, with Tom Wolfe famously asking if the composer’s activism was just a way of accenting his own glamour.

But the picture of a better country — a country that was true to its professed ideals — has rarely sounded as unglamorous, or as meaningful, as it does in “Take Care of This House.” Adams coaches her servant carefully: Make sure the doors are locked and the surfaces are shined, and be ever alert to anything even mildly amiss.

Whatever Bernstein’s failings as an activist, he understood something essential about what the White House means. It is an example of the best of the U.S. because it is humble: Not a palace, but a place that successive generations — especially First Ladies, and their unsung servants — have strived to make beautiful. Some people may visit the White House to gawk at the extravagance, or to feel the rumbles of the machinery of power. I suspect more do because they are drawn to their own sense of ownership of it — the idea that they, too, could have a small part in making it great.

Will Trump’s new ballroom make it greater than the First Lady’s Garden did? Greater than the quiet energy that came from standing between walls that had witnessed the making of history?

It’s true that luxury and ease are also manifestations of a kind of American dream — a different one than that which Bernstein and Lerner articulated. But today, watching Erivo sing Adams’ paean to the beauty of a carefully kept home, my heart aches. All that work, over all those decades, and the end is a landscape of desolate rubbish, with the suggestion of gaudiness to follow.

When I think back to my own visit to the East Wing of the White House in 2015, I think about the last lines of Bernstein and Lerner’s song: “Take care of this house / Be always on call/ For this house / Is the hope of us all.”

I felt a sort of soft awe back then. I wonder if that feeling is one I’ll ever have again.

The post Leonard Bernstein wrote a love song to the White House; now it’s an elegy appeared first on The Forward.

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