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French crooner Charles Aznavour loved Jews. A new museum in Armenia will tell that story.

YEREVAN, Armenia (JTA) — His haunting French rendition of “La Yiddishe Mama” is legendary, as is his spirited performance of “Hava Nagila” in a duet with Algerian Jewish singer Enrico Macias. In 1967, he recorded the song “Yerushalayim” as a tribute to Israel’s Six-Day War victory.

Yet Charles Aznavour, a diminutive singer and songwriter later nicknamed the “Frank Sinatra of France,” wasn’t Jewish. Born in Paris into a Christian Armenian family that prized culture, the young tenor learned basic Yiddish while growing up in the city’s Jewish quarter. And when the Nazis occupied Paris in 1940, the Aznavourians (their original surname, before Charles shortened it) risked their lives to save Jews from deportation.

Aznavour died in October 2018 at the age of 94. During his nearly 80-year career, he recorded over 1,400 songs in seven languages, sold around 200 million records and appeared in more than 90 films. His duets with other stars, including “Une vie d’amour” with Mirelle Mathieu, and his witty multilingual lyrics — the 1963 hit “Formidable” is a prime example — thrilled audiences worldwide. In 1998, Aznavour was voted Time magazine’s entertainer of the 20th century.

May 22, 2024, will mark the 100th anniversary of Aznavour’s birth, and many events are planned next year to celebrate that milestone. A violent conflict in September between Armenia and neighboring Azerbaijan has made the rollout more difficult, but eventually, his admirers hope to inaugurate a large museum and cultural center in Yerevan to honor the various facets of Aznavour’s life — including the warm ties he cultivated with Israel and Jews.

“We started to work on this idea while my father was still among us,” said Nicolas Aznavour, 46, son of the famous chansonniere and co-founder of the nonprofit Aznavour Foundation. “He recorded the audio guide, so he’s the narrator of his own story.”

The foundation occupies a large building overlooking the Cascades, a series of giant limestone stairways that form one of Yerevan’s most prominent landmarks. A forerunner of the charity, the Aznavour for Armenia Association, was established in 1988 following the massive earthquake that struck Armenia — then a Soviet republic — killing 25,000 people, leaving hundreds of thousands homeless and propelling Aznavour’s philanthropic work.

Since then, the family has raised money for humanitarian projects throughout Armenia, while also funding cancer and Alzheimer’s research and aiding victims of Haiti’s 2010 earthquake.

After Armenia’s bruising 44-day war in 2020 with Azerbaijan over the disputed territory of Nagorno-Karabakh, the foundation delivered 175 tons of food, clothing, medical supplies and other aid to more than 42,000 ethnic Armenians displaced by the fighting.

Between that war, the COVID-19 pandemic and Azerbaijan’s recapture of the area three months ago — leading to the exodus of close to Karabakh’s entire population to undisputed Armenian territory — the foundation’s $10 million museum and cultural center has endured numerous delays.

Upon completion, one room of the future museum will contain the nearly 300 prizes Aznavour received from around the world during his lifetime. That includes the Raoul Wallenberg Award, presented to Aznavour in 2017 by Israel’s former president, Reuven Rivlin, in Jerusalem, in recognition of his family’s efforts to protect Jews and others in Paris during World War II.

Aznavour’s son was present when his father, then 93, received the medal from Rivlin on behalf of the singer’s parents and his older sister Aida, who is now 100.

“It’ll be an important part of the exhibit,” he told the Jewish Telegraphic Agency in a recent interview. “My grandparents, who had fled the Armenian genocide in Turkey, settled in France but ultimately wanted to go to the U.S. And when they saw what was happening to the Jews, they could not stay idle.”

Nicholas Aznavour, left, with his father. (Aznavour Foundation)

That compassion is what led the family to shelter Jewish acquaintances in their small, three-room apartment at 22 rue de Navarin, in the 9th arrondissement of Paris. The eventual museum will consist of 10 rooms, taking visitors on a journey that begins with the Armenian genocide and continues with Aznavour’s early life in Paris.

“We want to tell the story of their resistance, how they helped not only Jews but also Armenian soldiers who were recruited by the Germans against their will,” said Tatev Sargsyan, chief operating officer of the Aznavour Foundation. “His father worked in a restaurant where the Nazis visited.”

According to a 2016 book by Israeli researcher Yair Auron, “Righteous Saviors and Fighters,” Aznavour and his sister would help burn the Nazi uniforms of Armenian deserters and dispose of the ashes. They also hid members of a French underground resistance movement who were being pursued by the Gestapo — something the modest Aznavour rarely talked about.

“It’ll be more of an immersive experience — something that you feel rather than just see,” Nicolas Aznavour said of the planned 32,000-square-foot museum. Hundreds of artifacts besides the medals and awards will be displayed, including Aznavour’s clothing, his favorite sunglasses and dozens of posters advertising movies in which he starred. (Among them: “The Tin Drum,” a 1979 German thriller in which Aznavour plays a kind Jewish toy vendor who kills himself after the Nazis vandalize his store and burn down the local synagogue.)

“Aznavour didn’t want this to be just a museum commemorating himself. He wanted it to be a cultural and educational center,” said Sargsyan. “He always spoke about the importance of empowering youth because he had so few opportunities when he was starting out in Paris. The idea is to create a platform for local musicians, and the museum is just one of the components.”

The foundation has formed a partnership with the French government to establish a French Institute within the future center, which will offer a wide range of cultural and educational activities. Among other things, there will be music lessons with hands-on experience in a recording studio. Artists will have the opportunity to perform live on stage.

In addition, experts will teach courses in film, theater and production. These classes will include film screening, featuring some of the 90 movies in which Aznavour himself starred.

Aznavour’s music remains immensely popular not only in France and other francophone countries such as Belgium, Canada, Lebanon, Syria, Morocco and Tunisia, but also in Argentina, Brazil, Israel, Japan, Russia and, of course, at home.

“Aznavour is a national treasure for the Armenian people,” said Lilit Papikyan, human resources manager at DataArt, a Yerevan software company. “His music evokes feelings of nostalgia, longing and pride in the hearts of all Armenians, both here and in the diaspora.”

Last April, the Tel Aviv suburb of Petah Tikva renamed a municipal park after Aznavour, in the presence of Mayor Rami Greenberg and Arman Hakobian — Armenia’s ambassador to Israel — as well as officials of the French Embassy and the Armenian Patriarchate of Jerusalem.

“During World War II, the Aznavourian family saved numerous Jewish lives,” said community leader Artiom Chernamorian, founder of a nonprofit group called Nairi Union of Armenians in Petah Tikva. The suburb which is home to a sizable Armenian ethnic community. “This gesture symbolizes the unbreakable bond between the Armenian and Jewish people, two nations that have endured unspeakable tragedy.”

Aznavour receives an award from then-Israeli President Reuven Rivlin in 2017. (Aznavour Foundation)

Yet the influential singer wasn’t shy about calling out his Jewish friends over Israel’s refusal to officially recognize the Ottoman Turkish genocide of 1.5 million Armenians during World War I. Nor did he hold back criticism of Israel’s growing friendship with energy-rich Azerbaijan, which since 1993 has been ruled by the Aliyev family dynasty and is home to some 15,000 Jews.

This past March, amid warming ties between Israel and Turkey, Azerbaijan opened an embassy in Tel Aviv, becoming the first Muslim Shiite country to do so. The two now enjoy extensive economic links: Azerbaijan supplies over half of Israel’s crude oil imports and has also become its top buyer of weapons after India, a fact that clearly pains the younger Aznavour.

In early October, four days before the Hamas massacre of 1,200 Israelis sparked the current war in Gaza, vandals protesting Israel’s alliance with Azerbaijan desecrated Armenia’s only synagogue. They later posted on social media that “Jews are the enemies of the Armenian nation, complicit in Turkish crimes.” No arrests were made.

“I think it’s a complex situation,” Nicholas Aznavour told JTA. “We have friends who totally support recognition of the Armenian genocide. But more than the Turkish reaction, there’s a political reality, and the reality is that the interests of Israel align with those of Azerbaijan.”

Politics aside, that’s a “dangerous compromise,” he warned. “In the long term, it’s a bad strategy, because when you align yourself with dictatorships, it’s like putting one foot in the grave.”


The post French crooner Charles Aznavour loved Jews. A new museum in Armenia will tell that story. appeared first on Jewish Telegraphic Agency.

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Al Jazeera Hit With Defamation Lawsuit by Syrian Jewish Ex-Refugee

The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon

A defamation lawsuit was filed against the Qatar-based Al Jazeera media network on Wednesday by Abraham Hamra, a Syrian pro-Israel advocate and lawyer.

According to the lawsuit, which was filed in the US District Court for the Eastern District of New York, Hamra “is a Jewish refugee from Syria, born in Damascus. He fled Syria with his parents and siblings in 1994 at the age of eight, following the partial lifting of restrictions on Jewish emigration by the Syrian regime under President Hafez al-Assad in 1992.”

The Algemeiner obtained a copy of the complaint, which explains that, on Aug. 25, Al Jazeera posted a video claiming that Hamra was paid by the Israeli government to visit an aid site of the Gaza Humanitarian Foundation (GHF), an Israel- and US-backed program that delivers aid directly to Palestinians, operating independently from UN-backed mechanisms.

“This accusation is false in its entirety. Plaintiff has never received any payment, compensation, or financial incentive from the Israeli government or any affiliated entity for visiting aid sites in Gaza,” the lawsuit claims.

“The visit by Plaintiff related to Israel and Gaza was undertaken independently, in his personal capacity, on his own dime, as an advocate for his community and to bear witness against misinformation,” the suit continues.

The UN and critics of Israel have expressed concerns that the GHF’s approach forces civilians to risk their safety by traveling long distances across active conflict zones to reach one of its four food distribution points, at times creating chaotic scenes where Israeli forces have used gunfire to control the crowd.

However, supporters of the GHF argue that it bypasses the Palestinian terrorist group Hamas, which often steals humanitarian supplies for its own purposes and sells the rest at inflated prices. The GHF has called on the UN to publicly condemn the killing of aid workers in Gaza and to collaborate in order to provide relief to the enclave’s population, accusing the UN of perpetuating a “vast disinformation campaign” aimed at tarnishing the foundation’s image.

The lawsuit notes that the social media post from Al Jazeera, which included the image of Hamra, “cites no sources for the ‘reportedly paid’ claim, and publicly available information about Plaintiff, including his professional bio, social media posts, and known activities, demonstrates he is an independent US attorney with no financial ties to foreign governments.”

Al Jazeera also “failed to conduct even basic fact-checking, such as contacting Plaintiff for comment or verifying the allegation, despite their status as a major media network with resources to do so,” according to the lawsuit.

Al Jazeera did not respond to a request for comment from The Algemeiner.

The lawsuit argues why the allegedly false claim rises to the level of libel, saying it “constitutes libel per se under New York law because it accuses Plaintiff of committing a serious crime, namely, violating FARA [the Foreign Agents Registration Act] by acting as an unregistered foreign agent for Israel, and tends to injure him in his profession as a lawyer.”

“FARA requires individuals acting as agents of foreign principals to register with the US Department of Justice, and failure to do so is a federal offense punishable by fines and imprisonment,” the suit says. “By falsely alleging Plaintiff was paid by a foreign government to promote its interests, the statement implies criminal conduct and undermines his professional integrity.”

Consequently, Hamra is seeking payment for damages of at least $1,00,000 and requesting a trial by jury.

Read the lawsuit here: Hamra v Al Jazeera ECF No. 1 Complaint

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US Lawmakers Launch Investigation Into Wikipedia Over Claims of Systemic Anti-Israel Bias

Nancy Mace (R-SC) (Source: Reuters)

US Rep. Nancy Mace (R-SC). Photo: Reuters

The US House Committee on Oversight and Government Reform has opened an investigation into the nonprofit that operates the Wikipedia website, demanding answers over concerns that hostile foreign actors are exploiting the popular online encyclopedia to spread anti-Israel propaganda and antisemitic narratives.

Republican Reps James Comer (KY), who chairs the committee, and Nancy Mace (SC), who chairs the panel’s subcommittee on cybersecurity, information technology, and government innovation, on Wednesday sent a letter to Maryana Iskander, chief executive of the Wikimedia Foundation, asking the nonprofit to turn over records showing how the platform polices disinformation campaigns that target articles related to Israel and the Middle East.

The lawmakers cited studies showing that pro-Russia networks and other state-backed operations have sought to manipulate Wikipedia entries on conflicts involving Israel, often by inserting anti-Israel or antisemitic framing designed to sway Western audiences. The Anti-Defamation League (ADL), for example, published a report earlier this year arguing that “malicious” Wikipedia editors have inserted anti-Israel bias onto the site, oftentimes violating the organization’s neutrality policies in the process.

Meanwhile, a report from the Atlantic Council’s Digital Forensic Research Lab found evidence of Russian-linked attempts to shape narratives used to train AI chatbots by twisting information about Israel.

“The Committee on Oversight and Government Reform is investigating the efforts of foreign operations and individuals at academic institutions subsidized by US taxpayer dollars to influence US public opinion,” Comer and Mace wrote. They emphasized the importance of stopping organized attempts to “inject bias into important and sensitive topics.”

Specifically, the committee is demanding records on possible coordination by nation-states or academic institutions to influence Wikipedia pages, internal arbitration files documenting how the site has handled editor misconduct, identifying data for accounts flagged for suspicious activity, and any analysis showing patterns of manipulation tied to antisemitism or the Israeli-Palestinian conflict. The letter also requests details of Wikipedia’s editorial policies to ensure neutrality and prevent the spread of bias.

Although the committee acknowledged that most online platforms face disinformation threats, the letter stressed that Wikipedia’s outsized influence as one of the most visited websites in the world and a key training source for artificial intelligence systems makes it especially important to prevent anti-Israel narratives from taking root unchecked.

The Wikimedia Foundation has previously stated that it takes action against volunteer editors who violate neutrality rules, but lawmakers say further transparency is needed to guarantee accountability.

However, a detailed investigation by Pirate Wires in October 2024 revealed that a powerful group of roughly 40 Wikipedia editors coordinated to “delegitimize Israel, present radical Islamist groups in a favorable light, and reshape the narrative around Israel with alarming influence,” particularly after the Hamas-led Oct. 7, 2023, massacre across southern Israel. Notably, one editor removed mention of Hamas’s 1988 charter, which calls for the killing of Jews and the destruction of Israel, from the Hamas article just six weeks after the attack. The group also reportedly sought to suppress documented human-rights abuses by Iran, and a related effort by a Discord-based collective known as “Tech For Palestine” coordinated mass editing of articles related to the Israeli-Palestinian conflict.

According to a report by the Jewish Journal, Wikipedia’s arbitration committee (ArbCom)  permanently banned two editors outright for engaging in off-platform coordination tied to the “Tech for Palestine” Discord campaign, citing violations of policies. Additionally, the committee imposed indefinite topic bans on eight editors in the Israeli-Palestinian area for disruptive behavior such as non-neutral editing, personal insults, and misrepresentation of sources. In December 2024, ArbCom permanently banned two anti-Israel editors and placed restrictions on three others for violation of site policies in the Israeli-Palestinian topic area.

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Tunisian Brothers to Face Trial for Cutting Down Olive Tree Honoring Murdered Jew Ilan Halimi in France

A crowd gathers at the Jardin Ilan Halimi in Paris on Feb. 14, 2021, to commemorate the 15th anniversary of Halimi’s kidnapping and murder. Photo: Reuters/Xose Bouzas/Hans Lucas

Two Tunisian twin brothers have been arrested in France after allegedly cutting down an olive tree that had been planted to honor Ilan Halimi, a young French Jewish man tortured to death nearly a decade ago.

According to the Bobigny prosecutor’s office, two 19-year-old undocumented men with prior convictions for theft and violence were arrested for vandalizing Halimi’s memorial in the northern Paris suburb of Épinay-sur-Seine.

Both brothers appeared in criminal court on Wednesday and were remanded in custody pending their trial, scheduled for Oct. 22.

They will face trial on charges of “aggravated destruction of property” and “desecration of a monument dedicated to the memory of the dead on the basis of race, ethnicity, nationality, or religion,” offenses that, according to prosecutors, carry a sentence of up to two years in prison.

Both suspects were taken into custody around noon on Monday while returning to the crime scene, French media reported.

Investigators tracked them down after discovering two slices of watermelon left by the perpetrators at the base of the olive tree, which contained their DNA.

Halimi was abducted, held captive, and tortured in January 2006 by a gang of about 20 people in a low-income housing estate in the Paris suburb of Bagneux.

Three weeks later, Halimi was found in Essonne, south of Paris, naked, gagged, and handcuffed, with clear signs of torture and burns. The 23-year-old died on the way to the hospital.

In 2011, an olive tree was planted in Halimi’s memory. Earlier this month, the memorial was found felled — probably with a chainsaw — in the northern Paris suburb of Epinay-sur-Seine.

Halimi’s memory has faced attacks before, with two other trees planted in his honor vandalized in 2019 in Essonne, where he was found dying near a railway track.

Hervé Chevreau, the mayor of Épinay, announced that a new memorial tree will be planted in the second half of September.

After the attack, French President Emmanuel Macron condemned the incident, vowing that the perpetrators would be brought to justice.

“Felling the tree in honor of Ilan Halimi is a second attempt on his life,” the French leader said in a post on X.

Halimi’s sister, Anne-Laure Abitbol, also condemned the incident, warning that public denunciations are no longer enough and calling for concrete action.

“In France, we are no longer safe, neither alive nor dead,” Abitbol told RTL in an interview.

“I feel less safe in France,” she said. “By recognizing a Palestinian state, Macron is encouraging antisemitism and failing to take action against antisemitic attacks in the country.”

Last month, Macron announced that France will recognize a Palestinian state at the United Nations General Assembly in September as part of its “commitment to a just and lasting peace in the Middle East.”

Israeli officials have criticized the move, which was followed by several other Western countries, calling it a “reward for terrorism.”

France’s Jewish community has faced a troubling surge in antisemitic incidents and anti-Israel sentiment since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.

Jewish leaders have consistently called on authorities to take swift action against the rising wave of targeted attacks and anti-Jewish hate crimes they continue to face.

According to the French Interior Ministry, 646 antisemitic incidents were recorded from January to June this year — a drop from the previous year’s first-half record high but a 112.5 percent increase compared with the same period in 2023, when 304 incidents were reported.

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