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From Moses to Memphis, the work of liberation remains unfinished
(JTA) — Rereading Exodus this month in synagogue reminds me of when I first learned about Moses’ role in freeing the Children of Israel who had been enslaved to Pharaoh. I grew up in Monsey, New York. My mother was Black and my father was white; my family identified with the Chabad-Lubavitch movement. I discovered the Passover story through ultra-Orthodox coloring books that depicted the liberation of the ancient Israelites from bondage in Egypt.
One illustration depicted Moses as an 18th-century Hasidic Jew clad in a shtreimel (fur hat) and long kapote (robe), with abundant sidelocks flowing down to his shoulders. I brought home my masterpiece, fully crayoned in purple, and showed it proudly to my mother. She gave me a puzzled look and said, “You know, Moses didn’t look like this. He had brown skin like mine.”
It was an enlightening idea that hit me like a thunderbolt. Seeing Moses as a Black person changed my whole idea of Jewish history and religion in one fell swoop — it made me feel my Black and Jewish roots even more profoundly, and that I was a descendant of great Jewish and African men and women who founded our tradition.
As time went on, though, and I went “all in” and studied to become a rabbi, I realized that Moses’ skin color mattered much less than his role as a liberator. Although many Jews do see in color, Judaism does not. The way to follow in his footsteps, I grasped, was to become an educator, a leader and a champion for freedom. I’ve devoted my career to empowering Jewish communities across the continent to become more welcoming and inclusive, to overcome racism and prejudice, and to create a more just, equitable and loving society.
The Biblical narrative of the Exodus is a call to stand for freedom and against tyranny in every generation. It says, in effect, “You are able to speak, and to be carried away on the wings of words from millennia ago, bound to no Pharaoh’s story, but liberated by your own.”
Neither my Black nor Jewish forebears could have imagined how far their descendants would come in terms of participation and even leadership in our society. As the Black visual artist Brandon Odums has reflected, “We are our ancestors’ wildest dreams.”
But there is, alas, still so far to go, as last month’s brutal killing of Tyre Nichols at the hands of the police in Memphis reminds us. Both Black History Month and the Book of Exodus teach that we can only fulfill our destiny if we fight for the liberation of all peoples.
Earlier this month, we celebrated Shabbat Shira, in which we read about the Children of Israel’s miraculous escape from Egypt by crossing the Red Sea. I was reminded of what the late 20th-century Slonimer Rebbe, Sholom Noach Berezovsky, said about the ancient Hebrews wading into the water because they had faith not just in their hearts and minds, but in their bodies — in their very bones, he said.
What does it mean to believe with your bones? The Prophet Jeremiah declared that the word of God was like “fire shut up in his bones” (20:9). Dr. Martin Luther King quoted Jeremiah in his last speech, “I’ve Been to the Mountaintop,” saying, “Somehow the preacher must have a kind of fire shut up in his bones. And whenever injustice is around, he tell it.” King gave that speech on April 3, 1968 — in Memphis — on the night before he was assassinated.
Early in the speech, King imagined “God’s children in their magnificent trek from the dark dungeons of Egypt through, or rather across, the Red Sea, through the wilderness on toward the Promised Land.” He concluded with these uncannily prescient words: “I want you to know tonight that we as a people will get to the Promised Land. So, I’m happy tonight, I’m not worried about anything, I’m not fearing any man. Mine eyes have seen the glory of the coming of the Lord.”
Our commitment to creating a better world — making it to the Promised Land — must always be so much more than merely skin deep. Only when we believe in our bones that change is possible, and that we can be agents of that change, will fear melt away and we will be able to defeat the Pharaohs who seek to deprive us of our dignity, whether in Memphis or anywhere in our land.
We shall reach the Promised Land — someday. We shall recognize that we are all God’s children—someday. We shall overcome — someday.
May that day be very soon and may we all unite in joy, peace and celebration to usher it in.
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The post From Moses to Memphis, the work of liberation remains unfinished appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”