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‘Have You No Shame?’: Pro-Israel Hollywood Advocacy Group Urges Celebs to Stop Wearing Ceasefire Pins Ahead of Oscars

Nicola Coughlan at Time 100 Next on October 09, 2024 at Chelsea Piers in New York City. Photo: IMAGO/MediaPunch via Reuters Connect

A pro-Israel advocacy organization comprised of influential Hollywood figures has challenged members of the entertainment and media industry to stop wearing red pins from Artists4Ceasefire that show support for Palestinians in the Gaza Strip, including at the 96th Academy Awards on Sunday.

A collective known as The Brigade published an open letter on Monday night that addressed Artists4Ceasefire and supporters of its enamel pins, which depict a red palm of a hand with a heart in its center.

The red palm symbolizes Palestinian solidarity, but it also became the symbol of the notorious lynching of two Israeli military reservists, Vadim Nurzhitz and Yosef Avrahami, in the West Bank city of Ramallah in October 2000. One of their killers, Aziz Salha, appeared at the window of the police station delightedly displaying his blood-stained palms to the appreciative mob gathered outside following the murder of the two Israelis.

The red palm symbol has since been used by anti-Israel protesters to criticize Israel’s military actions in the Gaza Strip targeting Hamas terrorists who orchestrated a massacre across southern Israel on Oct. 7, 2023. Celebrities who have sported the Artists4Ceasefire pins at previous press events and award ceremonies, including last year’s Oscars, include Mark Ruffalo, Nicola Coughlan, Ramy Youssef, Ava DuVernay, Billie Eilish, and her brother Finneas O’Connell.

In their open letter on Monday night, The Brigade — comprised of talent, publicists, producers, writers, marketers, agents, analysts, lawyers, and artists — noted the similarly between the red palm symbol used by Artists4Ceasefire and the 2000 lynching.

“In 2000, Palestinian terrorists in Ramallah lynched two innocent Israelis, ripped them apart limb by limb, and held up their blood-soaked hands to a cheering mob. That infamous image is now your ‘ceasefire’ badge. Is this ignorance? Or is this deliberate, calculated malice?” wrote The Brigade. The group described the red hand pin as “no symbol of peace” but instead “the emblem of Jewish bloodshed.”

The group blasted Artists4Ceasefire for asking celebrities to wear the pin but more specifically the timing of its campaign. The anti-Israel group urged celebrities to showcase their pin on Feb. 20, the same day Hamas returned the murdered bodies of Ariel Bibas, 4, and Kfir Bibas, 10 months, to Israel. The young brothers were brutally murdered by Hamas in November 2023 during their captivity and their bodies were held captive for more than 500 days.

“On Feb. 20, the same day the world learned 10-month-old Kfir Bibas and his 4-year-old brother Ariel were strangled to death by their terrorist captors in Gaza, you doubled down-urging celebrities to proudly wear your bloodstained red hand pin. Have you no shame?” the statement asked.

The Brigade then directly addressed members of the Hollywood industry who plan on wearing the pin in the future, including at the Oscars on Sunday. “Would you proudly wear the emblem of a lynching?” The Brigade asked them. “Would you parade the symbol of people who strangled babies with their bare hands? Because that is what the red hand represents. To those who wore it without knowing – now you know. To those who knew it and wore it anyway — we see you and we will not be silent.”

The open letter also condemned Hamas’s “grotesque, sadistic ceasefire tactics,” and how the US-designated terrorist organization “executed Israeli captives AFTER a ceasefire was reached.” The letter also talked about hostages returning to Israel “on the brink of death, frail, bruised, and starved,” and how Hamas “traded mutilated corpses while laughing in the faces of grieving families.”

Artists4Ceasefire explained the symbolize of its pin in a statement on its website: “The red background [is] to symbolize the urgency of the call to save lives. The orange hand conveys the beautiful community of people from all backgrounds that have come together in support of centering our shared humanity. The heart being cradled in the center of the hand is an invitation for us to lead with our hearts, always, to lead with love.”

Read the full letter from The Brigade below:

To the Red Hand Supporters,

We turned the other cheek when you pinned a symbol of Jewish murder to your awards lapels.

We took the high road when you cried for a ceasefire that already existed before Hamas shattered it on October 7th.

But today, we will not be silent.

That pin is no symbol of peace. It is the emblem of Jewish bloodshed.

In 2000, Palestinian terrorists in Ramallah lynched two innocent Israelis, ripped them apart limb by limb, and held up their blood-soaked hands to a cheering mob. That infamous image is now your “ceasefire” badge.

And on the very day it was discovered that the Bibas babies—innocent Jewish children—were strangled to death by the terrorist’s bare hands, you asked Hollywood to wear it with pride.

Is this ignorance?

Or is this deliberate, calculated malice?

It’s not peace.

You Claim to See Humanity on Both Sides. Yet You…

❌ Ignore the facts surrounding the historic barbaric October 7 terror attack on Israel
❌ Push your anti-Israel narrative even after Israel agreed to ceasefires with Hamas AND Hezbollah.
❌ Refuse to condemn Hamas’ grotesque, sadistic ceasefire tactics.

Did you speak up when Hamas:

– Returned hostages on the brink of death, frail, bruised, and starved?
– Executed Israeli captives AFTER a ceasefire was reached?
– Traded mutilated corpses while laughing in the faces of grieving families?

*Actors, Actresses, Filmmakers and people of our Hollywood Community, Read This Before You Wear That Pin Again* Would you proudly wear the emblem of a lynching?

Would you parade the symbol of people who strangled babies with their bare hands?

Because that is what the red hand represents.

To those who wore it without knowing—now you know.

To those who knew and wore it anyway—we see you and we will not be silent.

Members of the Brigade

The post ‘Have You No Shame?’: Pro-Israel Hollywood Advocacy Group Urges Celebs to Stop Wearing Ceasefire Pins Ahead of Oscars first appeared on Algemeiner.com.

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The BBC Documentary That Paints Every Israeli as an Extremist

The Jewish community of Beit El in Judea and Samaria. Photo: Yaakov via Wikimedia Commons.

Louis Theroux first visited the West Bank in 2011 to film a documentary titled Louis and the Ultra-Zionists, part of his long-running series for the BBC. Back then, he at least seemed to possess a trace of journalistic curiosity. Even the title signaled a degree of editorial caution — framing his subjects as a small, ideological fringe rather than representative of Israeli society as a whole.

At the time, Theroux made an effort to clarify that he was profiling a narrow segment of Israelis. He showed legally purchased Jewish homes (sold by Arab landowners, no less) and acknowledged the regular — and at times deadly — terror attacks faced by Israeli civilians living in the area, often requiring military protection. There was condescension, certainly. But there was also context.

Fast-forward to 2024, and the curiosity is gone — though the bemused, slightly smug expression remains. His new BBC documentary, Louis and the Settlers, drops even the soft qualifiers. No “ultra.” No nuance. Just “settlers.” And with that, Theroux makes it clear: half a million Israelis living in the West Bank are one and the same — extremists who, we’re told, want every last Palestinian removed from the land.

This time, the documentary doesn’t begin with questions. It begins with conclusions. And Theroux uses a brief, unrepresentative snapshot of life in the West Bank to draw sweeping indictments of the entire Israeli state.

The message is unmistakable: Israel is the problem. Settlers are the villains. And Palestinians are passive, blameless victims of a colonial project.

Within the opening minutes, Theroux plants his ideological flag. He refers to the West Bank as “Palestinian territory” and describes every Israeli community within it as illegal under international law — a sharp departure from his more qualified approach 14 years earlier.

And while his personal views seep in throughout the film, they become crystal clear during one exchange at a checkpoint, where an Israeli soldier casually refers to their location as “Israel.” Theroux shoots back: “We’re not in Israel, are we?”

And just like that, the BBC and Louis Theroux have redrawn Israel’s borders. No Knesset debate needed.

Erasing History to Blame the Massacre

The timing of this return trip is no accident. The film comes in the shadow of the October 7 Hamas massacres — the day 1,200 Israelis were slaughtered, families were burned alive in their homes, and children were dragged into Gaza. And yet, Theroux barely mentions it.

The few passing references to October 7 serve not to inform the audience — but to imply that Israel may be exploiting its own dead to justify further expansion. It’s not an investigation. It’s an accusation. And it allows him to skip over thousands of years of Jewish history in order to frame the current war in Gaza as a convenient cover story for Israeli “aggression.”

Take Hebron, for example. Theroux tells viewers that “in 1968, the year after [the West Bank] was occupied by Israel, a community of Jewish settlers moved in illegally. They now number some 700.” He fails to mention that in 1895 — decades before the modern state of Israel existed — Hebron had a Jewish population of 1,429.

Jews have lived in Hebron since antiquity — it’s where, according to Jewish tradition, Abraham purchased the Cave of the Patriarchs. Modern records date the community back centuries, despite discrimination under Ottoman rule and bans on Jewish prayer at holy sites. In 1929, Arab rioters carried out a massacre, wiping out Hebron’s Jewish population. Dozens were murdered; the rest were expelled. Under Jordanian rule from 1948 to 1967, Jews were banned from the city entirely. When they returned after the Six-Day War — not as colonists, but as a displaced community coming home — Theroux picks up the story there and calls it “illegal.”

On the Six-Day War itself, Theroux offers no context. No mention of the Arab armies preparing to destroy Israel. No mention of Israel’s preemptive strike against an existential threat.

According to The Settlers, Israel simply “occupied” — full stop.

Palestinian Terrorism? Not Even a Footnote.

Theroux visits Evyatar, a small Jewish community near the Palestinian town of Beita, and uses it as a stand-in for the entire West Bank. Beita is depicted as a symbol of peaceful resistance: a proud, ancient Palestinian village standing firm against violent settlers backed by IDF soldiers.

It’s a neat story. Too neat. Because missing from the story are years of organized, violent riots from Beita — complete with Molotov cocktails, burning Stars of David, and Nazi swastikas. All carefully omitted to preserve the narrative: Palestinians peaceful, settlers aggressive. Facts that don’t fit? Left on the cutting room floor.

Meanwhile, Israeli nationalism is treated as something sinister and unsettling — a moral aberration to be examined. The notion that Jews might want sovereignty or security is met with thinly veiled suspicion. Yet Hamas’ goal of a Jew-free Palestine, explicitly laid out in its charter, is never mentioned. Nor is the Palestinian Authority’s “pay-for-slay” policy, which literally incentivizes terrorism by rewarding those who murder Israelis — including women and children.

These aren’t fringe details. They’re central to understanding the region. And Theroux knows it. He just doesn’t care.

The BBC’s Complicity

That The Settlers aired on the BBC — a publicly funded broadcaster once seen as a gold standard of global journalism — says plenty. Not just about Louis Theroux’s agenda, but about the institutional direction of the BBC itself. This wasn’t a rogue filmmaker sneaking bias past the editors. This was bias built into the foundation — signed off, packaged, and broadcast under the banner of credibility.

There is, of course, no problem with scrutinizing Israeli policy, and no issue with questioning the settlement enterprise or highlighting the tensions in the West Bank. But journalism — real journalism — demands context. It demands precision. It demands at least a passing familiarity with the full scope of the story.

Theroux offers none of that. He arrives with a predetermined script and casts his roles accordingly: Hero. Villain. Victim. Oppressor. And when reality refuses to cooperate? It’s left out.

Louis Theroux didn’t return to Israel to understand it. He returned to flatten it. To reduce its complexity to a morality play — and to ensure everyone knows the antagonist is.

The Settlers isn’t a documentary. It’s a hit piece. And the BBC handed him the camera — then applauded the performance.

The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

The post The BBC Documentary That Paints Every Israeli as an Extremist first appeared on Algemeiner.com.

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Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl

Jewish-American Wall Street Journal journalist Daniel Pearl was kidnapped and murdered by Islamist terrorists in Pakistan in 2002. Photo: Screenshot

The Indian government announced on Thursday that its military forces had killed “Pakistan’s most wanted terrorist,” who was connected to the 2002 murder of Jewish-American Wall Street Journal journalist Daniel Pearl.

On Wednesday, India launched “Operation Sindoor,” which the ruling Bharatiya Janata Party (BJP) claims is targeted at dismantling “terrorist infrastructure” in Pakistan and Pakistan-administered Kashmir.

The operation came after Pakistani terrorists killed 26 Hindu tourists in Kashmir last month amid escalating tensions between the two countries.

In a post on X, the BJP confirmed that during this week’s operation, the Indian army killed Islamist terrorist Abdul Rauf Azhar, who was involved in numerous terrorism plots, including the 1999 hijacking of an Indian Airlines flight, the 2001 terror attack on the Indian Parliament, and the 2016 Pathankot Air Force base attack.

Azhar’s involvement in the 1999 hijacking led to the release of Ahmed Omar Saeed Sheikh, a British-born al-Qaeda member with close ties to Pakistan’s intelligence services, who later was involved in the kidnapping and subsequent murder of 38-year-old Pearl, who was covering the war on terror as a journalist when he was abducted.

In a statement on X, Pearl’s father, Judea, addressed initial reports regarding Azhar’s death and his connection to his son’s murder.

“I want to clarify: Azhar was a Pakistani extremist and leader of the terrorist organization Jaish-e-Mohammed. While his group was not directly involved in the plot to abduct Danny, it was indirectly responsible. Azhar orchestrated the hijacking that led to the release of Omar Sheikh — the man who lured Danny into captivity,” he said.

In 2002, the Jewish-American journalist was abducted and killed by a group of Islamist terrorists connected to Azhar’s militant network, which had ties to al-Qaeda and Jaish-e-Mohammed, a terror group aiming to separate Kashmir from India and incorporate it into Pakistan.

On Jan. 27, 2002, an email was sent to several Pakistani and US media organizations, which included several photos, stating that Pearl was being held in “inhumane” conditions to protest the US treatment of Taliban and al Qaeda prisoners in Cuba. Photo: Screenshot

Originally stationed in New Delhi as the South Asia bureau chief for The Wall Street Journal, Pearl later moved to Pakistan to investigate terrorism following the Sept. 11, 2001, terrorist attacks in New York City.

After kidnapping Pearl at a restaurant in Karachi, southern Pakistan, the Islamist terrorists, who identified themselves as the National Movement for the Restoration of Pakistani Sovereignty, accused him of being an Israeli spy and sent the United States a list of demands for his release.

However, Washington did not meet their demands, and Pearl was ultimately executed after being held captive for five weeks.

His wife, Mariane Pearl, gave birth to a baby boy, Adam D. Pearl, in Paris later that year. On the Daniel Pearl Foundation website, she said, “Adam’s birth rekindles the joy, love, and humanity that Danny radiated wherever he went.”

The post Indian Army Kills Islamist Terrorist Linked to 2002 Murder of Jewish-American Journalist Daniel Pearl first appeared on Algemeiner.com.

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Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete. Photo: Screenshot

A Jewish jewelry shop owner in Djerba, Tunisia, was brutally attacked by a man wielding a machete just days before the Tunisian island was set to host its annual Jewish pilgrimage, which is expected to draw thousands of visitors.

On Wednesday morning, two Jewish men — owners of a jewelry shop in the center of the island, located off Tunisia’s southeast coast — were physically assaulted by a man carrying a large knife.

Although the attack was halted when one of them screamed — alerting members of the local Jewish community who subdued the assailant — one of them was left severely injured.

According to local media reports, the attacker had surveyed the island the day before, visiting several stores to identify those owned by Jews. Local police arrested him shortly following the assault.

After the attack, one of the owners was admitted to the hospital with severe injuries. The 50-year-old Jewish man had his fingers severed during the assault and underwent surgery to reattach them.

Israeli Foreign Minister Gideon Saar condemned the attack and expressed his wishes for a swift recovery to the victims.

“This attack comes two years after the previous deadly assault that claimed Jewish lives and the lives of security personnel during the Lag BaOmer celebration,” the top Israeli diplomat wrote in a post on X.

“I call on the Tunisian authorities to take all necessary measures to protect the Jewish community,” Saar continued.

Djerba is home to the majority of Tunisia’s Jewish community, numbering about 2,000 people, and is also where the renowned El Ghriba Synagogue, one of North Africa’s oldest synagogues, is located.

The attack comes just a week before Jewish pilgrims are expected to arrive on the island for the Lag B’Omer holiday, when thousands gather annually for three days of festivities. The annual pilgrimage to El Ghriba Synagogue, scheduled for May 15 and 16 this year, draws visitors from around the world.

The synagogue has been targeted in multiple terrorist attacks over the years, including in 1985, 2002, and 2023.

Two years ago, a shooting at the synagogue claimed the lives of two Jewish cousins and three police officers. Aviel Hadad, a 30-year-old Israeli goldsmith, and Ben Hadad, a 42-year-old Frenchman who had traveled to join the festivities, were among the victims.

The post Jewish Jewelry Shop Owners Brutally Assaulted in Tunisia Days Before Annual Pilgrimage first appeared on Algemeiner.com.

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